- 8 hours ago
Patience S02E02 (2026) [Full Movie] [Trending Drama]Full EP - Full
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00:00You
00:54Professor Greville?
00:56Are you alright?
00:58I'm fine.
01:00I'm going back to the faculty.
01:03And don't just stand there, get back to rehearsal, you need it.
01:07It's like listening to a cat.
01:10Vomiting.
01:10Vomiting.
01:24Vomiting.
01:28Vomiting.
01:29Vomiting.
01:50Oh my god, oh my god, someone help, please, someone help!
02:04Oh my god, oh my god, someone help!
02:31Oh my god, oh my god, oh my god, oh my god, oh my god, oh my god, oh my
02:39god, oh my god, oh my god, oh my god, oh my god, oh my god, oh my god, oh
02:39my god, oh my god, oh my god, oh my god, oh my god, oh my god, oh my god,
02:39oh my god, oh my god, oh my god, oh my god, oh my god, oh my god, oh my
02:41god, oh my god, oh my god, oh my god, oh my god, oh my god, oh my god, oh
02:42my god, oh my god, oh my god, oh my god, oh my god, oh my god, oh my god,
02:43oh my god, oh my god, oh my god, oh my god, oh my god, oh my god, oh my
02:44god, oh my god, oh my god, oh my god, oh my god, oh my god, oh my god, oh
02:52my god, oh my god, oh my god
03:01Hi. Hello. You look nice. Thank you. You look sweaty. Yeah, we were proper going for it. Hey, you're Patience,
03:10right? Yes. Hello. Patience Evans. I love Patience Evans. This is Violet, Truong and Rami. Are you coming to a
03:19gig on Friday? I didn't. I'm not. It doesn't matter. It's just in a crappy pub. Oi, turn on your
03:26booking. True. Okay, let's shoot. Have a nice lunch, you two.
03:29Bye. Bye. See ya. Sorry, gigs aren't really my thing. No, no, no. Don't worry. It's fine. So, lunch. I
03:40wasn't sure what you'd fancy. I put us to a place in a shambles. Oh, you are kidding me.
03:55I'm, um, I'm really sorry about this. We'll, um, we'll get lunch another time, yeah? Yeah. Yeah. Hi. Bye. Bye.
04:07Oh, Miss Evans. You're here too. Come on, then. Um, I'm not sure I'm supposed to be...
04:26Well, that's a bust. Sorry, I dragged you in for nothing. Oh, nothing? Yeah, it was an accident.
04:33Clearly, the woman tripped, fell and fractured her occipital bone. She'd have died the minute she hit the ground.
04:38The minute she hit the ground, are you sure? Absolutely. There's a temporal factor at the base of her skull.
04:45Look, there's, uh, bleeding from her ear.
04:49Mmm, no.
04:52Sorry?
04:54No, the bleeding wasn't from the fracture. That must have happened earlier.
04:58What makes you think that?
04:59Oh, look, the blood on her left hand.
05:03She wouldn't have been able to touch her if she died before the portal.
05:07Oh.
05:09Interesting hypothesis.
05:10Yeah.
05:37Sorry. I just, um, um, gotta go.
05:43Sir, what have we got here?
05:45Well, uh, at, uh, first glance, one might think it was an accident, but...
05:51another convincing possibility is that the victim was dead before the fall.
05:58Can you think of anyone who might want to hurt Helen?
06:01No.
06:03No, no, no, everyone liked, uh, you were both music students, yeah?
06:12Nice place to practice.
06:14Yeah.
06:15A lot of the students rehearse here.
06:18Especially when we've got a big concert or something.
06:24Oh, Vanessa.
06:27I am so sorry.
06:29I would have come sooner if I got stuck at the doctor's.
06:33D.I. Munro, City of York Police.
06:35This is DS Hunter.
06:36You are?
06:37Oh, uh, Bernie Hudson.
06:39Listen, I'm Vanessa's pastoral supervisor.
06:42Am I your official therapist?
06:45It can be tough on our students.
06:48They work very hard.
06:50Yeah, I guess it's pretty competitive.
06:53Oh, it's not easy on these kids.
06:56You have to really want it.
07:05So, can you access it all here?
07:08Yeah, I get all the rehearsal recordings.
07:11That's what, you police?
07:15That's where I work, yeah.
07:18Got it.
07:19Here we go.
07:27Oh, yeah.
07:31Uh, uh, stop.
07:32Can you...
07:33Sorry, can you rewind that, please?
07:35Why?
07:36Well, I had...
07:37I had some talking under the music.
07:39I don't think so.
07:46Yeah, there.
07:47There, can you isolate that, please?
07:49It's not easy.
07:50There are 42 mics.
07:53I'll give it a go.
08:06It's all right.
08:08I understand you have recordings of the students' organ rehearsals, yeah?
08:12I'm at DI Munro, York City Police.
08:13Yeah, I'm already working on it for your colleague.
08:20What do you think you're doing, Evans?
08:21I just...
08:22I thought I heard something odd on the recording.
08:24How the hell do you hear that?
08:27I mean, I have hyperacusis, so sometimes I can hear things that others can't.
08:31Like, what have you heard?
08:32Oh, this.
08:33Get out, Harry!
08:34Do that again, and I'll kill you!
08:37That's John Grebel.
08:38Vanessa's professor?
08:39Yeah.
08:40Well, he was there.
08:41He was at the rehearsal.
08:42Well, it sounds like it.
08:44That means he left the crime scene.
08:46Wait, crime scene?
08:47I thought this was an accident.
08:49Um, I think we need to isolate every one of those mics from that recording.
08:53What, there's more than one?
08:54Yes.
08:5541 more.
08:56Right, well, better get on with it, then.
09:06So, do you want to tell me what you're doing here?
09:08Um, yeah, I just...
09:09I wanted to help with the case.
09:10How do you even know about the case?
09:12Er, well, I've just come from there, but I was with Elliot Scott from Forensics when he got the call,
09:16because we were supposed to go out for lunch.
09:18Hang on. Hang on.
09:20Oh.
09:20Get up.
09:21Yeah.
09:22Apparently, this professor's a real piece of work.
09:25Yeah, so we're here, yeah.
09:36He's got a hotshot reputation.
09:38Those of his students do really well, but he's also at the centre of a bunch of bullies.
09:43Two formal complaints, both of them shelved, and the words egomaniac, narcissistic psychopath came up.
09:49Sounds delightful.
09:51Okay.
09:52Good find.
09:53Bring him in.
09:54Yeah, and have a sniff around Helen Merchant's house.
09:57Take Will.
09:58See where you can turn up.
09:59All right, will do.
10:13What are you listening to?
10:14Um, I asked for a copy of the rehearsal, because there's something odd.
10:19Yes, a woman died in the middle of it.
10:22No.
10:23No, that's not it.
10:25Okay, what was it then?
10:26So what did you hear?
10:28Oi, headphones.
10:31Headphones!
10:35We've had some super exciting ideas.
10:38Not just for the city of York Police, but for you too.
10:40Oh, yeah?
10:41We need to raise your profile online.
10:43Get some clicks and likes.
10:45Get you out there.
10:46I'm not running for office, you know.
10:48No.
10:49Okay.
10:49I mean, the Chief Constable did seem to think it necessary.
10:54What were the recent survey results?
10:56Well, responding to surveys is what police work is all about.
11:00Yeah, I get you.
11:02It is annoying, isn't it?
11:03Everyone's needing reassurance these days.
11:06How was your meal?
11:07How was your delivery?
11:10But we could use that to your advantage.
11:14What do you mean?
11:15In your case, we're thinking big old rebrand.
11:18We think it would really help if you came across as more approachable and kind.
11:24Fatherly.
11:45Hi.
11:46Hi.
11:46Um, I've worked out the vampire number.
11:51Oh, from the code your mum left?
11:53Yeah, from the FANG.
11:54Uh, I've got it.
11:56Eight, three, two, one.
11:59Yeah, um, I don't actually understand what it means.
12:04Looks like the old system.
12:06The old system?
12:07Yeah, criminal records.
12:09Before they overhauled the whole thing.
12:10Before your time.
12:11Really?
12:11This is how the cases were numbered.
12:14You think that's an old file number?
12:17Well, that's worth a shot.
12:20Okay.
12:26Maybe I can help?
12:29Yes.
12:32Yes.
12:32Thank you, Mr. Gilmore.
12:34Why did you walk out of Vanessa's rehearsal early?
12:37I wasn't feeling well.
12:38Oh, I'm sorry.
12:38How are you now?
12:39We can get you a glass of water.
12:40I'm fine.
12:41Must have come on quite quick.
12:42You sounded fighting fit when you were threatening Helen.
12:46I have no idea what you're talking about.
12:50It's on the rehearsal tape.
12:54Oh.
12:55I was just telling her to clear off.
12:57I'll say.
12:59Look, the girl's weird.
13:01Let alone a deeply mediocre student.
13:04She was infatuated with Vanessa, always hanging around.
13:10Hello, Professor.
13:11Tell me, how many black keys are there on a piano?
13:15Is it counting you struggle with, or are you just colourblind?
13:1836.
13:18Oh, we've just been at Helen Merchant's, and it turned out hers had 37.
13:28Shall we have a look and see what's on this?
13:35Why should I listen to this ham-fisted pedestrian crack?
13:39You're like a toddler having a tantra.
13:41I'm sorry, Professor.
13:42Oh, I'm sorry.
13:43Professor Perthetic, get out.
13:47You're not fit to be on this course.
13:49Get out!
13:51Good teachers.
13:52Oh, they can change the world.
13:55What you do is lazy and cruel.
14:00I get results.
14:01Everybody knows that.
14:02Oh, by treating them like crap.
14:04By finding their passion and harnessing it.
14:06And yes, it's tough.
14:08But if my students didn't want to work hard, they'd have done interactive media.
14:12Oh, I don't know, Prof.
14:13I think if someone had this kind of dirt on me, I'd want to shut them up.
14:15Oh, no.
14:16You got me.
14:17Look, all this proves is that Helen was obsessed with Vanessa.
14:25Oh, no.
14:27Oh, no.
14:27I don't know.
14:28Oh, no.
14:32But I'm sorry.
14:33I think I've been trying to do it.
14:33I don't know.
14:38I don't know.
14:41I don't know.
14:50I don't know.
14:51Well, it's not a murder.
14:52Turns out it was a ruptured aneurysm. That'll be why she fell.
14:55Right, so she had a stroke?
14:55Yes, and it seems rare, but it seems that the blood in her ear
14:59is actually leakage from the brain.
15:01So, no murder, no murderer, I'm afraid.
15:04Oh, bollocks.
15:20This is an index of the old reference numbers
15:23and the corresponding new ones.
15:28Ah, there.
15:31Well, it looks like it's been recategorised
15:33as folder C078469P.
15:38Know where that is?
15:42Sorry, any question?
16:11This is an address in my mother's handwriting.
16:20Your dad would have done this case.
16:22Your mum must have slipped it in when he brought the notes home.
16:30What do you want to do?
16:31I don't know.
16:33It's...
16:34It's okay if I don't think about it right now.
16:37Yeah.
16:38Yeah.
16:38Absolutely fine.
16:52The number you have called cannot be reached at this time.
16:55Where are you?
16:57I've been waiting ten minutes.
16:58I'm going inside.
17:05Oh, you're here!
17:12Ow!
17:15Stop!
17:17Please!
17:18Stop!
17:21Uh...
17:22Ugh!
17:24Oh!
17:25Oh!
18:25And when it mixes with the gastric juices, it can become toxic.
18:29Oh, yeah?
18:30Yeah, it can produce excessive sweating.
18:33It affects the whole nervous system.
18:36Anyway, so can you play the recording exactly 80505, please?
18:49There.
18:51What?
18:52The interference. Can you play it again?
18:57There.
19:00There's nothing there.
19:02There is.
19:03Well, I can't hear anything.
19:04I can.
19:05I am an audio engineer, but whatever.
19:08There.
19:10Oh.
19:13Yes, Hunter?
19:19Someone's happy to see you.
19:21What?
19:21Well, he isn't checking me out, is he?
19:23Um, yeah, Elliot and I went on a date.
19:26Oh.
19:27And will there be another one?
19:29No.
19:30I don't...
19:31I don't think so.
19:32Oh, OK.
19:32I just...
19:34I think I might be a bit boring for it.
19:37But you?
19:38Boring?
19:38Are you joking?
19:39I mean, you surprise me every day.
19:42Me?
19:43Yeah.
19:43I never know what you're about to do.
19:45Really?
19:46Yeah.
19:47Why don't you show him that side of you?
19:50Surprise him.
19:51Yeah.
19:53Are you sure it's OK that I'm...
19:55Oh, yeah.
19:56She said you were useful with the recording,
19:58so I think it's fine.
19:59Just relax.
20:01OK.
20:11Heart attack?
20:14How do you know?
20:15Well, two degrees and 25 years in forensics helps,
20:19but you can tell from the skin and the fingernails,
20:22and there's a scar on his chest,
20:24which means he probably had a mechanical aortic valve.
20:28OK, so hang on.
20:28Are you seriously not seeing this?
20:31Two deaths in two days in the same place,
20:34both bleeding from the ears?
20:36I know, but this one could be explained as well.
20:39The bleeding was caused by him falling on the floor
20:41and hitting his head.
20:45Uh, no, it wasn't.
20:48Look.
20:52What's that?
20:55Your diagnosis falling apart.
20:57Sorry.
20:58Well, when someone who's had an accident
21:00leaves a message,
21:01it's not an accident.
21:18Vanessa!
21:24What are you doing here?
21:27Uh, Professor Greville was supposed to give me a lift this morning
21:30so we could go over my rehearsal.
21:33But he didn't show.
21:36Yeah, I'm afraid I have bad news.
21:39Professor Greville died earlier today.
21:45What?
21:47Where were you this morning?
21:52Um...
21:54Uh, waiting at home and then...
21:58And I came here.
22:02Yeah.
22:03Let's get her inside.
22:04Well...
22:33These are a lot of tapes.
22:35Yeah.
22:37He kept copies of all of his students' concerts.
22:45Taccata et a fuga.
22:46Is that what you were playing when you found Helen?
22:49Yes.
22:54Yeah, what's this?
22:57Oh, it's a...
22:58It's a fermata.
23:01It's when you hold a note beyond its natural duration.
23:05Let it fill the space.
23:15Hi.
23:17Hey.
23:18Hey.
23:19Hey, Patience.
23:19I found your interference.
23:21I isolated the mic.
23:22And guess what?
23:23I can't...
23:24I can't guess.
23:25You've not given me any information.
23:27Okay, um...
23:28I sent you an audio file.
23:30Slowed down.
23:30Cleaned up.
23:31Enhanced.
23:32And you were right.
23:32There is interference.
23:34Yeah.
23:35You're recording something.
23:36Glitches.
23:37And then it resumes.
23:38Does the interference start at 80505 and end at 80511?
23:45How do you know that?
23:46Well, that's the fermata.
23:48Sway.
23:50You're hyperacusis.
23:51It's like a super power.
23:53Not always.
23:59Look.
24:00I was right.
24:01His aortic valve.
24:02Yeah, could you not wave that in my face?
24:04I was showing it to you.
24:05So, what of it?
24:06Well, the valve seems to have jammed, causing thrombogenesis,
24:08and our friend had a heart attack.
24:10No murder.
24:12Well, Evans doesn't agree with you.
24:15The music killed him.
24:16What does that mean?
24:17I have no idea, but apparently she's had a breakthrough.
24:19No, I don't agree.
24:20Well, she's very, very annoying,
24:22but she does have a knack of being right.
24:29Headphones.
24:33For God's sake.
24:34Where are you?
24:40What are you doing?
24:41What are you doing?
24:41Look.
24:42Oh, so, this is an infrasound generator,
24:44and it was inside the organ,
24:46and it's what killed Helen and the professor.
24:48What?
24:48Well, so when Vanessa pressed down the organ key,
24:51this began emitting a very low-frequency sound.
24:54It was below 20 hertz.
24:55So, hold this.
25:00OK.
25:04Ready?
25:05Well, I guess, yeah.
25:10See?
25:11Yeah.
25:12Do it again.
25:16That's weird.
25:20So, this was connected to the modified key.
25:23It's an infrasound generator,
25:24and it creates infrasonic frequencies,
25:27which are, like, inaudible,
25:29but very dangerous vibrations.
25:30And they're kind of vibrations
25:32that can jam a heart valve,
25:33which the professor had.
25:35Or rupture Helen's aneurysm.
25:37So, the murderer used the victim's conditions against them.
25:42Good work.
25:43Now, let's find out who put it there.
25:45Yeah, well, that would have been a valid theory.
25:46However, this is a bit of a snag for you.
25:48Toxicology came through.
25:50Turns out Helen had Lavixil in her system.
25:53It's an antidepressant.
25:54So?
25:55It causes hypertension.
25:56She would not have taken that with an aneurysm.
25:58It's too dangerous.
25:59So, Helen didn't know she had an aneurysm?
26:01Yeah, and if she didn't,
26:02then neither did the killer.
26:04Bingo.
26:05So, maybe that poor girl was just collateral damage.
26:08Yeah, well, that's a possibility.
26:10So, that would make it
26:12one natural death and one murder.
26:15I think we can call it a draw, Miss Evans.
26:21Well, I've got to go and interface
26:24with some young business leaders,
26:26whatever that means.
26:31I've got to go and interface with some young business leaders.
26:45I've got to go and see what happens.
26:56It's like you're not the one who's all about you
26:59You're not a trade-based, I've got all your time
27:02I've got a million things to talk about
27:04Like the water, I'm a new kind
27:07Like the water, I'm all about
27:09The reason I'm in sympathy
27:11I need my own, but then I'll be
27:13Like the water, I'm a new kind
27:16Like the water, I'm a new kind
27:17Like the water, I'm all about you
27:40You all right there?
27:41Who? Who? Who's heard that I? It's the noise.
27:49No, I get it. It's all just noise to me, too.
28:00Why should I listen to this ham-fisted pedestrian crap?
28:04You're like a toddler having a tantrum.
28:06I'm sorry, Professor.
28:07Oh, I'm sorry, Professor. Pathetic. Get out.
28:12You're not fit to be on this course. Get out!
28:18He was a coercive, cruel bully.
28:22And he got in your head. No, no, he believed in me.
28:27I know this doesn't make sense, but I...
28:30I needed to get it right. For him.
28:38What you did is understandable. He made you feel worthless.
28:45Scared. And you wanted it to stop.
28:50No, I wanted to protect him.
28:53I knew about the video. I stopped Helen from going public.
28:57I could never have killed him. I need him.
29:03Without him, I'm gonna let everybody down.
29:06That's not true.
29:09Well, you're like a black belt in this now, right?
29:14But to make it, you have to be...
29:19...extraordinary.
29:23Transcendent.
29:26You basically have to be Theos or just give up.
29:30What is Theos?
29:33Professor Greville's favourite student.
29:37The only one he ever really rated.
29:39Theos who?
29:42I don't know.
29:44It was a nickname.
29:48But he always said that whenever they played,
29:53he saw the face of God.
30:00It's a concert, so hopefully there'll be an introduction.
30:03Thank you, digital native.
30:05I think I'll take it from here.
30:26Well, no intro. So, useless.
30:29So, we've got nothing?
30:30No, not nothing.
30:32We know where the concert was.
30:35It's the York Minster.
30:37How do you know that?
30:40Um, er, well, er, my dad used to take me when I was little.
30:45And I recognised the tone.
30:47It's the organ that has 75 stops.
30:49Cool.
30:50Yeah, but it still leaves us with 40 years of concerts to go through there, don't it?
31:02So many concerts.
31:11You gonna answer that?
31:12Um, er, yeah, I'm sorry.
31:27Hi.
31:28Hi.
31:28Uh, good, you answered.
31:32Er, yeah.
31:33Well, you called me.
31:35Listen, I, er, I saw you came to my gig and then left.
31:41What happened?
31:42Was the music that bad?
31:43Um, no.
31:48Uh, can we meet?
31:51I'd really like to see you.
31:55I'm not sure that's a good idea.
31:58Oh.
31:59Hi.
32:00I, er, I need to go.
32:11They must really like you.
32:14Sorry?
32:15Well, if someone walked out of my gig, I don't think I'd be calling them back.
32:19Yeah, well, it doesn't, it doesn't matter.
32:23I mean, I'll never be able to do the girlfriend stuff, so.
32:28Girlfriend stuff?
32:29What's that?
32:31You know, like, bungee jumping and suddenly running off to Paris.
32:37Oh, you have been watching some terrible films.
32:41Has this man actually asked you to do any of this?
32:44No.
32:47Well, I am no relationship coach by any stretch,
32:50and I would rather clean out the fridge than do Valentine's,
32:52but I'm pretty sure there is no such thing as a perfect girlfriend.
32:58Yeah.
33:01I just don't know how to be.
33:04Must be you.
33:07Find someone who likes that.
33:10Sounds like you already have.
33:17Hang on.
33:18Doesn't that look like, um, Vanessa's pastoral supervisor?
33:23It was Bernie.
33:25I didn't know she was a musician.
33:28I mean, that says it's someone called Marie Renton.
33:32No, it's a stage name.
33:37And look who she thanks.
33:39Um, John Grebill.
33:46Why did she fail to mention any of this?
33:54Mum?
33:56York means the concert ends in tragic accident.
33:59Bernie fell from the balcony her own recital.
34:01Yeah, I don't think it was a tragic accident.
34:03I think she jumped to get away from that dick of a professor.
34:06Yeah, and when that didn't work,
34:07she tried to stop the bullying in a different way.
34:09Yeah.
34:10Where was she on the morning of the first murder?
34:11We need the interview notes.
34:12Er, she was at the doctor's.
34:14Hang on.
34:15You want another interview?
34:16No, I read the transcript.
34:19OK, check it out.
34:22On it.
34:23OK, Jake, I think we've got enough to bring her in.
34:58So, she's not at Walmart University?
35:00No, but she booked out the minster organ this morning.
35:03Also, Vanessa didn't show up for a meeting at the faculty.
35:05Oh, Christ.
35:06I will meet you there.
35:13Just got off the phone with Bernie's doctor.
35:15She'd been seeing him for pain management.
35:17Traumatic nerve damage to her hands,
35:18sustained in an accident 30 years ago.
35:21Yeah, so it sounds like the fall from the balcony ended her career.
35:23So, we have a washed-up star jealous of a younger protégé.
35:28We need to get to the minster.
35:30Er, I meant just DC.
35:32All right.
35:58I mean...
36:01I mean...
36:14I'm all right.
36:19I had no idea you played.
36:22That's about as much as I can manage these days.
36:26Bernie, that was so beautiful.
36:29I've never heard anyone play like that.
36:33I had a good teacher.
36:40Oh, my God.
36:44You're Theos.
36:57Magnificent, isn't it?
36:59I had a recital here.
37:02Many years ago.
37:05How wonderful.
37:07Minutes before the performance, Greville ripped my heart out.
37:11Told me I'd never be anything more than ordinary, and I'd never make it.
37:17This timing was exquisite.
37:20I tried to play, but I could barely breathe.
37:25Everybody was watching.
37:28And I knew then that it was over.
37:31My career.
37:34My career.
37:35My life.
37:54Amir, Graham, go round the back.
37:58I wanted you to hear this from me, so that you'd understand that he had to be stopped.
38:07You killed him.
38:10Never meant to hurt her.
38:15Bernie, what are you doing?
38:32What are you doing here?
38:38Bernie.
39:06Come on.
39:10Come on.
39:25Bernie?
39:30Bernie, put the gun down.
39:33I have to do this.
39:55I have to do this.
39:56I have to do this.
39:59I have to do this.
40:00I have to do this.
40:03I have to do this.
40:14I have to do this.
40:36I told you I'm fine.
40:39It was just a gunshot and no one got hurt.
40:46Still a lot to deal with.
40:47You were in shock.
40:48Yeah, but I'm fine now and D.I. Monroe saved that woman.
40:55Yeah, I guess she did.
40:57I just...
41:01I just, I still miss Detective B. She was on my side.
41:09I was part of her team, but now it was D.I. Monroe.
41:13This might be out there, but I'm on your side, and as much as I'd rather they didn't
41:20keep dragging you into dangerous situations, so is most of the crime squad.
41:25I guess so.
41:27And what about this boy in the band?
41:30He's on your side, right?
41:37I think he is.
41:40OK.
41:51I'm sorry for running away from your gig.
41:54I mean, it's not that your singing was terrible.
41:57Oh, good.
41:58Yeah, that's what I was going for.
41:59Not terrible.
42:00Yeah.
42:02Um, it was just overwhelming.
42:05Yeah, I thought it would be.
42:07Yeah.
42:08Why'd you come?
42:12To surprise you.
42:15I just wanted to show you a different side of me.
42:18Why?
42:19I like this side.
42:23I think I see Pat now.
42:25And by the way, there's only one side of me.
42:27And this is it.
42:29Hang on.
42:30Um...
42:32I've got an idea.
42:34Come with me.
42:38You OK?
42:41Come on.
42:47Elliot, this is a club.
42:52Trust me.
42:55Come on.
43:09Yeah.
43:13Yeah.
43:15Yeah.
43:18Yeah.
43:19Yeah.
43:21Yeah.
43:25I can't work that out of me without you.
43:28I can't work that out of me without you.
43:31I can't work that out of me without you.
43:41There's no magic potion can take away this pain.
43:47Just when I think I'm over you, it comes back again.
43:54I cried an ocean already knowing you don't feel the same.
43:59Oh, baby, you got me screaming and dreaming.
44:04Cry my heart out, screaming out loud.
44:08I can't work that out of me without you.
44:11Cry my heart out, screaming out loud.
44:14I can't work that out of me without you.
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