- 8 hours ago
Patience S02E02 (2026) [Full Movie] [New Drama]Full EP - Full
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00:00The
00:01The
00:13ORGAN PLAYS
00:43ORGAN PLAYS
01:03ORGAN PLAYS
01:05ORGAN PLAYS
01:05ORGAN PLAYS
01:07ORGAN PLAYS
01:14I don't know.
01:46Helen?
01:49Helen?
01:50Oh my God!
01:51Oh my God!
01:52Someone help, please!
01:53Someone help!
02:28Someone help, please!
02:42Someone help, please!
03:09Someone help, please!
03:14I have.
03:15This is Violet, Truong and Rami.
03:18Hey.
03:18Are you coming to a gig on Friday?
03:21I'm...
03:21I didn't...
03:22I'm not...
03:23It doesn't matter.
03:23It's just...
03:24It's just in a crappy pub.
03:25Oi!
03:26Turn on your booking.
03:27True.
03:27Okay, let's shoot.
03:29Have a nice lunch, you two.
03:30Bye.
03:30Bye.
03:31See ya.
03:33Sorry, gigs aren't really my thing.
03:35No, no, no.
03:35Don't worry.
03:36It's fine.
03:38So, lunch.
03:40I wasn't sure what you'd fancy.
03:42I...
03:42I put us to a place in the shambles.
03:44I...
03:46Oh, you are kidding me.
03:55I'm...
03:55I'm really sorry about this.
03:59We'll...
03:59We'll get lunch another time, yeah?
04:01Yeah.
04:02Yeah.
04:03Hi.
04:03Bye.
04:04Bye.
04:07Oh, Miss Evans.
04:08You're here, too.
04:10Come on, then.
04:13Erm...
04:13I'm not sure I'm supposed to be...
04:19Well, that's a bust.
04:29Sorry, I dragged you in for nothing.
04:31Oh, nothing?
04:32Yeah, it was an accident.
04:33Clearly the woman tripped, fell and fractured her occiputal bone.
04:37She'd have died the minute she hit the ground.
04:38The minute she hit the ground, are you sure?
04:40Absolutely.
04:42There's a temporal fracture at the base of her skull.
04:45Look, there's a bleeding from her ear.
04:50Mmm...
04:50No.
04:52Sorry?
04:54No.
04:54The bleeding wasn't from the fracture.
04:56That must have happened earlier.
04:58What makes you think that?
04:59Oh, look.
05:00The blood in her left hand.
05:03She wouldn't have been able to touch her if she died before the photo.
05:07Oh.
05:09Interesting hypothesis.
05:10No.
05:10Yeah.
05:14Yeah.
05:16Yeah.
05:32No.
05:36I'm sorry.
05:37Sorry, I just, um, got to go.
05:43So, what have we got here?
05:45Well, at first glance, one might think it was an accident,
05:50but another convincing possibility
05:54is that the victim was dead before the fall.
05:58Can you think of anyone who might want to hurt Helen?
06:01No.
06:03No, no, everyone might to.
06:07You were both music students, yeah?
06:12Nice place to practise.
06:15A lot of the students rehearse here.
06:18Especially when we've got a big concert or something.
06:24Oh, Vanessa.
06:27I am so sorry.
06:29I would have come sooner if I got stuck at the doctor's.
06:33D.I. Munro, City of York Police.
06:35This is DS Hunter.
06:36You are?
06:37Oh, er, Bernie Hudson.
06:40I'm Vanessa's pastoral supervisor.
06:42Am I your official therapist?
06:45Can be tough on our students.
06:48They work very hard.
06:50Yeah, I guess it's pretty competitive.
06:53Oh, it's not easy on these kids.
06:56You have to really want it.
07:05So, can you access it all here?
07:08Yeah, I get all the rehearsal recording.
07:11That's what you police.
07:15That's where I work, yeah.
07:18Got it.
07:19Here we go.
07:26Oh, yeah.
07:30Er, er, stop.
07:32Can you...
07:33Sorry, can you rewind that, please?
07:35Why?
07:36Well, I had...
07:37I had some talking under the music.
07:39I don't think so.
07:46Yeah, there.
07:47There, can you isolate that, please?
07:49Well, it's not easy.
07:50There are 42 legs.
07:53I'll give it a go.
08:07Sorry.
08:08I understand you have recordings of the students' organ rehearsals, yeah?
08:12I'm at DI Munro, York City Police.
08:14Yeah, I'm already working on it for your colleague.
08:20What do you think you're doing, Evans?
08:21I just...
08:22I thought I heard something odd on the recording.
08:24How the hell do you hear that?
08:27I mean, I have hyperacusis, so sometimes I can hear things that others can't.
08:31Right, what have you heard?
08:32Oh, this.
08:33Sit down, Terry!
08:34Do that again, and I'll kill you!
08:37That's John Grebel.
08:38Vanessa's professor?
08:39Yeah.
08:40Well, he was there.
08:41He was at the rehearsal.
08:42Well, it sounds like it.
08:44That means he left the crime scene.
08:46Wait, crime scene?
08:47I thought this was an accident.
08:49Um, I think we need to isolate every one of those mics from that recording.
08:53What, there's more than one?
08:54Yes.
08:5541 more.
08:56Right, well, better get on with it, then.
09:06So, do you want to tell me what you're doing here?
09:08Um, yeah, I just...
09:09I wanted to help with the case.
09:10How do you even know about the case?
09:12Uh, well, I've just come from there, but I was with Elliot Scott from Forensics when he
09:16got the call, because we were supposed to go out for lunch.
09:18Hang on.
09:19Hang on.
09:20Oh.
09:20Get up.
09:21Yeah.
09:22Apparently, this professor's a real piece of work.
09:25Yeah.
09:25So we're here, yeah.
09:36He's got a hotshot reputation.
09:38Lose of his students do really well, but he's also at the centre of a bunch of bullying
09:42scandals.
09:43Two formal complaints, both of them shelved, and the words egomaniac narcissistic psychopath
09:48came up.
09:49Sounds delightful.
09:51Okay.
09:52Good find.
09:53Bring him in.
09:55Yeah, and have a sniff around Helen Merchant's house.
09:57Take Will.
09:58See where you can turn up.
09:59All right.
10:00Will do.
10:13What are you listening to?
10:14Um, I asked for a copy of the rehearsal, because there's something odd.
10:19Yes?
10:20A woman died in the middle of it.
10:22No.
10:23No, that's not it.
10:24Hey, what was it then?
10:26So what did you hear?
10:28Oi!
10:29Headphones!
10:31Headphones!
10:35We've had some super exciting ideas.
10:38Not just for the city of York Police, but for you too.
10:40Oh yeah?
10:41We need to raise your profile online.
10:43Get some clicks and likes.
10:45Get you out there.
10:45I'm not running for office, you know.
10:48No.
10:49Okay.
10:50I mean, the Chief Constable did seem to think it necessary.
10:54What were the recent survey results?
10:56Well, responding to surveys is what police work is all about.
11:00Yeah.
11:00I get you.
11:02It is annoying, isn't it?
11:04Everyone's needing reassurance these days.
11:06How was your meal?
11:07How was your delivery?
11:10But we could use that to your advantage.
11:14What do you mean?
11:15In your case, we're thinking big old rebrand.
11:18We think it would really help if you came across as more approachable.
11:22And kind.
11:24Fatherly.
11:46I've worked out the vampire number.
11:51Oh, from the code your mum left?
11:53Yeah, from the FANG.
11:54I've got it.
11:56Eight, three, two, one.
11:59Yeah, but I don't actually understand what it means.
12:04Looks like the old system.
12:06The old system?
12:07Yeah, criminal records.
12:09Before they overhauled the whole thing.
12:10Before your time.
12:11Really?
12:12This is how the cases were numbered.
12:14You think that's an old file number?
12:18Well, that's worth a shot.
12:20Okay.
12:26Maybe I can help?
12:29Yes.
12:32Yes.
12:32Thank you, Mr. Gilmore.
12:34Why did you walk out of Vanessa's rehearsal early?
12:36I wasn't feeling well.
12:38Oh, I'm sorry.
12:38How are you now?
12:39We can get you a glass of water.
12:40I'm fine.
12:41Must have come on quite quick.
12:42You sounded fighting fit when you were threatening Helen.
12:46I have no idea what you're talking about.
12:50It's on the rehearsal tape.
12:54Oh.
12:55I was just telling her to clear off.
12:57I'll say.
12:59Look, the girl's weird, let alone a deeply mediocre student.
13:04She was infatuated with Vanessa, always hanging around.
13:10Hello, Professor.
13:11Tell me, how many black keys are there on a piano?
13:15Is it counting you struggle with, or are you just colourblind?
13:18Thirty-six.
13:18Oh, we've just been at Helen Merchant's, and it turned out hers had thirty-seven.
13:28Shall we have a look and see what's on this?
13:35Why should I listen to this ham-fisted pedestrian crack?
13:39You're like a toddler having a tantra.
13:41I'm sorry, Professor.
13:42Oh, I'm sorry, Professor.
13:44Pathetic, get out.
13:47You're not fit to be on this course.
13:49Get out!
13:50Good teachers, they can change the world.
13:55What you do is lazy and cruel.
14:00I get results.
14:01Everybody knows that.
14:02By treating them like crap.
14:04By finding their passion and harnessing it.
14:06And yes, it's tough.
14:08But if my students didn't want to work hard, they'd have done interactive media.
14:12Oh, I don't know, Prof.
14:13I think if someone had this kind of dirt on me, I'd want to shut them up.
14:15Oh, no, you got me.
14:17Look, all this proves is that Helen was obsessed with Vanessa.
14:22That's...
14:25Oh, Parsons.
14:30Oof.
14:31My forensics call drilling interview.
14:33That's usually not a good sign.
14:47OK.
14:50Right, so now it's not a murder.
14:52Turns out it was a ruptured aneurysm.
14:54That'll be why she fell.
14:55Right, so she had a stroke.
14:55Yes, and it seems rare, but it seems that the blood in her ear is actually leakage from the brain.
15:01So, no murder, no murderer, I'm afraid.
15:04Oh, bollocks.
15:20This is an index of the old reference numbers and the corresponding new ones.
15:28Well, it looks like it's been recategorized as folder C078469B.
15:37Do you know where that is?
15:41All right, any questions?
16:04All right, Rex!
16:07Yeah.
16:11I just want to.
16:13An address in my mother's handwriting.
16:20Your dad would have done this case.
16:22Your mum must have slept it in when he brought the notes home.
16:30What do you want to do?
16:31I don't know. It's...
16:34It's okay if I don't think about it right now.
16:37Yeah. Yeah.
16:38Absolutely fine.
16:52The number you have called cannot be reached at this time.
16:56Where are you? I've been waiting ten minutes.
16:59I'm going inside.
17:06Oh, you're here!
17:12Stop!
17:15Stop!
17:17Please!
17:18Stop!
17:20Ugh.
17:23Ugh.
17:25Ugh.
17:27Stay with me.
17:55You don't need to fix anyone.
17:55You can dig the milk in, nobody!
17:55It's okay.
17:55Oh, my God.
18:01Oh, my God.
18:08Oh, my God.
18:18Oh, my God.
18:25When it mixes with the gastric juices, it can become toxic.
18:29Oh, yeah?
18:30Yeah, it can produce excessive sweating.
18:33It affects the whole nervous system.
18:37So, can you play the recording exactly?
18:4180505, please.
18:49There.
18:51What?
18:52The interference. Can you play it again?
18:57There.
19:00There's nothing there.
19:01There is.
19:03Well, I can't hear anything.
19:04I can.
19:05I am an audio engineer, but whatever.
19:08There.
19:10Oh.
19:13Yes, Hunter?
19:19Someone's happy to see you.
19:21What?
19:21Well, he isn't checking me out, is he?
19:23Um, yeah.
19:24Elliot and I went on a date.
19:26Oh.
19:27And will there be another one?
19:29No.
19:30I don't...
19:31I don't think so.
19:32Oh, okay.
19:32I just...
19:34I think I might be a bit boring for it.
19:37But you?
19:38Boring? Are you joking?
19:39I mean, you surprise me every day.
19:42Me?
19:43Yeah.
19:43Never know what you're about to do.
19:45Really?
19:46Yeah.
19:47Why don't you...
19:48Show him that side of you.
19:50Surprise him.
19:51Yeah.
19:53Are you sure it's okay that I'm...
19:55Oh, yeah.
19:56She said you were useful with the recording, so I think it's fine.
19:59Just relax.
20:01Okay.
20:11Heart attack?
20:14How do you know?
20:15Well, two degrees and 25 years in forensics helps, but you can tell from her skin and the fingernails, and
20:22there's a scar on his chest, which means he probably had a mechanical aortic valve.
20:28Okay, so hang on. Are you seriously not seeing this? Two deaths in two days in the same place, both
20:34bleeding from the ears?
20:35I know, but this one could be explained as well. The bleeding was caused by him falling on the floor
20:41and hitting his head.
20:45Uh, no, it wasn't. Look.
20:52What's that?
20:55Your diagnosis falling apart.
20:58Sorry.
20:58Well, when someone who's had an accident leaves a message, it's not an accident.
21:13Oh, my God.
21:18VINESSA!
21:25What are you doing here?
21:27Uh, Professor Greville was supposed to give me a lift this morning,
21:29Um, so we could go over my rehearsal, but he didn't show him.
21:36Yeah, I'm afraid I have bad news.
21:39Professor Greville died earlier today.
21:45What?
21:48Where were you this morning?
21:53Um...
21:54Uh, waiting at home and then...
21:59and I came here.
22:02Let's go inside.
22:04Go on.
22:33These are a lot of tapes.
22:35Yeah. He kept copies of all of his students' concerts.
22:45Toccata et a fuga. Is that what you were playing when you found Helen?
22:49Yes.
22:54Yeah, what's this?
22:57Oh, it's a...
22:58It's a fermata.
23:01It's when you hold a note beyond its natural duration.
23:05Let it fill the space.
23:15Yes.
23:16Hi.
23:17Hey.
23:18Hey, Patience.
23:19I found your interference.
23:21I isolated the mic, and guess what?
23:23I can't...
23:24I can't guess. You've not given me any information.
23:27Okay, um, I sent you an audio file.
23:30Slowed down, cleaned up, enhanced.
23:32And you were right. There is interference.
23:34Yeah.
23:35They're recording some glitches, and then it resumes.
23:38Does the interference start at 8.05.05 and end at 8.05.11?
23:45How do you know that?
23:46Well, that's the fermata.
23:48Sway.
23:50You're hyperacusis. It's like...
23:51a superpower.
23:53Not always.
23:59Look.
24:00I was right.
24:01His aortic valve.
24:02Yeah, could you not wave that in my face?
24:04I was showing it to you.
24:05So, what of it?
24:06Well, the valve seems to have jammed, causing thrombogenesis,
24:08and our friend had a heart attack.
24:10No murder.
24:12Well, Evans doesn't agree with you.
24:15The music killed him. What does that mean?
24:17I have no idea, but apparently she's had a breakthrough.
24:19No, I don't agree.
24:20Well, she's very, very annoying,
24:22but she does have a knack of being right.
24:29Headphones!
24:33For God's sake, where are you?
24:40What are you doing?
24:41What are you doing?
24:41Look.
24:42Oh, so, this is an infrasound generator,
24:44and it was inside the organ,
24:46and it's what killed Helen and the professor.
24:48What?
24:48Well, so when Vanessa pressed down the organ key,
24:51this began emitting a very low-frequency sound.
24:54It was below 20 hertz.
24:55So, hold this.
25:00Okay.
25:04Ready?
25:05Well, I guess, yeah.
25:09Do it again.
25:11Yeah.
25:12Do it again.
25:16That's weird.
25:20So, this was connected to the modified key.
25:23It's an infrasound generator,
25:24and it creates infrasonic frequencies,
25:27which are, like, inaudible,
25:29but very dangerous vibrations.
25:30And they're kind of vibrations
25:32that can jam a heart valve,
25:33which the professor had.
25:35Or rupture Helen's aneurysm.
25:37So, the murderer used the victim's conditions against them.
25:42Good work.
25:42Now, let's find out who put it there.
25:45Yeah, well, that would have been a valid theory.
25:46However, this is a bit of a snag for you.
25:48Toxicology came through.
25:50Turns out Helen had Lavixil in her system.
25:53It's an antidepressant.
25:54So?
25:55It causes hypertension.
25:56She would not have taken that with an aneurysm.
25:58It's too dangerous.
25:59So, Helen didn't know she had an aneurysm?
26:01Yeah, and if she didn't, then neither did the killer.
26:04Bingo.
26:05So, maybe that poor girl was just collateral damage.
26:08Yeah, well, that's a possibility.
26:10So, that would make it one natural death and one murder.
26:15I think we can call it a draw, Miss Evans.
26:21Well, I've got to go and interface with some young business leaders.
26:26Whatever that means.
26:31But I'm gonna be the only time I hear the things to talk about, but boy, that why, that why,
26:37that why, that why, that why, that, why, that why?
26:53I'll talk about what one time obviously
27:07I'll talk about what one time is
27:16I'm not, I'm not, I'm not.
27:40You all right there?
27:45Who's that?
27:46No, no. It's the noise.
27:49No, I get it. It's all just noise to me, too.
28:00Why should I listen to this ham-fisted pedestrian crap?
28:04You're like a toddler having a tantrum.
28:06I'm sorry, Professor.
28:07Oh, I'm sorry, Professor. Pathetic. Get out.
28:12You're not fit to be on this course. Get out!
28:18He was a coercive, cruel bully.
28:22And he got in your head.
28:24No, no. He believed in me.
28:27I know this doesn't make sense, but I...
28:30I needed to get it right.
28:33For him.
28:38What you did is understandable.
28:43He made you feel worthless.
28:46Scared.
28:47And you...
28:49wanted it to stop.
28:50No, I wanted to protect him!
28:53I knew about the video.
28:54I stopped Helen from going public.
28:57I could never have killed him.
28:59I need him.
29:03Without him, I'm gonna let everybody know.
29:05Well...
29:06That's not true.
29:09Well...
29:10You're like a...
29:11black belt in this now, right?
29:15But to make it, you have to be...
29:19extraordinary.
29:23Transcendent.
29:27You basically have to be Theos or just give up.
29:30What is Theos?
29:33Professor Greville's favourite student.
29:37The only one he ever really rated.
29:39Theos who?
29:42I don't know.
29:44It was a nickname.
29:48But he always said that...
29:50whenever they played...
29:53he saw the face of God.
30:00It's a concert, so hopefully there'll be an introduction.
30:03Thank you, digital native.
30:05I think I'll take it from here.
30:26Well, no intro.
30:27So, useless.
30:29So, we've got nothing?
30:31No, not nothing.
30:32We know where the concert was.
30:35It's the York Minster.
30:36How do you know that?
30:40Um...
30:41Well, my dad used to take me when I was little.
30:45And...
30:45I recognised the tone.
30:47The organ has 75 stops.
30:49Cool.
30:50Yeah, but it still leaves us with...
30:5240 years of concerts to go through though, don't it?
30:56Well...
31:02So many concerts.
31:11You gonna answer that?
31:14Uh...
31:15Yeah, sorry.
31:27Hi.
31:28Hi.
31:29Uh...
31:30Good. You answered.
31:32Uh...
31:32Yeah, well...
31:33You called me.
31:35Listen, I, uh...
31:37I saw you came to my gig.
31:39And then left.
31:41What happened? Was the music that bad?
31:45Um...
31:45No.
31:49Uh...
31:49Can we meet?
31:51I'd really like to see you.
31:55I'm not sure that's a good idea.
31:58Oh.
31:59I need to go.
32:07Um...
32:11I must really like you.
32:14Sorry?
32:15Well, if someone walked out of my gig, I don't think I'd be calling them back.
32:20Yeah, well...
32:22Doesn't...
32:23Doesn't matter.
32:24I mean, I'll never be able to do the girlfriend stuff, so...
32:27Girlfriend stuff.
32:29What's that?
32:31You know, like...
32:32Bungee jumping and...
32:34Suddenly running off to Paris.
32:37Oh, you have been watching some terrible films.
32:41Has this man actually asked you to do any of this?
32:44No.
32:46Well...
32:48I am no relationship coach by any stretch, and I would rather clean out the fridge than do Valentine's,
32:52but I'm pretty sure there is no such thing as a perfect girlfriend.
32:58Yeah.
33:01I just don't know how to be.
33:04It must be you.
33:07Find someone who likes that.
33:10Sounds like you already have.
33:17Hang on.
33:18Doesn't that look like, um...
33:21Vanessa's pastoral supervisor?
33:23Bernie.
33:25I didn't know she was a musician.
33:28I mean...
33:29That says it's someone called Marie Renton.
33:32Maybe it's a stage name.
33:37And look who she thanks.
33:41Um...
33:41John Greppel.
33:47Why did she fail to mention any of this?
33:55Ma'am?
33:56York Minster concert ends in tragic accident.
33:59Bernie fell from the balcony her own recital.
34:01Yeah. I don't think it was a tragic accident.
34:03I think she jumped to get away from that dick of a professor.
34:06Yeah. When that didn't work, she tried to stop the bullying in a different way.
34:09Yeah. Where was she on the morning of the first murder?
34:11We need the interview notes.
34:12Er, she was at the doctor's.
34:14Hang on. You weren't at that interview.
34:16No. I read the transcript.
34:19Oh.
34:21Okay. Check it out.
34:22On it.
34:22Okay, Jake. I think we've got enough to bring her in.
34:28Okay, Jake. I think we've got enough to bring her in.
34:58So, she's not at Walmart University?
35:00No, but she booked out the minster organ this morning.
35:03Also, Vanessa didn't show up for a meeting at the faculty.
35:05Oh, Christ. I will meet you there.
35:13Just got off the phone with Bernie's doctor.
35:15She'd been seeing him for pain management.
35:17Traumatic nerve damage to her hands, sustained in an accident 30 years ago.
35:21Yeah. So, it sounds like the fall from the balcony ended her career.
35:23So, we have a washed up star jealous of a younger protégé.
35:28We need to get to the minster.
35:30Er, I meant just DC.
35:32All right.
35:53Sure.
36:14Bernie?
36:19I had no idea you played.
36:22That's about as much as I can manage these days
36:25Bernie, that was so beautiful
36:29I've never heard anyone play like that
36:33I had a good teacher
36:40Oh my god
36:44You're Theos
36:57Magnificent, isn't it?
36:59I had a recital here
37:02Many years ago
37:04How wonderful
37:07Minutes before the performance, Greville ripped my heart out
37:11Told me I'd never be anything more than ordinary
37:14And I'd never make it
37:16His timing was exquisite
37:20I tried to play
37:21But I could barely breathe
37:25Everybody was watching
37:28And I knew then
37:29That it was over
37:30My career
37:34My life
37:54Amir, Graham, go round the back
37:58I wanted you to hear this from me
38:01So that you'd understand
38:04That he had to be stopped
38:07You killed him
38:10Never meant to hurt her
38:15Bernie, what are you doing?
38:32What are you doing here?
38:38Bernie
38:44Thanks
38:46Thanks
38:47Thank you
38:47Thank you
39:08Come on.
39:29Bernie, put the gun down.
39:32I have to do this.
39:55I have to do this.
40:36I told you I'm fine.
40:39It was...
40:39It was just a gunshot and no one got hurt.
40:46Still a lot to deal with.
40:47You were in shock.
40:48Yeah, but I'm fine now and...
40:52The Ironman Rose saved that woman.
40:54Yeah, I guess you did.
40:57I just...
41:01I just still miss Detective B.
41:07She was on my side.
41:09I was part of her team, but now it was D.I. Monroe.
41:13This might be out there, but I'm on your side.
41:18And as much as I'd rather they didn't keep dragging you into dangerous situations,
41:23so is most of the crime squad.
41:25I guess so.
41:27And what about this boy and the band?
41:30He's on your side, right?
41:37I think he is.
41:40OK.
41:51I'm sorry for running away from your gig.
41:54Um...
41:54I mean, it's not...
41:55It's not that your singing was terrible.
41:57Oh, good, yeah.
41:58That's what I was going for.
41:59Not terrible.
42:00Yeah.
42:02Um...
42:03It was just overwhelming.
42:05Yeah, I thought it would be.
42:07Yeah.
42:08Why'd you come?
42:12To surprise you.
42:15I just wanted to show you a different side of me.
42:18Why?
42:19I like this side.
42:23I think I see Pat now.
42:25And by the way, there's only one side of me.
42:27And this is it.
42:29Hang on, um...
42:32I've got an idea.
42:34Come with me.
42:38You OK?
42:41Come on.
42:47Uh...
42:47No, Elliot...
42:48This is a club.
42:52Trust me.
42:55Come on.
42:57Hey.
42:57Hey.
43:02Hey.
43:25I'm not out, I'm screaming, I shout
43:28I can't look at how to be without you
43:31I'm not out, I'm screaming, I shout
43:35I can't look at how to be without you
43:41There's no magic potion can take away this pain
43:47Just when I think I'm over you, it comes back again
43:54I cried an ocean, I already know it
43:57You don't feel the same, oh baby
44:00You got me screaming and dreaming
44:04Cry my heart out, screaming, I shout
44:07I can't look at how to be without you
44:10Cry my heart out, screaming, I shout
44:14I can't look at how to be without you
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