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00:25I was hammered, I think I had two bottles of wine by myself.
00:30I just remember, like, little bits and pieces.
00:33I remember being in the shower, and then just sitting in the shower, and then we were in the bed.
00:42I was blacked out for a lot of it.
00:45I didn't even feel sex happening, I just knew it was happening, and then I passed out.
00:58The next day, I woke up, and was like, holy shit, what the fuck happened last night?
01:06Fuck.
01:10It all fucking hit me, it just flooded over me, and I just sat there and cried.
01:18I woke up, and I, it's all over, it's all over, it's all over, it's all over, it's all over.
01:47After getting out of the hot tub, and, like, whatever happened after that, I think they should have fucking, like,
01:53been like, all right, this has gone too far, like, we gotta, we gotta pull her out of this.
02:01You remember the story with Shandy?
02:06Um, uh, I do remember her story.
02:09It's a little difficult for me to talk about production, because I'm, that's not my territory.
02:14Was there ever a sense of, like, hey, we need to turn the cameras off?
02:18You know, we treated Top Model as a documentary, and we told the girls that on day one, when they
02:25would show up, we would go over the rules with them.
02:27There's gonna be cameras with you 24-7, day in and day out, and they're gonna cover everything, the good,
02:32the bad, and everything in between.
02:34No matter what happens, while you're on camera, we're going to document all of that.
02:41I know the girls, they were doing their evening hanging with the guys.
02:46We were off, and then we got word Shandy's having sex in the shower with a guy.
02:52I was like, wait, what?
02:53And the rule on Top Model was, if you went into a bathroom alone, a camera could not follow you
02:59in.
02:59But of course, when she went into the shower, she was technically not alone.
03:03So the cameras went in, and they captured it.
03:06I don't know who decision it was, but as producers do, this was a story point now, and we're gonna
03:11see it all the way through.
03:13Here's what's coming up on America's Next Top Model.
03:17A visit from some local Italian men leads to a devastating crisis for Shandy.
03:22I was about 12 when I saw Cycle 2.
03:27To see that level of drama on Top Model, as a kid, I was scandalized.
03:34She just cheated her ass off on national television.
03:38Shandy cheats on her boyfriend, and she has to call.
03:40I can't stand it.
03:43Why is this not a private moment?
03:45Why is this film?
03:47This is wrong, but while saying that, let's continue watching.
03:51Looking back with an adult lens, it's really disturbing.
03:55How are you?
03:57The next day, Tyra has a girl's talk, and it is not a coincidence that she starts talking about cheating.
04:08I had one guy that cheated on me in Milano.
04:10He was a male model child, and that just hurt me so much.
04:15But now, I always tell my man, like, don't cheat.
04:18Flirt so much with the girl, and then come home and do me.
04:24Of course, she's gonna have producers in her ear.
04:26She is gonna be kept aware of what the going's on in the house.
04:31And she comes in and stokes the fire under the guise of concerned big sis or mentor.
04:38Like, this is just a girl's talk.
04:40You okay?
04:42I cheated on him.
04:46Taylor, everybody's messed up, Shandy.
04:48I'm not judging you.
04:50But I think that we have to fight against our carnal desires.
04:53I understand that people do become attracted to other people.
04:57And it's all about your relationship and how open your relationship is and how honest you can be with one
05:02another.
05:05After everything, like, I just want to go home.
05:09After that happened, I kept demanding, like, I want to go home.
05:12I don't want to be a part of this anymore.
05:14And I demanded to, like, talk to Eric, but they wouldn't give me a phone.
05:17And that's when I really wanted to go home.
05:48They tried to talk me out of it.
05:49I don't know if or not what happened, but I'm so scared.
05:53Just please tell me what you did.
05:57Just tell me.
05:58This is the worst possible thing I could do.
06:01You were shocked?
06:03Yeah.
06:04Oh, my God, honey.
06:08I can't be with someone that cheated on me.
06:11Oh, God.
06:12What do you want me to do?
06:14What can I say to this?
06:15How can I hug you?
06:18You think about how we wanted to be together forever.
06:22Then he'd throw it away.
06:24You stupid bitch.
06:27Oh, my goodness.
06:31Oh, my goodness.
06:32Oh, my goodness.
06:35It was just the sound guy and the guy filming.
06:38And afterwards, I'm just, like, laying on the floor in a fetal position, just crying.
06:45And they just, like, get up to leave.
06:48And they both came up to me and they said,
06:50we're really, really sorry that we had to film that.
06:58They just knew that, like, this isn't right.
07:01Like, why are we filming this?
07:09After that, I believe, did they show it on camera?
07:12They took her to the doctor?
07:14I mean, production was responsible for her.
07:16Now, could they have sent her to the doctor in privacy?
07:20But it's reality, so now we're going to cover it.
07:23Poor girl.
07:25After I, like, talked to Eric again on the phone,
07:28they actually filmed me talking to the guy and asking him myself,
07:32did you wear any protection?
07:34Do you have any STDs?
07:35Like, I felt like, like, why can't you just ask them yourself?
07:40Why do you have to film this?
07:43Like, you already got me on the phone of Eric calling me a fucking bitch.
07:51I will tell you this.
07:53When I went into post and saw the footage,
07:55we scaled back that scene
07:59in a significant way.
08:01I'm not head of story.
08:02That's Ken Mock.
08:03But I did become a master editor.
08:05It's important for people to know
08:07that we didn't put everything on TV.
08:09Do you know what happened?
08:11Super Bowl.
08:12Janet Jackson, Justin Timberlake.
08:15When that happened,
08:18regulations clamped down
08:20on what you could show.
08:22So, then they had to rush,
08:25re-edit that scene.
08:28That was, for good or bad,
08:30one of the most memorable moments in Top Model.
08:33Made for good TV.
08:40Everybody out here
08:41wants to be America's Next Top Model.
08:44Go inside, Rob!
08:46Another week, another elimination
08:48on America's Next Top Model.
08:50America's Next Top Model.
08:51Not a watch, America's Next Top Model.
08:53We're just flabbergasted.
08:56Transfixed.
08:56We now return to America's Next Top Model.
08:59I just don't think you're being fair, Tyra.
09:01The end of season two,
09:02I knew this was it.
09:04People's appetites were insatiable.
09:07They couldn't get enough.
09:09Every week it was growing.
09:10Did you like it?
09:11Well, it was...
09:12It's hard not to watch.
09:14What happened really surprised me.
09:16Don Ostrok said,
09:18We want to do two cycles a season every year.
09:20Like, what?
09:22That was a moment where I realized
09:24that we had broken through.
09:26Casey, Halua, Amber.
09:29Who will become America's Next Top Model?
09:37The show was really kind of gaining popularity,
09:39but that didn't feel like it had reached,
09:42you know, kind of the masses, right?
09:44But then,
09:46randomly one evening,
09:48Tyra, Jay, and I went to dinner.
09:49It was just the three of us, nobody else.
09:51But we were walking along,
09:52and there were some kids on the street.
09:54A girl, she said to her friend,
09:56Oh, my God, look, there's Beyoncé.
09:58The girlfriend said,
09:59No, that's Tyra Banks,
10:01because it's the J's.
10:02And I said, Oh, okay.
10:05I looked over at Jay,
10:06and Jay was like,
10:08This is not gonna sit well.
10:10It was just a bit of an awkward moment.
10:13This is Tyra's show.
10:15Jay Manuel and Jay Alexander
10:17get recognized more than me
10:19walking down the street in New York City.
10:20It's crazy.
10:21I'm like, get back.
10:21It's still in my shot.
10:22Things are different now.
10:27At one point,
10:28we had an audience
10:29of over 100 million people globally.
10:31Our American show
10:33in 180 countries,
10:36it was massive.
10:37And they were doing their own versions.
10:39Winner of Africa's next top model.
10:43Germany's next top model.
10:44Mexico's next top model.
10:46Maureen Costa!
10:52It was quite a behemoth to be a part of.
10:55Miss Jay Alexander.
10:57Tyra always said,
10:58You're gonna be famous.
11:00And then boom.
11:01It happened.
11:03We had words that we said
11:05on America's next top model
11:06that are now in the dictionary.
11:07Smile.
11:08Smile.
11:09Smile with your eyes.
11:10Smile.
11:12The world was smiling.
11:15The show was at an all-time high.
11:17America just can't get enough.
11:19Love America's next top model.
11:20I've done with anything to win.
11:22We did a casting in New York City at Macy's.
11:2510,000 would-be cover girls
11:26turned out for their shot
11:28at America's next top model.
11:29We shut down two city blocks
11:31in the middle of New York City.
11:33I remember looking at CNN
11:34and seeing this riot breaking out in the street.
11:38Pandemonium broke out.
11:39Girls were threatened
11:40to slash each other's faces.
11:42All these girls were on the verge of passing out.
11:44Martel Mayhem breaks out on the street
11:46in New York City.
11:47That was a moment where I realized,
11:49Oh my God, I think we built a monster.
11:51As the cycles went on,
11:54there was a lot of pressure
11:55to figure out how to constantly reinvent.
11:59How do you get that?
12:01I can't believe they're doing that moment again.
12:04Oh!
12:06Oh, no!
12:07Oh, no!
12:10You know!
12:12You have to keep one-upping yourself.
12:15Now the pressure was high for the network.
12:18How do we maintain this and grow this audience?
12:21It was a time in the world
12:23where there was a show, Fear Factor,
12:25and Survivor,
12:26and all of these things of, like,
12:27pushing back.
12:28The limits and all of that.
12:29And so we kept pushing,
12:31and we kept creating more and more and more.
12:32You guys were demanding it.
12:35The viewers wanted more and more and more.
12:41Reality TV is a bitch.
12:43If it doesn't bleed and lead,
12:44then it doesn't work.
12:48We are going to suspend you
12:50from this ledge
12:52and shoot you guys
12:53hanging over this hole.
12:55Creatively now for the photo shoots,
12:56there were so many cooks in the kitchen,
12:59so things changed.
13:00Oh!
13:02Oh, my God.
13:04Oh, my God.
13:05Your wardrobe today?
13:07Yes!
13:09J. Manuel tells us
13:11that we're going to be wearing
13:12dead animal carcasses.
13:13Watching that is, like,
13:15mortifying
13:16on every level.
13:18Every level.
13:19So I have to wear beef panties.
13:21Oh.
13:22I don't even eat meat.
13:24I'm a vegan.
13:25Oh.
13:27This is terrible.
13:29I forgot.
13:30I do feel like
13:32I can feel
13:34and taste
13:34what people want to see.
13:36Hello.
13:37Hi.
13:38I feel like I kind of know.
13:40I'm so sorry, you guys.
13:41I don't mean to
13:42be all weak in front of you,
13:43but I'm just so lightheaded.
13:45Oh, my God!
13:47Take her home.
13:49Oh, my God.
13:52Today, you guys are going to
13:53worry about acting!
13:56It's inappropriate
13:57and awkward
13:57and funny as hell.
13:59I have a pigeon on my head.
14:00Yes, you do, baby.
14:01But they're on the toilet tray.
14:02Don't worry.
14:03Don't worry!
14:04Pigeons are flying rats.
14:05They eat rats.
14:06They'd probably eat me
14:08if they could.
14:09Why are we doing that?
14:11Why are we doing that?
14:12This has to be
14:13the funniest challenge ever.
14:15With each passing season
14:16of A&TM,
14:17the challenges got
14:18crazier and crazier.
14:26Pure chaos.
14:28I just want to tell you
14:29that some people have war
14:31in their countries.
14:33I feel like they would
14:34take the girls' spears
14:36and then turn it
14:37into a photo shoot.
14:40They were posing
14:41with tarantulas,
14:44cockroaches,
14:44walking in 10-inch high
14:47stilettos.
14:48They had to walk on water,
14:50so they had to, like,
14:51pull off Jesus' feet.
14:54We cannot forget
14:55when they pretended
14:56to be homeless,
14:57inspired by Tyra's stint
14:59as a homeless person
15:00for a day.
15:03They had the girls
15:04pose with real,
15:06unhoused people
15:07in the background.
15:09I have to say,
15:10I think this is one
15:10of my favorite pictures
15:11because I think your face
15:12is just so heartbreaking.
15:14It looks stunning.
15:16There were some ideas
15:17that were wrong
15:18and were not good to have
15:19and were silly,
15:21you know, quite frankly.
15:22For some reason,
15:23no one really seemed
15:24to see it.
15:25Yeah, there's some
15:26dumb shit.
15:27I mean, it's dumb.
15:28I'm like, what the hell?
15:30Sometimes creative
15:31would come up
15:32where you're just like,
15:33oof, wow, okay,
15:34well, I gotta work
15:35with this now.
15:36Today, we're actually
15:37going to do a photo shoot
15:39about the horrible
15:40impacts of smoking.
15:41This is hideous.
15:46I don't know
15:46how we ended up there,
15:48but it's crazy.
15:50Do you remember
15:51outrageous moments
15:52that you were thinking
15:54to yourself,
15:55okay, like,
15:56can we air it?
15:57No, I never thought
15:58about, you know,
15:59can we air it?
16:00Can we air it?
16:00Good television
16:01is good television.
16:02We're going to bring you
16:03some little fish
16:04and some seaweed.
16:06We have dead fish
16:07attached to us.
16:09How's it smell, Danielle?
16:10I just threw up
16:11in my mouth a little bit.
16:12Absurd.
16:14Absolutely absurd.
16:17Fish juice.
16:19Fish juice?
16:20Work with it, girl.
16:23This is not real modeling,
16:25right?
16:25And after that,
16:26it was just a fucking
16:27free-for-all.
16:33I grew up in
16:34Little Rock, Arkansas.
16:37We were in this little
16:38three-bedroom home
16:39with black mold
16:41and roaches,
16:43and all the things
16:44that I wanted
16:45seemed unattainable.
16:47When I graduated
16:48high school,
16:49I knew I wanted
16:50to model in New York.
16:52My brother,
16:53he was like,
16:54you should do
16:54America's Next Top Model.
16:56I was like,
16:56I would fucking never.
16:57He was like,
16:58why?
16:58I was like,
16:59is this fake modeling?
17:00Do they humiliate girls
17:01on that show?
17:02And he was like,
17:03girl, this could be a ticket,
17:04a free ticket out.
17:05We don't have money
17:06to get you to New York.
17:08Top Model
17:09was a one-way ticket
17:10for me to get out
17:10of my hometown.
17:12If I get on this show,
17:14I'm out.
17:19First name
17:19that I'm going to call?
17:22Joni.
17:23When they called my name,
17:24I was like,
17:25oh my gosh,
17:26yes,
17:26I'm on this show.
17:28Like,
17:28I can't believe it.
17:29It's gonna happen.
17:30I quit my job.
17:32I worked at American Eagle
17:33in the mall,
17:34and I went in
17:35and I told my boss,
17:36I'm like,
17:36I really can't tell you
17:37what's happening,
17:38but I'm on a TV show
17:39and I have to quit.
17:40It felt so good
17:41to be like,
17:42I quit.
17:43I'm moving on.
17:44Next name,
17:45Danielle.
17:49Thank you so much.
17:51This is the moment
17:52I've been waiting
17:53for my entire life.
17:55It was that moment
17:56of, like,
17:57pinch me,
17:57like,
17:58girl,
17:58you did it.
17:59You got out.
18:00You actually got out
18:01of Little Rock.
18:02Now you gotta keep going.
18:03But I had no idea
18:05how hard it would be
18:09You are now standing
18:10in the building
18:10of one of the most
18:11influential ad agencies,
18:13and you're going
18:13to have the opportunity
18:14to meet the most
18:15sought-after creative director
18:16in the world as well.
18:18And I see you got
18:18a nice little gap
18:19right there between the teeth.
18:20Don't you have to keep it?
18:21Even though I said thank you,
18:23I'm like,
18:24I don't think she bad-mouthing me.
18:26As far as my gap,
18:27she can hang down with her.
18:28The gap is staying, sucker.
18:31The gap.
18:32The infamous gap.
18:34Lord Jesus.
18:36Today we're dealing
18:37with perfection
18:39and beauty.
18:40So Tyra has an extra
18:41special treat for you guys.
18:43That day,
18:44after the challenge,
18:45they put us in a group
18:46and they said
18:47that we were going
18:47to the dentist,
18:49but that Joni and I
18:49were going first.
18:50The dentist is going
18:51to do something
18:52about that snaggle tube
18:53and for that gap tube
18:54and perfect your smile.
18:57I was like,
18:58whoa,
18:59this is actually happening.
19:00I'm happy, right?
19:01Your tears are joy.
19:04That's so cool.
19:05I can never afford
19:07anything like that.
19:08I mean, come on,
19:09it was like winning the lottery.
19:10I was like,
19:10I'm down to do it
19:11because I was always
19:12really self-conscious
19:13about my teeth.
19:14I'm like,
19:15okay, let's go.
19:16I feel like up until that point,
19:18a lot of the makeovers
19:18were very based on hair.
19:20That was the first time
19:22you see the girls
19:22going to a doctor's office
19:25to get a medical procedure
19:27as part of a makeover.
19:32So we pull up
19:33to the dentist
19:34and the guy
19:35keeps asking me
19:36if I want to get
19:37anything done to my teeth.
19:39So, is there anything
19:39that you don't like
19:40about your smile?
19:41My gums are receding
19:42up here,
19:42like on my front tube.
19:43What about the gap?
19:44I love my gap.
19:45The gap,
19:46I love the gap.
19:47The signature gap
19:48is staying in my mouth.
19:49That's who I am.
19:50I was like,
19:51no, I don't want
19:51to close my gap.
19:52That's not your right
19:53to tell me
19:54what to do
19:55with my body.
19:57And poor Joni.
19:58My God, Joni.
20:00The shit that girl
20:01went through,
20:03horrific.
20:05We're willing
20:06to remove these four?
20:07Today?
20:07Remove them today.
20:08Oh.
20:10I was young
20:11and kind of just
20:12along for the ride,
20:13but I had to sign
20:13a separate release
20:14right then and there, too.
20:16Couldn't talk
20:16to my mom about it,
20:17couldn't call a lawyer
20:18or anything like that.
20:22I didn't know
20:23it would go all night.
20:25Oh!
20:26That was really intense
20:28what Joni went through.
20:29Oh, Lord.
20:30Insane.
20:33I have them, actually.
20:35Here they are.
20:36This one used to be
20:38right here.
20:41Oh, girl.
20:42But yeah,
20:43they pulled these
20:44all out of my mouth
20:45and then they shaved
20:46from here to here.
20:49She was in the dentist's
20:51office for hours
20:52on end.
20:54Oh, my God.
20:54There were gobsmacked
20:56moments where you
20:56watch and you're like,
20:57oof.
20:59Okay.
21:01I'm going to go have
21:02all my front teeth
21:03grinded down
21:04to pencil point.
21:06Oh, my God.
21:07I still remember
21:08her looking for the camera
21:09and saying,
21:10look at what they're done.
21:11Look at my teeth.
21:14It was insane.
21:16Bless her soul.
21:17When it was over,
21:18I said,
21:19oh, my God.
21:21She's tired of the teeth.
21:22Oh.
21:23It's fabulous now.
21:25The next photo shoot
21:27that we did
21:27was actually the one
21:28where we were crying.
21:30I was like,
21:31I am in pain.
21:32This isn't hard.
21:33I was so miserable.
21:35Sometimes you have
21:36to go through pain,
21:37you know,
21:37to be beautiful.
21:38Close your eyes
21:39in between and open.
21:40Nice, nice, nice.
21:42Just for beauty?
21:43Just for beauty.
21:44They did not fix anything.
21:46There were many
21:47orthodontic problems
21:48that were never fixed.
21:49I've still got
21:50a crazy bite issue
21:51and those issues
21:54will never be resolved.
21:55It was fucked up,
21:56but at the end of the day,
21:58I was a grown adult woman
21:59with teeth
22:00I thought I would never fix,
22:01so I felt like
22:02I won the lottery, really.
22:04But Danny's work
22:05was pretty different.
22:08So, Danielle,
22:09you went to the dentist,
22:10but you refused
22:11to have your gap closed.
22:13Do you really think
22:13you can have a cover girl
22:14contract with a gap
22:15in your mouth?
22:16Yeah, why not?
22:16This is all people see.
22:18Easy Reef's beautiful cover girl.
22:19It's not marketable.
22:20I don't want to
22:22completely close it.
22:23Well, I guess she just
22:24left a gap wide open
22:26for another girl, baby.
22:27I agree.
22:28Until I recall my name,
22:30she was like,
22:31so if I decide to keep you,
22:33are you going to
22:33get your gap closed?
22:35And then that's when
22:35I was like,
22:36so what you're saying to me is
22:38if I don't get my gap closed,
22:40you're going to send me home.
22:41Get them teeth done?
22:43All the way.
22:44Completely close.
22:44I think all the way.
22:47Congratulations.
22:48You're still on the running
22:49towards becoming
22:50America's next top model.
22:52And when I went back
22:53to the house,
22:53I called my mom immediately
22:55just because she was
22:56always my voice of reason.
22:57Always.
22:58And I was like,
22:59this is what's happening.
23:01Like, what should I do?
23:03She said to me,
23:04I'll be here to welcome you home
23:05if you don't get your gap closed,
23:07but you know you're going to come home
23:07if you don't get your gap closed.
23:09Like, is it worth it?
23:10Basically,
23:10it's what my mom was saying.
23:13There is no ifs, ands, and buts about it.
23:15There is no going home for me.
23:16I did not come all the way
23:17from little bitty Little Ork, Arkansas
23:19to get turned around and go home.
23:21That's not an option.
23:23And so I decided to
23:25play the game,
23:26and I got my gap closed some.
23:31It's my life,
23:32and it was toyed with
23:35consciously.
23:36And me saying no,
23:39and them going against that,
23:40it's invasive.
23:43With Danielle
23:44and the gap
23:45between her teeth,
23:46I, myself,
23:48was like,
23:48I don't think that's a good idea.
23:50I just thought
23:51she looked great
23:52with the gap between her teeth,
23:53and that perfection is boring.
23:56Yeah,
23:56not my decision,
23:57but it's the decision,
23:59you know?
23:59I get suggesting it,
24:01but forcing it,
24:03that is an insane thing
24:04for them to essentially
24:05demand from her.
24:06It just shows how
24:07out of touch Tyra is.
24:09And the irony is that
24:10a few seasons later,
24:11we love your teeth.
24:12Tyra's like,
24:13we're gonna widen that gap.
24:15We'd love to exaggerate that
24:17and take you a little bit more
24:18to Lauren Hutton.
24:19Make it as big as you want it.
24:22She already had a tooth gap,
24:23and then they went in
24:23and surgically widened it
24:25permanently.
24:26Getting that done
24:27for a reality competition TV show
24:29is just insane.
24:30People have told me
24:31one season that she got
24:33a gap created in a girl's mouth.
24:35Girl, that is absolutely ridiculous.
24:38What?
24:40I've actually apologized
24:41for the issue with Dani
24:43and what happened.
24:45That was between a rock
24:46and a hard place for me
24:47because there were agents
24:49that would tell me
24:51she will not work
24:52with those teeth.
24:53It's just not gonna happen.
24:54That's what they told me.
24:56And again,
24:57I could have just been quiet
24:58and let them handle it.
25:00But that's hindsight
25:01is 20-20 for all of us.
25:02It just so happens
25:03that a lot of the things
25:05that are 20-20 for me
25:06happened in front of the world.
25:09Bull fucking shit.
25:10Me getting my gap closed
25:11is not opening any doors for me.
25:14You knew what you were doing
25:16for the show.
25:17You were making good for TV
25:18at my expense.
25:21It was great TV.
25:23I honestly thought
25:24Brie was gonna fall flat.
25:25But also like
25:26we're people
25:27and we're afraid
25:28and we're all too young
25:30to like
25:31to verbalize
25:32I'm scared.
25:34The girls were rewarded
25:36and applauded
25:37for putting their health
25:38on the back burner.
25:39Bravo!
25:41It's a very dangerous situation.
25:44And then a girl
25:45inevitably gets very sick
25:47and the show just milks it
25:48for TV drama.
25:50We need a medic here, guys.
25:51Tell them it's an emergency.
25:53The cameras were always rolling.
25:55It was really scary.
26:00Oh, I might be dying.
26:01The models are very underfed
26:04and they're overworked.
26:05They're not hydrated enough.
26:07When you're modeling,
26:07you don't really want to eat too much
26:09because you don't want to be bloated.
26:10I am so hungry
26:11I think I'm going to pass out.
26:15Oh my gosh!
26:16Oh my gosh!
26:17Oh my gosh!
26:21She looked dead.
26:23Like, it was scary.
26:24It was a crash course.
26:26It was a crash course.
26:28From now on,
26:29as thin as you are,
26:30you know,
26:31and as hot as it is,
26:33like tomorrow,
26:33you have to eat.
26:34I think I just pushed myself
26:36way past my limit.
26:38The biggest disaster ever
26:40is always the best thing.
26:41People have 104 degree temperature.
26:43They're throwing up.
26:44They need IVs.
26:45That's the best news
26:47I could ever have.
26:48Hypothermia in a pool.
26:50How does that happen?
26:51They've accepted that,
26:52okay,
26:52my health is second
26:55to this competition.
26:56I'm actually shocked
26:57that this was allowed to air.
26:59Can't get enough of the drama.
27:00No.
27:01It's a TV show to you guys,
27:02but this is my life.
27:06We arrive at the Alexandria Hotel
27:09and we go upstairs
27:10to the 12th floor.
27:11You girls are all gonna be
27:13crime scene victims.
27:16Can you make that right hand
27:18look a little more kind of broken?
27:20There you go.
27:22They created these wild backstories.
27:25My crime scene is
27:27Whitney stole all of my organs
27:28and then stitched me back up.
27:32One was strangled to death.
27:33One was pushed off
27:34a high building.
27:35Dion was posing
27:37as if someone had
27:38shot her in the head.
27:44When I was a kid,
27:45my mom was shot
27:46and she was paralyzed
27:48from the waist down.
27:49When I was six years old,
27:51my mom was shot
27:52by this guy.
27:53He was jealous
27:53that she was getting married
27:54and she was actually
27:55trying to help him
27:56get off of drugs
27:57and he ended up shooting her.
27:59That's why mom is paralyzed.
28:01They knew about it
28:02from the application process,
28:04but they still chose
28:05to have me
28:07do this particular photo shoot
28:09that involved gun violence.
28:13I thought it was a coincidence
28:14at the time,
28:15but I don't think it was.
28:18Dion took a little while
28:19to warm up
28:19and she really didn't take
28:21much initiative
28:22to improvise.
28:23I think they wanted
28:25to see some type
28:25of mental breakdown
28:27or, you know,
28:28to see me crumble.
28:30I'm just glad
28:30that they didn't get
28:31the reaction
28:31that I feel like
28:32they were hoping to get.
28:35It's a great picture.
28:36The look in your face
28:37is just extraordinary.
28:38I mean,
28:39very beautiful
28:40and dead.
28:41Was there ever a moment
28:42in which you were like,
28:44wow, this came out horrible?
28:45Uh, no.
28:47Funnily enough,
28:48you know,
28:48I mean, I think now
28:49looking back,
28:50yes, I would say that,
28:51but at the time,
28:53I really didn't think that.
28:55I love it
28:56because her ankle
28:56looks broken.
28:58It looks like
28:58you're taking a nap.
28:59You needed to look
29:00like you were brutally killed.
29:02Yeah.
29:03I take full responsibility
29:05for that shoot.
29:05That was a mistake.
29:07I look back now
29:08and I think
29:08it was a celebration
29:10of, like, violence.
29:11It was crazy.
29:12That one,
29:13I look back
29:14and I'm like,
29:16you are an idiot.
29:21Catermille!
29:22The race is on.
29:23Be ready to show
29:24your true colors.
29:26The shoot
29:27that I had
29:28the most difficult time
29:29with was
29:30this race-swapping shoot.
29:32This week,
29:33we've learned
29:33all about makeup
29:35and the power
29:35that it has
29:36to transform people.
29:37We are doing
29:38this shoot
29:39for Got Milk.
29:40Now there's
29:40a twist.
29:42My parents
29:43are from South Africa.
29:44They grew up
29:45during apartheid.
29:46I'm very aware
29:47of that history
29:49and I just said,
29:50like, race-swapping?
29:51Wow.
29:52So I first asked
29:54to be excused
29:55from the photo shoot
29:56and Tyra said to me,
29:57I will handle this
29:59on camera
30:00with the girls
30:00judging and da-da-da.
30:02Just go and
30:03do your job.
30:04I recognized
30:05that my role
30:07was starting
30:09to have limitations.
30:11That shoot
30:11was happening
30:12regardless.
30:13We are actually
30:14going to switch
30:15your ethnicities.
30:17The challenge here
30:19really is
30:20taking on
30:21the person...
30:22If you really look
30:22for it,
30:23you can see it
30:23on my face,
30:24especially the setup
30:25for the day
30:25where I tell the girls
30:27what we're doing.
30:27I could tell.
30:29I was just, like,
30:30double-swallowing
30:31and...
30:32But I just had
30:33to do my job.
30:34Tiffany,
30:35you're going to be
30:36Native American.
30:37Brittany,
30:38an African-American woman.
30:40Kenya, Korean.
30:42And Noelle,
30:43we're making you
30:43into a traditionally
30:44African woman
30:46with a head wrap
30:46and everything.
30:47Wow.
30:49Of course, you know,
30:49we can't always
30:50make it easy, easy, easy, right?
30:52All you girls
30:53are going to have
30:54a little three-year-old
30:55with you in your shop.
30:57So they're going to
30:57really cradling
30:58these, like,
31:00heavy, like,
31:00three-year-olds.
31:02He's fighting them.
31:03It's not about comfort.
31:04It's about the look.
31:05While they are
31:07essentially in blackface
31:08and brownface...
31:10I didn't think
31:11it was controversial.
31:12I was in my own
31:13little bubble,
31:14in my own little head.
31:15If this was my way
31:17of showing the world
31:18that brown and black
31:19is beautiful...
31:20Sister,
31:21you look like
31:22a black girl, girl!
31:23You look like my cousin.
31:24I was feeling it.
31:25Oh, I loved it.
31:26But then we put it
31:27out there
31:28and the world was like,
31:29are you crazy?
31:30Have you lost your mind?
31:31What the fuck is that?
31:33They dead-asted blackface.
31:36What is the goal
31:36with this photo shoot?
31:38What is it?
31:39It's hard to wrap
31:39your head around
31:40how this actually
31:41managed to get
31:42on the air.
31:43I'm calling my best friend
31:44at commercial break,
31:45like,
31:45girl,
31:45did you see that?
31:47What the hell
31:48is going on?
31:50Did the industry
31:50make them do this?
31:52Did the industry
31:52make them come up
31:53with this photo shoot?
31:54What I don't hear
31:55a lot of people
31:56talking about really
31:57is the fact that
31:58they did it again.
32:01Erin,
32:02you're going to be
32:03Tibetan,
32:04like the Dalai Lama,
32:06and...
32:07Egyptian?
32:08Egyptian!
32:10All of us girls
32:11have to be painted
32:13and plastered
32:14with different colors.
32:15I feel like
32:17I really looked exotic.
32:19Brittany,
32:20you are going to be
32:21Native American
32:22and East Indian.
32:25Looking at the show
32:26now through the
32:272020 lens,
32:29it's an issue,
32:30and I understand
32:31100% why.
32:33Think about Egypt,
32:34the people,
32:35what they've been through.
32:37Tyra wants to challenge
32:39the fashion industry's
32:40ideals around
32:41what is beauty,
32:42but is also still
32:45upholding ideologies
32:46and attitudes
32:48that oppressed her.
32:49Much as I hate
32:51and preach about
32:52models not having
32:53to be stick skinny,
32:54we have to face it
32:55that we are
32:55in the fashion industry.
32:57Well, let's start
32:58from the beginning,
32:59shall we?
33:02Someone here
33:03is America's
33:04next top.
33:06I'm looking for girls
33:07that are beautiful
33:08on the outside,
33:09but I'm looking for
33:09the beauty on the inside.
33:11I just felt like
33:13I could do this.
33:14I can do this.
33:15We need to kind of
33:16do weights and measures.
33:17Miss J is here
33:18to take our measurements.
33:20Oh, shoot!
33:22I had, up until that point,
33:25only been made fun of
33:26for being really thin.
33:28See who is torn
33:29and who's considered
33:31fat who thinks he's fat.
33:33In school,
33:34I was bullied
33:35for being slim
33:36and tall
33:37and braces and glasses.
33:38I wasn't curvy
33:40and all the things
33:41that a lot of
33:42the other girls were.
33:43You almost shake
33:44like a boy
33:44minus the breasts.
33:46Thanks!
33:47So to go into
33:48this world where
33:49now my weight
33:50is an issue
33:51was really confusing
33:53for me.
33:56We've got lust,
33:57sloth, gluttony, envy.
33:59We did the
34:00seven deadly sins
34:01and they gave me gluttony.
34:03It's just like gluttony,
34:05like, ah, I'm greedy,
34:06I'm hungry,
34:07like, ah!
34:08I just thought,
34:09okay, seven deadly sins,
34:10like, how I'm gonna
34:11make this casket work,
34:12I gotta make it work.
34:13Don't hold your tummy
34:14like you're pregnant!
34:15I really didn't think
34:16anything of it,
34:17I just wanted to go with it.
34:18I knew that it was
34:18a quirky show
34:19and I just had to make it work
34:20and make it fabulous.
34:23Gluttony looks like dumpy.
34:24It's like piggy chic.
34:26I don't think you look
34:27like a model.
34:28I would have liked to see
34:28the donut hanging
34:29out your mouth.
34:31You know, in hindsight,
34:32it's just kind of like
34:33they had to find something
34:35as a part of the narrative.
34:37And so by the time
34:39we got to Africa,
34:40we had to model
34:42and be different animals.
34:44So you're gonna be
34:45a giraffe!
34:46You're gonna be an ostrich.
34:48Cheetah.
34:48A god.
34:49Cheetah.
34:50Virginia, you get to be
34:51the elephant.
34:52I don't know how
34:53we all get that.
34:54One week is gluttony,
34:56next week is an elephant.
34:57Why?
34:58That's when I knew,
34:59okay, this is intentional.
35:03The stomach is exposed
35:05to the highest extent.
35:07It's bloated
35:08and it doesn't look good
35:09at all.
35:10I have to just try
35:11to suck it in
35:11and work it.
35:13This photo's really
35:14beautiful, Kenya,
35:15but I hate to say it,
35:16they had to do a lot
35:17of body work on you
35:18in retouching.
35:19If you're sporting a gut,
35:20then you turn to the side
35:22and disguise it.
35:23I would love to change
35:24the rules,
35:25but until that happens,
35:26I think it's all about
35:27choices, Kenya.
35:28You can get a burger
35:28and take the bread off.
35:29I make it work
35:30when I have to.
35:31To see that that was
35:32going to be my entire narrative,
35:34it just felt unfair
35:36and just felt kind of dirty.
35:38Kenya needs to lose weight.
35:40Kenya needs to lose weight.
35:41Kenya needs to lose weight.
35:44Kenya, she has gained
35:45about 10 pounds.
35:47The girl can smack
35:49like no other.
35:50I don't think Kenya
35:51is watching what she eats.
35:52That's what the judges
35:53keep telling her.
35:54That's what they keep
35:54complaining about.
35:56And I really don't see
35:57that much progress.
35:59It was a little bit damaging
36:00to see them editing me
36:02eating the same bagel,
36:05for example,
36:06showing me eating it
36:07as if I've eaten
36:07three different bagels,
36:09but it really was
36:09the same one.
36:12She's really gaining
36:13a little weight.
36:14You can see that.
36:14No?
36:15Yeah.
36:16She should be careful
36:17of that.
36:17Just try and pull it in
36:18a little more.
36:24It was definitely
36:26hard to see that maybe
36:27when I was just
36:28enjoying myself,
36:29having no idea
36:30that the cameras
36:31were really zooming in
36:32on certain areas,
36:33it definitely was
36:34a little bit damaging
36:35to watch with all of America
36:36to see that narrative
36:38play out.
36:41When it comes to weight,
36:46back then,
36:47the fashion industry's
36:48beauty standards
36:49were so narrow.
36:52That's the world
36:53that we lived in.
36:58Tyra has also been
36:59criticized for her body,
37:02for her weight,
37:03for her body type,
37:03being curvy.
37:05To all of you
37:05that have something nasty
37:07to say about me
37:08or other women
37:08that are built like me,
37:10kiss my fat ass!
37:14And yet,
37:15she's perpetuating
37:16the same message
37:17onto these women
37:18and fat shaming them.
37:20Kenya,
37:21when we look at you,
37:21we don't see a model.
37:23And as much as
37:24I hate and preach about
37:26models not having
37:27to be stick skinny,
37:28we have to face it
37:28that we are
37:29in the fashion industry.
37:31If you don't fit the clothes,
37:32you don't work.
37:34She's just real thin.
37:36I love it.
37:37What are you eating?
37:38Um,
37:39I have gained
37:40a little bit of weight,
37:40yeah.
37:41You're the best
37:42as a model.
37:42It's your job
37:43to maintain your size.
37:44Okay.
37:45Someone who's a size six
37:46is a plus size.
37:47It's like,
37:47no, come on.
37:49She's not fat.
37:50There was a lot of that.
37:51There was a lot of
37:52body shaming.
37:53But then again,
37:53we have to remember,
37:54this is 25 years ago.
37:56Like,
37:56we were different back then.
37:58I feel like
37:59her body type
37:59isn't plus size
38:01and it isn't model size.
38:02I think that
38:02she should gain weight
38:04and become a plus size model.
38:05Were there eating disorders
38:06on the show?
38:07Yes.
38:08Yes, they were.
38:08You want to do
38:09anything you can
38:10to get to the next round.
38:12Anything you can.
38:13She gained a lot of weight.
38:16It just really shocked me today.
38:18I'm seeing
38:19such a huge change physically.
38:21I know people say
38:23it was irresponsible
38:24to have these discussions,
38:26but they were very relevant
38:28to the time.
38:30I think there was
38:30a very difficult balance
38:31to strike.
38:32A lot of the girls
38:33developed some really
38:35unhealthy habits.
38:36Is that all your lunch?
38:37That's all you're eating?
38:39I'm just like sad ass.
38:42You're going to get sick
38:43if you eat like that.
38:44It was very common
38:45to live on diet coke
38:46and cigarettes.
38:47It was like
38:48the Karl Lagerfeld
38:48Chanel diet.
38:50Look at this waist.
38:51You have the smallest waist
38:52in the world.
38:53There's something about her
38:54that I like.
38:55And the only people
38:56you saw didn't look like you.
38:58Plus size modeling
38:59did not exist.
39:00I mean,
39:01that wasn't even a thing.
39:03My name is Whitney
39:05and I'm from
39:05Atlantic Beach, Florida.
39:09I represent
39:10a healthy American woman,
39:13which should be
39:13the ideal American woman.
39:16When we started filming,
39:17I was a size 6.
39:18I was 5'10
39:19and weighed 115 pounds.
39:21I thought that I looked good.
39:23And then you go on TV
39:25and you're like,
39:25oh shit,
39:27maybe not.
39:28Okay, I got it.
39:29I know that's really good,
39:31actually.
39:31It's perfect.
39:32I look skinny.
39:32It was a big juxtaposition
39:35to go into this fashion world
39:37where people are like,
39:38oh my God,
39:39you're such a fat cow.
39:40This is size 10.
39:41A size 10 we wouldn't use
39:43for the runway.
39:44So usually runway is 2.
39:47I completely...
39:47It's definitely frustrating
39:49because obviously
39:50I'm discriminated against
39:51because I'm not a size 2.
39:54It's just sad to me
39:54that it's so like,
39:56you're going to be a size 2.
40:02Filming with a bunch
40:03of other size 00 models,
40:06I suddenly felt a lot
40:08more self-conscious.
40:09I don't want to get fat
40:10like you think.
40:11Perhaps you meant PH, A-T.
40:13I would go to set
40:15and they would have nothing
40:16that would fit me
40:17and they would have to
40:17cut open the back
40:18and clamp it.
40:20I don't know
40:21if they're really prepared
40:22for my size
40:23because these are sample sizes
40:24and sample sizes
40:25are size 2
40:27and I'm not size 2.
40:29It just makes you feel like shit,
40:30you know,
40:31to not be the right size.
40:32It was just demeaning.
40:34But there was a model
40:35named Akara
40:36who was on previously
40:37and she went to set.
40:39They didn't have clothes
40:40that fit her
40:40and she kind of,
40:41you know,
40:42let them know
40:43how she felt about that.
40:44You can't find something
40:45in my size
40:45so I'm supposed to feel bad
40:46because I've been in.
40:48You're taking everything
40:49as a negative.
40:51I don't think that you realize
40:52how this whole modeling
40:52thing works.
40:54And she got cut that week.
40:56They could easily
40:57have gotten clothes
40:58that were my size
40:59but that was a choice
41:00that they made
41:01and I dealt with that.
41:03as well as I could
41:04because if they see weakness,
41:07they're gone.
41:11I later found out
41:13that there are women
41:14who developed
41:15eating disorders
41:16from comparing themselves
41:18to what I was looking like
41:20and what the judges
41:22were saying.
41:26Tyra tells me,
41:27you know what,
41:27this picture is beautiful
41:28but we have to retouch
41:29the heck out of your stomach.
41:31This one clip
41:32was enough to spiral
41:33my disordered eating
41:35into an ED
41:36for decades.
41:38I remember when I was a kid
41:39back then
41:40and I would watch shows
41:42like America's Next Top Model
41:43and you would basically
41:45see Tyra Banks
41:46telling women
41:46how their bodies
41:47are not acceptable.
41:48and they were
41:49tiny as hell
41:50to like skinny petite girl.
41:51It just blows my mind
41:52because look how petite
41:53this woman is.
41:54I don't want her
41:55fat shame anybody
41:56but she looks like a wig.
41:58You know the kind of
41:59psychological damage
42:00that does on a bench?
42:01It showed me a lot
42:02of things that weren't
42:03I am beautiful
42:04when I was young.
42:05Look at...
42:07I think there's just
42:08some level of responsibility
42:09to the viewer
42:10knowing that there are
42:11so many young women
42:12watching this show.
42:14There's an insensitivity
42:15towards what it would do
42:17for their self-confidence.
42:19I wish I could say
42:20shaming my body
42:21was the end of it
42:22but the production
42:23didn't stop there.
42:29I'm in South Africa.
42:30We're down to the last girls.
42:32I can feel
42:33that I could possibly
42:34win this show.
42:36On today's shoot
42:37you're going to be dancing
42:39with three hot guys.
42:41I remember getting on set
42:43and like
42:44one of the male models
42:45Bertini
42:47was
42:49very aggressively
42:50hitting on me.
42:53Bertini is a very
42:54interesting person.
42:55Before we go on
42:56to the shoot
42:56like he's very very flirty.
42:58She only gave me a number.
42:59I don't have one.
43:00It was very awkward.
43:01You give me that size.
43:02He wants a massage from you.
43:05Sorry.
43:06Got to go ride the wardrobe
43:07after that.
43:08On set
43:09no one's really
43:10paying much attention
43:10to it at all.
43:12I have to pretty much
43:13fin for myself.
43:14New space now.
43:15I gotta
43:16break this out.
43:18I need some space.
43:20Okay guys.
43:20Get close.
43:21Music.
43:22The male models
43:23were supposed
43:24to dance around us.
43:26Mind you
43:26they all have
43:27just this
43:28teeny tiny little
43:29piece of loincloth
43:30covering their members
43:31and Bertini
43:33was like
43:33touching me
43:34grabbing me
43:36I really felt
43:37that he was
43:37just taking advantage
43:39of the moment
43:40to touch me.
43:43I remember
43:44thinking to myself
43:45what would Tyra
43:46do in this situation?
43:48Tyra would
43:49politely
43:50and professionally
43:51stop the shoot
43:51and just let everyone
43:53know that she feels
43:54a little uncomfortable
43:55and so that's
43:56exactly what I did.
43:57What's the issue?
43:59I know it's not
43:59about feeling
44:00comfortable but
44:02hearing moaning
44:02it just threw me off.
44:04Moaning where?
44:05Like on me.
44:06Like I'm sorry
44:07I just didn't feel
44:07comfortable.
44:09I didn't get
44:10the response
44:11that I thought
44:11I was going to get.
44:12The looks on their
44:13faces were just
44:14like
44:15how dare you
44:16stop our production?
44:18We're here
44:19in a professional
44:19situation.
44:20They're like
44:2015 of us
44:21sitting here on set.
44:22Right, right.
44:23We're going
44:24with the flow.
44:26To be on a TV set
44:28in front of
44:29so many people
44:30and still
44:31not be protected
44:33is
44:35some pretty
44:35dark stuff.
44:38There is a line
44:39that I feel
44:39was crossed
44:41and I hope
44:42that doesn't come
44:42out in my picture
44:43when I go to the panel.
44:57Welcome ladies.
44:58Hi.
44:59Now it's time
45:00to make our
45:0011th cut
45:01which will bring us
45:03I recall that
45:03that judging panel
45:05there was a real
45:06discussion around
45:07what happened.
45:08Pina
45:09here is your
45:10best shot.
45:11It's a good shot
45:13it's not a slamming
45:13shot.
45:14I would like to see
45:14more neck.
45:15Yeah more neck
45:16more movement.
45:17The thing is
45:18that this male
45:19model Bertini
45:20he was
45:21swinging with me
45:22he was grinding
45:22on me
45:23I feel my key
45:24Wait can we
45:24stop it?
45:27The fact
45:29that
45:30the photo
45:31that was chosen
45:32is a photo
45:32of Bertini
45:33literally grabbing
45:34my legs
45:35are we gonna
45:36really choose
45:37the shot
45:37where he's
45:37grabbing her
45:38in the shot?
45:40I mean the receipts
45:41are right there.
45:43it's wild
45:43that that got
45:44passed
45:44however many
45:45people
45:45it got
45:45passed.
45:47It has to be
45:48a way
45:49that you can
45:49handle it
45:49you know
45:50you have to
45:50be able
45:50to be
45:51in control.
45:56Some of those
45:56things are
45:57also kind of
45:58the reality
45:59of the world
45:59you know
45:59unfortunately
46:00in the fashion
46:00industry
46:01there's always
46:01been a lot
46:02of issues
46:03with you know
46:04sort of
46:05harassment
46:05in every
46:06sort of
46:07shape or way
46:07whether you're
46:07a male model
46:08or a female
46:08model actually
46:09you know
46:10not everyone
46:10is gonna handle
46:11the same situation
46:12in the same way
46:12but you as an
46:13individual
46:14should be able
46:14to stand up
46:15for yourself
46:15and say
46:16hey no
46:16this isn't
46:17working
46:17or you know
46:18or figure it
46:18out
46:18and just get
46:19the job done
46:19I mean
46:20there's people
46:20and cameras
46:21everywhere.
46:21Like with your
46:22feminine wiles
46:23like boy
46:23you best to
46:24back up
46:24before I knock
46:25you on the
46:25side of the
46:25head
46:25but you do
46:26it in a
46:26fun way
46:27where he knows
46:28to back
46:28the heck
46:28up
46:29but it doesn't
46:30really put
46:31static in the
46:31air
46:31because then
46:32it makes
46:32you uncomfortable
46:33I was trying
46:34to empower her
46:35with the
46:35information
46:36that I had
46:37to say
46:38you tell him
46:39to back up
46:40and da da da
46:40don't we miss
46:41not much
46:41you know
46:41that's kind
46:42of what I was
46:42saying
46:42not verbatim
46:44because I felt
46:45like that was
46:46empowering her
46:46based on the
46:47information
46:48that I had
46:50I thought
46:50that was the
46:51best advice
46:51but it should
46:53have been
46:53stop down
46:55and that's
46:56what would
46:56happen today
46:57we now all
46:58understand
46:59the protections
47:00that women
47:02need
47:02and so I say
47:03to Kenya
47:04boo boo
47:04I'm so sorry
47:05none of us
47:07knew
47:07network executives
47:09didn't know
47:09and I did the
47:11best that I could
47:11at that time
47:12but she deserved
47:13more
47:14she did
47:18I can see
47:19how someone
47:19watching the
47:20show
47:20would feel
47:22upset
47:23there was a
47:24time when
47:25the creative
47:27of the show
47:28started to
47:29shift
47:30we were supposed
47:30to be showing
47:31the behind the
47:32scenes of what
47:33the fashion
47:34world was
47:35helping change
47:37the industry
47:39but the show
47:40had evolved
47:41in a way
47:42way I'd never
47:43expected
47:43I really
47:45struggled over
47:46some of the
47:46things that
47:47happened
47:47I have never
47:48in my life
47:49be ordered a
47:49girl like this
47:50and that was
47:51something that
47:52was slowly
47:53depleting me
47:54chipping away
47:55at my soul
47:57I just don't
47:57think this is
47:58like great for me
47:59I don't want to
47:59do it
48:00I want to go
48:00home
48:00don't you think
48:01any job interview
48:04it was time
48:05to tell Tyra
48:06I wanted to
48:07leave the show
48:25and if I was
48:28back to
48:29is
48:29stage
48:30and
48:30steal
48:30the show
48:31flash
48:31flash
48:32and pop
48:33paparazzi
48:34on my blog
48:34this thing
48:35Do your thing, top model, runway queen
48:38Smile, smile with your eyes, serve them face, hematize
48:57Smile, smile with your eyes, serve them face, hematize
49:00High heels, high stakes, I forgot, make no mistake
49:04High heels, high stakes, I forgot, make no mistake
49:15This thing, do your thing, top model, runway queen
49:43Now look straight at what?
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