- 2 days ago
Pharaoh's Curse is a 1957 American horror film directed by Lee Sholem and written by Richard H. Landau. The film stars Mark Dana, Ziva Rodann, Diane Brewster, George Neise, Alvaro Guillot, and Ben Wright. The film was released in February 1957 by United Artists, as a double feature with Voodoo Island.
Storyline:
A crew of archeologists travel to Egypt and excavate a mysterious tomb containing a mummy's sarcophagus. Entering the tomb unleashed a three thousand year curse and one of their crew has been turned into a blood sucking mummy.
Credits:
Mark Dana as Capt. Storm
Ziva Rodann as Simira (credited as Ziva Shapir)
Diane Brewster as Sylvia Quentin
George Neise as Robert Quentin
Alvaro Guillot as Numar
Ben Wright as Walter Andrews
Guy Prescott as Dr. Michael Faraday
Terence deMarney as Sgt. Smollett
Richard Peel as Sgt. Gromley
Kurt Katch as Hans Brecht
Robert Fortin as Claude Beauchamp
Ralph Clanton as Col. Cross
Storyline:
A crew of archeologists travel to Egypt and excavate a mysterious tomb containing a mummy's sarcophagus. Entering the tomb unleashed a three thousand year curse and one of their crew has been turned into a blood sucking mummy.
Credits:
Mark Dana as Capt. Storm
Ziva Rodann as Simira (credited as Ziva Shapir)
Diane Brewster as Sylvia Quentin
George Neise as Robert Quentin
Alvaro Guillot as Numar
Ben Wright as Walter Andrews
Guy Prescott as Dr. Michael Faraday
Terence deMarney as Sgt. Smollett
Richard Peel as Sgt. Gromley
Kurt Katch as Hans Brecht
Robert Fortin as Claude Beauchamp
Ralph Clanton as Col. Cross
Category
🎈
FunTranscript
00:00:28Transcription by CastingWords
00:00:35Oh, my God.
00:01:08THE END
00:01:30We had made camp, posted sentinels around you, and turned in.
00:01:38It seemed like hours later, or maybe it was only minutes.
00:01:44Without sound, without warning, nothing.
00:01:49And then suddenly they were all around us, among us.
00:01:55We couldn't tell them from our own.
00:01:58They butchered as proper they did.
00:02:02Everything you touched was wet with blood.
00:02:10They cut Johnny's tongue out.
00:02:14Made him watch while they fed it to the animals.
00:02:20They'd have done the same for me, or worse, if I hadn't gotten myself buried beneath a dead body.
00:02:29I'd think this was the dark ages instead of 1902.
00:02:39Are you all right, sir?
00:02:40Yes.
00:02:41You're going to be all right, sir.
00:02:43Me, sir.
00:02:44See that these men get to hospital right away.
00:02:46Yes, sir.
00:02:56If I may suggest, sir, I should turn your lamp down.
00:03:07Captain Storm reporting, sir.
00:03:09Get him in here.
00:03:16Sir?
00:03:17Sit down, Storm.
00:03:21It's not explosive enough around here for them.
00:03:24Patrols being wiped out, native uprisings against the crown.
00:03:28Now, now the home office cables, we're to go out after an archeological expedition.
00:03:34Tombs?
00:03:35Tombs.
00:03:37I don't understand, sir.
00:03:38There have been other diggings.
00:03:40This one went out there without Egyptian approval.
00:03:43Just let that mob out there get the idea for one minute.
00:03:46We're digging up their ancient kings' graves, tampering with their religious beliefs, their superstitions.
00:03:51And the fanatics that started this riot would soon spread it into a national situation.
00:03:57All they want is a chance to throw us out and bury British rule.
00:04:01You leave for the Valley of the Kings before dawn tomorrow morning.
00:04:04Yes, sir.
00:04:06Intelligence has rooted you the long way around the pass.
00:04:09Of course, you'll lose time, but...
00:04:10Since we've only had a garrison wiped out and lost every patrol in that area, that's very considered to them,
00:04:16sir.
00:04:17You'll be given two men.
00:04:19Two men?
00:04:20That's all we can spare.
00:04:21Here are the names of the members of the party and all the other information you'll be needing.
00:04:26Oh, yes.
00:04:27There's one other thing.
00:04:29There'll be another person going with you.
00:04:32A Mrs. Robert Quinton, wife of the leader of this jolly Anglo-American expedition.
00:04:37She's just arrived from the States to join her dear husband.
00:04:41Are there any other questions, Captain?
00:04:45Wouldn't it be safer, sir, if Mrs. Quinton stayed in Cairo?
00:04:48No. If she stayed here, word would get out about the expedition. Then we'd be in real trouble.
00:04:55Anything else?
00:04:56No, sir.
00:04:58Good luck, then.
00:05:00Thank you, sir.
00:05:07Thank you, sir.
00:05:44I'm sorry you couldn't have all the comforts of home, Mrs. Quinton.
00:05:47But on the desert an animal gets first consideration.
00:05:50Captain, please don't concern yourself about me. Treat me the same as one of your men.
00:05:55I'm afraid that might be a bit difficult.
00:05:58Oh, I'm sorry. I forgot for a moment.
00:06:00The renowned Mrs. Robert Quinton.
00:06:02I've seen pictures of you and your husband on safaris.
00:06:05The great American adventures.
00:06:06Quite a team.
00:06:07Big game hunting, scaling snow-peaked mountains.
00:06:10Say nothing of the jungles, the unexplored Amazon having been captured by pygmies.
00:06:15Head-shrinking species is that.
00:06:17I must say, it doesn't show a bit.
00:06:22There, that's last minute.
00:06:27The duty I draw.
00:06:29Egypt.
00:06:30They couldn't let me stay nice and peaceful like at Weatherly Green.
00:06:34Drawing my pay and training all the old geezers in the home guard.
00:06:36Good for you. Clean out to a life.
00:06:38Oh, very funny.
00:06:40What makes you so delirious with your lot?
00:06:42You haven't met my wife.
00:06:44Well, she'll have you back soon enough when your hitch is up.
00:06:46That's what she thinks.
00:06:47I'm trading in my uniform for the foreign legion.
00:06:50All right. Let's mount up.
00:07:27Ineorable, greedy glutton.
00:07:38How many nights do I have to keep on telling you the same thing?
00:07:42Mm.
00:07:48First, you get the rocks out from all the sensitive places, see, like this.
00:07:55Here's another.
00:07:57Then you smooth it all out, see.
00:08:02Make a nice pillow for a lovely head.
00:08:06I don't care how you fix your bed,
00:08:09but you're making this for a lady, not your wife.
00:08:13Now, lay down there and try it.
00:08:22Ah, you could dream beautiful dreams, sleeping here, you could.
00:08:29Now, why'd you have to go and mention my wife?
00:08:41What kind of a man is your husband?
00:08:43What?
00:08:50I said,
00:08:52most important anyway.
00:08:54You certainly weren't here a moment ago.
00:08:56Where were you?
00:08:58I don't know.
00:08:59Everywhere.
00:09:01Nowhere.
00:09:03Mostly alone, I guess. Why?
00:09:06That's no way for a woman like you to be.
00:09:08What way should a woman like me be?
00:09:11I'll never give you the wrong answer.
00:09:13You forget.
00:09:14Did you have a husband?
00:09:16No, I didn't forget.
00:09:19Are you happy?
00:09:21Why do you ask?
00:09:23Oh, I don't know.
00:09:25For some reason, I just don't picture you in this wild, adventurous role.
00:09:29Maybe I like it.
00:09:31Maybe I like the excitement, the adventure.
00:09:34I think you're trying to talk yourself into it.
00:09:37You know, you fascinate me, Captain.
00:09:41That's the nicest thing you've said the whole trip.
00:09:43I take back everything I thought about you.
00:09:46How would you like to look at yourself close up?
00:09:49Oh, I'm sure that you've been told you're charming.
00:09:51You're handsome.
00:09:52You have quite a way with the women.
00:09:55Any particular one you're running away from?
00:09:59The one who didn't think I was charming and handsome...
00:10:02Or had quite a way.
00:10:03Very foolish girl.
00:10:05You know, maybe I was lucky.
00:10:08How about a truce?
00:10:09Let the mummies lie in their tombs, hmm?
00:10:14What is it?
00:10:16Could be anything.
00:10:18Whatever that.
00:10:19Keep low.
00:10:33Keep me covered.
00:10:44That's far enough.
00:10:47There's not anyone there.
00:10:49I'm alone.
00:10:50Who are you?
00:10:51Where have you come from?
00:10:53I'm Simira.
00:10:54I come from out there.
00:10:55The desert.
00:10:56Are you lost?
00:10:57No.
00:10:58I'm not lost.
00:11:00How did you get here?
00:11:03The light of your fire.
00:11:05You've been traveling across the desert on foot.
00:11:09You may tell your men there's no need for guns.
00:11:12I have told you.
00:11:13I come alone.
00:11:18A mirage in the middle of the blinking desert.
00:11:21Your food and water.
00:11:23Can't we get you something to eat?
00:11:25To drink?
00:11:28All right, just what are you doing here?
00:11:30I come from my village at Mokotan Mountains.
00:11:33It's hundreds of miles.
00:11:34I go to find my brother Numa.
00:11:36He has left our village.
00:11:37I cannot count the days.
00:11:39He is gone with those who seek the tomb of King Rahateb.
00:11:44How do you know this?
00:11:45Numa is with him.
00:11:46I know it.
00:11:47But you must hurry before it is too late.
00:11:50Too late for what?
00:11:51Please.
00:11:52You go the long way.
00:11:54Let me lead you.
00:11:56If you want to look for your brother,
00:11:58you're welcome to come with us.
00:12:00But we go our way.
00:12:17What do you suppose she meant?
00:12:19What if she does know a shorter way?
00:12:22You know all about that short way.
00:12:24A quick route to the sharp end of a spit over a hot fire.
00:12:29All right, everybody, turn in.
00:12:30We rotate guard every two hours.
00:12:32Up.
00:12:32I'll take the first watch.
00:12:34Good night.
00:12:35Good night.
00:12:37Good night.
00:12:37Good night.
00:12:38Good night, Mum.
00:12:40You ask me, that beautiful mirage is a walking nightmare.
00:12:58Masculine, come back in.
00:12:58Come on, Gorgeous.
00:12:59Just get crackin', we gotta pull outta here before that dile-
00:13:04Aye, aye.
00:13:05What's goin' on here?
00:13:09All right.
00:13:10All right, where is she?
00:13:12Where's who?
00:13:13Where's Mabel, that's who?
00:13:15A food pack's missing!
00:13:17Captain Storm, sir!
00:13:20Captain Storm!
00:13:24One of the pack animals with food is missing, sir.
00:13:27The halter's still here.
00:13:28Only Mabel was in it when he relieved me.
00:13:31What happened, Smollett?
00:13:32Oh, I don't know, sir. I never closed my eyes.
00:13:33I didn't see anything happen, sir.
00:13:34I didn't see a soul, not anything anywhere.
00:13:38Mabel was tied over here.
00:13:40Yes, sir.
00:13:52Don't it strike you as kind of odd, sir?
00:13:55She refuses our water and food.
00:13:57Now some of our food's missing.
00:14:00And so is Mabel.
00:14:06Doesn't make sense.
00:14:08She could have broken loose during the night,
00:14:10mounted off without Smollett hearing.
00:14:12The wind could have covered the tracks of sand.
00:14:14I don't know, sir.
00:14:16I could believe it with Harry or Josephine,
00:14:18but not Mabel, sir.
00:14:20She ain't the wandering type, she ain't.
00:14:31Can't you make sense?
00:14:37Gonna die.
00:14:41Let's go.
00:14:47Not again.
00:14:51Tomorrow's early, sir.
00:14:51You're gonna die.
00:14:51Let's go to the other side of tavern, hover.
00:14:51Come to the Jack, you're a good friend.
00:14:51We'll never leave ya.
00:14:51Good girl!
00:14:52Good boy!
00:14:53You fucking scrappin'.
00:15:00Now you figure it.
00:15:29Look, we have a long way to go.
00:15:31How long do you think you can keep this up?
00:15:33I'll be a good girl and ride one of the mules.
00:15:35I do not tire, Captain.
00:15:37The desert is my strength.
00:15:39You had better keep the animals for yourselves.
00:15:48Break out the water, Sergeant.
00:15:50Yes, sir.
00:16:08The man can go out first waiting for you.
00:16:10You better start getting used to that idea.
00:16:13But I filled it this morning before we left the water.
00:16:16Oh, you never close your eyes, you don't.
00:16:18You don't see anything happen.
00:16:19Not a soul, not a thing anywhere.
00:16:21So the food goes and maple goes with it.
00:16:23Now the water's gone and your brain's gone with it.
00:16:25Captain Storm, sir!
00:16:30The water's gone, sir.
00:16:32Smollett says he filled it this morning.
00:16:33But this skin is empty, bone dry!
00:16:57It doesn't make sense.
00:16:59This water hole's been a stop for every patrol
00:17:01that's ever passed through this area.
00:17:03Sir, I don't like it.
00:17:04I think the girl's fare gone crackers.
00:17:05She says we've been tailing off in the wrong direction
00:17:07for over two days now.
00:17:09She says that if we go on according to the map,
00:17:10we're gonna find ourselves...
00:17:15Listen, you.
00:17:15Stop telling my men where we're going or how to get there.
00:17:18Anything you've got to say, you tell me.
00:17:20Please, Captain.
00:17:21If you do not go my way, it will be too late.
00:17:25We follow the map.
00:18:02If you do not let us know the map out of the map,
00:18:03Oh, he's gone.
00:18:04I've seen him.
00:18:07I'm old.
00:18:09He's gone.
00:18:11I'm old.
00:18:13I'm old.
00:18:15I'm old.
00:18:18I'm old.
00:18:27Oh!
00:18:29Oh!
00:18:30Oh!
00:18:33Oh!
00:18:33Oh!
00:18:35Oh!
00:18:36What happened?
00:18:36My arm.
00:18:38Something's done me.
00:18:40Oh!
00:18:41Get the medical gift.
00:18:43Right.
00:18:44And bring that girl.
00:18:45She can help.
00:18:55Smell it! Hurry up!
00:19:01Sir, the medical kit is missing, sir. So's that girl.
00:19:06Here. Heat this blade in the fire.
00:19:09It's just embers, sir. I don't think it's hot enough.
00:19:14Hold on.
00:19:29Let's go.
00:20:01Let's go.
00:20:01Try to get some rest.
00:20:15Captain Stoom, sir!
00:20:26Where have you been?
00:20:27I went the short way and reached the pass.
00:20:30We may not be able to go on.
00:20:33Scorpion got Mrs. Quentin.
00:20:35She's had a rough time.
00:20:36How can you stay? There's no food, no water?
00:20:39There's a water hole about a half a day's ride from here.
00:20:41I'll send one of the men.
00:20:43If there's still poison in her, she may die by then.
00:20:46If there's still poison in her, she may die by then.
00:20:46If there's still poison in her, she may die by then.
00:20:46Even if water is to be found.
00:20:58She needs help, Captain, now.
00:21:02The pass is clear.
00:21:04There would still be time for her.
00:21:06Sir.
00:21:11If you'll excuse my saying so, sir, I don't trust her.
00:21:14I'd rather take my chances following the map.
00:21:17Or get my bones bleached, trying to make it back to the post.
00:21:20If she acts pretty sick, sir, I don't think she'll make it your way.
00:21:23I don't feel like playing a dead ear, sir, but...
00:21:35If this is a trap, it's going to be you first, then us.
00:21:40Yes, Captain.
00:21:57But ye who seek to disturb the eternal peace and sleep of the high priest...
00:22:04Beware. Flesh of my flesh shall creep into thy body
00:22:09and eat of the flesh of thy spirit
00:22:12until such time as ye shall return into the pit of everlasting darkness
00:22:18whence ye lived before life.
00:22:23All right. Let's cut it open.
00:22:26Robert, I'm not a superstitious man, but, uh,
00:22:30I feel a wee bit strange about desecrating this tomb.
00:22:33Hmm. I'd say, let it be.
00:22:39Brecht?
00:22:41It is what we came for, Mr. Robb.
00:22:46Beauchamp.
00:22:48What does it matter what I think, Robert?
00:22:51You'll do what you want anyway.
00:22:55And Faraday, what's your opinion?
00:22:57Well, as a doctor, as a man of science,
00:23:00my knowledge is limited to things physiological.
00:23:03I'm afraid superstition's out of my field.
00:23:31This is the valley. The ancient resting grounds.
00:23:35This is the valley. The ancient resting grounds.
00:23:37What's the matter?
00:23:41We are too late.
00:23:44There's no chance to help now.
00:23:47It is too late.
00:23:52It is too late.
00:23:52Give me a hand-break.
00:23:56Let it be.
00:23:59Let it be.
00:24:03Forty centuries of a lost past lie here.
00:24:07Millions of blocks of stone.
00:24:09Every stone, every stone, the heartbreak and lifetime of a slave.
00:24:13And for us, years of diggings, research, failures.
00:24:18And now when we're so close, on the very brink of a tremendous discovery,
00:24:23you say, let it be.
00:24:26Brecht.
00:24:44Get the reference, Faraday.
00:25:05Get the reference, Faraday.
00:25:06That's a good one.
00:25:06Let's go.
00:25:08Let's go.
00:25:15I'll get the reference.
00:25:16Come on, Faraday.
00:25:50I'm sorry, Mr. Quentin. I know your feelings.
00:25:52But tomorrow, we seal up the tomb, and that's final.
00:25:55Final with you, Captain.
00:25:57As soon as Dr. Faraday says your wife can travel, we head back to Cairo.
00:26:01Oh, yes. I didn't thank you for saving her life.
00:26:03Well, at least you've served one purpose.
00:26:04I'll be sure and put in a good word to your commanding officer.
00:26:08We're both tired, Quentin.
00:26:10Good night.
00:26:16What's the captain's problem?
00:26:17Me? They got orders to call off the expedition.
00:26:20Bring us back.
00:26:21What are you going to do about it?
00:26:25How's Sylvia?
00:26:26I cauterized the wound.
00:26:27She's suffering mostly from physical exhaustion.
00:26:30And the boy?
00:26:31Nothing serious. Slight traumatic shock.
00:26:34His sister's with him now.
00:26:35Good night's sleep. He'll be fine.
00:26:36All right to see Sylvia now?
00:26:38Yes.
00:26:38Good night, Faraday.
00:26:39Good night.
00:26:48Hello, Sylvia.
00:26:52Are you feeling more comfortable now?
00:26:54Yes, thanks.
00:26:57With all the excitement, we two seem to have gotten lost.
00:27:01But I knew you'd change your mind and come.
00:27:03It wouldn't have been the same without you.
00:27:06I'm so close, Sylvia. So close. And I've waited so long.
00:27:10I'm glad for you, Robert.
00:27:12But I need time. And you're the only one who can give it to me.
00:27:16Now, our leaving depends on you.
00:27:19As long as you stay sick, Storm is forced to stay here.
00:27:22Robert...
00:27:22And the longer he stays, the better my chances of finding Rahateb.
00:27:26Robert, listen to me for a minute.
00:27:28Do you understand what I'm saying?
00:27:30The longer you stay sick...
00:27:32Robert, what I've got to say can't wait.
00:27:34I've got to tell you now.
00:27:38You've got to tell me what?
00:27:41That I haven't come back to you.
00:27:44This was something I couldn't tell you in a letter or send word about.
00:27:49I can't go on this way any longer.
00:27:53Is this something that just happened or has it been coming on for a long time?
00:27:58I've tried hard not to let it.
00:28:00I've tried so hard to make our lives work. You must believe that.
00:28:05But everything I've done has been for you.
00:28:07I've wanted to give you the world.
00:28:10You've been so much a close part of my life, Sylvia.
00:28:13You know how much I need you.
00:28:16No. You don't really need me, Robert.
00:28:19You've never really needed me.
00:28:22I don't want the world.
00:28:24I just want the man I thought I once married.
00:28:29That can never be again. I know that now.
00:28:33I feel like a piece of baggage.
00:28:36Something shipped from one corner of the earth to the other.
00:28:40Without any roots. Anywhere, anyplace.
00:28:46I don't know what it is to be a woman anymore.
00:28:50You don't.
00:28:55And what were you before I married you?
00:28:57Some starry-eyed, mousy little librarian in a museum.
00:29:02What did you know then?
00:29:03Books and catalogs and files.
00:29:06And who took you away from all that?
00:29:09Took you to all the places and showed you the things that you'd read about
00:29:11and then cataloged and filed away.
00:29:14You did.
00:29:15But you didn't do it for me.
00:29:17You did it for yourself.
00:29:18You tried to make me into something that you wanted me to be.
00:29:23Something for your own ego and satisfaction.
00:29:26Something to show off to anyone who would look and admire.
00:29:30So you could say,
00:29:32See what I've done.
00:29:33See what I've made.
00:29:36You never cared about me or my feelings.
00:29:40Or what I wanted to be.
00:29:44It took me all this time to find out.
00:29:54Who helped you find out?
00:29:56The captain?
00:30:11My daily diary, Robert.
00:30:14And someday, perhaps, who knows,
00:30:16to become your memoirs.
00:30:18Fully illustrated.
00:30:20My greatest discovery by Robert Quentin.
00:30:24Personally autographed, it should sell thousands of copies
00:30:27that just licked your holes alone.
00:30:30To the glory of man and humanity, Robert.
00:30:33You.
00:30:35Keep that up, Beauchamp,
00:30:37and your brain will turn into a sponge.
00:30:39Oh, no loss to the world.
00:30:41It has already had its Gauguin's, its Van Gogh's,
00:30:44its Rabelais and Victor Hugo's.
00:30:46My contribution to the world is you.
00:30:51Brecht?
00:30:53Where are you coming with that cartouche?
00:30:55Ah, it is slow, very slow.
00:30:58Can't you hurry it up?
00:31:01One cannot undo in one night,
00:31:03but it's taken three thousand years to fall.
00:31:06But we know there is something here.
00:31:09It looks as though it might be the beginning of a letter
00:31:11from Rahateb to his high priest.
00:31:15Rahateb's royal seal.
00:31:19Can we look over here?
00:31:21This might also be the character of Bubasti,
00:31:24the cat goddess whom they worship.
00:31:27Of course, we'll know a great deal more
00:31:28as soon as Brecht cleans Rastovit away.
00:31:32The tomb must be here.
00:31:35The tomb is here.
00:31:37The king is dead.
00:31:38Long live the king.
00:32:02Quentin.
00:32:04Quentin?
00:32:04Quentin, it's Storm.
00:32:05I want to talk to you.
00:32:08Quentin.
00:32:41Quentin.
00:33:09Quentin.
00:33:33I gave orders for nobody to come back into this tomb, Brenton.
00:33:36Somebody did. Take a look.
00:33:43You were here just after the boy fainted, Storm. You went back up with us.
00:33:47The mummy was here when we left. No one has been down here since.
00:33:50Except you, Brenton. Where did you put it?
00:33:53You tell me. But something was here, Storm.
00:33:58Take a look at those tracks.
00:34:10It doesn't make sense.
00:34:13Somebody could have worn foot coverings to make those impressions.
00:34:18These ancient tombs are full of hidden openings.
00:34:23You said the boy collapsed the moment Faraday made that first incision into the mummy rapids.
00:34:28That's right.
00:34:30And the way here, his sister kept saying how we had to hurry or we'd be too late.
00:34:36How did you happen to get him as a guide?
00:34:59What did you do with it? Where did you take it?
00:35:01Come on, open your mouth and start talking or I'll knock it out of you.
00:35:05Let go of this boy.
00:35:06Leave that boy alone. He's on no condition to talk.
00:35:09But you just...
00:35:09Never mind what I said.
00:35:12Something's happened.
00:35:13What has happened?
00:35:15I don't know. I can't tell you.
00:35:17There's been a change. Bring that lantern.
00:35:25And it isn't only the face. Here.
00:35:29Take a look at his skin. Feel it.
00:35:33It's like a hide drying in the sun.
00:35:36Yes, in his pulse.
00:35:37Rapid for minutes and then a sudden stop and no beat at all.
00:35:41I don't know how he's alive.
00:35:42But that face.
00:35:45And that scar. I never noticed that before.
00:35:49Scar.
00:35:50Well, he was bleeding when I brought him into the tent.
00:35:53He's nervous taking the change.
00:35:55Look at his hair. Streaked with gray.
00:35:58Yes.
00:36:00Look at his teeth.
00:36:02The rapid acceleration of the aging process.
00:36:0550 years in a matter of hours.
00:36:08There's nothing in any of the medical books on this one.
00:36:11Belongs in a hospital, Robert.
00:36:13Can't be treated here.
00:36:14We've got to get him back to Cairo.
00:36:17That's exactly where he's going.
00:36:18Not if he can be made to talk.
00:36:19Not if you can open his mind, Faraday.
00:36:21See that he's ready to travel in the morning.
00:36:23Yes, Captain.
00:36:23Storm!
00:36:24Do you know what it means if we turn back now?
00:36:27Do you know what we stand to lose?
00:36:30A man's life, Quentin.
00:36:31Who is?
00:36:40I really know.
00:36:45You will ради nothing!
00:36:48Black!
00:36:49You are never there?!
00:37:00You are really out of the way.
00:37:05What is it, Gromley? The animal, sir.
00:37:14What do you say, doctor? What happened to it?
00:37:16I don't know.
00:37:20The body completely deflated.
00:37:24Drained of all its blood.
00:37:26Gromley, what did you see? What kind of an animal was it?
00:37:29Animal, sir? It was no animal.
00:37:31It was him, in there.
00:37:41Flesh of my flesh shall crawl into thy body,
00:37:47and eat of the flesh of thy soul.
00:37:53I want to know what happened. How he got out.
00:37:56I said it was too late.
00:37:58Is that all she can say?
00:37:59Forget it.
00:38:01You're not to leave your tent.
00:38:09We'll search every inch of that tomb.
00:38:11I'd like Brecht and Andrews to stay here.
00:38:13They're deciphering a cartouche. It might be important.
00:38:15All right.
00:38:17I heard shots in Awakened. I thought...
00:38:18There may be trouble, Mrs. Quentin.
00:38:20I'd like you to remain in your tent.
00:38:21I'll post Smollett outside.
00:38:28I'll save you the trouble of asking, Captain.
00:38:31She came up here to tell me our marriage was over.
00:38:35I thought you and my wife became better acquainted.
00:38:52I'll be right back.
00:38:52I'll be right back.
00:39:10Go!
00:39:11Go!
00:39:11Leave it down.
00:39:12Go!
00:39:14Go!
00:39:15Go!
00:39:19Go!
00:39:29Duck?
00:39:31Yeah.
00:39:32Duck?
00:40:02The Quentin luck, miraculous, or is it fate?
00:40:08If you had deliberately planned things, they could not have worked out better.
00:40:14You needed time. You got time.
00:40:38You got time.
00:40:55Let's go.
00:41:23Let's go.
00:41:44Let's go.
00:42:10Let's go.
00:42:12Let's go.
00:42:12Let's go.
00:42:14Let's go.
00:42:43Let's go.
00:43:05Let's go.
00:43:20Let's go.
00:43:26Let's go.
00:43:33Let's go.
00:43:42Let's go.
00:43:45Let's go.
00:43:47Let's go.
00:43:47Let's go.
00:43:50Let's go.
00:44:21Let's go.
00:44:22Let's go.
00:44:22Let's go.
00:44:22Let's go.
00:44:25Let's go.
00:44:50Let's go.
00:44:51Let's go.
00:45:06Let's go.
00:45:29Let's go.
00:45:31Let's go.
00:45:43Let's go.
00:45:53Let's go.
00:46:05Let's go.
00:46:15Let's go.
00:46:18Let's go.
00:46:19Let's go.
00:46:21Let's go.
00:46:22Let's go.
00:47:04Let's go.
00:47:06Let's go.
00:47:07Let's go.
00:47:15Let's go.
00:47:17Let's go.
00:47:18Let's go.
00:47:23Let's go.
00:47:27Let's go.
00:47:29Let's go.
00:47:29Let's go.
00:47:31Let's go.
00:47:32Let's go.
00:47:33Let's go.
00:47:35Let's go.
00:47:42Here you go.
00:47:58Ah, it's just a corridor filled with massive blocks of stone.
00:48:01The end of it's a flight of stairs.
00:48:03Where do they lead?
00:48:04Dead end.
00:48:14Dead end.
00:48:38Dead end.
00:48:39Dead end.
00:48:40Dead end.
00:48:42Dead end.
00:48:50Dead end.
00:48:52Dead end.
00:48:54Dead end.
00:48:55Dead end.
00:48:57Dead end.
00:48:58Dead end.
00:48:58Dead end.
00:48:59Dead end.
00:49:00Dead end.
00:49:00Dead end.
00:49:02Dead end.
00:49:03Dead end.
00:49:04Dead end.
00:49:05Dead end.
00:49:05Dead end.
00:49:12Let's go.
00:49:45What was that?
00:50:01Bertie.
00:50:02Bertie.
00:50:12Bertie.
00:50:28Come on.
00:50:53Unbelievable.
00:50:56His body disintegrating.
00:50:59Turning into dust.
00:51:01Without blood, the whole process becomes more rapid.
00:51:09Samira,
00:51:10if you know where your brother is,
00:51:12you must tell us.
00:51:14He's got to be stopped.
00:51:15Save him himself.
00:51:19All right.
00:51:23Here's what's happening.
00:51:27Not very pretty, is it?
00:51:29This isn't a man anymore.
00:51:31Your own brother.
00:51:33Doesn't that mean anything to you?
00:51:35Try to warn.
00:51:36Try to help.
00:51:38You would not listen.
00:51:40Now, unless you leave us alone,
00:51:43it will be too late for all of you.
00:51:46Take it back to your tent.
00:51:47Right.
00:51:50What now, mon capitaine?
00:51:56To live it has to have blood.
00:51:59That means one of us again.
00:52:00Very simple.
00:52:02We'll get him first.
00:52:04That door Newmar went through.
00:52:06The tomb could be in there.
00:52:08Could be a tomb.
00:52:10A trap.
00:52:13Or another dead end.
00:52:15For this time, we're going to find out.
00:52:27Captain, Captain.
00:52:29I'm beginning to think she was right.
00:52:31That it is too late for all of us.
00:52:34You won't stop.
00:52:35You won't leave.
00:52:36Don't you think I want to?
00:52:38Do you think I like fighting something I can't even see?
00:52:40Wondering who might be killed next?
00:52:41I can't go back.
00:52:43I can't stop now.
00:53:35No.
00:53:37No.
00:53:39Let's go.
00:54:12Let's go.
00:54:42Let's go.
00:55:09Let's go.
00:55:40Oh, it's you, Mrs. Quentin.
00:55:41It's only me.
00:55:42Smell it.
00:55:43Here, you pull yourself together.
00:55:45Where are they?
00:55:46Where are they?
00:55:47Come on.
00:55:48Come on now.
00:55:48Be awful.
00:55:50Come on.
00:55:59Oh, Sylvia, what happened?
00:56:00It was horrible.
00:56:01Well, what was?
00:56:02Take me away from here.
00:56:04Take me away.
00:56:04All right, now, calm down.
00:56:05Calm down.
00:56:05Come on with me.
00:56:09What happened?
00:56:10I don't know yet.
00:56:11What is it?
00:56:12It was outside my tent.
00:56:15I heard a scratching sound.
00:56:17I looked over and saw a shadow.
00:56:20And then it began to move around to the entrance.
00:56:23But it wasn't just an ordinary shadow.
00:56:26It was like a...
00:56:28It was like...
00:56:29Like what?
00:56:31Like that.
00:56:31Like a cat.
00:56:36Moving slowly.
00:56:38And then it got around to the entrance.
00:56:42And suddenly she was standing there.
00:56:45Samira?
00:56:48And the way she looked at me.
00:56:50Sylvia, are you sure this shadow wasn't just your imagination?
00:56:53It wasn't my imagination.
00:56:55I saw it.
00:56:57Were the claw marks on Breck's face anybody's imagination?
00:57:01Where is she now?
00:57:02I don't know.
00:57:03She was in my tent and I ran out.
00:57:16Andrews.
00:57:18Let them go.
00:57:20What's the matter, Robert?
00:57:23I want to know where the tomb is, Andrews.
00:57:26You've known ever since you've deciphered the cartouche.
00:57:28I kept telling you to let things be.
00:57:30But you'd not believe me, would you?
00:57:32You didn't think I'd come this far and never turn back.
00:57:35I've waited too long, Andrews.
00:57:37I'm getting what I came for.
00:57:38You're going to tell me.
00:57:41And you're going to tell me now.
00:57:45You never could face failure, could you, Robert?
00:57:48I won't face failure.
00:57:51I'm going to be the first man to walk into that tomb.
00:57:53The first man to make the discovery.
00:57:56Go on.
00:57:58Go on, Andrews.
00:58:11Now, how does it open, Andrews?
00:58:13Tell me!
00:58:15Did you hear me?
00:58:16I said, tell me how it opens!
00:58:22Don't tell me!
00:58:26Behind you, Robert!
00:58:49Where could she have gone?
00:58:51Beyond me, sir.
00:58:52Andrews, Quinton, where are they?
00:58:53Well, they started up with us from the tomb.
00:59:20Storm!
00:59:24Storm!
00:59:24Storm!
00:59:25Andrews!
00:59:26What happened?
00:59:27Where's Quinton?
00:59:29Over there.
00:59:30In chamber of a bastie.
00:59:33It came out of the side of the royal tomb.
00:59:35Started for us.
00:59:37Robert went after him.
00:59:38Into the tomb of Rahatab.
00:59:42The door closed was a...
00:59:44was a trap.
00:59:46The entrance is just...
00:59:48tons of stone.
00:59:51I tried, Storm.
00:59:52I tried.
00:59:55Take care of him.
00:59:56Yes, of course.
00:59:57Better wait here.
01:00:15It was never Robert's fate that he should meet a peaceful death.
01:00:20There's nothing any of us can do here anymore, Beauchamp.
01:00:24I'll tell Mrs. Quentin.
01:00:30A long sleep among kings, mon ami. Adieu.
01:00:45I'm sorry it had to end this way, Sylvia.
01:00:48If there is anything I can do, if...
01:00:50Thanks, Claude.
01:01:55Well, the coffin had... it's closed.
01:01:59And loose.
01:02:05Captain Storm!
01:02:14Where'd he? We go to the rapids.
01:02:28Little bit of a murder.
01:02:28A lava cop.
01:02:32He's dead.
01:02:34He's dead.
01:02:57The new man, the unterstrum.
01:02:58He's dead.
01:02:58The high priest.
01:03:01He came all the way across the desert with us
01:03:03to protect the secret of his king.
01:03:08And it did not fail.
01:03:11Members, do you know what you're saying?
01:03:14After death, new life.
01:03:17In another form, another body.
01:03:20And the soul will go on to exist eternally.
01:03:24If you will let yourself believe there is such a thing as reincarnation.
01:03:31Well, then, Samira, his sister, she knew. Then she must...
01:03:36Bobasti, the cut goddess.
01:03:40Where did she go?
01:03:42Whatever thoughts you have, keep them.
01:03:46For the outside world, for the official record,
01:03:50this tomb was not entered.
01:03:53As for what happened to the others?
01:03:55Deaths due to natural causes.
01:04:00Close the coffin, Sergeant.
01:04:02Please have good hands.
01:04:20Good afternoon, Sergeant.
01:04:27I know it is empty earth here, but somehow, this gives me a better feeling.
01:04:34Sylvia, one thing, Robert was never afraid.
01:04:40At least I'm grateful to him for having dropped me there.
01:04:59The cruelties of life, Faraday. I possess the most fabulous story, but only Quentin could have told it and been
01:05:08believed.
01:05:09Should I tell it, they would only point at their heads and say, poor fellow, a doctor he needs for
01:05:17his head.
01:05:31The End
01:05:52The End
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