- 2 days ago
Woman in the Dark (also released as Woman in the Shadows) is a 1934 American crime drama film directed by Phil Rosen and starring Fay Wray and Ralph Bellamy. Based on a 1933 short story by Dashiell Hammett.
Out on parole, John Bradley (Ralph Bellamy) has no intention of returning to prison. His first night home, he is visited by Helen Grant (Nell O'Day) whose father is the sheriff. It was over Lil that John got into a brawl that ended in a man's death. John is encouraging her to leave when a woman, Louise Loring (Fay Wray) dressed in a white gown arrives at his house. She's hurt her ankle trying to get to the train station - and away from Tony Robson (Melvyn Douglas). Louise thought that Robson lent her money for her singing career - but it was an investment and he wants a return that isn't monetary.
Robson is there with a drunk friend (Reed Brown Jr.) who kills the dog that accompanied him, and goes after Louise, but is hit by John, and sustains a concussion, though John thinks he's dead. Tony informs the sheriff, and John and Louise go on the run to his cellmate Logan's (Roscoe Ates) place. It goes from there, with the police showing up yet again.
Out on parole, John Bradley (Ralph Bellamy) has no intention of returning to prison. His first night home, he is visited by Helen Grant (Nell O'Day) whose father is the sheriff. It was over Lil that John got into a brawl that ended in a man's death. John is encouraging her to leave when a woman, Louise Loring (Fay Wray) dressed in a white gown arrives at his house. She's hurt her ankle trying to get to the train station - and away from Tony Robson (Melvyn Douglas). Louise thought that Robson lent her money for her singing career - but it was an investment and he wants a return that isn't monetary.
Robson is there with a drunk friend (Reed Brown Jr.) who kills the dog that accompanied him, and goes after Louise, but is hit by John, and sustains a concussion, though John thinks he's dead. Tony informs the sheriff, and John and Louise go on the run to his cellmate Logan's (Roscoe Ates) place. It goes from there, with the police showing up yet again.
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Short filmTranscript
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00:00:26The End
00:00:56The End
00:01:26What time is it?
00:01:48Say, are you going to keep asking me that every ten minutes?
00:01:51It's exactly nine minutes since the last time I told you.
00:01:57Seems like 90.
00:01:59Oh, you birds all act that way the day you're getting out.
00:02:03Like an old horse heading for home.
00:02:08They're coming for you now.
00:02:09Good-bye.
00:02:22Come back again when you get more time.
00:02:25Have it to all fully want on me, Pally.
00:02:28Johnny doesn't live here anymore.
00:02:30I found, wise guy.
00:02:32So long, Bradley.
00:02:33Be careful of the traffic, kid.
00:02:37Here's your wallet, Bradley.
00:02:39And here's the customary money the state gives each outgoing prisoner.
00:02:43Thanks, Wharton.
00:02:44You can keep that and give it to some guy who needs it more than I do.
00:02:47Thank you, I will.
00:02:49And put this with it, please.
00:02:51For the welfare funds?
00:02:52If that's where it'll do the most good.
00:02:54I can't say that I'm sorry to see you go, Bradley.
00:02:58Neither can I, Wharton.
00:02:59Your record here has been good.
00:03:00I hope it'll be the same way on the outside.
00:03:02If they'll let me alone, it will.
00:03:05You're not altogether free.
00:03:07You've got to watch your step.
00:03:09It's hard on a man who's been a loser, even a one-time loser.
00:03:13I've had enough bars being watched every minute of the day and night.
00:03:17Oh, I know how you feel.
00:03:19I'll have to admit you've got a tough break.
00:03:21You never belonged here.
00:03:24But I don't make the laws.
00:03:25I wish you did.
00:03:27The man you hit in that brawl died.
00:03:30And the law says you've got to pay for that crime.
00:03:33I paid, all right.
00:03:35Watch your temper, Bradley.
00:03:38Watch it.
00:03:39I've seen you hold on to it when things were tough.
00:03:44What are you going to do now?
00:03:46I'm going back to Denton.
00:03:48I've got a little cabin there.
00:03:49It's out in a grove of tall trees.
00:03:53And the air is good.
00:03:54I won't have to breathe it in through bars.
00:03:57Friends?
00:03:59I'll find out if I've got any friends left soon enough.
00:04:02Don't let it beat you if you find out you haven't.
00:04:05Stay clear of fights.
00:04:08And watch that temper.
00:04:09I'll watch it.
00:04:11Well, so long, old man.
00:04:13And good luck.
00:04:14Goodbye, warden.
00:04:15And good luck.
00:04:35Please?
00:04:36Hmm, Bachelor Hall.
00:04:53What is it, Father?
00:04:56John Bradley's turned country gentleman on us.
00:04:59I wouldn't be so hard on him, Father.
00:05:02He's behaving himself.
00:05:03Yes, he better behave himself.
00:05:05As long as I'm peace officer of this county,
00:05:08he'll find himself back in Bachelor Hall where he belongs.
00:05:11John's always been a good boy, just a little independent.
00:05:16You seem to forget he's an ex-convict.
00:05:18You always seem to think well of his father.
00:05:20No, you're talking about a man.
00:05:23Now, Bob Bradley, one of the finest men who ever lived,
00:05:26came to have a son like that one.
00:05:28For the life of me, I can't figure it out.
00:05:30It's a time like this when a man needs all his friends.
00:05:33Speaking of his friends, uh, where's Helen?
00:05:37At the Benson's.
00:05:38She's had dinner there.
00:05:39Oh, yes.
00:05:40Nice folks, the Benson's.
00:05:42I'm glad that daughter of ours is getting some sense.
00:05:45Why, of course.
00:05:46It's high time she forgot that jailbird.
00:05:49If I catch her hanging around John Bradley, I'll...
00:05:52Now, Fred, she's forgotten all about that.
00:05:55Helen promised me she'd never see Bradley again.
00:05:58Helen, you're getting to be a pest.
00:06:03I don't like the idea of your coming here.
00:06:05Well, I like it.
00:06:06And I'm going to keep coming here.
00:06:09This place needs a woman's touch.
00:06:12Next time, I'm going to put some new drapes up over those windows.
00:06:15But right now, you're going to put on your coat and go home.
00:06:18Oh, let me stay and talk with you for a while.
00:06:20You used to let me have my own way.
00:06:22Yeah, it's just what got me into the mess.
00:06:25I've told you how sorry I am.
00:06:27After all, I didn't know a little flirting was going to end in a fight.
00:06:30But it did.
00:06:33The fight ended in a boy's death.
00:06:35It put me behind bars for three long years.
00:06:40You don't seem to realize what that meant.
00:06:42I'm going to tell you.
00:07:00You don't even look funny.
00:07:00And Myra Benson and her mother tried every trick they knew to make George propose.
00:07:27But he just wouldn't.
00:07:28Smart fella.
00:07:30Oh, but he'll come around.
00:07:32Helen, someday you're going to become one of the best backfence dirt-dishers in the county.
00:07:37But don't start practicing on me. Now, your time's up. Come on.
00:07:40Oh, but I haven't told you the hottest piece of news yet.
00:07:42Hot or cold? You're going right now.
00:07:43Remember that woman I was telling you about?
00:07:45Well, Tony Robeson certainly went a step too far when he brought her right into his house.
00:07:50Honestly, it was the most shameless thing he could have done.
00:07:53And what do you think happened next?
00:07:54The next thing is that you're going home right now.
00:07:56Well, I haven't finished yet.
00:07:58That's what you think. Come on now. Your five minutes was up ten minutes ago.
00:08:01First thing I know, you'll be here for breakfast.
00:08:03Oh, all right.
00:08:05Cut it out.
00:08:08Aren't you even going to kiss me goodbye?
00:08:10Don't be silly.
00:08:11Why not? I'm not a kid anymore.
00:08:12That's just it. You're a woman now. Show some sense.
00:08:13Well, if I were a man who hadn't seen a girl for three years and she was crazy about him and wanted to kiss him...
00:08:17That's probably your father. Get in the kitchen quick.
00:08:19Come in. I said come in.
00:08:24I said come in.
00:08:31Oh, I'm sorry to intrude but...
00:08:33I'm sorry to intrude but...
00:08:38I'm sorry to intrude but...
00:08:40what's wrong with you?
00:08:41What's wrong with you?
00:08:43I said, come in.
00:08:56Oh.
00:08:59I'm sorry to intrude, but...
00:09:02It's all right.
00:09:05I was trying to get to the railroad station when I slipped and fell.
00:09:10You see, I've got to get away.
00:09:14You traveling in those clothes?
00:09:17I left in a hurry. I had to.
00:09:24Hey, Helen.
00:09:29This is Helen, Miss... I didn't quite get your name.
00:09:33Louise Loring.
00:09:35How do you do?
00:09:38Hurt yourself?
00:09:40Better sit down.
00:09:41I'm just leaving. I'll be glad to drop you at the station. It's on my way home.
00:09:45Oh, thank you.
00:09:46No need to hurry. There isn't a train until 6.
00:09:49In the morning?
00:09:506 a.m.
00:09:51That's a long time to stand up. You'd better sit down.
00:09:53Come on.
00:10:04Can we do something about the leg?
00:10:07What'll I do?
00:10:08I don't know. Tie it up or something.
00:10:11Oh, don't bother. It's nothing to fuss over.
00:10:13Let me look at it.
00:10:20Oh. Got a bad cut on your knee.
00:10:22There's nothing you need.
00:10:27Ankyl is swelling.
00:10:29You sit still. I'll get something to fix it.
00:10:34I'm sorry to put you to all this trouble.
00:10:36That's a woman's middle name.
00:10:38What is?
00:10:39Trouble.
00:10:41Is that how you feel about women?
00:10:42Exactly.
00:11:01Oh, that's grand. Thank you.
00:11:05Did I understand you to say there wasn't a train until morning?
00:11:08That's right.
00:11:09Oh, dear. That does make it awkward.
00:11:12Oh, dear.
00:11:26All right. Come in.
00:11:37Hello, Robson. Hello, Conroy.
00:11:43I see you didn't get very far, dear.
00:11:46Uh-oh. You hurt yourself.
00:11:49How?
00:11:51I fell.
00:11:53There, you see.
00:11:54If you hadn't been in such a hurry, this wouldn't have happened.
00:11:59Somebody did a neat job.
00:12:01I suppose you were the doctor, Bradley.
00:12:02No.
00:12:03No.
00:12:04No, he didn't do it.
00:12:05I did.
00:12:06Oh, hello, Miss Grant.
00:12:07Hello.
00:12:09Hey, what do you fellows want here?
00:12:11Oh, nothing to be upset about.
00:12:13I've just come to take my...
00:12:15...my house guest home.
00:12:17I'm not coming back.
00:12:19You're not serious.
00:12:20But I am.
00:12:21I'm leaving as soon as I can get a train out of here.
00:12:25All right, dear, but surely you don't tend to go in those clothes.
00:12:29Just as I am.
00:12:31And what do you propose to do until morning?
00:12:34I might sit right here if Mr. Bradley would allow it.
00:12:38It's okay with me.
00:12:42Your mind's made up?
00:12:43Yes, quite.
00:12:46Well, you usually know what you want.
00:12:52Come on, Conroy.
00:13:00Need some money?
00:13:01No, thanks, Dick.
00:13:02Come on, Conroy.
00:13:03Come on.
00:13:04Good luck, Louise.
00:13:06I hope the lady doesn't prove too much trouble.
00:13:08She's very good company.
00:13:11When she wants to be.
00:13:12I'd lock that door if I were you.
00:13:21I don't like locked doors.
00:13:22Nice, friendly little visit.
00:13:23They've been drinking.
00:13:24Sounds like a good idea.
00:13:25Want to get them, Helen?
00:13:26All right.
00:13:27All right.
00:13:28I'm so sorry.
00:13:31Thank you, Helen.
00:13:32I'm sorry.
00:13:33I'm sorry, Helen.
00:13:34My dear.
00:13:35I would lock that door, if I were you.
00:13:36I don't like locked doors.
00:13:37A nice, friendly little visit.
00:13:39They've been drinking.
00:13:40Sounds like a good idea.
00:13:42Want to get them, Helen?
00:13:43It's all right.
00:13:56I'm sorry about all this.
00:13:58It's your business, not mine.
00:14:00Yes, but it was embarrassing.
00:14:02And I'd like to explain.
00:14:04Save it. You don't have to apologize.
00:14:06But I do owe you an explanation.
00:14:08You see, Robeson...
00:14:10Robeson's no stranger to me.
00:14:12Not by reputation, anyway.
00:14:14How well do you know him?
00:14:16Well enough to guess the rest of the story.
00:14:22It was partly my fault, but then...
00:14:24You see, I was in a...
00:14:26In a tough spot.
00:14:27I know. I just got out of one myself.
00:14:30I hope yours was easier to get out of than mine.
00:14:33Maybe not easier, but it took longer.
00:14:36You wanted drinks?
00:14:38Oh, thanks, Helen.
00:14:39Thanks, Helen.
00:14:55Ah.
00:14:58Never mind. I'll take it.
00:15:00Hello?
00:15:05Yes?
00:15:10She's where?
00:15:13For that...
00:15:15What?
00:15:16All right. Just felt you ought to know, Sheriff.
00:15:19Not that it's any concern of mine.
00:15:22You bet I ought to know.
00:15:23I'll fix her and him, too.
00:15:26What is it, Father?
00:15:28What is it?
00:15:30Fine kind of a mother you are.
00:15:33Don't even know where your own daughter is.
00:15:35She's at the Benson's, is she?
00:15:37Well, she isn't.
00:15:38She's at Bradley's.
00:15:39That's where she is.
00:15:41Where are you going, Father?
00:15:42Where do you suppose I'm going?
00:15:44Where do you suppose I'm going?
00:16:01Well, that'll give Bradley something of his own to worry about instead of my affairs.
00:16:05That's a rather dirty trick.
00:16:08It's a little late for you to be getting noble, isn't it?
00:16:11I, I wouldn't have gotten it, Bradley, that way.
00:16:13Oh, you wouldn't.
00:16:14Well, that's my way.
00:16:15And when I want to know yours, I'll ask it.
00:16:17Until then, keep your mouth shut.
00:16:20I've kept quiet about a lot of things so far.
00:16:22But only because I had to.
00:16:24Someday I hope...
00:16:25Someday you hope what?
00:16:29You only work for me because you're a weakling.
00:16:30Don't try to be anything you're not.
00:16:32I wouldn't like it.
00:16:38Yes?
00:16:41All right.
00:16:44Goodbye.
00:16:48That was mother.
00:16:49Robeson just telephoned home.
00:16:50Said I was here.
00:16:51Dad's on his way out now.
00:16:52I've got to get out of here, quick.
00:16:54Hold on a minute.
00:16:55You can't go out there.
00:16:56You'd meet your dad on the road.
00:16:57Yes, but I can't stay here.
00:16:58Now, listen.
00:16:59I'll put your car out back.
00:17:00You stay here.
00:17:01The minute you hear your father knocking, you beat it out through the kitchen door.
00:17:03You'll probably get home before he gets through squawking.
00:17:08Oh, dear.
00:17:09I hope you won't get into any trouble.
00:17:12I hope he won't.
00:17:14You're very fond of him, aren't you?
00:17:16Yes, but what good is it to me?
00:17:18He thinks I'm just a kid.
00:17:20I'm awfully sorry.
00:17:21I'm afraid to have Dad come here.
00:17:23Whatever happens, don't let John fight.
00:17:25Well, I won't if I can help it.
00:17:28You see, I got him into trouble once before and...
00:17:34Everything's okay.
00:17:35Now, you'd go on out into the kitchen in case your dad drops in unexpectedly.
00:17:38All right.
00:17:39Goodbye, Miss Lawrence.
00:17:40Goodbye, dear.
00:17:41I'll be at home safe.
00:17:42Where's Helen?
00:17:43Hello, Mr. Grant.
00:17:44Where is she?
00:17:45Helen's not here.
00:17:49Where is Helen?
00:17:50Hello, Mr. Grant.
00:17:51Where is she?
00:17:52Helen's not here.
00:18:19Oh, sorry, Sheriff.
00:18:20You don't know Miss...
00:18:21I know her.
00:18:22I know all about her.
00:18:23Most everyone does.
00:18:24He's telling the truth, Mr. Grant.
00:18:26Helen isn't here.
00:18:27Yes.
00:18:28A convict's word backed up by a... by yours.
00:18:31No one would believe for the pair like you say.
00:18:34I'd be careful of what I said if I were you, Sheriff.
00:18:37What are you doing?
00:18:38Threatening me?
00:18:39No.
00:18:40Warning you.
00:18:43Look.
00:18:44You're not going to fight.
00:18:45I don't want to, but...
00:18:46But you're not to fight.
00:18:47No, you're right.
00:18:48It's the last thing I want to do.
00:18:50It'll land me right back where I came from.
00:18:53Well, just remember that.
00:18:55I will.
00:18:58For the last time, I'm telling you to stay away from my daughter.
00:19:01Next time, I won't talk.
00:19:03The old fox senses she's been here.
00:19:17She's pretty smart.
00:19:19Do the people around here think about me like he does?
00:19:24I haven't any idea.
00:19:25I haven't been around here in some time.
00:19:27I'm practically a stranger here myself.
00:19:33Well, I guess I'd better go out and see if the kid got away all right.
00:19:36Oh, I hope she did.
00:19:55I'm in here.
00:20:13My, but you were quick.
00:20:14I didn't think...
00:20:15What do you want?
00:20:27Bradley in there?
00:20:28What do you want?
00:20:33Well, darling, it's like this.
00:20:35You're coming home with me.
00:20:36I gave you my answer when you were here before.
00:20:39Still...
00:20:41You're coming home.
00:20:42Oh, it's no use, Tony.
00:20:43It won't work.
00:20:44I'll never go back with you.
00:20:46Better come along, Louise, before there's any trouble.
00:20:51If I have to carry you, you're...
00:20:54You leave me alone.
00:20:55Well, don't stand there.
00:20:56Get rid of that dog.
00:21:01I'll take you!
00:21:02Oh, no, you don't.
00:21:06What is this, open house or visitor's day?
00:21:16We won't intrude any longer.
00:21:19Miss Loring's decided to come home with us.
00:21:21That's all right with me.
00:21:23But I'm not going.
00:21:26That's all right with me, too.
00:21:31Who did this?
00:21:37Look out!
00:21:40Let go of me.
00:21:49Try that again, baby.
00:21:50It'll break your arm.
00:21:51Get down!
00:22:03He's all right.
00:22:05Take him and get out of here.
00:22:12Come on, Dick, wake up.
00:22:13We're going home.
00:22:14I'm all right.
00:22:15Come on.
00:22:16Get him out of here.
00:22:17The air will bring him, too.
00:22:47Come on.
00:22:57Conroy will be a sorry boy when he sobers up and realizes what he's done.
00:23:01I should think he might.
00:23:03Robeson made him do it.
00:23:05He handled him like a child.
00:23:17Come on.
00:23:29Cigarette?
00:23:34Believe it or not, this place used to be known as one of the quietest in the county.
00:23:37Probably would have remained so if I hadn't come along.
00:23:40Oh, you've brightened things up a bit.
00:23:42It was beginning to get pretty monotonous.
00:23:48It's going to be a long wait for that train.
00:23:51Oh, I don't mind.
00:23:53Getting away is too important.
00:23:55And after you get away?
00:23:57Well, first thing will be to get some clothes.
00:24:00Clothes?
00:24:02Doesn't a woman ever think past getting some clothes?
00:24:04Very seldom.
00:24:08May I turn on the radio?
00:24:10Up yourself.
00:24:17You don't look like the type of person who gets mixed up with a man like Robeson.
00:24:32Men like Robeson know women rather well.
00:24:35You might call it their business.
00:24:37They wait for a time when a woman needs friendship and sympathy.
00:24:40And then they're very kind and gentle.
00:24:43I've never discovered anything kind or gentle about Robeson.
00:24:47You're not a woman.
00:24:49Well, when I first knew him...
00:24:53Welcome home, stranger.
00:24:55When did you get in?
00:24:56Only an hour ago. I've still got my sea legs.
00:24:59Why didn't you cable me?
00:25:00Oh, too thrilled, too excited, I guess.
00:25:02I've got a head just spinning with plans.
00:25:04Well, sit down or you'll have mine spinning too.
00:25:07What are they?
00:25:08Well, wonderful things.
00:25:11Am I in them?
00:25:12Oh, no.
00:25:13Oh, come now, Louise.
00:25:14Surely you've forgiven me that clumsy attempt in Paris.
00:25:18Of course I have.
00:25:19Would I be here if I hadn't?
00:25:21I guess not.
00:25:23How's the music?
00:25:24Simply trembling to burst out of me.
00:25:26I'll have you know I'm the finished product of the finest conservatory in Europe.
00:25:29All set to knock the American public cold, huh?
00:25:31All set.
00:25:33What's the approach?
00:25:34Well, I'm going on a concert tour.
00:25:36Ready for it?
00:25:37I mean, you must realize that it takes something more than just enthusiasm.
00:25:40Yes, I know that.
00:25:41I may have to teach first.
00:25:42Interest people.
00:25:43It's done, you know.
00:25:45You have interest in one people.
00:25:48Me.
00:25:49Oh, thank you, Tony.
00:25:50I'm glad you believe in me.
00:25:52It's more than just a belief, Louise.
00:25:55You have the talent.
00:25:57All you need is the money.
00:25:58I can supply that.
00:26:00Oh, but Tony, I have some pride, you know.
00:26:02Oh, pride's nothing to do with it.
00:26:03It'll be a loan.
00:26:04You'll need money if you're going to succeed.
00:26:06Money, influential friends, many things.
00:26:09I have all that.
00:26:13The idea sounded great at the time.
00:26:17A shortcut to fame, eh?
00:26:19Yes, only in my case it wasn't fame.
00:26:23When my season finished in Boston, I went up to see him again.
00:26:29I've come to tell you that...
00:26:30I know all about it.
00:26:31I've been watching the papers.
00:26:33The concert in Boston was what we'd call an artistic success.
00:26:36Not a box office hit.
00:26:38I'm glad you understand.
00:26:40More than you think, dear.
00:26:41Well, that makes it easier to tell you.
00:26:42What?
00:26:44I've been a bad risk.
00:26:45All this money, I...
00:26:46I didn't know it was so much until now.
00:26:49Forget the money.
00:26:50I can't.
00:26:51It was a loan.
00:26:53It was an investment.
00:26:55Well, why didn't you tell me that?
00:26:56I never would have accepted it.
00:26:57I wanted you to have it if you couldn't sing a note.
00:27:00There are so many things I want to give you.
00:27:07Oh, but...
00:27:09It's yours.
00:27:12Forget your career for a while.
00:27:13We'll go away somewhere.
00:27:16Oh, don't fight me off again, Louise.
00:27:18There's so much I want to do for you.
00:27:21I've waited such a long time.
00:27:27Well...
00:27:29That's the whole story.
00:27:34Very interesting.
00:27:38Hmm.
00:27:47Pretty.
00:27:56All right, all right.
00:27:57If you don't want to play, you don't.
00:27:59No.
00:28:00I don't want to play.
00:28:04Bradley, eh?
00:28:06Just what I expected.
00:28:09Fighting again.
00:28:11All right, I'll be right over to swear out a warrant.
00:28:13All right.
00:28:14All right.
00:28:16What happened, Pa?
00:28:18Bradley's got himself in another mess.
00:28:21Fighting over that woman I saw up there.
00:28:23I wish he'd do his fighting in the daytime.
00:28:26Getting me up in the middle of the night.
00:28:35All right.
00:28:39Westport.
00:28:417460.
00:28:43Yes.
00:28:45I should think you'd understand.
00:28:47I've just been telling you about Robeson and...
00:28:50Am I a Robeson type?
00:28:54Yes.
00:28:56Worse.
00:28:58I'll admit I'm not very gentle.
00:29:01I wish you'd believe me.
00:29:03Does it make any difference?
00:29:06Excuse me.
00:29:15Hello?
00:29:16Oh, hello, kid.
00:29:17I'm glad you got home all right.
00:29:18What's on your mind?
00:29:19Speak louder.
00:29:21I don't dare talk any louder.
00:29:22Listen.
00:29:24What?
00:29:26Sure, I'll leave here right away.
00:29:28I'll be at Logan's.
00:29:29Tommy Logan's in the city.
00:29:31Try and get word to me there tomorrow.
00:29:32His address is...
00:29:39All right, I'll call you tomorrow.
00:29:41Now be careful, kid.
00:29:42Don't ask for me or mention my name over the phone.
00:29:45All right.
00:29:46Thanks a lot, honey.
00:29:48Goodbye.
00:29:51Conroy's got a fractured skull.
00:29:52When he fell, he hit his head.
00:29:53Robeson's sworn out a warrant for my arrest.
00:29:55Oh.
00:29:56That means they're gonna drag me back again.
00:29:57Back? What do you mean?
00:29:58I'm out on parole.
00:29:59I was up once before for the same thing,
00:30:01and they called it manslaughter.
00:30:02This time, if Conroy dies, they'll make it murder.
00:30:05But I could explain how it happened.
00:30:07I'm afraid your word wouldn't help.
00:30:09Oh, I see.
00:30:11If he dies, I haven't a chance.
00:30:12I've got to get out of here.
00:30:13I'll drop you at the station.
00:30:14All right.
00:30:15The cops may give us a chase.
00:30:16You afraid?
00:30:17No.
00:30:18Well, I'll get your coat.
00:30:21I'll get my coat.
00:30:26Here.
00:30:27There.
00:30:28All right.
00:30:29All right?
00:30:30Yes.
00:30:31Come on, let's go.
00:30:32All right.
00:30:33Frightened?
00:30:46No.
00:30:51Are you cold?
00:30:53Not very.
00:31:02Thanks.
00:31:03Well, the police call is probably out by now,
00:31:11but if we can cross the county line before morning,
00:31:13we still have a chance.
00:31:28There they are.
00:31:29Steady. Drive slower.
00:31:31Well, it looks like it's up.
00:31:39Well, well, what have we here?
00:31:50You seem to be in a great hurry.
00:31:52Not particularly.
00:31:53I didn't realize we were going so fast.
00:31:55You didn't, eh?
00:31:56Well, you'd better slow up.
00:31:57There's a bridge out three miles ahead.
00:31:58You'll have to detour.
00:31:59Take it easy.
00:32:00Thanks, I will.
00:32:01How's your heart?
00:32:18Pretty badly shaken up.
00:32:20Well, you're all right, you know.
00:32:21They don't want you.
00:32:22I wasn't thinking of that.
00:32:27We'd better pull off this main road and lay low until morning.
00:32:29When the police call goes out, that cop will report where he saw us,
00:32:32and they'll probably think we're a great deal further on.
00:32:34Anyway, we could do with a few hours sleep.
00:32:36All right.
00:32:45We're only a few miles from the station.
00:32:47If we leave by daylight, we ought to be able to make it by train time.
00:32:50You can't take me to the station.
00:32:52It's too dangerous.
00:32:53Where else?
00:32:57Where are you going?
00:32:58To Tommy Logan's, a friend of mine.
00:32:59We shared the same cell.
00:33:01Take me with you.
00:33:02No, you better get out of all this.
00:33:04But I started it.
00:33:06That's not the point.
00:33:08I'd rather stay with you.
00:33:09Help if I can.
00:33:10I'll sell these if you need any money.
00:33:14Thanks, but I don't need any.
00:33:16But I can stay.
00:33:21All right.
00:33:21You better sleep in back.
00:33:36Why?
00:33:37Do I disturb you?
00:33:39Yeah.
00:33:40Come on.
00:33:42Well, but I'll get cold back there.
00:33:45No, you won't.
00:33:45Come on.
00:33:46Come on.
00:33:46Ankle hurt?
00:33:56Yes, a little.
00:34:16You all right?
00:34:20Yes, thank you.
00:34:23Good night.
00:34:25Good night.
00:34:26Good night.
00:34:26Good night.
00:34:49Good night.
00:34:50Are you asleep?
00:35:10No.
00:35:12As long as you're still awake, I might as well turn on the radio
00:35:15and see if the police are sending out any calls about us.
00:35:17Mm-hmm.
00:35:20Calling all homes, calling all homes.
00:35:24Before you go to bed tonight, make sure you sleep on a Flanagan suspension bed.
00:35:28The Flanagan suspension bed is built on the same principle as the Brooklyn Bridge,
00:35:33but with just a little more spring to it.
00:35:35If you've never slept on a Flanagan suspension bed, you've only been laying down.
00:35:39And now the Flanagan soup stores will play their theme song,
00:35:42Sleep, Beautiful Sleep.
00:35:45Mom, Daddy.
00:35:50Mom.
00:35:55Mom.
00:35:57Mom.
00:36:00Mom.
00:36:03Mom.
00:36:06Mom.
00:36:11All right.
00:36:41Oh, my God.
00:37:11I didn't know you was awake, Lil.
00:37:15No, you petty larceny, Yegg.
00:37:18I'm sound asleep.
00:37:19I'm just having a dream that you hoisted my watch.
00:37:22Now, honest, Lil, you see, I just wanted to see what time it was.
00:37:26Ain't you cute?
00:37:27Just wanted to know what time it is.
00:37:29You know that biscuit hasn't been running for three years.
00:37:32Well, that's it.
00:37:33You see, I was just fixing to take it down and have it fixed.
00:37:36It's run down.
00:37:37Yeah, and you think it needs a rest in the hock shop.
00:37:41Oh, now, don't get all head up, Lil.
00:37:44Remember, I gave you this watch.
00:37:46Yes, I know you did, you Indian giver.
00:37:49Give me that ticker.
00:37:51Oh, now, Lil.
00:37:52Oh, now, Lil.
00:37:53I said give me that watch.
00:37:54Lil, cut it out now.
00:37:56You know I got a weak liver.
00:37:57Come here, you worm.
00:37:58Oh, Lil, wait a minute now.
00:37:59I'll teach you to rob your own wife.
00:38:01Oh, Lil, please don't.
00:38:02Oh, don't hit me with that.
00:38:04You know, your mother gave you that.
00:38:05Oh, yeah.
00:38:06Yeah, well, you're going to get it right back.
00:38:17Who is it?
00:38:18It's Bradley.
00:38:19Open up.
00:38:21Glad to see you, kids.
00:38:23You know, I was just talking to the missus about you the other day and wondered what had happened.
00:38:26Do you?
00:38:26This is Tommy Logan, Miss Laurie.
00:38:28Oh, how do you do, missus?
00:38:31How do you do?
00:38:32Won't you sit down?
00:38:33Yes, thank you.
00:38:35Oh, uh.
00:38:37Oh, oh, oh, Lil.
00:38:39Lil.
00:38:39Tommy.
00:38:43Baby, this is John Bradley.
00:38:45I certainly feel as if I knew you.
00:38:47Tommy's always talking about you.
00:38:48I guess that goes two ways.
00:38:50Yeah, you know, he.
00:38:51Oh, and this is his girlfriend, Miss, uh, uh, uh, uh, Miss Laurie.
00:38:54Laurie, yes.
00:38:54How do you do?
00:38:55How do you do?
00:38:56So this is John Bradley.
00:38:58Ain't he just like I told you?
00:39:00He looks all right to me.
00:39:01Thanks.
00:39:02I guess I got you to thank that Tommy ever got out of the cooler.
00:39:04He wasn't a bad boy up there.
00:39:06No.
00:39:06If you hadn't watched him, he would have stolen everything, including the warden's back teeth.
00:39:13Doesn't she say the cutest thing, John?
00:39:15You folks must be hungry.
00:39:17You're a mind reader, all right.
00:39:18I'll see what I can do about it.
00:39:20Uh, won't you, uh, take off your coat, Miss Laurie?
00:39:22Yes, thank you, hon.
00:39:25Long distance.
00:39:26Hurry that call, will you, please?
00:39:27One sixty-seven West Street.
00:39:31That's right.
00:39:32Logan.
00:39:33L-O-G-A-N.
00:39:35No, L, as in love.
00:39:37That's right.
00:39:42Oh, hello, Dad.
00:39:44Okay.
00:39:44Okay.
00:39:44Hello, Dad.
00:39:48Long distance.
00:39:49This is Sheriff Grant speaking.
00:39:55There was a mistake in that address my daughter just gave you.
00:39:58Read it back, please.
00:40:00One, six, seven.
00:40:02Yes.
00:40:04One, six, seven.
00:40:06West Street.
00:40:08That's right.
00:40:09And the name?
00:40:11L-O-G-A-N.
00:40:13You better cancel that call.
00:40:21What's on your mind?
00:40:22Trouble?
00:40:23I slapped a guy down last night.
00:40:26Yeah, and when you slap him, they stay slapped.
00:40:28We're hoping he's not badly hurt.
00:40:30He'll get the best of attention in the Denton Hospital.
00:40:32Sure, have a drink.
00:40:34No, thank you.
00:40:35Here's a bite.
00:40:36Maybe this will hold you until we can get some food together.
00:40:40Get on the phone, will you,
00:40:41and get someone to bury my car.
00:40:42It's down in front.
00:40:43Sure.
00:40:44We'll need some clothes, too.
00:40:46Got any cash?
00:40:47A little.
00:40:51Hey, there's plenty of cash.
00:40:53There's nothing phony about those things.
00:40:55I know a fellow that...
00:40:57There's no rush.
00:40:58You don't have to fence that stuff.
00:40:59It's not hot.
00:41:00Oh.
00:41:00Get off to that car, will you?
00:41:03All right.
00:41:04I think I've got some clothes I could fix for you.
00:41:06Oh, thank you.
00:41:07I would like to get out of this dress.
00:41:08Won't take no time at all.
00:41:11Don't give that jewelry to Logan.
00:41:13Why not?
00:41:14I'll need the money.
00:41:15I've got plenty for now.
00:41:16He'd jip you.
00:41:17But he's your friend.
00:41:18You trust him.
00:41:19Not when it comes to jewelry.
00:41:20That's where he flops.
00:41:21In the first place, he'd sell it to a fence.
00:41:22You wouldn't get a third of what they're worth.
00:41:24With Tommy chiseling in, you'd better hang on to them.
00:41:26Just as you say.
00:41:30Would you like to clean up, Tommy?
00:41:32I'd like a bath.
00:41:34Sure.
00:41:34Here's a robe for you.
00:41:36Well, it's pretty.
00:41:37Yeah.
00:41:37Tommy fell in love with me in that robe.
00:41:40I mean...
00:41:41That's all right.
00:41:42We understand.
00:41:44Am I embarrassed?
00:41:48It's not much, but it holds water.
00:41:51Well, that's all that's necessary.
00:41:52Hey.
00:41:52Hey.
00:41:52Yeah.
00:41:57That's it.
00:41:58The ride's standing outside of my joint.
00:42:01Stash it.
00:42:02That's the idea.
00:42:04And you'd better change the license plates, too.
00:42:07Right away.
00:42:09Make it snappy, you know.
00:42:11Okay.
00:42:12Good.
00:42:13Say, what about Krause?
00:42:15Hadn't we better get him over?
00:42:16He's a bad egg.
00:42:17Well, there's a shark lawyer, and you're in a spot.
00:42:21All right.
00:42:21All right.
00:42:21How is he, doctor?
00:42:25Looks very serious.
00:42:32Hello?
00:42:33Yes, just a moment.
00:42:34Mr. Robeson, it's for you.
00:42:36Thanks.
00:42:38Hello?
00:42:40Oh, hello, Sheriff.
00:42:42Good.
00:42:42I hope they get him.
00:42:44Yeah, when I see this poor kid lying here, I...
00:42:47Fine.
00:42:49Well, don't you know I'm in here?
00:43:14Sure.
00:43:17Well, I've got to dress.
00:43:20Why'd you dress in the bathroom?
00:43:22Have you seen the bathroom?
00:43:24Well, dress here.
00:43:26I won't peek.
00:43:26Well, uh, whose room is this supposed to be?
00:43:30Yours or mine?
00:43:32I think it's the Logan's idea that it ought to belong to both of us.
00:43:36Oh.
00:43:40Well?
00:43:40Well, it's perfectly all right.
00:43:45I won't bother you.
00:43:46I wasn't afraid you would.
00:43:50How's your ankle?
00:43:52Oh, better.
00:43:53I've taken the bandage off.
00:43:54Good.
00:43:55Well, here's hoping you've got willpower.
00:44:06You want me to have willpower?
00:44:10I like you better the way you were in the car last night.
00:44:15I'm getting to be a softie.
00:44:18Maybe I'll even end up by being kind and gentle.
00:44:21You still don't believe me, do you?
00:44:24About Robeson, I mean.
00:44:26Does it matter?
00:44:29Yes.
00:44:31Say, don't carry this modesty business too far.
00:44:34You know, I can't see a darn thing out this window but a brick wall.
00:44:38Well, you can look now.
00:44:42Thanks.
00:44:51This is it.
00:45:13Ask them if they can use some ham and egg.
00:45:16All right.
00:45:21Coppers.
00:45:39Hey, John.
00:45:40What?
00:45:40The coppers.
00:45:41Beat it out that window.
00:45:42There's a fire escape below.
00:45:45Go on.
00:45:46Beat it, will you?
00:45:46Lil and I'll take care of her.
00:45:48Sure.
00:45:51Hey, you got the dough?
00:45:52Yeah, I'll be seeing you.
00:45:56Hey, come on, you dames, or your tip is met.
00:45:59I'd better open up or they'll be making toothpicks out of the landlord's best door.
00:46:21Where's he at?
00:46:32Where's he at?
00:46:37Who?
00:46:38Quit stalling and make it snappy, will you?
00:46:39I ain't had breakfast yet.
00:46:41Come on, tell me where he's gone.
00:46:42Oh!
00:46:42If I knew, I wouldn't tell you your bitch still.
00:46:46Go on, sock me again.
00:46:54How about it, Blake?
00:46:55I plugged him and Ryan's after him.
00:46:59Lay off, Ed.
00:47:00It's okay.
00:47:02Come on.
00:47:03I want you back in Denton.
00:47:04What for?
00:47:05I don't know.
00:47:06Something about some jewelry that belonged to some guy's mother and you copped it when
00:47:10you left.
00:47:11That's not true.
00:47:12Yeah?
00:47:15That's the junk there, isn't it?
00:47:16You better give it to me.
00:47:17Those are mine.
00:47:17They were bought to me.
00:47:18Come on, hand it over.
00:47:20But I'm trying to tell you that...
00:47:21Tell it to the judge.
00:47:22Say, you.
00:47:23Lay off her.
00:47:25She ain't done nothing.
00:47:26Shut up.
00:47:27Come on, will you?
00:47:28I'm getting hungrier by the minute.
00:47:29I can't thank you enough for all you've done for me.
00:47:37Now, remember, no matter what happens, don't talk until you've seen Krauss.
00:47:40He's Tommy's lawyer.
00:47:41Do you think he'll take my case?
00:47:43Sure.
00:47:43We'll send him right over.
00:47:44Will you come on before I pass out?
00:47:47Come on, then.
00:47:51Well, there goes the jewelry.
00:47:53I told you so.
00:47:54I had a hunch.
00:47:55No, shut up.
00:47:57Say, what the...
00:47:58Here's that dame they wanted Denton, Sarge.
00:48:22Here's the stuff.
00:48:25Not bad.
00:48:26I mean, nice stuff.
00:48:29Did you get the guy?
00:48:31No, he stopped a slug.
00:48:32I guess he's in the hospital.
00:48:34Oh, how is he?
00:48:35Can't someone tell me how he is?
00:48:37Your guess is as good as mine, sister.
00:48:44Come on.
00:48:46Oh, look.
00:48:47Put her in the royal suit, and if you don't like that, take her to the Ritz.
00:48:56All right, Sargeant.
00:48:58Come on, miss.
00:48:59You know, Sarge, I got to go on a dive.
00:49:14You should.
00:49:16You should.
00:49:16Is that my lawyer come yet?
00:49:42Quit asking the same questions.
00:49:44Here you are, boy.
00:49:46We're taking you back to Denton.
00:49:51Not until I've seen my lawyer.
00:49:53Come on.
00:49:54Don't give us no trouble.
00:49:55We won't give you none.
00:49:56Get your hat.
00:49:57Look, if you'll only tell me how John, John Bradley is,
00:50:01I'll go like a lamb.
00:50:02You'll go like a lamb anyway.
00:50:04But please...
00:50:05Say, listen.
00:50:06We ain't bothering you with a lot of questions,
00:50:08so don't you bother us.
00:50:10Here.
00:50:12Come on.
00:50:16I'll get your bail all fixed, and I'll have you out of here as soon as I've asked you a few questions.
00:50:31But I've got to tell you the answers first.
00:50:35It certainly is a relief to have you here, Mr. Krause.
00:50:38It was more than good of you to come.
00:50:40Oh, that's all right.
00:50:42Anything I can do for a friend of Bradley's.
00:50:44You've got money, haven't you?
00:50:46Nothing but my jewels.
00:50:48And you haven't got that now.
00:50:50Well, Bradley's good for it.
00:50:53Good for what?
00:50:54The bail.
00:50:55My fees.
00:50:56Everything.
00:50:57Let's hear all about it.
00:50:59Shoot the works.
00:51:01What do you want to know?
00:51:03Everything.
00:51:04Truth.
00:51:05No song and dance.
00:51:07Begin at the beginning.
00:51:09Well, we had an understanding, Robeson and I.
00:51:13It was pretty low of him to say I stole those things.
00:51:17He must have been angry because I left him.
00:51:19That's easy to understand.
00:51:21Ouch!
00:51:22Hey, what's the matter with you?
00:51:24If there's something you don't like, you can say so, can't you?
00:51:27I did.
00:51:29I went to Robeson's house because...
00:51:31If it wasn't for Bradley, you could take your troubles to another lawyer.
00:51:35Well, go on.
00:51:36Let's hear it.
00:51:43Nobody knows I'm here, do they, Doc?
00:51:57Why, no, of course not.
00:52:03Just stay quiet there for a while.
00:52:10We can take him now, can't we, Doc?
00:52:12You through with him?
00:52:13He's pretty weak.
00:52:14He's lost a lot of blood.
00:52:15Better let him stay here for 24 hours.
00:52:17Okay, we can arrange that.
00:52:20Forget about Conroy being a nice fellow except when he's drunk.
00:52:23Just emphasize that he killed the dog when the dog was trying to protect you.
00:52:26Get me?
00:52:27Yes.
00:52:28Well, let's go.
00:52:29And don't forget any of the answers.
00:52:31I won't.
00:52:32Oh, to think that I'll be able to get out of here tonight and go back to town.
00:52:35We might not be able to go back tonight.
00:52:37We could stay at the inn and go back in the morning.
00:52:40Come on.
00:52:42Can't we do something?
00:52:45Can't we at least find out if John needs help?
00:52:47Everything in time.
00:52:48No hurry.
00:52:49That's me.
00:52:50Hello.
00:52:51Hello.
00:52:52Have you seen John?
00:52:53Hello.
00:52:54Hello.
00:52:55Is he all right?
00:52:56Certainly.
00:52:57The doc says it ain't serious.
00:52:58He'll get well.
00:52:59Oh, I'm so glad.
00:53:00Oh, I'm so glad.
00:53:01What's that dirty look?
00:53:02saw bones.
00:53:03tipped off the cops on their head.
00:53:04That dirty saw bones.
00:53:05Tipped off the cops on their head.
00:53:06It's all right.
00:53:07It's all right.
00:53:08It's all right.
00:53:09It's all right.
00:53:10It's all right.
00:53:11Well, then I've got to go to him right away.
00:53:12Let's go back to town.
00:53:13Wait a minute.
00:53:14You can't do that.
00:53:15You're not in the clear yet.
00:53:16You're merely out on bail.
00:53:17If you got a Bradley now, you'll both be coming up and gonna get away all right.
00:53:18I'm going to hit him.
00:53:19Come on, you will be up.
00:53:20You're going to embarrass me.
00:53:21Have you ever met John?
00:53:22Comes away.
00:53:23Well, it's all right.
00:53:24And you're going to blow up.
00:53:25Oh, I'm going to get away.
00:53:26You're going to get away.
00:53:27All right, let's go.
00:53:28Oh, I'm going to get away.
00:53:29But it's okay.
00:53:30Ah.
00:53:31I think we're going to get away from here.
00:53:32You're not, I'm gonna get away from here.
00:53:33I'll get away from here.
00:53:35All right, let's go.
00:53:36Look, I'll get away from here.
00:53:37Hey, we'll get away from here.
00:53:38You can't do that.
00:53:39You're not in the clear yet.
00:53:41You're merely out on bail.
00:53:43If you go to Bradley now, you'll both be implicated.
00:53:46The smart move is to stay here tonight.
00:53:49He's right.
00:53:53Hey, where's the rocks?
00:53:55Rocks?
00:53:56The stones, the jewelry.
00:53:59Oh, the police are holding them.
00:54:02Uh-huh.
00:54:03See there?
00:54:04I told you to give them to me.
00:54:06I knew they'd fall in the wrong hands.
00:54:11You two wait here a minute.
00:54:13I'll go and arrange for the rooms.
00:54:17Hey.
00:54:19Room.
00:54:20Okay.
00:54:22Have you been taken good care of?
00:54:23I'll tell you later.
00:54:24I just thought of something, too, if you'll excuse me.
00:54:36Say, Mr. Smith, would you mind making that Mr. Brown, just for my sake?
00:54:46Wise guy, eh?
00:54:47Well, the house is full of Smiths.
00:54:48I can't keep my book straight.
00:54:50Is 405 and 406 close enough?
00:54:56All right.
00:54:57Okay.
00:54:59Hey, what's the idea of adjoining rooms?
00:55:01Bradley will kick your head off.
00:55:03Keep your nose out of this.
00:55:05I know what I'm doing.
00:55:06Oh, yeah?
00:55:07Well, does Bradley know?
00:55:08No.
00:55:08No.
00:55:08No.
00:55:09No.
00:55:09No.
00:55:09No.
00:55:09No.
00:55:09No.
00:55:09No.
00:55:09No.
00:55:09No.
00:55:09No.
00:55:10No.
00:55:10No.
00:55:10No.
00:55:10No.
00:55:10No.
00:55:11No.
00:55:11No.
00:55:12No.
00:55:12No.
00:55:13No.
00:55:14No.
00:55:15No.
00:55:16No.
00:55:16No.
00:55:17No.
00:55:18No.
00:55:19No.
00:55:19No.
00:55:20No.
00:55:24Hello.
00:55:29I suppose I'm a fool to want you back.
00:55:31But I do.
00:55:33Knowing the way I feel about you.
00:55:35I might even get a kick out of that, all the ways.
00:55:37If you come back to me, we'll drop this case against you.
00:55:40I'll say I was drinking when I swore out the warrant and that the bracelet and ring are really yours.
00:55:45And if I don't?
00:55:46Well, that's your worry.
00:56:16Supposing I did come back to you, just suppose, what about Bradley?
00:56:26Why are you so interested in Bradley?
00:56:28You only met him last night.
00:56:30Well, that's not the point.
00:56:32He didn't mean to hurt Conroy so badly.
00:56:34Perhaps not.
00:56:36But Conroy's dying and Bradley's responsible.
00:56:39You could help him if you wanted to.
00:56:41What can I do?
00:56:43He's already served one term for manslaughter.
00:56:47But why all this concern about Bradley?
00:56:50You're in rather a tough spot yourself.
00:56:52Hasn't your little taste of jail been enough?
00:56:55Why don't you get smart?
00:56:58I just can't see it your way, Tony.
00:57:03Well, think it over.
00:57:13Oh, Louise, they told me that I'd find you here.
00:57:25Yes, Helen.
00:57:26I can only stay a moment.
00:57:27I thought you ought to know.
00:57:28Father says that John Bradley isn't seriously hurt.
00:57:31He's going to get well.
00:57:32Yes, I know.
00:57:33But he's under arrest and he'll face a murder charge if Conroy dies.
00:57:38Yes, but if I hadn't have phoned the Logans, the police wouldn't have found him.
00:57:42Tell me, how badly is Dick Conroy hurt?
00:57:45Is he really dying?
00:57:47Yes, but Father says that Robeson's doing everything he can for him.
00:57:50Day nurse, night nurse.
00:57:52What do you mean Robeson's doing?
00:57:53Isn't Dick in the hospital?
00:57:55No, it was too dangerous to move him.
00:57:57So Robeson kept him at his house.
00:57:59Oh, I see.
00:58:00Well, I've got to go now.
00:58:02Goodbye, Louise.
00:58:03Goodbye, Helen.
00:58:04It was very sweet of you to come.
00:58:07Who's the dame?
00:58:12Well, a friend of mine, the sheriff's daughter.
00:58:15What do you have to say?
00:58:16Nothing important.
00:58:18Well, I guess you're pretty tired.
00:58:20Would you like to turn in?
00:58:21I'm going back to Robeson.
00:58:23What?
00:58:25What did you say?
00:58:26Why, that dirty double-crossin' littles.
00:58:41Clerk.
00:58:42Yes, sir.
00:58:43Cancel those rooms.
00:58:44Oh!
00:58:45Sorry you couldn't stay longer, Mr. Smith.
00:58:47Uh, Brown?
00:58:49Oh!
00:58:50All right, all right.
00:58:54Will you tell me what really happened?
00:58:56How many times have I got to tell you?
00:58:59The Bulls took her back to Denton on a jewelry rack.
00:59:02Well, what did you do?
00:59:03Didn't you get Krause?
00:59:04Sure, sure.
00:59:05Everything's been taken care of.
00:59:07Will you relax?
00:59:09Just a minute, just a minute.
00:59:12Where do you think you're going?
00:59:13In there.
00:59:14Nobody's allowed in there.
00:59:15Well, but my wife's in there with my best friend.
00:59:17That's too bad, but those things sometimes happen.
00:59:20Now, I knew of a case once where a fellow and his wife...
00:59:22Oh, I know, I know, but you see, I've got to get in there.
00:59:24You can't.
00:59:25It's rules.
00:59:26What kind of a deal is this?
00:59:27Ain't there one rule for rich or poor, husband and wives?
00:59:30All right, I'll give you five minutes.
00:59:44Thanks.
00:59:49Johnny, I've got this thing all figured out.
00:59:51It's a cinch to break out of here.
00:59:53Listen, there's a rain pipe leading from that window right down to the street.
00:59:56Tell me what happened to her, will you, Tommy?
00:59:58All right, all right.
01:00:01I was on a pleasure trip, see?
01:00:03And he said, was your wife with you?
01:00:05And I said, no.
01:00:06It was a pleasure trip.
01:00:10Cut it, will you?
01:00:11Tell me what happened to her.
01:00:12She's okay, I tell you.
01:00:14Now, you just take it easy and you'll...
01:00:15Quit stalling.
01:00:16Where is she?
01:00:17I wouldn't worry about her.
01:00:19You know how dames are.
01:00:20When things get tough, they can't take it.
01:00:23What do you mean?
01:00:24Well, as soon as Krauss sprung her, ropes had showed up...
01:00:27and she went back with him.
01:00:29Forget her, Johnny.
01:00:30She ain't worth a headache.
01:00:32Cut it out, Lil.
01:00:33Cut it out.
01:00:34Tommy, get the car around.
01:00:35We'll stop and get some clothes.
01:00:37Are you nuts?
01:00:38You'll never make it.
01:00:40I know a man who shaves 40 times a day.
01:00:45He said, who?
01:00:46And I said, a barber.
01:00:50I'm...
01:00:51You know...
01:00:52Listen, pal.
01:00:53You've got plenty of time for this.
01:00:55No, I'm going tonight.
01:01:00All right.
01:01:01Lil, you talk to that cop outside and keep him busy.
01:01:03Come on, Lil.
01:01:04I was just trying to cheer the patient up.
01:01:09Not with those gags.
01:01:11Oh, boy, what a sense of humor you've got.
01:01:14Well, big boy, you still hungry?
01:01:16Hungry?
01:01:17I could go for a barbecued suitcase, handled and all.
01:01:22Well, you're going to take me up on it, are you?
01:01:24No, but you can have what's in it.
01:01:26You know, one thing I like about bananas is they've got no bones in them.
01:01:41It's just too bad you have to throw the skins away.
01:01:44Huh?
01:01:45Yeah, yeah.
01:01:47Only fruit, huh?
01:01:50You know, I know a guy who once has died from eating too much fruit.
01:01:53He was a vegetarian.
01:01:55That made his wife a grass widow.
01:02:00Boy, are you funny.
01:02:10Johnny, you're an awful sap to do this.
01:02:12You're only putting yourself in a spot.
01:02:13Cut it, Tommy.
01:02:14Let's get going.
01:02:25Captain.
01:02:26Think of jumping.
01:02:27anya said xiv
01:02:34He gets me.
01:02:35No.
01:02:37He takes a younger van, think.
01:02:39This is Father.
01:02:40What?
01:02:41Be able to say he takes 50 minutes?
01:02:42Oh, my God.
01:02:44This is Father Ernest Petty.
01:02:45He refuses to do this.
01:02:47Why?
01:02:48Not that he refuses to do his job, too, man.
01:02:49What?
01:02:50You know, when the truth is gone.
01:02:51Where are you going, dear?
01:03:12Well, uh, I felt rather tired.
01:03:15I thought I might be tired.
01:03:17Oh, it's early yet.
01:03:19Come on down.
01:03:21You don't look very well.
01:03:27Headache still bothering you?
01:03:29Yes.
01:03:30Yes, it is.
01:03:32Well, let me give you some brandy.
01:03:35Hmm?
01:03:50Yeah, maybe this will pick you up.
01:03:51It may.
01:03:56You know, Louise, I've been worrying about you.
01:03:59I mean, I've been trying to cheer you up, and you seem to want to avoid me.
01:04:02You seem so morbid.
01:04:03Oh, it's not that, Tony.
01:04:04I just feel a bit depressed.
01:04:07Was that the way I affect you?
01:04:09No, of course not.
01:04:10But I keep thinking about poor Dick upstairs.
01:04:13Isn't there any chance for him at all?
01:04:15The doctor doesn't seem to think so.
01:04:16Hasn't he come to at all?
01:04:19Not for a moment.
01:04:21That's what makes the case so hopeless.
01:04:22But supposing he does, I mean, even for a little while, don't you think the police ought to be here to get a statement from him?
01:04:28What good would a statement do?
01:04:30It would clear Bradley.
01:04:33I'm sure Dick would realize that Bradley didn't mean to hurt him.
01:04:36There you go, thinking about Bradley again.
01:04:39Oh, it's not that, but I'd feel the same about anybody who was mixed up in a mess like this.
01:04:43So would I.
01:04:44Anybody else but Bradley.
01:04:46Mr. Robson, come quickly.
01:04:47He's regained consciousness.
01:04:49Well, get the doctor.
01:04:52No, no, you stay here.
01:04:53But please, can I?
01:04:54I said stay here.
01:04:56I mean, the slightest excitement might prove fatal.
01:04:58Oh.
01:05:06John.
01:05:11What are you doing here?
01:05:13I thought you were in the hospital.
01:05:15They told me you were.
01:05:16They told me you were here.
01:05:17I had to see for myself.
01:05:18But you don't understand.
01:05:20I understand well enough.
01:05:21And if I didn't, that would explain anything I wanted to know.
01:05:24John, you don't think I came back here because of Robson?
01:05:26No, of course not.
01:05:28Please, you must let me explain.
01:05:29Oh, no.
01:05:30I listened to your stories once before and was sap enough to believe in you.
01:05:34I had you pegged right the moment I met you.
01:05:36You're nothing but a cheap little...
01:05:37Stop it.
01:05:38If you'd only listen to me.
01:05:47You stay out of this, John.
01:05:49You're only getting yourself into a worse jam.
01:05:51You got it off of your chest.
01:05:53Now, come on, let's get out of here before the cops catch up with us.
01:05:55It's a saint's there tending us.
01:06:06I told you to stay out of this.
01:06:14John, John!
01:06:15Hey, John!
01:06:29Scram!
01:06:29The bulls are here!
01:06:32All right, Bradley.
01:06:48Back to the hospital.
01:06:50But this time, you're going to have a room with bars on the windows.
01:06:56Have it your own way.
01:06:59Wait.
01:06:59There's something you don't know.
01:07:00Now, you keep out of this, lady.
01:07:03He's trying to say something.
01:07:05You've got to listen.
01:07:06He'll tell you what happened.
01:07:08What is it, son?
01:07:10Don't let him hit me again.
01:07:11Please.
01:07:13Don't let him hit me again.
01:07:14What do you mean?
01:07:15Robeson.
01:07:16Robeson?
01:07:18He won't hit you again.
01:07:20He hit me.
01:07:21Robeson did?
01:07:22Yes.
01:07:23When?
01:07:24Just after we left the cabin.
01:07:26After you left my cabin?
01:07:27Yes.
01:07:28Why did he do that?
01:07:29We argued.
01:07:31I threatened to talk about our business.
01:07:35Some deals we had made.
01:07:37He was through with me.
01:07:39He was afraid I knew too much.
01:07:42Don't let him come near me.
01:07:43You'll be all right, son.
01:07:51Hey, that's not bad with one hand.
01:07:54I'll bet you're pretty good with two.
01:08:02Ed, throw some water or something on that guy
01:08:05so we don't have to carry him down to the station.
01:08:07Okay.
01:08:09Now, do you understand why I came back here?
01:08:12Don't rub it in.
01:08:13The minute I heard Conroy was in this house,
01:08:15I felt something was wrong.
01:08:17I understand, honey.
01:08:19Now, wait.
01:08:31That's a good girl.
01:08:32Hey, Logan.
01:08:42Come here.
01:08:49You better come downstairs with me.
01:08:51I know, but see, I...
01:08:52Come on.
01:08:54Come on, now, Lord.
01:08:54If I'm not going to cross you with my little Absprilog.
01:08:54Come on.
01:08:55Come on.
01:08:56Applesoft.
01:08:56Come on.
01:08:58Applesoft.
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