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00:03Sous-titrage Société Radio-Canada
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03:58C'est ce que vous êtes obligé d'être par ma side, mais j'étais pas mal.
04:03La seule raison que vous êtes obligé d'être par ma side est parce que vous n'êtes plus que
04:07un free maid.
04:08Depuis que vous vous êtes mariés, il n'y a jamais touché vous.
04:10Il n'est pas même pas à vous.
04:15Fine.
04:17Let's get a divorce.
04:25There's nothing less than my heart.
04:28Drake's nothing without me.
04:31Ah!
04:32My ring!
04:34My ring is gone!
04:36Well, you must have taken it.
04:37Why would I take her ring?
04:39Well, look how quickly you packed your suitcase.
04:41You're probably seeing someone else.
04:43Dorothy.
04:45Yes?
04:46We were married for three years.
04:48Were you seeing someone else?
04:49Of course she was.
04:50She'd probably been cheating on you for a really long time.
04:53I couldn't wait for the divorce.
04:55So what if I was, huh?
04:57And what about you?
04:59Still hung up on your so-called sister-in-law?
05:01What gives you the right to talk about me?
05:04I only look after Stephanie because she's my brother's widow.
05:08Yeah.
05:08But you actually seeing someone else?
05:10Who is he?
05:11Big talk!
05:12Don't bring me down to your level.
05:15I'm not like you.
05:17Since your sister-in-law lost her ring,
05:22why don't you take
05:29this one?
05:31You've been waiting for this for a long time, haven't you?
05:39Bye.
05:45And so I left.
05:49This is ridiculous!
05:52We, the Bennett family,
05:53are one of the four major production companies in the world.
05:56I let him marry my daughter
05:58and even invest it in his business.
06:01How dare that Drake do this to my daughter!
06:04Look, it's actually a good thing, Dad.
06:08Now we know who he really is
06:10and he has no idea who I am.
06:12Still, you're my daughter.
06:14I can't let him do this to you.
06:16If it weren't for you,
06:17I would not have considered investing in his company.
06:19We're going to pull our investment immediately.
06:22Yes.
06:22It's time to cut him off.
06:24He doesn't deserve you.
06:26I'm over Drake.
06:28If we withdraw the plans now,
06:30it's going to hurt the family business.
06:32He's not worth it.
06:35Honey,
06:37why don't you just take a vacation?
06:40Just put all this aside
06:42and take some time out for yourself.
06:44Yeah.
06:47No.
06:51I've wasted too much time with Drake
06:52over the three years.
06:55You know, now I want to focus on something
06:58that actually matters.
07:00You know, Christopher has been saying
07:02that many people want to buy the movie rights
07:04to Liar's Game.
07:06Universal, Paramount,
07:07every major studio wants this.
07:12Liar's Game.
07:14Your story on the big screen.
07:16If you're in,
07:17I'd be happy to be the one headlining it.
07:18Oh, so that's why they're making it.
07:21Because of you.
07:22I'm sorry, Christopher Santoro.
07:24See, they're not funding the film.
07:27They're funding you.
07:29Oh.
07:30They're funding the story.
07:32It's more than good.
07:33It's phenomenal.
07:36Christopher is right.
07:37I'm taking my life back.
07:43I'm going to adapt to myself.
07:46You are?
07:47Yes.
07:49I will.
07:50Good for you.
07:52I won't tell anyone I'm askew.
08:04Congratulations to Arya Wong
08:06for winning the best director.
08:12This is my close friend from college.
08:15Arya, I need your help.
08:17I want to adapt the Liar's Game myself
08:19and I want you to direct it.
08:22Of course.
08:23Oh, God.
08:24Okay.
08:25There's just one thing.
08:27I want to keep my identity as the writer a secret.
08:31I don't want anyone to know,
08:33especially not the team.
08:35SQ.
08:35Are you sure?
08:37But why keep it a secret?
08:38I just want people to focus on the story itself.
08:42Got it.
08:43Your secret's safe with me.
08:44Hey.
08:46Oh, my God.
08:50Dave, it's a bit weird.
08:54Ever since news got out about our movie,
08:56my phone has not stopped ringing.
08:58Really?
09:04It's Stephanie.
09:09Yeah, just take it.
09:14Hello?
09:15Hello, Miss Wong.
09:16I've heard Liar's Game is being made into a movie.
09:19I'm interested in playing the lead.
09:21Can we arrange an audition?
09:25I'll speak to the writer
09:26and I'll let you know.
09:28Thank you, Miss Wong.
09:31What do you think?
09:34Anyone can audition, right?
09:35As long as they're right for the role.
09:39What happened between me and Stephanie
09:40is not important here, so...
09:44I'll call her back and let her know.
09:46Mm-hmm.
09:56What about me?
10:00Can I be your hero?
10:05Oh, you mean, uh, a film, right?
10:10I've never considered anyone else.
10:15I have to take this.
10:17Hi.
10:22You know, I'm not just talking about the film, Dorothy.
10:27It's okay.
10:29I can wait.
10:32Waited this long.
10:37Well, well, well.
10:39Look who it is.
10:43Why are you here?
10:45Oh, I see.
10:46You're the production assistant.
10:48Well, do your job.
10:51Sip me a water.
10:54Stephanie.
10:56Get your own water.
10:57I'm not your PA.
10:59Look.
11:00It's my first day on set
11:01and I want to buy coffee for the crew.
11:04Why don't you be a doll
11:05and mark down everyone's order?
11:07Are you deaf?
11:09I'm not a PA.
11:12Here's a tip.
11:13Go on.
11:15Show some respect, Stephanie.
11:17Do you know who she is?
11:21What were you doing?
11:22Oh, no.
11:24She can't know.
11:25I'm asking you.
11:28I want to keep my identity as the writer secret.
11:31I don't want anyone to know,
11:33especially not the team.
11:38What do you mean?
11:40Who is she?
11:43No one but a lower PA, I'm sure.
11:49Isn't that right?
11:50Well, actually, she's...
11:54She's just a PA.
11:56You're right.
11:59So why don't you show me a lower PA,
12:02your acting skills?
12:03Maybe I'll be impressed
12:04even by who the gofies myself.
12:07Watch this.
12:13I loved you once.
12:15Or so I thought.
12:18But now I see that it was all just a lie.
12:21A beautiful...
12:25painful lie.
12:30You took everything from me!
12:34My dreams!
12:36My future!
12:40See?
12:41There's no soul.
12:43That's not acting,
12:44it's just...
12:45reciting lines.
12:48Why don't you show her how it's done?
12:50What?
12:51Go on.
12:55Go on.
13:17I loved you once.
13:20Or so I thought.
13:23But now I can see.
13:25It was all a lie.
13:26A beautiful, painful lie.
13:32You took everything from me.
13:37My heart.
13:38My dreams.
13:41My future.
13:43And for what?
13:47For your own personal gains.
13:59How is that possible?
14:02Dorothy,
14:03that was perfect.
14:05The role is yours if you want it.
14:07No!
14:09This role is mine!
14:12I'm the one with the investment.
14:13Without me,
14:14there's no funding for this movie.
14:15Your investment?
14:16Do you even know who she is?
14:20Who is she?
14:25Who is she?
14:26As you know,
14:27no one
14:28but a PA.
14:30Dorothy,
14:31this movie is important to Stephanie.
14:33I mean,
14:34why are you here?
14:34You're not a real actress.
14:35What are you doing?
14:36You're trying to ruin her career.
14:37You're trying to get back at me
14:38by ruining her career.
14:39I'm not ruining anything.
14:41If she can't handle the role,
14:44that's on her,
14:44not me.
14:45You can't blame this on anyone else.
14:47You embarrassed her
14:48in front of everyone.
14:50I mean,
14:50I know what you're doing.
14:51You're the one pulling all the strings here.
14:53You're trying to make her fail
14:54so you can take her place.
14:55She's using this whole thing
14:56to get to you, Drake.
14:58She's been jealous from the start,
14:59trying to ruin my chance
15:00just to get back to you.
15:02Okay, no.
15:03I don't want to fight anymore.
15:04Well,
15:04let's just take a look at the script
15:05and maybe we can
15:06work something out.
15:08And you were just so damn selfish!
15:12You already care about yourself!
15:14Just give Stephanie her role back!
15:16You know what?
15:18I didn't want to do this.
15:20But I will.
15:21I'll take the role.
15:23I'll play the lead.
15:28I'll play the lead.
15:29No way!
15:30You can't be serious!
15:31She's not even a real actress!
15:35Dorothy's performance
15:36was far stronger than yours.
15:38Everyone in the room can see it.
15:42I'm so glad
15:43you've agreed to do the role.
15:46Right,
15:47it's settled then.
15:48The lead roles go to
15:49Christopher and Dorothy.
15:52I will double my investment
15:56if you give Stephanie a role.
16:01I never thought I'd see the day
16:03my ex-husband
16:04would go this far
16:05for his sister-in-law.
16:07I can always count on you,
16:09right?
16:13I will double my investment
16:15if you give a role to Stephanie.
16:17You two are just such...
16:21Okay, look.
16:23If the money's on the table,
16:25there's no reason to turn it down.
16:26Let's just give her a part.
16:29We have nothing to lose.
16:30I guess that'll be fine.
16:33I'll talk to SQ.
16:40Your father's production company
16:41is already the biggest investor
16:43in your movie.
16:43So why take Drake's money?
16:45You don't...
16:46You don't still have feelings for Drake, do you?
16:48No!
16:50He's an asshole!
16:52Come on.
16:54I've got an idea.
16:57Why don't we just give her a character?
16:59That'll make her miserable.
17:03Wow, Mrs. Sontaro.
17:04I feel bad now.
17:11I only wish you didn't have feelings
17:13for Drake anymore.
17:16How did she land herself the role?
17:18She's practically a nobody.
17:20The fan base, the real experience.
17:23Just one good scene.
17:24It doesn't make sense.
17:28Find out everything you can about Dorothy.
17:31I want all the dirt.
17:39Director, there must be a mistake.
17:41I'm only a side character
17:42and not even in the main scene.
17:44You wanted a role.
17:46We gave you a role.
17:47I came in with an investment.
17:51You're more than welcome
17:52to take it back and leave the set.
17:56to take it back and leave the set.
17:57Even a small role in SQ's film
17:58is going to do great things
17:59for your career.
17:59Now is not the time
18:00for you to be messing around.
18:04Fine.
18:11Two, take one.
18:12Action.
18:13Lily, you are my best friend.
18:15How could you do this to me?
18:16I'm sorry, but this is a...
18:20What the hell are you doing?
18:22It's part of the scene!
18:27Okay, take it again from the slap.
18:30Action.
18:35Cut.
18:36What?
18:36Stephanie, why aren't you saying your lines?
18:39You have to keep going in the scene.
18:42I think you've had enough for today.
18:44We'll just try again tomorrow.
18:53Did you see her face?
18:55Absolute gold.
18:56I mean, she got what she wanted.
18:59She asked for a role
19:00and that's what we gave her, so...
19:02Seriously, her performance
19:03is all over the place.
19:05Maybe we should just
19:06cut down on her screen time.
19:09We all know the film's better
19:10without her slowing us down.
19:13You're right.
19:15I'm not going to let anyone
19:16ruin your story.
19:21So, if you can just give me something
19:23that's a bit more...
19:26Tell me about her job.
19:34What's going on with my scenes?
19:35Why have so many of them been cut?
19:37It's a collective decision.
19:41Fuck that.
19:42Let me talk to the writer.
19:43The writer is SQ
19:45and as you know,
19:45they never show their face
19:46so their decision is final.
19:51I'll see you on set in five.
20:05Now it all makes sense.
20:12Now it all makes sense.
20:14That's the head of the production company.
20:17No wonder she got the role.
20:19Let's see how John's wife
20:20feels about that.
20:30Everyone, I have an announcement to make.
20:33Today will be Stephanie's
20:35last day on set.
20:41You really think I don't see through your little games?
20:44Somebody will be walking out that door today,
20:46but it won't be me.
20:49You really think you can get away with this?
20:52Sleeping your way up?
20:56John's wife is on her way.
20:58Let's see how you talk your way out of this one.
21:00Slut.
21:05That's enough!
21:10So were you the one who was stalking
21:12and secretly taking photos?
21:13What?
21:14Scared the truth is going to come out?
21:16Someone had to expose her for who she really is.
21:19So you admit it.
21:21You did it.
21:22Damn right I did.
21:23And I'd do it again if I had to.
21:27You don't know who you just crossed!
21:29Oh, I know.
21:31Just some rich old bastard throwing a tantrum.
21:34I sent those photos to your wife, too.
21:36And now your mistress is about to be exposed.
21:40Yeah.
21:41Security.
21:43Stephanie is banned from the studio.
21:45Make sure she never sets foot here again.
21:47You can't just do that!
21:49Oh, this is insane!
21:50What are I of rights?
21:51I was only telling you the truth!
21:53She is a mistress!
21:54A loose woman!
21:55A lady of the night!
22:03Is it true that Dorothy is John's sugar baby?
22:06Well, otherwise, why would he come onto the set
22:08and get me banned from the movie?
22:10That's unbelievable.
22:12And he humiliated me.
22:13He had me dragged off the set like a criminal.
22:15You should have seen it!
22:17I'm not going to let her just ruin her reputation like this.
22:21I mean, this whole mess is making us look like fools.
22:26Dorothy's always been trouble.
22:28I mean, first she goes off with a married man,
22:29and now this.
22:31I don't know how you put up with her for three years.
22:34You should have got a divorce earlier.
22:38Stephanie, are you 100% sure that Dorothy is John's sugar baby?
22:42It's the only explanation!
22:44She's clearly nothing but a slut!
22:48Drake, Stephanie is your sister-in-law.
22:52Now, you need to take care of her and forget about Dorothy.
22:56Can't you see she's the one behind all of this?
22:59She was sleeping her way to the top,
23:01killing Stephanie's unborn child.
23:05And John dragging her off the set.
23:07You should be sticking up for Stephanie.
23:13I'm not going to let her do this to you.
23:29Do you think you can just walk away from what you did like nothing happened?
23:31I didn't walk away from anything.
23:33You did.
23:34You chose Stephanie over me.
23:36Remember this one?
23:37Oh, she's my sister-in-law.
23:38I'm so sick of hearing this.
23:41You have feelings for her, and I'm just tired of it.
23:45You're out of your mind if you think I'm going to let you get away with this.
23:48You do what you want to do.
23:50But for now, get out!
23:53Why?
23:59We were married for three years.
24:01We never...
24:02You're out of your fucking way!
24:04Let go of it!
24:14No wonder you want me to go.
24:17Just look at yourself.
24:18You're not half the man Christopher is.
24:22Get out.
24:24Or I will call the cops.
24:27Just go!
24:36Are you okay?
24:42Dorothy?
24:44Remember, safety first.
24:46The lifeguard's right there.
24:48If you need him.
24:49Okay.
24:52Anything you need, let the AD know.
24:54Okay.
24:54Got it.
24:55Got it.
24:56Yeah.
25:04Here's a coffee for you.
25:05Thank you.
25:06It's still early before the shoot.
25:07Take your time.
25:21It's still early before the shoot.
25:26But...
25:29It's still early.
25:31It's still early.
25:40C'est parti !
26:01...somethe's wrong.
26:05That's not acting !
26:07She's in trouble !
26:13Where's the lifeguard ?
26:18Where's the lifeguard ?
26:45Sous-titrage Société Radio-Canada
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27:51I wasn't expecting that.
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29:15You want war?
29:16I'll give you war.
29:21I'll give you war.
29:22Do it.
29:24Make sure Dorothy feels every bit of it.
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31:45Je ne sais pas. Je ne vais pas laisser elle le faire.
31:4960,000 !
31:5470,000 !
31:58100,000 !
32:01C'est mon grand-mère, c'est son legacy.
32:05C'est l'un qui m'a inspiré à me devenir une scénarie.
32:08Je ne peux pas faire ça.
32:09Je ne peux pas faire ça.
32:13500,000 !
32:23500,000 !
32:27Je vais te donner votre rôle.
32:28Je ne peux pas.
32:29Je ne peux pas.
32:31Mesdames et messieurs, nous sommes au final de la fin.
32:35Nous sommes à la fin de 500,000 !
32:38500,000 !
32:41500,000 !
32:42500,000 !
32:43500,000 !
32:43500,000 !
32:45Sold !
32:46To the lady in the blue dress !
32:52500,000 !
32:54io non I can't believe d'as !
33:18Voila-
33:19Miss Dorothy is in fact not an invited guest
33:23Therefore, as per our rules
33:26This documentary reel will not be released to Miss Dorothy
33:30This is ridiculous, I was invited
33:32Well, in that case
33:35May I see your invitation?
33:42I did have it, I swear
33:43I'm sorry Miss Dorothy
33:45If you do not have the invitation at hand
33:47The documentary reel has to go to the second highest bidder
33:49This is the protocol
33:50Oh, you don't understand
33:51I'm sorry
34:11I'm sorry, these are the rules
34:13The documentary reel will go to the honourable couple
34:18I'm sorry
34:23Thank you
34:35Stephanie, wait
34:37Just sell it to me
34:39Name your price, I'll pay you anything you want
34:42It's really important to me, please
34:44Why are you doing this?
34:46Are you just trying to get my attention by going after something that Stephanie wants?
34:50No, you don't understand
34:53Just let me buy this
34:55Whatever it takes
34:57Dorothy
34:58You think this is about money?
35:01Please
35:01This isn't something you can just buy
35:05Dorothy
35:05What the hell are you doing?
35:07Why do you always have to go against her like that?
35:09This reel is important to Stephanie
35:11She can use this to help her career
35:13Her career?
35:15Is this about your role being cut from the dead?
35:19Is this about your role being cut from the dead?
35:20Is that why you're doing this?
35:23I'm the writer
35:24I'm gonna fix this
35:26Can you write the story and bring your character back?
35:29Just
35:30Just
35:30Just let me have the reference
35:32You're the writer
35:34Are you telling me that you're SQ?
35:39You
35:40The writer SQ
35:41Can you give us a break?
35:43Look
35:44This reel is important to Stephanie
35:47End it
35:47Don't make this harder than it has to be
35:51You've been with Dorothy for so long
35:53And you don't even know her
35:54Oh and you do
35:55A hell of a lot more than you
35:57What the fuck do you think you are?
35:58Both of you calm down
35:59Both of you
36:00Both of you calm down
36:13Scratched all over
36:14It's ruined
36:15Not even fit to be a gift anymore
36:17I can fix this
36:19Stephanie I know someone who can restore it
36:20Just sell it to me please
36:22Just name your cries
36:26Even if I had no use for it
36:28I'd never give it to you
36:56I'd never give it to you
36:57I'm a writer like you Grandma
36:59Oh
36:59I want to make movies like you do
37:02This reel
37:04Has more than pictures and sound on it
37:07Really?
37:08Hm
37:08An entire world I have captured
37:10But it's just one way of seeing things
37:13The magic is creating it yourself
37:17Someday you will
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