- hace 2 días
Reparto: José Luis López Vázquez, Laly Soldevila, Emilio Gutiérrez Caba, Enriqueta Carballeira, Manuel Tejada, Antonio Martelo, Florinda Chico, Antonio Almorós, Emilio Rodríguez, Carmen Luján, Manuela Rodríguez, Xan das Bolas, Fernando Bilbao, Nieves Salcedo, Trinidad Rugero, Luis Rico
Dirección: Alfonso Paso
Sinopsis: Roberto Negresco vive con sus padres Antonio y Trinidad y trabaja junto con su padre en un bar de camarero. Es una persona extremadamente ingenua, lo cual, unido a un extraño defecto que le impide pronunciar la "p", le convierten en un ser bastante peculiar. Julita Caporeto vive con sus padres Nemesio y Charo, y también es una chica de una ingenuidad sin límites, hasta el punto de que, a pesar de que lleva ya bastante tiempo saliendo con su novio Cayetano, aún no sabe "cómo vienen los niños de París". En un guateque, Julita y Roberto se enamoran mutuamente. El problema es que existe un gran obstáculo entre ellos: Sus familias están enemistadas desde mucho tiempo atrás.
Dirección: Alfonso Paso
Sinopsis: Roberto Negresco vive con sus padres Antonio y Trinidad y trabaja junto con su padre en un bar de camarero. Es una persona extremadamente ingenua, lo cual, unido a un extraño defecto que le impide pronunciar la "p", le convierten en un ser bastante peculiar. Julita Caporeto vive con sus padres Nemesio y Charo, y también es una chica de una ingenuidad sin límites, hasta el punto de que, a pesar de que lleva ya bastante tiempo saliendo con su novio Cayetano, aún no sabe "cómo vienen los niños de París". En un guateque, Julita y Roberto se enamoran mutuamente. El problema es que existe un gran obstáculo entre ellos: Sus familias están enemistadas desde mucho tiempo atrás.
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CortometrajesTranscripción
00:00:00In the beginning He created the sky and the earth, then He created light, later the waters.
00:00:08God later created the creatures that swarm in the water and later those that live on land,
00:00:14the plants, the trees.
00:00:17On the last day God created man, and from that moment neither the sky, nor the earth, nor the trees,
00:00:24Neither the fish, nor the animals, nor anyone else has been able to live peacefully in the world.
00:00:37No, we are neither Romeo nor Juliet, actors in a romance without end.
00:00:44No, we are neither Romeo nor Juliet, nor are we in medieval Italy.
00:00:51No, we don't have to confront anyone who opposes our love.
00:01:00Well, everything is different these days, and today the sun shines radiantly in splendor.
00:01:06Sometimes I feel afraid when I see my happiness, maybe it's because I truly love you.
00:01:33No, we are neither Romeo nor Juliet, those who died for their love.
00:01:39No, we are neither Romeo nor Juliet, living prisoners of fear.
00:01:48No, there is no doubt in our lives that it is easy to be happy nowadays.
00:01:55You, just love me the same way, that I, my love, am loving you.
00:02:15I think our happiness should never end, knowing that we will always love each other the same.
00:02:28No, no, no, we are neither Romeo nor Juliet, living prisoners of fear.
00:02:43Memor, no, no, no, there is not a doubt in our lives that it is easy to be happy nowadays.
00:02:52You, just love me the same way, that I, my love, am loving you.
00:03:28No, no, no
00:03:42There is not a single doubt in our lives
00:03:44It's easy to be happy these days.
00:03:48You
00:03:49Just stay the same
00:03:52That I am, my love, loving you
00:04:02Strip, Nemesio
00:04:05Nemesio!
00:04:07Nemesio, what's on the agenda for today?
00:04:10That?
00:04:10What are you throwing away, son?
00:04:13Yes, Dad
00:04:15You say "let's go" or "let's go".
00:04:18Or anything else structured
00:04:20But there are no structures here that are worth anything.
00:04:22Pull, pull
00:04:26Strip
00:04:32Hey! Stop!
00:04:34What a scoundrel!
00:04:35There was room for at least ten.
00:04:37Fit, fit, one hundred and fifty more fit
00:04:39The problem is that the middle class despises us.
00:04:41That's it, that's all
00:04:42Without giving an account
00:04:44And you, at your age, why don't you take a taxi?
00:04:46Damn, because I don't have any money.
00:04:54March one by one, one with milk and a palm tree
00:04:56Marching alone, one with milk and an almond.
00:05:04Hello, Julian
00:05:05Hello, Pepe
00:05:06Can you make me a pepito?
00:05:07Why not?
00:05:08One pepito coming right up!
00:05:11A roundabout e-milestone
00:05:13E-e
00:05:22Three to the beat
00:05:24I mean, to the butt
00:05:26I mean, when you go
00:05:28To the boat
00:05:30There, to the boat, of course.
00:05:34Here, Antonio
00:05:35And don't let them notice that the palm tree came from Elche two weeks ago.
00:05:37We'll see.
00:05:42No, Carlos, no
00:05:44I disagree
00:05:49Hey, why don't you ask him?
00:05:51They're using the fool for propaganda, aren't they?
00:05:54What a fool?
00:05:56The one at the counter
00:05:58He is my son
00:05:59Please forgive me
00:06:00Some Mercedes Aradón
00:06:02E-e
00:06:02And Mr. Aco
00:06:10But hey, where are you going?
00:06:11Look, rich
00:06:14Don't make me feel strange, okay?
00:06:17If we go for a walk, we go for a walk.
00:06:19And if not, let them release the wasps.
00:06:20Yes, street
00:06:24Hi, Cool
00:06:25Hello, Julita
00:06:25Hey, your mother asked me about you
00:06:29Hey
00:06:30Hey
00:06:44Hey
00:06:55Hey
00:07:08My mare, at a gallop, cuts through the wind
00:07:11when it passes through the port
00:07:14little road to Jerez
00:07:17There!
00:07:18You're not a nuisance or anything.
00:07:19with that horse that was a bad time
00:07:21It galloped and cut through the wind
00:07:25Is something wrong?
00:07:26Saliva in the throat
00:07:28and the poison through the tongue of whom I know
00:07:33There's a lot of kinky stuff here
00:07:34The one who puts the phones in?
00:07:37The one your father puts on.
00:07:38That's it! It's over!
00:07:40If men aren't men or are watching television
00:07:43What amounts to the same thing?
00:07:44We women will solve this
00:07:47Come on! Come on!
00:07:50Stay still, stop!
00:07:52Charo, for home
00:07:53I don't feel like it.
00:07:53I don't feel like it, your husband
00:07:55Be thankful I'm wearing the uniform
00:07:57and respect for the uniform
00:07:59It prevents me from hitting you.
00:08:00Go inside!
00:08:01Oh! Damn it!
00:08:05Doña Trinidad
00:08:05Please do me the favor of not talking to my rosary.
00:08:08because it has a Eurovegetative distortion
00:08:11And one day there will be more than just words here.
00:08:13That's two years of insulting each other.
00:08:14and calling us the worst
00:08:16And as Don Jacinto Benavente said
00:08:19What did he say?
00:08:20We are muleteers
00:08:21and we will meet along the way
00:08:23Wow, man! What culture!
00:08:26Do me a favor
00:08:27Yes, son, yes
00:08:29But tell your wife
00:08:30sing la la la
00:08:32who's been with my horse for two years
00:08:35It's because one of his little brothers died.
00:08:37of galloping tuberculosis
00:08:38Change it up, man
00:08:40That whole horse thing is way outdated
00:08:42My mare!
00:08:44I'll kill her!
00:08:45Go for a gallop! Cut through the wind!
00:08:47Chick!
00:08:48Chick!
00:08:49Shut down the station!
00:08:50I don't want any trouble!
00:08:53Trini
00:08:55Is something bothering you?
00:08:57The sun
00:08:57Then I'll kill him
00:09:00Come on, let's go inside
00:09:01Don't worry, Trini
00:09:04Nothing's going to happen
00:09:05Well, I'm a doll.
00:09:07I am a man
00:09:09and the men compress
00:09:13Do you compress yourself?
00:09:14No
00:09:15Because you are a woman
00:09:17If you were a man
00:09:18you would compress
00:09:26Your wife compresses
00:09:29When she puts on a girdle
00:09:30Already
00:09:32Are you compressing yourself?
00:09:33Of course I'll compress!
00:09:35That!
00:09:35Cough suppressant!
00:09:37Aspirin for everything!
00:09:38Well, maybe we should compress ourselves
00:09:39because otherwise the blood can't flow
00:09:43We'll have to see how it runs here.
00:09:45Antonio Negresco
00:09:46At his disposal
00:09:48when you look for a name
00:09:51Nemesio Caporetto
00:09:53Go to your place when you're looking for a male
00:10:04Complete!
00:10:07He's a jerk
00:10:09who does not have a structured mind
00:10:10And what's needed here are structures
00:10:12On purpose
00:10:14And your daughter?
00:10:16Well, my father is passable without his uniform
00:10:18But in uniform, he's Gisler.
00:10:20The cyclist?
00:10:21The German!
00:10:23Notice that he wants everything organized and structured.
00:10:26And my mother sent me the other day
00:10:27because of a fruit that starts with it
00:10:29And I forgot the name
00:10:30And I said
00:10:32Loquats?
00:10:32No
00:10:33Loquats no
00:10:35Ships?
00:10:36Ships?
00:10:36No, not Navos either
00:10:38So, for a gentleman, and I say
00:10:40Listen to me
00:10:41With N
00:10:42What can you buy a kilo of?
00:10:44And what did the man tell you?
00:10:46Well, he told me
00:10:47Man, it doesn't start with N
00:10:49But you can buy a kilo of your father
00:10:50so you learn not to joke around
00:10:52of the elderly
00:10:55If there are any that are very sensitive
00:10:57That I don't have stability
00:10:58Look, they were oranges
00:11:00the least you can think of
00:11:01Clear
00:11:10Stay, stay
00:11:11My uncle Fernando, from Entrevías
00:11:14Yeah
00:11:17And who else?
00:11:19My dad and my mom
00:11:21And I, man, I
00:11:23Oh!
00:11:24Oh!
00:11:25Oh!
00:11:25Oh!
00:11:25Oh!
00:11:26How funny!
00:11:27Oh!
00:11:28Oh!
00:11:28That tickles!
00:11:30Oh!
00:11:31Oops!
00:11:31Oops!
00:11:31I'm dying of laughter!
00:11:34You're the one who can cool down a drunk, baby.
00:11:43My darling girl
00:11:44That guy is dating you, right?
00:11:49That seems to be the case.
00:11:50And you've been dating him for two months
00:11:55Yeah
00:11:56Then something will have been lost.
00:12:01Yeah
00:12:02Well, you know what I mean.
00:12:04Something not very important
00:12:07No, no, no
00:12:08Something has been lost
00:12:10Very important
00:12:14Mom told you, right?
00:12:16No
00:12:17Your mother hasn't told me anything.
00:12:18But you're going to tell me.
00:12:19Because you're not stupid
00:12:20You do it to yourself
00:12:22Clear!
00:12:23If you don't have a structured mind
00:12:24You start where you should end up
00:12:27Clear!
00:12:28Go!
00:12:31You knew it, didn't you?
00:12:34Answer
00:12:34Demesio, you're suffocating me!
00:12:36Did you know that something very important is missing?
00:12:38And you were in cahoots with her
00:12:40Come on, they'll kill us both because of the uniform
00:12:43Demesio!
00:12:45What is lost?
00:12:47Yes, with the boyfriend
00:12:48With the little Cayetano
00:12:49That he had to work at Pegaso
00:12:50To go so fast
00:12:51But he's going to come here right now.
00:12:52Because I'm going to marry him personally.
00:12:54You've lost!
00:12:56Yes, Mom, I didn't say anything in case you got angry.
00:12:58We should be happy!
00:13:00Oh, what a terrible misfortune!
00:13:02Don't worry, Dad
00:13:04I'm going to buy another one
00:13:07Other than?
00:13:09Another little gold pin
00:13:12I went with the little rich kid from Atlantis
00:13:15And eating French fries, well
00:13:17As bits of potato fell onto my dress
00:13:20I would do this and that to shake them off
00:13:24And I knocked over the little gold pin.
00:13:26What did you give me for my birthday?
00:13:35And what did you ask him?
00:13:37I told him that I'd been dating the guy for two months.
00:13:39Something would have been lost.
00:13:41A little kiss
00:13:43Something
00:13:43And he answers that it's something very important.
00:13:46And it was the little pin
00:13:47The little pin
00:13:52Well, sharpen your fingers
00:13:54You've left the nut on my neck
00:13:57I'll continue with my own thing.
00:13:58Keep going, keep going
00:14:04Julita
00:14:04You're old enough to know everything
00:14:08Following meticulous structures
00:14:11I told you that the children didn't come from Paris
00:14:16I assume you are aware of the mechanism by which
00:14:19Children don't come from Paris
00:14:24Yeah
00:14:26You know it
00:14:28It must be something related to structures
00:14:32But what structures, what fists
00:14:35Daughter, you know what happens on the wedding night
00:14:39Man
00:14:41We would finish
00:14:42I'm saying man, no
00:14:45Charo!
00:14:46Charo!
00:14:48Have you lost anything else?
00:14:50Let's see
00:14:51Put it on air for me right now.
00:14:52What you do on your wedding night
00:14:54And then this wretched woman explains it to me.
00:14:56But yes, through good means.
00:14:57This idiot needs to know what's going on.
00:14:59I'm going to die of disappointment.
00:15:01I burned my I don't know what
00:15:02I think I'm going to burn the house down, you know.
00:15:04Come on
00:15:06To explain it to him
00:15:07But everything?
00:15:08Have you seen that book that says
00:15:10Learn English in ten days?
00:15:12Well, this one can be learned in ten minutes.
00:15:14Everything you know
00:15:15And in order
00:15:16One thing after another
00:15:19Structure!
00:15:20No Spanish fury
00:15:21Structure!
00:15:22Fist with the structures
00:15:24Before you become a nuisance
00:15:25Charito
00:15:26You are very hot
00:15:28You've always been very rich
00:15:29But you're dumber than a truck
00:15:31Without brakes
00:15:32If you had become more cultured
00:15:33Your little girl
00:15:34It wouldn't be this object we have here
00:15:37Come on!
00:15:41Sit down
00:15:43Little dove
00:15:47Turn off the stoves!
00:15:51This is abuse
00:15:53An abuse
00:15:53They've plugged in the stove again.
00:15:55The neighbors across the street
00:15:56And I'll fix this.
00:15:58I came, just leave it now
00:15:59We're going to put an end to the knife fights.
00:16:01Hold on and wait for that girl to finish
00:16:03I don't want to add fuel to the fire.
00:16:04This is a man
00:16:06This means I get lost because of the driver
00:16:08And when I've broken her heart
00:16:10All you do is deliver a package to jail.
00:16:13But I spend 20 years eating bars
00:16:15And that's fine.
00:16:16The neighbor is mostly to blame
00:16:20You people here in Madrid are very strange.
00:16:22The one from Reus has already been released.
00:16:23Yes sir
00:16:24From Reus
00:16:25And with great pride
00:16:26I will have put down roots here
00:16:28That's different.
00:16:29But from Reus
00:16:30And from Reus until I die
00:16:32Clear
00:16:33You won't be from Aranjuez at 50.
00:16:35I say it for the reason I say it
00:16:37That this town of San Sebastián
00:16:39Of the Guardian Angels
00:16:41It's sad.
00:16:41You turn on a light here
00:16:43And an alcove goes dark in the 18th
00:16:45The day someone buys a refrigerator
00:16:48And plug it in
00:16:48This is going to be the bikini thing
00:16:53Hello son
00:16:55Hi mom
00:16:58Go on
00:16:59Give your father a kiss
00:17:09Hellooo
00:17:12Forgive me
00:17:12If I want to say A-A
00:17:14But I get A-A
00:17:17Trini
00:17:17This is over
00:17:18Something needs to be done about this kid.
00:17:21But I can't
00:17:22But you're stupid, tell me.
00:17:25Well, maybe
00:17:26Trinity, may the demons take me away!
00:17:29May this son of yours and mine
00:17:31I can't believe it.
00:17:33Let it be mine
00:17:34Well, it's yours.
00:17:35Thank you
00:17:37It doesn't matter
00:17:37That my son is an idiot
00:17:40What needs to be done is to take him back to the doctor.
00:17:42Remember what the specialist said
00:17:44After talking to him for half an hour
00:17:46He left
00:17:46He gave me a hug and said
00:17:48Nothing's wrong with his nerves
00:17:52He's a fool.
00:17:53As much as idiots
00:17:54Gilihuertas Trini
00:17:56What a rare disease!
00:17:57That does not pronounce the P
00:18:00You've got me obsessed
00:18:02Or give up the E
00:18:03And since I don't give it up
00:18:05Well, I don't know what I'm telling myself.
00:18:07And I release four to the vet
00:18:09And I don't let go
00:18:11The mother
00:18:12That made me a euro, a miracle
00:18:14That you are a man
00:18:16And what do you want me to do?
00:18:18Million Peñao
00:18:19Let her learn French
00:18:19And make room in Torremolinos
00:18:21That's where the atmosphere is.
00:18:23This
00:18:24We have this one here
00:18:26And at thirty years old
00:18:27Saying
00:18:27Hellooo
00:18:28Can I grill or garden?
00:18:35Do you want a little bit?
00:18:36Dean?
00:18:38I want a big one
00:18:39From Luncaque
00:18:42There is a greater misfortune
00:18:44What a foolish son.
00:18:45It's not that I'm stupid
00:18:46A A
00:18:47I'm not giving up the E
00:18:50I'm short-tempered.
00:18:53Shy
00:18:56And he has used
00:18:58But something good
00:18:59I will be
00:19:02I say
00:19:04Do you understand me?
00:19:06Yeah
00:19:06Of course I understand you
00:19:08I've been inside
00:19:09From your womb
00:19:10And what was I doing there?
00:19:12Nothing
00:19:13Take
00:19:13The same as now
00:19:14Oh mother of my soul
00:19:16Nemesio!
00:19:17But daughter
00:19:18What do you hear in the street?
00:19:19What do they tell you?
00:19:19Your friends?
00:19:20If my friends
00:19:21They're just like me.
00:19:23Demesio!
00:19:24That?
00:19:25Your daughter!
00:19:26What do you think man
00:19:26Are women the same?
00:19:28Charo
00:19:28Convince yourself
00:19:29You are very hot
00:19:30Very tasty
00:19:31But you have cast out the world
00:19:33An idiot
00:19:34Chick
00:19:36The man
00:19:37It's different from a woman
00:19:39Don't you remember?
00:19:40From cousin Fernando?
00:19:41Didn't you see cousin Fernando?
00:19:43When did he pee?
00:19:45And you weren't surprised?
00:19:46One thing about my cousin Fernando
00:19:47Are you peeing?
00:19:49Hey?
00:19:49Yeah
00:19:49To end?
00:19:51How red he turned
00:19:52And how hard it was for him to start
00:19:54She's an idiot.
00:19:55From textbooks
00:19:55And it's all your fault.
00:19:56You!
00:19:57Oh my God!
00:19:57For not having given
00:19:58A structured education
00:19:59That's how Spain is.
00:20:00Unstructured
00:20:01And that's why
00:20:02We did not enter the common market
00:20:04You know what it is
00:20:05The common market
00:20:06Without M
00:20:07That structured edible
00:20:09I mean
00:20:10Instead of buying
00:20:11Chard in one place
00:20:12And the chickpeas in another
00:20:13You buy it all together
00:20:14In the same place
00:20:15You're very hot, Charito.
00:20:16Very tasty
00:20:17But you don't have lights.
00:20:20Go to bed without dinner right now!
00:20:22Come on!
00:20:23To the mother
00:20:23You've already heard it
00:20:24No, not if you're the one going to bed without dinner
00:20:26And when you know what you need to know
00:20:28Then you have dinner
00:20:29Oh!
00:20:31This is urgent, Charo
00:20:33Urgent
00:20:34That one day
00:20:35A man is going to tell the girl
00:20:37Look at a little airplane
00:20:39And the girl is going to look
00:20:41And you and I, grandparents
00:20:43God doesn't want it.
00:20:45That will be my downfall
00:20:46Until I pronounce the faith
00:20:48He doesn't eat
00:20:49I swear to you
00:20:50That's enough, Antonio.
00:20:51It's a flaw
00:20:52The boy is not to blame
00:20:54Don't blame anyone
00:20:55Blame it
00:20:56As your beloved son says
00:20:57You're infuriating.
00:20:59What a genius you are!
00:21:01Nobody can stand you!
00:21:02Leave me alone
00:21:03Leave me alone!
00:21:07Leave me alone
00:21:08Leave me alone
00:21:09If I didn't look
00:21:10Even flat-chested
00:21:12Continue with the structures
00:21:13You look more presentable that way
00:21:14You're very hot, Charo.
00:21:16Very tasty
00:21:17But you're going to swallow the hat
00:21:19Well
00:21:20Leave me alone
00:22:01It's a nae, huh?
00:22:02Yes, Roberto
00:22:03It's a shame.
00:22:04And what about the rest and state?
00:22:06They are honored by hatred
00:22:07What have they caught?
00:22:08Yeah
00:22:09If they are neighbors
00:22:10It's normal to have affection for each other.
00:22:11And help each other in whatever way is needed.
00:22:13But not
00:22:14They are honored as errors
00:22:15That?
00:22:16Let them be honored as mistakes
00:22:18Ah, yes
00:22:18They act like dogs
00:22:22Are you
00:22:23Reciosa, Julita
00:22:24Are you a
00:22:26I'm clean.
00:22:26A small shoot of wallflower
00:22:28Thank you, Roberto
00:22:29You're welcome, Julita
00:22:33You'll see how she dances with me first.
00:22:35I'll prove it to you.
00:22:39Hello
00:22:40Leave them at the bottom
00:22:41On a small table
00:22:42Yes, awesome
00:22:45Hey, do you have records?
00:22:48No, beautiful.
00:22:49Well, two pesetas
00:22:50Hey, cutie
00:22:51It will be if we want it to be.
00:22:52The rules of the dance
00:22:54It says it very clearly.
00:22:55Or they bring records
00:22:56Or drinks are brought in.
00:22:57Or you pay two pesetas
00:22:59Move aside, Chachi
00:23:01Respect the ladies, Johnny
00:23:02And loosen up a bit.
00:23:13Hello
00:23:14Ton Jones, Abnabure, Rita Pavone
00:23:18The same ones from the other dance
00:23:20When it comes to records, I'm very structured.
00:23:25What's that?
00:23:27Ure de atatas
00:23:28Oh, what a joke
00:23:28But you're not seeing that it's a Martini.
00:23:30Happens
00:23:39You're so cool, Cayetano!
00:23:41How cool
00:23:55Tell me
00:23:56Forty-five duros
00:23:57Okay, but at eight thirty it's buzzing
00:23:59Yes sir
00:24:00Don't worry
00:24:01As usual
00:24:02And whoever gets hit by a car
00:24:03It stays here
00:24:04Yes sir
00:24:11Amoro
00:24:11At your house
00:24:12Here
00:24:12Just like at school
00:24:14Anchovy
00:24:14Give him three glasses
00:24:44Love
00:24:46Well
00:25:04Lack
00:25:06There is not a single doubt in our lives
00:25:09It's easy to be happy these days.
00:25:13Just stay the same
00:25:17That I am, my love, loving you
00:25:19We danced to this
00:25:21No, I'm a bit cursed with my ankle
00:25:23Oh my God
00:25:25Go on, you dance
00:25:39What? Shall we give it to him?
00:25:42We give it to you
00:25:42Always the same
00:25:46No, we are neither Romeo nor Juliet
00:26:03Those who died for his love
00:26:06No, we are neither Romeo nor Juliet
00:26:10Living prisoners of fear
00:26:25No, there is not a single doubt in our lives.
00:26:28It's easy to be happy these days.
00:26:31You
00:26:50I think more about our life
00:26:53It must never end.
00:26:56Thinking that we love each other
00:26:59Always the same
00:27:06You called me Pinpollo, didn't you?
00:27:09Yes, Julita
00:27:10Chicken and Aleli sap
00:27:13I often see her coming and going.
00:27:15I wanted to talk to her
00:27:17But I told myself
00:27:18Why? He's not going to understand me.
00:27:22Yes, I understand you, Roberto
00:27:24Yeah?
00:27:25Yes, I understand.
00:27:28But if I don't pronounce the E
00:27:31Yeah
00:27:32I know you don't pronounce the letter P.
00:27:34But I understand him
00:27:36I don't know why the others don't understand him
00:27:38We are neither Romeo nor Juliet
00:27:42Those who died for his love
00:27:45No
00:27:46We are neither Romeo nor Juliet
00:27:49Living prisoners of fear
00:27:53Is that guy her fiancé?
00:27:56Yes, Cayetano
00:27:57Are you going home?
00:28:01That's what it says.
00:28:04Her fiancé seems like a very nice person.
00:28:09Yeah
00:28:10He's a very good person.
00:28:12A little bit killed
00:28:13And does she want it?
00:28:16Yeah
00:28:17That's what it says.
00:28:19And you to him?
00:28:22No
00:28:24That he doesn't love her
00:28:26No
00:28:29But then
00:28:30Who do you love?
00:28:32That?
00:28:33No
00:28:34There is not a doubt
00:28:35In our life
00:28:36That it's easy
00:29:04Do you love me?
00:29:04Yeah
00:29:06But I'm stupid.
00:29:08Me too
00:29:11You too?
00:29:12Yeah
00:29:13That's what it says.
00:29:14Complete idiot
00:29:16Nobody understands me
00:29:17I understand him
00:29:19Julita
00:29:21Julita
00:29:21I
00:29:23I love you too
00:29:29I love you
00:29:31I will always love you
00:29:33Although our families
00:29:34They cannot be seen
00:29:35I promise you love
00:29:37Until the end
00:29:38And I you
00:29:43No
00:29:45We don't have
00:29:46What to face
00:29:47With no one
00:29:48That he opposes
00:29:49To our love
00:29:50Well
00:29:51Well, everything is different
00:29:53In our times
00:29:54And today they shine
00:29:56Let's see if there's a brave soul.
00:29:57What's blowing on me?
00:29:58The girl
00:29:58The one I'm dancing with
00:29:59They're kicking us out.
00:30:00Tell him to trial
00:30:00They're kicking us out.
00:30:01Well, I'll give it to you.
00:30:02Seeing my happiness
00:30:05Perhaps because
00:30:07I love you
00:30:34I like decent ones
00:30:37Like my grandpa
00:30:46I was thinking of giving this to him
00:30:48At some point
00:30:49But I didn't dare
00:30:51It's no big deal
00:30:52A lure
00:30:59It's beautiful.
00:31:04Have
00:31:05What is it?
00:31:08A little ball
00:31:09From playing guá
00:31:10I made it myself
00:31:11While I was thinking of you
00:31:13I picked up mud
00:31:14With your fingers
00:31:14And I began
00:31:16That boy
00:31:16From the house
00:31:17Opposite
00:31:17So soft
00:31:19So affectionate
00:31:20How do I love him?
00:31:22And what would I do?
00:31:23Why would he address me?
00:31:24And thinking
00:31:25Thinking
00:31:27Zas
00:31:28The little ball
00:31:29Oh, my soul
00:31:32I said it was you
00:31:33I said it was you
00:31:33A hole
00:31:33And a little caullito
00:31:34Or am I saying something else?
00:31:36You are like a flower petal
00:31:38Like a white herring
00:31:41Like an old powder compact
00:31:43Oh God
00:31:44God
00:31:45God
00:31:45How beautiful
00:31:47And what a feeling
00:31:48Of discreet princess
00:31:49There is in his garden
00:31:51And when he speaks
00:31:53It looks as if the sky
00:31:54Hariera stars
00:31:55And from the bosom of the earth
00:31:59They seemed to be from suddenly
00:32:00Roses
00:32:03Roses
00:32:04And more roses
00:32:07To Roberto
00:32:08Please
00:32:09By all the gods
00:32:10Don't judge me
00:32:12Lightweight
00:32:12Because she is so passionate
00:32:21Salting potatoes
00:32:22A maú and olives
00:32:23One of olives
00:32:24Mau and atatas
00:32:28Listen to the seas
00:32:29My name is Pa' los Mares
00:32:30No to the seas
00:32:31Why are you acting like this?
00:32:33Why are you...?
00:32:34As you go about life
00:32:36Pushing me
00:32:37Complaints in Portuguese are not accepted.
00:32:38You know what I'm saying?
00:32:40That Pedro Pérez Pereira
00:32:42Privileged Peruvian painter
00:32:43He paints beautiful landscapes
00:32:46For a low price
00:32:47Go on
00:32:47Repeat
00:32:50Peter
00:32:51Are
00:32:53Edeira
00:32:57You're such a poison, son.
00:32:59If he's stupid, leave him alone.
00:33:00Come on, life's not for fools.
00:33:05That funny guy at that table
00:33:06He told me that the pit is softer than the olives.
00:33:09How did we achieve it?
00:33:11Wow, it's all complaints.
00:33:13Pass them the stuffed ones, man
00:33:16I'm just kidding, okay?
00:33:18That?
00:33:19He's joking.
00:33:20It's going to sell a lot
00:33:21Clear
00:33:22It's ten o'clock and he's made twenty-two pesetas
00:33:25Calcula
00:33:25But maybe
00:33:27At two o'clock you've done thirty-five
00:33:29That
00:33:29Port
00:33:30Hey, ah
00:33:33I need to talk to you
00:33:35About one thing
00:33:35Very immortal
00:33:37Okay, son
00:33:37Then
00:33:38At home
00:33:40Yes, ah
00:33:42Whatever you want.
00:33:45That?
00:33:46Aren't we going out?
00:33:47In time
00:33:48One thing after another
00:33:50When the inspector orders it
00:33:51It's the beginning of the journey
00:33:53Yeah, yeah
00:33:54In Spain, the case is running.
00:33:56Serván Esraib has already said it
00:33:58The Americans are eating Europe for lunch.
00:34:00Because we don't have structures
00:34:02Already
00:34:03Clear
00:34:04Good morning
00:34:06Thank you
00:34:06Good morning
00:34:07Hello, father
00:34:09There you have it.
00:34:11Bus driver
00:34:13And reading something about structures
00:34:15This isn't normal, is it?
00:34:17No, sir
00:34:18You live and learn, huh?
00:34:21Especially you
00:34:22Strip, Nemesio
00:34:26Nemesio!
00:34:27That?
00:34:28What are you throwing away, man?
00:34:31Go ahead, come on
00:34:32Shake
00:34:33Everything except what needs to be said
00:34:35Spanish Fury
00:34:37Well, throw it away
00:34:39Nemesio!
00:34:51Nemesio!
00:34:52Come on, how embarrassing!
00:34:54That as soon as it rains
00:34:56The water is being taken away from the houses
00:34:57And we must come to the source
00:34:58And what does the city council have to say about this?
00:35:01Have you no shame?
00:35:02Because as soon as they come to collect the water bill
00:35:04You pay for it
00:35:06You'd see what would happen if we went on strike.
00:35:09You are asleep
00:35:10But my husband will fix this
00:35:12Because my husband is from Reus
00:35:14And the Catalans can't stand it.
00:35:18That is their right, they demand it
00:35:20And that's the end of it.
00:35:21Don't lie about the rope at Orcao's house!
00:35:29Let him identify himself!
00:35:34But can this be allowed?
00:35:36What cannot be allowed
00:35:37It's because you're giving speeches
00:35:38And bring two buckets to fill
00:35:39While the rest of us bring one
00:35:41With what relieves
00:35:42And you don't lie to your husband
00:35:43What's the point?
00:35:44Me?
00:35:45You've got some nerve!
00:35:47If they put the phone number here
00:35:49Through a certain Don Agapito
00:35:50Who was your best man?
00:35:52Yes, yes!
00:35:53As the English say
00:35:55Shut up, you little rascal!
00:35:56You're a joke!
00:35:58Movie me?
00:35:59You're being proclaimed!
00:36:00Keep quiet, it's worse!
00:36:02Get out of here!
00:36:03Get out! Get out, you!
00:36:04Oh!
00:36:06Don't let yourself get away with it!
00:36:10Take off your helmet!
00:36:11Police, police!
00:36:12Yes, I'm going to kill you!
00:36:13Don't hold me back, I'll kill her!
00:36:17Long live Spain!
00:36:19Ma'am, excuse me for bothering you
00:36:20Don Alipio Argumosa lives here
00:36:23Well, I don't know
00:36:24The little one
00:36:25Ah, yes, the little one
00:36:26There
00:36:28There, Mr. Inspector
00:36:31Hey, I didn't say anything, okay?
00:36:33I am in life
00:36:34Do I look like a Franciscan monk?
00:36:37No, sir
00:36:37Then I'm in life, woman
00:36:39Yes sir
00:36:47Achantaíta!
00:36:48Ah, you're here
00:36:49But man, that was the last thing I could have thought.
00:36:51Do you remember when you used to rent children to beg for money?
00:36:55And you were making a good thousand or twelve hundred pesetas a day renting out the kids?
00:37:01Now I have regenerated
00:37:02Of course! Of course!
00:37:06Little one, I'll give you ten seconds to come out of where you're hiding.
00:37:11Ten seconds, do you understand?
00:37:13Come on
00:37:13One
00:37:15Two
00:37:17Three
00:37:18Four
00:37:19Five
00:37:21Man!
00:37:27Don Prudencio, I have retired from all this and now live a peaceful family life
00:37:31Look at this
00:37:31Little one, where is Barajitas?
00:37:34And what do I know?
00:37:36You're the only one who knows.
00:37:38Barajita has taken nine thousand pesetas by the adhesive tape method
00:37:43And with an English deck of cards that had nine aces
00:37:46And you're the only one who knows it.
00:37:48Come on!
00:37:49No
00:37:51Well, they're going to catch the dog.
00:37:53No! Not that!
00:37:55They catch him
00:37:56There it is, right in the middle of the street
00:37:58Poor little dog
00:37:59He's spotted a little bone and he's rolling it around.
00:38:02A truck is approaching
00:38:03Stop the truck! Stop it!
00:38:04I told him to stop, but he doesn't hear me.
00:38:06Advance on the dog
00:38:08He's going to catch him, he's ten meters away
00:38:10Get out, dog! Go away, go away!
00:38:11Poor!
00:38:12He can't hear me
00:38:13He's one meter away, he's going to kill him
00:38:15General Ricardo, one hundred and thirty!
00:38:18Thank you, little one
00:38:21Someone has warned the truck driver
00:38:23Still
00:38:23It has slowed down
00:38:24The dog runs away
00:38:25He is saved
00:38:26I swear, man
00:38:28Thank goodness
00:38:29Thank goodness
00:38:32Achantaíta
00:38:33They are renting children in the lipa
00:38:35And I smell it
00:38:36Amancia is your friend.
00:38:38I don't talk to her?
00:38:39Well, talk to yourself and tell her
00:38:41Her hair has grown a lot
00:38:42And I wouldn't want to lose it.
00:38:44For any little thing
00:38:45God be with you.
00:38:49You're not a man or anything.
00:38:51I've archived you
00:38:53But it's a candy!
00:38:55If I don't tell him
00:38:56Where is the trading card?
00:38:57The truck kills the dog
00:38:58He always does it to me.
00:39:00Achantaíta
00:39:00I swear I'll kill
00:39:02Four Men in a Breath
00:39:03But the little animals
00:39:04Don't let them get hurt.
00:39:07What did I see in this man?
00:39:26What did I see in this man?
00:39:44What did I see in this man?
00:40:10What? Is there any progress?
00:40:13Yes, Dad.
00:40:17Rice made with what the cow gives.
00:40:21Veal.
00:40:22Milk.
00:40:23Well, love, you have.
00:40:26He's got me going on about the neighbor again, and I won't stop until there's real blood.
00:40:31Hey, did you tell her to dress up as Little Red Riding Hood?
00:40:35Hush, man, hush. He's got a real obsession with the handkerchief.
00:40:43Daughter, take off your handkerchief, because we're going to talk, you and I, like a modern father and daughter.
00:40:49We are in the age of the atom, of space rockets and of Bessie de Histori.
00:40:57I don't need encouragement.
00:40:59Shut up, Char.
00:41:02Let's see, snowflake.
00:41:05Your mother already told you about the details of dealing with individuals of the opposite sex.
00:41:12Yeah.
00:41:12And have you been imposed upon?
00:41:15Yeah.
00:41:17Yeah.
00:41:21Charo, do you think it has been imposed?
00:41:24I have told her what I know and what Madame Remuslin explained to me,
00:41:28that lady where my mother used to go and who was French.
00:41:32Good.
00:41:37And?
00:41:39What? About what?
00:41:41Oh, mother.
00:41:44We already know why a man is different from a woman.
00:41:50Ah, yes.
00:41:51Because?
00:41:54Because he is doing his military service.
00:41:57Calm down, calm down.
00:41:59With structure, without Spanish fury, yes sir.
00:42:03You'll see how we get there.
00:42:05Because he is doing his military service.
00:42:08And why else?
00:42:12Because he works on the street.
00:42:13Yes sir.
00:42:14And why else?
00:42:17Because he has a beard.
00:42:18And why else?
00:42:21Because he sings, the people of Tudela have not been left alone.
00:42:23It's a matter for a doctor, a specialist doctor.
00:42:26Yes, I told you, Nemes, it's abnormal.
00:42:28Oh my, beautiful.
00:42:30Uncles are uncles, and you spend your wedding night with them, have kids, and everything.
00:42:34the rest.
00:42:35Has your mother told you how to do everything else?
00:42:38Ah, yes.
00:42:39So what?
00:42:40There's no other way to do it.
00:42:42Either you do it or you get a nun, you choose.
00:42:44No, no, not a nun.
00:42:45Well, then get ready.
00:42:48You know what men want and where the danger comes from.
00:42:51So, as soon as you sit down, your skirt gets caught in a staple, and your legs don't...
00:42:55No one sees it except the practitioner.
00:42:57We are?
00:42:58Yes, Dad.
00:42:59Well then, do what you have to do.
00:43:06I want to tell you something.
00:43:10Yes sir.
00:43:11Dialogue, the sinister opening.
00:43:14Very good.
00:43:15Let's see.
00:43:20I want to get married, Dad.
00:43:22Very good.
00:43:22Non-interference in the affairs of others, as long as Cayetano expresses himself.
00:43:27No.
00:43:28I don't want to marry Cayetano.
00:43:30Go on.
00:43:30And who do you want to marry?
00:43:33With Roberto, Dad.
00:43:34With the neighbor's son.
00:43:36With the stutterer?
00:43:37No no.
00:43:37If she doesn't stutter.
00:43:39It's because he doesn't pronounce the P.
00:43:41Bye!
00:43:42Bye!
00:43:43I get really sick!
00:43:45Goodbye, tell me I'm dreaming!
00:43:47To be related to the white jacket, to that wretch, to that burden, because he is a burden, despite living
00:43:52here.
00:43:53Dad, are you going to have a heart attack?
00:43:54Look, I'll kill you, I'll strangle you.
00:43:56But what could she have seen in him?
00:43:57Well, yes, she's an idiot like her, they tune in.
00:44:00Hey, with those guys over there, not even a greeting!
00:44:04Oh, I feel so sick, so very sick, I'm going to die!
00:44:07I like it.
00:44:08Little girl!
00:44:09Stop!
00:44:10Quiet, Charo!
00:44:11How can I see you talking to that degenerate?
00:44:15I'll kill you both!
00:44:17I'll kill you both!
00:44:17Yes sir!
00:44:18I'll park the bus in front of the Nenúfar bar and run him over!
00:44:23Come on, woman, you could have come up with something else!
00:44:54You heard it!
00:44:55Enough is enough!
00:44:57Eight!
00:44:58This one has eight bullets!
00:45:00Eight bullets that whole family over there will swallow if you even think about coming out with that
00:45:04moron!
00:45:05She's very pretty!
00:45:10Very slutty!
00:45:12No, no, with the E!
00:45:14Very cool!
00:45:15Not with the E! Ah, ah, with the E!
00:45:18Very pretty!
00:45:19But they say it in the neighborhood, the one that scares the Munsters!
00:45:22She's very hardworking!
00:45:24It is full of candor and purity!
00:45:27She knows how to sew and cook!
00:45:29"There are some widowed potatoes that, when stolen, one says..."
00:45:34These ladies have gotten married!
00:45:39Okay, son, go on, go on.
00:45:41Hero, to A!
00:45:42A, not O, not U!
00:45:44With those people in the air, you understand?
00:45:46Hero, why should we, the children, bear the hatred of the arres?
00:45:50Translate, Trini.
00:45:51There is no translation.
00:45:52They are the ones who hate us.
00:45:54Come on, I'll kill them all.
00:45:56And you'll get a tip, that's what I'm a waiter for.
00:45:58Well, no, that's it!
00:45:59Because the "arre" (a slang term for a ...
00:46:03Here, the one who dresses in white is not the father, but the daughter.
00:46:07And there is no right to have the children in a constant state of awareness of the children's affairs.
00:46:13Does my arre elea with its arre or is it that it elee?
00:46:16Does her arre elea with my arre or does it elee?
00:46:20The important thing is that she and I don't get married.
00:46:24Don't smell, don't smell, Mom, don't smell talking to him.
00:46:27He solves everything with blows, like an anther.
00:46:30He's right.
00:46:31And he's also your father.
00:46:33Go ahead, that's my style, but throwing things around isn't my style.
00:46:37He can advise me.
00:46:39I say, thanks to A.
00:46:41But I can't say no, because it comes from jealousy.
00:46:45Araelos yo!
00:46:48Let him go! Let him go, Antonio!
00:46:50He's strangling her!
00:46:51Who are you going to marry, you wretch?
00:46:54Aha! Aha! I'll take it back! Aha! I won't take it back! Aha!
00:46:57No, Antonio! You'll kill him!
00:47:01This is just the beginning.
00:47:04Go on, go on.
00:47:05Take a walk around there,
00:47:07cool your head
00:47:08And think about whether you want me to start shooting everyone.
00:47:12Out!
00:47:17There is no solution.
00:47:19Yes, there can be one.
00:47:21No, Julita.
00:47:22They hate each other.
00:47:23The neighborhood hates each other.
00:47:25In every house there is nothing but hatred.
00:47:28Do you see how people dance?
00:47:29It seems they've had a cramp?
00:47:32That's how everyone is.
00:47:33With hatred inside.
00:47:36Clear.
00:47:37What time is it?
00:47:39Five twelve.
00:47:54Maybe if we said that I'm going to have a child.
00:47:56A child like?
00:47:57Don't you know how to have children?
00:48:00I've been told things,
00:48:01But I don't know anything, Julita.
00:48:03I'm very stupid.
00:48:04I know less than you.
00:48:05But if we think about it...
00:48:07You'll see, come.
00:48:17My mother got married like that.
00:48:18My grandfather told my father.
00:48:20You did it, you fix it.
00:48:22When a woman is going to have a child, they marry her off.
00:48:24It's perfectly clear.
00:48:26I'm going to have a baby boy.
00:48:27How easy.
00:48:29That's the way.
00:48:31What if they kill us?
00:48:33They don't kill us, because the worst is already done.
00:48:36The damage must be repaired.
00:48:37And the only possible solution is marriage.
00:48:40What if my mother doesn't want to rearm and joins in shooting?
00:48:45You'll see that's not the case.
00:48:48They'll ask us how it went.
00:48:50As?
00:48:53I once saw a little blackbird and a little blackbird.
00:48:56But I suppose we wouldn't do it like the little dog and the little dog.
00:49:01And the thing is, Mom told me how it's done.
00:49:04But it was a mess.
00:49:06The poor thing explained things so badly.
00:49:10No, it shouldn't be like that either.
00:49:12No.
00:49:14We'll tell you that it all started three months ago at the country house.
00:49:17And why did you kiss me?
00:49:19Did you kiss?
00:49:20Yes, my love.
00:49:21It always starts with them kissing.
00:49:24Look like this.
00:49:30No.
00:49:32It shouldn't be like that either.
00:49:35I'm sure it must be.
00:49:50Great.
00:49:52This is awesome.
00:49:53This is Siorred's.
00:49:56It's funny.
00:49:58I know what it's like to be liked by a man.
00:50:04I know.
00:50:09Will you have the courage?
00:50:10I swear.
00:50:16Hey?
00:50:18Little girl.
00:50:19But Jesus Christ.
00:50:20But what did I see?
00:50:21Andrea, now the battle begins.
00:50:23Don't worry.
00:50:23Go inside right now.
00:50:25Fool, fool.
00:50:26The condemned man is no fool for what he wants.
00:50:28We'll have to see how it's done, huh?
00:50:30Screw-type.
00:50:31It's just that...
00:50:31...blendido.
00:50:32You're a pimp, listen.
00:50:33Foolish and cocky, both things.
00:50:34And look at you, you have no decency, you have nothing.
00:50:37Don't mess it up, don't mess it up.
00:50:38You shut up.
00:50:39Mom, Roberto needs to talk to Dad.
00:50:41That misfortune doesn't enter our home.
00:50:42I let you explain all that so as not to cause a scandal.
00:50:45But I knew it.
00:50:46I already told your father that.
00:50:48I know from experience, Mom.
00:50:49No, that's what women are for.
00:50:52Hey?
00:50:53Yes, Mom.
00:50:54You?
00:50:54But with this one?
00:50:55Yes, Mom.
00:50:56At Campmo's house.
00:50:58And I'm going to have a baby boy.
00:50:59Oh, Jesus!
00:51:00Oh my goodness!
00:51:02I am disgusted by the rearming.
00:51:04But what does it say?
00:51:05The one who makes me ROM.
00:51:07And or rom...
00:51:08And I do.
00:51:10Charo, don't upset me anymore.
00:51:12I have a very bad stomach.
00:51:13I even have delusions.
00:51:14And I think I'm seeing the neighbor's son's crazy face there.
00:51:17It's not some delusion that's there.
00:51:19No, you said the same thing to me when I saw Saint Anthony of Padua.
00:51:22And it was a delusion.
00:51:23That was when you brought a torch the size of a piano.
00:51:25You started praying to your brother-in-law, who, being bald, looks a bit like Saint Anthony.
00:51:28No.
00:51:28That's Roberto!
00:51:33Here.
00:51:35Yes, go on, girl, speak!
00:51:39Dad, I'm going to have a boy.
00:51:41That?
00:51:42Yes, Dad.
00:51:43With this.
00:51:45At Campmo's house.
00:51:48Charito, a kiss.
00:51:50And bring me tobacco to jail because I'll destroy it.
00:51:53One moment!
00:51:54The one who doesn't do it for me.
00:51:56And I can grab.
00:51:57If you insist that I don't do it, you will be to blame for this laborious Orbenil.
00:52:03carpet.
00:52:04And with a joke.
00:52:05Come on, Charo, give me the uniform, I want to die fighting.
00:52:08So you, daughter, who are stupid from head to toe, have done one thing
00:52:12for which you're not stupid.
00:52:13And how have you been?
00:52:13How have you been?
00:52:14Don't get her, don't get her!
00:52:15Hey, hey, me neither!
00:52:17How was it?
00:52:18How was it?
00:52:20Well, we used to date a while ago.
00:52:23How much?
00:52:25One year, one and a half years.
00:52:28We started kissing and one day at Campmo's house...
00:52:33Tell it yourself, Roberto.
00:52:36With your permission.
00:52:39There in the Campmo there was a bed.
00:52:44Is that clear?
00:52:47Then Julita lay down on her side.
00:52:51And me too, sideways, only from the sidelines.
00:52:56And then use your elbows like this.
00:53:00The ten like this and the mouth like this.
00:53:06And being like this...
00:53:11What had to happen, happened.
00:53:14So?
00:53:16Yeah.
00:53:18So.
00:53:21He's either stupid or an expert.
00:53:25So, you, in that strange way...
00:53:29...you have shamed your father.
00:53:32Yeah.
00:53:33I swear to you, Julita, you told me you went out with a kinky guy...
00:53:37...and I'll give you a standing ovation.
00:53:38But not with this one, because his father is always threatening...
00:53:41...and threatening.
00:53:42And a man with a structured mind like mine...
00:53:44...cannot deal with a rebel.
00:53:47Come on, Charo.
00:53:48There's a pilgrimage going on!
00:53:49Dad!
00:53:50Dad!
00:53:52Emesio, where are you going?
00:53:54Emesio, emesio.
00:53:55Nobody can stop me!
00:53:56Oh, my God!
00:53:58Listen to me, no.
00:53:59Dad, what are you going to do?
00:54:00It's going to be cut.
00:54:01Oh!
00:54:03Position for a man!
00:54:04We've put up with the waiter and his wife enough already.
00:54:07But they have disrespected my daughter so far.
00:54:10Now you wretches will know what a man is.
00:54:12Blood will be spilled.
00:54:13Blood!
00:54:14Go ahead, call, you idiot.
00:54:16No, no, no, you call.
00:54:18Well, I'll call.
00:54:20Of course, he fried me!
00:54:22Oh!
00:54:23Liña, get them out of here, we won't execute them!
00:54:25Idiot, pull us along!
00:54:26No, no, no, no, there's still a cramp.
00:54:28No, this one is stupid, only when it comes to the pill, for everything else he's insane.
00:54:30Why didn't you want to call?
00:54:32Or it's gold, because he knew it gave a cramp.
00:54:34Oh, you silly, mean-spirited girl!
00:54:37Come on, let the old fogey out!
00:54:39Get out, your time is up!
00:54:42Come out or we'll burn your house down!
00:54:46Don't go out, Antonio!
00:54:47That means the second round has begun.
00:54:49Let me!
00:54:54Wow, man! How brave! With a gun!
00:54:58Kill them all!
00:54:59Here, here brave one!
00:55:03A black man doesn't kill pigs.
00:55:05Well, a caporetto, yes!
00:55:07A bear, a bear!
00:55:10Sit down!
00:55:13Gentlemen, I have been weak.
00:55:16This one has been weak.
00:55:18Nothing's been done here.
00:55:20What would happen to the people if they solved everything with eleas?
00:55:24To what art does an elea lead?
00:55:27What a benefit the cleavages bring!
00:55:30We are in escado.
00:55:32The sin of not loving your neighbor.
00:55:34In this oblado there are too many eleas, findencias and resentments.
00:55:39We will be able to rebuild a better world when we have stopped considering it a sin
00:55:44that two beings love each other now above all else.
00:55:48Well said, yes sir!
00:55:50Very good!
00:55:51How are you!
00:55:52Beautiful.
00:55:54Ramper's nephew said something very funny.
00:55:56But I have been offended in that house and I am going to burn it to the ground.
00:55:59You're not even taken into account in that house.
00:56:01Not me.
00:56:02But what did the speaker take into account about the girl?
00:56:05Borage water.
00:56:06Oh, and who recognizes what they're going to do?
00:56:09What are they going to do?
00:56:13A child...
00:56:16What, this idiot is going to have your child?
00:56:19Yes, ah, ah.
00:56:20Trini, the guayo!
00:56:22Hey, hey, hey!
00:56:22Wait a minute, I'm going to slit his throat as soon as I recognize the child.
00:56:26Ah, ah, a little grandson.
00:56:27How funny, grandson, huh.
00:56:29I fill your soul.
00:56:30You can't do that to the boy!
00:56:32The poor young man just wants to get married.
00:56:34And she gets married, because this work is your life.
00:56:37He didn't even know how to roast a decent one.
00:56:38No, well, look if he's roasted it.
00:56:40Of course he roasted it!
00:56:41Well, he hasn't roasted it!
00:56:45Is the little black lady sending you?
00:56:47Yes, ma'am.
00:56:49But you, the child, what do you want him for?
00:56:50A rare one, with seven letters.
00:56:53Strange.
00:56:54Look, daughter, if it's to ask.
00:56:56You'd be better off with one of those six-year-olds you can pass off as a little brother.
00:56:59Come on, Carmencita, daughter, ask for bread.
00:57:03Bread! Bread!
00:57:06Come on, Paquito.
00:57:08This other one knows how to play dumb.
00:57:10Come on, son.
00:57:14That's enough, Paquito.
00:57:15You have a bad effect on me.
00:57:17This gives very good results when leaving cinemas and restaurants.
00:57:20But it's going to cost you...
00:57:22...one thousand five hundred pesetas per day.
00:57:24It's done three and four thousand.
00:57:27Amacia, everything that needs to be enabled with five letters?
00:57:30Diana.
00:57:32We only have five hundred pesetas.
00:57:35Well, for five hundred pesetas you can rent Chini, who is six months old.
00:57:45This one will do.
00:57:46This.
00:57:49Tomorrow here.
00:57:51A fabric.
00:57:53Chiqui.
00:57:55Each full day without returning the child costs another five hundred pesetas.
00:57:59And for every fraction that exceeds twenty-four hours, three coins.
00:58:03Ale.
00:58:13Special husband, with nine letters.
00:58:19Lazybones.
00:58:21I didn't like him, you see?
00:58:22I didn't like what you said.
00:58:24Sure, sure.
00:58:25What we have to put up with.
00:58:28Goes.
00:58:41Calm down, calm down.
00:58:42We're going there.
00:58:44Who is your father?
00:58:45No, Adre.
00:58:46He's not my father.
00:58:47The thing is...
00:58:48...Julita and I...
00:58:49...we want to get married.
00:58:51Now?
00:58:52Yes, Adre.
00:58:53Take the candy out of your mouth, son.
00:58:56No, it's not candy.
00:58:57I don't advertise it, the E.
00:58:59Father, we have to get married.
00:59:01It's very urgent.
00:59:03Your?
00:59:04No, no, no.
00:59:06Ah.
00:59:08Take.
00:59:09With this and a vaccination certificate...
00:59:11...you're going to the San Rafael nursing home...
00:59:13...to the retarded section...
00:59:15...that they will take very good care of you.
00:59:24Adre!
00:59:26Adre!
00:59:27Hail Mary, full of grace.
00:59:31Conceived without sin.
00:59:45You're going to freeze to death.
00:59:47I have a very hateful nature.
00:59:49Don't lie down.
00:59:53This is crazy, Julita.
00:59:55Return home tomorrow...
00:59:56...and to say that we had this child.
00:59:57It is the consummated bed, my love.
00:59:59They will marry us off once the child is born.
01:00:01But when have you had it?
01:00:03Last night.
01:00:04They're going to kill us, Julita.
01:00:05They're killing us.
01:00:06It's crazy.
01:00:07Likely.
01:00:08But their hatred is not insane.
01:00:11I know that a child can do anything.
01:00:13I'm freezing to death.
01:00:14And the boy too.
01:00:24That?
01:00:25Is there any money to be made for free?
01:00:28No, sir.
01:00:30Neither good borders nor bad borders.
01:00:32What's happening?
01:00:33They won't let us get married.
01:00:35Already.
01:00:38There's still some of this left, Antonio.
01:00:40Go on.
01:00:42Take a taxi or something.
01:00:44They're going to rob you here.
01:00:45Come on.
01:00:47Thank you, sir.
01:00:49Have you seen it?
01:00:51I'm telling you, not all kids are like your little brother.
01:00:54Not even like your son.
01:00:56That.
01:00:58You cannot pass, you cannot pass.
01:01:00Julita, I'm going to kill her, realize that.
01:01:02By your mother, Boquerón.
01:01:03We're broke.
01:01:04The kid is going to die.
01:01:09Come on, come on.
01:01:10But I warn you that renting children is a very serious offense.
01:01:13Pass.
01:01:19You have to leave, I'm going to get myself into trouble.
01:01:21Tonight.
01:01:22Let us sleep tonight.
01:01:23We'll sort it out tomorrow.
01:01:25If it's luck, Mom, I'll give you all sorts of explanations.
01:01:29My mom doesn't sleep at home.
01:01:31My mom usually comes at seven or eight in the morning.
01:01:42You'll be out on the street by seven at the latest, okay?
01:01:45I swear.
01:01:46What trouble you get yourself into, Julita.
01:01:48Falling in love in our times.
01:01:49Let's go, like Romeo and Juliet.
01:01:51Girl, there's nothing like that anymore.
01:01:53Well, there has to be.
01:01:54Something has to be done to create Romeos and Juliets, right?
01:01:57Because there are already plenty of backstabbing incidents.
01:02:02Good night.
01:02:05When Ueda does this for you, huh?
01:02:08It doesn't matter.
01:02:18It doesn't matter.
01:02:25Why doesn't he hate giving explanations to the anchovy's mother?
01:02:30My love, the anchovy's mother works at night.
01:02:39She's a nurse.
01:02:43She's a pilingui.
01:02:44Go on.
01:03:31I will sleep here, in this chair.
01:03:35My love, it's very cold.
01:03:38Come here, go on.
01:03:39Take off your clothes, I'll turn my back.
01:03:45But we shouldn't go to bed together unless we are husband and wife.
01:03:50The child is in the middle.
01:03:52Besides, I turn this way and you turn the other way.
01:03:54Word of honor.
01:03:57Word of honor.
01:04:10I don't know what's going to happen.
01:04:13Don't know.
01:04:14Neither do I.
01:04:15It's so easy to get stuck together, isn't it, Roberto?
01:04:17The hard part is wanting it.
01:04:19That's what creates problems.
01:04:20Yes, Julita.
01:04:22Issues.
01:04:23Many problems.
01:04:25But it doesn't make me immortal.
01:04:38Go on.
01:04:39Come in.
01:04:58What's the matter?
01:04:59I don't notice the hyphens.
01:05:02Throw them this way.
01:05:03I'll heat them up for you.
01:05:10For your mother's sake, Julita, don't let the child cry.
01:05:12They'll blame my mom in less time than it takes a rooster to crow.
01:05:15Don't worry.
01:05:28It looks like you.
01:05:29Who?
01:05:32Nadia, my love.
01:05:38I'm a little nervous.
01:05:41Sleep, my treasure.
01:05:43I am awake.
01:05:44Go to sleep.
01:05:45Both of them sleep.
01:06:01Nothing.
01:06:03Have you asked at the police station?
01:06:06At the first aid station.
01:06:09And in the warehouse.
01:06:12Nothing.
01:06:13They killed themselves, Trini.
01:06:15They killed each other like in the novels.
01:06:17And I do something really crazy.
01:06:20Damn.
01:06:22Is there any news about the boys?
01:06:24Nothing.
01:06:26Not a word.
01:06:28Antonio, you've underpaid me by two pesetas.
01:06:30Have you noticed?
01:06:32Just keep an eye out and you'll see how it appears.
01:06:34That we do things wrong.
01:06:37That can't be, man.
01:06:38You just have to sign it, that's all.
01:06:39Of course I'm right.
01:06:40That needs to be signed.
01:06:40What's it going to be?
01:06:41And I told him I was recording today and the other one answered me.
01:06:44Dude, anything can happen on TV.
01:06:47Apparently, they, the technicians, make television; we, the actors, do.
01:06:50Well, when I say I record, I record.
01:06:52What's it going to be?
01:06:53Oh, yes, bring me some coffee.
01:06:54I'll have a glass of anise liqueur.
01:06:55I'll have one with milk.
01:06:56Or else, wait.
01:06:57Because?
01:06:57Bring me a cognac.
01:06:58Man, I'll have a Coca-Cola.
01:06:59I'll have a glass of milk.
01:07:00You'd better bring me a whiskey.
01:07:01Yes, and a four-footer to me.
01:07:03I'd like a vanilla milkshake.
01:07:05Coffee only for everyone, I'm in mourning.
01:07:11Man, he's a male.
01:07:13The waiter here turned out to be a real man.
01:07:16You do your thing, man.
01:07:19Back to my own thing?
01:07:20Do your own thing.
01:07:24Antonio.
01:07:26Antonio.
01:07:27But Antonio, have you gone mad?
01:07:28That's it, boss.
01:07:30They don't show this on television anymore.
01:07:32Which is already difficult.
01:07:33Out!
01:07:34Get out of here!
01:07:35But...
01:07:35Out!
01:07:47You swallowed it, Muñengo.
01:07:49No no.
01:07:50If it was...
01:07:51very macho.
01:08:06Nothing at the first aid station.
01:08:10Already.
01:08:11And in the police stations?
01:08:13Nothing.
01:08:15And in the morgue?
01:08:18Nothing, right?
01:08:20Okay, Charo.
01:08:21I'm coming on duty right now.
01:08:22Keep looking.
01:08:24Goodbye, Charo.
01:08:25Are you going to take it or what?
01:08:27The fact that?
01:08:27The earpiece.
01:08:29Oh, no, no.
01:08:34There's going to be a row in the office today.
01:08:37Good morning.
01:08:38Good morning, father.
01:08:41Strip, Nemesio.
01:08:44Nemesio.
01:08:46Nemesio!
01:08:48You throw it.
01:08:55That?
01:08:57Nemesio!
01:08:57Nemesio!
01:09:07Nemesio!
01:09:14It's killing us!
01:09:24Uncle Charao!
01:09:26Stop it! Stop it!
01:09:29He's crazy! He's crazy!
01:09:32Madrid cannot lose
01:09:33And as soon as Madrid loses
01:09:34These things happen!
01:09:49Hey!
01:09:50Hey!
01:09:55What's happening?
01:09:56It's Flag Day!
01:09:58One moment!
01:09:59We got rid of that bastard!
01:10:01Oh! Oh! Oh! Oh!
01:10:21Let's hope this idiot makes a mistake and takes us to Torremolinos!
01:10:37It's an experiment! This is a science experiment!
01:10:41What they want are hearts for such big ones!
01:10:49A lady who's turned into a duck!
01:11:11What a mess they've made of things!
01:11:13Didn't I tell you we weren't bullfighting in Toledo today, man?
01:11:16Ha ha ha!
01:11:18Two cars have passed!
01:11:20We almost killed each other!
01:11:23Alleluia!
01:11:26Kneel down, my children, and make yourselves right with God
01:11:29And list of country and family of the Holy Spirit
01:11:33Amen
01:11:33Alleluia!
01:11:34Alleluia!
01:11:39Alleluia!
01:11:46Alleluia!
01:11:50Clear!
01:11:51I've realized it!
01:11:52It was about time that agrarian reform started!
01:12:02Velázquez!
01:12:17Let's just say it's been like a crisis of stupefaction.
01:12:19But he has already recovered
01:12:21You take this medicine anyway
01:12:22And if he feels worse, they bring him to me.
01:12:24I don't think there's a need to hospitalize him
01:12:26Doctor, you are a psychiatrist
01:12:29He knows nothing of the pains of the soul
01:12:30My daughter...
01:12:32Don't worry, Mr. Neme
01:12:33I'll find your daughter right away.
01:12:35And I can find Roberto too.
01:12:38Unfortunately for him
01:12:39Come on, Neme, come on
01:12:41Doctor, so you think I don't?
01:12:44No, no, no
01:12:45He is an eminent figure.
01:12:50Goodbye, doctor
01:12:51Bye
01:13:18The next one
01:13:21Not anymore
01:13:35That?
01:13:36Does it tell you anything?
01:13:39He was my child
01:13:42Dumber than a sunset on Augusto Figueroa Street
01:13:47But my child
01:13:49I was planning to take him to Reus this year to meet his grandparents.
01:13:53He's not coming back.
01:13:56He's not coming back.
01:13:58And at my age
01:14:00I hit one of the TV people
01:14:03On the street, in Emesio
01:14:05I'm in the street
01:14:06Me too?
01:14:09Have you ever hit anyone?
01:14:10No, I took the bus to Pinto
01:14:13With people
01:14:15With the complete
01:14:16Jesus
01:14:20What have we done?
01:14:22What have we done with those boys?
01:14:25What are we always doing?
01:14:27Hating each other
01:14:28Killing each other
01:14:30Making every neighborhood a civil war
01:14:32And from each house an insurrection
01:14:34There will come a day when we stop insulting each other.
01:14:36There will be a day when we rejoice in the good fortune of others.
01:14:40We will change once and for all
01:14:42Or not even the death of those boys
01:14:45It can make us change
01:15:05What have we done with those boys?
01:15:23What have we done with those boys?
01:15:24What have we done with those boys?
01:15:30What have we done with those boys?
01:15:31What have we done with those boys?
01:15:32What have we done with those boys?
01:15:33What have we done with those boys?
01:15:33What have we done with those boys?
01:15:34What have we done with those boys?
01:15:34What have we done with those boys?
01:15:35What have we done with those boys?
01:15:35What have we done with those boys?
01:15:36What have we done with those boys?
01:15:36What have we done with those boys?
01:15:37What have we done with those boys?
01:15:37What have we done with those boys?
01:15:38What have we done with those boys?
01:15:40What have we done with those boys?
01:15:45What have we done with those boys?
01:15:52You have to tell him, I'll wait for you here
01:15:54They're going to kill me, Julita, I'm not coming back
01:15:56That from the first blow they send me to Zaragoza
01:15:57My love, we've already decided.
01:15:59You go and explain to them that we've had a baby.
01:16:01And you tell them that I'm here with the baby.
01:16:03That, a child in one night
01:16:05There's a child, we'll come up with something else.
01:16:07We can tell them I had it before, or whatever.
01:16:11You're the man, you have to face the music.
01:16:13I'll eat it, I'll really eat it.
01:16:14I'll go
01:16:15No, no, not that.
01:16:18Let them hear it
01:16:33Street, they're there, they've killed us, in the garage
01:16:36I just saw them
01:16:37To Julita and Roberto?
01:16:39Yes, Calle, I'm going to tell your parents.
01:16:42Thanks, Chachi
01:16:53That?
01:16:54The phone at my house keeps ringing.
01:16:57I'm going to have to say it in words.
01:16:59Cheer up, man
01:17:00Don't you want to marry me?
01:17:03Of course, Aloma
01:17:05You see it in movies and novels
01:17:07Love always triumphs.
01:17:09Here, only backstabbing has triumphed.
01:17:11But I will go
01:17:38Hi, Julia
01:17:39Hello
01:17:41But what is that?
01:17:42Our son
01:17:43Don't tell me I haven't said anything
01:17:45He is our son
01:17:48Julita Orlo, more saintly
01:17:49Julita Orlo is holier than it sounds, it's a joke
01:17:50He is our son
01:17:55But where did you get that child from, Chata?
01:17:57Who are you trying to fool?
01:18:00What world have you escaped from?
01:18:03Hey?
01:18:05It's hilarious.
01:18:09Go on
01:18:09No
01:18:11Yes, treasure
01:18:12This one stays here
01:18:15I'll kill him later.
01:18:18Nobody has laughed at me
01:18:19Cayetano, I didn't laugh at you.
01:18:22The thing is, I've always loved that one
01:18:23Well, in case it's known or not that you've gone out with me
01:18:27Cayetano López Tucumán hasn't had the girl dance for him yet, even though he's still alive.
01:18:33What are you walking with?
01:18:35Don't do that, street
01:18:36Roberto is going to be angry.
01:18:50You get angry, Tolili
01:18:54A little bit
01:18:56You see it
01:18:57A little bit
01:18:58Not much
01:19:02Cayetano is going to be angry
01:19:04He knows he has an obligation to defend me
01:19:07As if she were already his wife
01:19:08And I will not allow you to twist my will
01:19:17You let him twist the girl's will
01:19:20From... therefore
01:19:25You see it
01:19:26Therefore
01:19:28Come on, he's not saying no
01:19:32Go on
01:19:33I'm not moving
01:19:34Well, the hard way.
01:19:36Roberto, don't let him take me away
01:19:39Let's have a little bit of judgment, shall we?
01:19:47I'll touch your face.
01:19:50Well...
01:19:50I'll touch your face.
01:19:52And you put up with it.
01:19:55Well...
01:19:56Look
01:19:57I'm not going to take you to the face
01:19:58That?
01:19:58Very!
01:20:08Very!
01:20:14Very!
01:20:15Very!
01:20:21Very!
01:20:23Very!
01:20:41Me, me!
01:20:43Move aside, Julita
01:20:44No, no, no
01:20:45Kill me
01:20:47Because in this hurricane of hatred and persecution
01:20:49It's good that the unfortunate Julita is dead
01:20:52Kill me
01:20:52Because without him, it's as if I were dead.
01:21:04That?
01:21:06There is fear.
01:21:07A lot
01:21:09But we have to face you.
01:21:11Those with knives, whatever.
01:21:19Still!
01:21:21Throw that away!
01:21:23Calletano!
01:21:24Please forgive me
01:21:25That says it all.
01:21:26But that is the girl's will.
01:21:28So, walking
01:21:29And that's all there is to it.
01:21:30Clear!
01:21:32Hey, girl
01:21:33What's that?
01:21:33He is our son
01:21:35Oh, mother, Charo!
01:21:36But, but when have you had it?
01:21:38Lovely!
01:21:39Last night
01:21:39Last night!
01:21:40He's a very structured child.
01:21:42You have no other choice but to marry us.
01:21:43But anyway, how do I...?
01:21:45Calm down, Nemesio!
01:21:46Calm!
01:21:46There have been miracles!
01:21:47Remember what happened in Bailén
01:21:49Charo, you're very hot.
01:21:51Very tasty
01:21:52But you're a log
01:21:54Nativity scene!
01:21:55The miracle was in Bethlehem
01:21:57Hey, what did you rent this for?
01:22:02With the 500 pesetas I won from the pot
01:22:04Bring it here, bring it over here
01:22:06Charo, take the boy and go back to return him.
01:22:09Don't go charging them tomorrow's rent.
01:22:13And it was exciting.
01:22:14You'll be even more excited when it's yours.
01:22:19Do you send the date of the voice?
01:22:21No
01:22:21Whichever one you send
01:22:23Very good
01:22:29Come on
01:22:45This is the true story of Roberto Negresco and Julita Caporeto
01:22:49And from the Caporeto and Negresco families.
01:22:52In a neighborhood on the outskirts of the city
01:22:54For a few days this year
01:22:58May God grant that the love of the innocent
01:23:00The young people
01:23:00The pure of heart
01:23:03Let's finally put an end to all the backstabbing that has happened in this neighborhood
01:23:07In this neighborhood
01:23:08That we love with all our soul
01:23:19No
01:23:20We are neither Romeo nor Juliet
01:23:23Those who died for his love
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