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00:00:16Bumba!
00:00:41It's late, Carabel.
00:01:00Auntie, auntie, look what I just found.
00:01:04Oh, poor thing.
00:01:06He was abandoned in the street.
00:01:07And it's black, completely black, a black cat.
00:01:10Luck has entered our house.
00:01:11Run, Amaro, go to the office.
00:01:13Today they are going to grant you the salary increase.
00:01:38Bumba!
00:02:18He said that it was the first time anyone had spoken to them about Amaro Carabel.
00:02:22He's a very ordinary man.
00:02:24Perhaps taller than you, and thinner than you, and uglier than you, certainly.
00:02:28But a man like any other.
00:02:30However, he carried out an experience that many of us dream of doing.
00:02:34That's how it all started.
00:02:35Come on, Mr. Carabel, search for Mr. Echebaglia's folder.
00:02:38Who orders it?
00:02:39The bosses.
00:02:39They are waiting for you.
00:02:40They got up early today.
00:02:42This entire area is located approximately half a kilometer from your home.
00:02:46Ah, in the social housing.
00:02:47No, quite close to where the old storage facilities were located.
00:02:50Are they going to build the factory on this plot of land?
00:02:52No, in these other ones on the right.
00:02:54Can!
00:02:55Very good.
00:02:55Can!
00:02:57What's up, my friend?
00:02:59Mr. Echebaglia's dossier.
00:03:00Come in, come in.
00:03:01Are the plans there?
00:03:03Yes, I think so.
00:03:04Very good, very good, my friend.
00:03:06Unfold them here above.
00:03:07These are the plots of land we bought with Echebaglia.
00:03:10Look.
00:03:11This entire area.
00:03:14Nothing else.
00:03:17Do you need anything?
00:03:18If you allow it.
00:03:20I simply intended to recall my experience last month.
00:03:22Your instance?
00:03:24What instance is that, my friend?
00:03:25For...
00:03:27I intend to get married.
00:03:28And with your permission, since life is getting more and more expensive, what I wanted to know was...
00:03:33Mr. Carabella has asked for a salary increase.
00:03:36Yes, I know.
00:03:37The council agreed to disregard that request.
00:03:39And thanks to you being a good employee, we haven't made any other decision, my friend.
00:03:44No one in this house has ever asked for a raise.
00:03:47That is one of our sources of pride.
00:03:49It is the real estate company that offers the best future to its employees.
00:03:52I don't know if others pay more, but none can boast of offering a more splendid future to those who...
00:03:57They work.
00:03:58Now, if you are a young revolutionary...
00:04:00Oh, no, no, no.
00:04:01...a strike organizer...
00:04:02Oh, never, never.
00:04:04If I hadn't thought about getting married.
00:04:05But what if the board of directors doesn't mind their employees getting married?
00:04:09They already have the points and all that.
00:04:12And for our part, when we can help a father, we feel true joy.
00:04:17Cardoso can tell you that; he didn't know what to do with his four children.
00:04:21Well, here are the four of them, running errands.
00:04:23And they used to eat like tigers, but now they get home and fall asleep as soon as the door is opened.
00:04:28They don't gain anything, that's true.
00:04:30But they will have a future.
00:04:31I am saddened that you have not understood our environment, my friend.
00:04:34Create, Lord...
00:04:35Never mind, never mind, let's not talk about that.
00:04:37Go with God, my friend, go with God, go with God.
00:04:52Silvia, I have some news for you.
00:04:55But is this good news?
00:04:56I just spoke with the bosses.
00:04:58And?
00:04:59Nothing.
00:05:00Nothing? You say nothing?
00:05:02So, you can't get married.
00:05:04Very well, then, what should we continue with these love affairs?
00:05:06Amaro, you have to understand that a girl can't waste her time.
00:05:09Then we'll go for a walk, Silvia, and I'll tell you everything.
00:05:12The girl's wisdom tooth is coming in and she's feeling unwell.
00:05:15You cannot expose it to the elements.
00:05:17Don't worry, I'll be better tomorrow and we can...
00:05:19No, tomorrow is Sunday and everyone at the real estate agency has a footrace.
00:05:23You know that Mr. Bofarul, since being appointed president of Deportivo Vallecano, has become a sportsman.
00:05:28And you can't miss it?
00:05:29You have always walked very slowly.
00:05:30Impossible. I'd sooner be forgiven for stealing the box.
00:05:33Enough, Cardoso, who suffers from asthma.
00:05:35And Cardoso? Hasn't Cardoso come? Where is he? Where is Cardoso?
00:05:39Here I am. Here I am.
00:05:41Here it is.
00:05:42Come closer, my dear friend.
00:05:44I can barely see where they are.
00:05:46I can't stand this light.
00:05:47There is too much light in the countryside.
00:05:49He doesn't see, he says he doesn't see.
00:05:50He can't see in the light.
00:05:51You know, everyone digs themselves in with their own hands.
00:05:53After the warnings, fire.
00:05:55Don't worry. The warnings and the warnings.
00:05:58That is.
00:05:59You couldn't, for example, give a pat or a shout.
00:06:03Ah!
00:06:03No, no, the signal is always a gunshot.
00:06:06Perfect. It's just that one doesn't know about these things, please excuse me.
00:06:09Very good.
00:06:10Here is Mr. Echevarría, who has honored us by attending this race and will act as
00:06:15finish line judge.
00:06:16Hey?
00:06:16I bet they weren't expecting this incentive.
00:06:18Let's begin, Cardoso.
00:06:21We're all ready.
00:06:24Prepared.
00:06:25Prepared.
00:06:28A.
00:06:29Two.
00:06:31Two and...
00:06:56Ah!
00:07:04It's this way.
00:07:05No, man, it's this way.
00:07:06Ah, yes.
00:07:06Come on, come on.
00:07:08Come to the road, the others will arrive.
00:07:10But we have to go, we have to go.
00:07:11Sure, man.
00:07:12But there won't be any more shots fired, right?
00:07:14Don't stray too far from me in case something happens to me.
00:07:16What could happen to him?
00:07:17I don't know.
00:07:17I haven't run in 20 years and I'm afraid of I don't know what.
00:07:20Come on, man, don't delay.
00:07:21Can't.
00:07:22Can't.
00:07:27The lead group, stop.
00:07:30Raúl, the bosses who are there, the bosses.
00:07:33Bravo, Alonso!
00:07:35Go Garcia, great job Torres!
00:07:38Don't give up, Jiménez!
00:07:40Cheer up!
00:07:41Forward!
00:07:46Boss, bosses!
00:07:51Go on, go on, there's nobody in this sector.
00:07:54I surrender, character, I surrender.
00:07:56Cheer up, Don Francisco!
00:07:57Don't delay now, the bosses are there.
00:07:59So that?
00:07:59I don't think this will affect the ranking.
00:08:01I think I'm going to retire.
00:08:02Look at the lovely shade those little trees cast.
00:08:05Go ahead, Olaya!
00:08:06Bravo!
00:08:06I'm betting on Olaya, 100 pesetas!
00:08:08Come on, keep going!
00:08:09I'm lost, Amaro.
00:08:10If I can't handle my own soul.
00:08:12Leave, Don Francisco!
00:08:13No, no, no!
00:08:23Bravo, Olaya!
00:08:24Bravo!
00:08:25Cheer up!
00:08:26He's only 2,000 meters away!
00:08:28Let's continue, Caramel.
00:08:29I do it for the kids.
00:08:31Just for the boys.
00:08:35Help!
00:08:39Help!
00:08:40Help!
00:08:40It's Mr. Cardoso.
00:08:41What will happen to him?
00:08:42Come on.
00:08:43I was on the road.
00:08:45I'm drowning!
00:08:46I'm drowning!
00:08:48Air!
00:08:49Air!
00:08:50No!
00:08:50No, please!
00:08:51I'm dying!
00:08:52The boss.
00:08:54What's happening?
00:08:55Mr. Cardoso says he is drowning.
00:08:57Let him breathe.
00:08:58Come on, come on, come on.
00:09:00Stand back.
00:09:01Let the breezes blow on him.
00:09:02It will be worse.
00:09:03He is used to the office and city air.
00:09:06He has breathed thick, stuffy air for 60 years, and now the fresh air is hurting him.
00:09:10He's not used to it and he can't breathe it.
00:09:12He kills her.
00:09:13So what should be done?
00:09:22This is changing.
00:09:29We need to make the air thinner for him.
00:09:31It will be replaced immediately.
00:09:32Hurry.
00:09:35So.
00:09:37So.
00:09:41The problem with welfare philosophy is that it completely disregards the ideal.
00:09:45I have a friend who is a professor who explained it to me.
00:09:46See you later, Vaya.
00:09:47I can't take it anymore.
00:09:49I can't take it anymore.
00:09:50You follow my name, Carabel.
00:09:51There's more than half a kilometer to go, Don Francisco.
00:09:53The setting, Carabel.
00:09:54I delegate to you.
00:09:56Thank you, thank you.
00:09:57Leave it.
00:09:58Leave it.
00:10:07Bravo, Carabel.
00:10:08Mensana, incorpore sano.
00:10:09Are you an athlete?
00:10:10Only half a kilometer left.
00:10:11Mr. Echevarría is at the finish line with the prize for the winner.
00:10:15And Olalla.
00:10:15Have you seen Olalla?
00:10:17Cheer up, Carabel!
00:10:18You are right, Bofarul.
00:10:19There is nothing as healthy as sport.
00:10:21Echevarría is delighted.
00:10:22And all our employees, although some may not understand the good we do for them.
00:10:25Sport today.
00:10:26The goal!
00:10:27The goal, my friend Carabel!
00:10:28He only needs 300 more meters.
00:10:30The prize is yours!
00:10:31Come on, come on.
00:10:32Turn around quickly.
00:10:33We must encourage others.
00:10:34The prize from the Ginévi Bofarul real estate company is now yours.
00:10:37Congratulations, Carabel.
00:10:39Congratulations.
00:10:40Congratulations, Carabel.
00:10:51Hey, hey, over here!
00:10:53Hurry up, old man!
00:10:55Hey, go ahead, friend!
00:10:56Go ahead, the first one arrives!
00:10:58One more little push, old man!
00:11:00Go for it!
00:11:01Go for it, friend!
00:11:02Go for it!
00:11:02It's here!
00:11:04Enough, enough!
00:11:34But where are you going, my little one?
00:11:35It depends, you know it varies depending on the site.
00:11:37I'm referring to ours, the ones I acquired with Ginévi Bofarul.
00:11:40The impression, naturally, is that they're not worth much.
00:11:43Theirs are 100,000 meters, right?
00:11:45Ah, over there.
00:11:46So.
00:11:47So what?
00:11:49You are not a friend of the Ginévi Bofarul family.
00:11:51Yeah?
00:11:51If you talk to them about this matter, they will most likely advise you not to sell.
00:11:54Ah, they know.
00:11:57All!
00:11:57Don't you see that they're the ones who came up with this?
00:12:00So they...
00:12:01The business is magnificent.
00:12:03Word has spread that the city council is going to expropriate it for the wastewater treatment plant.
00:12:08Then the land around there goes down, down and down and can be bought for next to nothing.
00:12:12But the Americans are going to buy it for an engine factory and soon it will be up, up, up and up and
00:12:18to earn all the money you want.
00:12:19What is he doing? What's wrong with him?
00:12:25Here is your reward, my friend.
00:12:27A beautiful picture depicting a silver cup, drawn by our draftsman, Mr. Ortega.
00:12:32It has been donated by the real estate company Ginévi Bofarul.
00:12:35And, and, hurray! Hurray!
00:12:43What did you say to Mr. Echeverría yesterday?
00:12:46I didn't say anything to Mr. Echeverría.
00:12:48Are you sure?
00:12:49He didn't tell you about the land in Vallecas, and while you were slandering us and talking to him about the factory...
00:12:53the Americans,
00:12:54We were advising him to sell the land.
00:12:57You just prevented the real estate agency from making one of its best deals.
00:13:01But when I advised Mr. Echeverría not to sell, I only intended to help a partner in the firm,
00:13:06a friend of yours.
00:13:06What does friendship have to do with it?
00:13:07Business is business.
00:13:09You must not reveal company secrets.
00:13:11Go see the cashier who already has an order to pay what you are owed and leave.
00:13:14Be good, Bofarul.
00:13:16Give it that fresh air.
00:13:18Here is the prize.
00:13:20Caravel.
00:13:22Come on, man.
00:13:25What's wrong with him?
00:13:27I've been fired.
00:13:28So what happened?
00:13:30I don't know, I still can't explain it.
00:13:31But they haven't told him why.
00:13:33Yes, I think it's to do a good deed, but I still don't fully understand it.
00:13:37I'll tell you later.
00:13:38Ah, I'd like to ask you a favor.
00:13:39I still don't know how I'm going to tell my aunt Alodia.
00:13:41I would prefer that you prepare it.
00:13:43But it won't be fixed.
00:13:45It could end up being just a simple sanction.
00:13:47No, he already knows them.
00:13:49My future in this house is over.
00:14:06Amaro, how are you doing at this hour?
00:14:08Hello good.
00:14:08I finished early today and I said...
00:14:11Well...
00:14:12We're going to the dentist to have Silvia's tooth checked.
00:14:14Can you join us?
00:14:15Yes, thank you very much.
00:14:16Don Mateo Solá, stomach-churning.
00:14:18Dentist.
00:14:19I don't know what you're laughing at.
00:14:20It should occur to me that I have too many things.
00:14:22What to think about?
00:14:22Either way, you weren't far off.
00:14:24Before these designations existed, it was better understood what each one was.
00:14:28Before, the importance of many things was not suspected.
00:14:31The dentist, for example.
00:14:33Who would have thought that the dentist would be civilization's greatest support?
00:14:37I hope no one will contradict you.
00:14:39In principle I agree, but I think an engineer is always more important.
00:14:43Do you know what that is?
00:14:44A cliché and nothing more than a cliché.
00:14:46Nothing would surprise me.
00:14:47Carry out the most important engineering project.
00:14:50A bridge over the Atlantic.
00:14:51Humanity will cross that bridge with its cavities, but that won't make it any better.
00:14:55On the other hand, good teeth are good for the health of the body and the health of the soul.
00:14:59I have treated the wolf cub.
00:15:00He did everything he could to be an honest man, but he failed because there was nothing but...
00:15:04a tooth.
00:15:07He had the face of a criminal, and that's the only reason the police took his information.
00:15:10He ended up killing his employer and two of the employer's sons for no reason at all.
00:15:14Well, I made him a perfect set of false teeth and today he is a tennis champion.
00:15:20It would be convenient for many men to know this fact.
00:15:23Very good, Silvia.
00:15:25But this works perfectly.
00:15:27Rinse off.
00:15:27Thank you very much, Mr. Solá.
00:15:29We don't know how to pay him.
00:15:30Ah, that's what we were talking about.
00:15:32I got the seats for tomorrow on Saturday.
00:15:34I'll come by to pick them up at six.
00:15:35Yes, okay, okay, Mr. Solá.
00:15:49Nice to meet you, sir.
00:15:50Nice to meet you.
00:15:55Is it true that you're going to the movies with that pedant?
00:15:57Why not?
00:15:58What do you have to say against that gentleman?
00:16:00I knew this was his doing.
00:16:01I think he would be a very good husband for my daughter.
00:16:04And what do you say?
00:16:05She thinks the same as me.
00:16:06It just can't be.
00:16:06Yes, maybe.
00:16:07We've been waiting for you for a long time and you still haven't made up your mind.
00:16:10Set a date for the wedding.
00:16:11Can you do it?
00:16:12Now less than ever.
00:16:15I just lost my job.
00:16:19What's so abominable about that nauseating man inviting Silvia to the movies?
00:16:23It's a kind gesture.
00:16:24Do you know what day it is today?
00:16:26Do you know it's Silvia's birthday?
00:16:28Yeah.
00:16:28Well, the fact that I haven't received even a flower from you
00:16:30It cannot force us to reject attention from other people.
00:16:33That's true, but please understand that I'm not up for anything today.
00:16:36Perhaps it's all my fault.
00:16:37I don't know how to navigate the world.
00:16:39And what you said earlier is true.
00:16:40Today I should have brought Silvia a handful of flowers, any little gift, but...
00:16:45That doesn't matter at all, Maro, but I think you only hear the words that suit you from my mother.
00:16:50This boy has always misjudged me.
00:16:52The truth is that we cannot continue like this forever without a solution.
00:16:55That's what you think.
00:16:56I also owe obedience to my mother.
00:16:58My daughter, what is it that I ask for in the end?
00:17:00To see you happy before I die.
00:17:01And the deadline can't be very long now.
00:17:04Seeing you...
00:17:04No, mamaita, no.
00:17:05Yes, my little daughter.
00:17:06I have suffered too much to be able to live for very long.
00:17:09Your poor mother will die soon.
00:17:11And before...
00:17:11Tell me no, mamaita, my dear.
00:17:13Yes, my little daughter.
00:17:15Mamaita.
00:17:16My daughter.
00:17:17But, sir...
00:17:19Go on, my little girl.
00:17:21Go on.
00:17:32Come on, they've kicked him out, they've kicked him out!
00:17:34What is it?!
00:17:35As?!
00:17:35What is it?!
00:17:36What is it?!
00:17:38Shorthand typist, knowledge, languages, needed.
00:17:41We urgently need a wet nurse, preferably from Galicia.
00:17:45Secretary, good appearance.
00:17:46Essential, speaks English, French and Catalan.
00:17:50Errand boy, under 20 years old.
00:18:06The Ace of Diamonds.
00:18:08The Ace of Diamonds.
00:18:15But he still had one coarse piece left.
00:18:17Of course, and you knew it.
00:18:19But it was my fault that I forgot it.
00:18:21Write it down.
00:18:21He already owes me six and a half million pesetas.
00:18:24Let's shuffle.
00:18:25Are you not interested in knowing my secret?
00:18:27What secret?
00:18:28The one about my triumph over you.
00:18:30Okay, I'm going to tell you.
00:18:31Wait a moment.
00:18:33I read this ad a few days ago.
00:18:36Do you wish to possess the mysterious power that fascinates men and women?
00:18:41Order our free book, which includes some postage stamps.
00:18:45Well, I've written.
00:18:47And the book is here.
00:18:48It's a hypnotism course.
00:18:50And it cost me 50 pesetas.
00:18:52It wasn't free.
00:18:53I don't believe in that nonsense.
00:18:55I'm not asking for your opinion either.
00:18:57But I experiment constantly.
00:18:59Why did you play the gold cards?
00:19:01Hey?
00:19:02Furthermore, this cat has brought us good luck.
00:19:05Do you think so?
00:19:06And what about his nephew's job?
00:19:08I'm not worried about it either.
00:19:09Perhaps it was for the best.
00:19:11My friend Amaro had no reason to come to that office.
00:19:13Okay, now I'll bet you two million pesetas.
00:19:16No, that's not serious.
00:19:17If the debt increases that much, I'll never be able to pay it off.
00:19:21One hundred thousand pesetas.
00:19:22One hundred thousand pesetas.
00:19:25Amaro.
00:19:25But what kind of gesture is that, Carabel?
00:19:27I've definitely had a falling out with Silvio.
00:19:29Boyfriend stuff.
00:19:30Everyone has lost a girlfriend and a job.
00:19:33The truly serious thing is not what I have lost.
00:19:35But I have nothing left.
00:19:36Don't they have any savings?
00:19:38Savings?
00:19:38From today onwards we only have our aunt's pension.
00:19:41Thirty pesetas a month.
00:19:42And what about the one hundred pesetas he rents for the little house in the village?
00:19:44But what about my faith in men?
00:19:46Isn't that the most important thing among all that I've lost?
00:19:48I have always been a good man.
00:19:50That's not saying anything.
00:19:52You are good whether you are dark-haired or blond.
00:19:54You are good because you are useless for the opposite.
00:19:57What, I'm useless?
00:19:58Gone is the bitter, kind-hearted Carabel who trembled before the chief and was moved by a woman.
00:20:03Since it is necessary to fight, I declare war on everyone and everything.
00:20:07From now on you can stop greeting me if you don't want to have a wrongdoer among your friends, okay?
00:20:11Are you sure you won't feel pity for the pain it causes?
00:20:14Nobody has taken pity on me.
00:20:16Take this little knife, Carabel.
00:20:18Please cut off one of that cat's ears.
00:20:21And I cut it off.
00:20:32First of all, I want to state that this is an act of pointless cruelty.
00:20:35Because I don't know what benefit anyone can get from cutting off a cat's ears.
00:20:39So if this is a joke...
00:20:42Are you listening to the cat, yes or no?
00:20:44You'll see now.
00:20:55I don't understand what this cat's ears are for.
00:20:59They look like they're made of celluloid.
00:21:00Poor thing, it hurts him more than it hurts the cat.
00:21:02Sure, like he's cutting off a finger.
00:21:05Okay, Carabel, let go of that bug.
00:21:08Let him call.
00:21:08Good afternoon.
00:21:09In any case, I never said I was planning to kill anyone.
00:21:12You are right.
00:21:13It has been an unnecessary experience.
00:21:18What are you thinking about, Amaro?
00:21:20In what is to be my new life.
00:21:22My path is irrevocably set.
00:21:25So what are you going to do?
00:21:26What am I going to do?
00:21:27Well, follow that path.
00:21:29Which way, Amaro?
00:21:30The bad one, auntie.
00:21:35You're doing the right thing, my son.
00:21:37Take happiness wherever you find it.
00:21:40Many bad men continue to be talked about even after they disappear.
00:21:44But none of the unfortunate souls are ever spoken of again.
00:21:49Amaro, I want to be bad too.
00:21:58Do you want me to cut off one of the cat's ears right now?
00:22:01You can't be bad, aunt.
00:22:04Because you carry kindness in your heart.
00:22:07In contrast, my heart has been suddenly emptied.
00:22:11Amaro, son.
00:22:12Do you see?
00:22:13Madrid, the world.
00:22:14All those men who are seething down there now have an enemy.
00:22:17An enemy who will stop at nothing.
00:22:19That it will stop at nothing and no one.
00:22:21I!
00:22:22I!
00:22:29I!
00:23:12Something, Carabel, they know nothing.
00:23:15Nobody has alerted them.
00:23:16In the office you had piles of money at your fingertips, and the idea that it wasn't yours held you back
00:23:20seize it.
00:23:21Why shouldn't it be yours?
00:23:22Everything is yours, Carabel.
00:23:23All.
00:23:24Shirts, hats, ties, yellow vests like Mr. Bofarul's.
00:23:28It's all yours.
00:23:29Yours!
00:23:30You have as much right to it as anyone else.
00:23:32Silver, Caravel, silver.
00:23:33All that you could ever want.
00:23:35Zaniseros, tacitas, platitos.
00:23:37And they'll have those little corns for the sideboard that you and Lodia like so much.
00:23:40It's yours, Carabel.
00:23:41Everything is yours.
00:23:43Come on, make up your mind.
00:23:44There's something to steal everywhere.
00:23:45Demel now.
00:23:46What are you doing, Amaro?
00:23:47Stop with the job offers.
00:23:49That's for weaklings.
00:23:50Look for a job on another website.
00:23:52There it is.
00:24:18It is not necessary to know languages, Amaro, nor to be of any age, nor to be Galician.
00:24:22Cheer up, Carabel.
00:24:25There it is.
00:24:27There it is.
00:24:30There it is.
00:24:38There it is.
00:24:48Good night
00:25:40Thanks for watching the video.
00:25:45Thanks for watching the video.
00:26:30Thanks for watching the video.
00:26:41Alone. He has only one aunt in Colmenar who is even poorer than Martina.
00:26:45And now?
00:26:46But what happened, Tere?
00:26:48I don't know, I think he killed himself.
00:26:50They only told me what I said.
00:26:51The body was floating on the waters of the canal, and I don't think the report says anything more.
00:26:56Poor woman. Who would have thought she'd do such a thing?
00:26:59Why would he have done it?
00:27:00Why? Ask instead why he lived until today.
00:27:03She was given a terminal diagnosis by doctors three years ago.
00:27:04She told me, "I can't die, Tere, even though I feel it."
00:27:08But who will take care of Cami?
00:27:10Poor.
00:27:10If only I could, but I already have enough to worry about.
00:27:13The unfortunate man, all alone in the world.
00:27:15What will become of him now?
00:27:17If I didn't already have five children, but bread is not plentiful in my house.
00:27:19I am alone.
00:27:20Otherwise, I would keep it.
00:27:21Have we, like Amaro, lost our jobs?
00:27:24Let her stay here with me.
00:27:26Someone will look after him while I'm out tonight.
00:27:28You are just as needy as everyone else.
00:27:30Making an effort.
00:27:31Besides, it will keep me company.
00:27:32The truth is that I feel very lonely.
00:27:35What do you dream about, Carabel?
00:27:37Do you remember that serialized novel that Aunt Lodia used to buy?
00:27:40I know.
00:27:41There were some gluttons who stole children to exploit them.
00:27:44The unfortunate man, all alone in the world.
00:27:46What will become of him now?
00:27:47Even now, newspapers mention kidnapped children when they talk about street begging.
00:28:12The unfortunate man, all alone in the world.
00:28:47The unfortunate man, all alone in the world.
00:29:14The unfortunate man, all alone in the world.
00:29:44The unfortunate man, all alone in the world.
00:29:56Yes, aunt, I stole it.
00:29:58This is my first time stealing.
00:29:59And why did you steal this, son?
00:30:00We'll do good business with this kid.
00:30:02As?
00:30:02I know a man who is blind by profession who would give anything we asked for a child like that.
00:30:06So that?
00:30:06Auntie, a child dedicated to begging in a city like Madrid can earn much more money than a boss
00:30:11of ginger farun.
00:30:12Good morning.
00:30:13Good morning, Gregorio.
00:30:14I know you have picked up Martina's son.
00:30:17I always had a soft spot for kind-hearted people.
00:30:20No, it is not I who protects him, but he who will benefit me.
00:30:23Are you planning to eat it?
00:30:25You'll see what needs to be done very soon.
00:30:27I've never known children to be useful for anything.
00:30:30How do you explain the existence of child thieves based on that? They must be worth something.
00:30:34Child snatchers were invented by novelists.
00:30:38Later, some tried to put the invention into practice, but they failed.
00:30:42It was a bad deal.
00:30:43Do you think so?
00:30:44First, they had to seize very young children, because if they were older they would be reported.
00:30:50Then it was necessary to spend a lot on milk flour, pelargonium, soups, worm tablets...
00:30:58Yes, but then...
00:31:00Then, when the boy could be useful for something, he would run away to go to the bullfights.
00:31:05You're a pessimist, my friend.
00:31:07Well, I've read that there are thieves who steal children to dislocate their joints and use them in the circus.
00:31:11That's true, but that didn't go well either.
00:31:15Dislocating a child's joints is not easy.
00:31:17During rehearsals, the thieves ruined countless children.
00:31:21Children have very soft bones.
00:31:23It's all about getting them used to bending in whatever direction you want.
00:31:26I remember that when Amaro was a baby, he used to suck his toes.
00:31:29It's all about getting used to it.
00:31:31Come here, Cami.
00:31:32Here, at the table.
00:31:35Let's see this leg.
00:31:37Look, fold it like this.
00:31:39Little by little.
00:31:41They'll only succeed in making him crippled.
00:31:43And a cripple in a circus is useless.
00:31:46I think the best thing is to put her legs back and tie them in a little bow.
00:31:50I saw it once on a Chinese woman at a circus and it looked very good on her.
00:31:52It was scary.
00:31:55Don't cry, Cami.
00:31:56Don't be silly.
00:31:57If you learn to do this, we'll get rich and you'll eat cakes and meringues.
00:32:01That's it, that's it.
00:32:01I'll buy you lots of meringues.
00:32:03I know a former child thief.
00:32:06The poor man was left almost destitute and had to retire.
00:32:10Thank you for your information, Gregorio.
00:32:12We'll talk about this matter in a few days.
00:32:14Listen to me, Carabel.
00:32:16Send that creature to Colmenado.
00:32:18Bend that leg more, more.
00:32:19Like if you were looking at the knee upside down, huh?
00:32:21Yes, yes.
00:32:22That's right, dude.
00:32:24Child.
00:32:25A little something, for God's sake.
00:32:27A little something, for God's sake.
00:32:29Okay, now it's your turn.
00:32:30That?
00:32:32Will you give me alms?
00:32:33No.
00:32:35A little something, for God's sake.
00:32:37There he goes, what a silly face he makes.
00:32:39Kid, come on.
00:32:41A little something, for God's sake.
00:32:44A small alms.
00:32:45One, um, a little alms.
00:32:48No, I'm getting a baton!
00:32:53You need to learn to differentiate between couples.
00:32:55Look, a cafe terrace.
00:32:56A man and a woman.
00:32:58What are they?
00:32:59A couple.
00:32:59Okay, what do we need to do?
00:33:02A little something, for God's sake.
00:33:05And indeed, the groom will give you alms.
00:33:08There's no doubt about it, they're dating.
00:33:10Problem number two.
00:33:11The same couple.
00:33:12A man and a woman.
00:33:15What are they?
00:33:18Marriage.
00:33:19Outstanding.
00:33:19So what should be done?
00:33:24Just keep going, that's it.
00:33:25They won't give you anything.
00:33:26They are married, there is no doubt about it.
00:33:28Okay, hold out your hand.
00:33:29Gesture of sorrow.
00:33:29No, man, it sounds like you want to see if it's raining.
00:33:31So.
00:33:32Gesture of sorrow.
00:33:35Well, maybe it's okay.
00:33:36Take a chestnut.
00:33:37Amaro, do you have any money?
00:33:39It's all over.
00:33:40And what did they give you for the wardrobe and the sewing machine?
00:33:42I still have a penny left.
00:33:43If you had another one, today is Sunday and we can't pawn anything until tomorrow.
00:33:47And we have to have dinner.
00:33:48Cami, let's go out.
00:33:55What are you doing?
00:33:56You're going to leave him naked.
00:34:02That's better.
00:34:03Out on the street.
00:34:03But, Amaro.
00:34:08If you were embarrassed, you would simply stand in the doorway with your hand outstretched.
00:34:12Well.
00:34:12You won't be surprised, will you?
00:34:13No, sir.
00:34:14You put the money they give you in your pants pockets.
00:34:17And until they're completely full, don't put anything in the sweater pockets because it might fall out.
00:34:20runs.
00:34:20Yes sir.
00:34:21Then you go back home.
00:34:22You can take the tram.
00:34:22That's 40 cents.
00:34:23Yes sir.
00:34:24To the.
00:34:38Child.
00:34:55Do you still have the hard cash?
00:34:56Yeah.
00:34:57Give it to me.
00:34:57Look, there's no other than this one.
00:34:59Don't worry, you won't get lost.
00:35:00The boy is somewhat embarrassed and needs encouragement.
00:35:03This hard one will be like a lure to attract others, huh?
00:35:05No.
00:35:17Child.
00:35:26Child.
00:35:27Take alms.
00:35:29Take some alms, child.
00:35:30Take.
00:35:36There's dinner, aunt.
00:35:38I'm coming, I'm coming.
00:35:40Come in, Cami.
00:35:41Come here.
00:35:42Come here.
00:35:44How's it going?
00:35:45Good piece.
00:35:46Are you happy?
00:35:47Yeah.
00:35:48There are still good people in the world, aren't there?
00:35:50Do you feel like eating?
00:35:51Regulates.
00:35:52Well, let those few come.
00:35:53How much money do you have?
00:35:54None.
00:35:55As?
00:35:55Haven't they given you anything?
00:35:56Nothing.
00:35:57Not even five cents?
00:35:58No.
00:36:00Not a penny?
00:36:01No, sir.
00:36:02Come closer.
00:36:13A hard one made of meringues.
00:36:17Good evening, aunt.
00:36:20I hope you sleep better than you ate dinner.
00:36:32Amaro, he'll be right out.
00:36:34You have a visitor.
00:36:40Silvia.
00:36:41Good evening, Amaro.
00:36:42What are you doing here?
00:36:43I needed to talk to you.
00:36:44What is it you have to tell me?
00:36:49What have you come for, Silvia?
00:36:51Do you love me, Amaro?
00:36:53Silvia.
00:36:54So why are you letting me marry Sola?
00:36:56But I...
00:36:57These days I've been thinking that you never had much interest in me.
00:37:00I have always loved you, Silvia.
00:37:02You know it.
00:37:02I've thought of you every single day.
00:37:04When I fell asleep I had you by my side and I hugged you.
00:37:07That's not it, Amaro.
00:37:08Love requires more than just spending hours thinking about a person.
00:37:11When Mom spoke to you, I was confident that you would know how to handle the circumstances.
00:37:15and succeed.
00:37:16Silvia, but I have done...
00:37:17All men succeed when they set their minds to it, Amaro.
00:37:19Many have even run over everything.
00:37:21Anyway, if you give up...
00:37:23Silvia, don't go.
00:37:25I'm sorry, Amaro.
00:37:27Forgive me.
00:37:31Forgive me for having believed in you.
00:37:55Cami, come here son.
00:37:57Let's have dinner.
00:37:59I'm coming, I'm coming.
00:38:01Come to dinner, Amaro.
00:38:08For the first course, choose cream-based dishes, which are milder.
00:38:12Then we took the massifs.
00:38:14And we'll leave the fruit ones for dessert.
00:38:17They have a grape inside.
00:38:21Amaro.
00:38:58Two hundred and forty-four.
00:38:59The gentleman goes to two hundred and forty-four.
00:39:22Good afternoon, sir.
00:39:30Thank you!
00:39:30Thank you!
00:39:31Thank you!
00:39:32Thank you!
00:39:41Thank you!
00:39:49Thank you!
00:40:05Thank you!
00:40:07Thank you!
00:40:10Thank you!
00:40:19Thank you!
00:40:21Thank you!
00:40:26Thank you!
00:40:28Thank you!
00:40:28Enough tomorrow!
00:40:38Bye bye!
00:40:40Bye bye.
00:41:09Bye
00:41:22Bye
00:41:56Bye
00:41:56Bye
00:41:56Good night
00:41:56Good evening, sir.
00:42:06With no tinc or response from Sabadell
00:42:08Jo al dilluns thought to finish both the Garriga
00:42:11Okay, I plan to do the same.
00:42:12Yes, we can't waste any more time.
00:42:14At least not.
00:42:15No less, no less.
00:42:39Too much competition, isn't it?
00:42:59No, no, no.
00:43:10Oh, but he's dressed as a Martian.
00:43:13Hey?
00:43:13Let's dance.
00:43:14Let's dance?
00:43:14No, I don't know, miss.
00:43:15No, I don't know, I don't know.
00:43:16But I'm telling you the truth, I don't know how to dance.
00:43:18If I'm telling her I don't know.
00:43:19It's just that dancing is something she's never been good at.
00:43:22No, I don't dance.
00:43:25No, I don't know.
00:43:33No.
00:44:07Thank you!
00:44:10Oh! How daring of you!
00:44:30Wow! What a man! Treasure!
00:44:37Martian!
00:44:39Martian!
00:44:40Martian!
00:45:10Wait, look, let go! Come on, girl, come on!
00:45:12I'm coming, Mom!
00:45:13Ladies and gentlemen, after this joyful interlude in the dance, we continue with the sensational line of models of
00:45:19Jeanette House of Paris, branch in Madrid, Leganitos 14.
00:45:28Engineer's dream, made of natural organza in three tones.
00:45:32Thank you!
00:45:47Thank you!
00:45:48Thank you!
00:46:04Thank you!
00:46:08Thank you!
00:46:26Thank you!
00:46:33Thank you!
00:46:55Thank you!
00:47:25Thank you!
00:47:33Thank you!
00:48:03Thank you!
00:48:04Thank you!
00:48:33Thank you!
00:48:34Thank you!
00:48:46Thank you!
00:48:48Thank you!
00:48:49Thank you!
00:48:50Thank you!
00:48:51Thank you!
00:48:51Thank you!
00:48:51Thank you!
00:48:52Thank you!
00:48:52Thank you!
00:48:53Thank you!
00:48:54Thank you!
00:48:55Thank you!
00:48:56Thank you!
00:48:56Thank you!
00:48:57Thank you!
00:48:57Thank you!
00:48:58Thank you!
00:48:59Thank you!
00:49:01Thank you!
00:49:04Thank you!
00:49:04Thank you!
00:49:05Thank you!
00:49:06Thank you!
00:49:07Thank you!
00:49:08Wash your hands!
00:49:09Madam, madam, listen to me, listen to me, please listen to me.
00:49:14Listen to me and we'll avoid a scandal.
00:49:16I am not a thief.
00:49:17So, who are you?
00:49:18One, one little mask.
00:49:20And what were you doing here?
00:49:21I live in this hotel and I've gone to the wrong room.
00:49:23When I realized it, you were coming in and the shock forced me to hide.
00:49:27You have hidden here to steal.
00:49:29But Mom, do you think he'd be dressed like that if he were a thief?
00:49:32Raise your hands!
00:49:33Huh? But you think I look like a thief.
00:49:36Ah!
00:49:37I can already guess what you've come here for.
00:49:39You have come to copy the models.
00:49:41Believe me, ma'am, I haven't even looked at your dresses.
00:49:44Well, the truth is that they catch everyone's attention.
00:49:46And if you are a gentleman of good taste, you must have noticed them.
00:49:49No, no, no, yes, yes, they are certainly wonderful.
00:49:52But perhaps some of this might interest you.
00:49:55A gentleman always knows some woman he can give a pleasant surprise to.
00:49:59It would be interesting if this adventure ended with you taking three or four models home.
00:50:04Ha ha ha!
00:50:06I'll show you a really cute morning outfit first.
00:50:10Girls, pass along the models.
00:50:13Just look at it and you'll thank me.
00:50:15Would you prefer that I go out into the hallway?
00:50:16No, for God's sake.
00:50:18I suppose you will look at the model only with the eyes of a customer.
00:50:21Yes, of course, that's it.
00:50:24Hey?
00:50:25Oh, yes, yes, you're right.
00:50:26Christian Dior.
00:50:27Yes, yes, yes.
00:50:28A house in Paris would charge you 15,000 pesetas.
00:50:30I can let you have it for 10,000.
00:50:32Very kind, but I'm single.
00:50:34Without any women?
00:50:35Just an aunt.
00:50:36Then that velvet cocktail is the most suitable.
00:50:39Shack, pass.
00:50:43Chic, chic.
00:50:44Very bad, chic.
00:50:45Oui, oui, oui, but really I...
00:50:47And that Scottish swimsuit?
00:50:50I find it really charming.
00:50:52Can you imagine your aunt with him?
00:50:55Well, no, frankly, no.
00:50:57I'm sorry, ma'am, but I've had so many expenses today that I think I've run out of money.
00:51:03Do you see?
00:51:04This is all I have left.
00:51:05Twenty duros.
00:51:06Yeah.
00:51:07Twenty duros.
00:51:08Jesus, twenty pesetas.
00:51:09And what can be sold for so few dollars?
00:51:12In short, so that you don't leave empty-handed, so that you have a memento of this unusual visit,
00:51:18Here you have exactly twenty duros.
00:51:21A job of Valencian, well yes, a bargain, I'll filter, a cutie.
00:51:38Good evening, ma'am.
00:51:40Good night.
00:51:48Mariano, Mariano.
00:51:54Mariano, Mariano.
00:51:57Hey, listen, sir!
00:51:59Hey, hey!
00:52:01Stop him, please!
00:52:02That one!
00:52:03That one!
00:52:04He threw the suitcase away!
00:52:05That one!
00:52:06That one!
00:52:06That one!
00:52:23That one!
00:52:31That one!
00:52:42Silvia, Silvia, can you come here?
00:52:44But it's you, Amaro.
00:52:45What are you doing here? Don't you understand that someone can see us?
00:52:48I thought I'd finally be able to see you.
00:52:50Sometimes I need to see you.
00:52:51But what's wrong with you?
00:52:52You look unwell, you're exhausted.
00:52:54I just got home from work.
00:52:55Amaro, have they let you back into the office?
00:52:57No, none of that.
00:52:58You know what Giner and Bofarul are like.
00:53:00So what do you do for a living?
00:53:01It's a new job, nothing to do with accounting and cash handling, no.
00:53:03Quite the opposite, in fact.
00:53:05And do you have a good salary?
00:53:06No, not a good salary. Well, it depends.
00:53:08What do you mean? Don't you have a fixed salary?
00:53:10No, definitely not.
00:53:11It cannot properly be called a salary.
00:53:14It's a kind of commission.
00:53:15Ah, you're a runner!
00:53:17That's it, that's it.
00:53:18And did you do well today?
00:53:20No, bad, very bad.
00:53:22Actually, since I started I haven't even earned a quarter yet.
00:53:25But once I get the hang of it...
00:53:27And what products do you work with?
00:53:28Well, whatever comes up, everything, everything.
00:53:31I'll explain it to you.
00:53:32I'm very happy about that news.
00:53:33I've been praying that something would get fixed for you.
00:53:35Because I love you, Amaro.
00:53:37And despite Solá, we could get married and you...
00:53:39But I can't do more than I'm doing.
00:53:42That's up to you.
00:53:42Now you have a job and you're not getting anything out of it.
00:53:44I really want to help you, but I don't know how.
00:53:46I thought you would give me hope.
00:53:48I can only add one thing.
00:53:49I will wait for you for 20 days.
00:53:52Today is one.
00:53:53Solá wants to get married on the 21st.
00:53:55If by then you haven't sorted out your life...
00:53:58I mean, our life.
00:54:00Yes, dentist.
00:54:01If I haven't resolved anything by the 21st, I'll get a dentist.
00:54:05No.
00:54:06No.
00:54:25Thank you!
00:54:38Your wallet, sir!
00:54:42I asked you for your wallet!
00:54:45Come on, sir, let's not waste any time!
00:54:47Will you give me your wallet, yes or no?
00:54:52This is not serious, admit it.
00:54:54At least say something, run away, but this has never been seen before.
00:54:57He hasn't heard that I intend to rob him.
00:54:59Are you Recuero's servant?
00:55:01No.
00:55:02At least, didn't Recuero send you to scare me?
00:55:04I don't know Recuero.
00:55:05So, who are you?
00:55:06Just a thief?
00:55:07You are crazy.
00:55:08Well, I don't know what your idea is of what these trances are.
00:55:10I assure you that I am a thief who is here to steal.
00:55:13Tell me the truth, doesn't Recuero send you one?
00:55:14Word that no one sends me.
00:55:15Look, I hate violence, but I'm here to make a living.
00:55:20Okay, we've talked enough. How long have you been here?
00:55:22Come on, you're delusional.
00:55:23Let them rob you willingly, let's not have any unpleasant surprises, okay?
00:55:28I've arrived home. Good night.
00:55:30How stubborn! Why can't you believe I'm a thief?
00:55:33My greetings to Recuero.
00:55:34Damn memory!
00:55:36Listen!
00:55:37I don't have any change. Would you like to give the night watchman a peseta?
00:55:43Thank you.
00:55:44Goes!
00:55:45Hey! Listen! Listen!
00:55:48And my peseta!
00:55:49Order the perrecueros!
00:55:59Carabel's many years of work at the Giner and Bofarull real estate agency had to be useful for something.
00:56:04I had learned many things.
00:56:06I had learned to classify materials,
00:56:08to classify workers and specialists,
00:56:10to classify men as good and bad,
00:56:13and he had also learned through which window a thief could most easily enter.
00:56:43Carabel also knew the exact time the watchman made his rounds
00:56:47on the other floor.
00:56:48He knew the exact number of minutes he had to accomplish his feat.
00:56:53Very few.
00:56:54And he knew that he also had very few days left.
00:56:57Okay!
00:57:00Okay!
00:57:04Okay!
00:57:07Okay!
00:57:15No, no, no, no.
00:57:47No, no, no.
00:58:09No, no, no.
00:58:42Carabell thought that the box would have been destroyed by the fall.
00:58:54But he saw with deep displeasure that she remained as secretive as before.
00:59:09This is just the beginning of a series of vicissitudes caused by the theft of the safe.
00:59:13But it is not necessary to know them in great detail.
00:59:16However, it is interesting to read these lines from Aunt Lodia's notebook related to the matter.
00:59:22Loan from Mr. Macario Carabell to rent a small house on the road to Getafe, 1,200 pesetas.
00:59:28Day 9. For the purchase of a hammer, 30 pesetas.
00:59:34Day 12. For another larger hammer, 100 pesetas.
00:59:40Day 18. For a bottle of embrocation for Amaro's arms and back, 30 pesetas.
00:59:57Huh? Who is it?
00:59:59Ah, it's you.
01:00:00For God's sake, Amaro, it's not that big of a deal. Why did you get so scared? What were you doing?
01:00:03Nothing, nothing. I was reading the newspaper.
01:00:05Ah, the safe robbery. 1,300,000 pesetas.
01:00:09See? This thief has certainly had it easy making money.
01:00:11We don't know, Silvia. We don't know. The poor man must have had his work cut out for him too.
01:00:14Well, taking what belongs to others is quite easy.
01:00:16You think?
01:00:17All it takes is a lack of scruples.
01:00:18And with having muscle mass.
01:00:20So that?
01:00:20A safe must weigh quite a bit, right?
01:00:22What a silly thing to do. With so much money inside, it'll look like a feather.
01:00:25Okay, let's say the thief is a Hercules. And open it, huh? And open it.
01:00:29Well, a thief will know how it's done.
01:00:30He might be a new thief. A poor man with a calling, but one who's just starting out.
01:00:35By breaking it.
01:00:36Yes, yes, by breaking it. Like a piggy bank, right?
01:00:38Do you think safes are invented so that a thief can come along and take everything at once?
01:00:41No, sir. They're designed for the exact opposite. So that the poor man gets screwed and achieves nothing.
01:00:46You talk about things without knowing.
01:00:48Oh, Amaro, there's no need to get so worked up. Anyone would think it's just your own doing.
01:00:51It bothers me that women give so little importance to men's work.
01:00:55I'd like to see you here opening one of those little boxes. Is it for your mom? That's right, for your mom.
01:00:58You see difficulties in everything. Everything seems impossible to you.
01:01:01Of course, that's why you'll never succeed. That's why I have to marry someone.
01:01:03Silvia, do you know that I love you?
01:01:05You wouldn't steal a single penny for me.
01:01:10Silvia, I stole that box. I'm a thief now.
01:01:14You stole it? What are you saying?
01:01:17I'm Silvia. My new profession, which I already told you about, is that of a thief.
01:01:21But, Amaro, are you serious?
01:01:23Shh!
01:01:28You have to be bad, Silvia. The worst you can be.
01:01:31The bad guys are the only ones who prosper, who triumph.
01:01:34I am no longer the Amaro Carabel that you knew.
01:01:36You're crazy?
01:01:37No, I'm not crazy. I'm telling you the truth. I just revealed my secret to you.
01:01:41But if you open your mouth...
01:01:42You scare me.
01:01:43I scare you.
01:01:44You scare me, but I think I still love you.
01:01:47I will always love you no matter what you do.
01:01:49Silvia.
01:01:50You're right. It's good to be bad. Almost everyone is.
01:01:53Only through theft, fraud, and deceit can one obtain a woman like you.
01:01:57How long have you been doing this?
01:01:59Four and a half months.
01:02:00But, Amaro, if you stole the box, all that money is yours.
01:02:04No, because I can't open it.
01:02:06What are you saying?
01:02:07I've already tried to explain it to you. The box...
01:02:09Well, you have to open it. It's all ready on its own.
01:02:11They've already read the warnings. Mom is buying me clothes.
01:02:13So, you wouldn't mind if our happiness was the product of theft?
01:02:17No, Amaro. Coming from you, I don't care about anything.
01:02:20Good.
01:02:22Good.
01:02:28Good.
01:02:58Thank you!
01:03:08And the Panama Canal, despite all these efforts and sacrifices,
01:03:13It could not be opened permanently until after years and years of work.
01:03:19Ha ha!
01:03:20What's happening?
01:03:21If there were nothing in the world more difficult to open than that little channel.
01:03:25On opening day...
01:03:27One moment!
01:03:28I found it, I found it.
01:03:35In theory it's fine, but it doesn't work.
01:03:47Good night.
01:03:49Silvia.
01:03:51Silvia.
01:03:52Hey Amaro! How's work going? Open?
01:03:55Closed.
01:03:57Closed.
01:04:00This afternoon I read that they open up with soup.
01:04:03With the soup?
01:04:04Real thieves call it "the soup," but I think it's nitroglycerin.
01:04:08And where do they sell that? In drugstores?
01:04:10I don't know. Isn't it too obvious that I'm your accomplice?
01:04:14What's noticeable is that you're getting more and more beautiful.
01:04:16How lucky I am! I've never liked you as much as I do now.
01:04:18There's something about your eyes too. It must be because of your new job.
01:04:23That sweater is very nice, but isn't it a little chilly?
01:04:27Don't you like it?
01:04:29You look gorgeous. Damn my misfortune.
01:04:31Oh, Amaro, I don't know what to do anymore to get you to do something useful. Have you read the newspaper?
01:04:35No, I haven't read it today.
01:04:36There's no reason for me to have regrets anymore. Look.
01:04:45Ginet and Bofarul have already received their money back. And the insurance company has probably already made a profit.
01:04:49on the other hand.
01:04:50He's right, nobody loses.
01:04:51And we won not only that money, but happiness for a lifetime.
01:04:55I'll open the box tomorrow. We only have three days left, right?
01:04:58Just three days. All the wedding preparations are finished. The sayings, the banns, the wedding invitations, everything.
01:05:03Don't talk to me about that, Silvia.
01:05:05Forgive me, but it's all I think about all day. I already have my complete trousseau. This thing I'm wearing here.
01:05:09It's the latest. Do you want to see it?
01:05:10No, woman, leave him alone.
01:05:11It's beautiful, all nylon.
01:05:13Underwear.
01:05:16Yes, you'll see. It's gorgeous. And nylon, although expensive, has the advantage that when you undress yourself...
01:05:21It washes and is dry the next day.
01:05:22Of course, you save on the laundress.
01:05:24It's very economical. Look.
01:05:30This is the wedding nightgown.
01:05:36How wonderful! Aren't you ashamed?
01:05:37Don't do that, woman.
01:05:40If there's nobody there, you fool.
01:05:43Nylon, right?
01:05:44No, natural silk. Mom says that natural silk has always been used for wedding nights.
01:05:49And she wouldn't let me buy the nylon one. You know Mom's a traditionalist.
01:05:53Do you like it?
01:05:54Silvia.
01:05:58Silvia.
01:06:00Silvia.
01:06:07Silvia.
01:06:08Silvia.
01:06:10Silvia.
01:06:11Silvia.
01:06:15Silvia.
01:06:16Silvia.
01:06:17Silvia.
01:06:20Silvia.
01:06:22Silvia.
01:06:23Silvia.
01:06:24Silvia.
01:06:25Silvia.
01:06:34You idiot! What good is it to you, huh? What good is it to you?
01:06:38Go on, go on! Save it like millionaires do!
01:06:42You'll see! You'll see!
01:06:45You'll see!
01:06:48You'll see!
01:06:52You'll see!
01:07:19You'll see!
01:07:29You'll see!
01:07:49You'll see!
01:07:52And all you have to do is refocus and direct the magnetic fluid that easily descends to your fingertips.
01:08:01Oh yes!
01:08:01Jesus, you scared me.
01:08:03Listen, to hatred.
01:08:04And with this hypnotism thing, will I be able to stop Anselmo from beating me on Saturdays?
01:08:08Of course.
01:08:09With this, the whole world is dominated.
01:08:12But not the landlord, right?
01:08:14Beloved son.
01:08:15How are you?
01:08:16Okay, aunt.
01:08:17Good evening, Carabel.
01:08:18Good night.
01:08:19So you can do whatever you want?
01:08:21Almost everything.
01:08:22According to the book I bought, with magnetism I can sell bricks as if they were made of silver.
01:08:28Do you think the shopkeeper would have given me the anise on credit otherwise?
01:08:31I haven't paid him for a month and a half and he hasn't complained.
01:08:33What an atrocity!
01:08:34The book refers to amazing cases with names and addresses of very serious people.
01:08:39Almost all of them are American.
01:08:41But you've rehearsed, aunt.
01:08:43Always rehearse.
01:08:44It seems like magic.
01:08:45Oh, scientific magic.
01:08:47More anise?
01:08:48No, thanks.
01:08:49And you, Doña María.
01:08:50Whatever you want.
01:08:52How strange all this is.
01:08:54I no longer know how to say no to you.
01:08:56And yet I don't like to drink.
01:08:58You magnetize me, to hatred.
01:09:01The book.
01:09:01Where is the book?
01:09:02In the sideboard.
01:09:03The book.
01:09:04The book.
01:09:05The book.
01:09:06Oh, wait, thank you.
01:09:06The book.
01:09:07Ah, here it is.
01:09:08Here it is.
01:09:10Come on, Brunet.
01:09:11I am missing four receipts.
01:09:12What do you want, man?
01:09:13Brunet, Brunet.
01:09:14Yes sir.
01:09:14Yes sir.
01:09:16Just a moment, just a moment.
01:09:17Don't get like that.
01:09:18Mr. Maria, I'm the only one with the machine.
01:09:19I can't do it until this afternoon.
01:09:20What do you want, man?
01:09:22Yes, they were supposed to add fourteen more that haven't arrived yet.
01:09:25Speak favors to those people, Bofarul.
01:09:27Prepare a future for them.
01:09:28You can see his gratitude now.
01:09:30Does the magnificent future they are leaving behind speak to them about you?
01:09:32I've told you everything, Mr. Ginés.
01:09:33Ah, those were the days, everyone going off to work for the Torrens and company real estate agency.
01:09:37To tarnish the name of this house.
01:09:39Above all, there is no reason to disrespect him yet.
01:09:41The boy from Méndez, whom we planned to give one peseta a day from the first year,
01:09:45When I asked him why he was leaving us, he made a farting noise at me.
01:09:49Have you called any new people?
01:09:50We are already testing some.
01:09:52Above all, choose, ladies, it's more modern.
01:09:54And how many are still working today?
01:09:55Only six remain.
01:09:56They will need to be given some food, because they will have to stay working from two to four.
01:10:01Yes, we have to give them something.
01:10:02Something light, that doesn't hinder them.
01:10:04A renovation in the English style.
01:10:05I had thought about bringing them bread and chorizo.
01:10:07Very English, very English.
01:10:16Mr. Caradel.
01:10:21What do you want?
01:10:26Will you go?
01:10:27Let's go, soon.
01:10:29Hands up, all three of you.
01:10:30Don't shout.
01:10:31Do not ring the alarm bell.
01:10:32Open the drawer.
01:10:33Give me the keys to the safe.
01:10:34But the real thing, not the sandwich kind.
01:10:36The one about the eleven million in reserves.
01:10:38Let's go, soon.
01:10:39Tell me the combination.
01:10:40Or better yet, open it yourself.
01:10:41Come on.
01:10:42Ah, the fluid is reaching you now.
01:10:44I have you in my power now.
01:10:45Come on, take me to the checkout.
01:10:46Come on.
01:10:47Come on.
01:10:48Okay, can you tell me what you want?
01:10:49It's Amaro Carabel, that checking account employee.
01:10:52He was always my shy one.
01:10:54He certainly doesn't dare.
01:10:55Carabel, Carabel.
01:10:56Did he leave this house about four months ago?
01:10:59Six months and four days, yes sir.
01:11:00We had to do without Mr. Carabel because of that indiscretion with Esteban Echevarría.
01:11:04Isn't that right, Ginés?
01:11:05Yeah.
01:11:06He was a good employee.
01:11:07Let him stay.
01:11:07In the accounting section, all we can say is hello.
01:11:09You have committed an act of disloyalty, and that is serious.
01:11:14We forgive him because we have always been like parents to our employees.
01:11:20What do you think, Bofarul?
01:11:22You're too good.
01:11:23But since you mentioned it...
01:11:24Return to your position.
01:11:26Regarding salary, how much did you earn before?
01:11:30One thousand pesetas.
01:11:32Naturally, now, and despite the forgiveness...
01:11:34Okay, dear Ginés.
01:11:35Don't lower the price by more than twenty pesetas.
01:11:37Okay, okay, whatever you want. He'll start as an assistant.
01:11:40This is what it costs to have a saint as a partner.
01:11:43I was thinking of taking forty off.
01:11:45That they forgive me.
01:11:46They say they forgive me.
01:11:47He should go back to work.
01:11:49Let's get to work.
01:11:51Then tomorrow.
01:11:52Like tomorrow?
01:11:53Start right away.
01:11:54Stay right now.
01:11:56Come on, come on, come on.
01:11:58Thank you.
01:12:00Thank you very much, Bofar.
01:12:07I will wait for you for twenty days, Amar.
01:12:10If you haven't sorted out your life by the twenty-first...
01:12:13I mean, our life.
01:12:17Thank you.
01:12:20Thank you.
01:12:27Thank you.
01:12:28Thank you.
01:12:40Thank you.
01:12:48Ladies, it's been three-quarters of an hour...
01:12:49...has been left to copy the report from the Greater Madrid police station.
01:12:52Well, if it's ready, bring it to me.
01:13:01It was about time, thank you.
01:13:29Silvia.
01:13:30How are you, Amaro?
01:13:31But what are you doing here?
01:13:32I work in this office.
01:13:34You?
01:13:34Since this morning.
01:13:35I waited for you until the twenty-first.
01:13:37Even up to the twenty-fifth.
01:13:38And I would have waited much longer for you.
01:13:40I couldn't marry the dentist.
01:13:42I preferred to work myself to help out at home.
01:13:45As you know, many employees were laid off here, and I'm not very good at typing.
01:13:49But since I have good spelling...
01:13:51So, Silvia...
01:13:52Since you...
01:13:54Well, between the two of us we now have two salaries.
01:13:59There's still a long way to go before the start.
01:14:01One hour.
01:14:17Please don't be offended.
01:14:19It's no trouble, I'll stick here.
01:14:28He left his wallet behind.
01:14:34Oh dear, what an oversight.
01:14:35If we hadn't been here...
01:14:37Come on, Silvia.
01:14:43Amaro, Amaro!
01:14:49Watch out, Silvia!
01:14:59Amaro, Amaro!
01:15:01Watch out, Silvia!
01:15:03Amaro, Amaro!
01:15:03Amaro, Amaro!
01:15:04Here!
01:15:09He was dead.
01:15:10It was on the bus, wasn't it?
01:15:11Yeah.
01:15:11I thought that if I had fallen on the pear, I considered it lost.
01:15:14Because he is a future prospect.
01:15:15If it's not for you, thank you very much.
01:15:17You're welcome, you're welcome.
01:15:18Thank you so much.
01:15:18Be careful next time.
01:15:36What are you thinking about, Amaro?
01:15:38Nothing, nothing, nonsense.
01:15:39You're absolutely right.
01:15:41You could never have attempted a coup with greater peace of mind than now.
01:15:44But you're a really good guy, dude.
01:15:45What can you do?
01:15:46Furthermore, we never know what our behavior will be.
01:15:49Nor what is going to happen to us.
01:15:50Hey, Olga!
01:15:51Wait!
01:16:02A fine, but why?
01:16:03Why?
01:16:04He jumped off the moving bus.
01:16:06He ran over an elderly woman.
01:16:07He stepped on a child.
01:16:08He crossed the street when the bus stop was closed.
01:16:10And he asks why.
01:16:11That's ten pesetas.
01:16:12Ten pesetas?
01:16:26Come on!
01:16:27Come on!
01:16:30Come on!
01:16:32Come on!
01:16:36Come on!
01:16:52Look, they're those ones walking around.
01:16:53That tall one and the one with the red hair.
01:16:55Well, it's great there.
01:16:55What happened?
01:16:56What happened?
01:16:56Did their boyfriends give them the ticket?
01:16:58No, no, no!
01:16:58No, no, no!
01:16:58Yes, but!
01:16:59Shut up, you desperate couple!
01:17:00What a scandal!
01:17:01You can no longer walk down the street.
01:17:03You've finally caused a scandal, man.
01:17:05Everyone stares at you, they pick on you.
01:17:07Why does it matter?
01:17:08Smile, Carabel.
01:17:09They've emptied your pockets,
01:17:11But they've filled your heart with a single blow, haven't they?
01:17:13And you, despite being a man like any other,
01:17:16Do you know which of the two is more important?
01:17:19Goodbye, Carabel.
01:17:21Don't be late to the office today, okay?