- 5 days ago
Teens are invited to a Florida home where a scientist's assistant turns them into monsters.
Category
🎥
Short filmTranscript
00:00:29Satsang with Mooji
00:00:51We've landed, we're all set.
00:00:53Good luck guys.
00:01:01Hey Julie baby, we've reached the target.
00:01:05So what does she want?
00:01:07Access to the mainframe?
00:01:09Right.
00:01:10Okay.
00:01:18Danger, danger, danger!
00:01:47Can you control unit?
00:01:50Can you control unit, come in.
00:01:51Okay, rotate the dish and hook up the box, then wait for my further instructions.
00:01:56Standing by.
00:02:45It's all right.
00:02:58Okay.
00:03:03Okay.
00:03:14Okay.
00:03:29You are a nightmare, you have a hold on me.
00:03:34You move in silence, you do not speak to me.
00:03:39You are a darkness, a total mystery.
00:03:44You are a nightmare, a nightmare meant to see.
00:03:50You are a nightmare, a morbid tapestry.
00:03:56A frightening stranger, a stillborn ecstasy.
00:04:00You have no conscience, you have no sympathy.
00:04:06You are a nightmare, a nightmare meant to see.
00:04:21I told you about the experiment.
00:04:22Are you coming?
00:04:24I'd love to, but I really want to see my dad.
00:04:27Oh, it won't be the same without you.
00:04:29Come on.
00:04:30A whole weekend with nothing to do but relax.
00:04:32And get studied by some nut.
00:04:35You'll love it.
00:04:43Where is it?
00:04:45I don't know.
00:04:47The limo's coming to pick us up.
00:04:49Famous scientist, daughter, you don't have to worry about money.
00:04:52They're offering 500 bucks, and I need 500 bucks.
00:04:57Sounds great, but I still can't let my dad down.
00:05:00He's counting on me.
00:05:03Well, kiss your buddy George for me.
00:05:06He sounds like a real turn-on.
00:05:17Where's Mary Rose and Ralph?
00:05:19They're right here.
00:05:29I don't want to smell any booze on your breath.
00:05:32Got it?
00:05:33Yes, ma'am.
00:05:34That's it.
00:05:34Out.
00:05:37We have three girls arriving tonight.
00:05:39Got their rooms ready.
00:05:40But what about the guys?
00:05:42Mind your own goddamn business.
00:05:44You may look innocent, but you're a slut just like your mother.
00:05:52Have you everything you need, Harry?
00:05:54Yes, Miss Clingstone.
00:06:22Hey, Tony.
00:06:23When it dies.
00:06:25There's not even a bimbo to pour on around here.
00:06:27But when there is, it's yours.
00:06:35Hey, you know that we don't serve hard liquor here.
00:06:37Only beer or soda.
00:06:40Hey.
00:06:42You're quantity and I'm quality.
00:06:49Right?
00:06:50I like both.
00:07:03Yes, ma'am.
00:07:04Get out from wherever you're hiding and pick up the girls.
00:07:07Now.
00:07:23Morning, Daddy.
00:07:24Hello, Jessica.
00:07:25And how's my lovely daughter?
00:07:31So glad to see you.
00:07:32Me too.
00:07:33How do you feel?
00:07:34Like a million bucks.
00:07:36How about you?
00:07:39Don't you ever relax?
00:07:41Hmm?
00:07:41You own this joint for God's sake.
00:07:44You got 200 patents.
00:07:46212.
00:07:48Listen, I won't be able to spend very much time with you this weekend.
00:07:51Abandoned for bioelectronics.
00:07:53The story of my life.
00:07:55Well, George will keep me company.
00:07:56We're coming to the end of the tests on the biometer.
00:08:00I think we may have something.
00:08:03You always have something, Daddy.
00:08:05But tell me.
00:08:06Who's the we?
00:08:07Julie.
00:08:08So, I have to put up with Julie again.
00:08:11She's still after you?
00:08:14Not often enough.
00:08:34I know what we're doing.
00:08:35But tell me.ובent
00:08:51Editioniy's trip. That asked
00:08:52bye try. Is it not
00:08:56too long? There left us
00:08:56and fell inside. I said,rasn't
00:08:56yet? We're gonna go save us.
00:08:56I know a few hours to dry.
00:08:56That's a pretty big
00:08:56one TP.
00:08:57Oh, no, no, no, no, no.
00:09:39It was an accident, Ken.
00:09:46Stop blaming yourself.
00:09:48Just get out of here, okay, Julie?
00:09:50Just leave me alone.
00:09:54Ken, you've got to understand.
00:09:56I'm sorry about what happened, but we're almost there now.
00:10:01This last weekend, we'll do it.
00:10:03Let's just go check out that killer dog of yours, all right?
00:10:30Linda, wait a minute.
00:10:34What's that?
00:10:34Sandwiches.
00:10:35Oh, ma.
00:10:42You know, George, Annie asked me to do some weird psychological test with her.
00:10:54You know how much I like Annie, but I like you and Dad more.
00:10:59I am flattered.
00:11:01Oh, I almost forgot to tell you.
00:11:04Annie said to give you a big kiss.
00:11:07Oh, my goodness.
00:11:09Oh, my goodness.
00:11:19Oh.
00:11:34Listen, Ken.
00:11:35I have nothing to say to you.
00:11:44George?
00:11:44Yes, my dear?
00:11:46Program the race for me.
00:11:48Far out.
00:11:49I love the race.
00:11:50I love you.
00:11:51What would I do without you?
00:11:59Okay.
00:12:45I love you.
00:13:13Where'd you learn your manners?
00:13:18Not in a gutter like you, kid.
00:13:20Oh, come on, ladies.
00:13:21Cut it out.
00:13:23Why can't you two relax?
00:13:28Mmm.
00:13:29This sandwich tastes as dry as hell.
00:13:31Tastes like cardboard.
00:13:33Hey, you got anything to drink?
00:13:48Hmm.
00:13:49Oh.
00:13:53Oh.
00:13:54Oh.
00:13:55Oh.
00:13:58Oh.
00:14:21Hey, can I get in on this little joke?
00:14:23No thanks, but I'll gladly let you do it on anything else.
00:14:28How about this?
00:14:45Oh baby, you really turn me on.
00:14:50Oh, you move so nice.
00:14:52Hey, come on.
00:14:54Hey, come on.
00:15:03Hey, come on.
00:15:06Hey, come on.
00:15:12Hey, come on.
00:15:13Hey, come on.
00:15:29Hey, come on.
00:15:35Hey, look, just let me come with you up to the crossroads.
00:15:39Sorry, I can't.
00:15:40Look, just to the crossroads, Jack.
00:15:42That's all.
00:15:43Okay?
00:15:44All right.
00:15:45Good night.
00:15:45Hey, come on.
00:16:04Hey!
00:16:05Hey!
00:16:06Hey!
00:16:06Hey!
00:16:14Look, I told you I'm not ready.
00:17:04I told you I'm not ready.
00:17:19Well, Tony, she's all pumped up.
00:17:21Come on, let's go back to Billy's bar.
00:17:27Reported the last test results.
00:17:29They're 100% positive.
00:17:31Check.
00:17:31Cats, 100%.
00:17:33Rats, 100%.
00:17:34Mites, 100%.
00:17:35Killer alley cats to good-natured house pets.
00:17:38You've had complete personality reversals.
00:17:40It's astounding.
00:17:42I won't take risks.
00:17:43Not with human lives.
00:17:44It's a remarkable achievement.
00:17:46Edward, you're too modest.
00:17:48Apache is the most powerful machine ever constructed.
00:17:50And I feel privileged to be part of your team.
00:17:53And a very important part of it.
00:17:57What an incredible house.
00:18:02This way, ladies.
00:18:16Hello, I'm Mary Rose, the maid, and this is Harry, the butler.
00:18:19Please, make yourselves at home and relax.
00:18:21Just relax.
00:18:23Thanks for the sales pitch, but the answer's still no.
00:18:26No humans.
00:18:27Not yet.
00:18:28So you'll only let the biometer cure neurosis in house cats and junkyard dogs.
00:18:32No humans till I'm ready.
00:18:34Edward, the whole world is waiting.
00:18:36Think of all those paranoids, schizophrenics.
00:18:40It's criminal to waste any more time.
00:18:43One more game, George.
00:18:45Skill four.
00:18:46Ready when you are.
00:18:59Oh, so someone else has access to Apache.
00:19:02Someone's charming daughter.
00:19:03Oh, God, I forgot to turn off Apache.
00:19:13Darling, when you use George, make sure he's not connected to Apache.
00:19:18Huh?
00:19:20Okay.
00:19:20Anyway, I played badly.
00:19:22I lost the game.
00:19:23I'm going out.
00:19:25Do you need anything?
00:19:34Thanks for the joyride, pal.
00:19:37And for totaling my car.
00:19:39Don't worry.
00:19:41I'll pay you back.
00:19:42I can't hear you, Julie.
00:19:46Go!
00:19:46Go!
00:19:47Go!
00:19:50The subject of this experiment is a highly nervous, aggressive Doberman trained to kill.
00:19:55After ingestion of the ball, the animal should behave normally.
00:19:58The attempt is to modify or reverse character disorders.
00:20:04Go!
00:20:06Go!
00:20:09Go!
00:20:10Go!
00:20:12Go!
00:20:13Go!
00:20:15Go!
00:20:17Go!
00:20:17Go!
00:20:18Go!
00:20:18Go!
00:20:19Go!
00:20:25Go!
00:20:29It's transforming.
00:20:37It's alive.
00:20:54I've changed the dose now remember Julie
00:20:58whatever you do don't let the biometer go beyond 50 percent
00:21:02I don't want a crazed dog or even a dead one on our hands
00:21:13we've dramatically reduced the time required for the synthetic neurons to short out and replace
00:21:18the natural ones that only takes a few milliseconds I knew it I knew it I knew you'd do it
00:21:24it's fantastic well it all looks pretty good now but what about the possible long-term effects
00:21:33what about six months from now do you still think that loss of inhibitions and suppression of fear
00:21:39is dangerous I just don't know it's working beautifully the dog's behavior is completely
00:22:14changed
00:22:15I'm expecting the phone call okay
00:22:28that was my seat
00:22:31um if you uh want it that's okay you're gonna have it
00:22:47you're really very good have a think about turning pro
00:22:50it's all
00:22:50so
00:22:51so
00:25:22What about you, huh?
00:25:23Don't you want to take on the pinball wizard?
00:25:25You're kidding.
00:25:26She doesn't know a goddamn thing about it.
00:25:29Ha!
00:25:34How's everything going?
00:25:36Everything's fine.
00:25:37The tests on the dog worked perfectly.
00:25:39Did the guinea pigs arrive?
00:25:40Yeah, they're here.
00:25:41What about break?
00:25:42He's never a problem.
00:25:44He doesn't suspect a thing.
00:25:45You know, you've only got this weekend.
00:25:47No mistakes.
00:25:48If it wasn't for me, you wouldn't even know about this.
00:25:52And for that kind of money, I don't make mistakes.
00:25:54Yeah, just remember that.
00:26:08This is rough.
00:26:10Eating, drinking, never lifting a finger.
00:26:13Sure beats being cooped up in a shop with a bunch of teenagers playing disco.
00:26:17Ah, you mean you work in a record store.
00:26:20I'm a singer.
00:26:22Or at least I'm going to try to be one.
00:26:24Well, why don't you stop by the shop and use some recording equipment?
00:26:28Maybe I'll produce your demo.
00:26:32I can just see the headlines now.
00:26:35I love it.
00:26:36Weekend meeting leads to solid gold.
00:26:42Oh!
00:26:44Oh!
00:26:45Oh!
00:26:45Oh!
00:27:00Diary, George.
00:27:06George, I need some info.
00:27:08I don't know what's wrong with me.
00:27:11More data, please.
00:27:18I feel so strange.
00:27:22What out, Apache?
00:27:24This is private.
00:27:25I feel weird.
00:27:27I feel like laughing and crying.
00:27:29Paradox.
00:27:35I never felt this way before.
00:27:39I need information.
00:27:41Aw.
00:27:42Aw.
00:27:42It's like a hole in my stomach.
00:27:46My heart, too.
00:27:48I swear it's beating faster.
00:27:52Aw.
00:27:54I don't think it's a heart attack.
00:27:56And it's not the flu.
00:27:57I'm not sick, George.
00:28:01I'm cold, hot, off, down.
00:28:05I'm happy.
00:28:07Do you understand?
00:28:10More data, please.
00:28:12When I looked at him, it felt like an electric shock.
00:28:17Just like that, I got all wound up inside.
00:28:21Now I want to be with him.
00:28:23I want to be with him, George.
00:28:27Please name this individual.
00:28:29This guy I met.
00:28:31He's so incredible.
00:28:33Analysis in operation.
00:28:36More data, please.
00:28:39He's gorgeous.
00:28:42Such eyes.
00:28:43And that smile.
00:28:47Oh, he's so adorable.
00:28:50Processing data.
00:28:59I've got to see him again.
00:29:03George, do something.
00:29:06Please, help me.
00:29:10What is happening to me?
00:29:14Diagnosis in love.
00:29:16You are in love.
00:29:17That's it.
00:29:20They're all at the pool.
00:29:22I need a personal object from each one of them.
00:29:25Something they won't miss.
00:29:27Oh, I'll get on it fast.
00:29:29Ma'am.
00:29:44I feel badly.
00:29:45You're here, and I'm spending all my time with Apache.
00:29:48Professor, I am deeply insulted.
00:29:51I know how hard it's been since Mom died.
00:29:55You had to do everything.
00:29:56Be my mom and dad.
00:29:59I just want you to know that I realize what a wonderful father you are.
00:30:03I'm sorry, I haven't been...
00:30:05What other dad would have given me George?
00:30:08Remember when I was five, he...
00:30:10You taught me how to program?
00:30:28Who are you?
00:30:29Who are you?
00:30:35Maintenance.
00:30:37Well, maybe you can help me.
00:31:06You can never get what you want.
00:31:08Not exactly a conventional childhood, was it?
00:31:11I wouldn't trade it.
00:31:15Is something bothering you, Dad?
00:31:17It's the experiments.
00:31:18They're moving so fast.
00:31:20Julie seems to be in such a hurry.
00:31:22Don't let him push you.
00:31:24Well, fortunately, she still needs me.
00:31:27She can't do it without me.
00:31:54Here's your special sound truck.
00:32:26Right here.
00:32:35Relax.
00:32:56Right here.
00:34:08Slow down.
00:34:10Don't slip your clutch, honey.
00:34:12Relax.
00:34:33George to Apache.
00:34:35Abort program.
00:34:37Insufficient data.
00:34:40Confirm response.
00:34:42Test connection faulty.
00:34:43Receive channel dead.
00:34:57But I just want to...
00:34:59Shit!
00:35:01Little bitch.
00:35:02Little bitch.
00:35:32Little bitch.
00:36:02Little bitch.
00:36:33Little bitch.
00:36:35Little bitch.
00:36:46Little bitch.
00:36:53Little bitch.
00:37:06Little bitch.
00:37:09Little bitch.
00:37:19Little bitch.
00:37:22Little bitch.
00:37:24Little bitch.
00:37:28Little bitch.
00:37:29Little bitch.
00:37:29Little bitch.
00:37:54Little bitch.
00:38:03Little bitch.
00:38:06Little bitch.
00:38:22Little bitch.
00:38:26Little bitch.
00:38:45Little bitch.
00:38:45Little bitch.
00:39:12Little bitch.
00:39:15Little bitch.
00:39:22Little bitch.
00:39:25Little bitch.
00:39:32Little bitch.
00:39:39Little bitch.
00:39:39Little bitch.
00:39:41Little bitch.
00:39:48Little bitch.
00:39:50Little bitch.
00:40:36Little bitch.
00:40:49Little bitch.
00:40:58Little bitch.
00:40:59Little bitch.
00:41:01Little bitch.
00:41:04Little bitch.
00:41:27Little bitch.
00:41:29Little bitch.
00:42:12Little bitch.
00:42:16Little bitch.
00:42:20Little bitch.
00:42:35Little bitch.
00:42:46Little bitch.
00:43:02Little bitch.
00:43:14Little bitch.
00:43:25Little bitch.
00:43:28Little bitch.
00:43:28Little bitch.
00:43:30Little bitch.
00:43:37Little bitch.
00:43:39Okay, buddy.
00:43:40See you Saturday.
00:43:48Hey, Mike, telephone.
00:43:51What? You can't answer the phone?
00:43:53Hey, it's not my store, buddy.
00:43:57Yeah. Oh, Miss Clinkstone.
00:44:00You picked up my car.
00:44:01Yeah. We got your car. Yeah.
00:44:04Drove it into a tree. How'd you do that?
00:44:06None of your goddamn business.
00:44:08Oh.
00:44:11Is it fixed?
00:44:12We got it.
00:44:14Is it fixed?
00:44:15Yeah, I can fix it. Our mechanic's working on it right now.
00:44:18Hey, Mike, tell her I got a car right here, man.
00:44:21Go ahead.
00:44:23We'll have it for you by tomorrow.
00:44:25It better be.
00:44:26Yeah, tomorrow morning.
00:44:27Make it early.
00:44:29Okay. All right.
00:44:37Hey, where you been?
00:44:40I just bought Billy's bar.
00:44:42Not bad, eh?
00:44:46All right.
00:44:49What a guy. Dad buys him everything he owns.
00:45:10I sure like your riding back here. I could get used to that.
00:45:19Fill her up.
00:45:20Fill her up.
00:45:22Fill her up.
00:45:31Jessica, I'm sorry.
00:45:33I've got to deliver the parcel as soon as possible.
00:45:42Can't we be together tonight?
00:45:45There's nowhere in the world I'd rather be.
00:45:48Believe me, there's important business.
00:45:53Can't it wait?
00:45:55Not even for me?
00:45:58It's important to my future.
00:46:02Our future, if it works out right.
00:46:05That'll be six bucks.
00:46:18I'll tell you what. I might get into trouble.
00:46:22But I'm gonna leave a little later, okay?
00:46:24That'll give us some more time.
00:46:31I'll have to stop by and tell my dad that I'll be away, okay?
00:46:55Look, I'm telling you, I haven't seen him.
00:46:57We had a date here or two, and I'm getting tired of hanging around waiting for him.
00:47:04Shit, I just got my helmet.
00:47:05Does he have his own?
00:47:06Yeah, well, you got your own bike.
00:47:08Does that stop people taking mine?
00:47:10That's not the same.
00:47:12And remember, I'm the boss.
00:47:16Hey, Bill, you seen Dave?
00:47:17Yeah, he had a drink.
00:47:18It was a little while ago, but he said he'd be back.
00:47:22I thought I saw a motorcycle down by the lake.
00:47:25I'm not sure, but I thought it was Dave's bike.
00:47:29Come on, let's go.
00:47:35What's up?
00:47:36I don't understand it.
00:47:38Did he eat anything unusual?
00:47:40Not that I know of.
00:47:41The poor thing's in agony.
00:47:43Maybe the experiments...
00:47:44The experiments are perfect.
00:47:46We've just got a sick dog on our hands.
00:47:48Check over there.
00:47:49Uh, Chiari, you go that way.
00:47:53Dave!
00:47:56Dave!
00:48:02Dave!
00:48:05Dave!
00:48:11Hey, boys, help me with the spike.
00:48:14The death seems quite abnormal.
00:48:16Must have been an internal hemorrhage.
00:48:17I called the vet.
00:48:19He'll wait for you.
00:48:21Okay.
00:48:31But cancel tonight's experiment.
00:48:37Don't jump to conclusions.
00:48:39I told you I don't want to take risks.
00:48:41Not with human lives.
00:48:57You know the deal.
00:48:58I speed up the experiment and betray an honest man.
00:49:01You give me a third of the profits and a half a million up front.
00:49:05Okay.
00:49:06Okay.
00:49:06How do you want it?
00:49:07Just hand it to Ken.
00:49:09Do you trust him?
00:49:11Sure.
00:49:11What are you going to do about Jessica?
00:49:14Just let me handle the professor's little bitch.
00:49:17Daddy!
00:49:18What do you want?
00:49:19Where's my dad?
00:49:27I asked you a simple question.
00:49:29Why can't you answer?
00:49:31When will he be back?
00:49:32I'm his colleague, not his secretary.
00:49:35Oh?
00:49:35I thought you were more than that.
00:49:38Anyway, give him a message for me.
00:49:40Tell him that I'll be at my friend's house tonight.
00:49:42And that I'll be back home tomorrow for lunch.
00:49:45I'll tell him.
00:49:46I'll bet the lucky guy's very well hung.
00:49:51Shit.
00:49:53That's the house where Bob was killed.
00:50:11You're everything I hate.
00:50:13Why don't you go bitch somewhere else?
00:50:16Ken!
00:50:22Let me explain.
00:50:25Explain what?
00:50:27That we're lovers.
00:50:38Jessie.
00:50:38Jessie, I can explain.
00:50:40No, listen.
00:50:41Jessica!
00:50:42Jessica!
00:51:02You're a world-class bitch. A killer.
00:51:06First Bob, and now you're after Jessica.
00:51:08Bob, you know that was an accident.
00:51:11An accident?
00:51:12I saw his face.
00:51:13That was no accident.
00:51:15I've done this for us.
00:51:17Together we can be rich and powerful.
00:51:19But you'd better not give me trouble.
00:51:21Because you know I can make things very uncomfortable.
00:51:24You don't want to explain that little accident to the police, do you?
00:51:28Huh.
00:51:37Jessica!
00:51:38Jessica!
00:51:39Jessica!
00:51:55Hey, why'd you take a walk?
00:51:56We didn't find a thing.
00:51:59We didn't find a thing.
00:51:59Nothing.
00:51:59It's weird.
00:52:02You listen, Ralph.
00:52:05Those chicks up at the mansion, what are they doing up there?
00:52:08I don't know anything about it.
00:52:10Some sort of testing.
00:52:12Something about relaxation.
00:52:15How do I know?
00:52:16I only follow orders.
00:52:17Well, couldn't you get us invited?
00:52:18I mean, we're not so bad.
00:52:21Hey, look.
00:52:22It's private.
00:52:23Clothes.
00:52:25Like I said, it's some kind of test.
00:52:28Yeah, sure.
00:52:31Christ, girl, I'm in love with you.
00:52:34You know?
00:52:35I...
00:52:36I mean...
00:52:37Our world has changed since we met.
00:52:41Everything's...
00:52:42Everything's different now.
00:52:45I'm finally starting to feel good about what's deep down inside of me.
00:52:50You know?
00:52:53It's just the thought that you loved that witch.
00:52:58You know she was after my father, too.
00:53:01Jessica, I swear, I never really loved her.
00:53:10One thing you're right about.
00:53:13The world did change the day we met.
00:53:51Oh, Adam.
00:53:52Isn't this a package?
00:53:57Maybe there'll be a lot of good-looking guys with big muscles.
00:54:04Are you expected?
00:54:05Yeah, I'm Gary.
00:54:06This is Tony.
00:54:08That's me.
00:54:09If, uh, you gentlemen would be kind enough to wait on the patio, I'll have you announced.
00:54:17Come on.
00:54:24Miss Clingstone, there are two unknown men here. They seem okay.
00:54:29Okay. Make sure they have everything they need.
00:54:32Oh, and Harry. Take the night off.
00:54:49What's the matter with Pamela?
00:54:51I don't know. She's probably depressed about something.
00:54:55Okay.
00:54:57What about this? Do you reveal it?
00:55:00No, you've got good legs.
00:55:04Where is everybody?
00:55:11It's weird.
00:55:14Hey, what's going on?
00:55:18Spooky.
00:55:26Hey.
00:55:32Hey.
00:55:40What's wrong?
00:55:41You look like you've seen a ghost.
00:55:42I feel like I've been here before.
00:55:46Obviously. You were here yesterday.
00:55:48Come on. Quit joking.
00:55:50I'm telling you, I've seen this place.
00:55:53You know, Annie, a lot of staircases look the same.
00:55:57Wait a minute.
00:55:59It was a photograph, a picture that Jessica...
00:56:02Who's Jessica?
00:56:04She's my best friend. She's adorable.
00:56:07She told me a lot about her father, his assistant, and their work.
00:56:11Are you sure you're all right?
00:56:12I remember because Jessica couldn't stand...
00:56:16Yeah, Julie Clingstone.
00:56:20She's a very dangerous woman, according to Jessica.
00:56:47Hey, I don't know how to say this.
00:56:52I... I hope we can see more of each other.
00:56:58I mean...
00:57:04Don't you like me?
00:57:09I'm sure it was that staircase.
00:57:11The entrance in the picture looked just like that.
00:57:22Look, do we have to talk about staircases?
00:57:28Well, do we?
00:57:29No, sorry.
00:57:32No, sorry.
00:57:59No, no, no, no, no.
00:58:07I'm sorry.
00:58:07The first time I saw you...
00:58:09sipping your drink at the bar...
00:58:12I...
00:58:13just thought you were terrific.
00:58:17I felt something real deep.
00:58:20Something nice.
00:58:22I'm not so used to that
00:58:25Tony, you're a really wonderful guy
00:58:28And very, very sexy
00:58:57He's a little young, baby
00:59:16If you're hungry, I'm hungry
00:59:20So, I got a dog
00:59:29I don't know.
00:59:51I don't know.
01:00:21I don't know.
01:01:01I don't know.
01:01:31I don't know.
01:01:33I don't know.
01:02:02I don't know.
01:02:14I don't know.
01:02:24I don't know.
01:02:34I don't know.
01:02:39I don't know.
01:03:10I'm walking on air.
01:03:12Is it your fault?
01:03:14What's my fault?
01:03:16I wondered if it's you that's making me feel so fine, so deep down good.
01:03:23I hope so.
01:03:30You were great, Linda.
01:03:32You were great, Linda.
01:03:33Never had it so good.
01:03:35I liked it.
01:03:37Oh, I liked it.
01:03:40And I wouldn't mind a return match.
01:04:07And I wouldn't mind a return match.
01:04:08I think, you're going to add this, but I'll say, you know, I'm going to be a ghost.
01:04:33I'm going to be a good job.
01:04:34I'm going to be a good boy.
01:04:48Baby
01:04:50Hey your panties are cute silks really sexy, huh?
01:05:06Oh
01:05:39Oh
01:05:40I like being so close to him
01:05:44To touch him
01:05:57Oh
01:05:59I want him to hold me tight
01:06:01Stroke my face
01:06:03Kiss me
01:06:05Love me
01:06:09Oh, he's so kind, so gentle
01:06:19His body on mine will feel so wonderful
01:06:25He's looking at me now
01:06:27So tender
01:06:30I want to tell on the whole heads
01:06:47Yes, I feel his heart is calling me
01:06:51I know now that he really loves me
01:06:55His eyes
01:06:56He's only telling me that he loves me
01:07:26He's only telling me that he loves me
01:07:27He's just right
01:07:28I am in love
01:07:31Oh, I don't want him to leave
01:07:34I don't want this to end ever
01:07:38Yeah
01:07:45Mmh
01:08:05Mmh
01:08:27You know, this place seems so familiar to me.
01:08:31Look, I thought you got over that ghost stuff.
01:08:33I have.
01:08:34Well, anyway, I like the way this ghost dances with me.
01:08:48So tell me, Annie, how do I make love to a ghost?
01:09:17I have it.
01:09:18Harry, collect something from these guys.
01:09:25I found a key there.
01:09:27Leave them there.
01:09:28Right, ma'am.
01:09:38Let's go.
01:09:54Oh, my God.
01:10:12Why only half?
01:10:15It's a long story, not very pretty.
01:10:21My friend Bob's got the other half.
01:10:29He meant a lot to you.
01:10:33Best friend I ever had.
01:10:37Until I met you.
01:10:49You saved my life.
01:10:52We did everything together.
01:10:56I'll tell you about it sometime.
01:10:59Yes, it went perfectly.
01:11:00No hitches.
01:11:01Were the subjects totally transformed?
01:11:04Yes, it was horrible.
01:11:05But it works.
01:11:07It's an impressive performance.
01:11:09I told you I could handle it.
01:11:11Don't worry, I'll clean up the mess.
01:11:15I told you I could handle it.
01:11:16I told you I could handle it.
01:11:20I told you I could handle it.
01:11:21I told you I could handle it.
01:11:22I told you I could handle it.
01:11:24I told you I could handle it.
01:11:29I told you I could handle it.
01:11:30I told you I could handle it.
01:11:30I told you I could handle it.
01:11:31I told you I could handle it.
01:11:32I told you I could handle it.
01:11:32I told you I could handle it.
01:11:34I told you I could handle it.
01:11:34I told you I could handle it.
01:11:35I told you I could handle it.
01:11:38I told you I could handle it.
01:11:54Linda, you want them all, don't you?
01:11:57What are you talking about?
01:12:02You bitch.
01:12:03What the hell are you doing?
01:12:05What's going on here?
01:12:25I'll meet you at the air wrench at nine, okay?
01:12:27All right.
01:12:28All right?
01:12:34Come on.
01:12:35Come on.
01:12:40What are you smiling at?
01:12:42I'll see you later, baby.
01:12:59What the hell's going on here?
01:13:02I want it at 100%.
01:13:04Julie, you've gone crazy.
01:13:07You don't know what it could do to these kids.
01:13:09It could destroy them, turn them into neuropaths.
01:13:12You could ruin everything we've worked on for years.
01:13:15You got here too soon, Edward.
01:13:20Why are you doing this to the project?
01:13:22To all of us.
01:13:23Looks like you sold me out.
01:13:26Get out of here.
01:13:26You're fired.
01:13:44You're fired.
01:13:46Daddy?
01:13:53Daddy?
01:13:54Are you there?
01:14:15Julie, you scared me.
01:14:17Don't you ever knock when you come into a room?
01:14:19Your father just called.
01:14:20He's waiting for you at the mansion.
01:14:22It's extremely urgent.
01:14:23Is he okay?
01:14:24I think so.
01:14:25But you'd better get over there right away.
01:14:31I don't know.
01:14:34I'm watching you.
01:14:41Bye-bye.
01:14:42Bye-bye.
01:14:43Bye-bye.
01:14:48Bye-bye.
01:14:50Bye-bye.
01:14:53Bye-bye.
01:14:55Bye-bye.
01:14:55Bye-bye.
01:14:56Bye-bye.
01:15:15Daddy?
01:15:33Ah, ah, ah, ah!
01:15:40Ah!
01:15:42Ah!
01:15:45Ah!
01:15:47Ah!
01:15:49Ah!
01:15:50Ah!
01:15:51Ah!
01:15:52Ah!
01:15:53Ah!
01:15:54Ah!
01:15:56Oh!
01:15:58Oh!
01:15:59Oh!
01:16:01Oh!
01:16:02Oh!
01:16:04Ah!
01:16:04Ah!
01:16:05Ah!
01:16:20Annie?
01:16:26Oh!
01:16:30No, no!
01:16:35Oh!
01:16:39No!
01:16:41Oh!
01:16:43No!
01:16:46Oh!
01:16:51Oh!
01:17:12Oh, my God.
01:17:53Oh, my God.
01:17:59Shh. Don't talk, my poor honey.
01:18:03I tried not to tell you, but all this is your father's work.
01:18:06No, not Daddy. Not him.
01:18:11He couldn't want this.
01:18:14I know how you feel, Jessica. I really do.
01:18:17But you never know what he's thinking. You know that.
01:18:19I don't believe it. You're lying.
01:18:29Ask Ken if you don't believe me.
01:18:32No. It's not possible.
01:18:37Someone please tell her it's not true.
01:18:42Unfortunately, it's both possible and very true.
01:19:00You bitch!
01:19:02You're not satisfied with creating these.
01:19:06You've tried to turn my child against me.
01:19:09And I trusted you with everything.
01:19:11Don't be stupid, Edward.
01:19:12After all this, now I'm giving the orders.
01:19:14The tapes are already in San Jose.
01:19:18Well, if you've finished playing out your little melodrama, I'll leave now.
01:19:23I have a lot of work to do.
01:19:27Would you please patch up these neuropaths, Professor?
01:19:30Stop it, Daddy! It can't help me!
01:19:34That's pointless, Edward.
01:19:36You're just another mad scientist.
01:19:38A millionaire quack.
01:19:43How are you going to explain all this horror to the police?
01:19:49Daddy.
01:19:59I didn't believe her.
01:20:03You know I loved you.
01:20:05I couldn't believe her.
01:20:08My Jessica.
01:20:09I know.
01:20:11I know.
01:20:34Ken, are you receiving me?
01:20:37Hello.
01:20:38Hello, Ken, honey.
01:20:39Where are you?
01:20:40I'm here.
01:20:41At the Air Ranch.
01:20:42Did you collect the money from San Jose?
01:20:44Yeah.
01:20:44I've collected the money.
01:20:46Okay.
01:20:47Wait right there.
01:20:48I'll be right over.
01:20:49We're rich, baby.
01:20:51We're rich!
01:20:53Not we.
01:20:54Me.
01:20:55You made one big mistake.
01:21:00See, the cashier's check was already made out to me.
01:21:05What is this bullshit?
01:21:07No bullshit.
01:21:08I've got the videotape, too.
01:21:11Jessica, sweetheart.
01:21:14Help me get rid of this junk.
01:21:17What?
01:21:18What junk?
01:21:21Sorry, Daddy.
01:21:22I'm in a hurry.
01:21:23Ken's waiting for me at the ranch.
01:21:27I'll give you a call from campus, okay?
01:21:29Oh, Dad.
01:21:31Wish me luck with Ken.
01:21:34Thanks for reactivating George.
01:21:37Thanks.
01:21:39Thanks.
01:21:40Thanks.
01:22:00Thanks.
01:22:19Ken! Ken!
01:22:30Ken!
01:22:31Emergency program code, protection, Jessica.
01:23:02You are a nightmare, you have a hold on me.
01:23:08You move in silence, you will not speak to me.
01:23:13You are a darkness, a total mystery.
01:23:19You are a nightmare, a nightmare fantasy.
01:23:25You are a taker, and you have taken.
01:23:31I cannot sleep yet, I cannot waken.
01:23:36You have no conscience, you have no sympathy.
01:23:41You are a nightmare, a nightmare fantasy.
01:23:49Is it just meant to be?
01:23:54It should happen to me.
01:24:00Cause I know, but for sure, I can't take anymore.
01:24:11Will I really lose my mind?
01:24:17How can a dream be so unkind?
01:24:22Will you never let me go?
01:24:29Well, I'll never ever know.
01:24:34You are a nightmare, a morbid tapestry, a frightening stranger, a stillborn ecstasy.
01:24:46I can't go on anymore.
01:24:50I can't go on anymore.
01:24:51You hold the key to the door.
01:24:53You are a nightmare, a nightmare fantasy.
01:25:00You are a nightmare, absolutely.
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