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  • 6 anni fa
Intervista a Pete Docter, Kemp Powers e Dana Murray, registi e produttrice di Soul.
Trascrizione
00:00The company is doing well. Lots of laughs.
00:15Hi.
00:16Hello.
00:17Hi.
00:18Nice to meet you.
00:19It's an honor.
00:21First of all, I have to ask Pete how Mike and Sally are doing.
00:26Are they doing well or not?
00:28I was going to ask about your shirt.
00:29Yeah, they're doing great.
00:32The company is doing well. Lots of laughs.
00:37Nice. Awesome.
00:39In this movie, music is really important.
00:43I want to ask you, what is that song that every time you hear it makes you want to live?
00:51Oh, yeah.
00:53Kemp, do you have anything that jumps to mind?
00:55It's usually lots of soul songs.
00:58It's probably like Bill Withers' Lovely Day, which I think you hate.
01:02Yeah, I'm not a fan.
01:04I think that's the song that at least likes you.
01:09But there's a lot of them that are great.
01:11What's yours, Pete?
01:13Boy.
01:16You know, there's a couple of James Taylor songs that are great.
01:22Dana, anything?
01:23Honestly, I think it depends on the day, the mood, the weather.
01:26But I was watching this, like, docu-series about gospel music last night.
01:33That was pretty amazing.
01:35Yeah.
01:36So I'll go with gospel today.
01:38That sounds good.
01:39Okay.
01:41And this movie is essential to find our spark.
01:45But finding our spark isn't so easy.
01:48So I want to ask you, how can we find it?
01:52Yeah.
01:53I think it's like trying a lot of stuff, you know, because occasionally you get lucky when
01:58you're three or something.
01:59But most people, it's just trying a lot of things.
02:04And sometimes strange, like, I remember my daughter, you know, she just started into comedy
02:12writing.
02:12And I guess it kind of makes sense because of her upbringing.
02:15But a lot of times, like, Dana, you had a good story about your daughter.
02:18Yeah, I mean, I think they just, like, it is interesting to just watch her kids.
02:22But my daughter just loves rock climbing, which I think is totally crazy.
02:28But I don't know how you find your spark.
02:32I think you're right.
02:32Just putting them in front of all kinds of different things, see what they're attracted
02:36to.
02:37In this movie, at some point, characters go in the zone.
02:43I want to ask you if you ever have been in the zone.
02:47And if it's so, can you describe it?
02:49How's the zone?
02:51I've definitely been there.
02:53Kemp, we've talked about it before.
02:55Yeah.
02:56I mean, for me, the zone is just like, it's this flow state.
03:00It's like this place where you lose sense of time.
03:03And you're just, like, kind of in the moment.
03:06I mean, for me, it's interesting because, you know, I really love what I do, particularly
03:13in terms of, like, making this film.
03:14But I didn't really get in the zone until, like, the first time I was sitting there with
03:19an audience watching what we'd done.
03:22And I kind of lost myself because it's this story that we've run over again and again
03:27and again.
03:28And to just kind of present it and let it unfold and, like, roll over you with the entire audience,
03:33I, like, blinked and it was ending.
03:35So it was like, oh, I guess I must have been in the zone.
03:38Just kind of finally getting to experience this thing that we spent several years working
03:43on.
03:43I remember when I was animating, I would sit and either draw or on the computer.
03:47and sometimes you just get into it and you're just like, ah, ah, ah, ah, and then you
03:52kind of sort of wake up and it's four hours later and it seemed like a flash.
03:56It's the same thing you were talking about.
03:58Yeah, it's exactly what we were trying to do in the movie, going to the zone.

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