00:00E, you know, if you do the research, there's 27 emotions.
00:03We only have 9 so far.
00:17Hi, I'm Antonio. Nice to meet you.
00:19Nice to meet you.
00:21First of all, congratulations for this film
00:23and in general for your work in Pixar.
00:27Thank you.
00:28So, new film, new inside out, new emotions, new characters.
00:33How did you work on their look and choose their voices?
00:37Well, so I'm executive producer.
00:40Kelsey Mann is the director.
00:41I can talk about the way, he worked the same way that I did on the first one,
00:46which is first we design the characters.
00:48Actually, even before that, we talked to psychologists and experts in the field
00:53and we figured out, okay, why anger?
00:55Why do we have anger?
00:56Why do we have anxiety or embarrassment?
00:59There's reasons for all of these guys, which we can talk about.
01:02And that then drove the design, the look.
01:05So now we have a look, but we don't have a voice yet.
01:08And then we have a casting group that comes in
01:11and they grab dialogue recorded off of other movies
01:15and they don't tell us who they are.
01:16And they're like, here's actor one.
01:18And we listen to the voice and we say, does that look like anxiety?
01:23Let's try actor two.
01:24And we go through that like that.
01:26And sometimes there's 15, 20 more voices
01:29until we find somebody that feels like they really fit the suit.
01:32And then they reveal, aha, it's Maya Hawke or whoever.
01:35Sometimes you can guess, but sometimes it's a surprise.
01:40Puberty is quite a complicated period.
01:44Do you have memories of your teen years?
01:47Did they have in telling Riley's stories and feelings?
01:50Oh, yeah.
01:51Oh, yeah.
01:52I was not a socially very...
01:56I mean, there's a reason I got into animation
01:58because it's easier to draw people than to talk to them.
02:02And so that was especially difficult for me in junior high.
02:06Anxiety is running high for me, I think, for a lot of people
02:09and still does more than I would like.
02:11So it was definitely very raw, still accessible.
02:18Inside Out concept and imagery is so powerful
02:23that it sticks with me and with the audience.
02:27I can easily imagine my emotions operating the dashboard in my mind.
02:32Did it happen to you in Pixar 2 when working on both films?
02:39Yeah.
02:39In fact, gee, I'm trying to remember.
02:41It was after the first film was done.
02:44I find myself really angry and I couldn't understand why.
02:49And then I said, oh, wait, anger is triggered by fairness,
02:53by when things are not fair.
02:55Oh, this person said this or that to me
02:57and it made me feel like I wasn't being respected.
03:00Oh, okay, I understand.
03:01So it is weird how the film and the research have been able for me
03:06to kind of lift the curtain and look behind there a little bit
03:09because, you know, that is one of the things that emotions do.
03:12they just run and we don't have to think about them.
03:15We don't get to choose how we feel.
03:17We choose how we respond with that feeling.
03:20But the feeling just happens.
03:22And the more you can understand about the triggers for it
03:27and how it operates and where it locates in your body and so on,
03:30and I think the smarter you are in life.
03:35Nine years has passed since the first Inside Out.
03:40Do you feel more the happiness or the pressure
03:43when working on the sequel for a film so important and loved?
03:48I think if you'd asked me that a year ago,
03:50I would have said, I feel no joy at all.
03:52It's all anxiety.
03:54No, that's not totally true.
03:56It was actually really fun to make.
03:58But there was a lot of anxiety
03:59and waking up at three in the morning going,
04:01oh, no, we forgot about this or whatever.
04:03Now that we're done, of course, you know,
04:06when you're making it, you're so close to it
04:08that we couldn't, Kelsey and I can't really tell,
04:10is this good?
04:11I think it's good.
04:12We both think it's good.
04:13But now we've been able to show it to some other folks
04:16and so far I've gotten good response.
04:19So we're optimistically very hopeful
04:21and very joyful about it.
04:25One last quick question.
04:27Would you like to continue exploring
04:29reality's emotion in the future?
04:31Would you like to come back for Inside Out 3?
04:34Well, I think we're excited to have Inside Out 2 done
04:38and we'll see how people enjoy it
04:41and like it.
04:42I do think there's probably more to play with there
04:46if we decided to, you know,
04:48because people are endlessly complicated
04:50and intriguing.
04:52There's definitely more to play with.
04:54And, you know, if you do the research,
04:56there's 27 emotions.
04:58We only have nine so far.
05:01So, a lot to tell.
05:04Yeah.
05:05So, thank you so much.
05:07All right, thank you.
05:08Thanks.
05:08Un anticipo dei prossimi dieci anni.
05:11Stiamo forse sognando?
05:13Qualcuno mi dia un pizzico.
05:15Non stiamo sognando!
05:17Vai aprire l'ora!
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