Vai al lettorePassa al contenuto principale
  • 1 giorno fa
Il nostro incontro con Danny Boyle e Richard Curtis, regista e sceneggiatore di Yesterday
Trascrizione
00:00Ciao!
00:01Ciao!
00:01What about Rome or...?
00:03Rome!
00:03Rome!
00:04Yeah, wonderful!
00:06We met once in Rome!
00:07Did we?
00:08On the guessing?
00:09Oh, jobs!
00:10Very good!
00:16Oh, my...
00:21Ma quando l'hai scritta?
00:23Non l'ho scritta io, Paul McCartney l'ha scritta, The Beatles!
00:26Chi?
00:28John Paul George and Ringo, The Beatles.
00:34No!
00:35Do you remember the first time you heard a Beatles song and what did you feel?
00:40I think the first time I heard a Beatles song, when I was young, babysitters used to come
00:46and take care of us when my parents went out and they'd always bring their records along
00:49because there was nothing on TV in Sweden.
00:52So I think that I first heard, as it were, She Loves You or Please Please Me, illegally at night.
00:59And I felt very, very happy.
01:01And I'm still very, very happy whenever I hear their songs now.
01:04You know the way you think your parents are old? You just think of parents as old.
01:08My first experience is, I'm the twin, I have a twin sister, and we're members of the Beatles.
01:13Because my parents were playing the seven-inch original singles, Don't Starts.
01:18Are they?
01:19Yeah.
01:19And I've still got those seven inches, the original copies, and they played them, Don't Starts.
01:24But I never realised my parents would be, that makes them young.
01:28Yeah.
01:28But actually I never thought they were young, they all seemed incredibly old.
01:31My dad was listening to That King Cole.
01:34In the main character room we see posters of Steven Spielberg's movies.
01:39Many things disappear in the world in this movie.
01:41If you could choose a director that we can't afford to lose, which one would you pick?
01:47Oh, that's a big one.
01:50That's a big question, isn't it?
01:52I mean, Steven Spielberg would come high for just the kind of exuberance of his work.
02:02I'm going to say, I'm going to say Bill Forsythe, who made Gregory's Girl and Local Hero,
02:10because I'm not sure I would have had the confidence to start writing little British movies that were funny if
02:17it hadn't been for those two films.
02:18And mine would be Francis Ford Coppola, because it's always Francis Ford Coppola.
02:23For me, always.
02:24That question, always.
02:26In your screenplays, main event usually happens near water, rain, beach.
02:36Why?
02:36I want to know why.
02:38That's right.
02:40That is so interesting.
02:42Well, this one is because I actually live in a little village right near the beach in Suffolk
02:47and I just tend to set the movies where I'm living at that time.
02:52But he comes from an island.
02:54We're a tiny island.
02:56And we forget the heritage of the sea.
02:58We're surrounded by water always.
03:01We forget those things like that.
03:02And people say, why would it be raining?
03:06It's always raining.
03:08Why would it not be raining would be a better thing.
03:10I think it would be very unrealistic to learn something on a sunny day.
03:15Okay, thank you so much.
03:16Thank you.
03:17Nice movie, nice job.
03:19Oh, thank you.
03:21For this song, I have an idea.
03:23Hey, dude.
03:24Hey, dude.
03:25Are you sure?
03:26Hey, dude.
03:27You're right.
03:27It's better.
03:29To the cinema.
03:30It's important to keep the view of theignment.
03:30I've been waiting for a person to put my room to be in the n�.
Commenti

Consigliato