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00:03Uh, now the search for Kelvin's over, DCI.
00:08Any help you need, I'm right here.
00:10DS, follow me.
00:24Sorry, DCI, did I, um, do something wrong?
00:27He failed to disclose meeting the victim shortly before he died.
00:32Saturday night? We were gonna...
00:35Discuss the abusive emails, which you forgot to mention.
00:39Protocol DS.
00:41Sorry.
00:43I was just... overwhelmed.
00:47So, what next?
00:49The firewall?
00:52You, uh, get anywhere with Peter's phone?
00:55Factory reset.
00:55Yeah, it's a dodo.
00:57Uh, then dig into his laptop, see if there's anything on there that shouldn't be.
01:06Oh, got a hit on Mr. Coffee Mug, boss.
01:09Ah.
01:10His biometrics were taken 15 years ago, when he was five.
01:14An asylum seeker?
01:15Arrived unaccompanied.
01:17Housed all over.
01:18Currently living in London.
01:20He'd be 20 now.
01:22His name's Bola La Depot.
01:24Send uniforms round.
01:25Already did.
01:26He hasn't been home in a couple of days.
01:28Flatmate said he was visiting friends.
01:31He could have friends anywhere, right, boss?
01:34Now, lucky I've got his vehicle registration.
01:36Oh, and also, boss.
01:41Peter.
01:42Heading north to Hallifield.
01:44He really does look haunted.
01:46You're not wrong.
01:47Yeah.
01:48Black suit.
01:49Flowers.
01:50He's in mourning.
01:52Carrying your low roses.
01:54I have a few candidates for whose funeral it might have been, too.
01:57Good work, Trent.
02:01Jade confirms your alibi, for now.
02:04She's a good girl, are Jade?
02:06She also said you called Mr. Baron a perv.
02:09Spending his days chatting to young criminals.
02:12It's not a cool look, is it?
02:14Yeah, it's the worst part of my job, by far.
02:16You're quite funny, you are.
02:18Jade's lying for you.
02:19God knows why.
02:21But she's given a convincing motive for you to kill Mr. Baron.
02:25I told you, I'm not a sociopath.
02:27No.
02:29But you could be a victim.
02:32Nah.
02:33No.
02:34I've been around too many pedos to ever let one lay a hand on me.
02:38He was a perv, yeah?
02:40But not with me.
02:41If not with you, then who?
02:44That weird kid who works there sometimes.
02:47Talks like a TV doc.
02:50What's his name?
02:52Alfie.
02:53Archie.
02:53That's Archie.
02:55Archie Ellison.
02:56Yeah, him.
02:57Definitely.
03:01Archie?
03:02What the?
03:03Why did nobody...
03:04He's there two, three days a week.
03:06Regular hours, working hours.
03:08All right.
03:10Preliminary post-mortem, boss.
03:12You made it to me.
03:20Time of death, 2 a.m. to 6 a.m.
03:23Fibers in the nostrils indicate...
03:25Suffocation.
03:26Intimate.
03:26Personal.
03:27Pathologist notes raise blood alcohol.
03:30Mm-hmm.
03:30No DNA.
03:32No sexual assault like nobody laid a finger on him.
03:35No.
03:36Just silenced him.
03:37So we've got our how and our when.
03:39Is the why what Kelvin said?
03:40Peter and Archie.
03:41You think it's true?
03:42Doesn't matter what I think.
03:44Somebody else thought so.
03:52Trent?
03:53Boss, the paint at the entrance matches the make-model of Chris Ellison's car.
03:57And Saravi here has been bending the judge's ear with new evidence.
04:00She's issued a warrant on the property.
04:02Good work, Trent.
04:05It's none of social services' business.
04:07Working at the nursery is good for Archie's socialisation.
04:10Is that right, Archie?
04:12Do you, uh, enjoy your job?
04:14The plants?
04:15Certainly, Archie, you can say.
04:19I'm good at biology.
04:21Not people.
04:23But Peter was fine.
04:26So you felt comfortable with Peter?
04:29Why would you ask him that?
04:30He knew some interesting walks.
04:33And interesting facts.
04:34I felt very comfortable with him.
04:37Until last week.
04:38When he told me I couldn't work there anymore.
04:42Archie, you only tell us you've lost your job.
04:45We dropped you there on Saturday.
04:46Where'd you go?
04:47To his favourite place.
04:48The village.
04:49Then the nursery.
04:51But Peter was...
04:53Busy.
04:54Saturday was his birthday.
04:57And I don't fit in at parties.
05:04Come on, love.
05:05Let's get you upstairs, eh?
05:06Yeah, you can take your game.
05:09He's obsessed with that thing.
05:18Where'd you get that?
05:19On the victim's person.
05:21Well, it's not Archie's.
05:23Well, we don't know that.
05:24Harper.
05:25Let's ask him, shall we?
05:30Archie!
05:32Archie!
05:33It's not like he was in a work camp.
05:36Archie!
05:37How are we tonight?
05:38Where he was this weekend.
05:44Archie, he's gone.
05:54Well, where should we look now?
05:56The village.
05:57Lycans like a living in a village.
05:59Huh?
06:00Tell Sir Ravi to pick up the Ellisons and meet us at Ashtore.
06:11It is bleak.
06:13Now, Jade may have a point saying this place is haunted.
06:16It's haunted.
06:31Chris, what if he, what if it's...
06:32Okay.
06:33Okay.
06:35Mrs Ellison, come on.
06:37Let's get you in the car.
06:51You all right, son?
06:53You're a bit of a scare there.
06:57What is this place?
06:59It's where Peter brought Archie.
07:02I hear it's special.
07:04It's like a village.
07:06Peter said.
07:09Peter knew a lot of things that I don't.
07:12You knew about being scared.
07:15That's why you brought me here.
07:17You said it was the scariest place you'd ever been.
07:20But the most beautiful.
07:24I'm sorry if we scared you, Archie.
07:28I wasn't scared.
07:30I was sad.
07:33It's very sad, Peter dying.
07:37You were friends.
07:40He gave you that.
07:44He said it helped him get through bad times.
07:49I was sad for Peter.
07:52But mostly sad for my dad.
07:55Trevor, me?
07:56Why?
07:58A fine Archie.
07:59Not really.
08:00Not really.
08:03I've been sad and angry since we came here.
08:06Me being friends with Peter made it worse.
08:09And I thought, what if losing my job upset you more?
08:14So I came here to plan how to get my job back.
08:18But Saturday was his birthday.
08:22And Sunday?
08:26Sunday I just stayed in my room, listening to you and Mum arguing.
08:35Right, Archie.
08:37Saravi's going to take you and your parents back to the station now.
08:40Don't worry.
08:42She's going to give you the full tour.
08:44And if you don't think she's going to take you and your parents back to the station now,
09:24Yellow Razzies.
09:35Where Peter was on Wednesday, his friendship with Archie.
09:39Either Avery Barron didn't know her father very well, or...
09:42There's something she's not telling us, boss.
09:50Miss Barron, victim support has been trying to reach you.
09:54I'm fine.
09:55No, you're not. Nor was your father.
09:59Emails. Dad didn't care about anything.
10:01Your father took the weight of the world on his shoulders.
10:05And then a funeral on Wednesday.
10:08The... whose funeral?
10:10Well, you didn't know your father went to a funeral last week.
10:15Okay.
10:16But, you knew about your father's friendship with Archie Ellison.
10:22And as a teacher, you knew it was unusual.
10:28Dad was unusual.
10:31You know, all you saw was a lonely kid who needed to talk.
10:35I told him that he had to fire him.
10:37I told him people wouldn't understand.
10:38But he reassured you, right?
10:42No, he...
10:44called me a fucking hypocrite.
10:46Because you'd slept...
10:49with a pupil.
10:52That's why you denied he'd been upset recently.
10:54Because you thought you were the reason.
11:00Dad confronted me about it last week.
11:02He wouldn't say...
11:03how he knew.
11:05Um...
11:06Natasha, I thought.
11:08Irresponsible gossip.
11:10Hounding.
11:11Dad abusing her power.
11:12You abused your power.
11:13Your responsibility.
11:15You know who told your father.
11:17We need his name.
11:20He's got nothing to do with this.
11:26I was an NQT, 23,
11:28and he was nearly 18,
11:29and I broke it off.
11:30I blocked him.
11:33I'm a good teacher.
11:34Just the student's name, Miss Barron.
11:37I...
11:39I could resign.
11:40Sight burnout.
11:42Though...
11:42female STEM teacher, my level,
11:45they...
11:45they'll beg me to stay.
11:47But he was special.
11:50Oh, brilliant.
11:51He came there as a refugee,
11:53and now he's...
11:54he's got a medical scholarship.
11:56I...
11:57made that happen.
11:58His name.
12:02Follow the depot.
12:10Are they the yellow roses
12:12that Peter bought?
12:13Mm-hmm.
12:14And he took them to Ash Tor
12:15for a reason.
12:16No.
12:16I don't want my parents, too.
12:20I don't want you to take care of me.
12:23Trent Ashkamp.
12:24Yes.
12:35Trent,
12:36the, er,
12:37scratch on Chris's car
12:38puts him at Mr. Barron's when?
12:41Er, not sure.
12:42Look,
12:42you're Boller the depot.
12:44ANPR has him
12:45leaving Junction 26
12:46at 16.02,
12:4730 minutes from the scene.
12:49And Natasha was there Sunday,
12:51so now Boller was there, too.
12:53Er, an hour later?
12:55Boss,
12:55the dash cam.
12:56What?
13:01It's like you said.
13:03You make your choices for your kids,
13:05and you make it work.
13:07And, er,
13:08has it worked?
13:10Social services harassing us,
13:12trying to keep you lot at bay.
13:14And Archie not sleeping recently.
13:16Well, we know why now.
13:18Peter sacking him
13:19sent Archie into a meltdown
13:19every night last week.
13:21Why didn't Peter just tell me
13:23himself?
13:23Archie didn't want that.
13:25He thought their friendship
13:26made you angry.
13:28No, of course not.
13:32It's just,
13:34when you've got a son like Archie,
13:37every smile matters.
13:39And Peter had them instead.
13:41Must have been painful.
13:44I was angry.
13:47but that doesn't mean
13:48I drove around there
13:49and killed the man.
13:51I know you didn't,
13:53Mr. Ellison.
13:55Miss Ellison.
13:58From the dash cam
13:59in your car,
14:01outside Peter Barron's house.
14:09Peter took our son away.
14:11It was the last straw.
14:16I went to his house.
14:17I told him to leave my family alone.
14:19And then I left.
14:20But you scraped your car
14:21entering Mr. Barron's property
14:23just as the GPS
14:25placed you at the scene.
14:27Whether you meant to or not,
14:28you switched off your dash cam.
14:30So,
14:31unless someone saw you leave...
14:32There was someone.
14:33A young black man.
14:34Peter came to meet him
14:35at the door.
14:37So this is Junction 20.
14:49Sorry, Grace.
14:50Not now.
14:52Er,
14:53I was gonna
14:54invite you all for a drink
14:55as a gesture of, er,
14:57but I can
14:58see you're busy.
14:59I'll
14:59get out of your way.
15:00Stay.
15:01We may need all hands on deck
15:02to wrap this one up.
15:04Right.
15:05So,
15:06our
15:07Mr. Coffee Court
15:08guy
15:09and only forensics
15:10we have
15:10from the scene
15:11is confirmed
15:13at the house
15:13on Sunday
15:14by Pippa Ellison.
15:15And
15:17extremely persistent.
15:19It's ANPR
15:20from 15 minutes ago.
15:21He's coming back
15:22to Washington.
15:23Follow the depoters.
15:27Take some of your updates.
15:28I'll do.
15:29You were spot on, boss.
15:31He's headed to Peter Barron's.
15:32Thanks, Trent.
15:39I'll go to the depot.
15:41Do not move.
15:42Hey?
15:44I think the station's packed
15:45enough already, Jack.
15:48Stand down.
15:50I want to talk to you.
15:52All right.
15:54Come.
16:03When I first came here,
16:05I was surprised
16:07places like this
16:08even existed
16:09for kids to just
16:12play.
16:14When I read
16:15of Mr. Barron's
16:16passing,
16:17I had to come
16:18to pay my respects.
16:20Risky.
16:21This kind of scandal
16:22could ruin your chances
16:23as...
16:23Minister for Health
16:24to start.
16:32I think this is yours.
16:37Teacher's pet.
16:39That's what she called me.
16:41She said I was...
16:44special.
16:46You sent it to Mr. Barron
16:47looking for a reaction
16:49from her.
16:50Not from him.
16:52Childish of me.
16:53You were a child.
16:54You wanted what happened
16:56to be acknowledged.
16:57Instead,
16:58he wrote me
16:58a very kind letter.
17:11Betrayed her responsibility.
17:14Poison fruit from a poison tree.
17:16I particularly recall
17:17that phrase.
17:18He asks if you want to talk.
17:20So, Sunday afternoon,
17:22you drove here.
17:24He'd been drinking.
17:25I'd just buried
17:26one of his childhood friends
17:27that week,
17:27he said.
17:28One of his
17:30four musketeers.
17:33Only two of them
17:34left now, though,
17:36he said.
17:36But a thousand regrets.
17:38We both carried that,
17:40you know,
17:41that shame
17:42for what we'd done.
17:45You have nothing
17:46to be ashamed of.
17:47That's what he said.
17:49Not mine to carry.
17:50that the shame
17:51belongs to
17:52the one who did the harm.
17:55She will never
17:56teach again.
18:09This yours?
18:101991.
18:12It's a bit vintage
18:13for me.
18:17Oh, my God.
18:21Summer in England.
18:28Chris,
18:30Pippa,
18:30and Archie Ellison,
18:31they...
18:32Phones locate them
18:33at home.
18:34And Bola Le Dippo
18:35has a solid alibi.
18:38Darbell camera
18:38places him arriving
18:39at foster parents
18:40at 7.15.
18:41They confirmed
18:42he stayed the night.
18:43Another dead end.
18:46Jade,
18:47still down in her cell.
18:48And you're
18:49strapped on the
18:49one.
18:50The prison is
18:50on the way.
18:51Preliminary report.
18:53Fibres in the nose
18:54and mouth
18:55indicate obstruction.
18:57Mechanical asphyxia
18:58likely caused
19:00by occlusion
19:01of the nose
19:01and mouth.
19:04Smothering.
19:06Sentiment.
19:07Personal.
19:08And silencing.
19:14I won't be silent.
19:16We won't be silent.
19:17Shut up.
19:18Shut it down.
19:19You want us
19:19to be quiet,
19:20but we won't.
19:21Shut up.
19:21Be quiet.
19:23Same words,
19:23same phrases.
19:24Like they all
19:25came from...
19:26From the same person.
19:28Check it, Trent.
19:33You think it?
19:36Not Avery.
19:38Natasha.
19:39She knew about
19:40those juvenile
19:40offences.
19:41They're confidential.
19:42You're right, boss.
19:43They're from
19:44one IP address.
19:45All of them.
19:55The Malicious Communications
19:56Act make these
19:57chargeable offensives.
19:58That prove
20:00I didn't kill Peter.
20:01The reason I'm
20:02interested in you,
20:03Miss Scope,
20:04the only reason,
20:06is you keep saying
20:07some candidates
20:08were unsuitable.
20:09They were.
20:10One boy was involved
20:11in a joint
20:12enterprise stabbing.
20:14Like that.
20:15There is no
20:16legal way
20:17for you to know
20:18their juvenile
20:18records.
20:19We've checked
20:20your laptop,
20:21your phone.
20:22No one sent
20:23them to you.
20:23So,
20:24who is your source,
20:25Miss Scope?
20:27Joseph Ward.
20:30Hey, boss.
20:32Joseph loved Peter.
20:34Like,
20:34he loved this game.
20:35It changed his life.
20:36Maybe Joseph
20:37didn't love Peter
20:37that much.
20:38Maybe he loved
20:39being around
20:40criminals more.
20:41Like the one
20:41who showed up
20:42on his doorstep
20:423am Sunday morning.
20:44The one you've
20:45all been out
20:45searching for.
20:46I'm sorry,
20:47I'm...
20:49What?
20:49Kelvin Jones
20:50turned up
20:52at Joseph Ward's
20:53Saturday night.
20:54How could you
20:55possibly know that?
20:57Because she was
20:58sleeping with him.
21:00But Joseph Ward.
21:03CPS will be in touch.
21:12Piece of some
21:13animal shit.
21:15Hey!
21:16I've got
21:16broken ribs
21:17and everything,
21:17you know?
21:18Dead man walking.
21:21And I tell you,
21:22Fucking stunning
21:23as ever.
21:24Yeah, come on.
21:25What are you
21:26looking at?
21:30She's done.
21:31I'm in.
21:32Get you home now.
21:33Come on.
21:34Nice work, Trent.
21:35Good night.
21:36At us.
21:39What?
21:39Hey,
21:40where are you going?
21:41What?
21:42Home.
21:43Put me kids to bed.
21:45What?
21:46But I...
21:48I didn't know
21:48you were...
21:49Yeah?
21:49Well, I never came
21:51up.
21:52Where else would I
21:53join the team?
21:54Flexi time, mate.
21:56Night-night.
21:57Well, hang on.
21:57So you...
21:58So you're...
21:59You're coming back,
22:00right?
22:01Yeah.
22:02You stuck with me.
22:03Lucky man.
22:05Um, how, uh...
22:06How many kids have you
22:08got?
22:08Three.
22:09And a half.
22:11For a cop,
22:12you're not very
22:13observant.
22:14It's...
22:14Seriously, boss.
22:16We've got our work
22:17cut out yet.
22:18Here, here, here.
22:20Uh, say hello
22:21to the kids for me.
22:23Oh, shit.
22:26Why do you never
22:26tell me anything, boss?
22:27Just use your eyes.
22:30Robin's ready
22:31in the interview room.
22:32Hey.
22:33We found these
22:34at Jade's.
22:35She's been handling
22:36your stolen credit cards
22:38and you've been hiding
22:39out at the pub.
22:41So you were
22:42with her Sunday night?
22:44But Saturday,
22:44you got the relocating
22:46letter.
22:47So why are you still here?
22:48When I got the letter
22:49from Mr. B,
22:50I didn't know what to do.
22:51That's why you ran
22:52to Joseph Ward.
22:53No problem,
22:54JW.
22:55Couldn't sort.
22:56You was the clean-up
22:58and organised guy.
22:59I trusted him,
23:00but...
23:02Guess you gotta respect
23:03the booty call.
23:06Wait till Monday,
23:07he said.
23:07It'll all be different.
23:09So I hid out
23:10at Jade's.
23:11Went to work Monday,
23:12then Mr. B's dead.
23:13Place is crawling
23:14with police.
23:16Joseph proper screwed me.
23:18Er, 2012,
23:20DS Harper
23:20exits Lurin.
23:25Look, just...
23:27please don't tell JW
23:28I snitched,
23:29okay?
23:30Because I've given you
23:31a lot of info there,
23:32which makes me
23:33a significant witness,
23:34doesn't it?
23:35That's gotta be a couple
23:36of months off me sentence.
23:37Yeah.
23:39And tell Jade I'm an arsehole,
23:40because I reckon she can
23:43probably do better.
23:44Don't worry,
23:45Kelvin.
23:46I definitely will.
23:52Renzig say it's the most
23:53professional crime scene
23:54clean-up we've ever seen,
23:55right?
23:56What was he doing
23:57on Sunday night?
23:58Has he got any kind
23:58of alibi?
23:59Have we even checked?
24:01And he sleeps
24:02with the victim's ex
24:02Saturday,
24:03sets up Kelvin Jones
24:04as a murder suspect
24:05Monday.
24:06Joseph Ward
24:07was the best crime scene
24:07cleaner in the business.
24:09Yeah, that's, uh,
24:10what he was sent down
24:11for, boss.
24:12Cleaning up after a murder.
24:23Me and Natasha,
24:25I'm not proud of it.
24:28But the parish
24:29owns my flat.
24:30And Natasha runs
24:31the parish.
24:32So you fed her information
24:34to keep a roof
24:35over your head?
24:35And my job.
24:37Whatever it took
24:37for her not to tell
24:38Mr. P.
24:39No doubt he loved
24:40your job.
24:41Judging by your timesheets,
24:43you're usually
24:44first in, last out.
24:45Apart from Mr. P, yeah.
24:47Up at the crack,
24:48as Kelvin put it.
24:50You don't like Kelvin,
24:51do you?
24:51He's a lying little shit.
24:53He's got a lot of time
24:53for you, Joseph.
24:55He called you
24:56the, uh,
24:57clean-up
24:58and organise guy.
25:00And he trusted you.
25:02He ran to your house
25:03Saturday when he was
25:04in trouble.
25:05Uh,
25:05a detail that you
25:06didn't whisper in my ear.
25:08I told him to go home.
25:10Which is exactly
25:11what Mr. B would have done.
25:12What you told him
25:13was Monday
25:15everything will be different.
25:17Oh yeah,
25:17but I didn't mean...
25:20No,
25:21I meant
25:22Mr. B would sort
25:23everything out for Kelvin.
25:25How could I know
25:26if he'd be dead?
25:28But just Mr. B,
25:29he trusted you too.
25:32Trusted you
25:32with the keys
25:33to his house.
25:35Yeah.
25:36And Mr. B never
25:37locked anything.
25:38Oh, so you came
25:39and went.
25:39Free access.
25:40Oh, yeah.
25:42I only go
25:42where I'm invited.
25:44Right.
25:47Look,
25:48I love that man.
25:50He literally
25:51gave me my life back.
25:52So what exactly
25:53do I get from killing him?
25:54It's not about
25:54what you would get,
25:55Joseph.
25:56It's about what
25:57you would lose
25:57if Peter found out.
25:59If someone,
26:01Kelvin perhaps,
26:02told him that
26:03you were sleeping
26:04with the woman
26:04out to destroy
26:05his life's work.
26:10Right.
26:11I'm gonna help you here.
26:13So Monday,
26:14you're first in
26:15long before
26:16Miss Scalp
26:17at 8am.
26:24I get to the house
26:25about 5.30am.
26:27And like anyone,
26:28start of the week,
26:29you ask your boss
26:30what needs to be done.
26:31So you go to
26:32Peter's house,
26:32Peter's awake,
26:33he's been drinking,
26:34he's found out
26:35what you've done
26:36and you argue.
26:37No, no,
26:38that's not what happened.
26:39I never argued
26:40with a word
26:41that man said.
26:42You said
26:44he hadn't been
26:44himself lately
26:46and the door
26:47was left open
26:47that day.
26:48Which is why
26:48I went in, yeah.
26:50And then I saw
26:51the empty bottle
26:52of whiskey
26:52on the table
26:52and...
26:53One glass washed,
26:54one glass with
26:55scotch left in it.
26:56You picked it up.
26:57But I don't drink.
26:59So you emptied it
26:59down the sink.
27:01Then went looking
27:02round the house
27:02for Mr. B.
27:03Found him
27:04and panicked.
27:05Because I knew
27:06how it looked.
27:07Come on.
27:08The glass with
27:09your prints on it,
27:10you had to bleach that.
27:11And you worried
27:12your prints
27:13could be anywhere.
27:15So you started
27:16cleaning up
27:18because that's
27:19what you do.
27:20Because I knew
27:20I'd be blamed.
27:21Framed.
27:23But I didn't
27:24kill him.
27:26The clean-up
27:27and organised
27:28guy on autopilot
27:30scrubbed the scene.
27:33Then left the door
27:34open
27:35so Mr. B
27:37wouldn't be alone
27:38for long.
27:40And then you
27:41washed the sheets,
27:42yeah?
27:44What?
27:46Doing me
27:47scrubbing the ass,
27:48yeah.
27:50If you're doing
27:51his laundry.
27:54Nothing places
27:54him at the scene.
27:56Because he destroyed
27:56the evidence.
27:58I mean, why would he
27:58clean up after a crime
28:00he didn't commit?
28:01Because he couldn't
28:02bear to be accused
28:02of killing his best friend.
28:04Everything Joseph Ward
28:05did, the clean-up,
28:07passing info to Miss Scope,
28:09was to hold on to the life
28:10Peter Baron gave him.
28:12Okay.
28:13We are going to
28:14charge him, aren't we?
28:14We are.
28:16Failure to report,
28:17obstructing an investigation.
28:18I'll take that.
28:19We hold him overnight,
28:21ramp up the pressure
28:22tomorrow till he folds.
28:23Fine.
28:24So,
28:25what about that drink?
28:27You deserve it, DCI.
28:29The way you work this case.
28:30Go ahead.
28:31See you in a bit.
28:32I've got a couple
28:33of boxes to tick here.
28:34Yeah.
28:38Hey.
28:39Come on, you two.
28:51Sorry to bother you, boss,
28:53but...
28:54They're all celebrating
28:55at the pub.
28:55I'm not much of a drinker.
28:57And I know I'm only a probie,
28:59but I was looking through
29:00the Alison file
29:01before the hearing
29:02last Thursday.
29:03When dear Sullivan
29:04was out of sorts.
29:05Sorry, I just...
29:06I think a senior officer
29:08should look it over.
29:09Okay.
29:10Thanks, boss.
29:11And the SD card
29:13from the crime scene
29:14you asked for.
29:14The original images,
29:16my CSI friend.
29:18Came through.
29:19Sounds like a keeper.
29:38The cycle takes
29:41two hours,
29:4242 minutes.
29:49Moise.
29:51Moise.
29:53Moise.
30:02Moise.
30:18Four musketeers.
30:41Ninety-ninety-one, it's a bit vintage for me.
31:11Right, Saravi, suck-o, friend.
31:14The pictures are all here.
31:17The album.
31:29Oh, Dad.
31:30Look at you there.
31:31Just a little kid.
31:36The birthday card.
31:51You up.
31:52Oh, thank you.
31:54Cheers.
31:56Cheers.
32:00Oh, Mum.
32:01I, er...
32:02Thanks, but no, DS.
32:04Haven't any start in the morning?
32:05Family?
32:06Ah, well, understood.
32:07Well, incredible work, DCI.
32:12Joseph Ward.
32:13Joseph Ward.
32:14Means.
32:14Meltive.
32:15Right place.
32:16Right time.
32:17It's all about the time.
32:45It's all about the timeline.
32:46What?
32:47But you ruin it.
32:47You ruin it with your foolishness.
32:49Like about Ash Tall being haunted.
32:51But that's true.
32:52They killed that boy up there.
32:54Get your ass in gear, girl.
32:57I swear.
33:03You had me at timeline.
33:05You had me at timeline.
33:10The sheets.
33:11The 90 degree cycle was too long for Joseph Ward to kill Peter Barron, wash the sheets, and fold them
33:17before Miss Scope arrived.
33:19What?
33:20Our timeline.
33:21Boss.
33:22No, no, no, no, no.
33:22Took us from Saturday night at the pub to Monday morning when Peter Barron was found.
33:28When it was Monday afternoon that mattered.
33:31That's when evidence was taken from the scene.
33:33And it's that evidence that links the killer to Peter Barron.
33:37Right.
33:38The four musketeers.
33:40First, a local boy, Evan Laird.
33:46B.
33:46B.
33:48Died on Ash Tall in 1991.
33:521991.
33:53The coroner ruled it an accident.
33:55The second was Alan Moyes.
33:58Ah.
33:58Whose funeral Peter attended.
34:01Yes.
34:01Military hero.
34:03Took his own life after years of addiction.
34:06Broken by a shame he couldn't make up for.
34:08Peter Barron.
34:09The third musketeer.
34:10Hmm.
34:11Obsessed with saving every lost boy.
34:13Hi, boss.
34:13So we've got Bevin, Alan, Peter.
34:17Mm-hmm.
34:17But there's one left.
34:18Who?
34:19Someone who's just moved back here.
34:21Who had unfinished business with Peter on Saturday night.
34:23Who came back Sunday night with a birthday card.
34:26You...
34:27You mean...
34:28D.S. Oliver?
34:29Ah!
34:30What are you doing?
34:31What the?
34:33No!
34:34What's going on?
34:35No!
34:36No!
34:37No!
34:38No!
34:38We're here to help!
34:39Open the door!
34:42Ah!
34:43Ah!
34:44Ah!
34:45Ah!
34:46Ah!
34:47Ah!
34:50Shit!
34:51We locked the door.
35:06It's okay!
35:07Good!
35:11Nothing fun of who's left with you go!
35:22Uh!
35:22With Joseph dead, the case would have been closed.
35:25Joseph Ward killed Peter.
35:28He attacked me, tried to escape. You saw it with your own eyes.
35:31That's why I had to restrain him. I locked the door to keep you safe.
35:34I understand all that. Only, careful, DS. You should back away now.
35:39I'm fine. I can't.
35:43Because if Joseph doesn't recover, you need to be able to say you were following protocol.
35:48I was. I did.
35:50That you didn't lose control.
35:53I didn't mean to hurt him.
35:54Of course you didn't. Just like you didn't mean to hurt Bevan all those years ago.
36:00In the place where it all began.
36:04I stole.
36:06Just boys playing.
36:08Get off! Get off!
36:09Until we snapped.
36:13Temple punch. Just vessels of nerve.
36:17Soft tissue.
36:21Peter said it wasn't fair for one of us to take responsibility.
36:24For all of us to take the blame.
36:27All for one.
36:28And one for all.
36:30So none of you took responsibility.
36:32And the blow that killed Bevan was hidden from the damage from the fall.
36:36A terrible tragedy.
36:39Peter swore us all to silence.
36:45We all went our separate ways.
36:48But after Alan's funeral, with half of the musketeers dead, Peter told you he couldn't keep silent any longer.
36:58I said let's talk about it.
37:00Before we make any snap decisions, speak to anyone else.
37:04Change our lives forever.
37:06So Sunday night, you chatted about old times.
37:10There he is.
37:11But Peter couldn't help himself.
37:13He only wanted to speak about the terrible secret that tied you to one another.
37:18Bevan.
37:20Do you remember that?
37:22We were just kids.
37:24It wasn't our fault.
37:25Not really.
37:26He was ready to speak to the press.
37:28The police.
37:28He said it was time for us to take responsibility.
37:31We can't carry the shame forever.
37:33Easy for him to say.
37:35Who'd blame Peter?
37:36The big success.
37:37Who'd spend his life helping others.
37:39Alan.
37:40The dead army hero.
37:42Who'd blame him.
37:42But me, a mediocre detective ending a shitty career in the middle of nowhere, who'd spent
37:51three and a half decades hiding the fact that he'd help beat a kid to death.
37:54And that's why you had to silence him.
37:56Hey.
37:59Just shut up!
38:00Too many whiskeys to drive home.
38:03Peter made you up a bed, and that's my new.
38:05You'd be better after a good sleep, hey?
38:08What are you doing, Mark?
38:09Get down.
38:11What are you doing?
38:12Shut up!
38:13Just shut up!
38:14Get down!
38:19Get down!
38:31All through this case, I've had the feeling that someone was a step ahead of me.
38:37Removing and destroying evidence, anything pointing to the real killer.
38:41The killer was hidden in plain sight.
38:45Or disposed of.
38:50But Joseph couldn't delete CSI photos.
38:56And the killer wasn't one step ahead.
38:59And the killer wasn't one step ahead.
39:00You were right beside me.
39:03Walking the scene.
39:05Seeing everything you'd left that tied you to Peter.
39:08To Bevan.
39:13So you went back to Peter's house, took the card, took the album, the phone.
39:20But a trained officer who knew how to retrace his steps, wipe down where he'd been, wash his glass, and
39:31then leave the door open knowing Joseph would worry.
39:35He, enter, put prints all over the house, framing an innocent man.
39:43Heaven's death was a tragedy.
39:44No one alive knows that more than me.
39:46But the rest of that was pure fantasy DCI, Alice.
39:50Only Joseph here has motive, means, and opportunity.
39:53There's not one single piece of physical evidence places me at Peter Barron's on Sunday night.
39:57Yes, there is.
39:58The birthday card you brought him.
40:00Not card, I'm buying one.
40:02Where are you going?
40:03Hey!
40:04Come back here!
40:07Godfather rules.
40:12Hidden in plain sight.
40:20It's all out in the open.
40:22Time to tell the world what really happened to Bevan.
40:25Tell Avery what happened to her father.
40:28Come out and face it all, DS Oliver.
40:31Take responsibility.
40:33And save Joseph's life.
40:35I wasn't there.
40:37It wasn't me.
40:41The birthday card you brought him.
40:44Which you gave him on Sunday night.
40:47Happy birthday, Peter.
40:49After 40 years, what's a day late between friends?
40:52Best wishes, Malcolm.
40:55The one piece of evidence your conscience wouldn't let you destroy.
41:00No!
41:01No!
41:02No!
41:02Go, go!
41:05Get off me!
41:07Get off me!
41:07It's over.
41:08It's over, Malcolm.
41:10Malcolm Oliver, I'm arresting you for the murder of Peter Barron.
41:13Come on.
41:14Read him his rights.
41:15Get him out of my sight.
41:42Get him in the ambulance.
41:58Guess where?
41:59You won't have a try.
42:00In this salad drawer.
42:02Seriously, Mom, what the?
42:03It shows menopause is kicking your arse.
42:05It shows you not eat no vegetable.
42:08Listen, Grace.
42:10If I don't make it back in time...
42:12Listen.
42:13Shit.
42:14Don't pick up.
42:15I've got this.
42:17Mom, are you there?
42:20Hello, Assistant Chief Constable Leighton.
42:22Your boss is kicking off.
42:23Sorry, DCI-OS is busy.
42:25Good results.
42:26Ministers, please.
42:26Well, we are happy if the Minister is happy.
42:30Are you serious?
42:30No, no, no.
42:31Not what we, uh...
42:32Not what we expected at all.
42:34Hello?
42:34Boss, if you leave now, we're going to make it.
42:36Go.
42:37Thanks, Chet.
42:38Hello?
42:38Mm-hmm.
42:42Grace, baby, I'll be there by 10.30.
42:59Yeah, horse.
43:01Yeah.
43:08No, no, no.
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