00:00Please, you have to tell me why it's so important for it to say hello.
00:04Hollywood, they make computer scary things.
00:07See how this reminds you of a friendly face?
00:10That the disc slot is a goofy grin, it's warm, and it's playful, and it needs to say hello.
00:15It needs to say hello because it can.
00:21Steve's had this skill to create these things that weren't just useful,
00:26they weren't just successful as commodities.
00:28People have relationships with them.
00:30He talks in the first act about, you know, can't you see how it has a friendly face with a
00:35goofy grin?
00:36And it worked.
00:36People love their devices.
00:38They love the experience of opening up the box.
00:41I really never viewed him as a creative entity before working on the movie,
00:45and that to me was actually probably the biggest revelation was that he really was an artist in a lot
00:49of ways.
00:50The fact that he was able to put his own personality and his own shortcomings
00:56and wonderful attributes into this technology.
00:59In the same way a writer or an actor is able to funnel themselves into their work,
01:04he was able to do that with products.
01:06It was a true marriage of function and art.
01:10A creative genius, a pioneer, one of the great figures in certainly American, maybe world history.
01:17Edison, Alexander Graham Bell, Steve Jobs, he's in that sentence.
01:21He was constantly in love with that next idea and that next thing,
01:24and the people that he dragged with him, but nothing was going to interfere with getting to that next thing.
01:30That's pretty powerful stuff.
01:32There are many people like that.
01:33He's shaped the way that we live today, and, you know, none of that was by chance.
01:38I mean, he was an extraordinarily brilliant man.
01:40I think it's really important that these huge figures are answerable.
01:45You know, it's not comfortable making films about them,
01:48especially lots of people are still alive about them,
01:50and, you know, it's a very challenging portrait.
01:52It's uncompromising both the performance and the depiction of him, the writing.
01:56It shows many, many sides of him, which is wonderful.
01:59He did actually say to people, you know, who are you? Tell me about yourself.
02:02What do you do? What is it? Okay, show me. Let's see.
02:05He wanted the best out of people.
02:07I have real appreciation for that side of him.
02:10As dogged as it might have been and as difficult as it might have been for some people to work
02:14with that level of scrutiny,
02:16he wanted the best out of people, for sure.
02:20Steve, computers aren't painting.
02:22Yes, they are, and what I want is end-to-end control.
02:25I'm begging you to manage expectations.
02:28Everyone is waiting for the Mac.
02:30What are people going to do with it?
02:32It's an abstract.
02:33They're going to do that?
02:34The Apple II team has my affection,
02:36but I'm not loving up a seven-year-old product at the Mac launch.
02:39You can't write code. You're not an engineer.
02:41You can't put a hammer to a nail.
02:43What do you do?
02:44You're the enemy, aren't you?
02:45I'm going to sit center court and watch you do it yourself.
02:48It's not binary.
02:50You can be decent and gifted at the same time.
02:53What you make isn't supposed to be the best part of you when you're a father.
02:57That's what's supposed to be the best part of you.
02:59Good luck.
03:01I feel it's crucial that we make stories, films, documentaries,
03:07any kind of expression about these people,
03:09because these people changed our world.
03:11I mean, that's an easy phrase to use,
03:13and you go make a dent in the universe.
03:15There's wonderful phrases, but it's true.
03:17It's actually true.
03:18They've turned around and transformed completely
03:21the most precious thing we do,
03:23which is how we communicate with each other as people
03:25and how we transfer information between ourselves,
03:28and that is power.
03:30If I trade in my bank account for a dollar
03:32and every time somebody told me something was impossible,
03:34I come out ahead.
03:35I think he was full of contradictions.
03:37I think he was an amazing negotiator.
03:39I think he had a very sharp eye for talent.
03:45But I think it's the visionary, really,
03:47that sort of stands out first and foremost for me,
03:49the fact that he had such a clear vision
03:51when so many other people couldn't see it.
03:53He had a great respect for these engineers.
03:56The fact that he had them all sign inside on the Mac,
03:59you know, that they were artists,
04:00and that he said in any other age
04:02they would be sort of deemed as artists.
04:04and he kind of brought them into this sort of artistic realm.
04:07It's one thing to be somebody who changes the world.
04:10I don't think money was a driving force for him.
04:12I think that he knew he was going to change the world.
04:16I feel a lot of love for him.
04:18You're the only one who sees the world the same way I do.
04:20No one sees the world the same way you do.
04:22We will know soon enough if you were Leonardo da Vinci
04:25or just think you are.
04:26The board believes you're no longer necessary to this company.
04:29I've sat in a garage and invented the future
04:31because artists lead and hacks ask for a show of hands.
04:34The Mac team gave an award every year
04:36to the person who could stand up to you.
04:38Two most significant events of the 20th century.
04:40The Allies win the war and this.
04:43Ladies and gentlemen,
04:45Steve Jobs.
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