- hace 2 días
Reparto: Conchita Montes, Fernando Fernán Gómez, Guillermo Marín, Julia Lajos, Juana Mansó, Manuel Requena, Joaquín Roa
Dirección: Edgar Neville
Sinopsis: El primer día del Carnaval, un sereno de Madrid encuentra el cadáver de una rica y avarienta prestamista, que ha sido asesinada. El principal sospechoso es un vendedor de relojes que le debía mucho dinero a la anciana. Tras ser detenido, su hija empieza a investigar por su cuenta para demostrar la inocencia de su padre.
Dirección: Edgar Neville
Sinopsis: El primer día del Carnaval, un sereno de Madrid encuentra el cadáver de una rica y avarienta prestamista, que ha sido asesinada. El principal sospechoso es un vendedor de relojes que le debía mucho dinero a la anciana. Tras ser detenido, su hija empieza a investigar por su cuenta para demostrar la inocencia de su padre.
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00:00:27Thanks for watching the video
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00:10:03Can I withdraw?
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00:11:03It was with usury
00:11:05So what could they steal?
00:11:07I don't know
00:11:07The ballots, I say.
00:11:09The receipts with which he accused his clients
00:11:14Did you owe her something?
00:11:15I?
00:11:16Neither the...
00:11:17Then we'll have to find the killer.
00:11:19among this lady's clients
00:11:21Yes, one of them must be
00:11:22Yes, one of them must be
00:11:23Let's take a look at the papers.
00:11:24Where will he have them?
00:11:28I suppose it was at the Mureaú
00:11:39It's strange.
00:11:39It doesn't seem like anyone was looking for this piece of furniture.
00:12:10Was he there?
00:12:11No
00:12:13Ah, but here are the keys.
00:12:39Here they are
00:12:42Julia Sancho
00:12:43Julia Sancho
00:12:44That's the one with the used clothes.
00:12:46Well, he owes her a few pesetas.
00:12:49And this is Manuel Perea?
00:12:51That's the one from the tavern.
00:12:55And this Nemesio?
00:12:56Is he the one who threatened to kill you yesterday?
00:12:58Yeah
00:12:59That's the one that sells specific helmets.
00:13:06Let's take a look.
00:13:35One moment
00:13:37We're going to tell these gentlemen
00:13:38One thing
00:13:39And there is nothing sadder
00:13:42And more distressing
00:13:44And more distressing
00:13:56Toothache
00:13:58And eager to serve its distributed clientele
00:14:02He has achieved this through a special favor from Dr. Rejorsón.
00:14:06Some bottles
00:14:33Some bottles
00:14:36In advance
00:14:36The two royals
00:14:37The miracle cure
00:14:39From Dr. Rejorsón
00:14:41Let's see
00:14:41One for...
00:14:42It doesn't seem possible that this man is the killer.
00:14:44No
00:14:44I didn't say he was the...
00:14:46I repeat what I've seen and...
00:14:48Toothache
00:14:49And what Alice...
00:14:50Down there at the stall of...
00:14:51Let's see it
00:14:52Sirs
00:14:53There goes the wall
00:14:54Now you, sir.
00:14:55You
00:14:55Come on, kid
00:15:13Go to the fishmonger's
00:15:14And have them tell you what time it is.
00:15:16Well, they've already been seen.
00:15:17Now let's look at it in more detail
00:15:19To the neighbors in the courtyard
00:15:30If you should
00:15:32To have disguised that thief
00:15:33To give you a family resemblance
00:15:34Let me go or I'll throw a rock at you
00:15:36You throw a stone at me?
00:15:37Go ahead, try it and you'll see.
00:15:38Let go, kid.
00:15:39What did he do to her?
00:15:40What has he done to me?
00:15:41Well, steal this suit I'm wearing
00:15:42And steal a Venetian distraction
00:15:44For his sister
00:15:44Which is more corny
00:15:45That a button-up skirt
00:15:47I haven't stolen anything.
00:15:47That we have to pay rent
00:15:49Should you pay for any of your family?
00:15:51A mostranda
00:15:52Come on, come on, take off your mask
00:15:54Oh no, rich man, put on the
00:15:55You're better off with me.
00:15:56Let the boy go
00:15:57I'm not hooking up with the guy
00:15:59I'm holding on to my suit
00:16:00And I won't let go until you pay me.
00:16:01Renting this demon
00:16:02And from the Venetian dress
00:16:04So, what do you plan on doing to get your bones moving?
00:16:05Until the latest news
00:16:06It would have been better to avoid saying impertinent things.
00:16:08You will pay what you owe
00:16:09Me to whom?
00:16:10To your neighbor, Mrs. Remy
00:16:12I don't owe her anything.
00:16:13Well, that's not what he said yesterday.
00:16:15In front of this servant
00:16:16This witch has nothing to do with it
00:16:18So you can pay me
00:16:18And the rental of the suits
00:16:19You've made me sharp.
00:16:20With what
00:16:20So you told me
00:16:22Vecila
00:16:34We'll wait here for them to pass.
00:16:36Yes, they'll be coming to eat soon.
00:16:38And do they have to go through here?
00:16:40It's a necessary step, by force.
00:16:42Let's see the look on their faces.
00:16:44As you pass through this door
00:16:45Worst
00:16:46Some will come wearing masks today.
00:16:50Have you ever seen this nozzle?
00:16:53Yeah
00:16:55I seem to remember her
00:16:57But I can't figure out who it could be.
00:17:01We'll see now.
00:17:11What's up?
00:17:12How has your morning been?
00:17:13Two cuckoos and one kitchen one
00:17:14And you, father?
00:17:15How has it been going?
00:17:16Bad, things are going very badly
00:17:17Nobody feels any pain
00:17:19Two bottles in total
00:17:20I'm going to help you
00:17:24Leave him alone, father, don't work
00:17:25I can do it myself
00:17:25It doesn't cost me anything.
00:17:27Are you tired, Father?
00:17:28You should see the look on his face.
00:17:29Don't you like the one I have today?
00:17:31You're not living the life you should.
00:17:32At night you have to sleep
00:17:33And not getting up at three in the morning
00:17:35Like yesterday
00:17:35But he was wide awake
00:17:36And all he did was toss and turn in bed
00:17:39Yes, but I shouldn't have left until after I'd left
00:17:40I went outside to get some fresh air.
00:17:42Let's see if I'd get sleepy again.
00:17:43But then dawn began to break.
00:17:45And it wasn't a matter of going back to bed.
00:17:48Okay, let's go
00:17:49Everything is ready.
00:17:49Take that, kid.
00:17:50Yes, okay.
00:18:10Oh
00:18:10At the last minute he didn't dare to go in
00:18:12Here comes the tavern keeper
00:18:14That one should also be a piece of work.
00:18:24Puena Reme!
00:18:28Puena Reme!
00:18:37Puena Reme!
00:18:45Puena Reme!
00:19:09Puena Reme!
00:19:15This one seemed trustworthy.
00:19:17If he called her, it's because he probably doesn't know about the crime.
00:19:20Maybe.
00:19:22And maybe not
00:19:24Let's go to our observatory
00:19:40Let's go to our observatory
00:19:42Come on, let's go
00:20:02Oh my God! Oh my God! Oh my God!
00:20:25Would you like a cigarette?
00:20:26Thank you, I don't smoke. What is this? Who are you?
00:20:30Don't worry. I've just come from the police station to deal with the murder of Doña Remedios.
00:20:33It's possible. Doña Remedios.
00:20:36Didn't you know that?
00:20:36What do I know?
00:20:37And how did you feel so confident that you could enter here without knocking?
00:20:41Imagine. We've known each other for so many years.
00:20:45Wouldn't you come and throw it out into the yard like you offered yesterday?
00:20:48No, for God's sake. That was a joke. And how could I have thrown him across the yard if I didn't...
00:20:52Could I handle her?
00:20:53So you were just coming to pick up the nozzle.
00:20:55Sure. I mean, no. Which nozzle?
00:20:58The one you have in your hand.
00:21:00No, man, no. You're mistaken. I brought this nozzle.
00:21:05So it didn't fall off last night when the crime happened?
00:21:07But what? What?
00:21:09Well, don't even think that I have anything to do with the incident.
00:21:13No, man, no. How could I possibly have that suspicion?
00:21:15If all this is perfectly natural.
00:21:17You enter this room without knocking, the same room whose neighbor you threatened with death yesterday.
00:21:21And to pick up a nozzle that you said you already had when you came in.
00:21:24And I thought it was in my pocket a moment ago.
00:21:27And you're going to listen to a mouthpiece?
00:21:29Come on, without further ado.
00:21:31You are the one who killed Doña Remedios tonight.
00:21:32Not me, no.
00:21:33What are you doing here, father?
00:21:34Confess. Are you the one who murdered Doña Remedios?
00:21:37Not me, no.
00:21:38Can't you tell me who you are? And why are you saying so many membés?
00:21:40Then it will be his turn to speak.
00:21:42I'm not interrupting this conversation now, or I'm telling you to stop it.
00:21:44I'm a police officer.
00:21:45Are you Romanones? You have no right to disrespect my father.
00:21:48Let's go!
00:21:48Hush, Nieves, hush. This gentleman is very kind.
00:21:52And he wants to find out some things.
00:21:54Come on, let's not waste any time. Just trust me right away.
00:21:56How still!
00:21:57Well, let me warn you that I am a man of good character.
00:22:01There is no one more honest than me in the world.
00:22:03Not in Spain, not in Madrid, not in this neighborhood, not in this house.
00:22:06Whether I've ever had a crush or a falling out with someone,
00:22:09It wasn't my fault, nor my family's.
00:22:11It was all his fault!
00:22:12Periquito, don't come out yet.
00:22:14Come on, let's be more formal, because I'm not going to like selling any specific product.
00:22:17Go and get two agents.
00:22:18Yes, but I...
00:22:19But now you're dedicated to this profession.
00:22:21Aren't you ashamed to see how they accuse a man like my father?
00:22:23That you know him as well as I do.
00:22:25That you are ocecar, Nieves.
00:22:26I have nothing to do with this.
00:22:28I'm an eyewitness, so you know.
00:22:31He should go immediately.
00:22:32Go.
00:22:34And let my letter go to your space.
00:22:36Let everyone come and see what they're doing to my father.
00:22:39Come on, confess the truth.
00:22:40My father has nothing to say.
00:22:41Yes, take off your shoes, Nieves, take off your shoes.
00:22:43I'm going to tell you everything I know.
00:22:46This gentleman will understand that I am innocent.
00:22:49Sit down if you find it more comfortable.
00:22:52Well, you see.
00:22:54I, in fact, was not on good terms with Mrs. Reme.
00:22:58He had scammed me.
00:23:00I owed her a certain amount.
00:23:01And since I couldn't pay her, she made me sign receipt after receipt doubling the amount.
00:23:06Until recently, I owed her much more than I could ever have.
00:23:10So, if I hadn't had those resources, this girl and I would have been on the street, what
00:23:16I know how to play guitar and sing.
00:23:19But since I don't know how to play the guitar and I don't have a good voice, I would have been begging for alms.
00:23:25Because of that thieving aunt.
00:23:26Please continue.
00:23:27What was the argument about yesterday?
00:23:28Because I wanted to bring up the reasons.
00:23:30I wanted to pay her back the amount she lent me with reasonable interest.
00:23:34But she didn't want to know anything.
00:23:36And he threatened me with foreclosure if I didn't pay it all.
00:23:39That's when I expressed my desire to throw her out into the yard.
00:23:43But come on, it was a literary image.
00:23:47Like someone saying a rhetorical phrase.
00:23:51And at night, to steal her papers, you murdered her.
00:23:55No, I didn't murder her.
00:23:57But indeed, at three in the morning I came to this house.
00:24:03I brought a bunch of keys to open the door because what I wanted was to remove the retivos.
00:24:09Go on.
00:24:10When I got to the door I checked and it was open.
00:24:12I entered this room and tripped over something on the floor.
00:24:16I reached for the matchbox and when I took it out something fell to the floor, which was this nozzle that everyone
00:24:22The world knows me in the courtyard.
00:24:23I lit a match and saw at my feet the corpse of Doña Réme.
00:24:27Well, it's not for nothing.
00:24:29But I got a terrible fright.
00:24:33And this fright increased when someone I don't know blew the match on me.
00:24:38And he gave me a shove that made me fall to the ground.
00:24:41Before I had time to get up, whoever it was had already escaped.
00:24:46Why didn't you ask for help?
00:24:47Why didn't you report it immediately?
00:24:49That's what I thought I would do and what I should have done.
00:24:52But since everyone knows what was going on between me and the assistant, they would have thought it was me.
00:24:58the killer.
00:24:59In other words, I would have been in the same situation I am in now.
00:25:02So I preferred to keep quiet.
00:25:04Then I spent the whole morning worrying about my mouthpiece, which, as I already told you, everyone knows about.
00:25:09the neighborhood.
00:25:10And now, when I got home, I did the stupid thing of going inside to look for her.
00:25:15That's all.
00:25:16But be quiet, father, be quiet.
00:25:18Why didn't he tell me anything?
00:25:20I didn't know what to do.
00:25:21If you use this damn nozzle, I'm never coming back to the house.
00:25:27All of this will become clear, but for now...
00:25:29Why do you say that I still suspect my father?
00:25:31Are they going to arrest him?
00:25:33Excuse me, you lack the intelligence to understand that what he said is true.
00:25:35Calm down.
00:25:36Why am I going to calm down?
00:25:37You realize that if you're content with arresting my father, you're going to buy yourself time
00:25:40to the real killer to escape.
00:25:43Father!
00:25:44Don't make the situation worse!
00:25:45Let me go!
00:25:46Calm down, Nieves, calm down!
00:25:47This man is a gentleman!
00:25:49Be still!
00:25:49Let me go, I tell him!
00:25:50Come on, have faith!
00:25:52Nieves, don't worry, the truth will come out in the end.
00:25:54Let me go!
00:25:55Nieves, don't do anything crazy.
00:25:56Don't hit that child, he hasn't done anything to you.
00:25:59Daughter!
00:25:59Daughter!
00:26:00Daughter!
00:26:12Daughter!
00:26:24Daughter!
00:26:25Daughter!
00:26:27Daughter!
00:26:29Daughter!
00:26:32Daughter!
00:26:33Daughter!
00:26:36Daughter!
00:26:37Daughter!
00:26:39Daughter!
00:26:41Daughter!
00:26:41Daughter!
00:26:42Daughter!
00:26:43Daughter!
00:26:43Daughter!
00:26:43Daughter!
00:26:43Daughter!
00:26:51What? Have you seen anything suspicious?
00:26:53Nothing. Only the neighbors have come in, as usual.
00:26:57I don't believe the killer will return.
00:26:59Natural.
00:27:01But also that Mr. Nemesio, huh? Who would have thought?
00:27:04But do you think it was Mr. Nemesio?
00:27:08I don't believe anything.
00:27:10But there is cause for suspicion.
00:27:12The damn nozzle is what's happening.
00:27:15Okay, I'm going to sleep.
00:27:18See you tomorrow.
00:27:19See you tomorrow.
00:27:20I'm going to take one last stroll through the galleries before leaving.
00:27:24Bye bye.
00:28:00Subscribe to the channel!
00:28:02Subscribe to the channel!
00:28:40Subscribe to the channel!
00:29:09Subscribe to the channel!
00:29:37Subscribe to the channel!
00:29:41...a little green bird is going to fly out. It's going to look beautiful.
00:29:44The chorizo!
00:29:44They all look beautiful. Stay still, you'll see what's coming.
00:29:47Now, stay still, stay still!
00:29:50Come on, man! Can't you go around here?
00:29:52Please pretend you didn't notice.
00:29:56Look, come in! The first work has already been ruined.
00:29:58Look! Stay still, stay still! Let's see.
00:30:00Stay still, stay still! Stay still! Stay still, you sausage man!
00:30:12Well, he hasn't come.
00:30:14He must have gone to see his father.
00:30:16Maybe.
00:30:25Hey, kid. Where's the owner?
00:30:27No, I went looking for snow and I didn't find it.
00:30:30He is not at home.
00:30:35Mustaches to make me laugh!
00:30:37There are noses too!
00:30:39Who gets the noses?
00:30:42Guard uniforms!
00:30:43You need a cherry-colored outfit to really let loose this carnival!
00:30:47These are indirect.
00:30:49Snitch suits!
00:30:51You need a traditional Spanish dress to go for a walk along the Castellana!
00:30:54They come in two sizes!
00:30:56Even for hippos!
00:30:57But here's the whale!
00:30:59He's been better off minding his own business than going around playing detective.
00:31:02to accuse a poor innocent man like Mr. Lemesio.
00:31:05No, he hasn't accused him.
00:31:06Yes, he defended it.
00:31:07The thing is, all he does is read Nick Carter's Arreal novels.
00:31:11Will you give him a nose?
00:31:12Come on!
00:31:13His day has finally arrived, man!
00:31:15Ha ha!
00:31:27Here it goes!
00:31:29This piece of furniture was untouched yesterday.
00:31:31Absolutely.
00:31:32That's where you found the old woman's receipts.
00:31:36They've been taken away.
00:31:41Let's see this.
00:31:43Uh-huh.
00:31:44Here is the secret drawer you were looking for.
00:31:51Empty.
00:31:56What they couldn't find yesterday, they found today.
00:32:17Idiot!
00:32:18Let's not start, or I'll put the gag back on.
00:32:20Do you see what happens when you arrest my father, who is innocent of everything?
00:32:23There were very well-founded suspicions.
00:32:24There were noses.
00:32:25The thing is, the killer came back tonight, and he almost killed me.
00:32:28He's had all the time he wanted to strip the house of its value.
00:32:33And what are you doing here?
00:32:34I had come to get something that was mine.
00:32:36Can you tell me what?
00:32:37Yes, son, yes.
00:32:38The receipt signed by my father.
00:32:39Where is?
00:32:40They took it from me.
00:32:41Who?
00:32:42There, Mrs. Cañerías.
00:32:43The killer was behind it all.
00:32:45That gave me quite a fright.
00:32:46What was it like?
00:32:47I didn't see him.
00:32:47I was so scared that I dropped the candle and lost consciousness.
00:32:49And when I came to, he was already gagging me.
00:32:51What happened next?
00:32:52Then he left, closed the door, and they could hear him banging on the furniture.
00:32:56And what did you do?
00:32:57Well, what else could I do?
00:32:58I stayed here thinking about how clever you all are.
00:33:01How easy it must be to be a detective.
00:33:03When you stop the first person who comes to mind, well, that's it, it's already sorted.
00:33:06So this matter is perfectly clear.
00:33:08His father bears no responsibility whatsoever.
00:33:09And therefore, you have to let go of the moment.
00:33:11And as for you, you are just another victim of the killer.
00:33:14Of course.
00:33:15Of course.
00:33:16And I suck my pinky finger.
00:33:19But you don't believe what I've told you.
00:33:20What? They gagged her and left her here for me to find?
00:33:24Yes, I do believe that.
00:33:25What I don't believe is that it was against his will.
00:33:28So, according to you, I agreed with the one who gagged me.
00:33:31There's some truth to that.
00:33:32Well, it's you, an idiot.
00:33:34Be quiet.
00:33:36Wait for me here.
00:33:42Happens.
00:33:47Does Doña Remedios, the pawnbroker, live here?
00:33:49Yes, you want something.
00:33:50I would like to speak with her.
00:33:51Is this for a sale or for a specific matter?
00:33:54For a possible purchase.
00:33:56I'm looking for a piece of furniture and I think she has the type I'm looking for.
00:33:59Please come in.
00:34:00She is not here right now.
00:34:08This one isn't bad.
00:34:18Is this the piece of furniture you were looking for?
00:34:20Something like that.
00:34:21Do you know what the price is?
00:34:23No.
00:34:24But if you're interested in the case in that drawer,
00:34:28I'd better check it.
00:34:30That?
00:34:30Do you know him?
00:34:32Something.
00:34:40I see that the piece of furniture has had its fans.
00:34:42That?
00:34:42Are you still interested in the furniture?
00:34:45Less.
00:34:48When will I be able to speak with Doña Remedios?
00:34:50It's going to be difficult for him.
00:34:52I am the district commissioner and Doña Remedios died the night before last.
00:34:56The flu?
00:34:57She has been strangled.
00:35:01What a problem!
00:35:04Did you know the victim?
00:35:06No.
00:35:06How did you know the piece of furniture was here?
00:35:09It's a very long story to explain.
00:35:11Are you genuinely interested in hearing it?
00:35:13Yeah.
00:35:14Well then I'll have to shorten it.
00:35:17Do you know what a great-aunt is?
00:35:19I have an idea.
00:35:20A grandmother's sister.
00:35:22Something of the sort.
00:35:24Well then.
00:35:25I am the owner of a great-aunt.
00:35:28This great-aunt owned this piece of furniture.
00:35:31And in this piece of furniture there was a secret drawer, and in the secret drawer a diamond bracelet.
00:35:36From your great-aunt?
00:35:37No.
00:35:37From my late grandmother.
00:35:39But her little sister had been kind enough to keep it.
00:35:42She said that as a memento, instead of letting the bracelet pass into my mother's hands,
00:35:46and from her to me, who is the one to whom the bracelet truly belongs.
00:35:51And why did your great-aunt sell this piece of furniture without taking the precaution of removing the slate?
00:35:56Because my great-aunt hasn't had the operation.
00:35:58They sold it to my great-aunt.
00:36:00And because my great-aunt is what they call senile.
00:36:04Do you know what it is, commissioner?
00:36:06Yeah.
00:36:07Dazed.
00:36:08Exactly.
00:36:09There are people who are selling their things little by little.
00:36:12And how come you, his nephew, didn't stop it?
00:36:15Because I am the cursed nephew.
00:36:17Thrown out of his house, under the accusation of a dissolute life.
00:36:22For my great-aunt, in the years preceding her current state of being a chochet,
00:36:26going to Triano in shovels to see the cabaret singers,
00:36:28It was such a decisive sign of depravity,
00:36:31that the people who committed that sin,
00:36:33They were not worthy of setting foot in the halls of his house.
00:36:36So you're more of a varietal fan than your aunt.
00:36:40It's another kind of beauty.
00:36:42But I like it more.
00:36:44Furthermore, with my great-aunt, I only shared a mutual and reciprocal antipathy.
00:36:51Proof that the bracelet has arrived here,
00:36:54There's the case.
00:37:02Can you give me your name?
00:37:03Gonzalo Fonseca.
00:37:05Lives?
00:37:06Trujillos Street, number 7.
00:37:08And your great-aunt?
00:37:10Sacramento Street, number 1.
00:37:13Do you suspect anyone?
00:37:15From no one in particular.
00:37:17But the thing undoubtedly came from his great-aunt's house.
00:37:20Is he your assistant?
00:37:21Yes, he's my assistant.
00:37:24It's their noses.
00:37:25What a beautiful nose you have, Commissioner!
00:37:29And is it possible to know if everything that goes with the noses is available?
00:37:33Ask your great-aunt about that.
00:37:36Well, miss, if you don't mind, we'll leave the jokes for another time.
00:37:39For me?
00:37:39Now I need to talk to this gentleman, so I would appreciate it if you could leave me alone for a moment.
00:37:43I must understand that I am in absolute or conditional freedom.
00:37:47Absolute for now, but on the condition that you don't go too far away.
00:37:51Let's go, snow.
00:37:52Let's go.
00:37:58Sit down.
00:38:02I'm only going to ask you three questions.
00:38:04Then you may leave.
00:38:14Well, I'm telling you, the young gentleman must know something about the weather.
00:38:17It's quite a coincidence that he's come looking for that piece of furniture today.
00:38:20But have you seen him looking for the bracelet on the piece of furniture?
00:38:22I didn't see her, but she was in the next room and heard everything.
00:38:25He had come looking for a bracelet that was in a secret drawer.
00:38:28And when she opened the drawer, she found that the bracelet was no longer there.
00:38:31Which proves he's not the murderer, because otherwise he would have taken the bracelet without breaking it.
00:38:35the piece of furniture.
00:38:36Clear!
00:38:36Yes, but I don't know why I get the feeling that everything revolves around him.
00:38:40He's a bad egg, greedy for money.
00:38:42Apparently, the only thing he's interested in is copper mining.
00:38:44That's where we need to look.
00:38:45I think I'm going to have to sell Rahel some noses.
00:38:49Look, there they are.
00:38:51It's been a pleasure.
00:38:53At his disposal.
00:39:02Hey, kid.
00:39:05Look, the man is still here all day without anyone noticing.
00:39:07And every time I go somewhere and you can give me something, you phone the cripple's shop.
00:39:10Go on, handsome.
00:39:11Let's see if you do it right, okay?
00:39:12If you give us the clue, I'll give you the devil costume with the tail and everything.
00:39:14Viva!
00:39:43Viva!
00:39:58Are you sure it's here?
00:40:00Yes, it's been an hour already.
00:40:01Wouldn't he be coming alone?
00:40:02No, he came with some masks and other gentlemen.
00:40:04And what did he do this afternoon?
00:40:05He spent almost the entire afternoon at Sacramento Street number one.
00:40:08And are you sure?
00:40:09Because?
00:40:09Because yesterday, where does that aunt of his live that he doesn't talk to?
00:40:11I can be at home without needing to see your aunt.
00:40:13And perhaps against her will.
00:40:15And where did he go after that?
00:40:16Then he went into that cabaret called Armashin.
00:40:19It was already time to come here.
00:40:21And she left with that woman dressed in masks and with the others.
00:40:24After this, the devil costume is mine, right?
00:40:26Yours, beautiful!
00:40:27So you can wear it all year round.
00:40:29Here's a coin, you've earned it.
00:40:30Come on, let's go.
00:40:34Here it goes.
00:41:08You can't watch where you're stepping.
00:41:10Oh yes, a curtain.
00:41:13Oh, this curtain is like this one, it's ugly.
00:41:16Was it me?
00:41:17Yes, but the dance ends because of the gentleman.
00:41:20Eva, there's no commotion!
00:41:22Come on, get out!
00:41:24Out!
00:41:25But it's my Casio.
00:41:27Hey, no, it's my Casio.
00:41:29What do you see at a pottery shop for dancing?
00:41:30Don't come at me with jokes, mask, because I came here to keep order.
00:41:34Hey, he doesn't know me, he doesn't know me.
00:41:37Do you want me to tell you who broke those six water jugs over your head the other day, Rico?
00:41:41It was your wife, wasn't it?
00:41:42Don't mess with me, I came here to work.
00:41:44Oh, but he doesn't know me.
00:41:46Well, I do know you, you see, I know about the six water jugs.
00:41:49And I can also tell you why there was a fight.
00:41:51Leave me alone, I don't care about anything.
00:41:53Cortenario, do you want me to tell you who told your wife that you were going to the theater with Patro?
00:41:57Go on, yes, tell me.
00:41:59Didn't you say you weren't interested?
00:42:00That does interest me, because I'm going to punch whoever did it in the face.
00:42:03Well, I'm not telling you that, I'm not...
00:42:05No, well you tell me or I'll take off your blindfold.
00:42:25Let's see how we manage to meet them.
00:42:27Ah, that wasn't a problem at all.
00:42:29Let's see if we can find any friends.
00:42:31Okay, that's it.
00:42:35Now, look.
00:42:36Mr. Emeterio!
00:42:37Mr. Emeterio!
00:42:38Oh, you've recognized me!
00:42:40Yes, indeed!
00:42:40Yes, you saw the antique, Mr. Emeterio.
00:42:43And this is the friend, yes, me, who made the antique for him.
00:42:46Now please leave me alone, I don't like jokes.
00:42:49Look, I like antiquities, even though we're at peace.
00:42:52Okay, okay.
00:42:53But now it's been seen!
00:42:54But who are you to hit me?
00:42:55Me hit you?
00:42:56Yes, sir, to hit me, to mess with this poor girl, who hadn't gotten involved in anything.
00:43:01Look, for God's sake.
00:43:02I'm going to call the rooms right now.
00:43:03But ma'am!
00:43:04But, listen.
00:43:05But I'm also taking you with me, Barracha.
00:43:06Furthermore, you insult me.
00:43:08Well, you know what's good.
00:43:09Let me go!
00:43:10But what am I going to tell him!
00:43:11Lady!
00:43:11Let's go to my paparracho!
00:43:13Let's criticize each other right now!
00:43:15Let's criticize!
00:43:16We're going to...
00:43:19Have you noticed that I have wronged you?
00:43:21But I don't know anything.
00:43:23Hey, sir!
00:43:25What does he know?
00:43:26Could my niece's moment return?
00:43:28She's very shy and I don't want to leave her alone.
00:43:30What is your niece like?
00:43:31This young lady.
00:43:35With great pleasure.
00:43:36I'll be right back, okay?
00:43:37As soon as I get that rude person arrested.
00:43:49But what's happening!
00:43:51Have you started a fight again, you fool?
00:43:52Well, I don't know why they come to this town without offering bets.
00:43:55Let's go!
00:43:56Let's all go to the police station!
00:43:57Azalto!
00:43:58Wait here, I'll be right back.
00:44:03Miss, don't you want to take off your mask?
00:44:05No.
00:44:06Because?
00:44:06Are you ugly?
00:44:07Oh, no way?
00:44:08So?
00:44:08I'm ashamed.
00:44:09Didn't you hear my aunt?
00:44:11I haven't heard anything else.
00:44:13I mean, he said I'm very shy.
00:44:15And are you very shy?
00:44:17That's it, that's it.
00:44:18Enough to keep me from taking off my mask.
00:44:21Okay, let's go to the VIP box.
00:44:22Come on.
00:44:24Let's see if we can find out who's complaining and about whom.
00:44:27I complain about this mask that has run me over.
00:44:29This odalisque has come here wanting a fight.
00:44:32I came here with no desire to fight.
00:44:34And I haven't come here to have fun, but to fulfill a promise.
00:44:37The reason is the least important thing.
00:44:39And who are you complaining about?
00:44:40I am complaining about this gentleman, who has disrespected me.
00:44:43Whether with or without a mask, you no longer disrespect me.
00:44:46I like thin ones.
00:44:47Doña Vicenta, who weighs 86 kilos without shoes, will tell him.
00:44:51Do you see, guard, how well you know me?
00:44:53That doesn't stop him from complaining.
00:44:55So, you want us to go to the police station?
00:44:59Do you know what I've decided?
00:45:01Forgive everyone and prove that I am a lady.
00:45:03So as far as I'm concerned, let them go free.
00:45:07And that he looks again at his steps.
00:45:08But I don't have them detained.
00:45:10It doesn't matter, you can forgive them.
00:45:12And I don't need anyone to forgive me.
00:45:14And me even less.
00:45:16In any case, you are forgiven.
00:45:19Forgiven? For what?
00:45:24And are those eyes that can be seen yours, borrowed?
00:45:27They belong to a cousin of mine who couldn't come.
00:45:29And the nose too?
00:45:30Oh, that's worthless, it's broken.
00:45:32Is it from another of your cousins?
00:45:33No, no, it belongs to a neighbor who is a piano teacher.
00:45:37And that fat lady who's with you, does she bite?
00:45:40Yes, I'm a predator.
00:45:42Okay, let's all introduce ourselves.
00:45:45This lady is an unknown mask.
00:45:47Here's a boy from a good family.
00:45:49And these are some childhood friends.
00:45:51Nice to meet you.
00:45:52Thank you.
00:45:53I think I know you by sight.
00:45:54Yes, we must live on the same street, because of all the coming and going.
00:46:00Excuse me for a moment.
00:46:01I have to ask my aunt something.
00:46:06What else are you chewing on?
00:46:08Hey, what should we do?
00:46:09Well, listen closely, because something will slip through at the last minute.
00:46:12And in the meantime, let's laugh and have the best time possible to inspire confidence.
00:46:16Oh, and pretend we're drinking a lot, so they think we're dizzy and let loose.
00:46:20Very well, but look at me to see how ostentatiously I drink.
00:46:24And when I deem it appropriate, I pretend to fall asleep, so that I can hear everything they say.
00:46:29And do I pretend to be asleep too?
00:46:30No, no, no, you don't wake her up.
00:46:32Hey, take this flake.
00:46:33Come on, come on.
00:46:46Mister!
00:46:46Mister!
00:46:47Mister!
00:46:49Ah, that's the famous culprit.
00:46:53What's it called?
00:46:54Mister!
00:46:55Mister!
00:47:23Thank you!
00:47:39Ugh, I can't see anymore. I'm so dizzy.
00:47:42If this wine doesn't make you dizzy.
00:47:43It doesn't make me dizzy? Well, I'm already dizzy, I can't see or hear anything.
00:47:46Unless you speak very loudly, I can't hear you at all.
00:47:48Another thing!
00:47:53Hey, here's the mask.
00:47:54Oh, really? Oh, well, here it is.
00:47:57What? Comfortable?
00:47:59Beautiful woman from the late 19th century.
00:48:03Oh, don't let it please you!
00:48:04A lot, a lot. Like we can't live without you anymore.
00:48:07Hey, take off the mask!
00:48:09Clear.
00:48:11And you, aren't you taking off your mask?
00:48:13I don't.
00:48:14But, woman, they've all done it.
00:48:15But not me.
00:48:16What you should do is drink to lose your shyness.
00:48:19I'll drink if you want. But you have to tell a funny story.
00:48:22Where do you plan to take me?
00:48:23Hey, you, should we invite them to the vest's inn?
00:48:26Hey, what's this about the vest's vent?
00:48:27Nothing, just some nonsense from him.
00:48:28Oh, they're nowhere near where they bury the sardine.
00:48:31Yes, we had thought about going, but we're not going anymore.
00:48:33Hey, let's drink!
00:48:51Come on, woman, don't talk to me formally.
00:48:53We're already lifelong friends.
00:48:55And take off your mask, I'm dying to see you.
00:48:57I don't want to, if I'm not going to look for it.
00:48:59Go on.
00:49:00Let's go for a walk around the dance floor so I can go to you.
00:49:02Okay, whatever you want.
00:49:03Go woman!
00:49:05You just can't say no to anything.
00:49:11There you go, my aunt.
00:49:12Leave her alone, she's resting. We'll wake her up when we get back.
00:49:15Well.
00:49:26Wait a second, I'm going to get my coat.
00:49:29Because he's the worst of the Martians, and that's a good thing.
00:49:31It's just a moment.
00:49:32We're going to my cousin's house who lives nearby
00:49:34And the air will make your dizziness go away.
00:49:36But I don't know that cousin of yours...
00:49:38Don't address me formally.
00:49:40Call me by my first name!
00:49:40And take off your mask, I'm eager to see your face.
00:49:43Oh, as soon as she sees me, she won't want to introduce me to her cousin anymore.
00:49:46She's very nice, you'll see.
00:49:47Come on, wait for me, I'm coming to get you.
00:49:50Uh!
00:49:50Let me support this column.
00:49:53I think that dancing is love, turns that it should have.
00:50:06Oh, how I feel.
00:50:07They think it's a man, but it's just a draft.
00:50:11Why are you wearing mourning clothes?
00:50:14As?
00:50:16His lordship is a wordsmith.
00:50:20Wow, what a ring!
00:50:21Did you buy it in that ring?
00:50:24Hey, give me the mask!
00:50:27Ah, we have those!
00:50:28We're doing detective work at the dance.
00:50:30It was a coincidence.
00:50:31And who is her companion?
00:50:33My prison?
00:50:34None of that, let me go.
00:50:35If I don't prescribe it.
00:50:36What I don't quite understand is why you have come looking for me.
00:50:39I'm not coming to look for you.
00:50:51There's no fog!
00:50:55There's no fog!
00:51:11There's no fog!
00:51:13There is no fog.
00:51:14Yeah?
00:51:16Good!
00:51:21This is great!
00:51:23But...
00:51:26Oh!
00:51:26But, Julia, don't tell me you've really fallen asleep.
00:51:29Oh, I think so!
00:51:34I don't think you heard anything you said.
00:51:36Let me think.
00:51:38Uh, I don't think so.
00:51:40I think I've fallen asleep.
00:51:44Come on, let's go, they've recognized us.
00:51:46But who?
00:51:48Who's it going to be, Julia? Who's it going to be?
00:51:53Who's it going to be? Who's it going to be?
00:51:57Who's it going to be? Who's it going to be?
00:51:59Come on, Anía, come here. Have this little drink.
00:52:02Drink it.
00:52:03Cheer up, woman, it sounds crazy!
00:52:11Tea flower, tea flower.
00:52:13I don't know...
00:52:15I don't know...
00:52:21Let's go, let's go.
00:52:23Do not desire my love.
00:52:26La, la, la, la, la, la la.
00:52:29La, la, la, la, la, la, la, la, la, la.
00:52:40But if I were Mrs. Julia and the snow.
00:52:42Well, it's true.
00:52:48Oh! Look who it is!
00:52:52Let's give them a bruna.
00:52:54Where was I going!
00:52:55Give it to me!
00:52:56You know me! You know me!
00:52:58You crook, Julia!
00:53:00Oh, I'm graduating, I'm Julia!
00:53:03Come on, look at the cemetery!
00:53:04You're selling a saint, who?
00:53:05What did you do to yourself, you crook!
00:53:07Let's respect each other, otherwise we'll be facing off tomorrow.
00:53:11It's unbelievable that you're in the mood to play jokes, Ms. Julia.
00:53:15Oh, you haven't confused me!
00:53:16No, I'm not Sign Julia!
00:53:18I'm the one who went to this woman to break the six water jugs over her head!
00:53:23Look how funny!
00:53:24Ah! So it was you!
00:53:26Of course!
00:53:28But I know everyone!
00:53:30The thing is, I'm the best goblin!
00:53:32That's why I know your relationship is with the boss!
00:53:34You too, this intern with the plumber!
00:53:37I know you!
00:53:38Because I'm a waiter!
00:53:40A ghost!
00:53:41That's why you don't know me and you never will!
00:53:44Oh, leave me alone, girl!
00:53:46I was really looking forward to telling him those four hard truths!
00:53:48We'll talk about all of this tomorrow!
00:53:50You'll remember this night, Miss Julia!
00:53:53Oh, come on, I'm Julia!
00:53:55Julia, the mask!
00:53:56Hey, the mask!
00:53:58Oh, the mask!
00:54:05Maybe your child is a painting prodigy with this!
00:54:10Maybe a Murillo!
00:54:11Maybe a tintoretto!
00:54:13Maybe he's from Verona!
00:54:14Maybe a dark-skinned coal miner!
00:54:17Well, I take away the fact that he's dark-skinned and they're left with just coal miners, but the Argoceran child, right?
00:54:20The parents have a good laugh at the drawings their kids make, huh?
00:54:24Well, and how the mothers laugh when their child paints the walls, right?
00:54:27Just like the missionary priests go through the Ecuadorian countryside with the gospel in their hands,
00:54:33I come through the cities of Castile with a pencil to eradicate illiteracy,
00:54:37which is the greatest plague a nation can have.
00:54:40Down with ignorance, down with serrilism, and down with alcoholism.
00:54:45Good!
00:54:46Do you know what I'm going to give you?
00:54:48An article that is useful for this audience who have to be around most of the time,
00:54:53Instead of thinking about something else, he has to be playing the guitar because of the itching and the illusions that
00:54:57They come out.
00:54:58Do you want to see how to remove this?
00:54:59Very easy, listen.
00:55:01Listening is a way to learn, and knowledge is never a hindrance.
00:55:03Although I'm a chatterbox at the moment, I finish my work; I'm a decent person.
00:55:08And if I didn't know this was good for you, I'd start pulling out rocks with my teeth in a
00:55:13path.
00:55:13Because I have a way of working, just like a mother can have a child.
00:55:17You have children with scabs, with sores, a hidden audience listening to me, look!
00:55:21The ropes, Father! Noses and whiskers!
00:55:24Don't you want to have the guts to run the sardine?
00:55:26But it won't be with the ones we have.
00:55:28Ah, it's quite something to brag about, man, it's the last day of Carnival! Noses and mustaches!
00:55:32Noses and whiskers! The ropes, father and mother! Noses and whiskers, gentlemen! Noses and whiskers!
00:55:38You told me I was perfectly fine.
00:55:40Is this clock running slow?
00:55:41What is Elizabethan?
00:55:42What does it matter that it's Elizabethan and that it behaves properly?
00:55:45He walks as he should, but he is slower than the others because he is tired.
00:55:48And why is he tired?
00:55:49Well, madam, why is it Elizabethan? You can't see it.
00:55:51You walk as fast now as you did thirty years ago.
00:55:53No, ma'am.
00:55:54It's just like passing the clock.
00:55:56Noses and mustaches, ma'am!
00:55:57Let the party begin, Dad, on the last day of Carnival!
00:56:00Do you want a nose?
00:56:01Leave me alone!
00:56:02If you don't fix it, I'll come back and return it.
00:56:04Well, do what you want.
00:56:06What did the commissioner tell you?
00:56:07Don't let your father go until there is proof that someone else was the criminal.
00:56:11And why didn't you go and ask him?
00:56:13Because I don't want to disrespect authority.
00:56:14And what does Julia say?
00:56:15Oh, he starts a fight with Don Emeterio and a lady who was with him,
00:56:19that voices have been heard on the Hill of the Angels.
00:56:22Okay, let's see, you keep the job.
00:56:23Well.
00:56:25Noses and mustaches, gentlemen!
00:56:26Let the party begin, Dad, on the last day of Carnival!
00:56:29Watches, gentlemen!
00:56:30I don't know, I don't know.
00:56:32Well, the first thing we need to do is for you to come to an agreement.
00:56:35about what the girl will wear to the dance.
00:56:37The thing is, I just can't decide.
00:56:39So make up your mind already.
00:56:41I have both suits.
00:56:42They both cost almost the same.
00:56:44So it's all the same to me.
00:56:45Will she dress as Marie Antoinette or as a Galician woman?
00:56:48I don't know.
00:56:49I don't know, look.
00:56:50I'll think about it.
00:56:51Well, think about it.
00:56:52Think about it carefully, ma'am.
00:56:53Because in these serious matters, you can't afford to make a wrong move.
00:56:57Oh, oh, my head.
00:57:00Have I heard that you had an encounter?
00:57:01Two.
00:57:02Two meetings.
00:57:04Now that my head has hurt so much that I haven't noticed anything.
00:57:07They've said all sorts of things to me.
00:57:08And the commissioner?
00:57:09I haven't wanted to see him because I don't want to have any more arguments with him.
00:57:11And that Gonzalo?
00:57:12Everything about that chicken is suspicious.
00:57:14What are you going to do?
00:57:14Well, look, I'm going to show up at my great-aunt's house, who's bitterly estranged from him,
00:57:17and tell her that her bracelet has been stolen.
00:57:19Let's see if anything comes of this mess.
00:57:21What do you think?
00:57:21It's not a bad idea.
00:57:23Do you want me to accompany you?
00:57:23No, I prefer to go alone.
00:57:24I'll stop by your house later and we'll see.
00:57:26Good morning.
00:57:28Hi, friend.
00:57:30Bye bye.
00:57:32I came to ask you to clarify for her what you said to her last week.
00:57:36Ah, the thing about the six water jugs.
00:57:38Yes, about the water jugs.
00:57:39The little heredita is for having fun this afternoon, gentlemen.
00:57:41The party, father, for the last day of carnival.
00:57:43There's also a mustache.
00:57:44Okay, let's go.
00:57:45What does a mustache do for ladies?
00:57:45Let's talk about the water jugs.
00:57:47Ali, Ali, Ali, by the hand, no, by the mouth, like this.
00:57:55Ali, Ali, Ali, by the hand, no, by the mouth, like this.
00:58:13Ali, Ali, Ali, by the hand, no, by the mouth, like this.
00:58:18¡Aleí, aleí! ¡Va la mano! ¡Va la mano! ¡Va la mano! ¡Va la mano! ¡Va la mano!
00:58:45Please come in.
00:58:58Good morning, ma'am.
00:58:59Good morning.
00:59:00You tell me, I'm told you have to talk to me about something important.
00:59:06It's an important thing for me, and it's important for you too.
00:59:10Well, I'll take this seat.
00:59:11Thank you very much, I'm fine like this.
00:59:13Yes, Dominga, take this piano.
00:59:16Sit down, sit down.
00:59:19You were going.
00:59:21It's his nephew Gonzalo.
00:59:24Are you a copist?
00:59:25No, ma'am. It's a much more serious matter.
00:59:28Do you dance without clothes?
00:59:29No, ma'am. I have nothing to do with your nephew.
00:59:32It's her bracelet.
00:59:34Which bracelet?
00:59:35From her diamond bracelet, the one that belonged to her sister.
00:59:38No, I don't have a bracelet.
00:59:40It's a necklace.
00:59:41It seems to me that his nephew said bracelet, but it would be a necklace.
00:59:44Okay, so what happened to my necklace?
00:59:47Well, it's not his anymore.
00:59:48It's been stolen.
00:59:50It's been stolen from me.
00:59:51Yes, ma'am, it's been stolen.
00:59:52No, no, no, but that can't be.
00:59:54If it was here in this room, in a piece of furniture and in a secret drawer,
00:59:57that nobody knew.
00:59:59They've also stolen furniture from her and...
01:00:01They've sold it.
01:00:05What do you say?
01:00:06Yes, ma'am.
01:00:13Has that piece of furniture always been there?
01:00:15Always.
01:00:17Here is the necklace.
01:00:18Open it and you'll see.
01:00:25Are you sure what this is?
01:00:27Do you really think I have dozens of these necklaces?
01:00:32But then...
01:00:34Which necklace were they looking for?
01:00:36Now I ask you to explain to me in detail everything that happened.
01:00:40You'll see.
01:00:41It's his nephew Calavera.
01:00:43This is Dominga, how are you?
01:00:44Very well, miss.
01:00:45There you have it.
01:00:46My lord, do you wish to see me?
01:00:48No, for God's sake, don't let him see me.
01:00:49I can't hide from you.
01:00:50I'll tell you everything later, everything.
01:00:51Whatever you want.
01:00:53Go into that alcove.
01:00:54Be very careful, don't kill her, okay?
01:00:55As long as I have this cane, nobody messes with me.
01:01:04How are you, grandma?
01:01:05Very good, my son.
01:01:07You see, I'm taking out my jewelry, getting ready to go to the dance.
01:01:12If you go, you're your date and you'll have to dance with me all night.
01:01:16I'll think about it.
01:01:18What are you doing with the necklace?
01:01:21I'm thinking it would be better if you took it to the bank or your house.
01:01:26Because they'll probably take him away from here someday.
01:01:30They'll have to go over my dead body.
01:01:33Above Dominga's corpse and also discover where she is.
01:01:37No, no, it's better that you keep it as always.
01:01:39Well, if I take it home, I might be tempted to give it to someone else.
01:01:43a cuplé singer.
01:01:44Bring it here so I can keep it for you.
01:01:45Bye.
01:01:50Yesterday I saw a piece of furniture exactly like this one, with the same secret drawers.
01:01:54And another necklace?
01:01:56It wasn't exactly a necklace I was looking for there.
01:01:58Are you staying for lunch?
01:02:00No, I've only come to give you a kiss.
01:02:02I have to have lunch with some friends.
01:02:04Then we go to the burial of the sardine, to a very elegant place, as is fitting.
01:02:07Very elegant, I'm sure of it.
01:02:10Exactly to the vent of the vest.
01:02:13And you can't provide details about any of those mysterious trafficking activities that you say Mrs. Reme was involved in?
01:02:18Not precisely. I only know that when I lived in the port of Alao, I saw agents coming and going who
01:02:23They are not the ones who usually come there.
01:02:25What type of agents?
01:02:27Foreigners, those who came to Spain during the great war. And especially foreign women.
01:02:31Those types who walk around high as a kite, smoking and carrying drugs, cocaine, opium, whatever.
01:02:38I.
01:02:38Do you know of any?
01:02:39Yes. Come on, I don't know them very well. But I sell flowers and lottery tickets outside those new cabarets around here.
01:02:45on Alcalá Street.
01:02:46From Maxime?
01:02:46Yes, and Ideal Ron. And shopping too outside the Tiano Palace, especially now that Raquel Meyer is singing.
01:02:52It's very crowded.
01:02:54And have you recognized any of the people who frequent those places here?
01:02:57Yes. I saw a French woman, or whatever she is, who's really into Maxime. One who wears a lot of makeup and
01:03:03I think they call it after that planet...
01:03:05Like a planet?
01:03:06Yes. Like that planet whose name I can't remember.
01:03:09Venus?
01:03:10No, Mars.
01:03:11And you say you saw that woman come to Doña Reme's house?
01:03:14Yes, she came two or three times. And one day I saw them leaving together in one of those yellow taxis.
01:03:1840.
01:03:20Another day I saw Doña Reme's entry in Maxime.
01:03:22In Maxime? Are you sure?
01:03:23Yes, but nothing was for the public. It was in the morning, at ten o'clock. She came with that Marte and with two
01:03:29weird types.
01:03:30And she went straight up to the floor where the game is. I was talking to my aunt who works as a gamer.
01:03:35to cleaning.
01:03:37And have you ever seen strange people enter Doña Reme's house?
01:03:40I haven't seen anyone strange coming or going. I think the criminal is one of the locals.
01:03:45at home.
01:03:45Are you saying that the criminal is my father? Is that a mistake?
01:03:48I'm not accusing anyone. What I'm saying is that on the night of the crime, I didn't see anyone coming or going.
01:03:52in the yard nobody outside the house.
01:03:55And I didn't see anyone suspicious the night after you say you were attacked either.
01:04:00I bet it was all a joke.
01:04:02Well, what I find strange is that they would have a valuable necklace hidden in a piece of furniture
01:04:06anyone instead of keeping it in a bank vault.
01:04:08No, elderly ladies tend to keep their jewelry close to them. They believe it's safer that way.
01:04:13Now the question is what the hell that chicken was looking for in that piece of furniture.
01:04:18Because the piece of furniture had indeed just been bought by Doña Reme.
01:04:20But he hadn't bought it from the famous Great-Aunt or any of her servants.
01:04:25That piece of furniture comes from somewhere else.
01:04:26Where from?
01:04:27I don't know. I don't even know where the piece of furniture came from or what the famous drawer contained.
01:04:32secret.
01:04:32But in any case, what is clear is that my father is not to blame.
01:04:35It may not be, but right now we have concrete facts against him, and as for the rest, only
01:04:39conjectures.
01:04:40Can we leave? I'm going to see if I can sell the 25 noses I have left over.
01:04:44Yes, go away.
01:04:49Let's see who I can stick these noses on.
01:04:52Come on, Nieves, come with us.
01:04:53No, I still have a few words to say to the commissioner.
01:04:57Bye bye.
01:04:58Bye bye.
01:05:01Will you say?
01:05:02I wanted to ask him why he took off my mask the other night.
01:05:05I?
01:05:08The ring, huh?
01:05:09Well, why did you take the tifa away from me?
01:05:10To prevent you from doing something foolish.
01:05:12Oh, who authorized you to interfere in what I do?
01:05:15Nobody. I wanted to save you from danger.
01:05:17I am now of legal age to face all dangers on my own.
01:05:19And when he discovered me, he ruined everything for you.
01:05:21I wanted to go to the house to see if I could find the clue.
01:05:24That's what I'm here for.
01:05:25You've been here for three days and haven't found anything.
01:05:28I have found you.
01:05:30And?
01:05:31It's the best discovery I've made in my career.
01:05:35It seems you have your map for playing pranks.
01:05:36No, no, I'm completely serious.
01:05:39Well, it's not because you've heard anything from me other than bad words.
01:05:42I like strong characters.
01:05:45Well.
01:05:47And when are you going to release my father?
01:05:49As soon as I have the slightest reason to think that the culprit is someone else.
01:05:52And do you think the culprit is going to come and tell you in your office?
01:05:54I'll know how to go and find him.
01:05:56With the ring and everything?
01:05:57With all the obstacles.
01:05:58Now I'm going to advise you to do nothing and wait at home for things to happen.
01:06:01are resolved.
01:06:02Because otherwise, all he's going to do is complicate everything.
01:06:05Ah, so I'm the one who's making everything complicated, huh?
01:06:07Are you telling me that you've come out of this whole mess unscathed, and that it wasn't thanks to...
01:06:10me?
01:06:11Can you tell me what you and your people have done to discover the killer?
01:06:14Come on, man, that's a mess.
01:06:17Don't get angry and don't be so bad-tempered.
01:06:19I have the character that I think I have.
01:06:21What I want to tell her is that I wouldn't like to see her in danger.
01:06:23This is not a gentle matter.
01:06:24There's a criminal involved.
01:06:26And a man who has committed murder doesn't care about adding a second if he believes
01:06:30that with him he can be saved.
01:06:31I'll know how to defend myself.
01:06:34One moment.
01:06:36Do you hate me or are you going to listen to me?
01:06:38I hate myself.
01:06:42What's happening?
01:06:49Forward.
01:06:52Hey, guard.
01:06:54I don't hate her that much, you know?
01:06:56I just dislike her a little bit, that's all.
01:07:17I dislike her a little, that's all.
01:07:55It can't be long now.
01:07:56Don't think I get much pleasure from coming to such an ordinary place either, but in which
01:08:02I said go to no other.
01:08:03What is he afraid of?
01:08:05That he sees someone and recognizes him.
01:08:07And he says that here he can lose the plate without taking off his face.
01:08:10Uh-huh.
01:08:16We were going to sit down because there was no way to hear them at all.
01:08:19Well.
01:08:25Oh!
01:08:26Between the masks and the mustaches, I'm suffocating from the heat.
01:08:28Why did you bring the mustache?
01:08:30To mislead.
01:08:31So they'll believe I'm a man.
01:08:33Here it comes.
01:08:34Lower your face.
01:08:39She won't be recognized when she arrives among so many people.
01:08:42Yeah.
01:08:42And he said he was wearing a very strange costume.
01:08:45I say that among other things he was carrying another umbrella.
01:08:47There are many troublemakers who come with umbrellas to the burial of the sardine.
01:08:51And he said that he had a sardine stuck to the end of the rods.
01:08:56And will she bring the little bag?
01:08:58Mirror, yes.
01:09:26And you?
01:09:27Mirror, yes.
01:09:34There it is.
01:09:49Am I coming with you?
01:09:50No, it's better if you believe it.
01:09:52I'll let you know when you should go in.
01:09:54But why all the mystery?
01:09:55You pay the price they ask and that's it.
01:09:57And if he asks for too much, he won't get paid.
01:10:00It's best if you wait here.
01:10:02After what happened, that man doesn't want to talk.
01:10:04And he doesn't want anyone to know him.
01:10:07So, who are we going to come to an understanding with?
01:10:08With the other one, the one I know.
01:10:11He was the one who gave him the task of being able to access all the clothing here.
01:10:16Wait for me here.
01:10:24Wait for me out here and keep an eye on Gonzalo.
01:10:27I'll manage to find out what's going on inside.
01:10:29But you're going to go in there by yourself.
01:10:30Yes, woman, what's going to happen to me?
01:10:31Wait for me.
01:10:35Little mask, you don't know me!
01:10:37Not me either!
01:10:38You don't know me!
01:10:40Let's dance!
01:10:52You were offered 500 pesetas for the small bag of drugs.
01:10:57He was told where he was.
01:10:58He was told where the pawnbroker kept it.
01:11:01You simply had to take possession of it.
01:11:03If he did so badly that what happened then happened,
01:11:07It's not our fault.
01:11:08We offered him 500 pesetas
01:11:10which is what we are willing to pay.
01:11:15He doesn't want to talk here.
01:11:16But he told me before
01:11:17that stealing a small bag was one thing
01:11:19And another thing is having committed a crime.
01:11:23Nobody told him to do it.
01:11:25We already know that.
01:11:26But when my friend was picking up the little bag,
01:11:29The pawnbroker emerged.
01:11:30And if it's not done with her,
01:11:32A commotion breaks out and sets everything in motion.
01:11:34Something unpredictable.
01:11:36And this man had no choice but to do what he did.
01:11:39And of course, now you're not risking three months in jail.
01:11:42His life is at stake.
01:11:43And he says that 500 pesetas is not much money.
01:11:47He wants 2,000.
01:11:48We shouldn't have to pay that price.
01:11:51We are not to blame for the crime.
01:11:55Well, he says they shouldn't do it for less.
01:12:19Go!
01:12:21Go away! Let's see how we can get this woman out of here!
01:12:24Challenge her!
01:12:26Come on, comical!
01:12:43What happened?
01:12:44He was asking for two thousand pesetas, but the bad thing is that someone asked for our conversation.
01:12:48Who is it?
01:12:48I don't know, but let's go. It's not a good idea for him to recognize us.
01:12:55What's wrong with the sardine?
01:12:56She drowned in a bucket. Let's bury her.
01:12:59Come on! Fine music to say goodbye to the sardine.
01:13:20Do you know how to make right turns?
01:13:22I turn right more than left.
01:13:25I'm saying that if you know how to make right turns without stepping on the curb.
01:13:28Ah, but it was you I was stepping on!
01:13:30I thought it was a plate.
01:13:55He went inside to see if he could find out who the killer was.
01:13:57Let's go for it.
01:13:58No?
01:13:59And did he tell me not to go in?
01:14:00It doesn't matter. We'll go find her.
01:14:01I really want to give him a kiss.
01:14:04Quipa, quipa!
01:14:05Aquipa!
01:14:28Snow!
01:14:31Snow!
01:14:32Snow!
01:14:33Snow!
01:14:36Snow!
01:14:38Snow!
01:14:40Hey!
01:14:42This is a hat!
01:14:43Aha!
01:14:44Snow!
01:14:45Aha!
01:14:46Snow!
01:14:46Let's go find her!
01:14:48Snow!
01:15:11Let's go find her!
01:15:19Snow!
01:15:28Let's go find her!
01:15:31Let's go find her!
01:15:33Now this friend and I are going to take our friend who has been in an accident.
01:15:38But a little ammonia will take care of it.
01:15:40And you all, go get it. Good night.
01:15:42We're going to help you.
01:15:43No, no, leave us alone. We can do it.
01:15:45Maybe they're scared.
01:15:52The friend with so many masks is going to play them.
01:15:54Leave it to us, she's a married lady and doesn't want anyone to see her.
01:15:57Wow, expensive!
01:15:58Are you still?
01:16:04Wow, that's expensive!
01:16:05Wow, expensive, expensive, expensive!
01:16:12Wow, expensive!
01:16:12Ah, with dear evening air!
01:16:13I didn't want to do it.
01:16:15Come on, take me away!
01:16:16Fix it! Fix it!
01:16:24You see how the police handle these things better.
01:16:27Can you tell me why it took you half an hour to remove my gag?
01:16:31Where is the courage to laugh?
01:16:32I really like strong personalities.
01:16:35Perhaps you thought you were the one who solved everything.
01:16:37Come on, Nieves, don't scold this man!
01:16:39It's all been what the English call a misunderstanding.
01:16:43I'm going to have to gag her for life.
01:16:46What do you mean by "for life"?
01:16:48Ah, these are things for when you stop hating me.
01:16:51But I don't hate him at all, man.
01:16:53In this matter there has been nothing but a swarm of lies and in the midst of them a single truth.
01:16:57What were the lies?
01:16:58Ah, almost everything. When Gonzalo went to the pawnshop, he wasn't going to look for the necklace, but for a small bag.
01:17:03with drugs.
01:17:04And when I introduced myself, she made up the whole story about the great-aunt.
01:17:07Then there were other lies.
01:17:08And what is the truth?
01:17:09The only truth that has come out is this friendship.
01:17:13Come on, the fact that you and I have dealt with each other.
01:17:15Now I hope we'll keep seeing each other, right?
01:17:17Well, maybe.
01:17:18But dressed differently, huh?
01:17:21Would you like us to continue talking?
01:17:22Maybe, if you don't gag me.
01:17:25I tell you, I already knew I wasn't going to be locked up for a week, or six days, or five.
01:17:32not even four.
01:17:33It's only two and a half.
01:17:36I'll buy one!
01:17:38But where is the snow?
01:17:40Oh, that's right.
01:17:40Girl.
01:17:41Where has he gone?
01:17:42Where has that girl gone?
01:17:43Snow!
01:17:44Let's go find her.
01:17:45Snow!
01:17:47Snow!
01:17:47Snow!
01:17:50Snow!
01:17:53Snow!
01:17:56Snow!
01:17:58Snow!
01:17:58Snow!
01:17:59Snow!
01:18:00Snow!
01:18:01Snow!
01:18:02Snow!
01:18:03Snow!
01:18:04Snow!
01:18:06Snow!
01:18:06Snow!
01:18:07Snow!
01:18:08Snow!
01:18:09Snow!
01:18:10Snow!
01:18:11Snow!
01:18:14Snow!
01:18:29Thank you!
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