- 2 days ago
First broadcast 15th January 1973.
A middle-aged American businessman and his wife travel to London for a second honeymoon.
Polly Bergen - Suzy Hunter
Meriel Brook - Theresa
Paul Burke - Brad Hunter
John Caesar - Second Taxi Driver
Vernon Dobtcheff - Bannerheim
Basil Henson - Charles Merrow
Roger Hume - Dr. Korner
William Job - Trasker
Dinsdale Landen - Matthew Earp
Neville Phillips - Bar Waiter
Ted Richards - First Taxi Driver
Larry Taylor - Sagar
Betty Woolfe - Cleaner
A middle-aged American businessman and his wife travel to London for a second honeymoon.
Polly Bergen - Suzy Hunter
Meriel Brook - Theresa
Paul Burke - Brad Hunter
John Caesar - Second Taxi Driver
Vernon Dobtcheff - Bannerheim
Basil Henson - Charles Merrow
Roger Hume - Dr. Korner
William Job - Trasker
Dinsdale Landen - Matthew Earp
Neville Phillips - Bar Waiter
Ted Richards - First Taxi Driver
Larry Taylor - Sagar
Betty Woolfe - Cleaner
Category
️👩💻️
WebcamTranscript
00:00:00The End
00:00:48Sweetheart, come here.
00:00:50You have to see this.
00:00:52Look, London.
00:00:54Big Ben, the Houses of Parliament.
00:00:58And down there, traffic on the left.
00:01:00Looks different by day, doesn't it?
00:01:02Oh, different, and yet exactly how I imagined it.
00:01:05It's going to be a wonderful vacation. I just know it is.
00:01:07I keep telling you not to say vacation.
00:01:10Honeymoon. Our second honeymoon.
00:01:15Now, go on and get dressed, because I want to get out there in that city.
00:01:17Okay.
00:01:41Mr. Hunter.
00:01:51Yes?
00:01:52Trasker. Martin Trasker.
00:01:55Oh, yes, Mr. Trasker. Come in, please.
00:01:58You got my cable?
00:02:00Yes. As a matter of fact, I was going to call you later this afternoon.
00:02:03I'm what you Americans call an eager beaver, Mr. Hunter.
00:02:05Your company has a manufacturing interest that my company wants to acquire.
00:02:09And I mean to get it.
00:02:10I warn you.
00:02:12I'll pull every dirty trick in the book to get it.
00:02:14But meanwhile, welcome to England.
00:02:16These are for Mrs. Hunter.
00:02:18I always say if you get to the woman, you get to the man.
00:02:20Well, thank you. That's very nice.
00:02:22Uh, excuse me, please.
00:02:29Sweetheart, make sure you're decent. We have company.
00:02:32Coffee, Trasker?
00:02:33Oh, I don't want to intrude so early.
00:02:35It's okay. We can talk business meanwhile.
00:02:37Right away.
00:02:38Well, you said you're an eager beaver. So am I.
00:02:42Besides, this is my first trip to London.
00:02:44I want to get you off my neck as soon as I can, so I can start enjoying my vacation.
00:02:48It's a deal.
00:02:49Oh, sweetheart.
00:02:50This is Martin Trasker. Remember I told you about him?
00:02:53Oh, yes. Hello. Very nice to meet you.
00:02:54This is my wife, Teresa.
00:02:57Something wrong?
00:02:58Brad, my name isn't Teresa.
00:03:28Well, I've heard of我就,
00:03:29I've heard of Freudian slipping,
00:03:29Well, I've heard Freudian slipTONats
00:03:29but that one in front of a complete stranger to come up with someone else's name i said i'm sorry
00:03:34imagine what he must think i said i was sorry sorry how could you make a mistake like that
00:03:38anyway and who is theresa i told you i don't know oh come on brad i don't know anyone named
00:03:44theresa
00:03:44i promise you must have been a name i read somewhere in the papers maybe i don't
00:03:52in the paper of course that's it i just read it in the morning paper
00:03:57do you swear that's true yes i swear it is true and i'm very sorry
00:04:02well look you finish getting dressed because i have to get back out there to mr trasker
00:04:15women well that was certainly quite a mistake to make yes it was well mr trasker let's hear
00:04:21your thoughts shall we well we're both in the same line of business manufacturing machine tools we
00:04:26even buy and sell from each other and that doesn't make sense
00:04:35so in other words you want to manufacture in the license yes well why don't i just open a plant
00:04:40here in europe why should i cut you fellas if that's the answer why haven't you done it before
00:04:44come on mr hunter level with me it's an attractive idea isn't it but before we go ahead we have
00:04:50to know
00:04:50more about this gear cutting device does it really cut down work as much as they say and what are
00:04:54its
00:04:55limitations can it cut any kind of steel and what about the soft metals no more questions these are
00:05:01things i've got to know what kind of setup do you have how many can you turn out and at
00:05:06what time
00:05:07what are your manufacturing costs i said no more questions you hear me you won't get anything from
00:05:13me whatever you try you won't get anything do you know why because you can't crack me you understand you
00:05:19can't crack me
00:05:56what is it what's the matter with you i don't know
00:06:03i'm tired
00:06:04i'm tired of it a time change a trip from new york that's it that must be it where to
00:06:16anywhere you
00:06:17say we're strangers it doesn't matter tower london no no
00:06:30take me to
00:06:37go along oxford street about halfway
00:06:45make a turn there's a square gravener square sir where the american embassy is no
00:06:56the other side of oxford street
00:07:01traveling west you turn right there's a small square it could be manchester square
00:07:10yes yes yes that's it manchester square
00:07:17take me to manchester square
00:07:20in the corner
00:07:49have a good idea
00:07:50now
00:07:59Well, here we are.
00:08:01What part of the square do you want?
00:08:04The west side.
00:08:05That's where we are.
00:08:11But where is it?
00:08:13The big red brick apartment block.
00:08:17I thought you said you were strangers.
00:08:19We are.
00:08:20Funny, then.
00:08:22There used to be a block there.
00:08:23Red brick, just like you said.
00:08:26Stood just there.
00:08:37I'd rather know the truth, Pratt.
00:08:40It was in 67, wasn't it?
00:08:42Just before I had Tommy.
00:08:44You did that whistle-stop business tour of the east coast,
00:08:46only you didn't stop there, did you?
00:08:48You went on to Europe and met this girl, Teresa What's-Her-Name, and...
00:08:54I'd rather know.
00:08:56There never was any Teresa, and I've never been to Europe before.
00:09:00How did you know about the apartment block that wasn't there, then?
00:09:03I don't know.
00:09:05Susie, I wish I knew the answer.
00:09:10Look, I meet hundreds of people who come to London every day.
00:09:13Maybe one of them mentioned it.
00:09:14For some reason, it just stuck in my mind.
00:09:18Just stuck in my mind.
00:09:21Do you really think that's true?
00:09:23That's the only possible explanation.
00:09:28Oh, Brad.
00:09:33The fond second honeymoon.
00:09:35Yeah.
00:09:38Well, there will be.
00:09:39I promise you.
00:09:41Look, I have to go down and make my apologies to Traskop,
00:09:43but when I'm through, I'm going to order us two tickets for a show.
00:09:46Make it a very English show.
00:09:48The accents will be so English, you won't be able to understand a word.
00:09:52And then, dinner under the stars.
00:09:55The weather forecast is rain.
00:09:56So, dinner under the rain.
00:09:58There can't be more English than that.
00:10:01I'll be right back.
00:10:03Oh, darling, drop a piece to Tommy and Julie, will you?
00:10:06They'll expect it.
00:10:07Oh, yes.
00:10:09Yes.
00:10:12Yes.
00:10:16Would you give my apologies to Mr. Trasker, too, please?
00:10:20Well, you don't have anything to apologize for, but I certainly do.
00:10:32I really have no explanation at all.
00:10:36Except, I guess I needed this vacation a lot more than I realized.
00:10:40All I can say to you, Mr. Trasker, is that I'm sorry.
00:10:42Think nothing more of it.
00:10:45Perhaps you did me a favor.
00:10:47Because now you're under an obligation.
00:10:50Yes, I guess I am.
00:10:52But, waiter.
00:10:55Scotch on the rocks, please.
00:10:56Trasker?
00:10:57Same for me.
00:11:00You know, Mr. Trasker, you're pretty cool.
00:11:03I'm a good company man, Mr. Hunter.
00:11:06I'd go through fire and water and insults if that's the way to clinch a deal with you.
00:11:15Come in.
00:11:17Oh, would you mind mailing this for me, please?
00:11:19Certainly, madam.
00:11:26You see, the advantages of granting us a license to manufacture are manifold.
00:11:30This is the prospectus I've drawn up.
00:11:32Now, you don't have to carry any expenses in Europe at all, but at the same time,
00:11:36you draw a percentage on everything we make and sell.
00:11:40I'm not going to push.
00:11:41Well, not too hard, anyway.
00:11:43Take them.
00:11:44Study them.
00:11:45Any comments you may have, drop them down and we can thrash them out later.
00:11:48I asked you for a scotch.
00:11:50That's right, sir.
00:11:51It is scotch.
00:11:51With ice?
00:11:52On the rocks.
00:11:53Yes, sir.
00:11:54Take it away.
00:11:55Sir?
00:11:56I said take it away.
00:11:57Mr. Hunter, I distinctly heard you ask.
00:11:58A gentleman never corrupts good scotch whiskey with ice, does he?
00:12:01But, sir, you...
00:12:02What do you think I am, a foreigner?
00:12:04I'm an Englishman.
00:12:05An English gentleman.
00:12:08An English gentleman.
00:12:45An Englishman.
00:12:46I'm a foreigner.
00:12:46All right.
00:13:18Where have you been?
00:13:20Been?
00:13:21Do you know what time it is?
00:13:23Late, I guess.
00:13:24You've been gone nearly eight hours without a word.
00:13:26I was worried sick about you.
00:13:28I was walking.
00:13:29Where?
00:13:30Just walking.
00:13:34Who were you going to phone?
00:13:37You were getting ready to make a call.
00:13:39To whom? To Theresa?
00:13:41I don't know any Theresa.
00:13:45I'm tired.
00:13:46I'm very tired.
00:13:49I'm sorry, darling.
00:13:51I know I promised I wouldn't mention it again.
00:13:53It's just that you need help.
00:13:56Help?
00:13:58Darling, you're not well.
00:13:59Look, maybe you're under stress or overworked or...
00:14:04Why don't we just pack up all our things and go home?
00:14:11Trasker called today.
00:14:15He told me what happened in the lounge.
00:14:18He said to call him when you're feeling better.
00:14:24Come to bed, darling.
00:14:27Please.
00:14:29I will.
00:14:30I will.
00:14:35I will.
00:14:56I will.
00:14:57Susie.
00:14:58You were right.
00:14:59Overwork.
00:15:00Too much stress.
00:15:01It has to be that.
00:15:05Will you forgive me?
00:15:07There's nothing to forgive, is it?
00:15:10I love you, Susie.
00:15:11Come to bed.
00:15:33Come to bed.
00:15:41No longer.
00:15:42I saw what you wrote on the card.
00:15:45To the children, Brad.
00:15:48To our children.
00:15:49That's what makes it so awful.
00:15:51That's why I have to tell you.
00:15:53Do you know what you wrote?
00:15:56To Tommy and Julie.
00:16:00You wrote her name.
00:16:03Teresa.
00:16:05Teresa.
00:16:06That's why I can't let it alone.
00:16:07That's why the name keeps going round and round in my head.
00:16:10I have to know who she is.
00:16:12Who is Teresa?
00:16:14I...
00:16:15Too much curiosity.
00:16:16Curious people have to be...
00:16:18Brad!
00:16:20Oh, sweetheart.
00:16:26Sweetheart.
00:16:28Oh, Teresa.
00:16:29Teresa.
00:16:30No!
00:16:32No!
00:16:32No!
00:16:33No!
00:16:43I want you to relax, Mr. Hunter.
00:16:46Think of my voice as a breeze.
00:16:48A cool cleansing breeze blowing through your mind.
00:16:51Taking away all the cobwebs.
00:16:53All the dark shadows.
00:16:56And there will be nothing that you wish to hide, Mr. Hunter.
00:17:00No!
00:17:05Nor will there be any hidden aggressions towards your wife.
00:17:09Towards anyone.
00:17:14Tell me about Teresa.
00:17:18Teresa.
00:17:19Who is she?
00:17:20A figment of your imagination?
00:17:22Or does she really exist?
00:17:26Yes.
00:17:26Yes.
00:17:28Exists.
00:17:30Teresa.
00:17:35Someone you once heard of?
00:17:36Through a friend, perhaps?
00:17:38Or someone you know and have met?
00:17:42I don't know.
00:17:44Please don't fight my questions, Mr. Hunter.
00:17:46I don't know!
00:17:51I don't know!
00:17:52I don't know.
00:17:54Then let us assume that you do know her.
00:17:58Where did you first meet her?
00:18:02In Vienna.
00:18:05We met in Vienna.
00:18:07We met in Vienna.
00:18:08In Vienna.
00:18:11And when was this?
00:18:13When were you last in Vienna?
00:18:17Never was in Vienna.
00:18:20But you met Teresa there.
00:18:24Yes.
00:18:27We met in Vienna.
00:18:31In Vienna.
00:18:33Then when were you there?
00:18:38I told you, I was never in Vienna.
00:18:42No.
00:18:42Europe then?
00:18:45This is my first trip to Europe.
00:18:53You have been abroad before?
00:18:55Away from the United States?
00:18:59Yes.
00:19:00When?
00:19:03A long time ago.
00:19:04Where then?
00:19:09Korea.
00:19:11He was in the army in Korea.
00:19:14Is that where you met Teresa?
00:19:16In Korea?
00:19:19I never met Teresa.
00:19:21But you do know her?
00:19:24Yes.
00:19:26No.
00:19:28Which is it, Mr. Hunter?
00:19:30I don't know!
00:19:31Oh, come on now, come on now.
00:19:32You're holding back on me.
00:19:33You do know Teresa.
00:19:34No!
00:19:35I insist that you do.
00:19:37No!
00:19:38Then why this?
00:19:45Mr. Hunter, look at it.
00:19:48It says here quite clearly, does it not?
00:19:51I love Teresa.
00:19:54Doesn't it?
00:19:57Does it not say that?
00:20:00Yes.
00:20:01And you wrote this?
00:20:04Yes.
00:20:05Then why?
00:20:07Why write this about a woman you do not know?
00:20:13Because I do know her.
00:20:16Of course I do.
00:20:20She's my wife.
00:20:23Teresa is my wife.
00:20:41The sedative I gave him will ensure a good night's sleep tonight.
00:20:45And this should keep him for the week.
00:20:47You still haven't been an opinion.
00:20:49That's because I feel you've had enough tonight.
00:20:50Please doctor.
00:20:52Very well.
00:20:54Your husband is undeniably mentally disturbed.
00:20:57Not certifiable.
00:20:59Not yet anyway.
00:21:00Unless you request it.
00:21:02You said he attacked you.
00:21:04I can see the marks on your throat.
00:21:06He didn't know what he was doing.
00:21:07Mentally unstable never do.
00:21:11That's your diagnosis of Brad.
00:21:14Mentally unstable.
00:21:16I'm afraid so.
00:21:19You noticed he seemed reluctant to speak about his war experiences.
00:21:24I wonder could there be a connection?
00:21:27How?
00:21:28That was nearly 20 years ago.
00:21:30And it was in Korea not Europe.
00:21:32How could there be a connection?
00:21:34Yes.
00:21:34As you say.
00:21:37Mrs. Hunter there's nothing you have not told me.
00:21:39A domestic crisis.
00:21:41Another woman.
00:21:42No Brad and I have always been very happy.
00:21:46Well I can only drug him into a state of calm for so long.
00:21:49Your first instincts were quite right.
00:21:51Get him to go home.
00:21:52Be with the family.
00:21:53Familiar surroundings.
00:21:55And then get him to cut down on work.
00:21:57What if I can I can go?
00:21:59I don't know.
00:22:01I honestly don't know.
00:22:03Let me give it some thought eh?
00:22:05At least he'll get some rest tonight.
00:22:07Good night Mrs. Hunter.
00:22:18Theresa.
00:22:20Theresa.
00:22:45Well good morning.
00:22:47About time Lizzy Bones.
00:22:48Hey I don't know what that doctor gave me.
00:22:50But whatever it was.
00:22:51It sure did the trick.
00:22:52I feel a hundred percent better.
00:22:53A hundred percent?
00:22:54Two hundred percent then.
00:22:57Hey.
00:22:57You better wear something very plain and not too sexy today.
00:23:01I won't let you out of the suite.
00:23:04Hold it.
00:23:06Thank you madam.
00:23:07That was lovely.
00:23:31Good morning sir.
00:23:33Lovely day.
00:23:33Morning.
00:23:34Yes it is.
00:23:34Lovely day.
00:23:45Your paper sir.
00:23:47No thank you.
00:23:48Mr. Trasker.
00:23:49Good morning.
00:23:50Brad Hunter.
00:23:52Mr. Trasker.
00:23:53Much better.
00:23:54That's why I'm calling.
00:23:55To apologize for yesterday.
00:23:58Yes.
00:23:59Well I'm afraid I was very much under the weather.
00:24:03Mr. Trasker.
00:24:05Mr. Trasker.
00:24:10Mr. Trasker.
00:24:11Mr. Trasker.
00:24:47Can I help you?
00:24:48American Embassy, please.
00:25:04There you are, sir, some Pelia Towers.
00:25:08Wait for me.
00:25:25But, Jerry, you're the only one I know here to call, and I really need help.
00:25:28Now, hold on. You had a doctor, you say?
00:25:31Yes, but he can't help Brad, or me, and we need help.
00:25:35Okay. Okay, there is someone that might be of use, sir.
00:25:38Don't be put up by appearances. He's a darn good man.
00:25:41His name is Earp.
00:25:42Earp?
00:25:43Yeah, that's what everybody says, Wyatt and all that.
00:25:45But this guy is Matthew Earp, and a darn good man.
00:25:48I'll have him drop by to see you.
00:26:06Forty-two.
00:26:08Pardon, forty-two.
00:26:12Forty-two.
00:26:40Yes?
00:26:41Teresa.
00:26:43I want to speak to Teresa.
00:26:46We met in Vienna.
00:26:48You must be mistaken. There is no one of that name here.
00:26:59Merrow! Charles Merrow!
00:27:01You have the wrong address. I'm sorry.
00:27:18I'm sorry.
00:27:31Mrs. Hunter? Yes?
00:27:33Matthew Earp.
00:27:36Yes I'm not quite what you expected am I? May I come in?
00:27:48Mr. Earp, do you know why you're here?
00:27:52Primarily because Colonel Jeremy, Jerry Pilston recommended me.
00:27:55He and I once worked together before he joined the embassy here.
00:27:59It was quite dangerous work.
00:28:01Does that give you more to lean on?
00:28:05I'm sorry.
00:28:08It's probably the name, Earp.
00:28:10It conjures up one thing, then you get me, the other thing.
00:28:15Mr. Earp, I'm sure you're very good at your job.
00:28:17No, Mr. Hunter, I'm not very good.
00:28:19I'm magnificent.
00:28:21The best.
00:28:22But I came here to talk about your husband.
00:28:27Brad, isn't it?
00:28:28Yes.
00:28:29Now, I take it he's in trouble.
00:28:38Bannerheim.
00:28:39He is still not returned.
00:28:41You will ask him to call me the moment he gets back.
00:28:44Yes, very urgent.
00:28:55Brad, darling, we've been waiting for you.
00:28:57Waiting for me?
00:28:58This is Mr. Earp.
00:28:59He's here to help us.
00:29:00No more doctor, Susie.
00:29:01No, I'm not a doctor, Mr. Hunter.
00:29:03I'm a private detective.
00:29:05Detective?
00:29:06Earp?
00:29:06You see, I told you.
00:29:08It's always the same.
00:29:09I ought to change the name, I suppose.
00:29:10But it is a fine old one.
00:29:12He's a friend of Jerry's.
00:29:14Jerry?
00:29:14Jerry Pilston?
00:29:15Yes.
00:29:15Did you bring him into this?
00:29:16Darling, I had to talk to someone.
00:29:17Oh, that's great.
00:29:17That's just great.
00:29:18What did you tell him?
00:29:19I'm sure your wife just acted out of love and concern for you, Mr. Hunter.
00:29:21I'm sure she did.
00:29:22Thank you, Mr. Earp.
00:29:23I hope you'll be able to thank me for more.
00:29:25Now, your wife has been telling me the whole story.
00:29:28It's interesting.
00:29:29Interesting?
00:29:30Hmm.
00:29:31Well, I've heard that you Englishmen had a gift for understatement.
00:29:34But interesting?
00:29:36You don't think this is the ramblings of a demented mind?
00:29:39Do you?
00:29:41No.
00:29:42Well, then let's start with three assumptions, shall we?
00:29:45That you are quite sane.
00:29:46That I know my job.
00:29:47And together, we might come up with a logical answer.
00:29:52Would you like a drink, Mr. Earp?
00:29:54Mmm.
00:29:56Bourbon.
00:29:57Bourbon?
00:29:57I've spent an awfully long time with the Americans.
00:29:59And my palate has been educated, or corrupted, according to your viewpoint.
00:30:03Well, an Englishman who appreciates bourbon, that's something.
00:30:10Before I drink your liquor, Mr. Hunter,
00:30:12I must point out that all three of my assumptions could be wrong.
00:30:15That's fair enough.
00:30:16You do understand my meaning.
00:30:18You might be as nutty as a fruitcake.
00:30:22Well, you must be related to old Wyatt.
00:30:24Well, if I am, I keep quiet about it.
00:30:26There's a terrible bungler you know, Wyatt Earp.
00:30:28That fiasco, the O.K. Corral, all that shooting face to face.
00:30:32When a good scattergun from ambush would have done the job much more efficiently.
00:30:36Is that your code?
00:30:37Never give a sucker an even break?
00:30:39Only of his left forearm.
00:30:42Your health.
00:30:43Cheers.
00:30:44Excuse me.
00:30:45Oh.
00:30:48So.
00:30:48Where have you been?
00:30:51Were you left here in a hurry?
00:30:52To go where?
00:30:54I went to an apartment block.
00:30:56St. Paleo Towers.
00:30:57Apartment 42.
00:30:59To look for Teresa?
00:31:00Yes.
00:31:01Well, she wasn't there, I hope.
00:31:03What?
00:31:04Well, if she were there, then the case would be closed.
00:31:06And I should be unable to charge you my excessive fee.
00:31:09And I warn you, it will be excessive.
00:31:12Now, why St. Paleo Towers?
00:31:15I'm not really sure.
00:31:17But this morning, just before breakfast, I glanced at the newspaper and suddenly it flashed in my head.
00:31:23You see, I think the newspaper might have something to do with it.
00:31:27What newspaper?
00:31:28The London Times.
00:31:29And it isn't here now?
00:31:31No, it isn't.
00:31:32And you think that you saw that address in the paper, is that it?
00:31:36I don't know.
00:31:38What does Teresa look like?
00:31:40I don't know. I've never seen her.
00:31:42You seem very sure of that.
00:31:43Sure.
00:31:45I'm not sure of anything.
00:31:46Except there isn't any Teresa.
00:31:48There can't be.
00:31:50Teresa, Mero.
00:31:51Mero?
00:31:52Charles Mero.
00:31:54Did you say Mero?
00:31:56Yes.
00:31:57Just now, when I went to the department block, I asked for Charles Mero.
00:32:00But that's crazy.
00:32:02Why won't I go there and ask for me?
00:32:04What?
00:32:05Charles Mero.
00:32:06I'm Charles Mero.
00:32:07I went to Ferngate College.
00:32:08The headmaster's name is Leslie Cromer.
00:32:14You were right.
00:32:15We should have packed and gone home.
00:32:17But I can't run out.
00:32:18I have to stay here and find out what this is all about.
00:32:21If I'm sane or not.
00:32:23Earp will come up with something.
00:32:25Confirmation that I should be put away.
00:32:27Darling, there's gotta be an answer to all this.
00:32:29I tried to kill you, didn't I?
00:32:31I love you, Susie, and yet I tried to kill you.
00:32:35Waiter.
00:32:36Bring me some cigars, will you?
00:32:37Yes, sir.
00:32:38The best you have.
00:32:39Right away, sir.
00:32:41Brad.
00:32:42Yes, sweetheart.
00:32:44Cigars.
00:32:45I ran out.
00:32:46Brad.
00:32:47Brad, you don't smoke.
00:32:47You never have.
00:32:53Let's get out of here, Susie.
00:32:55Get some air.
00:32:56Take a walk.
00:32:58入...
00:33:18I'm scared.
00:33:18I can't wait.
00:33:18So you do the best.
00:33:18Beautiful?
00:33:19The disciples...
00:33:19Your people another-
00:33:19Peter.
00:33:19H lemon- red.
00:33:40Oh, my God.
00:33:52Well, I heard what happened.
00:33:54How is he?
00:33:55Oh, cuts, abrasions, badly bruised, nothing serious, thank God, but he could have been killed.
00:34:00Now, I understand they haven't found the driver yet.
00:34:01No.
00:34:02But you were there?
00:34:03Yes.
00:34:03And you saw the driver?
00:34:05I don't know.
00:34:06I don't think so.
00:34:07It happened so quickly.
00:34:09Unconveniently.
00:34:10Are you suggesting it could have been deliberate?
00:34:13Mrs. Hunter, I exist on suspicions.
00:34:16Most of them haven't found you.
00:34:18Why would anyone want to run us?
00:34:20May I see your husband?
00:34:21I have some news for him.
00:34:22Oh, I'm sure I'm sorry.
00:34:30Darling, it's Mr. Earp.
00:34:32Well, howdy, partner.
00:34:34Good evening, Mr. Hunter.
00:34:35Well, I'm sorry, dear.
00:34:37You fell foul of our London traffic.
00:34:39Well, lousy drivers are the same all over, I guess.
00:34:43Your reflexes must have been awfully good.
00:34:44Yes, you know, I've been lying here thinking the same thing.
00:34:47That car was coming straight at us.
00:34:48Darling, Mr. Earp thinks it just might have been...
00:34:50It might have been much worse, Mr. Hunter.
00:34:53Meanwhile, I have some information.
00:34:55Oh?
00:34:55Well, I did some checking up on apartment 42, St. Paleo Tires.
00:35:00No Teresa, or Charles Mello, I'm afraid.
00:35:03The apartment is owned by Jay Bannerheim.
00:35:06And he's been in residence there for nearly 20 years.
00:35:09Yes, but one interesting fact.
00:35:10Mr. Bannerheim is an Austrian national.
00:35:13He was born in Vienna.
00:35:15Vienna?
00:35:15Mm.
00:35:15That's where you were supposed to have met Teresa.
00:35:18I mean, it's a tiny point.
00:35:19He doesn't lead anywhere yet.
00:35:20But do you think it will?
00:35:21Oh, Mr. Hunter, you must have tossed a pebble in a pool at some time,
00:35:25watched the tiny ripples spread.
00:35:27Did you know that it's those tiny, tiny ripples
00:35:30that eventually erode the whole bank?
00:35:34Well, I've made some more fruitful inquiries.
00:35:36The Ferngate College.
00:35:37You've located such a place?
00:35:39Oh, yes.
00:35:39Oh, yes.
00:35:40In the county of Hampshire.
00:35:41And?
00:35:41Well, unfortunately, it was burned to the ground
00:35:44some 20 years ago.
00:35:45Most of the records with it.
00:35:47Therefore, there is no way of knowing
00:35:48if the Charles Mellor was educated there.
00:35:52But, to fasten your seatbelts,
00:35:55the headmaster's name was Leslie Cromer.
00:36:01You're a fool, Bannerheim.
00:36:03Both of you, fools.
00:36:05I tried to reach you.
00:36:06All day I tried.
00:36:07But you were out riding.
00:36:08Always riding.
00:36:09It's the major pastime of an English gentleman,
00:36:12didn't you know?
00:36:12Well, I had to act on my own initiative.
00:36:14I sent Sager here to follow.
00:36:16Find out who he was, where he was staying.
00:36:18And then attempt to run him down
00:36:19in the most clumsy fashion.
00:36:22Well, this time your oaf-like inefficiency
00:36:24has proved fortunate for all of us.
00:36:26What do we know about this man?
00:36:28His name is Bradley Hunter, an American citizen.
00:36:31That's all?
00:36:32Yes.
00:36:33I suppose you have checked
00:36:34to see if he's known to us?
00:36:36I, um, I attend to it at once.
00:36:40Of course it didn't occur to you
00:36:41to ask why he came to this apartment.
00:36:43Why he asked for Teresa
00:36:44or what else he might know.
00:36:46You're worse than a fool, Bannerheim.
00:36:49You're dangerous.
00:36:50Please, when I saw this,
00:36:52I didn't know what to do.
00:36:53Why send him away?
00:36:55Why not ask him in,
00:36:56find out what he wanted?
00:36:57I panicked.
00:36:58Yes, I confess it.
00:36:59I panicked.
00:36:59I'm rusty.
00:37:01Well, we all are.
00:37:02Well, you very well know
00:37:03we haven't had an assignment in years.
00:37:04Nobody has asked for Teresa in years.
00:37:06Nobody since you, in fact.
00:37:08Almost 20 years.
00:37:09Yes, I was the last.
00:37:16There will be no more incidents, though.
00:37:19This must be handled with kid gloves.
00:37:23So curb Sagar's homicidal tendencies
00:37:26for the moment.
00:37:27At least till we know more about Hunter.
00:37:30Get me a drink.
00:37:44We may eventually get some action, though, Bannerheim.
00:37:47Like the old days, eh?
00:37:49I was young in the old days.
00:37:51I don't want them anymore.
00:37:55All these years,
00:37:56and you still forget.
00:37:58No ice.
00:38:00Never corrupt.
00:38:01Good scotch with ice
00:38:02betrays your breeding.
00:38:08Mr. E.,
00:38:08that's everything I can remember.
00:38:10Every crackpot remark
00:38:11I've made since I arrived here.
00:38:13And now,
00:38:14I think I'm going to go out.
00:38:15Out?
00:38:15Yes, honey.
00:38:16Take a walk.
00:38:16Do you think you should?
00:38:17Yes.
00:38:18Mr. Hunter,
00:38:19you saw a service in Korea.
00:38:20Some?
00:38:21Night patrols,
00:38:22that kind of thing.
00:38:23Enough to make me feel like an owl.
00:38:25Why?
00:38:26Well, it's just that a man
00:38:26who's had that experience
00:38:27never forgets.
00:38:29He's always noticing things.
00:38:31If he were being stalked,
00:38:32for instance,
00:38:32even in a big city,
00:38:33he'd sense it.
00:38:35He'd know.
00:38:36Well, if I'm being followed,
00:38:37I'll call Teresa.
00:38:41That's very familiar.
00:38:43If I'm being followed,
00:38:44or in trouble of any kind,
00:38:46call Teresa.
00:38:47Call her where?
00:38:48I don't know.
00:38:49Just call her.
00:38:51Well,
00:38:52maybe the walk will clear my head.
00:38:53Maybe I'll come up with something.
00:39:05We have just received an answer.
00:39:07There is nothing known
00:39:08on Bradley Hunter.
00:39:09And?
00:39:11Well,
00:39:12they didn't leave it there,
00:39:13did they?
00:39:13They are deeply interested,
00:39:15of course.
00:39:15We have to keep them informed.
00:39:17They're sending someone over?
00:39:18No,
00:39:19we have to handle it ourselves.
00:39:21I see.
00:39:22If you were to speak to them,
00:39:23you could persuade them
00:39:24to send someone.
00:39:25This game is not for us anymore.
00:39:27It's been too long.
00:39:28We are all of us out of practice.
00:39:30Some of us,
00:39:31Bannerheim,
00:39:31not all of us.
00:39:33We'll have to bring Hunter in.
00:39:35Bring him in?
00:39:35And talk to him,
00:39:36my dear chap.
00:39:37Ask him a few pertinent questions,
00:39:39and perhaps a few
00:39:39impertinent ones, too.
00:39:42Sometime tomorrow,
00:39:43I'd say.
00:39:44I doubt we'll be ready
00:39:45for him before then.
00:39:47I suppose you can handle it.
00:39:49Call me when you've made
00:39:50the arrangements.
00:39:54How do you want this job done?
00:39:55Rough or smooth?
00:39:56What's the difference?
00:39:58Smooth if you want me to take him back
00:39:59after you've finished work.
00:40:00Smooth then?
00:40:01But you won't be taking
00:40:02Mr. Hunter back.
00:40:15Excuse me.
00:40:16What is it?
00:40:17I thought so.
00:40:18I hope so.
00:40:20I was halfway down the street
00:40:22when it hit me.
00:40:22What?
00:40:23Teresa.
00:40:24Call Teresa.
00:40:25Forgive me.
00:40:26I better explain.
00:40:27Please do.
00:40:27The phone.
00:40:28You see, it's only recently
00:40:29that the London Exchange
00:40:30has gone over
00:40:31to all figure numbers.
00:40:32Before that,
00:40:33you dialed letters
00:40:33and figures.
00:40:34If you wanted
00:40:35Grosvenor, for instance,
00:40:36you dialed G-R-O,
00:40:37then the number
00:40:38Waterloo was W-A-T.
00:40:40It's very, very recent.
00:40:41You see, even this hotel
00:40:42hasn't got around
00:40:43to changing its phones yet.
00:40:44Do you see?
00:40:45I don't see it.
00:40:47Or spell Teresa for me.
00:40:48Well, come along.
00:40:49Spell it.
00:40:49Um,
00:40:51T-H-E-R-E-S-A.
00:40:52Seven letters.
00:40:53And the London Call
00:40:54has seven digits.
00:40:57Call Teresa.
00:40:59T-H-E-R-E-S-A.
00:41:10Hello.
00:41:12Oh, hello.
00:41:13I'd like to speak
00:41:14to Teresa, please.
00:41:15I beg your pardon.
00:41:17I'd like to speak
00:41:18to Teresa, please.
00:41:19Oh, I'm sorry, sir,
00:41:21but Mrs. Merrow
00:41:22is not here at the moment.
00:41:25Merrow.
00:41:26Did you say Mrs. Merrow?
00:41:27Yes, sir.
00:41:28Who is this, please?
00:41:29Um, Charles.
00:41:30Is Charles, sir, please?
00:41:31I'm sorry,
00:41:32but Mr. Merrow
00:41:33is not here either.
00:41:34Who shall I say call?
00:41:58Well, I got nowhere.
00:41:59I walked, I thought,
00:42:01I came up with nothing.
00:42:02Where did you get that?
00:42:06I don't know.
00:42:08I...
00:42:22do ride, Mr. Hunter.
00:42:24Yes, but not in clothes
00:42:26like these.
00:42:27Paid for with your credit card.
00:42:30Plumwoods.
00:42:31We recommended
00:42:31that you go there.
00:42:32Go where?
00:42:33Plumwoods.
00:42:34It's the most exclusive
00:42:36sporting tailors
00:42:37in the city.
00:42:38You made a long trek
00:42:39indeed
00:42:39to buy a set of clothes
00:42:40you'd never wear.
00:42:42I must be losing my mind.
00:42:44I doubt that, Mr. Hunter.
00:42:47We find Teresa.
00:43:04Well?
00:43:06No.
00:43:07I've never seen it before.
00:43:09Well, you're looking
00:43:10at the home of Charles
00:43:11and Teresa Meadow.
00:43:13Apparently,
00:43:13she's a tall,
00:43:14elegant woman
00:43:15with fine features.
00:43:16It's a habit
00:43:17of exercising
00:43:17a dog
00:43:18at about
00:43:19about this time of day.
00:43:21So, would you go out now
00:43:22and stand over there?
00:43:24What?
00:43:25One that she can't
00:43:25avoid seeing you.
00:43:27Oh, um,
00:43:28don't forget the camera.
00:43:44It's a kind of joke.
00:43:47I'll tell you
00:43:47when to laugh.
00:43:50I'll tell you when to laugh.
00:44:07I'll tell you when to laugh.
00:44:19I'll tell you when to laugh.
00:44:20The razor.
00:44:22The razor.
00:44:35The woman meant nothing to me,
00:44:36but the man on the door.
00:44:38I've seen him before.
00:44:39Where?
00:44:42I don't know.
00:44:44But I recognized him
00:44:45right away.
00:44:47Recognized him?
00:44:50That man is Charles Mero.
00:44:53That man is me.
00:44:57Take us back to the hotel,
00:44:59driver.
00:45:16Ah, Sigmund.
00:45:17Yes, you take him down
00:45:18to the car.
00:45:20We will leave him
00:45:20at the pet shop.
00:45:21They will look after him.
00:45:24Oh, I almost forgot.
00:45:25His favorite food,
00:45:26he would pine without.
00:45:28Wouldn't you, Sigmund?
00:45:29Ah, Sigmund.
00:45:30You will come to learn.
00:45:32Put your trust
00:45:33only in animals.
00:45:34Only dumb animals.
00:45:36They will never betray you.
00:45:38All right, I'll be down there.
00:45:43I'm too old for this.
00:45:44Too old.
00:46:12Is Mr. Masgard in?
00:46:15Masgard.
00:46:16Oh, I'm sorry.
00:46:17They must have given me
00:46:17the wrong room number.
00:46:19It's most unlikely.
00:46:20Please excuse me.
00:46:21That's all right.
00:46:21I wonder to save me
00:46:22going all the way down.
00:46:24Would it be possible
00:46:24for me to telephone
00:46:25reception from here?
00:46:27Oh, of course.
00:46:27Come on in.
00:46:29It's right over there.
00:46:31Oh.
00:47:05This drug
00:47:07will not put you out,
00:47:08Mrs. Hunter.
00:47:09It will just numb you,
00:47:10make you more acquiescent.
00:47:22Now, Mrs. Hunter,
00:47:23you and I
00:47:24are just going to walk
00:47:25out of here
00:47:26just the two of us.
00:47:28But look,
00:47:29you still haven't
00:47:30answered my question.
00:47:32Why can't I go straight
00:47:33to Merrow
00:47:33and ask him
00:47:34what this is all about?
00:47:35Because you were nearly killed,
00:47:36Mr. Hunter.
00:47:37I was involved
00:47:38in an accident.
00:47:38Perhaps, perhaps not,
00:47:39Mr. Hunter.
00:47:40The fact that we now know
00:47:42where Charles
00:47:42and Teresa Merrow are
00:47:43is our only ace.
00:47:46Now, don't discard it
00:47:46too easily.
00:47:47You don't play bridge?
00:47:49No.
00:47:50Poker, then.
00:47:51Some?
00:47:52Why?
00:47:52Now, let's keep our ace
00:47:53in the hole for the moment.
00:47:54Now, you understand that?
00:47:56Yes.
00:47:57Good.
00:47:58Right.
00:47:59I'll ask you if I
00:48:00can find out some more.
00:48:02Where?
00:48:03For my Austrian gentleman,
00:48:05Jay Banerheim.
00:48:06And I suggest you,
00:48:07Mr. Hunter,
00:48:08get a very, very good night's sleep.
00:48:24Susie?
00:48:47A sign.
00:48:50A sign.
00:48:56That's what triggered me.
00:48:59Susie!
00:49:02Susie!
00:49:04Susie.
00:49:07Your wife is in good hands,
00:49:08Mr. Hunter.
00:49:09I will remain so
00:49:09as long as you cooperate.
00:49:10Who are you?
00:49:12Now, some quietly,
00:49:12Mr. Hunter, please.
00:49:13Where is my wife?
00:49:14What?
00:49:15You know the situation,
00:49:16Mr. Hunter.
00:49:17I'm going to see my wife.
00:49:19I'll take it to you immediately.
00:49:20We'll go down by the back stairs.
00:49:49They've gone away.
00:49:53Where to?
00:49:54Just away.
00:49:55Must have been an emergency.
00:49:58An emergency?
00:49:59Well, he took his bag.
00:50:01Mr. Banerheim
00:50:02took his doctor's bag.
00:50:04I didn't know
00:50:05Mr. Banerheim
00:50:05was a doctor.
00:50:06He must be.
00:50:08Kind of doctor anyway,
00:50:09the things he keeps
00:50:10in that bag.
00:50:22It's a fine day,
00:50:23Banerheim.
00:50:27A fine day.
00:50:30Just like the old days.
00:50:35A fine day.
00:50:36Are you sure
00:50:36you're a policeman?
00:50:38Madam,
00:50:39you only have to look
00:50:40at my feet,
00:50:41the world williness
00:50:42in my eyes,
00:50:43and the ten-pound note
00:50:44clutched in your hands.
00:50:45It doesn't seem right.
00:50:47Yes, I agree.
00:50:48My hair's on the back
00:50:49of my head.
00:50:50Tell me the same thing.
00:50:52There's something
00:50:53about this place
00:50:54that isn't right.
00:51:17I have a feeling
00:51:19that this
00:51:20is going to cost me
00:51:22another ten pounds.
00:51:24All right?
00:51:26Twenty.
00:51:40You shouldn't have done that.
00:51:44Oh, but I should.
00:51:47Definitely.
00:51:49Now stand back.
00:52:03Now look.
00:52:06I bet you didn't
00:52:07know he had a radio
00:52:08behind there,
00:52:08did you?
00:52:17Bring them in.
00:52:31Please sit down,
00:52:32Mrs. Hunter.
00:52:33And you, Mr. Hunter.
00:52:34Here, sir, please.
00:52:38Now, I'm afraid
00:52:39you're both still suffering
00:52:40from the effects
00:52:40of sedation.
00:52:41But just sit quietly,
00:52:42and I hope
00:52:43this won't take long.
00:52:48Indeed, it mustn't
00:52:49take long.
00:52:55Why are you doing this?
00:52:57What is he to you?
00:52:58That is what
00:52:58I mean to find out.
00:53:25Mr. Hunter.
00:53:28Mr. Hunter.
00:53:29Open your eyes, please.
00:53:35Here's yours.
00:53:50Here's yours.
00:54:05Mr. Hunter.
00:54:09Mr. Hunter.
00:54:11As soon as you're ready,
00:54:12I'd like a word with you.
00:54:15Here's yours.
00:54:17Here's yours.
00:54:19Here's yours.
00:54:20Here's yours.
00:54:21Here's yours.
00:54:21Here's yours.
00:54:21Mr. Hunter.
00:54:33Here's yours.
00:54:36Brad.
00:54:37You don't mind
00:54:37if I call you Brad.
00:54:39That is your name,
00:54:40isn't it?
00:54:41Yes.
00:54:44Bradley Hunter.
00:54:46Good.
00:54:47Good.
00:54:47now I'm a good friend you understand that a good friend good friend and I want
00:54:57you to tell me about yourself I want to know all about you
00:55:43Matthew you're going to pieces
00:55:51I was raised in Minnesota but you're a big boy now Brad what is your connection with the FBI
00:56:02FBI the CIA then you're a member of the CIA aren't you Brad
00:56:09I was in the army drafted in 1949 he's fighting it no no Brad you remember calling on me at
00:56:30my
00:56:30apartment in St. Pellia Towers you remember that don't you St. Pellia Towers apartment 42 now why did you call
00:56:42that Brad Theresa to see my wife Theresa
00:57:24ah Plumwoods is mr. Edwards still with you good yes I'd like a word with him please yes I'll hold
00:57:33on thank you
00:57:38I am Theresa I am Theresa
00:57:46Theresa you have something to tell me they sent me who
00:57:54we met in Vienna who are you I am Charles Merrow I was born in Oxford educated at Ferngate College
00:58:04I have been well taught what to drink smoke where to buy my clothes how do I know this is
00:58:11true the
00:58:12newspaper the London Times I am to bring a copy torn in a certain way this is the first sign
00:58:20I am to go to
00:58:21an apartment in Manchester Square or to St. Pellia Towers apartment 42 I am to ask for Theresa if there
00:58:30is danger I will be turned away I must then go to a phone and dial Theresa new instructions will
00:58:39be
00:58:39issued what are your orders we are to be married you and I it is the best possible cover then
00:58:49I will
00:58:49take control of the whole spy cell
00:58:56it's possible that was my briefing my exact briefing before I was sent to this country nearly 20 years ago
00:59:10oh hello Mr Edwards yes sir Matthew up yes I'm fine thank you and you I'm glad to hear it
00:59:18excellent Mr Edwards
00:59:19teeny tiny problem Charles Merrow Mr Merrow now is he a customer of yours oh indeed yes yes of course
00:59:28he is
00:59:28yes yes I've heard him mention you many times what no no no you personally look the fact is Mr
00:59:35Edwards
00:59:36I'm supposed to be having dinner with him tonight and it's terribly difficult you see I I've mislaid his
00:59:41address oh it's uh no no no no not his address in town the other one oh yeah his country
00:59:47resident
00:59:48yes out of town yes that's one look I know you don't normally divulge info about your customers but I
00:59:56wondered if you could would he's address be of some use yes indeed it would be what yes extremely embarrassing
01:00:02yes
01:00:03yes uh well here we are sir it's it's the gables farm stop yes that's it did you get that
01:00:09yes fine thank you
01:00:12yes yes indeed yes yes we must yes bye
01:00:20it's incredible how could he know the briefing so thoroughly and why wait so many years to use the information
01:00:30we have to know Bannerheim no we have to get on with it another shot could kill him and then
01:00:36you
01:00:37would learn nothing we're learning nothing anyhow I'm ordering you Bannerheim no no he was in Korea and
01:00:46he knows your face does that mean anything no please Korea tell me about Korea Brad
01:00:58I was there infantry division
01:01:04captured and you know my face yes but how where I'm interested Brad dear chap deeply interested
01:01:18you were captured tell me about that I was selected for special treatment officer decorated important
01:01:34important they break me they flew me out of Korea where Brad where did they fly you to
01:01:44long way
01:01:46to Europe
01:01:48a special camp
01:01:52a center
01:01:54a psychological intelligence center
01:01:58where
01:01:59they tried to brainwash me
01:02:02but I held out
01:02:05I held out
01:02:07what center
01:02:11center
01:02:13P.I. center
01:02:1579
01:02:16center 79 but that's where we were trained
01:02:23my name is Charles Merrill I am a typical English gentleman
01:02:27I was born in Oxford educated at Ferngate College
01:02:30I have been well taught what to drink smoke
01:02:33no danger Bannerheim no need for panic
01:02:36it's a mistake what you mean what possible link can there exist between us and an American brainwashed
01:02:42in Korea but he wasn't brainwashed in Korea
01:02:44you heard him say he was taken on a long journey
01:02:47to center 79
01:02:50don't you see
01:02:51I was briefed at center 79
01:02:54over and over they burnt those words into my mind
01:02:57I am Charles Merrill a typical English gentleman
01:03:00and in the next room was a man they thought they couldn't brainwash but they did
01:03:05unconsciously they did
01:03:06his poor adult mind stored my briefing away stored it for nearly 20 years
01:03:11until he made a trip to Europe and for the first time probably held a copy of the London Times
01:03:16in his hand
01:03:19but in the clear of Anaheim
01:03:21and we can let them go
01:03:24unfortunately no
01:03:26Teresa and I will go back to town
01:03:28always you leave the dirt to me
01:03:31and Sagar
01:03:32he enjoys it
01:03:34come my dear
01:03:38Brad
01:03:40Brad
01:03:42it will be quick I promise
01:03:44no please for God's sake
01:03:48what is it
01:03:49why are you standing there like that
01:03:54he is standing there like that
01:03:57because I have a .38 revolver pointed at his kidneys
01:04:01and a .38 through the kidneys
01:04:03if not invariably fatal
01:04:06can be excruciatingly painful
01:04:13I can't promise to hit a kidney at this range
01:04:17the handgun is notoriously inaccurate
01:04:20but I can promise to hit some part of your anatomy
01:04:28now you don't know how ridiculous I feel saying this sir
01:04:31but if you would please place your handgun upon the table
01:04:39and the rest of you
01:04:41with the exception of Mr. and Mrs. Hunter
01:04:44if you would line up against that wall
01:04:50I have a deceptively soft voice
01:04:54but I did win a military cast for disposing of 23 of the enemy single-handed
01:04:58a rather inferior enemy I must confess
01:05:03a rather inferior enemy I must confess
01:05:04but 23 of them just the same
01:05:19splendid
01:05:20thank you
01:05:22thank you
01:05:25now I'm not a stupid hero
01:05:29I telephoned the police
01:05:32and the special branch before barging in
01:05:35so that as many car lathes of them are on their way now
01:05:41meanwhile
01:05:42we face one another but
01:05:49it's experience that counts I always say
01:05:52that
01:05:53a certain light-footedness
01:05:56and a degree of optimism
01:06:01ah
01:06:02the cavalry
01:06:03late as usual
01:06:10it's Matthew
01:06:12and I try to keep the spirit of Wyatt alive
01:06:15Mrs. Hunter
01:06:17I'd ask you to do me a favor
01:06:19whatever
01:06:19anything
01:06:21please don't mention the gun
01:06:23it's a war souvenir
01:06:25and I have no license for it
01:06:28or bullets
01:06:35or
01:06:45to do
01:06:49or
01:06:50or
01:06:50or
01:06:51or
01:06:52or
01:06:56or
01:07:17ORGAN PLAYS
01:07:40ORGAN PLAYS
01:08:12ORGAN PLAYS
01:08:32ORGAN PLAYS
01:08:32ORGAN PLAYS
01:08:32ORGAN PLAYS
01:08:33ORGAN PLAYS
01:08:37ORGAN PLAYS
01:08:37ORGAN PLAYS
01:08:37ORGAN PLAYS
01:08:40ORGAN PLAYS
01:08:40ORGAN PLAYS
01:08:40ORGAN PLAYS
01:08:46ORGAN PLAYS
01:08:46ORGAN PLAYS
01:08:46ORGAN PLAYS
01:08:48ORGAN PLAYS
01:08:48ORGAN PLAYS
01:08:50ORGAN PLAYS
01:08:52ORGAN PLAYS
01:08:53ORGAN PLAYS
01:08:53ORGAN PLAYS
01:08:58ORGAN PLAYS
01:08:59ORGAN PLAYS
01:08:59ORGAN PLAYS
01:09:12Oh, my God.
01:09:56Oh, my God.
01:09:59Oh, my God.
01:10:29Oh, my God.
01:11:23Oh, my God.
01:11:26Oh, my God.
01:12:22Oh, my God.
01:12:30Oh, my God.
01:12:48Oh, my God.
01:13:18Oh, my God.
01:13:28Oh, my God.
01:13:50Oh, my God.
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