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  • 1 day ago
First broadcast 9th January 1983.

Charity worker Susan Grant is being terrorized by a masked stalker and, whilst the police are sceptical of her story, Cowley, who knew her father, believes her.

Gordon Jackson - George Cowley
Martin Shaw - Doyle
Lewis Collins - Bodie
Sheila Ruskin - Susan Grant
Alan MacNaughtan - Henry Laughlin (as Alan MacNaughton)
Rona Anderson - Mrs. Grant
David Neal - Bauer
Ian Bartholomew - Miller
Simon Templeman - Neville Grant
Timothy Block - Smith
Zoe Gonord - Joan
Barrie Cookson - Mason
Iain Blair - Sergeant Watson
Rex Robinson - Superintendent
Vass Anderson - Doctor
Aimée Delamain - Old Lady
Duncan Miller - Sergeant
Rob Heyland - P.C.
Arthur Nightingale - Night Porter
Shirley English - Lady

Category

📺
TV
Transcript
00:03The way I'm coming here has the water on my soil.
00:07How can I try it?
00:09A really hard time for me to grow.
00:12The water on my own is water.
00:17I'm so scared.
00:29I don't know how to do that.
00:38Hey, whoever you are.
00:40Don't you get tired of this?
00:57Susan.
01:00Susan.
01:04Susan.
01:04Susan.
01:09Susan.
01:23Susan.
01:45Susan.
01:50Susan.
01:51Susan.
01:54Susan.
01:59Susan.
02:08Susan.
02:10Susan.
02:20Susan.
02:33Susan.
02:52Susan.
03:03Susan.
03:14Susan.
03:22Susan.
03:52Susan.
03:55Susan.
04:05Susan.
04:09Susan.
04:21Susan.
04:27Susan.
04:30Susan.
04:35Susan.
05:01Susan.
05:06Susan.
05:10Susan.
05:13Susan.
05:13Susan.
05:18Susan.
05:18Susan.
05:18Susan.
05:26Susan.
05:26Susan.
05:26Susan.
05:27Susan.
05:27Susan.
05:27Susan.
05:27Susan.
05:27Susan.
05:27Susan.
05:44Susan.
05:54Susan.
05:55Susan.
05:55Susan.
05:55Susan.
05:58Susan.
05:58Susan.
05:58Susan.
05:58Susan.
06:15Susan.
06:15Susan.
06:16Susan.
06:16Susan.
06:17Susan.
06:24Susan.
06:29Susan.
06:30Susan.
06:31Susan.
06:32Susan.
06:32Susan.
06:32Susan.
06:32Susan.
06:32Susan.
06:33Susan.
06:33Hello?
07:00Susan?
07:07It's me.
07:08Hello, Henry. I'm sorry.
07:10Coffee?
07:11Yes, please, Black.
07:14You're all right. You look a bit strange.
07:17No, I'm fine.
07:32Freedom Incorporated, Henry Loughlin.
07:37Well, these things take time.
07:46Good night, Susan.
07:47Good night.
07:54It's my way of an apology.
07:56I've fixed it all night as well.
08:01Well, what can I say?
08:03Well, how about saying you'll have a drink with me?
08:06Be churnish to refuse.
08:07Good.
08:14It turned out to be a long drink.
08:17You've hardly told me anything about yourself.
08:19Yes, I have.
08:20I like good company, good food, hot sun, cold beer.
08:26This I work for the government.
08:28What's it really mean?
08:29Like I told you, I'm a civil servant.
08:31So are traffic wardens and refuse collectors?
08:33I'm in security, okay?
08:34Oh.
08:35This is the moment I'm supposed to say,
08:37how glamorous, you're a spy.
08:39And you're supposed to say,
08:41no, it's very boring, it's all paperwork.
08:43No, it's very boring, it's all paperwork.
08:45Are you happy?
08:50I really enjoyed that.
08:52Did you?
08:52Oh, good.
08:53That's a general idea, isn't it?
08:55I'll have to do it again.
08:56Yes.
08:57Do you guys a lot?
08:59So, sir.
09:00Isn't there someone at your car?
09:22Oh, yes.
09:24Yes.
09:24Yes.
09:25Yes.
09:26Yes.
09:34Bodie!
09:38Susan.
09:41Bodie!
09:47OK.
09:49What's the matter?
09:52You're shaking.
09:53I was frightened for you.
09:56What about the car?
09:58Oh, that'll be all right.
10:04Come on.
10:05Take your hand.
10:06Yes.
10:13You've gone quiet.
10:15I'm all right.
10:19I enjoyed myself tonight.
10:20It really did.
10:26That broken rear light put you to quite an expense.
10:28Oh, it's all right.
10:29Do it all the time.
10:31And what happens when the driver turns out to be an old frump?
10:34Oh, it's luck with the draw.
10:37I'd invite you in, but it's been a long day.
10:40Yeah.
10:42It's OK.
10:44I'll call you soon.
10:45Do that.
10:47Good night.
10:47Good night.
10:57Good night.
11:15Good night.
11:23Hello? Hello?
11:36Go to hell.
11:38Susan? Susan, is that you?
11:42Mummy, is that you, mummy?
11:44Yes, dear. Are you all right?
11:45Oh, I'm sorry. I dropped the receiver.
11:48How are you?
11:49You sound strange.
11:50Do I? I'm just tired, that's all.
11:52I could do with a good night's sleep.
11:54I've been calling you all evening.
11:55Been out.
11:56Evidently.
11:57Are you coming down this weekend?
11:59I don't know.
12:00Oh, do come, dear.
12:01Cook's longing to feed you up.
12:03We both think...
12:03Don't fuss, mother.
12:05I've just had an enormous meal with a charming young man.
12:08Well, that's something.
12:09I hope he's not another of these weird Chelseaites you get involved with.
12:12No, he's not. Far from it.
12:14But that's all I'm going to say about him.
12:16All right, dear.
12:17So, off to bed with you.
12:18Good night, my darling.
12:20Good night.
12:24Dinner with a charming young man.
12:26One of yours, George.
12:28Doesn't fit any description I would make, but yes, I think it was.
12:33Good.
12:34I know something's going on.
12:37Even when she was a little girl, she'd never admit to being frightened.
12:40She'd bottle it all up inside.
12:42I wonder where she inherited that from.
12:45Am I wasting your time, George?
12:47Oh, I don't think so.
12:48Still, I'm not complaining.
12:51Sitting here with her very best malt whiskey in this lovely house.
12:55That takes me back.
12:57Anthony was more at home in your company than anyone else you know.
13:00He was a fine man, Margaret.
13:02Since he died, you haven't exactly been a regular guest.
13:05I was only waiting for an invitation.
13:07Take care of Susan.
13:09She's very precious to me.
13:16Here you go.
13:20That's right.
13:21Liver sausage, this.
13:22That's right.
13:23You can't stand a liver sausage, you know that.
13:25Neither can I, mate.
13:26What did you buy it for, then?
13:27Well, it was just sitting there.
13:29Nobody was interested.
13:31Some poor old pig got a chop to provide, though.
13:37Well, has anybody shoved her out of the window yet?
13:40You don't believe her, do you?
13:41Oh, rich kid.
13:43Filling her a long day collecting for charity.
13:47Time drags.
13:49I mean, maybe she's just trying to get attention.
13:51There, looks.
13:52She doesn't need to try.
13:53What's Cowley involved for?
13:54What are we doing here?
13:55You heard what he said.
13:56Pick her up, stick with her, let me know if anyone bothers her.
13:59That's all he said.
14:00Yeah, nanny's anonymous, that's us.
14:01Yeah, well, it could be worse, couldn't it?
14:03She could be 15 a stone with a moustache.
14:09What do you suss out on associated charities?
14:11Well, that seems kosher enough.
14:13They collect for old folks' homes, orphans, famine relief, that kind of thing.
14:18Any cuckoo in a nest seems to be this organisation called Freedom Inc.
14:22Sounds like a stationer's.
14:25What is the cuckoo?
14:26Well, they're not a charity for a star.
14:29And they campaign for the release of political prisoners from jail.
14:32It's run by this guy called Henry Loughlin.
14:34You're not eating your liver sausage.
14:36Do you want to be force-fed?
14:38Well, I can't sit around here chatting all day.
14:49Oh, God bless.
14:53Good night.
14:55Good night.
14:57Good night.
15:15Come on, mate.
15:17Come on, mate.
15:303-7 to base.
15:31Give me a computer check on a blue Vauxhall.
15:34Foxtrot Yankee Hotel, 4-0-7.
15:36Victor, over.
15:37Checking, 3-7.
15:42Base to 3-7.
15:43Computer check negative on the car described.
15:45Over.
15:45Yeah, thank you.
15:53Two pounds forty-nine, please.
16:00Two pounds forty-nine, please.
16:39Don't you, don't you, don't you!
16:42Don't you, don't you, don't you!
17:44And someone you dumped won't take no for an answer?
17:47There's no one like that.
17:49Do you recognize anyone in the supermarket?
17:51Anyone get close to you?
17:53Didn't notice anyone.
17:54But then who notices people in the supermarket?
17:57Yeah, too busy checking prices, aren't you?
18:01Boo.
18:02Henry!
18:03I'm sorry.
18:04I was just passing by.
18:06Didn't know you had company.
18:07Come in.
18:08No, thank you.
18:08No.
18:10Just passing.
18:12I'll see you tomorrow at the office.
18:13All right.
18:14But you're welcome to come in and have a drink.
18:15No, really, no.
18:18I should have phoned.
18:19I'll see you tomorrow.
18:23Good night.
18:24Good night.
18:28Man listening outside the door.
18:31Oh, he wouldn't.
18:33He wouldn't do that.
18:34Who is he?
18:36Well, he works with us.
18:37Henry Loughlin.
18:38He lives across the street.
18:39Handy.
18:40An admirer of yours, is he?
18:42Come on.
18:43He's too old.
18:44They're never too old.
18:45I rang you just now.
18:46I got through to some switchboard.
18:49Who did I get through to?
18:51Oh, it's an answering service.
18:53Got hold of you pretty quickly.
18:54I just happened to phone in.
18:56Do you want me to take this back with me?
18:56I wish you would.
18:58I'm still on duty.
19:00Now, listen.
19:01You lock everything when I go.
19:04Okay?
19:04Mm-hmm.
19:04All right?
19:05Spoken like a true security man.
19:07Right.
19:07Good night.
19:08Good night.
19:17Laughlin spent four years in New Bianca.
19:19Never even got to Siberia.
19:21Four years in New Bianca?
19:22Oh, lucky they didn't throw the key away.
19:26Took part in the Hungarian uprising.
19:27Yeah, it was years ago.
19:28He formed Freedom, Inc. back in the 60s,
19:30dedicated to politicals everywhere.
19:32Big job.
19:33Yeah.
19:34Oh, he doesn't like us, by the way.
19:36Oh.
19:37It's the same, isn't it?
19:38It's written reams on the evils of the secret organisation.
19:431959, the realms of evil.
19:451963, the covert society.
19:471968, the enemy within, and so on.
19:50You're right, nutter.
19:51Yeah.
19:52What other thing is this sort of nutter, though?
19:53Watch out.
19:54Got to go.
19:55Hey, try not to lose her this time.
19:58Hey.
20:22Three-seven, the base over.
20:24Yes, I am fully aware of the pressure, Excellency.
20:29And I am dealing with it.
20:31Yes, good night.
20:42Well?
20:43This new boyfriend is turning out to be a bit of a nuisance.
20:47He's got Loughlin jumping now.
20:48Then remove him.
20:50Oh, and, um, when you do, perhaps the girl should be unfortunate enough to witness it.
20:57All right, Mr. Barr.
21:07Hello?
21:10Yes, Bodie, I'm fine.
21:13Yes, the locks are on and the chain.
21:17Go with Grimann and check.
21:19What do you mean you don't trust me?
21:22Yes, I'm fine.
21:25Thank you for worrying.
21:27Bye.
21:36Hello?
21:38Hello?
21:38Hi, you all right?
21:40Yes, Bodie, I'm fine.
21:41All locked in, safe and secure?
21:43Yes, the locks are on and the chain.
22:01There it is.
22:05Tiny, isn't it?
22:06Magic.
22:10Oh, what about the voice?
22:12The voice calling my name.
22:14One thing at a time, Sue.
22:15Oh.
22:18Don't think I can take much more of this.
22:21I mean, why?
22:23Who is it?
22:24I mean, why me?
22:25What have I done?
22:27Calm down.
22:28Come on, let's have a drink.
22:29Oh.
22:48You have a brother, don't you?
22:50Fair hair guy.
22:51Neville?
22:52I don't know about him.
22:54I asked around.
22:55What's his problem?
22:57He owes money.
22:58A lot?
22:59Hmm.
23:00To some rather heavy people.
23:02He wants you to help him out.
23:03Yes.
23:04Why do you know that?
23:05And you're not going to?
23:06Not anymore.
23:07Don't do we have to talk about my wretched brother?
23:09Oh, my God, the lights.
23:11Okay.
23:11Bodie, do you think...
23:12No, don't panic.
23:14Bodie, do you think it says...
23:15Shh.
23:16Where's the fuse box?
23:17In the hall, cupboard on the right-hand side.
23:27Miracle of modern science.
23:32Here, you try and get some sleep.
23:33What?
24:02Miracle of urban science.
24:49Susan.
24:52What is it?
24:53No one. They moved out.
24:59Where are you going?
25:00Shh. Stay there.
25:06You're welcome.
25:24You're welcome.
25:26You're welcome.
25:27You're welcome.
25:28You're welcome.
26:04You're welcome.
26:33You're welcome.
26:36You're welcome.
26:53Roger. Over and out.
27:02There's nothing on him. We'll see what the doc comes up with.
27:04So much for the cry wolf theory.
27:06Wolf, ho, waltz.
27:09To let us go. Just like that. I mean, you knew one of them, didn't you?
27:13What do you want them to do? Arrest me or something?
27:15Your gun. They never even asked you about your gun.
27:17I just overlooked it. I just overlooked it. I just overlooked it. That day you bumped into my car. You
27:20did it on purpose. I'm an assignment. You've been assigned to take care of me. You're very worthwhile. What do
27:28you know about that man? Who was he?
27:29You're not there? I'll find out. Just get in the car. Now I remember where I've seen, you know, the
27:34good-looking one. Mr. Doyle. Good-looking. In your car. Right, get in the car. Yes, he was. He was.
27:38Have I got to prize you in or what? You can't prize someone in. You can only prize something up
27:43or out or off.
27:44Good-looking. Lateral scar mark on right upper thigh. Vaccination mark on right leg. Could it be South or Central
27:53American? That's common, though. Could be. But the blood group, skin pigmentation, everything suggests British parentage. Frankly. Could be an
28:01Eskimo, right? Oh, well, maybe his fingerprints will show. Your best chance. Thanks, Doc.
28:07Come on. All right. I've heard of dropping in for dinner, but breakfast. This is a nice surprise. Always saying
28:16I don't come over enough. And you don't bring your friends. Oh, perhaps she's turned over a new leaf, Mr.
28:21Grant. You brighten my weekend. Now tell me, Mr. Bodie, what do you do? Um, well, sort of security, really.
28:29How interesting. What is it you secure? You, for one. Me? Yes, I work for the government.
28:34Hmm. Can't say any government's ever made me feel secure. When Susan's father died, he left a great deal of
28:41money. What the government gave me, after death duties, estate duties, Lord knows what duties, was hardly enough to feed
28:47the cat.
28:48Mother, you're shameless. You're rolling in it. Are you a gold digger, Mr. Bodie? Oh, but of course, Mrs. Grant.
28:56I like him, Susan. Well, that's something.
29:01Edward James Smith. He's got one arrest, way back. Released through lack of evidence. Ultra-right-wing. He's got affiliations
29:12in Europe, South America. Suspected hitman.
29:16It's a pity he died too soon, really, isn't he? Bodie wouldn't have shot to kill if he'd had a
29:21choice. Yeah, now they know he's CI-5. Or that he became too much of a damn nuisance.
29:25Yes, he can get in people's hair, can't he?
29:29You're welcome.
29:30...
29:45...
29:47...
29:47...
30:00Special delivery for Mr. Loughlin.
30:02Flat 17, third floor.
30:27And there you are, Nestle again.
30:29What's her name?
30:31Red and Matilda.
30:39Well, you made a hit with Mother.
30:41If you want to win the girl, win the mother.
30:43Do you want to win the girl?
30:45No, it'd be too easy.
30:47Thanks a lot.
30:48Well, according to your mother, there's no opposition.
30:50All chinless milksops, aren't they?
30:52She hasn't met them all.
30:55Oh, God.
30:59Hello, Neville.
31:01Who's this?
31:02Her name's Brody.
31:03Is his mother in the house?
31:04Yes.
31:06My brother Neville.
31:07Full of old world charm, as you can see.
31:34All right.
31:50why why won't you i mean a few thousand it's petty cash to you i told you neville i'm sick
31:56and tired of telling you why this time it'll be different i swear it how many times have i heard
32:02that how many times have i paid your debts only to see you make the same stupid mistakes all over
32:08again susan's been brainwashing you again no she has not neville you're 27 you've been bankrupt twice
32:15you're at the mercy of every glib talking con man who crosses your path giving money to you is like
32:21giving a gun to a baby all right he won't help me i'll find another way i hope it doesn't
32:27upset your
32:41gracious living
32:433869 mr mason please he's not here at present would you ask him to call henry loughlin it's very urgent
32:54well what have you found out oh the girl's down in the country with the boyfriend
33:00we'll have to get her we should have done it before
33:07was that you there those were wonderful times i miss my husband a great deal
33:14oh enough of this i'll be dragging out the movie projector next by the pool at captain team oh why
33:21not i like old movies poor neville i've ruined him time after time i've paid his debts and each time
33:28i
33:28seem to have made it worse for him no you haven't look he's a grown man now he can make
33:33his own way
33:35by the way the guest room's freezing i put the blanket on
33:37uh-huh you hate them i'll switch it off when i go by good night mr bode hello miss crumb
33:43night
34:03hey
34:03hey you're all right thanks for being here that's all part of the service is that why you're doing all
34:10this doing what risking your life that's my life i didn't realize mrs grant wasn't your real mother
34:19my parents were killed in a car crash yeah i know she told me that expands quite a lot what
34:27well you're being a learner thank you possibly
34:40sorry about the blanket
34:41that's what i'm going to do
34:46it's all remember that
34:48that one there
34:48mm-hmm
34:49right
34:49no
34:50no
34:50no
34:52no
34:53no
34:54no
34:55no
35:06no
35:07no
35:08no
35:08no
36:42I couldn't get back to you yesterday.
36:43Yes, yes.
36:44Listen, it may be too late.
36:46We've got to move.
36:51You are holding a Mr. Raymond Miller?
36:53You is solicitor.
36:54Yes.
37:03Good morning, Mr. Miller.
37:16Don't worry.
37:17You'll be out of here by this evening.
37:32I'd like to speak to Mr. Mason, please.
37:33I'm afraid that's impossible without an appointment.
37:36Is this his office here?
37:38Mr. Mason.
37:39Just a moment.
37:40Who the devil...
37:41Doyle.
37:41I'm sorry, sir, but I just...
37:43That's all right, Miss Reynolds.
37:48You're acquainted with a Mr. Henry Loughlin?
37:50We act for him in certain matters.
37:52Yeah, he spoke to him on the phone about an hour ago.
37:54Phone tapping.
37:55Now, just a minute, Mr.
37:57Doyle.
37:57And the regulations weren't infringed.
38:00We believe your client's implicated in a very serious crime.
38:10Grab up, Miller.
38:27Cyanide.
38:28Injected into the back of the neck.
38:30Neat.
38:30Yes, neat.
38:31Cyanide.
38:32The girl back at work?
38:33Yeah, I'm body on the spot.
38:35I think it's becoming a labour of love.
38:38Well, I hope it doesn't lapse into rivalry.
38:41All my political life, I've fought against the invisible governments,
38:44the faceless wielders of power.
38:46And now you've set them on me.
38:48I've done nothing of the kind.
38:50George Cowley was a friend of Anthony's.
38:52When I sensed that Susan was in danger, I asked him to look into it.
38:55That man's big brother.
38:57A grey-suited spook.
38:59Answerable to God knows who.
39:01He's protecting Susan, and that's my first concern.
39:04It should have been yours.
39:08I know why she's being harassed.
39:12And I put an end to it.
39:15God help me.
39:42Mr. Bauer?
39:43Yes?
39:44My name's Mason.
39:45I'm a solicitor.
39:46I represent Mr. Henry Loughlin.
39:47I know.
39:48He's instructed me to hand this over to you.
40:07Bauer?
40:31Four, five, three, seven, over.
40:33Three, seven?
40:34No, I lost Bauer.
40:35I've got the tape safe, though.
40:37I've put out a red eye.
40:37Over.
40:38All right, understood.
40:45Hello.
40:46They're speaking.
40:49That's not true.
40:50I did everything to the letter.
40:53No, wait.
40:54Listen to me.
41:07you said.
41:24Good night, Sue.
41:25Good night, Joan.
41:26See you tomorrow.
41:27Good night, Sue.
41:28Good night.
41:48Susan Grant, Famine Relief.
41:50Yes, I am.
41:53Oh, you wish to make a donation?
41:57How much are you thinking of giving?
42:00I say that's very generous.
42:02Well, let us say it is a matter of conscience.
42:05Perhaps you could give me some idea how my money will be spent.
42:08Of course.
42:08Our main function is to raise money for food and supplies
42:12for the undernourished parts of the world.
42:14We see every stage through ourselves.
42:16We leave nothing to chance.
42:19We have people that work in all the countries that we aid.
42:22They supervise the disbursement of the funds
42:24and the distribution of the supplies.
42:26Do you have any questions, though?
42:28Hello?
42:30Are you still there, sir?
42:31Hello?
42:32No!
42:33No!
42:36Ah!
42:43No!
42:44No!
42:47No!
42:47Oh, my God.
43:17Or she goes over.
43:19Drop the gun.
43:21Drop this.
43:26Now, bring your car to the bottom of the stairs.
43:30Move!
43:43Race up.
43:47Listen, I've got trouble.
43:48Give me Alpha and 4-5, but tell them to maintain radio silence.
43:52Maintain radio silence. Over.
44:17Right, where are we going?
44:19Just drive.
44:19Yeah, I know, but do we turn left or right?
44:22Turn left and drive south over the bridge.
44:23South over the bridge. Right, you're the boss.
44:26That's right.
44:37Turn right at the roundabout.
44:39Got that, 4-5?
44:40Yep, 8-24.
44:42Keep going for three miles.
44:48Where are we going through, Woodley?
44:49You'll be told, just keep going.
44:51Oh, beautiful. Just keep on going.
44:57What are you wanting for?
44:59Shut up.
45:00Well, first you try and scare her. Now you're looking to...
45:04Very smart.
45:06Enough to get you killed. That's how smart.
45:09Nice try, but he talked too much.
45:12Where else is he going?
45:14Go right around this roundabout and then make a left.
45:23Sir, we're getting his tracker signal now.
45:28Could be the instrument, apparently.
45:31Maybe.
45:32A definite maybe.
45:34Go for it.
45:35The Mets are alerting all mobile patrols.
45:38But Bauer's obviously armed, and he's got the girl.
45:41Next left and then first right.
45:43Oh, the full mystery tour, eh?
45:44For you, perhaps.
46:08Right.
46:08Give him the keys.
46:12Now, out.
46:20Now, start walking up the runway with your hands up.
46:23Any tricks, and she's dead.
46:27Come on.
46:29Come on.
46:33Come on.
46:35Come on.
46:47Come on.
47:10Get behind the car!
47:44Hey James, what do you think, looking for a car case?
47:59Henry Loughlin is an idealist and a brave man.
48:03His commitment to freedom of political thought is absolute.
48:07When he alone was at risk, he was unshakable.
48:11He was determined to release this evidence of torture used on political prisoners in Central America.
48:18But the government of that country sought to prevent him.
48:21And they found a way.
48:24By threatening the safety of his daughter.
48:28You, Susan.
48:31He's not my father.
48:33My parents were killed.
48:35Your mother was killed when you were a little girl.
48:38Your father was imprisoned.
48:40During that time, your adoption was arranged.
48:43When your father was released, it was felt that your happiness was secure and shouldn't be disturbed.
48:55Would you like to return this to him now?
49:22This young man's been advising me about my roses, George.
49:24Really?
49:25No one got great fingers, did he?
49:29Yeah, you see?
49:30What's the problem?
49:33The problem?
49:34I don't see.
49:36Oh-oh.
49:58Oh-oh.
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