00:00After we have all the songs,
00:01we share with like astrologists
00:04and they decide what sign is any song, you know?
00:09Like this is Pisces, this is Virgo, this is Aquarius.
00:14Each song has like some particular aspect of this sign.
00:25So I heard the track
00:27and I have this lyric came to my head
00:31and I start to just write the song.
00:34It was like one hour I have a song.
00:36So I sent to him and he said, I love it.
00:39So let's go to the studio.
00:41So when the first time that we get into the studio,
00:43that song was almost ready.
00:45We rewrite some stuff in my part and we love it.
00:49It was like, it was very fast.
01:11So this is about like, you filtering with someone, like coqueteando, and you, oh my God,
01:20you have to be careful because I'm coming and when you get in, you never go away.
01:47It's like you're a trap in this, in this relationship, but not in the bad way, in the good way.
01:52Like you're happy. And it's so intense. When we're so high, nobody can stop us.
01:58That part is more like that, like, woo, let's go to the moon.
02:22We have a dicho, eh, que es, when you like someone, me mueves el piso.
02:28The floor is moving, you know, como un temblor.
02:30It's a beautiful contrast because it's kind of like feeling that you're flying,
02:34but then in the hook you go like, you're moving my, the ground, you know, in a way,
02:39what is happening to me, you know?
02:40So the hook is the question.
02:42What's happening with me that I'm in this crazy, trippy-trip.
02:46Yeah.
02:55The whole verse are like about traveling and feeling this kind of trip, but then in the coro,
03:02you feel like, how do you feel it in reality, you know?
03:06And the post hook, in a way, is kind of like, it concludes by, I only need you.
03:12That's the only thing that I need.
03:24The champeta rhythm is a Caribbean, Afro-Caribbean rhythm.
03:29It was the El Baile Prohibido.
03:32It was so intense, so a couple danced that and it was so hard.
03:37So to be in the sun, que esté ahí, como específicamente, bailando champeta is,
03:41cuando tú estás ya bailando champeta, it's something like really strong, like really hard, so.
03:46Vamos a atravesar, como los cometas, prendidos en fuego mientras resolvemos de quién es la arepa.
03:55Let's travel like the comets, and then we're going to be on fire and we're going to solve
04:02where is the arepa from, because there's a, there's a cultural thing with the arepa that
04:07Colombians say that they are like, they-
04:10Debes arepa.
04:11Debes arepa.
04:11Si, debes arepa, sorry, Colombia and Venezuela.
04:14So in a way, it's kind of like, we're going to be in this whole trip solving that problem.
04:26Like in a way, I've been trying to mix like funny stuff and simple stuff with cultural
04:33stuff and I feel like Joko and John are like a cultural thing and I feel that it's an image
04:40that represents like the hippie, you know, the Woodstock hippie era in a way.
04:45So it was like a good, a good thing to say in that, in that part of the song.
04:55I have to stop like naming Juan Luis in all the songs.
05:03I've been doing a lot of that.
05:05I'm a huge fan of Juan Luis, but yeah, we were talking about slow motion and gravity
05:09and stuff.
05:10So, and it rhymes with Cuatro Cuarenta, that is his band.
05:14So yeah, I'm very proud of this verse because I feel that it's a good, it was a good starting
05:21point for the whole album, you know?
05:35This is like the end.
05:36So we get in this trip, viaje, where we start like getting in, going this rocket with the
05:47stars and the space and go there, blah, blah, blah, and come back and land in the terraza.
05:58And then we drink a coffee after that amazing planetarium trip.
06:03We end up in our home, our home together, right?
06:06Yeah.
06:07Coffee is important.
06:09I don't know if we meet people in different lives, but I do feel it.
06:14I had that sensation and that's why I feel that that's a bar that is in so many beautiful
06:19songs.
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