- 16 hours ago
Starring Barbara Stanwyck & Melvyn Douglas.
Category
đ„
Short filmTranscript
00:00:10The End
00:00:34The End
00:01:18Who are you voting for, this November, Sheriff?
00:01:21Me?
00:01:22Yeah.
00:01:23James G. Blaine.
00:01:25Yeah?
00:01:26Yeah.
00:01:26Yeah.
00:01:27He's here casting his ballad for Grove Cleveland.
00:01:30No.
00:01:31You voting for that New York copperhead?
00:01:33You bet your life a beef.
00:01:36And he's gonna beat the britches off of you, Mr. Blaine.
00:01:39Yeah.
00:01:41James, look it.
00:01:43Slap a stick of them all over your wall.
00:01:47You've got to go.
00:01:48Smearing up dark honey with them consome stickers.
00:01:51Well, a man's gotta make a living.
00:01:52Well, I can't help that.
00:01:54You take that ding busted thing down off of my wall.
00:01:57Well, even the sight of a man's car ain't safe from you fellas nowadays.
00:02:01Go on.
00:02:02Take it down.
00:02:04Go on.
00:02:05Take it down.
00:02:09Lem, let's see the top half of it.
00:02:13All right.
00:02:14You chuck the rest of them.
00:02:16Then he hope he likes them.
00:02:17He stays up.
00:02:18If she don't, down he comes.
00:02:20Let's see the top half of it.
00:02:36Gosh.
00:02:38Ain't he pretty?
00:02:40All right.
00:02:40Here you look.
00:02:42Who is he, Annie?
00:02:43Toby Walker.
00:02:44He's the greatest shot in the whole world.
00:02:46Maybe a trick shooting, Annie.
00:02:47But I'll bet he ain't one, two, three with you on quail.
00:02:49Oh, Lem, I just point a gun at them.
00:02:53Hey, that big hotel in Cincy.
00:02:55Still begging for some of your birds.
00:02:57You got some for me today?
00:02:58Sure, six dozen.
00:02:59All dressed in thick.
00:03:01Bet at 50 yards she can knock the eye out of a bumblebee.
00:03:04Yeah.
00:03:05Yeah, them quail she shoots don't know what hits them.
00:03:07Slabbing a hit every time.
00:03:09Support her to folks putting her five years on that gun of her.
00:03:11At least I could shoot, that way.
00:03:13Wish I could.
00:03:14We'd have law and order in this county.
00:03:16Sheriff.
00:03:17Remember the time you aimed at the chicken thieves?
00:03:20And killed a hawk?
00:03:21Killed a hawk.
00:03:29Mr. and Mrs. Quail, won't you walk into my broiler?
00:03:32Mm-hmm.
00:03:34Yes, sir and ma'am.
00:03:36A warm welcome.
00:03:37Sure do await you.
00:03:38Oh, my.
00:03:39I was going to baptize you slow in hot butter.
00:03:43Hot butter.
00:03:44And put you to sleep in a bed of rice.
00:03:47Sleep on sweet quail.
00:03:49Say, boy, how many of those quails you done already counted?
00:03:5226.
00:03:53Well, forget to count about four of them.
00:03:56Don't you think I like quail myself?
00:03:58I done already uncounted eight.
00:04:00That's right.
00:04:01Boys.
00:04:03Oh.
00:04:07Your bad arithmetic's going to get you in trouble one of these days.
00:04:12Don't quail they no good, Mr. McLeod.
00:04:14They're full of bucks, sir.
00:04:16Not these quail.
00:04:16They cost me fancy prices.
00:04:18The hunter always hits them in the head.
00:04:20That's right, boss.
00:04:21That hunter sure is a shooting fool.
00:04:23I want you boys to outcook yourselves in these quail.
00:04:25The mayor has given this banquet for Toby Walker.
00:04:28Yes, sir.
00:04:28And it'll be fit for king, too.
00:04:30It better be.
00:04:32Mr. Walker is very particular.
00:04:46Well, Toby Walker, I hereby pronounce you a member of Buffalo Bill's happy family.
00:04:51Yep.
00:04:51Had a good day's work, Jeff.
00:04:53Yes, I think so.
00:04:54I think my partner will think so, too.
00:04:56Colonel Cody and I don't sign up any second-raders, only champions.
00:04:59So you're a champion shooter, huh?
00:05:01I don't believe it.
00:05:03Take it easy.
00:05:03That's Toby Walker.
00:05:05Never heard of it.
00:05:06Bet I could beat him myself.
00:05:11What are you laughing at?
00:05:16Oh, baby, good.
00:05:17We haven't seen you shoot yet.
00:05:19Well, money talks, Cap.
00:05:20Your shooting rig's pretty high around here.
00:05:22Why don't you take me on?
00:05:24I'm only an amateur.
00:05:25I don't want any contest with you, Walker.
00:05:27I'll lay you three to one, and you can name your own targets and distance.
00:05:30Take him on, Cap.
00:05:31He may not be some good.
00:05:32Sure, Cap.
00:05:32You're a good sign.
00:05:33Take him on, Cap.
00:05:34Ain't there one sport in this, Berg?
00:05:37I'll give you four to one.
00:05:39Oh.
00:05:41Oh, good.
00:05:42Could you make that five to one, Mr. Walker?
00:05:44Look, Max, you better keep out of this.
00:05:46We ain't betting marbles.
00:05:47This is for money.
00:05:49Oh, is that a fact?
00:05:49Well, I believe I'd get someone that might make it interesting for you.
00:05:52How about a little side bet of, oh, $100 to make it more interesting?
00:05:58$100, eh?
00:05:59Now, I don't think that would interest me, but, uh...
00:06:02$200, eh?
00:06:03Now, uh...
00:06:05Max?
00:06:07It's a bet.
00:06:08But you'll have to see my new boss here to arrange the details.
00:06:12Well, tomorrow morning at the gun club, sir, two gentlemen?
00:06:14It's a go.
00:06:14Let's have a drink on.
00:06:15Oscar, set him up on the house.
00:06:17Oh!
00:06:18Oh!
00:06:18Oh, my God!
00:06:19Oh, my God!
00:06:20The beer is all around.
00:06:22They make mine a short one.
00:06:23Make mine a champagne cocktail.
00:06:24I'll take champagne, too.
00:06:25Make mine champagne, too.
00:06:26Make mine champagne.
00:06:27All right, I'll swallow champagne.
00:06:30Mac, if I hadn't been here to see this, I wouldn't have believed it.
00:06:37I'll put it back.
00:06:38I've lost my thugs.
00:06:40What's the matter, Mac?
00:06:41Are you in mourning?
00:06:42Yeah, for his $200.
00:06:45Oh, oh, that's not for ladies.
00:06:47Oh, I'm no lady.
00:06:50Pardon me, miss.
00:06:51This is the rule.
00:06:52Oh, how cozy.
00:06:56Well, I've been here for 60 years, and that's the first time I ever saw a woman put into
00:07:00a saloon.
00:07:01The next thing you know, there will be smoking cigarettes.
00:07:04Oh, talk sense, man.
00:07:05Talk sense.
00:07:06Here's to Toby Walker.
00:07:07Here's Toby Walker.
00:07:10Well, gentlemen, I hardly know what to...
00:07:14Hello, honey.
00:07:15Getting your hair curled?
00:07:22What's the matter?
00:07:23Don't I get introduced?
00:07:25Allow me, gents.
00:07:26The great Toby Walker and company.
00:07:29I, uh, I nearly forgot what time it is.
00:07:34They're, uh, probably yelling for me at the theater.
00:07:37I, uh...
00:07:39Come on, get out of here.
00:07:43Seems there's nothing secret anymore.
00:07:47All my born days, I've never seen such gall.
00:07:49What are you trying to do, make a jackass out of me in front of me, public?
00:07:52Oh, honey.
00:07:53Don't honey me.
00:07:54You're too dang fresh.
00:07:56Toby Walker, you're supposed to be a sharpshooter, and you can't even see a willing gal right
00:08:00under your own nose.
00:08:01I can see anything I'm aiming at.
00:08:03Yeah, I know.
00:08:04You only go high, wide, and handsome for the lady swells, like you claim you was with Sarah
00:08:10Bernhardt.
00:08:11Let's leave Miss Bernhardt's name out of this.
00:08:13Bernhardt.
00:08:14You never know her well enough to carry her trunks.
00:08:16Listen, Vera, I think you're a swell little trooper.
00:08:19Now, let's leave it like that.
00:08:19You've got your ticket back to New York and two weeks extra pay.
00:08:22I'd keep you in the act if I could, but there just ain't no place in a Buffalo Bill show
00:08:26for a gal.
00:08:27Well, sharpshooter, I gotta hand it to you.
00:08:29You sure got the power to resist a beautiful woman.
00:08:32Well, don't take it too much to heart, little girl.
00:08:34Maybe I'm doing you a favor.
00:08:35You know, Lily Langtree couldn't act for sour apples until I turned her down.
00:08:40Talk louder, will you, Lam?
00:08:41I can't hear you.
00:08:43You...
00:08:45Blast these new-fangled instruments of torture.
00:08:48Hello?
00:08:48Oh, oh, uh, Lam, Lam, uh, just a minute.
00:08:52Hello, Lam.
00:08:53Lam, I want you to get the hold of that quail shooter.
00:08:56Eh, the one that sells you the birds you send up here.
00:08:58I've got a shooting match.
00:09:00A shoot...
00:09:01A shooting match, Lam.
00:09:03Aye, there's...
00:09:04If he wins, there's fifty dollars in it for him.
00:09:06Yes, I said, uh, thirty dollars.
00:09:08What do you say his name is?
00:09:10Shake up the telephone, Lam.
00:09:12I can't hear a what...
00:09:13What?
00:09:14Oh, Oakley.
00:09:15Andy Oakley.
00:09:17All right, Lam, all right.
00:09:18I'm here in the morning.
00:09:20Oh, Lam, Lam, Lam.
00:09:21He makes certain sure he's sober.
00:09:23Aye.
00:09:24Aye.
00:09:33Come on down, please.
00:09:34I want to see the sand.
00:09:37Everybody ready?
00:09:40Smile.
00:09:42Smile bigger.
00:09:44That's fine.
00:09:46Oh, I want to see the sand.
00:09:47Oh, I want to see the sand.
00:09:56Oh, I want to see the sand.
00:10:01Oh, I want to see the sand.
00:10:01Oh, I want to see the sand.
00:10:02Oh, I want to see the sand.
00:10:02Oh, I want to see the sand.
00:10:03Oh, I want to see the sand.
00:10:03Oh, I want to see the sand.
00:10:03Oh, I want to see the sand.
00:10:04Oh, I want to see the sand.
00:10:04Oh, I want to see the sand.
00:10:06Oh, I want to see the sand.
00:10:09Oh, I want to see the sand.
00:10:35That's fine.
00:10:36That's a beauty.
00:10:42Well, don't they know you're here?
00:10:44Come on, boy.
00:10:48Who's shooting against you, Mr. Walker?
00:10:50A fellow by the name of Oakley.
00:10:51A room from the tall timber.
00:10:53By Cracky?
00:10:55Well, good luck to you.
00:10:56Well, we'll have some fun anyway.
00:10:57If he ever gets here...
00:10:59Hey, Mac, you better get your man here.
00:11:00I can't wait all day.
00:11:02Oh, he'll be here all right.
00:11:03He's had a long ways to come.
00:11:07Well, I'll get down and warm up a bit.
00:11:13I'm waiting to see that dark horse, Mac.
00:11:15And the longer we wait, the longer Mac keeps that $200.
00:11:18Anyone that can hit well in the head with a single ball can shoot for my money.
00:11:21Are you looking for me?
00:11:23My name is Oakley.
00:11:25Oakley?
00:11:27Where is your father?
00:11:28Oh, he's dead.
00:11:30Dead?
00:11:32When did it happen?
00:11:33Oh, a long time ago.
00:11:37Then, where is your brother?
00:11:39Oh, this is my brother.
00:11:42And this is my sister Susie, and this is Mark.
00:11:46Excuse me.
00:11:47I am looking for an Andy Oakley who's been supplying me with game.
00:11:51Oh, I guess you made a mistake, mister.
00:11:53Not Andy Oakley.
00:11:54Annie.
00:11:55It's me you sent for.
00:11:57You.
00:11:59A joke's a joke.
00:12:00But this one is just a little two-prick.
00:12:02But it's not a joke.
00:12:03I want to bet my own money.
00:12:05Show him what you've got, Ma.
00:12:06Lem sent down $10, and Sheriff Bixby sent down $5,
00:12:09and a lot of other people chipped in.
00:12:11$37 in all.
00:12:12Yes, siree.
00:12:13Then forget about it.
00:12:15There's not going to be any contest.
00:12:17Maybe you could settle for half, Mac.
00:12:19You mean just because I'm not a man, you ain't going to let me shoot?
00:12:21That's perfectly all right, Miss Oakley.
00:12:23You're going to get your chance.
00:12:24The bet still stands.
00:12:25But I'll just count it and be afraid away, Mr. Hoggard.
00:12:27Oh, no, you don't.
00:12:28The whole hog are nothing at all.
00:12:29And I'm speaking for Toby Walker, too.
00:12:31Toby Walker?
00:12:32Mm-hmm.
00:12:33You're in big company now, Miss Oakley.
00:12:35Oh.
00:12:36Oh, I couldn't shoot against Toby Walker.
00:12:39Oh, now, you mustn't be afraid.
00:12:40You just do the best you can.
00:12:41Just pretend you're shooting quail.
00:12:42Oh, I ain't scared he could beat me.
00:12:44It's just that it don't seem reasonable.
00:12:47Of course it isn't.
00:12:48But we're going through with it just the same.
00:12:51Ma, can I have the money?
00:12:55Would you bet the money for me?
00:12:57Huh?
00:12:58Oh, yes, of course I'll bet it for you.
00:13:11Ugh.
00:13:13Oh, yes, of course I'll see you.
00:13:18Ugh.
00:13:36Here's yours, Annie.
00:13:38They don't belong to you.
00:13:40I guess the seatbelt is.
00:13:55Hey, don't meddle with those guns.
00:13:57Oh, I'm sorry, mister.
00:13:59But whenever I see a gun, I always want...
00:14:01What's a kid like you know about guns?
00:14:02I got one here.
00:14:03It was cleaned through the Civil War.
00:14:05Well, gee whiz.
00:14:07Don't tell me to shoot with a thing like that.
00:14:09Of course I do.
00:14:10What do you shoot, doodle bugs?
00:14:12Well, you hang around, kid, and you'll see some shooting at his shoot.
00:14:15I figured I'm seeing some tall shooting, otherwise I wouldn't be here.
00:14:18Up from the sticks to see me make a monkey out of that Oakley?
00:14:21They're shooting this monkey you ever saw, and we got $37 says so.
00:14:25No.
00:14:26Not all the ready cash in that county, I suppose.
00:14:28Bring on that hickory nut knocker.
00:14:30Mr. Walker, meet Miss Hickory Nut Knocker.
00:14:32What?
00:14:33Your opponent, Miss Annie Oakley.
00:14:34What do you mean?
00:14:36Hey, McIver, is this your idea of a joke?
00:14:39Asking me to shoot against a half-baked kid and a girl at that?
00:14:43Now, if you'd like to call off the bat.
00:14:45He's right, Mr. McIver.
00:14:46Uh, he'd look awful silly if I beat him in front of all these folks.
00:14:49Pete, Pete, will you?
00:14:50Ha, ha, get those targets ready.
00:14:53Pete, make him earn his money, Annie.
00:14:57Uh, I was wondering, Mr. McIver, if you could help me find some plain sewing.
00:15:04Well, I don't know if it needlework, but, uh, I've got a cigar stand at the hotel.
00:15:08Oh, I love a man who smokes a cigar.
00:15:12Mind you, the job only calls for selling cigars.
00:15:16As the challenger, you shoot first.
00:15:18Start with the end target.
00:15:20Yes, sir.
00:15:21Clear the rings, boys.
00:15:23All right.
00:15:32You started at the wrong end.
00:15:34That's all right.
00:15:34Set it up again.
00:15:35Set it up.
00:15:38First pot shot I ever took.
00:15:41All right, Mr. Walker.
00:15:48This is too easy.
00:15:49Give us something to shoot at.
00:15:51Certainly.
00:15:51We'll use moving targets if it's agreeable with Miss Oakley.
00:15:54Well, I never shot a quail while it was setting down.
00:15:57All right, Miss.
00:15:59Get in the pit, boys.
00:16:01You will shoot alternately.
00:16:03The first one to miss will lose the contest.
00:16:04Is that all right with you?
00:16:05Yes.
00:16:06And you, Mr. Walker?
00:16:07Fine.
00:16:07And you, Mr. McIver?
00:16:10It's fine with me.
00:16:12Just call ready.
00:16:19Ready?
00:16:20Throw!
00:16:23And hit!
00:16:25Good shot.
00:16:29That was well done, little lady.
00:16:31Thank you, sir.
00:16:32Ready?
00:16:33Throw!
00:16:34Throw!
00:16:36I'm here.
00:16:38Good shot.
00:16:43Ready?
00:16:45Throw!
00:16:47I'm here.
00:16:48Ready.
00:16:49Throw!
00:16:51Ready?
00:16:52Throw!
00:16:55Ready!
00:16:57Throw!
00:17:00Ready?
00:17:01Throw!
00:17:03Throw!
00:17:30I hope you ain't going to be the cause of that.
00:17:33You know a young man losing his position.
00:17:34You'll be long, mama.
00:17:35Don't worry, mom.
00:17:36I ain't going to be.
00:17:44Ready?
00:17:44Throw!
00:17:48I missed!
00:18:02Ready?
00:18:02All right, roll ahead!
00:18:11Sister, don't take it too much to heart.
00:18:13You gave me about as good a match as anybody does.
00:18:16Thanks, Mr. Walker.
00:18:17You know, you've got possibilities.
00:18:19Too bad I won't be around to give you a few pointers.
00:18:25Come on, Ma, let's go.
00:18:31Everybody, everybody up to the bar! The drinks are on me!
00:18:44All right, Prince, it's on me. Beers for everybody.
00:18:47Make mine a champagne cocktail.
00:19:05I... I don't see how she could have lost.
00:19:08Newt said she tied her. Shot to shot.
00:19:12Right up to the very last.
00:19:14I never knew her to miss a shot before.
00:19:46Good day!
00:19:47You better break the news to them, Annie.
00:19:48I'll keep an eye on the young ones.
00:20:07Hello, Annie.
00:20:09Howdy, Annie.
00:20:11I'm going to pay you folks back the money I lost
00:20:15if it takes a whole winter shooting.
00:20:17Oh, forget it, Annie.
00:20:18You done the best you could.
00:20:19Sure you did.
00:20:21You bet.
00:20:22I just did.
00:20:23I didn't.
00:20:24No, Annie.
00:20:25You don't know what you're saying.
00:20:27I know all right, and I'm going to fess up.
00:20:30I missed that last shot a purpose.
00:20:32You missed it a purpose?
00:20:34Yes, I did.
00:20:37I couldn't beat that fellow.
00:20:39I didn't have the heart to.
00:20:41He was just too pretty.
00:20:55Hello, Miss Oakley.
00:20:56Hello.
00:20:57Mrs. Oakley.
00:20:58You know, in all the excitement,
00:20:59I completely forgot to get that bet of yours covered.
00:21:01When I remembered, I had to chase all this way to find you.
00:21:04Honest?
00:21:04You didn't bet the money?
00:21:05No, I didn't.
00:21:06Gee, now I can pay back the boys.
00:21:07Well, just a minute.
00:21:08There's something else I wanted to see you about.
00:21:10Mrs. Oakley, this daughter of yours
00:21:11is one of the finest shots I've ever seen.
00:21:13We're mighty proud of her.
00:21:15And we'd be mighty proud to have her with the Buffalo Bill show.
00:21:17Buffalo Bill?
00:21:18Yes.
00:21:19Yes, you see, I'm a partner of Colonel Cody's.
00:21:20Well, I hope you ain't suggesting
00:21:22that Annie go gallivanting around the country
00:21:23with a lot of cowboys and wild Indians.
00:21:25Well, you'd like that, wouldn't you, Annie?
00:21:27Well, what would more than the kids do without me?
00:21:29Well, we'd pay you good money.
00:21:30Just think of it.
00:21:31Annie Oakley, in the greatest shooting act in the country,
00:21:34billed right next to Toby Walker.
00:21:36You don't mean he's going to be there.
00:21:38Every day for the next two years, rain or shine.
00:21:41Mister, it's a deal.
00:22:15Reckon the first thing you'd better know about this outfit
00:22:17is how I figured on running it.
00:22:19This is a real Wild West show
00:22:21with he-men doing the things they did on the plains.
00:22:23Now, if you're carrying any sleight of hand up your sleeve,
00:22:26you better forget it.
00:22:27I want the real, genuine article.
00:22:30Or nothing.
00:22:31That's what you're getting, Colonel.
00:22:32And naturally, I expect to get Bill right up there on top.
00:22:35I don't suppose you'd mind, Walker,
00:22:36if we put Buffalo Bill's name on the posters, too?
00:22:38Oh, I think that'd be all right.
00:22:41No hard feelings, Colonel.
00:22:42Just a little friendly chat.
00:22:43What?
00:22:44Oh.
00:22:53Now, you wait here until I break the news to the Colonel.
00:22:55I hope he likes me.
00:22:56How could he help it?
00:23:03Well, you old horse thief.
00:23:04About time you turned up.
00:23:05I'm sorry.
00:23:06I was a little delayed, Bill.
00:23:07I'd think you would be.
00:23:08Probably shame to show your face
00:23:09after sending me that New York buckaroo.
00:23:11Who, Toby Walker?
00:23:12Well, he's the greatest shot on earth.
00:23:14With the exception, maybe, of a gunslinger,
00:23:16I've just signed up.
00:23:17Another one?
00:23:18Well, what's his name?
00:23:20Annie.
00:23:21Annie?
00:23:22What in tarnation do you think
00:23:24we're running around here?
00:23:25A dang burlicule?
00:23:26Oh, calm yourself, Bill.
00:23:27Annie Oakley's as good a shot
00:23:28as any man I ever saw.
00:23:30Did I hear someone call my name?
00:23:32Colonel Cody?
00:23:33Meet Miss Annie Oakley.
00:23:35Well, dog my cats.
00:23:37How do, little missy?
00:23:38Howdy.
00:23:39And, Bill, she shoots as pretty as she looks.
00:23:41Maybe so.
00:23:42But I never knowed any woman
00:23:44could shoot good enough
00:23:44to join this outfit.
00:23:46They say you're a mighty fine shot yourself,
00:23:48Mr. Buffalo Bill.
00:23:49How much you got says I can't beat you?
00:23:52Well, bust my buttons.
00:23:54How much you got says you can?
00:23:56Now, hold on.
00:23:56Wait a minute.
00:23:57With a woman who can outshoot most men
00:23:58while she'd soon be
00:23:59the greatest attraction in our show.
00:24:00Maybe you're right.
00:24:01But how would it look on the building?
00:24:03Buffalo Bill's blood-curdling
00:24:05Wild West show
00:24:06with the dainty Annie Oakley.
00:24:09You know, Bill,
00:24:10you're a downright chicken liver
00:24:11when it comes to women.
00:24:12No, it ain't that, Jeff.
00:24:13It's, uh...
00:24:14Well, it's the boys.
00:24:16To tell you the truth,
00:24:17I ain't got the gumption
00:24:18to go out there and tell them.
00:24:20Well, you leave that to me.
00:24:24Boys,
00:24:25now that we're all here,
00:24:27what I mean is I, um...
00:24:30I brought you all together
00:24:31because, uh...
00:24:32Well, you see...
00:24:35this is kind of
00:24:36in the nature of an occasion,
00:24:37and, uh...
00:24:41And I...
00:24:45Well, boys, I...
00:24:46I want you to...
00:24:48I really want you to...
00:24:51You tell them, Jeff,
00:24:52it was your idea.
00:24:53Well, I've got some good news
00:24:54for you, boys.
00:24:55The Colonel and I have decided
00:24:56that what this outfit really needs
00:24:58is an uplifting influence.
00:24:59What could be more uplifting
00:25:00than the presence among us
00:25:01of a fine, high-minded little woman?
00:25:03Here she is, boys.
00:25:05The newest member
00:25:06of our happy family,
00:25:07Miss Annie Oakley.
00:25:13That's all, boys.
00:25:16What could she do
00:25:17with my old like this, honey?
00:25:18I can get a job
00:25:19with Tony Bill.
00:25:20What could a woman do
00:25:21in the show?
00:25:21Come on, Annie.
00:25:22I'll show you the papooses.
00:25:23Yes, little missy.
00:25:24We're all just one
00:25:25big happy family.
00:25:29Here we are.
00:25:31This way, missy.
00:25:42Perfume.
00:25:43Dang it, you smell like
00:25:45happy minis back in Omaha.
00:25:51Colonel's had me out there
00:25:52sleeping with the horses.
00:25:54Judging from the turnout,
00:25:56I guess you boys see the light.
00:25:58All right, fellas.
00:25:59What do you say?
00:26:02Well, that sounds
00:26:03mighty good, boys.
00:26:04And let me tell you something.
00:26:05Someday you're going to be
00:26:05darn proud to say
00:26:06you knew Annie Oakley.
00:26:08That's right.
00:26:08Take it from one who knows.
00:26:16Miss Oakley,
00:26:17I want you to meet
00:26:17that old scallywag,
00:26:18Ned Bunklein,
00:26:19my press agent.
00:26:20Howdy.
00:26:21Howdy, little lady.
00:26:22It's up to you
00:26:23to put her across, Ned.
00:26:30You might even write her
00:26:31into one of those
00:26:32dime novels
00:26:32you write about
00:26:32the colonel there.
00:26:34Well, sure thing
00:26:35if it's all right
00:26:35with the colonel.
00:26:36How's this?
00:26:37When she was just
00:26:38a little tyke,
00:26:39Bill here saved her
00:26:39from Chief Sitting Bull's
00:26:41red skin.
00:26:41Sitting Bull?
00:26:42Well, sure thing, Colonel.
00:26:44Sitting Bull's worth
00:26:45five cents of any man's
00:26:46dime novel.
00:26:46The papers say
00:26:47old Bull's in Washington
00:26:48calling on
00:26:49the Great White Father.
00:26:51We got to grab him, Jeff.
00:26:53A great way
00:26:53to start our season.
00:26:54We got him out
00:26:55the opening night.
00:26:56Not to see the show.
00:26:57To join the show.
00:26:59Well, that's tall thinking, Bill.
00:27:01Why drag in a dirty suit
00:27:02or mess up a good outfit?
00:27:04Might forget himself
00:27:05and saw off another massacre.
00:27:06Oh, surely Mr. Bull's
00:27:07learned some manner
00:27:08since he'd shawed up
00:27:09General Custer.
00:27:10Of course he has.
00:27:11Besides, folks
00:27:12will pay good money
00:27:13to see him.
00:27:14Out in the woods, maybe.
00:27:15But as long as you
00:27:16play these eastern spots,
00:27:17Toby Walker's the lad
00:27:18who'll pack your arena.
00:27:24You can see for yourself, Annie.
00:27:25You're in the safest
00:27:26possible neighborhood.
00:27:27That's where
00:27:27Major Buntline lives.
00:27:29That's my tent.
00:27:31Right next to
00:27:32Colonel Cody's quarters.
00:27:34And that's where you live.
00:27:38Oh, a chef in here.
00:27:39And flowers, too.
00:27:41Oh, I do want to thank you
00:27:42for everything.
00:27:44Don't thank me.
00:27:45Mr. Hogarth, then?
00:27:46Well, I thought a few flowers
00:27:47might help.
00:27:48Oh, it's wonderful.
00:27:50Good night, Annie.
00:27:51Sleep tight.
00:27:52Good night.
00:27:53Good night, Colonel.
00:27:54Good night, Annie.
00:28:02Hey, what's this?
00:28:06Hey, you.
00:28:08Razorback.
00:28:09What's eating you, Jeff?
00:28:11Listen.
00:28:16What's the matter?
00:28:18Oh, nothing an old
00:28:19bullwhacker like you
00:28:19would understand.
00:28:20Come on.
00:28:22The main thing for you
00:28:23boys to remember
00:28:24is never get the scurries.
00:28:26But when I think about
00:28:27how I started
00:28:27in that shooting gallery,
00:28:29nothing seems impossible.
00:28:31Whenever the boys
00:28:31would go out,
00:28:32I'd just keep
00:28:32popping away
00:28:33until finally I was
00:28:34the best there was.
00:28:35No.
00:28:36The best there is.
00:28:37Where about
00:28:38was this shooting gallery?
00:28:40The Bowery.
00:28:41The Bowery.
00:28:42The Bowery.
00:28:43What do you know
00:28:43about that?
00:28:44The Bowery Cowboy.
00:28:46Boys,
00:28:47I just had to
00:28:48make this joint.
00:28:50Show you
00:28:50western monkeys
00:28:51how to shoot.
00:28:54That bronx
00:28:55begging to be busted.
00:29:04Oh, how are you?
00:29:15Hey, what's going on here?
00:29:17I don't change
00:29:17the layout,
00:29:18Mr. Walker.
00:29:19Mr. Hogar's
00:29:19fixed you a place
00:29:20all by yourself.
00:29:21The other side
00:29:22of the Buffalo Corral.
00:29:24Well, now,
00:29:25ain't that bought
00:29:26for them.
00:29:32Well, maybe I shouldn't
00:29:33let them buckaroos
00:29:34sneak close
00:29:35to these firearms.
00:29:37One of them
00:29:37might go off
00:29:38and scare me
00:29:38little playmates.
00:29:46Mr. Walker,
00:29:48I've been thinking
00:29:49that I guess
00:29:50you thought
00:29:51I was sort of fresh
00:29:51coming up to Cincinnati
00:29:52to shoot against you.
00:29:53I know, kid.
00:29:54When put that idea
00:29:55in your noodle?
00:29:56Well, I don't know.
00:29:57You being Toby Walker
00:29:58and famous
00:29:59and all that.
00:30:00Say, there was
00:30:01the grandest picture
00:30:02of you on the side
00:30:02of Len Jordan's store.
00:30:04Yeah?
00:30:04Was it really good?
00:30:06Move on there.
00:30:07What are you talking to?
00:30:09Mr. Hogar's orders.
00:30:10Nobody's to annoy
00:30:11Miss Oakley.
00:30:12What do you mean, annoy?
00:30:13Nobody ever accused me
00:30:14of annoying a gal
00:30:15when I was talking to her.
00:30:16Them's the orders,
00:30:17Mr. Walker.
00:30:20Oh, Mr. Walker.
00:30:21You know that time
00:30:22up in Cincinnati?
00:30:23Yeah.
00:30:24I let you beat me.
00:30:28Ha.
00:30:30Ha.
00:30:31Ha!
00:30:32Ha!
00:30:33Ha!
00:30:34Ha!
00:30:35Ha!
00:30:36Ha!
00:30:36Ha!
00:30:36Ha!
00:30:36Ha!
00:30:36Ha!
00:30:37Ha!
00:30:40Ha!
00:30:41Ha!
00:30:58How do you like that,
00:31:04Colonel?
00:31:05Not bad, Walker.
00:31:06A little harder than pot-shotting a herd of buffalo, eh, Colonel?
00:31:09Yeah, and almost as dangerous.
00:31:17Wait, you don't know how to sell it, Jeff.
00:31:27Well, she hasn't had a chance yet.
00:31:29Anyway, you don't see her missing, do you?
00:31:31No, but she's just a shooting machine.
00:31:34No color to her work.
00:31:36I'll be as sorry as you are, but I don't think she'll make the grade.
00:31:49Gosh, that looks just like him.
00:31:51It's a little trick I was saving for next year.
00:31:53But on account of the act I'm doing is going so good, I'm going to pass it along to you.
00:31:56That's mighty fine of you, Toby.
00:31:58And I can do it, too.
00:31:59Sure you can.
00:32:00Here's another one.
00:32:01You take these and come on down here.
00:32:06Listen to Pippin.
00:32:07When I say ready, you throw him up high.
00:32:09Both of them?
00:32:09Mm-hmm.
00:32:15Throw him!
00:32:25I'll bet I can do that, too.
00:32:26Of course.
00:32:27You can shoot as good as I can.
00:32:28All you need is color, showmanship.
00:32:29Let me try it.
00:32:52Oh, Colonel.
00:32:55Get out of here.
00:32:56Get out of here.
00:33:03Close, Colonel, but no cigar.
00:33:05Oh, no.
00:33:06Here you are, Bill.
00:33:08Ah!
00:33:13God above it, Jeff.
00:33:14Why can't I get a haircut?
00:33:15Well, Bill, that mane of yours is the biggest thing in the show.
00:33:17You might as well have your head coat on.
00:33:19What would the president and the rest of the bigwigs say if you came out like a Sean Sampson?
00:33:22And they're all here today, Bill.
00:33:23Everybody that is anybody in Washington.
00:33:25That's fine.
00:33:27What about Setton Bull?
00:33:28No cause for you to worry.
00:33:29Ned Buntline's got him out there as big as life in a front box.
00:33:32Great, Jeff.
00:33:33That's great.
00:33:34Go ahead now and go march your curls.
00:33:36Ha, ha, ha.
00:33:39Introducing, Bungalala Slim and his band of Bronco Buston Bulldog and Cowboy.
00:34:02Do you like being with the show chief?
00:34:05Travel all over.
00:34:07Maybe you join two reigning events.
00:34:09How old are you?
00:34:11Me?
00:34:11Yeah, 94.
00:34:12I'm a spring chicken.
00:34:14All right, please.
00:34:15Let her have a work.
00:34:39Magnificent, huh?
00:34:40Magnificent, huh?
00:34:44Magnificent, huh?
00:34:47Magnificent, huh?
00:34:56Magnificent, huh?
00:34:56Magnificent, huh?
00:34:57Magnificent, huh?
00:34:57Magnificent, huh?
00:34:57Magnificent, huh?
00:34:57Magnificent, huh?
00:34:58Magnificent, huh?
00:34:58Magnificent, huh?
00:34:58Magnificent, huh?
00:34:59Magnificent, huh?
00:34:59Magnificent, huh?
00:34:59Magnificent, huh?
00:35:00Magnificent, huh?
00:35:02Magnificent, huh?
00:35:06Magnificent, huh?
00:35:23Rain in the face.
00:35:24Ask Chief Sitting Bull how he likes the show.
00:35:32What's his nib say?
00:35:34Bull said, all show, no good like that.
00:35:37He'll go home.
00:35:42Thrilling beats of horsemanship by Russian Kazakhs.
00:35:48Come on.
00:35:51Come on.
00:35:59Come on.
00:36:15Come on.
00:36:17Come on.
00:36:25Oh, my God.
00:36:45Let's go!
00:37:03Do you know something?
00:37:04The colonel thinks I'm not going to make good.
00:37:06He really does.
00:37:07I can tell the way he's been looking at me lately.
00:37:09Listen, will you do like I showed you?
00:37:11I've been practicing.
00:37:13Introducing the world's greatest rifle shot,
00:37:16Mr. Toby Walker.
00:37:58He's going to shoot a two-bit piece right out of that fellow's fingers.
00:38:15What's that?
00:38:17He said not bad for pale face.
00:38:19Bull can hit time.
00:38:24Introducing one of the country's greatest woman rifle shots
00:38:29Miss Annie Oakley!
00:38:42Boys, throw a five.
00:38:45Five?
00:38:45You want to run the only chance you've got?
00:38:47I can hit them.
00:38:49Well, Bull, I'll bet he hasn't any scores that can shoot.
00:38:59We don't want to score a shoot.
00:39:01We want to score a cook.
00:39:07All right.
00:39:27Don't be scared, Annie.
00:39:30Bull is just trying to tell you how scrumptious he thinks you are.
00:39:32Goodness, I thought I was a goner until you grabbed him.
00:39:34What's the matter, Chief?
00:39:36It's all right, that is you.
00:39:37I'm here to hit the shield.
00:39:39That's the way I've seen it.
00:39:41I'm here to hit the shield.
00:39:41Annie, Chief Sitting Bull has just rechristened you.
00:39:43He's power.
00:39:44That means little sure shot.
00:39:46And now, a thrilling battle between the Indians and the cowboys
00:39:49during an attack on the immigrant trade.
00:39:53That's the shield.
00:39:54That's the way I've seen it.
00:39:55I'm here to hit the shield.
00:39:56He says if you'll do this every day, he'll join the show.
00:39:58I certainly will if he won't do that again.
00:40:01What's the shield?
00:40:02Chief, it's a bargain.
00:40:51Hey, pal, take it easy.
00:40:52It's all in fun.
00:41:00Buffalo Bill's trusty rifle barked, and another redskin bit the dust.
00:41:05Riding like the wind, he swept from the ground the beautiful girl,
00:41:08last survivor of the ill-fated wagon train.
00:41:11He spurred his Mustang to greater speed,
00:41:14sending leaden messages of death into the ranks of the foal.
00:41:17But the redskins, with fiendish screams, still pursued him.
00:41:22Little did the doughty plainsman realize that this tiny prairie primrose
00:41:26was one day to burgeon into womanhood's fairest flower, Annie Oakley.
00:41:32Ned, you're a genius.
00:41:3450,000 people will be wanting to see her after reading that.
00:41:37And you know what I'm going to do?
00:41:38I'm going to build a write-up name for name with Toby Walker.
00:41:41Oh, Colonel.
00:41:42So I'm going to be aced out of my own act, huh?
00:41:44Now listen, Walker.
00:41:45Colonel Cody and I are still running this outfit.
00:41:48Since you're asking for it, I may as well tell you something.
00:41:49When it comes to draw, you're not quite the biggest thing out.
00:41:52No wonder, with everybody else getting all the razzle-dazzle.
00:41:55Taking a green kid and filling her up even with me.
00:41:57Oh, now, please.
00:41:58Mr. Walker knows I wouldn't do anything to hurt his chances.
00:42:01You hurt my chances?
00:42:02Not you or anybody else with this troop.
00:42:04I'll still be headlining when the rest of you are working in livery barns.
00:42:07Just one big...
00:42:09Happy family.
00:42:10Just a minute, just a minute, Colonel.
00:42:12There's gold in this domestic crisis.
00:42:14I can see it on the billboards.
00:42:16Toby Walker versus Annie Oakley.
00:42:18Male against female.
00:42:20A titanic battle of the sexes for the rifle championship of the world.
00:42:25Ned, you're the thinkinest horse thief in history.
00:42:28Forty years in the business and never lost a spangle.
00:42:32Stand if this don't call for a drink.
00:42:34Everybody back to my car.
00:42:36I'm going to break out a bottle of Old Crow.
00:42:39I'm sorry, Toby.
00:42:40If it wasn't for you, I wouldn't be with the show.
00:42:43Oh, I don't take it personal, kid.
00:42:44Business is business.
00:42:45Besides, I enjoy a brush for them hairy pantsers once in a while.
00:42:48Don't you worry.
00:42:49Your aces will leave.
00:42:53Oh, my God.
00:43:02Yeah, thank you.
00:43:15Bye.
00:43:29Mad, Toby?
00:43:31Yeah.
00:43:33You're looking kind of mad.
00:43:36Got on the new rig, ain't you?
00:43:38Sure looks pretty.
00:43:40Guys, it's funny how things turn out.
00:43:42May not.
00:43:43Seems like only yesterday I saw your picture on the billboard.
00:43:46And Lem Jordan wanted to tear it down.
00:43:48Well, the fellow must have been crazy.
00:43:50He wanted to, but I wouldn't let him.
00:43:53Well, it's a funny world.
00:43:55You're looking at my picture on the billboard and thinking I was the gosh darn grand,
00:43:58and now you...
00:44:01Now you really got me.
00:44:04I got you.
00:44:06You sure have, Annie.
00:44:07No other girl's got a chance.
00:44:10But look, we...
00:44:14Look, we can't let anybody know we're stuck on each other.
00:44:18It's good show business if we even let the company think we're unfriendly.
00:44:21Putting their enemies.
00:44:22Oh.
00:44:23Do you think so?
00:44:25I know the ins and outs, kid.
00:44:26People will pay to see us battle each other.
00:44:29Oh, I don't care no more who wins those matches.
00:44:32You don't?
00:44:32I know you can beat me, and I'm proud of you.
00:44:37Never thought I'd see the day when I could stand out, but now I...
00:44:39Toby, I'm going to tell everybody how wonderful you really are.
00:44:43Now, honey, we've got to give the folks who think we hate each other a run for their money.
00:44:48Now, remember, you hate me.
00:44:51Mister, I hate you to pieces.
00:45:11Hello, Em.
00:45:12I've got no time for you today.
00:45:14Just me.
00:45:19Looks like the whole township's leaving.
00:45:20What's going on?
00:45:21Immigrating ways?
00:45:22I'm a great nothing.
00:45:23We're going to Cincinnati to see the gal is making this county famous.
00:45:43A new country first.
00:45:44We're going to the beginning.
00:45:49Hey!
00:45:51We're going to the beginning.
00:45:53We're going to the beginning.
00:45:56Now I know why they call him Sittin' Bull.
00:46:04I guess he wants us to share the film.
00:46:12Thank you, Chief.
00:46:21Positively, Chief. He says you'd make a fine squaw.
00:46:23You may know pretty near everything, Toby Walker, but not Indian talk.
00:46:27Anything nice about you, honey, I'd understand in any lingo.
00:46:36Toby, you're a tippy.
00:46:45Honey, you're a tippy.
00:46:53My savvy, two can live in tippy cheap as one.
00:46:56Look!
00:46:58You're a tippy.
00:46:59You're a tippy.
00:47:03My little boy.
00:47:05Pupposes.
00:47:06Good!
00:47:07Two.
00:47:08No!
00:47:09No!
00:47:10No!
00:47:11Hey, hey, hey, bull.
00:47:12Take it easy!
00:47:13No!
00:47:17That's the best I've heard from Dewey.
00:47:19Mr. MacGyver, how are you?
00:47:22Well, well, how fine you're looking, Annie.
00:47:24Well, she hasn't changed much, has she, Mac,
00:47:26considering the fact that she's become a very famous young lady.
00:47:28And didn't I invent her?
00:47:29Sure you did.
00:47:30If it wasn't for you, I'd still be quail shooting down on the farm.
00:47:33Now, Mac, I want you to meet a new member of our family.
00:47:35The one and only sitting bull.
00:47:39Oh.
00:47:40Well, you won't need that tent, Mr. Bull,
00:47:42not while you're in Cincinnati.
00:47:43Yes, Mac's invited us all to stay at his hotel while we're here.
00:47:46Oh, how nice.
00:47:47We're advertising for the MacGyver house.
00:47:49There'll be customers sleeping in the billiard tables.
00:47:52Guys, it'll be great sleeping under a ceiling again.
00:47:54Ever since I joined this hairy pants outfit, I...
00:47:57Walker, if you can't say something pleasant,
00:47:59just don't say nothing at all.
00:48:01I just told this little squirt a thing or two.
00:48:03I'm getting sick and tired of pulling my shots just to make her look good.
00:48:05Pulling your shots.
00:48:07Walker, one of these days, somebody's going to bust that gas bag you call your head.
00:48:11Better cowboys than you have tried it, Colonel.
00:48:13Now, you low-down, yapping, bowery puppy.
00:48:17What this happy family needs is a good spanking.
00:48:19Come on.
00:48:28Come on, Bull.
00:48:28We'll get your stuff together.
00:48:32Now, just a minute, gentlemen.
00:48:35Where do you keep them Indians?
00:48:36Well, the Indian village is right over there.
00:48:38In fact, if you'll hurry, you'll find Sitting Bull right at home.
00:48:44They'll dig him a new home when I get through with him.
00:48:46Forget it, Dan.
00:48:47Them Indian wars are all over.
00:48:49Oh, let me alone.
00:48:51I ain't forgetting that I had a brother with Custer, a little bighorn.
00:49:03Now, you're so snaked I'm going to pay you for one of Custer's boys.
00:49:09I hate to do it.
00:49:11Let's try and do it.
00:49:14Let's watch this.
00:49:19We're going to hold it.
00:49:28All right.
00:49:29We're going to hold it.
00:49:35You all right, partner?
00:49:38A little scrap now and then means nothing to you, eh, Bo?
00:49:40Well, I'm probably not here.
00:49:43Guys, I wouldn't have wanted that blast much closer to my peepers.
00:49:47Well, come on, kid.
00:49:48I'll flag a handsome and ship you off to a bulletproof hotel room.
00:50:02Well, young man, it's not as bad as it might have been.
00:50:05Come on, come on, Doc.
00:50:06How about it?
00:50:06You're suffering from a form of corneal opacity.
00:50:09You don't say.
00:50:10A compressed condition of the optic membrane, but don't worry.
00:50:14You'll be able to see reasonably well.
00:50:15Oh, sure, I can see.
00:50:17Come in and see me again tomorrow.
00:50:18In the meantime, go easy with those eyes.
00:50:26What business are you in?
00:50:28Me?
00:50:29I'm Toby Walker.
00:50:30That doesn't answer my question.
00:50:32I can see you're not a patron of the theater, Doc.
00:50:34I'm an actor.
00:50:35Oh, an actor.
00:50:37Well, you'll be able to go on with your work, all right.
00:50:40It's lucky you're not a bookkeeper.
00:50:42Yeah.
00:50:50Toby, darling.
00:50:51Well, well, Vera.
00:50:53You sure look elegant back there with all them explosive stogies.
00:50:56You don't look pink at yourself.
00:50:57Oh, I'm all right, I guess.
00:50:58It was nice of Mac to give you the job here.
00:51:01Oh, he didn't lose nothing by it.
00:51:02Smoke business has perked up some since I took over.
00:51:05Oh.
00:51:06Say, tonight's my night off.
00:51:08How about a little supper after the show, just for old times' sake?
00:51:10Well, I'd like to, Vera, but I've got a little business to attend to this evening.
00:51:16Is that the little business over there?
00:51:23Tell me, Annie.
00:51:25Is it true them Indians eat, uh, D-O-G?
00:51:29Oh, I know what that spells.
00:51:30That spells dog.
00:51:35I'll see you later.
00:51:37Do they, Annie?
00:51:39Well, I don't think so.
00:51:40Mr. Sending Bull just loves hash.
00:51:42He likes it with molasses.
00:51:44Oh, here's Toby.
00:51:46Mr. Walker, I want you to meet my mother and all the folks from down home.
00:51:50Mrs. Oakley?
00:51:51Folks, I'm delighted to meet you.
00:51:52Mac, have you seen the Colonel?
00:51:54Last to show them, he and Mr. Hogarth were busy sending telegrams.
00:51:57Try and locate them for me, will you?
00:51:58Aye.
00:52:00Well, Mr. Walker,
00:52:01I reckon you ain't gonna win so easy tonight as you did the last time you shot here.
00:52:05That's right.
00:52:06Annie's had a chance to get used to his good looks.
00:52:10I'm sure you'll see her at her best tonight.
00:52:12And how about you, Mr. Walker?
00:52:14You know, Annie's a show all by herself.
00:52:16She don't need me at all.
00:52:18See, folks, what I mean?
00:52:19You ain't getting cold feet, are you?
00:52:22You mustn't mind the folks, Toby.
00:52:24They're up here from down home to see me.
00:52:27Just like if we were playing New York.
00:52:28All the people from the Bowery would come to see you.
00:52:31And we aren't going to disappoint them, are we?
00:52:34Well, Walker, what's on your mind?
00:52:38I, uh, I'm sorry I bothered you, Colonel.
00:52:40I guess what I wanted to say just sort of slipped my mind.
00:52:48Fresh water popcorn?
00:52:49Like a popcorn, sir?
00:52:50It's very bad for you.
00:52:51I'm a bad one.
00:52:52I'm a bad one.
00:52:53I'm a bad one.
00:52:53I'm a bad one.
00:52:54I'm a bad one.
00:52:55I'm a bad one.
00:52:55I'm a bad one.
00:52:56I'm a bad one.
00:52:56I'm a bad one.
00:53:04I'm a bad one.
00:53:12I'm a bad one.
00:53:16I'm a bad one.
00:53:23You're keeping 11,000 people from seeing the show.
00:53:26Aye.
00:53:27You know, Vera, the more I think about this, now it isn't the money it's poor Colonel Cody's
00:53:32feelings I'm thinking about.
00:53:34Why, he'd be all broken up if I paid for tickets.
00:53:36Yeah, the shop would probably floor him.
00:53:38Well, make up your mind.
00:53:39Step lively, please.
00:53:40Step lively, folks.
00:53:41How many, neighbor?
00:53:48Wait a minute.
00:53:49Wait a minute.
00:53:51Your money's bogus around here, Mac.
00:53:53Don't you know that?
00:53:54I didn't know it was you.
00:53:55Give me a couple of blues.
00:54:02Here we are, my friends.
00:54:04A couple of Annie Oakley's.
00:54:06Step lively, folks.
00:54:07Annie Oakley's.
00:54:08Oh, that's a bonnie name for them.
00:54:10Two holes and clean as Annie might have shot them herself.
00:54:14Just a minute.
00:54:15This is hardly a right.
00:54:16Oh, go on, go on.
00:54:18Well, if you insist.
00:54:20Mm-hmm.
00:54:36Miss Annie Oakley, the winner.
00:54:42In power.
00:54:48I'm sure Miss Oakley will favor us with an encore.
00:54:55Is there any brave gentleman in the audience
00:54:58who would like to have Miss Oakley
00:55:00shoot a cigarette from his mouth at 30 paces?
00:55:10I'll do it.
00:55:12Ladies and gentlemen,
00:55:15proving chivalry is not dead.
00:55:18Mr. Toby Walker will show his faith
00:55:22in the marksmanship of his fair opponent.
00:55:26I wish I was making that shot.
00:55:44Give me a coin.
00:55:45I'll hold it for Toby.
00:55:49Ladies and gentlemen,
00:55:51the courage of the fair sex
00:55:52is a match to that of the male.
00:55:54The little lady will now permit Mr. Toby Walker
00:55:56to shoot a 25-cent piece
00:55:59of her hand at the same distance.
00:56:0130 paces.
00:56:02Since when did you take over setting my routine?
00:56:05Why, I only thought that I...
00:56:06You're paid to jabber not to think.
00:56:07My contract don't call for carrying out your hat
00:56:09with brainstorms.
00:56:14Sorry, friends,
00:56:15but Mr. Walker
00:56:16seems indisposed
00:56:18to accept the challenge.
00:56:20Oh, he's scared he'll miss.
00:56:22Indisposed nothing.
00:56:22He's afraid.
00:56:23Yeah, he's afraid he'll beat him.
00:56:26I always did say
00:56:26he didn't have any nerve
00:56:28trying to clear him his act.
00:56:29What's the matter with you,
00:56:30trying to start a stampede?
00:56:31Oh, just have a little fun with him, Mr. Hogarth.
00:56:33He's got it coming to him.
00:56:34Any fellow that chicken livered?
00:56:35Shut up.
00:56:36I'm out to fire the whole lot of you.
00:56:37He can do what he is.
00:56:38He is just trying to clear the show.
00:56:41He's got a yellow streak
00:56:42on his back a yard wide.
00:57:13I need to hit her.
00:57:17Annie!
00:57:18Walker!
00:57:19I ought to kill you right here.
00:57:21There now, honey,
00:57:21we'll have a doctor for you
00:57:22in just a second.
00:57:23Oh, I'm all right.
00:57:24Bring on the next deck!
00:57:25Honest, Colonel, I tried to...
00:57:26Walker, I'm giving you ten minutes
00:57:27to pack up and get off the ground.
00:57:29That suits me fine,
00:57:29but first I'm going to see Annie.
00:57:30She don't want no part of you.
00:57:34Mind, Walter,
00:57:34I should have thrown him out
00:57:35a long time ago.
00:57:36He didn't mean to do it.
00:57:36I know he did.
00:57:37Oh, yes, he did.
00:57:37He deliberately hit you
00:57:38in the shooting hand.
00:57:39Oh, he wouldn't try
00:57:39to hurt anybody.
00:57:40You don't understand him.
00:57:41Wrestle him out of here, boys.
00:57:45I've got this deal.
00:57:45Come on, Annie.
00:57:46See the doctor.
00:57:47Presenting
00:57:47Writers of All Nations
00:57:49in review.
00:58:06Doctor, what's the verdict?
00:58:07No, attendance severed.
00:58:08She'll be all right.
00:58:09To shoot?
00:58:09Oh, yes, it's not really serious
00:58:11if she takes care of her hand
00:58:12for a few weeks.
00:58:12Better let Annie rest now, folks.
00:58:15Please stop fussing over me
00:58:16and tell me where Toby is.
00:58:18You children run out
00:58:19in the hall of play.
00:58:20But I wonder,
00:58:20why isn't he here?
00:58:21But you mustn't upset yourself,
00:58:23Miss Overland.
00:58:23Please try to rest.
00:58:24But I can't rest
00:58:24until I find what's become of him.
00:58:26It doesn't hurt a bit anymore.
00:58:29You're all keeping him away from me.
00:58:31No, honey.
00:58:31You mustn't have any more
00:58:33truck with that.
00:58:33He didn't mean to do it.
00:58:36He's sweet and kind.
00:58:39You don't understand him.
00:58:41None of you do.
00:58:42Annie, please.
00:58:43You never gave him a chance
00:58:44from the first day you saw him.
00:58:45Well, I'll tell you something.
00:58:46He's better than a whole bunch
00:58:48of you put together.
00:58:49There, there, precious.
00:58:50Everything will be all right.
00:58:51Now, don't you worry,
00:58:53little missy.
00:58:53We're going to have you
00:58:54right as rain
00:58:55in just a few days.
00:58:57Good night, Annie.
00:58:57Don't worry, boys.
00:58:58You don't mind me.
00:59:01Don't mind.
00:59:03You're going to be
00:59:04fit as a fiddle, Annie.
00:59:06Good night, Annie.
00:59:07Bye, don't you?
00:59:07Good night.
00:59:12There, there, baby.
00:59:14Try and get some sleep.
00:59:17I'll be along in a minute,
00:59:18Miss Overland.
00:59:23It wasn't his fault.
00:59:24I know it wasn't.
00:59:25If I could only talk to her.
00:59:27Annie, dear,
00:59:28you're just a kid.
00:59:29You've got to believe
00:59:30in the people
00:59:30who really love you.
00:59:32And the sooner you forget
00:59:33about him, the better.
00:59:34But I'm not going
00:59:35to forget about him.
00:59:38Try to get some sleep.
00:59:46Toby!
00:59:47Honey.
00:59:49Your hand.
00:59:50Honest, I...
00:59:51It's nothing.
00:59:52Nothing now
00:59:53that you're here.
00:59:54They're saying
00:59:54I've done it on purpose.
00:59:55There's something
00:59:56I've got to tell you, Annie.
00:59:57You've said enough already,
00:59:57Walker.
00:59:58Please, Jeff.
00:59:58I'm sorry, Annie.
00:59:59You may hate me for this.
01:00:00But tonight he'll do
01:00:01his talking to me.
01:00:02I've got nothing
01:00:03to say to you, Hogarth.
01:00:04What did you want
01:00:05to tell me, Toby?
01:00:06The less you say,
01:00:07the better, Walker.
01:00:07But I've got something
01:00:08to tell you.
01:00:09You're going to clear
01:00:09out of this kid's life.
01:00:11I see.
01:00:12Trying to fix it up
01:00:13for yourself, huh?
01:00:13You know that isn't so.
01:00:15I think Annie knows
01:00:16that her happiness
01:00:16is all that matters to me.
01:00:18To everybody in this show
01:00:19except you.
01:00:20What have you got to offer?
01:00:21A selfish, swelled head
01:00:22and a future
01:00:23that's behind you.
01:00:27Maybe you're right.
01:00:28Toby, you know
01:00:29I don't believe that.
01:00:33Bye.
01:00:34Toby!
01:00:36Now, now, now.
01:00:40I'm going to run along
01:00:41and let you get some rest.
01:00:44You mustn't be too hurt
01:00:45about this.
01:00:46You'll find that a fellow
01:00:47like that is pretty easy
01:00:48to forget.
01:00:58Well, I guess I'll let you
01:00:59get a little sleep, Chief.
01:01:03Good night.
01:01:04Good.
01:01:08Good night.
01:01:41Come in.
01:01:45Hello.
01:01:48Thought you might need
01:01:49a little cheering up.
01:01:51You're wasting your time, kid.
01:01:53The great Toby Walker
01:01:55is on the skids.
01:01:58Don't let him
01:01:58sell you that, Toby.
01:02:00Well, we could put
01:02:00the old vaudeville act
01:02:01together again
01:02:02and play to standing room,
01:02:03only.
01:02:04I'm all played out, Vera.
01:02:06You've got a good job.
01:02:07Hang on to it.
01:02:08Oh, that.
01:02:08Listen, Toby,
01:02:09what you need
01:02:09is a little romping.
01:02:10I'm going to take you out
01:02:11and show you the town.
01:02:15Toby.
01:02:17Well, well,
01:02:18if it ain't little Deadeye.
01:02:19Maybe you'd like to join us.
01:02:21We're just going out
01:02:21and paint the town.
01:02:23Toby, I've got to talk to you.
01:02:25Your friend Hogarth
01:02:26is right.
01:02:26There's been an upset already.
01:02:28But listen, Deadeye,
01:02:29why don't you quit
01:02:30pounding this man?
01:02:31You ain't done him
01:02:31a nickel's worth of good.
01:02:32Ever since he first seen you,
01:02:33he's had one piece
01:02:34of rotten luck
01:02:35after the other.
01:02:35Vera!
01:02:36Ain't you satisfied
01:02:36with the way
01:02:37you got him messed up now?
01:02:52Just busting
01:02:53with the juices
01:02:54of human kindness,
01:02:55ain't you?
01:02:56Well, I guess you helped
01:02:57me do her a favor
01:02:58at that...
01:03:00Well, so long,
01:03:02I thought we was going
01:03:04to paint the town.
01:03:06The Bill's shown
01:03:06celebrating with a rip-snort
01:03:08and this blowout
01:03:08this whole town's ever had.
01:03:09No bother, Annie,
01:03:10tonight.
01:03:10Wait and tell her
01:03:11in the morning.
01:03:11Why, this will do
01:03:12her more good
01:03:12than a barrel of medicine.
01:03:14Don't be such a blue-nosed,
01:03:15Jeff.
01:03:15You'd have the poor kid
01:03:16thinking there wasn't
01:03:16no Santa Claus.
01:03:18Annie!
01:03:19Annie!
01:03:26Well, Missy,
01:03:27we've got great news
01:03:28and you're going to be
01:03:28the first to hear it.
01:03:29Buffalo Bill's Wild West
01:03:31show with the one
01:03:32and only Annie Oakley
01:03:33is breaking camp
01:03:34for a tour of Europe.
01:03:36Europe?
01:03:36That's right.
01:03:37Why, Annie,
01:03:38you'll have kings and queens
01:03:39throwing their crowns
01:03:40in the air.
01:03:40But right now,
01:03:40you're going to help
01:03:41us celebrate.
01:03:42Champagne for the boys,
01:03:43but for Annie Oakley,
01:03:44a big bottle of sarsaparilla.
01:03:46Come on, Annie.
01:03:50Would you mind very much
01:03:51if I didn't come
01:03:51to your party?
01:03:52Why, no, no.
01:03:53Of course we wouldn't mind.
01:03:54Come on, Bill.
01:03:57Oh, I guess I'm just
01:04:00an old blundering fool.
01:04:02Your little hand,
01:04:03you, you must...
01:04:04My hand's all right.
01:04:06Come on.
01:04:06Good night, Annie.
01:04:07Good night.
01:04:08Good night, Missy.
01:04:55What's this?
01:04:56Oh, this may be great.
01:04:59Here.
01:05:00Yes.
01:05:01Please be shooting out the lights.
01:05:02Of all the inmates keep in there.
01:05:03All right.
01:05:05All right.
01:05:05All right.
01:05:07Don't you worry.
01:05:08Don't you worry, Mac.
01:05:09I'll pay all the damage.
01:05:10The chief can shoot up all the hotels he wants tonight.
01:05:12We're celebrating, Mac.
01:05:13We're celebrating.
01:05:38I'm here to be presented to the Tsar and the Tsarina.
01:05:42Your Majesty, may I present to you Miss Oakley.
01:05:52Well, Annie, I'm afraid you just never will learn about crowned heads.
01:05:55You're supposed to always take the gentleman's hand first and kiss it, not shake it.
01:05:58And I shook hands first with the Tsarina.
01:06:00Gosh, I suppose that was terrible.
01:06:01No, no.
01:06:02You were just yourself.
01:06:03Well, that's why we all love you.
01:06:05I love you all, too.
01:06:07Colonel Cody and Mr. Buntline and Buck and Jim and Sam.
01:06:11Hey, now, wait a minute.
01:06:11What about a fellow named Hogarth?
01:06:13You're first on the list, Jeff.
01:06:15I thought you knew that.
01:06:17First in the show or first everywhere?
01:06:20Oh, Annie, I know I'm not your idea of something romantic.
01:06:23I can't help it if I love you, if that counts for anything.
01:06:26Wait a minute.
01:06:27Wait a minute.
01:06:28I see it all in the crystal ball.
01:06:32Madam, I see a blonde villain hovering about you.
01:06:36He seems to have designs on your future.
01:06:38I see him pursuing you to Germany.
01:06:55Annie, His Highness Grand Prince Wilhelm wants to ask you something.
01:06:58Is it true, Fallen Oakley, that you are able to shoot a cigarette from a person's mouth?
01:07:01Yes.
01:07:02Very well.
01:07:02You will shoot one from mine.
01:07:04But kindly, do not must.
01:07:06They snow off.
01:07:12For heaven's sake, be careful, Annie.
01:07:14This all has to be Kaiser someday.
01:07:15Gosh, an inch the wrong way might change the history books.
01:07:22Oh, gosh, that spring breeze smells wonderful.
01:07:24Madam, do you realize that at this moment it's spring in New York, too?
01:07:27I was thinking of that.
01:07:29Yep.
01:07:29Just about this time, a man named Anson's come on from Chicago and hit at least four home runs.
01:07:34The organ grinders are tuning up their hurdy-gurdies.
01:07:37Little girls are maple dancing in Central Park.
01:07:40And the new buck beer is foaming at Luchau's.
01:07:43Every time they broach a keg, Annie, they ring a gong.
01:07:46Ah, that, my darling, is when you know it is spring.
01:07:48Gosh.
01:07:50Down home in Ohio, the buds are coming out on the trees.
01:07:52And the bluebirds are wondering why they ever went away.
01:07:55I guess spring is the time to make you think you're far away or long ago.
01:08:00It was spring the first time I went up to Cincinnati to shoot again.
01:08:06Don't cheer up, Annie.
01:08:07Annie, you're not the only one who's homesick.
01:08:09Why, dog, my cats.
01:08:11In exactly two weeks and four days, the Buffalo Bill Wild West show will be putting on the
01:08:16dad-bustedest P-rate up Fifth Avenue that was ever gawked at by a man or a critter.
01:08:21I'm leaving the show when we get to New York.
01:08:23Annie.
01:08:24Oh, I'm not happy, Jack.
01:08:28It's still Toby, isn't it?
01:08:32I guess it's human nature to fight for anything we love, isn't it, Annie?
01:08:36I guess so.
01:08:38But we don't always win.
01:08:41No, we don't always win.
01:08:49Here's something I should have given you a long time ago.
01:08:57Oh, I know what you must be thinking of me.
01:09:06Oh, I'm only thinking of one thing, Jeff.
01:09:08We've got to find him.
01:09:11We will.
01:09:39Step right up, ladies and gents, and take a listen from the champ shop.
01:09:43They'll defeat in any contest anywhere.
01:09:45By any living man.
01:09:51Say, Charlie, if the champ is such a razzmatazz, how come we don't never do no shooting?
01:09:56It's the lambs, the lambs.
01:10:04Holy gee, Annie Oakley.
01:10:06Gosh, and a Buffalo Bill show's coming here next Monday.
01:10:09Hey, mister, you know Annie Oakley?
01:10:13Son?
01:10:16I knew her way back when.
01:10:17Sure, he know them all.
01:10:19Annie Oakley, Sarah Boynhardt, Mrs. Astor's horse, Bessie.
01:10:23Oh, ho, ho, ho, ho, ho.
01:12:06We'll introduce that little lady who has played before all the crowned heads of Europe, the greatest shooting star the
01:12:14world has ever known, Annie Oakley.
01:12:31Can I buy your glasses?
01:13:20We present that world-famous thrilling spectacle, the Indian attack on the Deadwood State, featuring the one and only Chief
01:13:31City Bulls.
01:14:48Let's go!
01:15:35What's the matter? Couldn't you get in?
01:15:36I saw all I wanted to see.
01:15:38Well, that's fine.
01:15:39Then you can help handle the trade.
01:15:41Of which they ain't.
01:16:15Well, that's fine.
01:16:18Well, I'll sit still.
01:16:21Right here.
01:16:29Introducing an aggregation of the outstanding horsemen of the world.
01:16:35Brought for your entertainment from the far corners of the earth.
01:16:40Military riders, representatives of all nations.
01:16:44And last, the United States Cavaliers.
01:16:49All right.
01:17:08Manny, I found Tooby.
01:17:10Chief, where is he?
01:17:11Come quick.
01:17:12I will pick you.
01:17:39Gee, Tooby, did you honestly know Annie Oakley?
01:17:43Did I know her?
01:17:45Did he know her?
01:17:49Six shots for the dime.
01:17:51Ten cents.
01:17:51Step up and try your luck over here.
01:17:52Hey, I'll be here.
01:17:54But, Tooby, we ain't got no dime.
01:17:58All right.
01:18:00There you are.
01:18:01You kids can have three apiece.
01:18:02But hurry up before the boss gets back.
01:18:04Let's see you hit something for a change.
01:18:19Annie.
01:18:21Tooby!
01:18:24Gosh, it's her.
01:18:29Did I know Annie Oakley?
01:18:31I know Annie creepy.
01:18:33I know Annie.
01:18:37I know
01:18:40I know Annie.
01:18:41You
Comments