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00:02Previously on When Calls the Heart
00:03Nathan needs me to show him where I buried the Transformer
00:06What happened?
00:10He hit his head on a rock
00:12Did you know when that car was coming towards us
00:14The only thing I could think about was you three
00:17Thank you to both of you
00:19Horses can't resist him
00:21We should use the money from the jam
00:23To buy up Bill's half the cafe
00:25It's Minnie's cafe
00:26It's from my theater days back in New York
00:29Do you ever miss it?
00:31I suppose I do
00:32But life wouldn't be an adventure without change
00:35Christopher's gone
00:36But without him we don't have a case
00:42Inspiration is a funny thing
00:44It can show up when you least expect
00:47When you didn't even know you needed it
00:52After losing her playhouse in the fire
00:55Rosemary needed a new challenge
01:00The Mark of Zorro
01:01Oh great choice Mike
01:02I loved that one when it came out
01:04Bound to be a classic
01:05Is there anything the pictures can't do?
01:10Touché!
01:12Moving pictures
01:13They're the way of the future
01:21The way of the future
01:25The way of the future
01:25Oh!
01:28The weapons you use pierce deep
01:30Senorita
01:32It's from the movie
01:33It's very good
01:39You want to be a sword fighter?
01:42No Lee
01:44I want
01:46To burn
01:47With passion
01:48I want to be seized with an idea that won't let me go
01:51I want to scrape together every person, prop and piece of equipment in this little town
01:57And make something out of nothing that no one will ever forget
02:02You sure this doesn't have something to do with that missed opportunity you had with that film producer a few
02:06years ago
02:07What was his name again?
02:08This has nothing to do with the past
02:09This is about now, Lee
02:12I want to feel alive
02:15You
02:16You have your construction company
02:19Building
02:20With bricks and mortar
02:22I also want to build something
02:24A dream
02:28Oh Lee
02:29The silver screen calls
02:31And I am helpless to resist
02:38There she is
02:40There's my Rosie
02:43Welcome back, sweetheart
02:48In typical Rosemary fashion
02:50She's enlisting the entire town to help
02:53But first, she needs a story
02:55And that's where I come in
03:00But inspiration has a fickle twin
03:10Oh my goodness, Mary says
03:13Third time this week, all the morning's baking has disappeared
03:18A pie caper?
03:20When pies fly, secrets crumble
03:24I'm just not hearing a lot of daring do in stolen pastries
03:29Yeah
03:30What else you got?
03:32Well, um
03:33Sorry I'm late
03:34Oh, hi, Opal
03:36You know I can come find you later
03:37Took me forever to find my dad's comptometer
03:39What on earth do you need that for?
03:41We have brought Opal here on as a fellow producer
03:43Because we've all heard horror stories about moving pictures blowing through their coffers
03:47Well, you do have impressive math scores
03:49So, she is here to keep us on time, but more importantly
03:53On budget
03:55What a wonderful opportunity, Opal
03:57Did I miss anything?
03:59No, you haven't missed anything
04:00Come, come
04:01Elizabeth was just getting to the good stuff
04:03Yes
04:03Proceed
04:07Well, when the great Tony McAllister, mountain climber extraordinaire ascends his highest
04:13No mountains
04:14What?
04:15Too expensive to get the crew and equipment that far
04:19And that
04:21That's my girl
04:24Okay
04:27Ah
04:28Sybil Featherstone is the world's greatest gem thief
04:32Oh, gems on screen
04:34Can't see, the colors won't pop
04:35Elizabeth
04:41Thank you
04:42For your creativity
04:43But we need a story with romance and passion and adventure
04:49All with a bubbling core of humanity's most primal need
04:53The search for meaning
04:55Oh, and some swashbuckling too, perhaps
04:57Oh, I have one with a pirate and a bear
05:01Mm-mm
05:02Budget
05:04And no bears
05:06Talking dog on the other hand
05:08That sells
05:09What happened to humanity's most primal need
05:11Commercial success is also right there at the top of the list
05:14Yeah, and make it funny
05:15Not that funny, Lee
05:16No, no, no, not that funny
05:17We're not making snaps
05:18Elizabeth
05:19Elizabeth, remember
05:20Write what you know
05:22Mm-hmm
05:22Pour your soul into it
05:25And we're gonna need you to turn it in by tomorrow
05:27Tomorrow?
05:28It's a tight schedule
05:29Time is money
05:30We believe in you
05:32Now off you go
05:38Then we will
06:07Come in
06:10Hey
06:12You're up late
06:12I thought you might have been Rosemary here to breathe down my neck
06:16Directors, right?
06:17You have no idea
06:19I think I actually may have stumbled upon a story that meets all of the requirements
06:25Hey, how's your wound healing?
06:27Good
06:27Yeah, Faye said there's no infection
06:29Oh, thank goodness
06:31So
06:32Are you able to tell me what this is about yet?
06:35Well, until I'm told otherwise, it is about a dashing Mountie and his Belle, the schoolteacher
06:41That would never happen
06:43They told me to write what I know
06:46What's the plot?
06:47Well
06:50Millie, the schoolteacher, gets kidnapped by a notorious bandit and Apollo, the Mountie
06:55Apollo?
06:55Yes, Apollo, he's very handsome
06:57He risks it all to save his true love before it's too late
07:01And does Apollo get the bad guy and save the girl?
07:05I'm not gonna spoil the ending
07:08But do you think you could help me with the Mountie investigation part?
07:11I need insight into your incredible investigative prowess
07:16I don't know if I'm really the right man for the job
07:18What?
07:19Real-life investigations are painstaking and complicated
07:24Really, they rely more on luck than prowess
07:28Well, maybe you could help me with the painstaking and complicated parts
07:33I'll come by in the morning, we can read the script together over a fresh pot of coffee
07:37They need it by tomorrow
07:40Well then, I'd better leave you to it
07:42Happy writing beautiful
07:45Maybe you can stop and buy you handsome
07:51And with that added complicated layer
07:54Apollo went from being just handsome
07:56To also brilliant and courageous
08:10I checked all the hotels at Cape Fullerton
08:12And yet there's still no sign of it
08:13What about his fiancée and her parents?
08:16Could Christopher be with them?
08:17No
08:18I've spoken with Rachel almost every day
08:20And she's just as worried as I am
08:22Well, it's been a week since we called that alert
08:25He could be anywhere by now
08:26That's why I'm concerned for his safety
08:30Well, we're doing our best to find him, Henry
08:32That's a promise
08:33I'll let you know if I hear anything
08:36Thanks, Henry
08:41You know, I feel for him
08:42They were just starting to get on solid ground with each other
08:45Then there's our case
08:47No star witness, no evidence
08:49Just slipped right through our fingers
08:52I was thinking of asking Georgie to look through our files with us
08:56And that pioneer electric trial's right around the corner
08:58Fresh set of eyes might catch something we missed
09:01Newick
09:03I'm gonna call it a new alert
09:05Highest priority
09:06We gotta find Christopher
09:13This is going to be a hit, Elizabeth
09:16You really like it?
09:18Oh, the way Apollo comes out of nowhere and springs that trap
09:22That we'd all forgotten about
09:23Yes
09:23Oh, I love it
09:25Nathan gave me so many expert details
09:27Wonderful
09:28Now, I have a few suggestions
09:29We'll get into that later
09:30But, clearly, you must play Millie, the school teacher
09:34Oh, no, no, no
09:36I am not an actress
09:37Who better?
09:38You practically wrote yourself
09:40And Constable Grant has to play the Mountie
09:42Mm, yes
09:43Apollo, our daring hero
09:45Think about the built-in chemistry
09:47I definitely don't think Nathan will be interested
09:50His uniform won't fit anyone else
09:53He's doing it
09:56I'll go see Allie Boat casting Scout as Terry the Talking Terrier
10:00Is she not intimidating in class?
10:02I don't think it's that noticeable when she's in a herd
10:06Anyway, can I get back to you about playing Millie?
10:09Yes
10:09Of course you can
10:13But I won't take no for an answer
10:14I would play the role myself, naturally
10:18But I have to focus all of my powers on the director's chair
10:22Well
10:23And my days of kissing co-stars are long gone
10:27Well, I mean, not that long, but gone
10:30None the less
10:31Right
10:31The kiss
10:33Mm
10:33The most important plot point in a romance
10:36I don't want to kiss a random co-star
10:39Thus I leave casting Nathan to you
10:42Now, about these story changes
10:45Uh-uh
10:46You said suggestions
10:47Of course
10:49All changes start with suggestions
10:53A dog wouldn't say that
10:58You know, part of me wants to just file a class-action lawsuit
11:01And get all the claimants paid out that way
11:03Well, I get it
11:04But you'd only be letting national insurance off the hook
11:06If they claim bankruptcy
11:08Now you sound like the other part of me
11:10But it's all just so frustrating
11:12Yes
11:13And not surprising
11:14It is a nascent industry rife with greed
11:16Mm-hmm
11:17Let's sell as many policies as possible
11:19Without any thought of how we might pay them out in the future
11:21I like your fire, counselor
11:23You are going places
11:24In fact
11:27What's this?
11:28When all of this hubbub is over, you should give them a call
11:31I already put in a word
11:33The Franklin and Sons Foundation
11:35The big philanthropic organization in Union City
11:38Nestor Franklin, an old pal, one of the Sons
11:40Would like to talk to you about their work with legal aid societies
11:44Wow
11:44Um, thank you, Georgie
11:47But I'm happy with my life in Hope Valley
11:51With the work I already have
11:52Suit yourself
11:53I admire a woman who goes it alone
12:04Well, how'd they like it?
12:06They loved it
12:07I think
12:09Rosemary had some strongly worded suggestions
12:12Oh
12:13But most importantly
12:15They want you to play Apollo
12:19What?
12:20Rosemary convinced me to play Millie
12:22And there's a certain plot point that I'd rather you were a part of
12:25Well, I'm curious about that
12:27But you know I'm in the middle of a pretty important investigation right now
12:30I know, I know
12:30It's only if you have time
12:32But maybe a break would do you good
12:34And it's like you said
12:36Sometimes the best ideas come from doing something else
12:40I don't know if I'm an actor
12:43Danny DeMarco would like a word
12:46Come on, it'll be fun
12:48Let's do it together so I don't have to kiss anyone else
12:55Well, why didn't you lead with that?
12:58Yes, of course I'll do it
13:00And who knows, maybe I'll give Buster Keaton a run for his money
13:02Oh
13:03I like your confidence, Apollo
13:05How hard can this acting thing be?
13:18I appreciate your persistence on this, Constable
13:20Thank you
13:23A bartender in Union City said that he is certain he saw Christopher at the Highland Pub last night
13:27It's almost like he wants you to find him
13:29Well, if it was Christopher
13:32And even if it was him, there's no guarantee we can catch up to him before the trial
13:36Well, without him, all we have is a bunch of burnt concrete
13:39And this map from Pioneer Electric
13:41Which we know is fraudulent
13:42But good luck proving that in court
13:44There's no cartouche
13:46Oh, is that unusual?
13:48Well, most map makers like to take credit for their work
13:51Pride of craft
13:53It's a fraudulent map
13:54Probably didn't want to put a signature on it
13:56And yet, I know who made this map
14:00Amy Martell and I have been poring over coverage maps from National Insurance
14:07Look at the compass roses
14:08They are identical
14:09The same man made both of these maps
14:12Clement Scoggins
14:15I told you she was good
14:19So, National Insurance and Pioneer Electric use the same map maker
14:23Coincidence? Sure
14:24But suspect? Really?
14:26Well, there are plenty of map makers that Pioneer Electric could have hired
14:30But it's not just that
14:32If the cause of the fire turns out to be arson instead of corporate negligence
14:36National Insurance doesn't have to pay out nearly as much to its clients
14:42That's why they've been slow rolling the claims
14:46National Insurance wanted Toby and Cooper to take the fall
14:50And then for us to make it official
14:51Because then Pioneer Electric gets off the hook
14:54And National Insurance saves a bundle
14:56If these two companies are colluding
14:58Then our investigation goes from a simple corporate cover-up
15:01To a conspiracy to defraud thousands of people
15:05The map maker
15:06The map maker's the key
15:08We've got to find this map
15:09I think we should get some tangible evidence in first
15:12Bank records?
15:13Yeah, but that could take a while to get a warrant
15:15Well, leave it to me
15:16I'm a forensic investigator
15:18I have friends who owe me
15:19And some who might even be a little bit afraid of me
15:27How hard can it be to find some decent costumes around here?
15:32We didn't have much time to prepare other options
15:35Rosemary, are you sure that Ned's character needs to be such a character?
15:40I have a vision, Faith
15:43And Ned is not just any character
15:45He is Neil Fearnley
15:49He is the heart of this entire story
15:51I found some more from last year's Halloween party
15:53Oh, yes
15:55This, yes
15:56This is perfect
15:58I need to try this on Ned
15:59Right now
16:00Let's go
16:04Edie, I'm so sorry
16:05We're interrupting
16:06You're obviously busy
16:07Actually
16:09I could use some
16:11More tea?
16:12A biscuit, perhaps
16:13Those both sound lovely
16:14But I was thinking more
16:17Wise counsel
16:21Lucas has been all out of sorts ever since Fernando showed up
16:25And speaking of the devil
16:28Hello
16:31Hello
16:32Buenos dias, señoritas
16:34Good morning
16:36Good morning
16:37Mrs. Sue Hickam
16:39Thank you
16:40Doctora Carter
16:43Thank you
16:44Only in town a week
16:46And already he knows everybody's name
16:47Yeah
16:52So, Fernando, will you be working on the film?
16:55Ah, yes
16:56May I?
16:57Please
16:59Mr. Coulter and an angry little señorita
17:02Put me in charge of the lighting
17:04Moving pictures are but flickers of light
17:08Dancing on a screen
17:09I will be the maestro leading this dance
17:13Wow
17:14I've never heard it quite that way
17:17Hmm
17:18And you, Edith
17:20Will you join the dance?
17:22Oh, no
17:23I'm
17:23I'm not really one for make-believe
17:25Hmm
17:26But fun
17:28Now that's a different story
17:30Oh
17:32Oh
17:33Oh
17:43Bravo, Fernando
17:44Very good
17:48You must all visit me on set
17:56Ladies
18:01Are you sure Lucas has nothing to worry about?
18:04That's just Fernando
18:06He isn't happy until he's cast his little spell on everyone
18:10It doesn't work on me anymore
18:14Does Fernando know that?
18:23Oh
18:24I was just about to ring you
18:28Third letter this month
18:30Very observant of you
18:31And hopefully not the last
18:33No stamp
18:34No return address
18:37Very clandestine
18:38It's just a letter
18:39Behold
18:40You are looking at the newest addition to
18:43The Scarlet Heart
18:45Oh
18:46Rosemary's movie
18:47She cast me
18:48I heard
18:49Congratulations
18:50Thank you
18:53I
18:54I
18:54I thought you'd be more excited
18:56Oh
18:56I am
18:57Of course, dear
18:58You'll be marvelous
18:59It's Molly
19:00It's Molly
19:01She's keeping something from me
19:03I
19:04We've never had secrets
19:05Oh, we
19:06We don't get to know everything, my love
19:09Hmm
19:10Now then
19:11Which part is it?
19:13It is the main villain
19:16Yes
19:16Oh
19:19Ask and ye shall receive
19:22The bank statement
19:23Of Clement P
19:25Scoggins
19:26Quick work, Inspector
19:28You're more feared than you even knew
19:29You'll note Scoggins received
19:31A $500 payment
19:33From Pioneer Electric
19:34That's a lot of money for a map
19:36About 20 times the going rate
19:38Well, it certainly looks like he's been paid off
19:40But
19:41Not enough to bring him in
19:43Oh
19:43Well, maybe if
19:45Somebody might
19:46Need his services
19:52Intrigue and espionage
19:54My favorites
20:14Mr. Scoggins
20:16The same
20:16Miss Wagonmeister, I presume
20:18Indeed
20:19Thank you
20:20For coming on such short notice
20:21Please
20:24No need to thank me
20:26Short notice is just another way of saying
20:28I get paid faster
20:30Well, then let's get right to it
20:32I need some maps made for a financial client
20:35They are willing to pay handsomely
20:37My normal rate is more than adequate
20:40And what might that be?
20:41A $25 for the initial design
20:44And $5 for each duplication
20:47Well then
20:48Somebody better tell Pioneer Electric
20:50They got a bug deal
20:51What's this?
20:53Because they paid you $500 for the same service
20:56Did they not?
20:58Um
20:59Where did you get this?
21:01I
21:01Let me tell you what this looks like, Clement
21:04Looks like you were paid handsomely
21:05To create a fraudulent map
21:07A map that you backdated
21:09To help Pioneer Electric
21:10Hide the location of a burnt out transformer
21:12That caused a fire and burnt down a town
21:14Which means that you can be charged
21:16With participating in a conspiracy
21:18To obstruct justice
21:19And do you want to add lying
21:20To an RCMP officer to that charge?
21:22I'm just an artist
21:24A draftsman
21:25I
21:26Help people find their way
21:28Well then
21:29Help yourself
21:30If you cooperate
21:31This will go much easier for you
21:34Am I under arrest?
21:37Not yet
21:38No
21:39Then we're done here
21:47That could have gone better
21:49Maybe
21:51He seems spooked enough
21:53Enough to make a call?
21:55I will see
21:56If anything comes through
21:58You know where to find me
22:00Oh, uh
22:01Break a league Apollo
22:05Thank you
22:17Looking good, Ned
22:18Oh, that's Neil Fearnley to you, Apollo
22:21You'll never take me alive
22:22May, this looks wonderful
22:25And yes, the jacket, very good
22:27Now, Ned
22:28Listen
22:29Neil Fearnley is the linchpin
22:32Without his quiet acts of self-sacrifice
22:34Apollo would never have his chance to shine
22:37Mwah
22:38Go
22:39There they are
22:41My stars
22:46Such chemistry
22:47Such charisma
22:49Oh
22:52There you are
22:53What is this?
22:55They're new story pages
22:56I fixed a few things
22:57I wasn't aware anything was broken
22:59Well, they're still mostly your words
23:01I just
23:02Helped it sing a little
23:03Wait a minute
23:04Where is Millie?
23:06Who is Octavia?
23:07You are, my dear
23:10You are
23:15Lee!
23:16Yes
23:16What is this traffic light still doing here?
23:18I asked for it to be removed hours ago
23:20Who's in charge?
23:22Well, clearly I am
23:23Yes, you are
23:24Which is why I asked for it to be removed
23:33Showbiz
23:42He may not make the call for a while
23:45If he calls
23:46Oh, he'll make the call
23:50Do you miss it?
23:51The thrill of the hunt
23:53You set him up
23:54I take him down
23:55Oh, is that how it worked?
23:57I thought I was the one who took him down
24:00They never really see you coming
24:02Do they?
24:04Operator
24:04How may I direct your call?
24:07Pioneer Electric
24:08Mr. Shelby Whittaker
24:09Please hold
24:11Whittaker speaking
24:12There are to us
24:14And I'm not taking the fall for this
24:15Pipe down
24:16Who is this?
24:17It's me
24:17Scoggins
24:18Some sneaky broad said she needed a map
24:20And then the coppers were all over me
24:22Keep your mouth shut
24:23Someone could be listening
24:27Is that enough to work with?
24:31There's nothing about collusion
24:33Or bribery
24:34Or starting a fire
24:36But yeah, it's something
24:37Whittaker seems to know what he's doing
24:39Maybe
24:40But that mapmaker's a chump
24:42And who's he calling a sneaky broad?
24:46He's not wrong
24:47I wear it with pride
24:51I realize how much I've missed this
24:55What?
24:56The thrill of the hunt?
24:58Now I've
25:00I've hunted enough for one life
25:05You know I didn't ask you here
25:06Just to help Edie settle insurance claims
25:08And you know that's not why I came
25:22It's a magical town
25:24I can see why you're here
25:27What are you doing here?
25:30I'm in charge of the lighting, remember?
25:32No, I know
25:32I mean here
25:34In Hope Valley
25:37Well, I'm a builder
25:39I have business
25:40Ah, so
25:41You just happened to show up
25:42Where I am living
25:43And
25:44I can't speak for fate
25:45Edith
25:47It brought us together once
25:48Maybe it has a gang
25:50No
25:52Not this time
25:54Fernando, I
25:56I'm sorry that I left
25:59But I
25:59I know now
26:00That it wasn't how it was supposed to be
26:02It wasn't a true marriage of minds
26:05Where both people grow
26:07Because they inspire each other
26:08Uh-huh
26:10Well
26:12The governor's a lucky man
26:14I don't know about that
26:15I do
26:16And he should too
26:20Good luck, Nando
26:33Snacks are for the crew
26:37Okay
26:41Oh
26:45Uh, Mae
26:46Are we almost ready?
26:48Nearly
26:48Okay
26:50Times, money, people
26:51Places
26:52Places
26:56All right
26:58Take one
27:01Roll camera
27:02Rolling
27:03And
27:06Action
27:36Action
27:37Action
27:39Oh!
27:40Cut!
27:42I'm so sorry, Rosemary.
27:44No, no, no.
27:44I think I came in a little hot.
27:46It's all right, it's all right.
27:48It's your first time jitters.
27:50Let's just shake it off and we'll try again.
27:52All right?
27:54Places, everyone, take two.
27:57Roll camera.
28:00Rolling.
28:01And action.
28:08Oh.
28:09Cut!
28:14It's wonderful.
28:16Oh, okay.
28:16I love it.
28:18Just let's try to forget that the camera is even here at all.
28:24Uh-huh.
28:24It's just Octavia and Apollo against the world.
28:29You got it.
28:31You are a cunning and heroic Mountie.
28:35Animated by Justice.
28:37Ooh, just channel you.
28:39Rosemary.
28:43How am I doing?
28:45Marvelous. Just up.
28:47Find your center.
28:50Find my center?
28:51Right-o.
28:52Take three.
28:54Roll camera.
28:56Rolling.
28:57And action.
29:01Why is she walking like that?
29:05Why does he look like a mummy?
29:07I can hear you.
29:08Am I supposed to-
29:09Okay, shh.
29:09Pretend we're not here.
29:11Uh, just, let's go in for the kiss.
29:19Okay, let's cut.
29:20Uh, let's take ten.
29:24I'm like, wait on that side.
29:27I'm like, wait on that side.
29:28There's something, uh, wrong with the camera.
29:31There's nothing wrong with the camera.
29:33I mean, there's something very wrong with the camera.
29:37Oh.
29:40Rosemary, uh-huh.
29:41I know we got off to a rocky start, but I actually think we're getting the hang of things now.
29:45Absolutely.
29:47Uh, but you know, one thing I didn't foresee when I cast both of you is, uh, you two are
29:53actually too real.
29:56You know, all of this is kind of nonsense compared to what you two actually-
30:00Rosemary.
30:01Mm-hmm.
30:02Are you firing me?
30:04You're still the writer.
30:06I didn't even want to do this.
30:08Hold on a minute.
30:09I only agreed to this because of Elizabeth.
30:12I'm not kissing anyone else.
30:13No, of course not.
30:14I think that's for the best.
30:17Absurd.
30:18Hey, hey, hey, hey, hey.
30:19Did you just fire on two leads?
30:21What now?
30:22We have a schedule.
30:23This is not a crisis.
30:24Mm-hmm.
30:25It's an opportunity.
30:27We just need to find someone undeniable.
30:33You know, I could offer my services-
30:36May I have assistance with my light, por favor?
30:39Thank you, caballero.
30:40Beautiful.
30:41Now, gently.
30:43Easy.
30:45Tilt her down.
30:48Yes.
31:09Can you come back to me?
31:26Can we close youaver?
31:26That's a neat example of birds such as wagppies.
31:27I have success.
31:36Ä…
31:38Click off any futuresie.
32:03Cut!
32:05Brilliant!
32:07Brilliant!
32:12I suppose that's what you call chemistry.
32:16Sweetheart?
32:16Yes.
32:17Brilliant.
32:18Absolutely brilliant.
32:20Feels good to be back.
32:22Moving on!
32:24I would like to formally rescind my offer.
32:27Obviously.
32:28Si se hace, senor!
32:31Let's get you two ready for your next seat.
32:35Elizabeth?
32:37Thank you for taking this all in stride.
32:41It's as I always say, limitations breed creativity.
32:46About that.
32:47Yes?
32:48We need some rewrites.
32:49A location fell through, and Scout's part went to Gwen in a bear suit.
32:53I thought you said no bears.
32:55I got a deal in the suit.
32:56Well?
32:58Next set up!
33:01Fine, I will make the changes.
33:03Is there a chair for me?
33:06Can we get an apple box to the writer?
33:08I'm still Mrs. Thornton to you.
33:14There you are.
33:16I came by earlier, but you were out.
33:18I had some business.
33:20Well, I was hoping that I could lure you away for some gin.
33:25The card game, of course.
33:29I saw you and Fernando.
33:31I thought I made clear.
33:33You don't owe me any explanations, Edie.
33:35Clearly I do.
33:37There is nothing between Fernando and me, and if that wasn't clear to him before, well,
33:44it certainly is now.
33:46I see.
33:49So, what do you say?
33:57It is not that I don't believe you, but I've been here before, and people don't always
34:06know their hearts.
34:09You may have been here before, Lucas, but we haven't.
34:16Yes, I just, I don't want to be questioning and wondering, doubting you.
34:24It's not what you deserve.
34:27Okay, well, what can I do?
34:36I think I just need time.
34:39How much time?
34:43I don't know.
34:46I don't know.
34:46I don't want to make you a promise that I cannot honor.
34:51I'm very sorry.
34:55I understand.
34:57I understand.
35:15The detachment clerk recorded the transcript, so it'll be admissible in court.
35:20How much do you think this is really going to help our case?
35:23Innocent people don't say they're on to us, so trust me.
35:26That will get the jury's attention.
35:28Yeah, I just, I wish that we had...
35:29I know.
35:30But short of finding Christopher in that blown transformer, we just have to keep digging
35:35into every lead we've got.
35:42Well, I'll be.
35:48Florence Dorothy Yost?
35:50How could you betray Ned with this...
35:53This...
35:54Molly?
35:55This one on Earth...
35:58Do I have something on my face?
36:00No, there's something on your head, dear.
36:02Need I remind you?
36:02Right, right, right.
36:03What do you think, Molly?
36:04I could get used to this.
36:07I thought Florence was messing about with some floppy-haired nitwit.
36:12I could never do such a thing.
36:13Is it floppy?
36:15Oh, and to think you thought I was traipsing around in secret,
36:19when it's you who've been holding out on me.
36:21What are you implying?
36:23Those letters.
36:25I had to learn from Elizabeth that you've been taking a nursing correspondence course.
36:31Why didn't you tell me?
36:33Your opinion means so much to me.
36:34I just couldn't bear to tell you and then fail.
36:38Well, Molly...
36:39I'm so sorry for that and for thinking you were being unfaithful.
36:45How could you think you couldn't tell me?
36:47I know you're not going to fail.
36:50Well, it seems you're right.
36:52I passed.
36:53I'm officially a nurse.
36:56You see, it was all I could do not to peek at them.
36:59Not that I ever have.
37:00No, it's a federal crime.
37:01I hate not telling you.
37:03I hate not telling you.
37:03You know you can always be yourself with me.
37:07And that goes for you too, Ned.
37:10I am begging you.
37:12What you...
37:16Fine.
37:18Fine.
37:19Fine.
37:22Thank you, dear.
37:24Of course.
37:48Evening, Governor.
37:49Oh, Mike, I didn't order a drink.
37:53You look like you could use one.
37:55Uh-huh.
37:59I recognize that watch.
38:01It was a gift?
38:03From Elizabeth.
38:04Yes.
38:06Our time has come.
38:10And yet it never came.
38:13That's in the past.
38:15Elizabeth changed her mind.
38:17She followed her heart.
38:19I don't resent her for that.
38:22But it changed something in me.
38:26You know, it wasn't so long ago
38:28I was standing at this bar
38:30hesitating to ask May on a date
38:32because of some past heartbreak.
38:35I was scared it was gonna happen again.
38:38But then someone told me not to miss my chance
38:42when the right person came along.
38:44That sounds like good advice.
38:46Given by a good friend.
38:49It was you.
38:50You were the one who said that.
38:51Yeah, I got that, Mike.
38:54Don't let your past steal your future.
39:03Have you seen Ms. Martell?
39:16I have to give it to them.
39:18The way Faith and Fernando stepped in was impressive.
39:22And their chemistry.
39:23Quite convincing.
39:24Sorry I missed it.
39:28You don't think...
39:29No, I don't.
39:31Do you?
39:31Not at all.
39:34We're talking about the same thing here, right?
39:35Of course.
39:37That we have chemistry.
39:39Oh, tons.
39:40And the real kind, too.
39:41Mm-hmm.
39:42Who cares if we can't fake it?
39:43Yeah.
39:44What does that matter anyhow?
39:45Mm-hmm.
39:50There is something still nagging at you.
39:55Well...
39:56This story that you wrote...
39:58And a Mountie who returns a hero.
40:03No wonder I couldn't pull it off.
40:06What do you mean?
40:09I had him.
40:11Christopher.
40:12The evidence.
40:13Everything...
40:14Everything we needed.
40:15And...
40:16I just let it...
40:19slip through my fingers.
40:23I mean, that's why I felt like such a fraud in front of the camera.
40:27I feel like I'm failing.
40:28I feel like I'm failing you.
40:29I feel like I'm failing Benson Hills.
40:32I've seen firsthand how relentless you've been.
40:36You can't compare yourself to...
40:39A fairy tale story or a fictional character.
40:43One who can't even talk.
40:47The story isn't over.
40:50Maybe it is for our acting careers.
40:54But not for this investigation.
40:56And...
40:56And certainly not for us.
41:00I, for one, can't wait to see what the next act has in store.
41:04You know...
41:05I might have frozen in front of all those people.
41:09But out here...
41:10Where it matters...
41:15I think the Mountie gets the girl.
41:16You know...
41:19Definitely.
41:20That's our story...
41:31That's our story.
41:37Nobody knows how much has changed.
41:37It's our story.
41:38It's our story.
41:42We live in the place.
41:42We live in the house.
41:42We live in the house.
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