Hollywood Man 1976 ★★½ Biker Drama [William Smith}

Reel Videos

Hollywood Man (released in the UK as Death Threat) is a 1976 Biker/Drama film directed by Jack Starrett and starring William Smith, Ray Girardin,  Jennifer Billingsley and Jude Farese.   Hollywood action film star Rafe Stoker has sunk $130,000 of his own money into his own production, but can't find legitimate financing to complete the film. His mob-connected investor demands an exorbitant amount of collateral and a guarantee that Rafe hand over a commercially acceptable film in 4 weeks, then hires a gang of psycho bikers to sabotage the picture to ensure he collects Stoker's collateral. As if a cranky local cop and bad weather didn't slow production enough, Crazy Harvey decides he wants to take Rafe out of the picture after Rafe shows him up once too often.   Credits:  William Smith as Rafe Stoker  Jennifer Billingsley as Buttons  Ray Girardin as Harvey  Jude Farese as Rhodes  Mary Woronov as Julie  Tom Simcox as The Sheriff  Don Stroud as Barney  Carmine Caridi as Anthony  Angelo Farese as Angelo  Michael DeLano as J.J.  John Alderman as Jesus  Wayde Preston as Tex  David Pritchard as Dennis  Stefanie Auerbach as Audrey  Art Hern as The Hollywood Producer  Byron Mabe as John  Clay Tanner as Dave  Shelly Babcock as The Nurse  Michelle Marley as The Lady in the Hospital  Eddie Duncan as The Boy in the Hospital  Stafford Morgan as Bill  Billy Rose as The Bartender  Peter Mengrone as The Hit Man  Don Sebastian as The Hit Man  Beau Gibson as The Hollywood Stuntman    Bud Davis as The Hollywood Stuntman  Charles Pitt as The Newlywed  Reggi Lynn as The Newlywed  Don Banashek as The Boy in the Van  Cheryl Dunn as The Waitress  John De Troia as The Stillman  Gary Littlejohn as Biker   Soundtrack:  Hollywood Man  Music and Lyrics by Arnold Capitanelli  Sung by Tony Chance

Transcript

00:00:10Hollywood Man

00:00:14They call me Hollywood Man

00:00:22Too proud to stare aside

00:00:35One falling star

00:00:38That longs for one final chance

00:00:48One chance to shoot for the sky

00:00:57And if the world gets in my way

00:01:10I'll still go on

00:01:17Just the same

00:01:22I'm asking for that one helping hand

00:01:31That certain one who believes

00:01:38Someone to share in a dream

00:01:48Open your eyes

00:01:54Open your heart

00:02:00Won't someone understand

00:02:05This Hollywood Man

00:02:10Oh, could I have

00:02:34He liked his...

00:02:50That's enough.

00:02:55Why did you waste your money showing me this crap?

00:02:58Bike movies are out.

00:03:00Joe, I did three bike films for you for practically nothing.

00:03:07Hey, you know, you made a lot of money on me.

00:03:10We're not going to start on that, are we, Rafe?

00:03:13All right.

00:03:15I begged and I borrowed and I stole $125,000 to make this movie,

00:03:20and a lot of people are depending on me, and I'm not going to let them down.

00:03:26I need $375,000.

00:03:31If you don't give it to me, I'm screwed.

00:03:34Sorry, Rafe.

00:03:36No.

00:03:38Let's get out of here.

00:03:40Yeah, let's get out of here.

00:03:45Rafe, wait a minute.

00:03:49Here's a number in southern Florida.

00:03:55The man's name is Angelo Russo.

00:03:58I'd advise you not to call him.

00:04:05Thanks, Tony.

00:04:07Rafe, when do we stop?

00:04:12Anything you want, Mr. Russo.

00:04:13You got it.

00:04:14Angelo, Rafe.

00:04:15Call me Angelo.

00:04:16Angelo.

00:04:18Okay, Angelo, let me tell you.

00:04:20We're going to make ourselves a good fellow.

00:04:22I know we will, Rafe.

00:04:24Then everything is settled.

00:04:27Oh, Tony.

00:04:29Wasn't there one more thing you wanted to mention to Rafe?

00:04:31Oh, yeah.

00:04:32Can I see you alone for a minute, Rafe?

00:04:34Excuse us, Ms. Martin.

00:04:37Now, just a couple more things I want to nail down.

00:04:39Oh, yeah.

00:04:40Well, sure.

00:04:40Hang on.

00:04:41Can I fresh a new drink, Ms. Martin?

00:04:48Uh, we put up $375,000.

00:04:51You put up $125,000.

00:04:52We split the profits 50-50.

00:04:55Yeah, that's what Mr. Russo outlined.

00:04:56It provided that you produce a product in the specified time for the specified money.

00:05:01Right.

00:05:01Four weeks, we can do it.

00:05:03Yeah, but if you don't do it, we're going to need some collateral, Rafe.

00:05:08It's just good business.

00:05:10What do you mean, collateral?

00:05:16Well, you're on your own last picture outright.

00:05:20You've got residual rights on two TV series.

00:05:23You've got points and four other movies dribbling in.

00:05:25You've got a nice house in Beverly Hills.

00:05:31That's a lot of collateral.

00:05:32You said you could produce in four weeks.

00:05:34I can't.

00:05:35I can.

00:05:36Look, I...

00:05:40Want to do this movie, Rafe?

00:05:47Yes.

00:05:49Yes, I want to do this movie.

00:05:50It's no problem.

00:05:53Why don't you drop the contracts?

00:06:03Do you want the papers?

00:06:06Fine.

00:06:08Fine.

00:06:18Well, is everything agreeable?

00:06:25Rafe, when do we start?

00:06:28I can start in three weeks.

00:06:31Make a good movie, Mr. Hollywood.

00:06:35Now, we all know what we're talking about, huh?

00:06:39Are you sure, Rafe?

00:06:44I understand the terms, Mr. Russo.

00:06:48I understand the terms, Mr. Russo.

00:06:51You understand the terms.

00:06:53We've got enough insurance on our end.

00:07:14Hey, Tony.

00:07:16You late?

00:07:18How you been, Harvey?

00:07:19Good, good, good.

00:07:20How are you?

00:07:20Good.

00:07:22I've got a little job for you.

00:07:24Guy's name is Stoker.

00:07:26He's doing a movie down in Fort Lauderdale.

00:07:28I want you to get on his ass, harass, and break his balls.

00:07:31I want the movie finished.

00:07:33But not on time.

00:07:36Rafe Stoker, the actor?

00:07:38Yeah.

00:07:40I'll handle it.

00:07:42When?

00:07:43Three, four weeks.

00:07:47Here.

00:07:48Get 5,000 more and the job is done.

00:07:55Okay, Tony.

00:07:58Tell you something, you picked the right guy for this.

00:08:00I've, uh, been in a few movies myself.

00:08:04Just get the job done.

00:08:06Dominic.

00:08:17Hey, Harvey.

00:08:18Who are them guys, anyway?

00:08:23We're going to make some bread, Mr. Rhodes.

00:08:25A lot more than he thinks.

00:08:28You mean we got a job, Harvey?

00:08:29We got another job?

00:08:31Yeah.

00:08:32In a while.

00:08:33I'll keep it a secret, all right?

00:08:34Don't tell the others.

00:08:36I ain't going to say nothing to nobody, Harvey.

00:08:37You know that.

00:08:38You know I ain't going to say nothing to nobody.

00:08:43My buddy, Mr. Rhodes.

00:08:44Hey, Harvey.

00:08:45Can we go in and have a beer with the rest of the gang?

00:08:46Yeah.

00:08:47He's all right.

00:08:49I need to go there.

00:09:07I need to go there.

00:09:09Let's go.

00:09:39Let's go.

00:10:18Cut it.

00:10:19That's beautiful.

00:10:21Pick up, Barney.

00:10:24You all right, Barney?

00:10:25Get in there.

00:10:26What are you doing?

00:10:28Get him over here.

00:10:29How was it?

00:10:31Nothing else should I know.

00:10:33Did you get it or didn't you get it?

00:10:34You got a problem?

00:10:36No problem.

00:10:37Just been working 26 hours a day and I just shot a chase sequence that takes three cameras

00:10:41and I have one.

00:10:43I'm shooting this with short ends from Gone with the Wind.

00:10:46Dave.

00:10:46The crew's so tired they can't hit their...

00:10:48Dave.

00:10:49Dave.

00:10:50Did you get the shot?

00:10:52You bit your ass.

00:10:54All right, Brennan.

00:10:56I blew the shot.

00:10:56I lost the mustache.

00:10:57You got the wig?

00:10:58Sure, I got the wig.

00:11:00Come on up.

00:11:02Get him up.

00:11:03Yeah, it's the wig.

00:11:06I took off.

00:11:07I had the speed.

00:11:08I had the height.

00:11:10And right in the middle of the thing, I could feel it come off.

00:11:12The mustache came off.

00:11:13I must have...

00:11:13Barney.

00:11:14What?

00:11:15Barney.

00:11:17Oh.

00:11:19When I went off the end of the pier, is that what I was wearing?

00:11:21Yeah.

00:11:21Uh-huh.

00:11:24This is not good news.

00:11:26Hey, Barney.

00:11:27I don't care if he's bare-ass naked.

00:11:29That's the greatest goddamn jump I've ever seen.

00:11:31Okay.

00:11:31Well, let's take it from the top.

00:11:35Come on, Harry.

00:12:21Come on.

00:12:25Ah.

00:12:43I understand you're here in southern Florida making an exploitation film on bike riders, is that right, Mr. Stoker?

00:12:50Uh, yes, sir, that's right.

00:12:52Well, how's your luck been so far?

00:12:55Well, it's rained every damn day that we've tried to shoot.

00:12:58You see, as a matter of fact, we were supposed to shoot the film in California, and, uh, well, we're

00:13:03doing the very best we can under the circumstances.

00:13:05Well, we sure hope the Florida sun will shine so you can get yourself right back on schedule.

00:13:10That's what I'm trying to do, Mr. Stoker.

00:13:11Hey, hey, hey.

00:13:13Well, thank you very much, Mr. Stoker, Mr. Ray Stoker, ladies and gentlemen.

00:13:18Thank you, Wayne, and now back to music.

00:13:21You want to be in the movies?

00:13:23What?

00:13:25You want to be in the movies?

00:13:27Hey, Tex, Jesus, come here.

00:13:30I master his voice.

00:13:34JJ, you two, get your ass over here. Come here.

00:13:39Get your ass over here.

00:13:41Sure.

00:13:43How'd you guys, uh, how'd you like to be in a movie?

00:13:50Out of sight.

00:13:51Slip-scope, stereophonic sound.

00:13:55There's a movie shooting right now.

00:13:57Just wondering if you guys like to be in it.

00:14:00Hey, Harvey, I'd like to be in the movies.

00:14:02How are you going to get us in the movies?

00:14:04How?

00:14:07If the star of the movie happens to be a personal friend of mine, dum-dum.

00:14:12Yeah, all right, all right.

00:14:14Then I might.

00:14:15Come here.

00:14:16You stay here.

00:14:20We're going to be in a movie.

00:14:22Why not?

00:14:23Hey, James.

00:14:24Hey, do I look good enough to be a movie star?

00:14:27Hey, don't be a good one.

00:14:28Do I feel like a movie star?

00:14:31Rama, you are a movie star.

00:14:42Hey, Harvey, we really got to be in the movies?

00:14:44Certainly are, Mr. Roods.

00:14:45First, I want to get some wheels.

00:14:46But I don't know.

00:14:47Just shut up and do what I tell you.

00:14:48We'll have a little fun, too.

00:14:49Right behind the door over there till I call you.

00:14:53Roger, young God.

00:15:01I'm sorry.

00:15:02Hey, I'm sorry.

00:15:03Excuse me.

00:15:03Yeah.

00:15:04Uh, look, I didn't mean to bother you, really.

00:15:07I was wondering if you had any, uh, Nat-lution.

00:15:10Nat-lution.

00:15:12Nat-lution?

00:15:13Nat-lution.

00:15:14You know, for Nats.

00:15:15Uh, we don't have any Nat-lution, so, uh...

00:15:19Ah, okay, then, heck, I'll just pop into town and, uh...

00:15:23You know, I gotta say one thing, though, before I go.

00:15:26I really love what you've done with your van.

00:15:28Buck, I'm trying to tell you.

00:15:29Well, we tried to make it comfortable, you know?

00:15:31Heck, I think it's terrific.

00:15:33What, are you kidding me?

00:15:34I got a friend of mine who was an absolute fanatic on the...

00:15:36Uh, uh, uh, heck, he's right outside.

00:15:39Uh, Rhodes, come on in the side door.

00:15:40Take a look at this place.

00:15:41I think you'll like it.

00:15:42Hey, uh...

00:15:44Just, just, just, just, just, you don't mind it.

00:15:47Rhodes, what do you think of this?

00:15:49Gee, this is nice, Harvey.

00:15:51Did you have mine, Rhodes?

00:15:52Isn't this nice?

00:15:53I spent a lot of money on this thing,

00:15:54and I would like to spend some time with this chick,

00:15:56you know what I mean?

00:15:57And you got the icebox, too, Harvey.

00:16:00Rhodes, that's very good.

00:16:01I didn't even, uh, see the icebox.

00:16:05I do, uh, I really like this.

00:16:13Put me down.

00:16:18Come here.

00:16:19Come here.

00:16:20Come here.

00:16:21Come here.

00:16:26Harvey.

00:16:32Harvey, Harvey, Harvey, Harvey, I think I killed him, Harvey.

00:16:57Harvey, Harvey!

00:17:02Harvey, Harvey, Harvey, Harvey, Harvey.

00:17:08Harvey! Harvey, Harvey, Harvey.

00:17:13Alright! Cut it! Cut it! Dave, how was it for you?

00:17:16Right on. Audrey, come here.

00:17:18We're gonna hurry up. We're gonna get a light change here.

00:17:21Okay, sit this turkey right over here, cause I wanna go right over here.

00:17:24that camera there i'm gonna land right about here okay you give me 50 yards and i'll cut okay

00:17:30buddy you're gonna come right up over here right up over the top of the hood

00:17:34hold that camera down so we miss the ramp bring it down the ramp clear just about it

00:17:40huh now

00:17:44okay it's out of sight get barney warmed up we'll shit this turkey

00:18:05hey what was that did you hear anybody say cut god damn it don't do that

00:18:12should i do something yes dave what is

00:18:16you want to cut now

00:18:23come on man

00:18:28come on man

00:18:32give me a hand

00:18:41shut up

00:18:44shut up

00:18:52oh

00:19:20what's going to happen about those kids

00:19:25shut up about those kids period

00:19:28that didn't that's it

00:19:35are you really gonna get us in the movie

00:19:41i was in spartacus with kirk douglas

00:19:43uh is he the one with the or the teeth

00:19:48kirk douglas

00:19:49yeah

00:19:51so what happened

00:19:52i was too good

00:19:57it wasn't kirk

00:19:58it wasn't kirk at all he's a nice man

00:20:04just got them

00:20:05the money man you know

00:20:07behind him every day he'd watch

00:20:09they call him

00:20:11rushy she watched the filming shot the day before

00:20:13and i was too good

00:20:14they were afraid i was making him look bad

00:20:18wound up with a problem

00:20:21didn't know all that did you

00:20:37when you get to be a big star

00:20:42then we can get married

00:20:51i don't think that's very

00:20:52funny

00:20:55what is so funny about that

00:20:58shut up

00:21:05what have we got here

00:21:08mr and mrs clean

00:21:11you two married

00:21:13yes we are

00:21:14we're newlyweds

00:21:16oh

00:21:20tell me something

00:21:26jesus larry get her out of here

00:21:28look lady we're trying to eat in peace

00:21:30oh please don't mind me go right ahead

00:21:33eat

00:21:35i like to watch

00:21:36get out of here

00:21:37oh

00:21:39hey hey hey

00:21:40hey hey

00:21:41uh

00:21:43look here brother

00:21:46ain't you got a sense of humor man

00:21:48you're just trying to have a little fun

00:21:49we ain't hurt nobody

00:21:50i'll have you know that this lady right here

00:21:53is on the committee

00:21:55planned parenthood

00:21:57and my partner

00:22:00is a federal narcotics agent

00:22:03do you know what this is punk

00:22:06i'll pull

00:22:06get out of here

00:22:08you two get out of here right now

00:22:09right

00:22:11sir

00:22:12i apologize

00:22:13officer i'm sorry i consider this my fault

00:22:16these people are with me

00:22:17we had a party earlier

00:22:18get going

00:22:22too much beer and wine

00:22:23they get over robbie miss

00:22:24i apologize

00:22:29you know let's get so you can't have any fun anymore

00:22:32yeah cops they break up

00:22:34christ

00:22:35you had to pick a copy

00:22:37i'm gonna kick his ass

00:22:38i got this punk hanging

00:22:40i'll take that crap off nobody man

00:22:45newlywings

00:22:46i got that newlywings hanging

00:22:49man

00:22:50he sure was pissed off

00:22:52hey

00:22:53braddy

00:22:53wake up

00:22:55tuxedos

00:22:56from movies

00:23:01mr rose

00:23:02this is excellent work

00:23:05this is excellent work

00:23:07i thought you liked that

00:23:08army

00:23:09you know what i'm gonna do

00:23:10just for this

00:23:14i'm gonna see that you get a feature role

00:23:16on the move

00:23:16me

00:23:18feature role

00:23:19let's get the hell out of here

00:23:39hey ray

00:23:40i can't believe it

00:23:42this is the first day we actually shot everything we scheduled

00:23:45yeah

00:23:46i just wonder if there's any good

00:23:49it was good

00:23:50hey ray

00:23:53yeah

00:23:54uh

00:23:56hey

00:23:575 30 production meeting

00:23:59okay

00:24:00next week

00:24:03hey

00:24:04well

00:24:05what i want to tell you was uh

00:24:06i mean that i noticed that you know

00:24:08that i screwed the shot

00:24:09you noticed i

00:24:10i didn't have a leather jacket on

00:24:12well i'll do it again for free

00:24:13i know it's a low budget film

00:24:14you need the bread

00:24:15i mean that's all there is to

00:24:16hey

00:24:17let me tell you something partner

00:24:18you go off a 30 foot pier

00:24:2070 miles an hour on a motorcycle

00:24:22and you jump 150 feet

00:24:24if somebody notices that you don't have a black leather jacket on

00:24:27i'm gonna kiss your ass in macy's window and give you 30 seconds to draw a crowd

00:24:30you know what i mean

00:24:31a tough guy

00:24:32bam

00:24:34studied for four or five years

00:24:36okay

00:24:36later

00:24:37okay barney

00:24:38yeah okay

00:24:42shh

00:24:49hollywood man

00:24:52they call me

00:24:56hollywood man

00:24:59too proud

00:25:01to step aside

00:25:10one falling star

00:25:13that longs for one

00:25:17one final chance

00:25:23one chance to shoot

00:25:26shoot for the sky

00:25:31and if the world

00:25:37gets in my way

00:25:43i'll still go on

00:25:49just the same

00:25:53i'm asking for that one

00:26:01that certain one

00:26:03that certain one

00:26:03who believes

00:26:05who believes

00:26:06and if you're not a man

00:26:25i'm not a man

00:26:26i'm not a man

00:26:27i'm not a man

00:26:28but i'm not a man

00:26:35to have it today it's together give me about an hour talk to you about an hour about it okay

00:26:39okay

00:26:40and i promise you this time i'm not gonna punch you out like the last day can i say something

00:26:45what what if it rains i'll get you an umbrella dave if it rains and we move inside the store

00:26:50and everything is fine right we don't have the store i'll get the store janice i'll take care

00:26:54what if you don't get the store oh you know what listen i don't want to bring up bad news

00:26:57or anything

00:26:58i have a little per diem for the fellas no money since tuesday hey bonnie oh buddy didn't i ask

00:27:02you

00:27:03about a hundred times not to talk to me about per diem or money you talk to dennis talk to

00:27:08dennis

00:27:08dennis told me to talk to you he didn't talk to me about it ray but i told him to

00:27:12talk to you

00:27:12because until you talk to brinkerman we don't have any money i'll talk to brinkerman all right

00:27:44all right everybody up to step now keep it clear here we go

00:28:07all right

00:28:08all right

00:28:08that turkey yeah

00:28:09that bill wore off

00:28:11you turkey had a bill for you

00:28:14who's in charge of this outfit

00:28:17i'm just saying lussard what uh what can i do for you

00:28:21i'm going to tell you one time and i want you to listen to me

00:28:26i don't want to hear these loud son of a on my streets again

00:28:29oh

00:28:31well if we had a permit and i told you what we were going to be filming

00:28:34and you said it was all right

00:28:36see you're not listening to me

00:28:38if i hear these loud bastards on the streets again

00:28:43you're not going to have any permits

00:28:44yes sir

00:28:46for a nice job kit

00:28:52hey you're charming

00:29:00All right.

00:29:00Bernie Baff will that muffler for me, would you?

00:29:02Cupboard.

00:29:05Thanks.

00:29:06Anybody working with me?

00:29:07Everybody but God. We've got a light problem.

00:29:09We've got a power cover moving in.

00:29:10We've got a light problem, and then we use the glue.

00:29:12What's the matter with this?

00:29:12The generator ain't gonna put out enough juice.

00:29:14And we've got two lights over.

00:29:16Bill? Bill? Yeah?

00:29:16You the gaffer?

00:29:18Oh, yeah.

00:29:18We'll handle it for him, will you?

00:29:21Handle it.

00:29:22All right, thanks.

00:29:23Don't worry about it, Ray.

00:29:24If we don't match the light, we can always donate to Phil to the Rail Institute.

00:29:33You know that Evo Knievel?

00:29:34I mean, the guy's a great guy and all that.

00:29:37But when I was at the Snake River, I was gonna jump the canyon.

00:29:40I just dropped me a little mescaline. I have my 950.

00:29:43Builded me a ramp. Took off of the ramp.

00:29:45I just came over the thing, and I missed it by eight feet.

00:29:48You know what happened?

00:29:48What happened?

00:29:49I died.

00:29:50I was gonna do your joke. Let's go.

00:29:52So you wanted to be in show business, huh, kid?

00:29:55You just keep laughing.

00:29:57Justine is coming up next.

00:30:00Uh-oh.

00:30:06I think that's the first time I'll get a grid book.

00:30:08Oh, boy.

00:30:13It too old.

00:30:13How about you?

00:30:28How about you?

00:30:30Yeah.

00:30:33There you go.

00:30:35Oh, shit.

00:30:58Jesus.

00:31:03You see that?

00:31:04They use that for the night shooting.

00:31:05They call it a group light.

00:31:09Excuse me, Miss Honey, I wonder if you could help me.

00:31:11I'm looking for a personal acquaintance of mine, Mr. Ray Stoker.

00:31:14Is he, uh, a friend of mine?

00:31:16Yeah, yeah, he's in makeup.

00:31:17Makeup, where?

00:31:18Over here?

00:31:18It's around the corner.

00:31:19Thank you so much.

00:31:20How's it going, good?

00:31:20It's fine.

00:31:21Yeah.

00:31:29There he is!

00:31:32What did I say?

00:31:33Where's that close to you?

00:31:34Huh?

00:31:36Ray Stoker, son of a bitch.

00:31:37For Christ's sake, how the hell you been, man?

00:31:40It's been a long time.

00:31:41How are you?

00:31:42Jesus Christ.

00:31:42I'm doing good.

00:31:43Good to see you.

00:31:43Julie Martin.

00:31:45Julie.

00:31:46Charlie, for Christ's sake!

00:31:48Julie Martin!

00:31:50Excuse me.

00:31:50For Christ's sake.

00:31:52Julie, listen, I'm not just your average fan.

00:31:53I'm just, I'm acting myself.

00:31:54Rafe will tell you.

00:31:55Listen, babe, I just like, I like you to know.

00:31:57Hey, partner, uh, hey, hey, hey, I don't want being polite or anything like that, but we got

00:32:03to go back to work, and, uh, I'll tell you something, I don't remember you.

00:32:11You don't remember me?

00:32:13No, I don't.

00:32:14I'll assume they forget.

00:32:17Rafe, two and a half weeks I work with you on a run angel run, for Christ's sake, give me

00:32:20a break.

00:32:20Hey, Harvey here was in Spartacus, man, Spartacus, Kirk Douglas.

00:32:24Yeah, uh, allow me to introduce my friend, Rose.

00:32:26Rose, say a little rape.

00:32:27Oh, Rose.

00:32:27Oh, Ray.

00:32:27Yeah, you're playing the motor, talk a little bit.

00:32:30Yeah, I'm sorry, Ray.

00:32:30Hey, I'm on.

00:32:32See you, give me that treat, it makes me crazy.

00:32:37Let's go, we got to set up now.

00:32:39Come on.

00:32:40Hey, look, look, my name's Ron was a long time ago.

00:32:43It's good to see you again, but we got to go to work.

00:32:45See you.

00:32:46Ray, Ray, hey, she's got to be, she's got to promise you.

00:32:50You look just about good next to me.

00:32:52You look so bad, you sir.

00:32:55You told me what, you watch him about a thousand times?

00:32:57No, not a thousand.

00:33:00It could be a hundred bucks a day, per man, that includes the bikes.

00:33:03You got two choices, man.

00:33:06You start early in the morning.

00:33:11You got ten seconds.

00:33:14I don't need it.

00:33:26Hey, I'll tell you what, you.

00:33:29Take your people and you get them out of here now.

00:33:34Good luck, brother.

00:33:52I believe this man is pissed.

00:33:53I don't want to cry.

00:33:54Bye-bye.

00:34:11Mama!

00:34:13Belle!

00:34:16Bye-bye!

00:34:18Bye-bye.

00:34:19Bye-bye.

00:34:20Bye-bye.

00:34:26what are we gonna do shoot it in the dark let's get back to work all right strike your arc

00:34:33all right hit that other one crank him up crank him up crank him up

00:34:36all right you got set up we can claim the fucker up

00:34:38all right

00:35:02I understand the terms Mr. Russo that bullshit you gonna let him get away with that let's go

00:35:06settle down settle down we've got ourselves a movie to make yeah you're right okay okay

00:35:14still gonna make a deal with him it's cash ain't nobody would buy some cash is it

00:35:24he ain't gonna go for it you blow up his generator he'll go for it no way you get next

00:35:31to him

00:35:32he's gonna knock you on your ass again shut up

00:35:38I saw him a couple TV series looks about half tough to me

00:35:46and how would you know that huh he knows all about that stuff

00:35:52Harvey's been to Hollywood

00:35:57I didn't know you were in the movies Harv

00:35:59oh yeah man Harvey was in Spartacus with Kirk Douglas

00:36:03hi Harv

00:36:06the only pictures Harvey do

00:36:10he play the coyote in the road run

00:36:37G.G. yeah

00:36:45you know what a camera looks like a movie camera real movie camera

00:36:50yeah

00:36:51I'm making my deal with Stoker I want you to pick up the camera

00:36:55got it

00:37:02pick that

00:37:03uh honey

00:37:15how's your bunny

00:37:18I want to buy my associates here uh around the drinks okay anything they want

00:37:22and uh hey give the bill to this guy here Jesus okay

00:37:28hey wait a minute

00:37:30I'm gonna go with you

00:37:32what would you wear

00:37:39hey Mr. Bartender

00:37:41what's wrong with your pool table here

00:37:43why'd you try sticking a quarter in it

00:37:55you got a quarter for me

00:37:58I sure do

00:38:06good evening Mr. Russo nice to see you

00:38:09thank you

00:38:09the party's waiting for you right over here

00:38:14find him in the corner table nice to see you

00:38:23Angelo how you doing great hi nice to see you

00:38:25always a pleasure Julie

00:38:28what can I get for you

00:38:29oh nothing for me thank you

00:38:30waiter

00:38:31a bottle of your finest champagne please for my friends to celebrate our new venture here

00:38:35thanks a lot Angelo and uh thank you for coming over because I know how busy you are

00:38:40never too busy for you Ray

00:38:43and my partners and I are very pleased to see the publicity that the new movie is bringing into the

00:38:47area

00:38:48that's great

00:38:49then everything's fine

00:38:51oh yeah it's terrific really

00:38:53stuff you can't believe

00:38:54Julie

00:38:54I mean Rave is doing the directing

00:38:57I'm sorry

00:38:58the crew is fantastic

00:38:59there are no problems

00:39:01well we got a couple

00:39:02we got a couple of little problems

00:39:05we ran into

00:39:06we ran into some rain

00:39:08and uh we weren't expecting that

00:39:10and then some bikers came through

00:39:12and shot a couple of holes

00:39:13holes in the generator

00:39:15don't worry about the punks

00:39:16the generator's insured

00:39:17yeah I know the generator's insured

00:39:20but some things came up that we

00:39:23Angelo

00:39:25Angelo we're behind schedule

00:39:27we're not really that far behind schedule with you

00:39:29Rafe

00:39:30how far behind

00:39:35five days

00:39:35I see

00:39:38my partners and I give you $375,000

00:39:43in return you promised a good commercial product

00:39:46these are your figures

00:39:48how much more?

00:39:53well if we don't run into any more unforeseen circumstances

00:39:59I need another $100,000

00:40:03oh $100,000

00:40:06absolutely out of the question

00:40:07take a do man

00:40:09it drops over you

00:40:10take a do

00:40:11take a do

00:40:11yes a do

00:40:12yes a do

00:40:16hey

00:40:17hey

00:40:17you know what happened to me last night

00:40:18I met this chick at the bar

00:40:20and I took her home to the hotel

00:40:22and I was

00:40:23you know

00:40:23she said she wanted me to turn her up

00:40:32yeah

00:40:34huh

00:40:38all right

00:40:38I'll be right there

00:40:44I'll be back in a little while

00:40:45keep it warm for me

00:40:46huh

00:40:47so I went down to the car to get some coke

00:40:50and uh

00:40:50I came back

00:40:51and this is what mattered to me

00:40:52when I came back

00:40:52all the doors were all the same

00:40:54what room is that

00:40:56what room is that

00:40:57what room is that

00:41:24what room is that

00:41:30what room is that

00:41:30where room is that

00:41:30it's not

00:41:31it's not

00:41:31we're all the same

00:41:33ready

00:41:36to hear

00:41:37and no

00:42:16Thanks. I got it.

00:42:18What the hell are you guys doing?

00:42:20The management called me.

00:42:22You're making so goddamn much noise.

00:42:24I'm making so much noise.

00:42:27I can't help you.

00:42:28I can't help you.

00:42:30I'm making so much noise.

00:42:44I'm making so much noise.

00:42:45I'm making so much noise.

00:42:46You want to get the cops on our ass flying?

00:42:49Cops?

00:42:50Yeah, they're gonna call the cops.

00:42:51What the hell with you guys?

00:42:53This is good news!

00:43:04Hey, look what I got here.

00:43:22Hey!

00:43:26Hey!

00:43:27Hey!

00:43:42How about the camera?

00:43:43I'll get the camera. We'll get it later.

00:43:45Okay, let's go.

00:43:51I'm sorry, Rafe.

00:43:52Business is business.

00:43:54If you can't fulfill your commitment,

00:43:57we're prepared to write it off.

00:43:59Hmm.

00:44:01Oh, we won't be happy.

00:44:02Hey. Look, Angelo,

00:44:04I'm trying to do something here.

00:44:06That budget I gave you was bottom line.

00:44:09I wasn't... I...

00:44:10I didn't learn...

00:44:12Rafe, I'll give you 50,000 more.

00:44:17That's not enough.

00:44:20My partners and I

00:44:22will commit ourselves

00:44:24to 50,000 more.

00:44:27Not 51.

00:44:2950.

00:44:30If you'll guarantee me

00:44:32a good commercial product.

00:44:35If not...

00:44:39You got it.

00:44:41Then that's settled.

00:44:43Yes, sir.

00:44:46Then we have no more problems.

00:44:48No, sir.

00:44:50Miss Harris?

00:44:51Yes.

00:44:53It's always a pleasure.

00:44:55Thanks, Angelo.

00:45:00See you later.

00:45:01Come on.

00:45:11I know that we've discussed this before,

00:45:12but why don't you let me use my money?

00:45:15It would be so much...

00:45:16Judy, goddammit.

00:45:18We have been through that.

00:45:20But just you being here with me on the phone...

00:45:24I'm telling you, sorry.

00:45:26Could I, uh...

00:45:27Could I trouble you folks for an autograph?

00:45:29I'd be very pleased.

00:45:34When did you get out of here?

00:45:38Just got here.

00:45:40Look, you came on my set.

00:45:43You shot a couple of holes in the generator...

00:45:46and I punched you in the mouth.

00:45:48Let's call that even.

00:45:49But I'm gonna tell you if I see you again...

00:45:52or you get back on my set...

00:45:54and I don't give a...

00:45:55about that gorilla there.

00:45:58I'm gonna hurt you.

00:46:02I want it to be clear.

00:46:03Listen, let's keep it quiet.

00:46:06You know what I mean?

00:46:09Sure, yeah, sure.

00:46:15I wanna see a trick.

00:46:24See, what's the trick?

00:46:25I took one out.

00:46:27But you never quite know which one to take out.

00:46:30But this thing's got five more big ones in it...

00:46:33and he's got a hair trigger, so you better be sweet, man.

00:46:36Do you understand?

00:46:38Yeah.

00:46:46Mr. Rhodes?

00:46:48Mr. Stoker here's not gonna let us be in this movie.

00:46:51But you told me I was gonna be in a movie, Sarvi.

00:46:54What he's gonna do, though, is he's gonna give us some money...

00:46:57to let him finish his movie.

00:47:03Mr. Rhodes, what do you think, uh...

00:47:05the budget would be on a...

00:47:08stupid little turkey movie like Mr. Stoker here's making?

00:47:10What do you think?

00:47:12I don't know, Harvey.

00:47:13I...

00:47:13Well, what do you think, Harvey?

00:47:16Come on, Rhodes.

00:47:16Give me...

00:47:17Take a guess.

00:47:17Give me a ballpark figure.

00:47:18Give me a guess.

00:47:19I don't know, Harvey.

00:47:20About 300,000?

00:47:22Sure.

00:47:22About 300,000?

00:47:23Yeah.

00:47:25Very good, Rhodes.

00:47:26About 300,000.

00:47:27Well, Mr. Stoker here's gonna give us...

00:47:3110% of his budget.

00:47:33How much would that be, Rhodes?

00:47:35Uh...

00:47:35$3,000, Harvey.

00:47:38$30,000.

00:47:40Yeah.

00:47:41$30,000.

00:47:42$30,000.

00:47:46I don't have $30,000.

00:47:49I know you don't have it in your pocket, you stupid.

00:47:51But you can get it.

00:47:53I just saw Mr. Moneybags walking out of here.

00:47:56I know you can get it.

00:47:58And you're gonna get it.

00:47:59You know why?

00:48:03We're gonna borrow Miss Julie for a while.

00:48:06Shut up.

00:48:08You shut up.

00:48:13We're gonna borrow Miss Julie for a while.

00:48:16And then when you get it, we'll have a...

00:48:19Sort of a swap, you know.

00:48:21So what we'll do now, we'll just go for a nice little ride.

00:48:23We'll drop you off for you somewhere.

00:48:24I'll give you a buzz in the morning.

00:48:26Okay?

00:48:27Yeah.

00:48:28Go ahead.

00:48:38Mr. Rhodes, why don't you walk out ahead with Mr. Stoker?

00:48:40I'll follow behind Miss Julie.

00:48:43Is that okay with you, Mr. Movie Star?

00:48:48Let's go.

00:49:17Oh, good evening.

00:49:18Nice to see you.

00:49:19You have reservations?

00:49:44Oh, good evening.

00:49:45I love you, Mr. Taj.

00:49:50I'm running.

00:49:50You'll come here.

00:49:50I'm having fun.

00:49:57All the rocks at the fair,

00:49:58Nick, Jim.

00:49:59All, glucose at the fair...

00:50:15Oh, my God!

00:50:26Ghost! Ghost!

00:50:37Son of a bitch!

00:50:46Oh, my God!

00:50:53Help me the cops! Come on, man! The cops!

00:50:55Let's get out of here, man! The cops!

00:50:57Get the hell out of here, man! Come on!

00:51:16Oh, my God!

00:51:25Really late. Check your back.

00:51:34Hey, boy. Come on down here.

00:51:39Come on.

00:51:47I'm gonna tell you your rights. You got the right to remain silent.

00:51:50I don't want to remain silent.

00:51:53I want to know what the hell I'm doing in the back of a police car with handcuffs on me.

00:51:57You're going to jail. What do you think you're doing?

00:51:59What for?

00:52:01Who are those guys you're fighting with back there?

00:52:05Look, I don't know who they were. I know they were out of their goddamn minds.

00:52:10Well, they went with you.

00:52:12Hey, look. How am I gonna report it to you?

00:52:14You wanted to chase me out of town already once today.

00:52:17Now, any of you people gonna get down to some reality?

00:52:19That's a real gun I saw out there. These people aren't playing around with you.

00:52:24What the hell you think you're doing? You want to make one of these cheap Hollywood movies?

00:52:27Now, we had this damn town cleaned up by that biker scum until you and that damn movie crew came

00:52:31in here.

00:52:32Now they're back.

00:52:35You know, it's really ridiculous. I don't believe it.

00:52:38Being here with you is like playing a bad scene in a...

00:52:43theme movie with a dumb, honky sheriff.

00:52:46Will you keep it up, Mouth?

00:52:49I'll show you a honky cop.

00:52:54You got a cigarette?

00:52:56I don't smoke.

00:52:58I didn't figure you would.

00:53:03Look, I know this is hype you'd understand, but all I wanted to do was make a movie.

00:53:08I didn't want to cause you any problems.

00:53:12I didn't want to cause me any pain.

00:53:15But I gotta finish this movie. Will you let me?

00:53:20You gotta finish your movie.

00:53:23Yeah.

00:53:25Well, I tell you what, I'm gonna let you finish your movie.

00:53:28I'm not doing you any favor.

00:53:30Cause this dumb, honky cop...

00:53:33wants a piece of their ass.

00:53:41Can I ask you something?

00:53:43You haven't shut your mouth yet, have you?

00:53:46What I'd like to know is, uh...

00:53:50Who do you hate most?

00:53:52Me?

00:53:53The bikers, or...

00:53:55or yourself?

00:53:58You're just gonna have to wait and find out, aren't you?

00:54:07Ow!

00:54:08What's he doing in there?

00:54:10What's he doing in there?

00:54:13Please, sir, just be patient. The doctor knows what he's doing.

00:54:16How long is he gonna be in there?

00:54:17I told you before, just take a seat.

00:54:20Take a seat, you patient.

00:54:23She don't mind.

00:54:25Yeah.

00:54:26If he was your friend, you'd worry about how he was.

00:54:29Sick.

00:54:30Relax and sit down.

00:54:31You can relax and sit down if your friend was in theirs.

00:54:34Relax and sit.

00:54:36Dr. Seidelman, line one, please.

00:54:38Dr. Seidelman.

00:54:41What's wrong with your little boy?

00:54:43Oh, he's fine. It's his father.

00:54:45What's wrong with his father?

00:54:47Oh, he was hurt this afternoon.

00:54:49My friend was hurt, too.

00:54:53Nurse tell me to relax and sit down and don't worry about it.

00:54:56Yes, of course, yes. I worry about my husband, too.

00:54:59What's his name, your little boy?

00:55:01Eddie.

00:55:03Eddie, come here. I'm not gonna hurt you.

00:55:06You afraid of me?

00:55:08Dr. Joe?

00:55:10You know it wouldn't hurt your little boy, you know that.

00:55:12Of course not, no.

00:55:13Hey, Eddie? You want the Three Stooges?

00:55:15You want me to tell your story about the Three Stooges, Eddie?

00:55:22Hey, Hav, you all right? Huh?

00:55:24Hey, just a minute, sir.

00:55:26Who's responsible for this bill?

00:55:30This bill must be paid before we let you leave, sir.

00:55:34Do you have any identification?

00:55:36Blue Cross? Any medical insurance?

00:55:47No, we don't take credit cards. Have you got a driver's license?

00:55:56You're a long way from home, Thomas.

00:55:59Get the girl.

00:55:59Is this your direct address?

00:56:01Get the girl.

00:56:02Hey, listen, get a hold of your friend. He can't leave here without signing this.

00:56:05No, no, no.

00:56:05I'm sorry, but I need a signature.

00:56:07It's all right, my girl. Everything's gonna be all right.

00:56:11It's all right. Everything's all right.

00:56:13You shouldn't have asked him for that.

00:56:18Hey, Harvey, I didn't mean to kill her, man.

00:56:21I didn't, man. I didn't mean to kill her, Hav.

00:56:24You just tell me what you want me to do while I make up for it.

00:56:26Anything you want, man.

00:56:29I'm gonna kill Stoker.

00:56:31All right. We'll kill Stoker, Harvey.

00:56:33I'll help you get him, man.

00:56:36Not you.

00:56:38You let me down tonight, Roots.

00:56:42I'm gonna kill Stoker.

00:56:44All right, Harvey.

00:56:45All right, Harvey, whatever you say, you kill Stoker, man.

00:56:48You kill Stoker.

00:56:50He's gotta know it was me, though.

00:57:19We can't help you beat the report.

00:57:20He'll kill them.

00:57:20I bet it not.

00:57:21Gr narrower.

00:57:22He's gonna kill!

00:57:27Uh!

00:57:32Of course!

00:57:33Forg future!

00:57:38Uh-huh!

00:57:44I'm hurting, Dad.

00:57:50You're going home, darling.

00:57:55No, I'm not going home.

00:57:59Yeah, you are.

00:58:01You got one more little scene, and we'll pick that up in Hollywood.

00:58:07No.

00:58:08No.

00:58:09No, no, I'm staying here with you.

00:58:14You can't, Julie.

00:58:17Everything got all crazy.

00:58:18I don't even know what's going on.

00:58:19People running around with guns.

00:58:20It's not make-believe anymore.

00:58:21A guy stuck a pistol up your belly tonight.

00:58:23Wave.

00:58:24Wave, I'm okay.

00:58:29I know you are.

00:58:31I know you are, and that's why I'm putting you on an airplane this morning for Los Angeles.

00:58:38So you're going to stay okay.

00:58:41If you're staying here, I am staying here.

00:58:46All right, then, that's a wrap, isn't it?

00:58:50I mean, that's, uh, we just wrap it.

00:58:56I mean, I mean.

00:59:00I mean, that I'm just going to shut down a whole movie and send everybody home.

00:59:14There is no movie anywhere in the world that means as much as you mean to me.

00:59:23I know that.

00:59:50I know that.

01:00:02Look at all that water.

01:00:06Yeah, man, and it's only the top.

01:00:14Feel better, Harvey?

01:00:22Feel better?

01:00:40Say oink oink, pig!

01:00:42No!

01:00:45Say oink oink!

01:00:47No, I don't want to play!

01:00:50I am going to kill him.

01:00:52I am going to kill Stoker.

01:00:54I am.

01:00:55We're on the downside of 40.

01:00:58We can't afford to put it in the verse.

01:01:01That's all right!

01:01:01She didn't kill us!

01:01:02No!

01:01:08I'm sorry.

01:01:12Well, I'm on the downside of 50, partner.

01:01:15And I'm just about ready to hang it up.

01:01:18Been a lot of rides in my day.

01:01:19I mean, this just ain't making it.

01:01:32Hey, Harvey!

01:01:37Listen.

01:01:39You better start getting your face together, babe,

01:01:41because you don't want your friend to finish the movie without you, do you?

01:01:59How you doing?

01:02:03I'm doing okay.

01:02:09You don't like me, do you?

01:02:13You're all right, Harvey.

01:02:20Why don't you ask me how I'm feeling?

01:02:25All right.

01:02:28How's your head today, Harvey?

01:02:29How you doing, babe?

01:02:31Fine, thank you.

01:02:32Good.

01:02:33I'm glad, man.

01:02:33I'm real glad for you.

01:02:35Because you need that.

01:02:45Jay-Jay.

01:02:46Yeah?

01:02:51Why were you laughing?

01:02:54Why were you laughing before?

01:02:57Chris, I don't know, Harvey.

01:02:58Let me in on it, man.

01:03:00You need a good joke, Harvey?

01:03:02Yes!

01:03:03I got a joke for you.

01:03:06Look at yourself, Harvey.

01:03:09You're ridiculous, man.

01:03:14Yeah.

01:03:15You're gonna kill Stoker?

01:03:19You can't pull your pants up without King Kong to help you,

01:03:23and you're gonna kill Stoker?

01:03:24Give me a break.

01:03:40You're gonna kill Stoker, you're gonna kill Stoker, you're gonna kill Stoker, you're gonna kill Stoker, you're gonna kill Stoker,

01:03:42you're gonna kill Stoker, you're gonna kill Stoker, you're gonna kill Stoker, you're gonna kill Stoker, you're gonna kill Stoker,

01:03:43you're gonna kill Stoker, you're gonna kill Stoker, you're gonna kill Stoker, you're gonna kill Stoker, you're gonna kill Stoker,

01:03:44you're gonna kill Stoker, you're gonna kill Stoker, you're gonna kill Stoker, you're gonna kill Stoker, you're gonna kill Stoker,

01:03:48you're gonna kill Stoker, you're gonna kill Stoker, you're gonna kill Stoker, you're gonna kill Stoker, you're gonna kill Stoker,

01:03:52you're gonna kill Stoker, you're gonna kill

01:04:08Oh, my God.

01:04:41Oh, my God.

01:05:05Oh, my God.

01:05:31Take it easy.

01:05:32Oh, my God.

01:06:03Oh, my God.

01:06:06Oh, my God.

01:06:12Oh, my God.

01:06:17How's it look?

01:06:19Yeah, swelling's gone down.

01:06:21Can you cover it?

01:06:22Yeah, yeah, we can get that covered.

01:06:24But I hope you don't do this every night.

01:06:26I'm a makeup man, not a plastic surgeon.

01:06:30Right.

01:06:44How are you holding up?

01:06:49Let me see, let me see.

01:06:52Guy, you have done a fantastic job, but you still make an ugly chick.

01:07:00You ready to go to work?

01:07:01Mm-hmm.

01:07:03Okay?

01:07:04Yeah.

01:07:05Here we go.

01:07:11Wait a minute, hey, come on.

01:07:13Come on, let's go. Excuse me.

01:07:15Well, excuse me, we got work to do here.

01:07:17Come on, Junior, get plugged in.

01:07:19Well, come on, let's go.

01:07:22Got it?

01:07:23Yeah.

01:07:23That's right.

01:07:27Hey, Dave?

01:07:29You waiting on me, you backing up, son.

01:07:32Scene 26, take one.

01:07:37Action, Ray.

01:07:39Action, Ray.

01:07:42Action, Ray.

01:08:03I cut it.

01:08:05How was it, Dave?

01:08:06Piece of cake.

01:08:07Sound?

01:08:08Beautiful.

01:08:10Okay, that's your friend.

01:08:11Take everything and just move it all the way down there.

01:08:14Dave?

01:08:14Yeah.

01:08:14Bill, come with me.

01:08:15I'll show you the next set up.

01:08:26All right, Dave, you're gonna pick us up.

01:08:28Direct continuation of the last scene.

01:08:30Come down here, Julie and I, two cops after us, over the railing and...

01:08:37Strike that.

01:08:37You pick us up down here, cause Julie's never gonna get over that railing.

01:08:41All right, I'm gonna take a shoulder shot.

01:08:44Take a hit at that second yellow box.

01:08:46All right.

01:08:46Bud, you tie me 20 feet behind me.

01:08:49Give me a pop.

01:08:50Bam.

01:08:51Hit it.

01:08:51Keep on going.

01:08:52Right around.

01:08:53As soon as we clear that side of the boat, Dave.

01:08:56Otherwise, I'm gonna pan you all the way around.

01:08:58All the way around.

01:08:59Okay, I can do this with one reflector.

01:09:00Give me one reflector on the end.

01:09:02Got it.

01:09:03One reflector.

01:09:04Sky.

01:09:05Hey, Gene, this ain't a coffee break.

01:09:07Get the reflector.

01:09:09Set the camera up down in the end and get me a G15 for it.

01:09:14This will get a drink.

01:09:15Happy.

01:09:18Audrey.

01:09:20Would you stay with me, please?

01:09:22I wanna go home, Rafe.

01:09:27Hey.

01:09:30Dawn, I know the hour is long.

01:09:32It's just hard on the sun to get out of here.

01:09:35Come on.

01:09:36Look, we're gonna love these turkeys, and we're gonna do one more, and we're gonna finish this.

01:09:41Rafe, one of those freaks raped me last night.

01:10:09Rafe, you've been having a lot of trouble.

01:10:12We gave you another 50,000, and you're still shooting behind schedule.

01:10:16Now, we need more insurance to protect our investment.

01:10:23Just a few papers for you to sign, Rafe.

01:10:38I don't believe you guys.

01:10:41I got $125,000 of my own money in this film.

01:10:45I got my life, and...

01:10:52Take the papers and shove them.

01:10:56Rafe.

01:10:58Sign these papers, or you'll be in our office tomorrow morning with all our investment.

01:11:07When you finish the movie, you get 50% back for the asking.

01:11:27Make us a movie, Rafe.

01:11:48You're rolling.

01:11:50Scene 27, take one.

01:11:53Action.

01:11:55Action.

01:12:02Keep on rolling.

01:12:03Keep on rolling.

01:12:04All right.

01:12:05All right.

01:12:09All right.

01:12:10All right.

01:12:12All right.

01:12:12You're supposed to be right.

01:12:14Keep it rolling.

01:12:15You got doubles on that?

01:12:17I got doubles on my hat.

01:12:19All right, look.

01:12:20Just stand here.

01:12:21I'm gonna hit you with that left.

01:12:22And you're going in.

01:12:23You got it?

01:12:24Yeah.

01:12:24Here you go.

01:12:25Boom.

01:12:32All right.

01:12:33All right.

01:12:33Cut it.

01:12:34That's a print.

01:12:36Barney.

01:12:38You guys get up out of the water, would you please?

01:12:40Look at this.

01:12:45Barney, I want to show you about this boat someday.

01:12:52Yeah.

01:12:57You want to get an adjustment for that?

01:13:02Hey, Rafe.

01:13:03Hey.

01:13:04Mr. Movistar.

01:13:06Oh, boy.

01:13:07What a good-looking boat.

01:13:08All right.

01:13:09Here's what's gonna happen, Barney.

01:13:10I just kicked the two cops in the water, but there's still sirens all over.

01:13:13They're coming in.

01:13:14Julie and I are gonna jump in a boat, and I'm gonna tell her to get down.

01:13:16Cause we don't have the money to double her.

01:13:18Have you seen it?

01:13:20As soon as I ram that thing forward, it's gonna be a cut.

01:13:22It's gonna be you.

01:13:23So why don't you get in the drive?

01:13:23Sounds good.

01:13:24You know, it's a really fine boat.

01:13:25Just about 150 miles an hour.

01:13:26What I can do is take it up around that buoy, hit that curve, come back right to the bridge.

01:13:30Barney, will you wear the jacket this time?

01:13:32Good thinking.

01:13:34Dave, bring it on down here.

01:13:36What?

01:13:37Uh, I wonder what's a little angle running at which?

01:13:41Okay.

01:13:42All right.

01:13:42Put me an apple right there.

01:13:44Right on that spot.

01:13:56You ready, Dave?

01:13:57No, it ain't gonna get no battery level.

01:13:59Shoot it.

01:14:00You ready, Ray?

01:14:01You bet.

01:14:02Roll it.

01:14:05Scene 28, take one.

01:14:08Action.

01:14:11Come in and get out.

01:14:14He's getting in hard.

01:14:15I got it.

01:14:16I got it.

01:14:17All right, Ellen, cut it.

01:14:19Cut it, Dennis.

01:14:20All right, Dennis, get Barney out here.

01:14:22Barney, we're ready.

01:14:29I've been waiting for this all day.

01:14:31I love boats, man.

01:14:32This is where I get off.

01:14:33I'm just boats.

01:14:34Get it better.

01:14:39Hey, Barney.

01:14:45Here he is.

01:14:46Here he is.

01:14:47Can you roll the camera?

01:14:49Wrong.

01:14:50What's that with the film in the distance?

01:14:52Seen 29.

01:14:54I got the moment.

01:15:00Action.

01:15:14That's too late.

01:15:15Cut it.

01:15:16Cut it.

01:15:17That is coming back here.

01:15:18Okay, Barney, bring it in.

01:15:19Okay, Barney, bring it in.

01:15:21I want to be here.

01:15:24I'm doing it right.

01:15:25I'm behind you.

01:15:27I'm behind you.

01:15:28I'm behind you.

01:15:29I'm behind you.

01:15:30I'm behind you.

01:15:36I've got him. I've got him.

01:15:43I think you've got him, Harvey. I think you've got him, man.

01:16:00I've got him, man. Somebody's still on fire, Harvey.

01:16:05He's got him, man. Hold him, Harvey. You've got him.

01:16:12Oh, look. Where'd he come from, man?

01:16:19That's him. Yeah.

01:16:22Get out of here! Get him! Get him!

01:16:25That was him over there, Harvey. That's him.

01:16:28He was over there! That's him. Get him!

01:17:08Get him!

01:17:23Get him!

01:17:26My way

01:17:28He's coming around. Over there.

01:17:31I'll still go on

01:17:38Just the same

01:17:51Son of a bitch.

01:18:15Son of a bitch.

01:18:34Son of a bitch.

01:18:53I'm coming out!

01:19:01I'm coming out!

01:19:03I'm coming out!

01:19:26I'm coming out!

01:19:47I'm coming out!

01:19:51Hey!

01:20:00Hey!

01:20:01Hey!

01:20:03Hey!

01:20:12Hey!

01:20:16Hey!

01:20:18Hey!

01:20:19Hey!

01:20:21Hey!

01:20:22Hey!

01:20:43Hey!

01:21:10Hey!

01:21:11Hey!

01:21:12Hey!

01:21:13Hey!

01:21:15Hey!

01:21:18Hey!

01:21:20Hey!

01:21:32Hey!

01:21:39Hey!

01:21:42Hey!

01:21:44Hey!

01:21:45Hey!

01:21:52Hey!

01:21:53They said a half an hour.

01:21:56It's been 40 minutes.

01:22:00Let's go.

01:22:02They took half my movie.

01:22:04They took half my movie.

01:22:05And I'm gonna get it back.

01:22:08And I'm waiting.

01:22:11Movie.

01:22:13Well, it doesn't seem worth it.

01:22:16It's worth it.

01:22:17It's worth it.

01:22:19It's worth it.

01:22:20Oh, for Christ's sakes, Rafe.

01:22:22A few days ago, there were dead bodies all over town.

01:22:24Do you think that a movie is worth it?

01:22:27It wasn't my fault.

01:22:29I finished the movie.

01:22:32And it's good.

01:22:33Sure, it was good.

01:22:38Sure, it was good.

01:22:51Hollywood Man

01:22:55They called him Hollywood Man

01:23:02He took his shot at the sky

01:23:12And when the world

01:23:19got in his way

01:23:24He still went on

01:23:31Just the same

01:23:36He gave his life for one bit of faith

01:23:46To make a Hollywood name

01:23:53And now it's not worth the time

01:24:02Bring down the lights

01:24:09Please, no applause

01:24:15the curtains down

01:24:18The curtains down

01:24:18To stay

01:24:20Of this Hollywood man

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