- 10 hours ago
Miss Scarlet & The Duke S06E04
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Short filmTranscript
00:18I'd better get back to work, Mum.
00:24Like you always say, those streets won't stay safe.
00:31Without your Charlie keeping an eye out.
00:42I'll be back tomorrow.
01:04Uncle?
01:07Charlie?
01:18How is she?
01:20Still the same?
01:22I hate seeing her like this.
01:25Ruled the roost when we were kids.
01:27Terrified all that I was.
01:30Yeah, it's a shadow of my sister in there.
01:34Heard about your promotion.
01:37Detective Inspector Phelps of the City of London Police.
01:40Bet your Mum's proud of you.
01:42And I am.
01:44Yeah, I'll bet.
01:46No, I am.
01:48You've done well for yourself, boy.
01:51Good on you.
01:53Tom.
01:58Charlie?
02:05You ain't heard this from me, but the Galanis family, they're being difficult.
02:14I'll try and keep it off your patch, but there's a storm coming.
02:21You cause me any problems, I'll put you away.
02:26Family or not.
02:31Ooh, is that a threat, son?
02:38There's so many to choose from, but I think my favourite animals were the giraffes.
02:43Especially when they nibble the zookeeper's hair.
02:46I like the elephants, apart from when she went to the toilet.
02:50Yes, very unladylike.
02:53I wish I could miss school every day.
02:56My father used to say too much fun's bad for your health.
02:59I once skipped school without telling him.
03:02I spent the day with the ancient Egyptians at the British Museum.
03:05Was your papa cross?
03:07Well, he would have been had he found out, but I never told him.
03:11In fact, you're the only person that I've told.
03:16Now, I need to do a little bit of paperwork, and then we can head home.
03:20Why don't you read?
03:22Yes, this.
03:25I hear Mrs. Bambry's making soup for tea.
03:28It's always turnip.
03:29I hate turnip.
03:30So do I.
03:49Papa!
03:50Inspector Blake!
03:51Is everything all right?
03:52Yes.
03:53Why shouldn't it be?
03:56Oh.
03:57We're a little late.
03:59More than a little.
04:00You were supposed to take her home two hours ago.
04:02I'm sorry.
04:03We lost track of time.
04:04Mrs. Bambry was worried.
04:05She was expecting Sophia home for tea.
04:07Turnip soup, I believe?
04:10You should have sent a message.
04:12Oh, you're right.
04:13I'm sorry.
04:14We had a wonderful time at the zoo, didn't we, Sophia?
04:16We saw the giraffes and the elephants and-
04:19Now get your things.
04:25I really am sorry.
04:26What did you say?
04:28Thank you, Miss Garlets.
04:29It's my pleasure.
04:30We'll do it again soon.
04:31We can go back to the zoo.
04:32Of course.
04:35I'll see you tomorrow.
04:37I'll see you tomorrow.
04:38You will.
04:51I'll see you tomorrow.
04:52I'll see you tomorrow.
04:52Yeah, three weeks.
05:08I'll see you tomorrow.
05:09No-one saw anything.
05:10Not even a landlady.
05:13No, sir.
05:30The girl who ranks this room, what's her name?
05:35Natalia Lorenzo.
05:48Scotland Yard switchboard.
05:50How may I direct your call?
05:51Detective Simons.
05:52Detective three.
05:53Putting you through.
05:55I have a Detective Simons from Oldgate.
05:57Simon, you're at the three.
05:59Yes, sir.
06:00Thank you, Simon.
06:04That's me done.
06:07See you in the morning.
06:08Night.
06:09Shh.
06:11It's got the in-yard switchboard.
06:12How may I direct your call?
06:16Hello, Ivy.
06:17How's things?
06:18Oh, busy.
06:19Since we lost you, things have been more ecter than ever.
06:21But I've been promised a couple more secretaries, and I heard a rumour we're getting a manager,
06:25too.
06:25How are you getting on?
06:27It's all right, but I miss you and the other girls.
06:29Oh.
06:29It's so quiet sometimes.
06:31I managed to read Little Dorrit in three days, and I'm a slow reader.
06:35I haven't even managed to take a lunch break this week, let alone read.
06:39What about your husband's book?
06:41How is it, by the way?
06:42Any better?
06:43Don't ask.
06:45Ready, is he?
06:47It's Miss Summer's work, remember?
06:49Yes, of course.
06:51Detective Willows has taken me to Barron's.
06:53Oh, very nice.
06:54Would you like us to escort you out, Mrs. Potts?
06:56Oh, that's kind, but Mr. Potts will be here shortly to see me home.
07:21Almost an hour I waited for Barnabas, and I came home to find him on that damn typewriter.
07:27Apparently he'd lost track of time.
07:29He wasn't the only one.
07:31I didn't get Sophia home when I should have, which didn't go down very well with Inspector
07:34Blake.
07:35That doesn't surprise me.
07:36That little girl is everything to him.
07:39Don't make me feel even more guilty.
07:41It's not like Barnabas at all.
07:43He's normally so punctual.
07:45So am I.
07:48Yet another rejection of my memoirs.
07:52Whilst we very much enjoyed your book, we do not feel that our publishing house is
07:57the right home for your work.
07:59Well, I'm utterly befuddled.
08:00If they very much enjoyed my book, why won't they publish it?
08:06I should get to work.
08:13Perhaps it's just a kind of phrase they use in all such letters.
08:16What do you mean?
08:17Well, the others all said the same type of thing, didn't they?
08:20We enjoyed your book, but we're not looking for new authors.
08:23We enjoyed your book, but we have something similar.
08:25But that's exactly my point.
08:27They enjoyed my book.
08:28Every single one of them has.
08:29Don't know what the problem is.
08:31It's an utter mystery indeed.
08:34Perhaps you should take a break from the writing.
08:36Break?
08:37Why?
08:39So you don't get too stale?
08:41Give yourself time to clear your head.
08:45Then what would I do in the meantime?
08:50Absolutely not.
08:52I will not go back to that mortuary until Mr Wormsley
08:54has offered me a full and satisfactory apology.
08:59Unless I shall not be moved.
09:13Message from Miss Scarlet.
09:14Would that have been me?
09:22I can't stand another day of him mooning about the house.
09:25Someone needs to speak to him about his book.
09:27I don't suppose you would...
09:29No, though.
09:29And no.
09:30Who's that from?
09:33Someone rather surprising.
09:45I want to hire you.
09:49Go on.
09:50I've got a missing chorus girl with a lodging room that looks like Smithfield slaughterhouse.
09:55Blood everywhere and no body.
09:58The girl's name was Natalia Lorenzo.
10:02The name rang a bell so I asked around and it turns out she had two regular gentleman callers.
10:07One was a high-ranking member of the Galaness crime family and the other was my uncle.
10:16Dylan Cooper?
10:17Word on the street is my uncle took exception to his girl seeing his rival and put a bullet in
10:22her.
10:23Which makes him our prime suspect.
10:25Which puts you in a rather difficult position.
10:28Any other statements of the bleeding obvious you want to make?
10:32I see if emotion hasn't improved your manners, Charlie.
10:36There was a bloodied handprint left at the scene in the size of a man's hand.
10:39If my uncle was going to kill someone, which no doubt he has done in the past, there wouldn't be
10:44a shred of evidence left behind.
10:46So you don't think he's guilty?
10:48But you can't share that with your men?
10:50If the cop was in London want to put Dylan Cooper away regardless of the evidence.
10:53The other half are in his pocket.
10:59There's something else.
11:05My mum, she's not well.
11:09So, if I'm going to send her little brother to the gallows, I need to be sure.
11:16Which is why I want to hire you.
11:18Because for all your faults, Miss Scarlet, and God knows there are many.
11:23You're someone I can trust.
11:28I think.
11:32Duplicate copies of the investigation so far.
11:39One more thing.
11:42If word got out that I was trying to prove my uncle's innocence...
11:47No one's to know that you hired me.
11:51You do this job and you do it well.
11:53There'll be a lot more work coming your way.
12:02City police covers an area we've yet to tap into.
12:06Blackfriars, St Paul's, Smithfield.
12:09Could mean a whole new revenue stream.
12:12So I assume this case is highly confidential and no one must know that Inspector Phelps has hired us.
12:17You assume correctly?
12:19No one at all.
12:20Even if they're in the same line of business and we may feel compromised by our feelings towards them even
12:26though...
12:26Lawrence, if you're attempting to give a coded message about myself and Inspector Blake, at least try to be subtle.
12:31No, no.
12:33I'm just saying...
12:34Well, don't.
12:35I'm perfectly capable of keeping client confidentiality, even with Inspector Blake.
12:39But then I shall say no more.
12:43May I just say...
12:44No, you may not.
12:48Thank you, sir.
12:56A single shot to the chest.
12:58I can't see an exit wound.
13:02The bullet must still be in the body.
13:05No identification.
13:08I know who he is, sir.
13:10It's Philip Galanes.
13:15You sure?
13:16He was brought in when I was at Bow Street.
13:18Twelve charges.
13:19None of them stuck.
13:21Friends in high places.
13:22Indeed.
13:25I heard of trouble brewing between the Galanes family and the Cooper gang.
13:29Philip Galanes was the top brass in the family, if this is the Cooper gang.
13:33The order must come from High Arb.
13:38We need to bring in Dylan Cooper.
13:58Good afternoon.
13:59I wondered if you could help me.
14:01It's about a friend of mine.
14:03Natalia Lorenzo.
14:07Don't know her.
14:09I heard it on good authority that she used to dance here.
14:12I said I don't know her.
14:23This is for a whiskey.
14:25And this is for any information that you might have.
14:29What use is money if I'm dead?
14:34Are you aware of the Hospitality and Gaming Act of 1874?
14:39It states that any venue putting on music, dancing, theatrical production requires a performing rights license.
14:44Any failure to have said license may result in a hefty fine or indeed closure.
14:49I know this because my husband works for the licensing commission.
14:53You don't have an husband.
14:54And you don't have a license.
14:57Look.
15:00I ain't seen her.
15:03But.
15:04You know someone who has.
15:15Please!
15:16Make yourself known!
15:23Anything?
15:24No, sir.
15:27Doesn't look like anyone's been here for a while, sir.
15:31Let's cross this place off our list.
15:33How many safe houses can one man have?
15:35Cooper's got deep pockets.
15:38Put your weapons down!
15:39Drop your weapons and get on the floor!
15:41This is your final warning!
15:42Put down your weapons!
15:43On the floor now!
15:44We are police officers!
15:45Show away, you bloody idiot!
15:57Philip Galanis was shot in a lodging house in Fenchurch Street.
16:01That's my patch!
16:02And his body was found in Farringdon, which is my jurisdiction.
16:05Not if the crime was committed on City of London territory!
16:08You don't know that it was!
16:09I'm afraid I do!
16:10Ballistics report!
16:15The bullet that was pulled from Natalia Lorenzo's wall came from the same gun that fired the bullet that killed
16:22Philip Galanis!
16:23You're stepping on my toes, Inspector Blake!
16:26And you carried out a raid on Scotland Yard Turf without giving me prior warning, Inspector Phelps!
16:29Like I said, I didn't have time!
16:33We need to work together on this, Charlie.
16:36I've told you everything I know.
16:39This Natalia was shacked up with Philip Galanis.
16:42He turned up dead in an alley, and her body's still missing.
16:45You've left out a vital bit of information.
16:46Your uncle was also seeing this young woman.
16:48Which is why me and my men came looking for him!
16:50Bloody hell!
16:52We're going round his circles here!
16:59We have checked all of Cooper's regular haunts.
17:02His house.
17:02His club.
17:05Do you have any idea where he might be?
17:07If I did, I wouldn't be raiding his safe house, would I?
17:18If you've got something to say, say it.
17:32Blake!
17:35Yes, he's here.
17:37Hold on.
17:38It's one of your men.
17:44What?
17:47He's here.
17:48Blake!
17:50Yes, he's here.
17:52Right.
18:01I need to go.
18:03We haven't finished.
18:05Phelps.
18:07Charlie!
18:26I need to go.
18:29We haven't finished.
18:33Was that meant to be funny, ringing me at Scotland Yard?
18:37I didn't kill Galamis, and you know it.
18:40Do I?
18:42Else you wouldn't have hired that lady detective.
18:44You've been having me followed?
18:46I always have you followed, Charlie.
18:57I should be with your dad soon.
18:59That's the last place she'd want to be.
19:02Couldn't stand the old bugger.
19:10Why are you in hiding if you weren't the shooter?
19:13Well, I know what people are saying.
19:15The Galamis were seeing my girl, so I killed them both.
19:18I mean, don't get me wrong.
19:20If I'd have known that degenerate had gone anywhere nearer,
19:22I'd have gladly put a bullet in him, but I didn't know.
19:24So I didn't kill either of them.
19:26So who did?
19:28Not a clue.
19:30But I need time.
19:32To talk to the Galamis family.
19:34Things haven't been good lately.
19:35I need to sort it out.
19:36It's better business.
19:37If you're asking me to stall the investigation.
19:39I'm being set up.
19:41And you know that.
19:44I'll find out who did it.
19:46I just need time.
19:49You owe me this boy.
19:52When he was a nipper.
19:55And your dad passed away.
19:56And your mum couldn't put food on the sable.
20:00It was it kept you out of workhouse.
20:11The best I can do is keep this meeting to meself.
20:14But anything else that comes up, you're on your own.
20:16Even if...
20:27Get your herald here!
20:29Come on, get your herald!
20:34Good afternoon.
20:36I'm looking for a friend of mine.
20:38Natalia Lorenzo.
20:40I have it on good authority that she dances here.
20:44I'm busy.
20:47You're aware of the Hospitality and Gaming Act of 1874?
20:50What?
20:52It states that any venue with outside drinking facility requires a public liability license.
20:58I've already told him what I know.
21:00Told who?
21:02In.
21:10What are you doing here?
21:12What are you doing here?
21:14I'm looking for a missing show girl.
21:16And what about you?
21:19As of you it seems.
21:21I...
21:22I thought this case was in the City of London jurisdiction.
21:24It's more complex than that.
21:26I take it you're working for Phelps.
21:28I'm sorry, Alexander, but I think it's better that we stop this conversation.
21:32You need to tell me what you know.
21:34I can't.
21:37I'm running a business.
21:39We've been through this before.
21:40This isn't a missing horse, Eliza.
21:42This is a murder.
21:43And if we're to be together, you can't keep hiding things from me.
21:46Things?
21:49I need to get back to work.
21:50What things?
21:51Telling me you went to the city side to visit your aunt when in fact you were meeting Patrick Nash.
21:54I knew you'd been stewing on that.
21:56I have to be able to trust you.
21:58And I have to be able to respect the wishes of my clients.
22:03This isn't about me working the case.
22:04This is about me working for Phelps, isn't it?
22:06Don't that be ridiculous.
22:07Your competitiveness is clouding your judgement, and might I add, making you rather childish.
22:10Says the adult who forgot to put my daughter home on time.
22:16I need to get back to work.
22:18Excuse me, Blake.
22:20As do I.
22:37The landlord of the indigo sun confirmed that Natalia Lorenzo is very much alive.
22:42She collected the wages that she was owed.
22:44She was in a bad way.
22:47Sweating feverish, a bandage across her shoulder.
22:50He asked her what had happened, but she didn't want to say.
22:53He thinks that she got on the wrong side of Cooper and somehow managed to escape.
22:58The crime scene report states that a bullet was found in the wall of the room.
23:03So perhaps it passed through her shoulder and into the wall.
23:05Hmm.
23:06Well, if she was shot, she'd need medical attention.
23:10And wanting to lie low, she wouldn't go to a doctor.
23:13It's their duty to inform the police when treating a gunshot wound.
23:16That depends on the doctor.
23:23A list of qualified doctors and surgeons who work on the wrong side of the law.
23:28This is Patrick's handwriting.
23:30Yes, that list was compiled by Mr. Nash himself after an unfortunate incident with a shotgun.
23:34Then a jealous husband.
23:38Let's hope that one of these doctors treated our Natalia Lorenzo.
23:43Let's start looking in the morning.
23:50I want a list of every quack doctor with a criminal conviction.
23:53Anyone who might tend to a bullet wound and not reported.
23:56Yes, sir.
23:57Then get yourself over to City Police.
23:59See if Inspector Phelps is willing to share any new information on Dylan Cooper.
24:03What?
24:06Evening, gents.
24:10This is my lawyer, Mr. Torrey.
24:12We'd like to discuss the unfounded accusation that I'm somehow connected to your murder investigation.
24:24I'm a businessman.
24:27I own two casinos and a number of companies linked to the hospitality trade.
24:31I know exactly what you own, Mr. Cooper.
24:34In great detail.
24:37So these false allegations are costing me money.
24:39So my lawyer recommended I come in here and answer any questions you may have so that we can put
24:45this man out of bed.
24:46How thoughtful of you.
24:49Talk me through your movements yesterday.
24:52Well, I spent a morning at my club to Silver Lane.
24:55After that, I went to visit my poor sister at St. Agatha's Hospital.
24:58Then I did a stock check at my new pub in Hackney.
25:02All of which can be confirmed.
25:04By your men?
25:05No, by my work colleagues.
25:13Tell me about Natalia Lorenzo.
25:17She's a young lady that I've known for a few years.
25:21And the nature of your relationship?
25:33My lawyer says that I'm not obliged to answer that question.
25:39Well, then I shall answer it for you.
25:44I think you were romantically involved with Miss Lorenzo.
25:49And when you found out she was betraying you with a member of a rival gang, you went to her
25:54lodging rooms and shot her and her lover Philip Galanis.
25:58You dumped his body in the street and left Natalia to die.
26:03But unfortunately for you, she survived.
26:08Hmm.
26:10That's quite an imagination you've got here, Inspector Blake.
26:13It's pure fantasy, of course.
26:16Unless you've got any evidence to back it up.
26:23No.
26:24No, I thought not.
26:26So, you've got my alibi, which can be easily checked unless there's anything else.
26:30I think I'm free to go.
26:32Looks like I'll only be paying you for half a day, Mr Torrey.
26:36Would you mind stepping outside for a minute?
26:43Inspector.
26:50Well, I do hope this is an end to the matter.
26:53No, Mr Cooper, it very much is not.
26:57It would be a mistake to make an enemy of me, Inspector Blake.
27:01But a friend, I would welcome that with open arms.
27:05I have enough friends.
27:08Hmm.
27:11Eight.
27:13Kempton Lane.
27:14Isn't it?
27:16Lovely place you've got here.
27:18Must be very nice for you and your little girl to live so near the path.
27:23Get out!
27:27With pleasure.
27:57If I wanted to apologize, would it be better in writing or in person?
28:03Um, in person?
28:09Well, that's a relief. I have terrible handwriting.
28:13I was angry and frustrated. I say things that don't mean when I feel that way.
28:18I can't imagine what that's like.
28:25What you said, there was some truth in it.
28:29I don't always tell you everything just like you don't always tell me.
28:33It's the nature of our jobs.
28:36Which is even more difficult to navigate now that there's an ass.
28:40Us?
28:42I like that.
28:46I've booked that little place south of the river for dinner.
28:48Oh, sounds perfect.
28:50I'll get my things.
28:53How was your day?
28:54Rough.
28:55Which is why I wanted to see you.
28:57Do you need my help?
28:59I wanted to see you because I wanted to be with you, Eliza.
29:04To take the sting out of my day by finishing it with you.
29:16Does that help?
29:19Always.
29:28Well, that was a waste of time.
29:30Are you sure that man was even a doctor?
29:32I think he may have been a veterinarian.
29:33Well, either way, he hasn't seen our missing showgirl.
29:35You can cross them off the list.
29:37So that is three down, six left to try.
29:39Who's next?
29:40Dr. Hudson on Church Street.
29:45So, how was last night?
29:47Last night?
29:48You said you had dinner with Inspector Blake?
29:50Ah, yes.
29:51Very nice, thank you.
29:52Good food, good wine, good conversation.
29:57Yes.
29:59Conversation about what, exactly?
30:02I didn't tell Inspector Blake that we're working for Phelps.
30:04Good.
30:05Because he already knows.
30:06What?
30:08He saw me questioning that landlord that I was telling you about.
30:11Why is that supposed to be a confidential investigation?
30:14Yes, I am aware of that.
30:15What's done is done.
30:17There's no point ruminating on it.
30:19Like you're doing now.
30:20Still, I'd be a lot happier if you told me everything you were doing.
30:23Oh, would you?
30:25No.
30:25On second thoughts, let's see if things are safe.
30:33It was a lovely evening.
30:35The food was delicious.
30:36I've never been anywhere so fancy.
30:38Me neither.
30:38I felt quite out of place next to all those fine ladies.
30:42Surprised your head wasn't turned.
30:44I couldn't take my eyes off you.
30:47Is that true?
30:48Or are you just trying to butter me up?
30:51Both.
30:53Give us a kiss.
30:54What, in here?
30:55Yes, here.
31:04Detective Willows.
31:05Mrs Potts.
31:06The advert for the new office manager.
31:08I've got copies going up all over the yard, but I want you to call the evening papers with the
31:12wording for the classifieds.
31:14Wanted, manager for the clerical office, Scotland Yard. You should apply, Ivy.
31:17Keep reading.
31:19The gentleman in question.
31:21Why can't it be a lady?
31:22You could do that job standing on your head.
31:24I've got enough to worry about as it is.
31:27One day a woman will run this whole place.
31:30What's funny about that?
31:35I'd better get on.
31:48Can I help you, madam?
31:49I need to speak to Inspector Blake.
31:52Sir.
31:55Mrs Bambury.
31:57What's happened?
32:00It's Sophia.
32:05So, last and hopefully not least, a Dr Marsh.
32:09What do we do if he doesn't see Natalia?
32:11We move to plan B.
32:12Which is?
32:13No idea.
32:14Well, that's the address.
32:18He doesn't look like a doctor.
32:21No, but he does.
32:28That's her. That's Natalia Llorente.
32:31Should we help?
32:33He doesn't look good to be forcing her.
32:47The inspector's daughter's gone missing.
32:49Knock on every door of every street within a three-mile radius for Inspector Blake's house and his daughter's school
32:54on Eastbury Way.
32:55The scale of the area. Every inch.
32:59Understood?
32:59Yes, sir.
33:00Off you go.
33:07We heard about the inspector's little girl. We've come to help.
33:10How many of you?
33:11Well, there's girls in the office about a dozen.
33:13Go to Gladstone Park.
33:14It runs adjacent to Inspector Blake's house. Perhaps this little girl went there and got lost.
33:18Inspector Blake must be out of his mind, won't worry.
33:21If anything's happened to that little girl.
33:22Oh, just the person.
33:23Go and tell the girls. I'll join you in a moment.
33:25Barnabas, this is not a good time.
33:27It should be very quick, Rachel.
33:29I just wanted to share the most wonderful news.
33:32I've decided to write a novel.
33:34Never mind that now.
33:35I need your help.
33:43Sophia has long dark hair, blue eyes, about this tall she was when I last saw her.
33:48She's probably grown by now.
33:49Never fear, my dear. They do not call me eagle-eyed pots for nothing.
33:52They don't call you that at all, Barnabas.
33:54Excuse me, have you seen a little girl on her own dark hair, blue eyes, about this big?
33:59Sorry.
34:01So, um, what do you think about my idea to write a novel?
34:05Barnabas, as I've said many times, what I think is that you need to get your old job back.
34:10Huh?
34:11Oh, excuse me. Have you seen a little girl, dark hair, blue eyes, about this big?
34:15No. What makes you think I need my job back?
34:19My novel will be published, I'm sure of it.
34:21Barnabas, I only say this because I love you.
34:24You have many skills, but writing is not one of them.
34:30You said you enjoyed my memoirs.
34:33You said I was a wonderful writer.
34:35I was being nice.
34:36There's a reason no one wants to publish it.
34:40I'm sorry. That's the truth.
34:45Excuse me.
34:47Have you seen a little girl, dark hair, blue eyes, about this tall?
34:51No.
35:00Miss Scarlet.
35:01Oh, good. You got my message.
35:03You want to update me on the case here, at Scotland Yard?
35:06Something's happened, and Inspector Blake's jurisdiction.
35:09Don't tell me Blake knows I've hired you.
35:12It's my duty to inform him, as well as you.
35:15And it's your duty to keep to client confidentiality.
35:19Miss Scarlet, we had an agreement.
35:22Detective Willis, have you seen Inspector Blake?
35:25Have you not heard?
35:26Heard what?
35:38Is it true?
35:39Has the big one missing?
35:40She didn't come home from school.
35:42Michael Simmons here with me.
35:43Whatever you need, just ask.
35:45You want to help, then tell me where your uncle is.
35:47What's he got to do with him?
35:49Well, this has got Cooper written all over it.
35:57Could it be him?
36:17Have you taken her?
36:18The inspector's kit!
36:20What's she talking about, boy?
36:35Where's Cooper?
36:37We ain't over yet.
36:38Right, take them outside and question them.
36:40Yes, sir.
36:41Has he got my daughter?
36:45How should I know?
36:45Well, I will ask you one more time.
36:48That's Cooper got my daughter!
36:51You're dead.
36:53How should I know?
37:00Where is she?
37:02Where is she?
37:03Sir!
37:05We found her.
37:19There.
37:23Very good.
37:24We're looking for an office manager.
37:26I think you should apply, young lady.
37:29Sophia!
37:30Papa!
37:39She went to the British Museum.
37:44She got lost on the way home.
37:47Was found by an officer wandering the streets.
37:49Thank you, Mrs. Potts.
37:52I told him who my father is.
37:53He says you're a very important man, Papa.
37:58Let's get you home.
38:01Good day, Miss Potts.
38:03Good day, Sophia.
38:27Where have you been?
38:29Looking for Sophia.
38:30I went to the zoo to see if she'd gone back there.
38:32No, no, they found her.
38:33She's safe and well.
38:34Ivy sent you a message to let you know.
38:36Ivy?
38:37Lord Inspector Blake?
38:39What difference does it make?
38:41Where was she?
38:42I'll get to that in a minute.
38:43Keep that on.
38:44I've sent a message to Inspector Phelps.
38:45You ought to join him.
38:46Why?
38:48I found something on the Cooper case.
39:06I told you I don't know nothing about a kid.
39:10We're not here about that.
39:14Lady detective, I assume.
39:17So the word is that you've been hired to prove my innocence.
39:21So I do hope your presence here means that you've done just that.
39:25Well, innocent of killing Philip Galanes, but...
39:28of obstruction of justice, your hands are dirty, Mr Cooper.
39:32It was Natalia Lorenzo that killed Philip Galanes,
39:35and you've been protecting her.
39:38We found a financial trail between you and Dr Marsh.
39:42Your own personal doctor.
39:44You paid him to patch up your girl, didn't you?
39:46Yeah.
39:50She's not my girl.
39:52Never has been.
39:54She's the daughter of an old mate.
39:56The fella did a long stretch inside, but he kept his mouth shut.
40:01Ten years' hard labour.
40:03Pretty well killed him.
40:04He died a month after he'd come out.
40:08So, yeah, she'd been like a daughter to me.
40:12So it didn't go down well when you discovered her affair with Galanes?
40:16Tried to warn her against it, but...
40:18she's that strong young girl.
40:21I think they thought they were some kind of Romeo and Juliet.
40:25But he didn't treat her right.
40:27He was a drunk and a bad one.
40:29If she hadn't have got his gun, he'd have killed her.
40:32Well, if she shot him in self-defense and there's no reason for her to go on the run.
40:36Try telling that to the Galanes family.
40:41So...
40:45You two can do what you want.
40:47I'll just deny it all.
40:49And any link to Dr Marsh can be explained away.
40:52He'll never stand up in court.
40:54Especially as you have half the judges in London in your pocket.
40:59Where's Natalia now?
41:01She got on a boat from St Catherine's docks.
41:04And I don't know where I told her it was safer that I didn't
41:06in the event that something like this happened.
41:11So...
41:12You wanna waste your time chasing after a young woman who shot her drunk
41:16to stop him beating her to death?
41:18Be my guest.
41:19Boss.
41:38Is she mother?
41:41She passed.
41:44I'm sorry son.
41:46Sorry.
41:56Come along ladies, there's work to be done.
42:00Um...
42:01Hey.
42:03Oh Barnabas, I am rather busy.
42:05I'll give you just a few moments my jaw.
42:07Only wish to say how profusely sorry I am for my recent behavior.
42:11I just want you to be happy Barnabas.
42:13And I don't think writing makes you happy.
42:15Well I'll give it up forthwith.
42:17Find myself a proper job.
42:19But not back at the mortuary.
42:21I believe it's time for a fresh start.
42:24And I know exactly where.
42:25Oh that's wonderful.
42:26Where did you have mine?
42:28Here of course.
42:30Scotland Yard.
42:33It was pinned on the notice board in the corridor.
42:37As I happened upon it I thought Barnabas Potts.
42:39This job is tailor made for you.
42:43Manager of the clerical office.
42:45Hmm?
42:45Here.
42:46Where I work.
42:48Call it fate.
42:49Call it kismet.
42:51Either way it was meant to be.
42:53And we all work together every single day.
42:56Wouldn't that be marvellous?
42:59Marvellous.
43:00No, of course.
43:04I'm not too happy.
43:05No, of course.
43:05The devil.
43:09No, of course.
43:14Welcome to the house.
43:14And the back of the building is open.
43:18We will be in the place with flops and new cars.
43:21You will be in the place with that.
43:22No, of course.
43:24You are even better.
43:34Inspector Phelps
43:36How's your little one?
43:38Happy to be home
43:41Just got her off to sleep
43:45I'm sorry I lost my temper earlier
43:48I'd have done the same
43:53Full report on Aguilani's case
43:55It was Natalia who shot him
43:57Cooper was just protecting her
43:59You could pursue Cooper on obstruction of justice or
44:06You could take a look through this little lot
44:12I've been building a case against my uncle for a few years now
44:16My hands were tied before but now
44:21My old mum died
44:24Today
44:28He's all yours
44:31I'm sorry for your loss
44:34Wish I'd like to come in
44:35You're not good company at the minute
44:41But maybe a pint and a ghost snack sweet
44:44You're buying of course
44:45Don't know her always
44:49Charlie
44:52Thank you
44:52Thank you
45:08See the problem that you gentlemen have got is I've got a lucky face
45:12You unlucky face
45:14You not so lucky face
45:15You very unlucky face
45:22Right
45:39I've got a warrant for your arrest
45:48You may want to get yourself comfortable Mr Cooper
45:52It's quite a long list
45:54It's quite a long list
46:16It's quite a long list
46:23I haven't had a chance to change yet
46:26Would you mind if we cancelled dinner
46:30I should be with Sophia
46:32Of course
46:33I could come to you
46:34She went to the British Museum
46:37She said you miss school once to go there
46:40Well
46:41Yes but I didn't mean for her to do the same
46:44She's a child
46:45Eliza
46:47She has no mother to guide her
46:49You must realise how much she looks up to you
46:51I'm
46:52I'm sorry
46:53I didn't
46:53I didn't think
46:57Are you blaming me for what happened?
47:03I lost control today
47:05I could have lost my job
47:07I can't afford to do that
47:10I am all Sophia has
47:11And it is down to me to keep her safe
47:16To make sure there is food on the table
47:17And a roof over her head
47:23What are you trying to say?
47:31I need time to think
47:35Perhaps some time apart will do us both good
47:39Sorry
47:39I need time to think
47:41I need time to think
47:47I need time to think
47:48I need time to think
47:50I need time to think
47:51I need time to think
47:51I need time to think
47:53I need time to think
47:53I need time to think
47:55I need time to think
47:56I need time to think
47:56I need time to think
47:57I need time to think
47:57I need time to think
47:58I need time to think
48:02I need time to think
48:06You
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