- il y a 1 heure
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00:02:36We're home
00:10:33Nous avons l'air d'aujourd'hui, page 38, 1862, le civil war, battlefield medicine, Clara Barton.
00:10:41Check out the lipstick on Freaky Girl.
00:10:44She ended up starting the American Red Cross.
00:10:47What she did was, she taught mothers and daughters to come out to the battlefield and take care of their
00:10:52sons, brothers.
00:10:53That's not you.
00:10:54What she did was revolutionize medicine online.
00:10:56It's the house.
00:10:58What house?
00:11:00Yeah, 112 Ocean Avenue.
00:11:04What are you, some kind of stalker?
00:11:07What? No.
00:11:08How do you know where I live?
00:11:10Everyone knows where you live.
00:11:11Please just...
00:11:11Hey, hey, hey.
00:11:12It's your first day.
00:11:14You might want to listen.
00:11:54You might want to listen to people like this girl.
00:11:54Everything's going on.
00:11:55It's a pandemic, I hope it could really help.
00:11:55It's a friend got a lot.
00:11:57A friend got murdered.
00:12:00I think she raised his, weren't the bestógling, whatever.
00:12:02I know.
00:12:03I guess she was a little Sonic hat or a friend of mine-
00:12:12C'est parti.
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00:20:00C'est bon, c'est vrai ?
00:20:03Les voix ont dit qu'il faut faire ça.
00:20:05Ils ont fait une famille, six personnes.
00:20:08Où est-il ?
00:20:10Je suis déjà venu les trois dernières années,
00:20:12et je n'ai pas vraiment envie d'y passer.
00:20:13Ok, j'ai vu ça ?
00:20:18Vous connaissez cette maison ?
00:20:35On a peut parler.
00:20:35Nous devons nous parler.
00:20:37C'est bon à voir vous, Harald.
00:20:39Pourquoi ne vous parlez-moi de la maison ?
00:20:41Je n'ai juste qu'il y avait du bon moment.
00:20:45Et quand ça va ?
00:20:46C'est juste une histoire histoire, c'est une histoire.
00:20:48C'est une histoire.
00:20:50Oui, c'est tout à l'école.
00:20:52C'est tout à l'école.
00:20:55Tu as raison.
00:20:56Je suis désolé.
00:20:56J'ai dit, j'ai dit, j'ai vraiment hâte de faire un peu sur ma minde.
00:21:01Bon, c'est bien si Juliette et je pouvais être sur ma minde aussi.
00:21:06C'est le docteur.
00:21:09C'est le docteur.
00:21:10Mais c'est un improvement, right?
00:21:16Je veux dire, il y a pas à être.
00:21:19Je sais que c'est ça, mais c'est la dernière fois qu'on checked,
00:21:24il n'y a pas de brain activity.
00:21:26Mais il n'a pas de l'œil.
00:21:28Je veux dire qu'il ne va pas commencer par parler,
00:21:31ou même s'il ne va pas se faire.
00:21:34Jules, vous savez qu'il n'y a pas d'incidence de quelqu'un
00:21:38avec des injuries de james qui se sont en train de recover.
00:21:42Et james sera le premier.
00:21:44Est-ce qu'il y a une façon d'assurer si il y a une récouper ?
00:21:48C'est très unlikely.
00:21:53Mais je suppose qu'il y a une autre fMRI.
00:21:56Great.
00:21:57How much more shit do you want to put him through ?
00:21:59Just leave him alone.
00:22:01Hasn't he suffered enough ?
00:22:04Sorry about that.
00:22:14Yeah.
00:22:17Didi likes to chase the ducks at the back.
00:22:21Are you talking to James again ?
00:22:24Yeah.
00:22:26Hmm.
00:22:27What does James have to say this time ?
00:22:30He says he misses talking to you too.
00:22:40Hey guys.
00:22:42Hey, Jules, your mom's going to walk Larry.
00:22:43You want to go with her ?
00:22:44Okay.
00:22:47Come here.
00:22:48One, two, three.
00:22:49Oh, yeah.
00:22:53Belle, you know I don't want any more tests either.
00:22:57Then why did you suggest it ?
00:22:59Because this test is going to show your mom what you and I already know.
00:23:04Did you know about the house ?
00:23:10Please just go.
00:23:29I don't know.
00:23:30Go New York.
00:23:32Just go.
00:23:35No.
00:23:35Oh, yeah.
00:23:42Go New York.
00:23:43Get out of here.
00:23:45Oh, yeah.
00:23:46I'm going to go.
00:23:46I'm going to show you.
00:23:46Oh, yeah.
00:23:46Oh, yeah.
00:23:46Oh, yeah.
00:23:47Oh, yeah.
00:23:47Oh, yeah.
00:23:51I'm going to show you.
00:23:52Oh, yeah.
00:24:08C'est parti.
00:24:44Juliette,
00:24:45you can't keep doing this.
00:24:47Just go over it.
00:25:11C'est parti.
00:25:30Happy Monday.
00:25:34Belle, this is Marissa.
00:25:36She's my girlfriend.
00:25:37You wish.
00:25:38Em, this is my friend, Belle.
00:25:40You wish.
00:25:41Wow.
00:25:42All kinds of love for Terrence today.
00:25:44See how it is?
00:25:45Ah!
00:25:48See you later, man.
00:25:50Thanks, guys.
00:25:51So, yeah.
00:25:53Marissa didn't believe me when I said I knew you, so I thought you guys should, uh, meet.
00:26:00What's up?
00:26:04God, I would kill my mom if she did something like that without telling me.
00:26:07Yeah, well, talking's not really big at my house, so, yeah.
00:26:11Well, thank God none of this Amityville shit is real.
00:26:13Whoa, whoa.
00:26:14That all depends on your definition of real.
00:26:17You know someone's talking a lot about something, your mind starts playing tricks on you to make you think it's
00:26:21real.
00:26:23According to who?
00:26:25Science.
00:26:27Well, I'm really over this Amityville stuff anyway.
00:26:30My family's got enough demons to deal with.
00:26:32I don't need fictional ones, too.
00:26:34I don't know.
00:26:35Maybe that's exactly what you need.
00:26:36Hey, we should watch the movie.
00:26:39No, thanks.
00:26:42Come on.
00:26:42That's what horror movies are all about.
00:26:44Like, escaping reality with your friends for a little while.
00:26:46It's fun.
00:26:46Okay, fine.
00:26:48Let's watch it at your house.
00:26:49No.
00:26:50Your house.
00:26:51Come on.
00:26:51How often do you get to watch the Amityville horror at the actual Amityville house?
00:26:56Okay, sure.
00:26:57Awesome.
00:26:58Okay.
00:26:58We have to watch it at 3.15 a.m. though.
00:27:00Why?
00:27:01Because that's when Ronnie DeFeo murdered his family.
00:27:04And that's when the house comes alive.
00:27:19Oh, you're in.
00:27:46Okay, sorry.
00:27:47I'll have to wait.
00:27:49Okay, sorry.
00:27:52Oh, it's up and I'm just gonna have to wait.
00:27:53Yeah, it's so good.
00:27:53Oh, good luck.
00:27:54Ah, shit.
00:27:55Mary.
00:27:57What?
00:28:01What?
00:28:02What?
00:28:04Come on, you see something?
00:28:06What do you see?
00:28:07Oh, shit.
00:28:09Oh, shit.
00:28:16Oh, c'est great.
00:28:19Go, Larry.
00:28:21Oh, man.
00:28:21Look, I told him not to do that.
00:28:23Oh, you should've seen your face.
00:28:24You guys seriously have to be quiet.
00:28:26Sorry, sorry, sorry, sorry.
00:28:29Wow, this place is amazing.
00:28:31Is that a bounding circle in the backyard?
00:28:35A bounding circle?
00:28:37Yeah, like, hundreds of years ago, like colonial times,
00:28:39there used to be all this weird occult shit going on around here,
00:28:42so if they thought an area was evil,
00:28:43they would do a ring around it with, like,
00:28:45salt or fire or whatever to try and keep the evil contained.
00:28:48Yeah, or maybe the gardener just got a little carried away
00:28:50with the weed killer.
00:28:53All right.
00:28:53So, I thought we were here to watch a movie.
00:28:57Yes.
00:29:01Yeah, but I've seen the movie a dozen times.
00:29:02Shut up.
00:29:04I've never been inside an actual foul.
00:29:06Okay, I'm going to punch you in the actual mouth
00:29:08if you don't shut up.
00:29:10Oh, yeah?
00:29:11Unless I'd have to read her a promise.
00:29:21What's in there?
00:29:26Nothing. Let's go.
00:29:35Okay, so, you've got the original 1979 film starring Jim.
00:29:42James Brolin and Marco Kidder.
00:29:44Um, but just in case, I brought the Amityville 2,
00:29:47which is technically a prequel,
00:29:49so I don't know if you like that.
00:29:51Anyway.
00:29:52Um, and of course, there's the remake.
00:29:54Oh, wait.
00:29:55Yeah, remakes totally blow.
00:29:57Agreed.
00:29:57All right.
00:29:58Original it is.
00:30:05So, how'd you girls like to be the bread in a Terrence sandwich?
00:30:09In your dreams.
00:30:12This house is built on special ground.
00:30:16Satan worship.
00:30:18Demons.
00:30:19You cannot destroy this evil.
00:30:21You will always find a place to dwell.
00:30:24Something or someone to latch onto.
00:30:35What do you do?
00:30:36What's going on?
00:30:38You all gone mad?
00:30:39George!
00:30:46See?
00:30:46Come and go to your ear.
00:31:04Why, no well.
00:31:09The passage to hell!
00:31:20What?
00:31:29Holy shit.
00:31:31It's 315 on the dot.
00:31:34No, it's not.
00:31:35I swear.
00:31:35Look.
00:31:36What did you do?
00:31:37What?
00:31:37Nothing.
00:31:38I really hope not.
00:31:40I gotta get the lights back on.
00:31:42It's probably just a fuse.
00:31:43No, we need to fix it.
00:31:45Or else I'm gonna have to wake up my mom.
00:31:49Okay, then where's the fuse box?
00:32:02I think it's under the stairs.
00:32:17Oh, great.
00:32:18The basement of the Amityville house.
00:32:20That's perfect.
00:32:21I haven't been down there yet.
00:32:24Hold on.
00:32:25I got this.
00:32:34Who wants to go first?
00:32:53Oh, God.
00:32:55What's that smell?
00:32:56Just try and find the fuse box.
00:32:59Wow.
00:33:00What?
00:33:01Under the stairs.
00:33:03It's where they discovered the red room.
00:33:05Whatever is in there gets inside your head.
00:33:08I wouldn't find much in your head.
00:33:10They say this house makes you see things.
00:33:13It infects your dreams until you can't tell what's real and what's a nightmare.
00:33:17Then, boom.
00:33:18Blood splatter and brain matter everywhere.
00:33:20Can we please just find the fuse box so we can get out of here?
00:33:30Hey, I think I found it.
00:33:43My phone is dead.
00:33:54What the hell are you doing down here?
00:33:57I could have killed you.
00:34:01We'll let ourselves out.
00:34:05Dad, nice meeting you.
00:34:08Since when do you carry a shotgun?
00:34:10Jesus.
00:34:11Because your father is for protection.
00:34:13I really don't think I need protection from my friends, but thanks.
00:34:17You are not allowed to have friends over without asking me.
00:34:20You know how easy it is for James to get sick?
00:34:23What are you talking about?
00:34:25They weren't anywhere near him.
00:34:26Someone was in his room.
00:34:28The door was open when they came over, but I shut it.
00:34:32Then who took his blanket off?
00:34:35He's not some sideshow attraction.
00:34:40Go to bed.
00:34:47It's possible that he has something called LIS, locked in syndrome.
00:34:51Does that mean he's conscious?
00:34:53Mm-hmm.
00:34:54It means he may have a sort of consciousness, but he's locked into an inactive body.
00:34:58So he is getting better.
00:35:00Well, looking at this fMRI scan and seeing the return of some limited eye mobility, it would appear so.
00:35:07And this thing will tell us for sure?
00:35:10The EEG machine measures brain waves.
00:35:13The more activity on this monitor, the stronger the emotional response.
00:35:19You ready to give it a try?
00:35:21Well.
00:35:23All right.
00:35:24Step into his line of sight.
00:35:34Hi, Jimmy.
00:35:36Hey.
00:35:47Jimmy.
00:35:53Oh.
00:35:55That's a definite response.
00:35:59Candace?
00:36:02Belle, come closer.
00:36:03All right.
00:36:04All right.
00:36:06Okay.
00:36:06I'm sorry.
00:41:39Jules, où est-il ?
00:42:33Sous-titres par Jules
00:43:03Sous-titres par Jules
00:43:06Sous-titres par Jules
00:43:08Sous-titres par Jules
00:43:11Sous-titres par Jules
00:43:16Sous-titres par Jules
00:43:21Sous-titres par Jules
00:43:55Sous-titres par Jules
00:43:57Sous-titres par Jules
00:44:09Sous-titres par Jules
00:44:12Sous-titres par Jules
00:44:27Sous-titres par Jules
00:44:32Sous-titres par Jules
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