- 2 days ago
The Builders arrive in Albert Square to work on The Dagmar.Fairly workshy in this one anyway.And Mary's Dad comes round again and is shocked to see their was a fire in the Flat.
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00:05Music
00:31All right, all right, you lot, you know the score.
00:34Yeah, for us first say it, otherwise no overtime.
00:38Oh, hello, love. Morning.
00:40Are you, er, sure you must be obeyed?
00:42Do what? The landlady, the madam.
00:45No, madam Bowbury's inside, I'm just a guess.
00:47This could be my lucky day.
00:49Shut up. You're not staying here?
00:51That's right. What, just for tonight?
00:53No, for a couple of months, that's if we don't get chucked out first.
00:56Yeah, we're doing a pub conversion. Dagmar.
00:58Granted. Some bloke called Wilmot Brown.
01:01Yeah, it's the Dagmar. Oh, don't worry, it doesn't show.
01:05Yeah, well, I thought you might like to give the place a once-over
01:06and give me the benefit of your knowledge at the same time.
01:09Yeah, great, well.
01:11A week. That's a bit in the future, innit?
01:13No, no, if that's the US, you can make it.
01:17Erm, you couldn't manage tonight, could you?
01:21All right, great, I'll, er, I'll give you a ring later.
01:23Yeah, cheers, bye.
01:25Oh, Loughby, dear, I need your help.
01:27Well, what?
01:28Well, you know I had the fire.
01:29Yeah.
01:30Well, I've got to go to court this morning and I haven't got my room cleaned up.
01:33And if I don't get it cleaned up and the court goes round, well, then no goodness knows...
01:36Oh, look out there, Loughby, let's start again, shall we?
01:37Well, she had a fire.
01:39Well, you know, Ethel.
01:40Well, I got to go to court this morning.
01:42Right.
01:42Well, me room's still a mess.
01:44If I don't get it cleaned up, the council might throw me out and then they might take Annie away
01:47from me.
01:48Well, where is she?
01:49Er, Sue. Sue's got her.
01:50Why should the council come round?
01:52Well, they won't, not unless someone told them what happened.
01:55Well, I wouldn't tell the council.
01:56Well, I know you wouldn't, Ethel, but I wouldn't put it past some people.
01:59No, me neither.
02:00The thing is, I've got to be here till 3.30, and if the council have found out, then they'll
02:03have been round by then, wouldn't they?
02:05Oh.
02:06I couldn't think of that, but I've got no-one else to ask.
02:08Look, why don't you leave your keys here, Nery, right?
02:10I'd love to see what we can do.
02:12We can cover each other, can't we?
02:13Yeah.
02:13We're not promising anything, though.
02:15Would you?
02:15Oh, great.
02:16That's better.
02:17There's me keys.
02:18See you later.
02:28Mr. Conway.
02:29Excuse me.
02:29Hi, mate.
02:30What have you done?
02:30I'm Wilmot Brown.
02:32Oh, right, Mr. Wilmot Brown.
02:33Pleased to meet you, sir.
02:35Had a little problem?
02:36Oh, I'm sorry to hear that.
02:37No, not me.
02:38You.
02:38Have I?
02:40Eight o'clock, I thought.
02:41Not our fault, Mr. Wilmot Brown.
02:42You should have seen that M1.
02:44It was like Luigi's ice cream parlor with all them coals.
02:47I see.
02:48Anyway, raring to go now.
02:49I'll round the lads up.
02:51All right, you lot.
02:52Let's be having you.
02:53Work time.
02:54All right, come on, never.
02:55And remember, lads, a late workman never blames his tool.
02:58Poor travelling workmen going off to work.
03:01Poor travelling workmen going off to work.
03:07There it is.
03:08There it is, there it is.
03:09A TV boom.
03:20They've been behaving themselves, yeah?
03:21Yeah, good as gold.
03:23I don't believe that.
03:24True.
03:24They've even been going to school every day.
03:27They've always gone to school.
03:28Yeah, but now they go every single day.
03:32Oh, dear Annie.
03:38I got Raya some special reading books.
03:41Oh, yeah?
03:41Yeah.
03:42And I've also got him a table tennis bat.
03:44Do you know, if you think about it,
03:46you could be quite athletic, little Raya.
03:52And here's a couple of these sandwiches.
03:54Yeah.
03:55Come on, Annie.
03:57Come on, Annie.
03:58Come on, Annie.
03:59Come on.
03:59That'll be, er, 84, isn't it?
04:02No.
04:02We'll be with you any seconds.
04:04We'll make you promise not to drive too far.
04:07That's all right.
04:08Bye.
04:08That's all right.
04:10Excuse me, love.
04:11Isn't that Terry's?
04:12I mean, Mary Smith's girl.
04:14Yeah?
04:14Don't worry about it.
04:15I'm Mary's dad.
04:17Oh, right.
04:18I didn't sort of...
04:19Granda.
04:21Granda.
04:22Are you looking for her, are you?
04:23Yeah?
04:23Well, I've been hanging around outside her place,
04:25but she hasn't shown me.
04:26Yeah, well, she's had to go off this morning.
04:29That's why I'm looking after Annie.
04:30Oh, working?
04:31Yeah.
04:31Um, yeah, I think so.
04:33Yeah, working.
04:34Oh, good.
04:35You wouldn't happen to know what time she'll be back then?
04:37No, I'm afraid not.
04:38Best to ask Doctor Ethel.
04:39In fact, ask Ethel.
04:40You'll get more sense out of her.
04:42Ethel?
04:42Yeah.
04:43You'll find her over in the bit, called the Laundrette.
04:45In fact, she'll be there all morning.
04:47There's no rush.
04:48Have you tea?
04:49Yeah, I will.
04:50I'll help you.
04:56Right, er, for breakfast, that's sausage, egg, bacon, tomatoes, mushrooms, beans, fried
05:02bread, toast.
05:03Hey, black pudding.
05:04Oh, yeah, back to black pudding, and, er, four mugs of tea.
05:07Yeah.
05:07Well, we only do rolls and sandwiches.
05:09Eh?
05:09What?
05:10Rolls and sandwiches.
05:11What?
05:12If you put him into a catatonic trance, we might have to sue.
05:15Oh, sorry.
05:16We're here for two months.
05:16We'll starve.
05:18Look, um, excuse me.
05:19If you, er, leave it with me for today, I'll see what I can get together for tomorrow.
05:23Right, well, in that case, we'll have all them baps there.
05:26And, er, is that the only size tea you do?
05:28Yeah.
05:28Yeah, well, we'd better have three of those each.
05:30That's 14 teas.
05:32Well, three each is 12.
05:33Well, correct.
05:34And your next question, this is for a bonus point.
05:36What makes love like a tiger and winks?
05:40Oh, Mr. Wilmot Brown, sir, just in time for breakfast.
05:43I was wondering where you've got to.
05:44Ten o'clock, breakfast.
05:45You didn't start till after nine.
05:46Oh, not our fault, sir.
05:48Cones?
05:49Yeah, millions of them.
05:49I'll dream of cones tonight.
05:51It was hell.
05:51Well, if you can be as quick as you can.
05:52We will be, sir.
05:53Hey, why don't you join us, sir?
05:55Well, I...
05:55Oh, go on, sir.
05:56The lads are really appreciative.
05:58All right, have a cup of tea, then, please.
05:59Good day, Harry.
06:00Oh, that's very kind of you, sir.
06:01Mr. Wilmot Brown's buying us breakfast, lads.
06:04Three cheers for the governor.
06:05Hippie!
06:06Hippie!
06:06Hippie!
06:07Hippie!
06:07Hippie!
06:08You gonna do it, then?
06:09No, Lofty's going over there now.
06:10Right.
06:11Well, I'll come over and help as soon as I've given up this letter.
06:14All right.
06:14I still don't like it, sir.
06:15Look, you're worrying over nothing, Lofty.
06:17It'll be ages before Dan realises you're gone.
06:19I know him.
06:19He's at the summit today.
06:20Yeah, yeah, um...
06:22I was just wondering if you'd made up your mind about tonight.
06:25Okay, yeah, give me a bill later.
06:27Okay, cheers.
06:27Bye.
06:30Where's he off to?
06:31Oh, he's gone upstairs and found some lampposts.
06:34Not Willie.
06:35Lofty.
06:49Well, go on, open it, or are you gonna stand staring at it?
06:55Come on.
06:57Well, I ain't give it a chance.
06:58Oh, it's from the council.
06:59Oh, it isn't about Mary's fire, is it?
07:02Oh, don't be daft, Ethel.
07:03No, it's about our swap with Tom.
07:05Well?
07:06Well, it says we can go ahead at our earliest convenience.
07:09Oh, that's soon, isn't it?
07:11That's immediately.
07:12Oh, well, that's very soon.
07:14Chuck don't have a word with it.
07:15Yes, you better.
07:16Tell him we want to move today.
07:17Excuse me.
07:18Put it on one of the machines.
07:20I'll deal with it in a minute.
07:21Sorry?
07:21What about?
07:23Well, I just can't have a word with Ethel.
07:25Oh, yes.
07:27I'm Mary's dad, love.
07:28You're Mary's father.
07:30I wasn't looking.
07:36Morning, Queen Vic.
07:38Oh, yeah.
07:40Yeah, I'll just get in for you.
07:41For you, then.
07:44Good morning.
07:46Yeah, hello, Mrs. Barrett.
07:48You think you're gonna sell through these exams, don't you?
07:51Come on, Dave.
07:52You didn't do no work last term.
07:53Well, I'm going home now to revise.
07:55I just thought you might like to give us a hand.
07:56Just like that.
07:58Well, why not?
07:59Because I've got work, Kelvin.
08:00I can't just drop it because you fancy some company.
08:02We don't seem to be spending any time together.
08:04I've been here before.
08:05Well, we don't.
08:06Whose fault is it, Kelvin?
08:07It's not mine.
08:07Well, how do you make that out?
08:08Look, I haven't got the time or the information to stand here after me.
08:12I'll see you later.
08:14I thought I'd find you lot in here, didn't I?
08:18Hello, lads.
08:18All right.
08:19All right.
08:19Are you the team that's been working at the Dagmar?
08:21That's right.
08:22Your governor was living for you.
08:24What, old double-barrel with a funny voice?
08:26Yeah.
08:26I told him I thought he was in the cab.
08:27Good lad.
08:28Think that calls for another drink?
08:29I guess I can get some service.
08:31I'll get you some service.
08:31Locked you, diddy, hon.
08:32Yeah, yeah.
08:33I'll be right there.
08:34If I catch him on the up, he thinks I'm still the missus.
08:37Used to work here, did you?
08:38I used to live here, mate.
08:39Used to be my boozer.
08:40Well, I haven't seen.
08:40Get fed up.
08:41Now me old man run off with someone else.
08:43Yeah, it can cause problems, that.
08:44You know what?
08:45Say that again.
08:45What can I get you?
08:46Same again for the lads.
08:47Whatever you want.
08:48No, I'm all right.
08:49Thanks all the same.
08:49And one for the ex-landlady.
08:51Cheers.
08:51Thanks a lot, mate.
08:52My usual, Lofty.
08:54Oh.
08:55Came back, yes then?
08:56No.
08:57I left a message with Sue telling her to come over here when she did come back.
09:01Oh, you ain't told Mr Smith.
09:02Your name is Smith, innit?
09:04Smith?
09:05Yes.
09:06Same as Mary.
09:07She's not married, is she?
09:08No, I keep forgetting.
09:09You know what with Annie and that.
09:10So you ain't told Mr Smith yet to take it?
09:13No.
09:14Well, then I'd better tell him what I know, hadn't I?
09:17Don't you think you'd better talk to Tom about our swat?
09:20Haven't you spoken to him yet?
09:22Well, how could I?
09:23He's been in the tents all morning.
09:25I can't leave you to do nothing, can I?
09:28Here, Tom.
09:28Yeah, just a minute, look.
09:29Tom?
09:30Yeah?
09:30You had a letter from the council.
09:32That's right.
09:32This morning.
09:32Yes, well, haven't we better make arrangements then?
09:35Oh, give us a chance.
09:35I've got a lot on me plate at the moment.
09:37Here, we want to do it at our earliest conveyance.
09:40Convenience.
09:41How long before you can move out then?
09:43Well, a week at least.
09:44A week?
09:45Can't you do it sooner than that?
09:46No, I don't think so.
09:49£1.20 to start.
09:50Here.
09:51Yeah, I'll pick that bar.
09:53Until later then.
09:54Bye.
09:57It's your start then.
09:58It's Wixie.
09:59I think he's locked himself in the throne room.
10:01No food neither.
10:02Yeah, I'll start going around Naima as all I can.
10:04Well, they've served beer, do they?
10:05Oh, yeah, but Naima does.
10:06Give us a break, eh?
10:07I'm working.
10:08I'm getting someone.
10:09It's about time, sir.
10:10I'm thinking of asking Pat to come back.
10:12You what?
10:12You, eh?
10:14Hello.
10:16Hello, darling.
10:17What are you doing here?
10:18Look, I want to talk to you.
10:19Go on, then.
10:19Not here.
10:20I can't talk to you.
10:21What's it about?
10:22The weekend I spent away.
10:23Oh, you don't want to worry about that, darling.
10:25It's done, finished, forgotten.
10:26But it isn't, Mum.
10:27Look, we'll talk about it later, eh?
10:28Come say hello to some people.
10:29No, thanks.
10:29They're staying the same place as us.
10:31Of course.
10:31See you, lad.
10:31Sharon!
10:34Sorry about that, lads.
10:36Hey, who was that little Cockney Sparrow then?
10:38That little Cockney Sparrow happens to be my daughter, young man.
10:41I thought it were your sister.
10:42Oh, very nice.
10:43I like it.
10:43Keep coming.
10:44Keep going.
10:44Love, did you manage to stew out?
10:46Yeah, well, a bit.
10:47Hey.
10:48Simon's over there now.
10:49All right.
10:50Will the council come?
10:50No, not that I know of.
10:51I don't think they will, you know.
10:53There we go.
10:53I'll stop it.
10:55Hello.
10:55Dad.
10:57Do I get a kiss?
11:01Enjoying yourself?
11:02More than I can say for you the other night, eh?
11:04No wheels, no car.
11:05Where's Wixy?
11:06I don't know.
11:07I'll go and look for him, shall I?
11:08Stay where you are.
11:09Oh, here's the team.
11:10Hello, Eddie.
11:11Oh, President Gregson.
11:12I was wondering where you got to.
11:13Not the same.
11:14But you left at half past 11.
11:16I moved to the building's yard, short of a few things.
11:19Ready to start again, are we?
11:20Oh, it certainly is, eh?
11:21I had to force the gas and almost take a break, as it was.
11:23Yeah, I bet.
11:24All right, lads.
11:25Back on your heads.
11:26Down in one.
11:29It's like Snow White and the four dwarves.
11:32You heard what the man said.
11:33We're four dwarves workmen going back to work.
11:36Four dwarves workmen going back to work.
11:39We're very important.
11:40Sorry about that, Dennis.
11:41No, sweet.
11:42It's all man in the till to me.
11:44See you.
11:48See you.
11:48See you.
11:49Oh!
11:49Come on!
11:50Come on!
11:51See you again, landlord.
11:54Everything's great.
11:55So why did that Mrs Cotton phone us in the middle of the night, then?
11:58Are you back on the game again, is that it?
12:00No.
12:00So why is she worried?
12:02I don't know.
12:03Dot's just like that.
12:03You'll learn to take no notice.
12:06Well, as long as you're all right, love.
12:08Yeah.
12:08Great.
12:09I miss you.
12:10So where are you off to now, then?
12:11Home.
12:12But I think I'll stay here tonight.
12:13Dad, when Dot phoned, she didn't tell Mum about Annie, did she?
12:19No.
12:20Well, I won't put it past her.
12:22Hey, you can't keep Annie a secret forever, love.
12:26Yes, I can.
12:27Look, stop worrying.
12:29Your mother would only want...
12:30I don't like how she would.
12:31Annie's mine.
12:32She'd only try and find some way of...
12:34Some way of what?
12:36Taking her away from me.
12:38Look, your mother would only want to help you.
12:40Wrong.
12:41She wants to open everything.
12:43She's pointed the finger far too long at me.
12:45I'm here.
12:46Me.
12:46By meself.
12:48All right.
12:48All right.
12:51Anyway, Dad, I've got to be going.
12:53What, now?
12:54Yeah, I'm meant to be somewhere.
12:56Well, where?
12:57Work.
12:58I didn't know you had a job.
13:00Yeah, in the hospital in the kitchens.
13:02No, I thought you left there.
13:03Well, they took me back on.
13:05Well, good for you, girl.
13:07Well, you may as well not hang around because I'm not going to be back till late.
13:10Oh, there's no hurry, love.
13:11I'm going to treat you and Annie to some tea in that cab when you get back.
13:14No, Dad.
13:15Look, I need some sleep anyway.
13:17Well, you may as well just go then.
13:18Look, stop worrying.
13:19I'll get a kip in the cab.
13:21All right?
13:21So you get off and I'll see you later.
13:24Well, go on then.
13:25OK, but if you do decide to go...
13:27I know.
13:32Hey.
13:33Yeah?
13:34Now, you're not lying to me, are you, love?
13:37No.
13:38Of course not.
13:41But why?
13:43Because we have nowhere to go, Kelvin.
13:45What do you mean by that?
13:46Exactly what I said.
13:48We've come to a halt.
13:49You want certain things, I want others.
13:51There's just no future for us.
13:52Yeah, but come on, what's suddenly brought all this on?
13:54Nothing has suddenly brought it on.
13:56It's something that's been obvious for a long time.
13:59Just neither of us have dared say it.
14:00Look, if it's to do with this business with Tina and Ian and that...
14:03It's got nothing to do with that.
14:04Well, what's it to do with, then?
14:06School holidays, trivial pursuits, hanging around street corners.
14:09That's what it's to do with.
14:11Yeah, but you know I ain't got the money to take you out every night.
14:13I don't expect you to take me out every night.
14:17I'm just too old to belong to some sort of personalised youth club.
14:21Oh.
14:21So that's what it comes down to, then?
14:24What?
14:25Age.
14:25You're saying I'm too young for you, is that it?
14:27Kelvin!
14:28No, actually, you thought you'd have a fling with someone younger than you
14:30because you knew it was going absolutely nowhere.
14:32I mean, you knew it couldn't last.
14:33Not in your acceptable world, anyway.
14:36Actually, I think you used me.
14:38I don't have to listen to this.
14:39No, you don't want to listen to this.
14:41I don't want to argue.
14:43Oh, charming.
14:44Nap off, Kelvin.
14:45And I don't want to talk about it.
14:48Oh, Tel, I thought I'd find you here.
14:51Evening, sir.
14:52Now, I've been having a look at these plans,
14:53and looks I'm mistaken.
14:54You've actually started building the wrong wall.
14:56Have a look at plans, Mr. Wilmot Brown.
14:58What?
14:58Not at this stage, you mean.
14:59It's not a layman.
15:00By that, I take it you mean me?
15:01Well, all plans are drawn up differently.
15:04I don't see it makes any odds.
15:04I can read a plan quite well, I think it.
15:06All right, sir.
15:07Let's take a look.
15:13This is the wall in question?
15:14Uh, yes.
15:17And, uh, do you know what that is?
15:20Well, no.
15:20Ah.
15:21That means, along the point where the interior cavity joins the exterior cavity,
15:26we've got to seal it with a shanter IS lubricator.
15:29And we've got to do that before we can get started on the other wall.
15:33I see.
15:34So there's no problem, sir.
15:36Well, I just wanted to make sure.
15:37Perfectly understandable.
15:38I don't want to tell you how to do your own job.
15:40No, no.
15:43All right, well, can I get you a chance to drink?
15:45Hey, what's all happening?
15:46It means first thing tomorrow we've got to build another wall.
15:50Look, can't we just start again, eh?
15:52Calvin!
15:53Look, we won't see any more of Tina and Ian.
15:55I mean, we all spend more time together, just us two, me and you, yeah?
15:57I mean, please can't we just give it another go?
15:59It's not that!
16:01Well, make up your mind.
16:02I mean, one minute that's what it's all about,
16:03and the next minute it's not.
16:04Look, can't we just call it a date as friends?
16:06It's been nice, but it's over.
16:07It's run its course.
16:08Yeah, but not for me it hasn't.
16:09Well, for me it has.
16:10Look, all I'm asking you, Camille, is why.
16:13Has it ever occurred to you that I just might not fancy you anymore?
16:18I've gone off you.
16:19I no longer find you attractive.
16:22I'm sorry, Calvin, but that's the truth.
16:25I'll see you, okay?
16:26I think it's my bound and duty to tell him the truth.
16:29Yes, when I think it's none of your business.
16:32I also think the sooner we tell him,
16:33the sooner we'll remove that monstrosity from outside of our dwelling.
16:36What is articulation, Laurie?
16:38Yes, it's a nice store.
16:40I mean, I'm surprised the counsellor have done something about it.
16:42I mean, you think you'd know better?
16:44Mind you, some people.
16:46Oh, hello, Mr Smith.
16:48We was just talking about you.
16:50Nothing bad, I hope.
16:51No, no.
16:52Doc was just saying that that lorry thing of yours is a nice store.
16:56Sharon!
16:56Sharon, come over here.
16:56I want you to meet some friends of mine.
16:58Mum, I already told you at lunchtime, no thank you.
17:00Sharon!
17:05Sharon!
17:07Sharon!
17:07Sharon!
17:09Sharon, what is the matter with you?
17:11Are you serious?
17:12I thought you wanted me.
17:13I wanted to talk to you, Mum, that's what I wanted.
17:15Well, go on then.
17:16In private, you know, personal.
17:18Alright, then we'll go somewhere and talk.
17:19Oh, what's the point?
17:20The point is to go somewhere and talk.
17:22What's the point with you, eh?
17:23Look, Sharon, what is wrong with you, darling?
17:25You are drunk again, Mum.
17:26No, I'm not.
17:27I may have had a few, yes, but I'm certainly not drunk.
17:29You are.
17:30You're a mess, Mum.
17:31A disgusting drunken mess.
17:33Don't talk to me like that.
17:34Oh, give it over.
17:35You're in no position to tell me nothing.
17:38I'm sick of you.
17:39I'm sick of you drinking and I'm sick of you making a fool of yourself.
17:42And I'm sick that I can't help you because you won't help yourself.
17:44You're bloody useless, Mum.
17:45You won't even try.
17:46Darling, please.
17:48I'm packing my stuff, Mum, because I'm leaving.
17:50There must be better things in life than living with a drunk.
17:54Oh, Sue, I'm sorry about today.
17:56It's all right.
17:57I'll be in tomorrow, though.
17:59Well, erm, I don't know.
18:00It'll be necessary now that Grizzin's back.
18:03You won't be needing me, then?
18:04No, afraid not.
18:07Listen, your dad was in this morning.
18:09Have you seen him?
18:10No.
18:10Er, yes, I have seen him, but he's not been back since, has he?
18:13Er, no, I haven't seen him.
18:15Have you a Grizzin?
18:16No.
18:20No.
18:22No.
18:24No.
18:26No.
18:27You've been a naughty girl again, have you?
18:29Mummy, Mummy, Mummy.
18:29Oh, mind your own business, will you?
18:31Mummy, Mummy, Mummy.
18:32There you are.
18:33Wow, it's great!
18:36Oh, well, why?
18:37Mum, have you seen this?
18:38Yeah.
18:39You shouldn't have done Sue.
18:41Oh, why not?
18:41It does no harm.
18:42Oh, you're spoiling.
18:44Oh, it didn't cost a lot.
18:45I got it off den cheap.
18:47Mind you, he said it was top quality, like they use on the telly.
18:52Oh, Debbie, it's lovely.
18:54Well, it was Terry's choice.
18:55Oh, it's what I call a ring.
18:57Isn't it?
18:58Well, when's the happy day?
19:00Oh!
19:01So what are you going to have to drink this?
19:02Oh, vodka and tonic, please.
19:03Er, lofty vodka and tonic, usual for me.
19:06Hey, how wanna we stay here?
19:07What's going on tomorrow, but I think I've changed my mind.
19:10Who's that?
19:10How the hell do I know?
19:12Any more good jokes?
19:14Come on, then, make me laugh.
19:15Right.
19:16This block.
19:17Er, there you go.
19:18Oh, thanks, love.
19:19Oh, I see I've got the pleasure of both of your companies tonight.
19:21Oh, forget it.
19:23I take it that's your food counter, then.
19:24And, er, where did you do your preparation?
19:26Well, I've got a kitchen out back.
19:27We've also got a kitchen upstairs.
19:28Oh, what sort of things have you been doing?
19:29Not a lot lately.
19:30I mean, cooking at exactly snitch and snatchy's strongest point.
19:32I wouldn't imagine it was.
19:34Well, do you want to take a look at the kitchen?
19:35Why not?
19:35Well, we'll start with one upstairs, shall we?
19:37Why?
19:38Why me?
19:39I stuck by her.
19:39I know you did.
19:40Yeah, look what happened.
19:42You think she'd at least give it a proper go?
19:44I've got a couple of dead legs for parents I've got.
19:46Has me dad here have anything in her skirt?
19:48And me mum?
19:49Well, she'll have anything in her bottle, won't she?
19:51They're all the same parents.
19:52They at 14 they go for a second childhood.
19:54Look at mine.
19:55Question is, what do I do now?
19:56You've got to start putting yourself first.
19:58She's why I walked out, shall.
20:00Have you got anywhere to stay?
20:02Nope.
20:03Why don't you go back to the Vic?
20:04No way.
20:05I won't give them the satisfaction.
20:06You can always stay at our place.
20:08If you don't mind sleeping on the sofa.
20:09Of course I don't, but I ain't gonna.
20:10Why not?
20:11Because I'm not.
20:12You lofty got enough on without me.
20:14Look, we don't mind.
20:15I know you don't, but I ain't gonna.
20:16I'll go and find another bed and breakfast somewhere.
20:18No you won't.
20:19You can have my old room.
20:21Here you go, Kil.
20:23What's the matter?
20:25Me and Carmella just had a bust number.
20:26It's probably only a tiff though, isn't it?
20:28Listen everybody!
20:30I've got some very important news.
20:33Davy and Mr. Ridge are getting married.
20:41Have a nice time dear.
20:43You admire us?
20:44Ex-wife.
20:45Always the best.
20:46Well what do you reckon then?
20:47Well you're gonna have to give me a little bit of time to think it over
20:49and work out the best line of attack.
20:50That's fine my be.
20:51As long as we do our business face to face.
20:53I hate phones.
20:54Oh yeah.
20:54Even then.
20:55All right darling.
20:56And you're going to introduce me there?
20:57No.
20:58Oh Pat, can I have a word?
21:00Excuse me, what happened?
21:04How did you fancy your old job back then?
21:06How come?
21:06I'm short staffed.
21:07That's how I come.
21:08You barb me remember.
21:09Look, it was never meant to be terminal.
21:11That guy in the taxi I would have asked you back the next day.
21:14Oh yeah.
21:15Look, we all say things in the heat at the moment.
21:18Things that hurt.
21:19Well?
21:20I'll have to think about it.
21:21I haven't got time.
21:21I need staff and I need good staff.
21:23It ain't that easy then.
21:24Look, I said I'm sorry.
21:25What more do you want?
21:26I can't get that night out of my mind.
21:28Look, it's an added bonus.
21:29You don't have to come until I've asked him to forget about the mugging up.
21:31Now what do you say?
21:32Bygones be bygones?
21:33Right.
21:34All right.
21:34I'll give it another go.
21:35Great.
21:36Pat Wicks, this is Magda Tchaikovsky of Simply Foods, would you believe?
21:40Hello.
21:40And she's going to be doing the catering.
21:41I'm going to be advising on the catering as a favour.
21:44We don't do pups.
21:44I know someone who wants some catering done very soon for a wedding.
21:49You're getting married to Charlie at last, Doc.
21:52I am married to Charlie.
21:53It's Debbie who's getting married.
21:55Oh, this local, is it?
21:56Oh, well, we hope so.
21:57The last wedding we had in the square was a disgrace to God, but we won't go into that.
22:01Debbie, where are you getting married?
22:04Well, we're not sure yet, but we're only having a small ceremony.
22:08You know, nothing too large.
22:09Just immediate family only.
22:10Oh, no big bastard.
22:12No, but what we will do, we're going to send you all a piece of cake so you all feel
22:15that
22:15you've been.
22:15Oh, that is nice.
22:16Yeah, we thought we might have an engagement party.
22:18Oh.
22:18Oh, yeah, you mean.
22:19Yeah, it's a good a place as any.
22:20Well, I want to say goodbye to Albert Square property.
22:23I mean, I feel as if you're all my family.
22:25Oh, that is nice.
22:26No, I don't think so.
22:27Why not?
22:28Don't want anything elaborate?
22:29Just some food, some music, some drinks, you know.
22:32I haven't got time.
22:34Well, I'll do it for you.
22:35Eh?
22:35Kill two birds with one stone.
22:37I mean, I can see what's practical in this place and, er, you can see how I work.
22:41Well, suits me.
22:42Well, do you want to go and sit down?
22:44Maybe we can discuss what sort of things you want and what price for heaven.
22:47Oh, you can't be a danger, really.
22:50Who's the bird, then?
22:51Go home.
22:52Come on, Ant, let's get you home, eh?
22:53Whose side are you on?
22:55Nobodies.
22:55I just think it's about down to blow, that's all.
22:57I'm going to ask him about that car first.
22:59Later.
22:59No, now.
23:03Here, give us a pint, please, Wixie.
23:05Well, haven't you had enough?
23:07No.
23:07That's four, Kilby.
23:08Well, I ain't driving, am I?
23:12Oh, sorry, darling.
23:13You all right?
23:13Yeah.
23:14Oh, Sue, is Mary back here?
23:16Yeah, ages ago.
23:17Oh, right.
23:18Yeah, then, have you seen this?
23:21What have you been doing, knocking nails in with it?
23:22Don't be stupid as naft.
23:24So what do you want me to do about it?
23:25Give me another one.
23:26Well, I don't know you haven't been misused in it.
23:28I misuse you.
23:29All right, all right.
23:31I found out her name.
23:33Excuse me.
23:34Magda Tchaikovsky.
23:35Oh, her father's a big film star, isn't he?
23:38Is he?
23:39Yes, he is.
23:41I mean, I don't suppose she's English with a name like that.
23:44Oh, and I found out Mary's back.
23:47You what?
23:47Yeah, Sue just told me.
23:48She's been back quite a while.
23:50You reckon she's in her flat now, then?
23:51Oh, I should think so.
23:53Right.
23:53Excuse me, girls.
23:54Oh.
23:56Here.
23:56Hmm?
23:57What'd you tell him that for?
23:58Why not?
23:59Well, he didn't like it.
24:00Well, he's been waiting for ages.
24:03What else have you told him?
24:04Well, how can I tell him anything?
24:06I've been standing at her bar for half hour.
24:08Here, Wixie.
24:09Give us another pint.
24:10I think you've had enough, Kelvin.
24:11How often?
24:12Well, I'll get this, then I'm going to carry it home.
24:13Cheers, Pete.
24:14I tell you, you're a real pal.
24:15I mean, I don't know why we bother with women.
24:17I'll tell you what.
24:17Us men should just stick together.
24:18Oh, I don't have caught in here, you say that.
24:20Oh.
24:22Everything all right?
24:24OK.
24:25We use this place.
24:25How about us negotiating a percentage of the total cost,
24:28you know, for the use of the venue?
24:29Sounds all right to me.
24:30I take it.
24:32Oh, a joke is a joke, but this is ridiculous.
24:35Well, you can't be using it right.
24:36Listen, I want that car money, Wix.
24:38I know you've sold it and pocketed the proceeds,
24:40and I want what I'm owed.
24:41Got it?
24:42Come on, Hatch.
24:45We could always go somewhere else.
24:53Dad!
24:53All right, who do you think you're kidding, eh?
24:56Oh, my God.
24:58Look at it.
25:01Look at you.
25:02You think I was born yesterday?
25:04It was nothing.
25:05Nothing?
25:06Nothing?
25:07You leave Annie and go off gallivanting all day
25:09and you call that nothing?
25:11Look, if you want to ruin your life, girl, feel free.
25:14I mean, I've tried to talk some sense into you,
25:16but you just don't want to know.
25:19But that's my granddaughter,
25:21and I'll not let you ruin her life.
25:23Dad, it was an accident.
25:24That shouldn't have happened.
25:27You know, I'm glad your neighbour phoned me.
25:29I should have kept on lying to me, wouldn't you?
25:31Me!
25:32I thought you trusted me.
25:34I did.
25:35I...
25:35Then don't bloody lie!
25:39Oh, God.
25:52You trust me now?
25:54Yeah, of course.
25:57Then give me Annie.
25:59What?
26:00Give me Annie.
26:01Let her come with me.
26:02I'll make certain she's got a good home.
26:03You can't.
26:05I want to take her with me, Terry.
26:07No.
26:08I can't.
26:09Look, you can't go on living like this!
26:11But she's all I've got!
26:12Give her to me!
26:13No!
26:15Well, I've got news for you, love.
26:17I'm taking her.
26:19Come on, Chuck, you're going with your granddaughter.
26:21No!
26:22You can't take her, Dad!
26:24You can't!
26:25I love her!
26:26If you loved her, you'd let her be brought up right, Terry!
26:29I'm not letting you take her away!
26:31I'm not going to let you!
26:32All right!
26:38All right.
26:45Dad!
26:46Dad!
26:49Dad!
26:51Dad, please!
26:53Dad!
26:53Dad!
26:53What are you going to do?
26:57Dad!
26:58You'll see, love.
26:59I'll be back.
27:01Don't come.
27:01Dad, come on.
27:12Our army drama Soldier Soldier concludes at 3.20 this afternoon.
27:17Next, though, it's London's burning.
27:21Thank you, everybody.
27:22Give us a lot of fun though.
27:27Even next, in
27:35You aren't probably as just onайте!
27:36Had to hit the...
27:36maybe you could hear something...
27:44We'll be right there for some of you too!
27:49There's a lot of fun.
27:49How are you going to do best Easter eggs?
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