Chiller. Episode 5. Number 6.

deaddogsdam

First broadcast 27th April 1995.  Jack Taylor is the homicide detective investigating the murders of five children.  Kevin McNally - Jack Taylor Maggie O'Neill - Emma Holman Barbara Ewing - Mrs. Keegan John McEnery - Mr. Keegan Lorraine Ashbourne - Susan Taylor Don Warrington - John Meyburne Victoria Scarborough - Janet Kate Rutter - Mrs. Brownslowe Gillian Bevan - Mary Watkinson Barrie Houghton - Mr. Franklin Eileen O'Brien - Mrs. Ellis Sara Griffiths - Helen Bradbury Kelvin Fletcher - Gordon Joanna Swain - Mother Martin Pearson - Young Man Mark Chatterton - Tim Patrick McGuire - Johnny Taylor Tubby Andrews - Driver Paul Warriner - Policeman Adam D. Smith - Evil Child (as Adam Smith) Barnaby Meredith - Evil Child Zoe Riggs - Katie

Transcript

00:03I love you.

00:42Donnie!

00:51Donnie!

00:54Donnie!

00:56Donnie!

01:01It's just another dream.

01:03Mum, I'm frightened.

01:07I've told you. You watch that stuff on the television, you're bound to give yourself nightmares.

01:12I didn't!

01:15I want a drink.

01:18I'll get you some water.

01:19I want milk.

01:21Donnie.

01:22Please, Mum!

01:24All right, long time I'll get this one.

01:26Thank you very much.

01:39So maybe I can do this one.

03:04I thought I heard something.

03:08Breaking.

03:11Really?

03:13I couldn't see.

03:18I'm going off.

03:21Are you clean?

03:23In a minute.

03:24I'm going off.

03:39I'm going off.

03:54I'm going off.

04:00It's a cold night.

04:02Oh.

04:08I'm going off.

04:09I'm going off.

04:21I'm going off.

04:22I'm going off.

04:24I'm going off.

04:28I'm going off.

04:43I'm going off.

04:45I'm going off.

04:48I'm going off.

04:53I'm going off.

05:15All right.

05:48Who wants to put me?

05:50That's not good.

05:51Give me a second.

05:55Yeah.

05:55I'm going to take a shot.

05:58I'm going to take a shot.

06:01OK.

06:04I'm going to take a shot.

06:07I'm going to take a shot,

06:12There I go, Mitchie, whoo!

06:33Have you got your juice?

06:37Yeah.

06:38Right.

06:39I'll be walking over past three and wait from the inside gate.

06:42Do you hear me?

06:43Yeah?

06:44And it's not me to be unheard of.

06:46Oi!

06:47Sit here.

06:48See you later.

06:50Hello!

06:51This is shit on the schools.

06:54What good would that do?

06:57I'll be yours next.

07:02Come on, Katie!

07:04Come on!

07:05She's a brownie, she's a brownie, she's a brownie.

07:06She thinks that she's shot all the school.

07:08She thinks that she's shot all the school.

07:09She thinks that she's run out the law.

07:10That's what I'm doing, Katie.

07:11And you can't say that you didn't hate me.

07:13No, sorry, Lord.

07:14I don't know quite.

07:14Are you working this afternoon?

07:15Yeah, I love you.

07:16Well, if you want me to pick you up, you're going to give you some help.

07:18Oh, thanks, Mary.

07:20You need to be sweet.

07:22You always work!

07:24I don't know.

07:26Uh-oh.

07:27Yeah.

07:28You're gonna have a neighbor!

07:30How do I move!

07:33You petite lom pOTH add up to the club.

07:39Yeah!

07:45That's so special!

07:59Johnny?

08:04Johnny?

08:07You're going to play with us.

08:09I don't want to.

08:11Yes you are. We're playing the game.

08:13I don't want to play.

08:15It's your turn.

08:17It is.

08:27As you all know, there's a full moon tonight.

08:31According to the Met Office, it should be visible in five hours and forty minutes.

08:37Before sunset.

08:39Now we're going to do this exactly.

08:44We're going to do this exactly like the last time, a discreet watch on every triumvirge

08:48school and secondary school in the area.

08:51As before, the teachers will make sure there's any monics that are used.

08:53It's going to be a general patrol at three o'clock, and we've got all the families here.

08:59Now the idea is to maintain a presence and not cause a general panic.

09:04Okay?

09:05Any questions?

09:07Franklin.

09:08Yeah.

09:10Oh.

09:11We should have put him on my head even if he's only 24 hours.

09:14Listen.

09:15We've been through this before.

09:17David Franklin interfered with a child and did his time twenty years ago.

09:21There's nothing to connect him to this.

09:23And if I find out who leaked his confidential criminal record, they'll be doing time outside

09:28the force.

09:28Alright?

09:30That's it.

09:34Okay.

10:07Thank you so much.

10:45What are you doing?

10:47What's this one about me?

10:48What?

10:49Read it.

10:50I don't want to read it.

10:51You've got nothing to do with me.

10:53Look, I've filled out the form, Jack Butsell.

10:56Have you seen them as they want me to pay?

10:57I think Johnny's entitled to it.

10:59Susan, if I pay them, I can't live.

11:01Talk to them about it, not me.

11:08I just, I don't understand you.

11:10You've got the house, you've got my boy.

11:12I've got left on my own.

11:13You walked out on me!

11:15What?

11:15When did you notice?

11:18It's not me, Jack.

11:19Talk to them.

11:20Yeah, they don't listen.

11:21Look, we're not exactly living in luxury ourselves, you know.

11:26Hello?

11:31Look, I'm sorry I missed you last weekend.

11:33I've got time now.

11:34I know some things never change.

11:36I'll make it up to him.

11:39Is he alright?

11:40He's alright.

11:48Let's go to school.

11:49I think I'll ask your teacher for him.

11:53He's Jesse, you know.

11:54Off and on.

11:55You were always off and on, Jack.

11:56That was your trouble.

12:03I'll pick him up later.

12:05I'll pick him up later.

12:06Do you think I'll let him walk home on his own?

12:07That's not what I'll...

12:17And then they came to the place that God had told them about.

12:20And Abraham built an altar there, and laid the wood on the altar, and bound Isaac his son, and laid

12:27him on the altar.

12:28And Abraham stretched out his hand to take the knife to kill his son.

12:33But then the angel of the Lord called out to him from heaven, and said,

12:38Abraham, Abraham, don't hurt the boy.

12:41Don't do anything to him.

12:43Because now I know that you fear God, because you wouldn't keep your son, your only son, from me.

12:51And so you see, Isaac was saved, and Abraham sacrificed a woman instead.

12:55And that's the end of this journey.

12:57Miss?

12:58Yes, Katie?

12:58Why did God tell Abraham to hurt his son?

13:02Well, I don't think God really wanted Abraham to hurt Isaac, Katie.

13:06I think it was just a test to see if Abraham was a good man.

13:09But he wasn't good if he was going to kill Isaac.

13:12Well, he did what God taught him to do, Katie.

13:14I think that's the point of the story.

13:16Abraham showed that he was ready to do whatever he saw.

13:19Right, now, quietly, quietly!

13:22Now, you've got music now in the hall, singing.

13:26Shhh!

13:28And I want you all to go quietly, and I don't want any running in the corridor.

13:32So, is that you've got music now?

13:34So…

13:35And you've got music now.

13:35So, I think you've got music so far because…

13:37We're still there.

13:38No, running, I don't…

14:10You were still doing at Simon's desk.

14:14Simon was your friend, wasn't he?

14:16Yes.

14:17You missed him, don't you?

14:19Yes, miss.

14:21You're all dead.

14:25Go out and play now.

14:54Of the twenty-one pictures you gave me, drawn out of five victims. Fifteen contain recognisable figures. Unfortunately, these figures

15:04have very little in common.

15:18Here, he seems to be giving us different sorts of sweets. The bars could be chocolate bars.

15:30There are sweets and chocolate smeared back. The figure is very different.

15:37Why no arms?

15:39This is number four. A girl?

15:43Yeah.

15:44Fairly primitive. Five, shy.

15:46I don't know that.

15:48From a picture. The absence of arms is what they call an emotional indicator.

15:56That's the job you see.

15:58Children's pictures, John, tell you more about the children than their subjects.

16:02You know, they still draw what they see. They draw what they understand from what they see.

16:19This is number one. He understood that the head was the most important part of the body. So, that's what

16:28he drew. He wasn't trying to duplicate a man with a big head.

16:38The man with a ball.

16:40The man with a ball.

16:40The deal is a ball.

16:42And three letters.

16:43D-E-F.

16:45This guy runs a sweets shop at one of the schools.

16:50There are no sweets in this picture.

16:52No, his name is David E. Fringer.

16:54Oh.

16:57This child could have just been practicing his ABC.

17:01J-B-C.

17:02D-E-F.

17:03This is a good name.

17:16Pardon?

17:17No, don't be. It was a long shot.

17:19You need it.

17:23You're not sure the killer was stalking him.

17:27No, he was stalking him.

17:28He was stalking him.

17:29No.

17:29Then, you could be right.

17:33The victims call it a warning.

17:36But I have too many pictures.

17:38But I need to narrow them down.

17:40What I do do...

17:42Do you have any more information?

17:44No.

17:44I mean, you say they were all killed at the full moon?

17:48Yeah.

17:49A stab?

17:50Yeah.

17:52Anything else?

17:55I mean, I know you work on a need-to-know principle, but I just don't know what to look

18:02for.

18:03Well...

18:03There is one other thing.

18:05What?

18:07It might be just a coincidence, but...

18:09All the victims, all five of them...

18:11discovered nearby...

18:14or under...

18:15oak streets.

18:35Yes.

18:37It's playtime.

18:44Hi, Jack.

18:45What?

18:48I mean...

18:49You could've caught.

18:50You've been away.

18:51Yeah?

18:52Breeds, man.

18:54Sirius wants to put on a new team to take off the Italian investigation.

18:57What have you done with him, man?

18:58I haven't caught him.

18:59They're running out of money and ramp power and...

19:03patience.

19:05I just don't know what else to do, man.

19:08I don't know what to do.

19:12I just don't know what to do.

19:13I just don't know what to do tonight.

19:14I know.

19:17I keep looking at the window...

19:20waiting for a time, man.

19:23It's all good.

19:36It's all good.

19:40You have to.

19:46You have to!

19:51sih

19:51It all is the chicken, we leave, leave, leave, leave, leave, leave.

19:58Jake, I've been thinking about the killers.

20:03Look, you might be completely crazy, but there's something about this school.

20:06What?

20:07Well, about two years ago, when they were building the new ring.

20:10Right, the time of number one, the first death.

20:13Yeah, well, they dug it all off at the back.

20:15That's a lot of people.

20:17Yeah.

20:18Did you say Susan?

20:20I don't go on Wednesdays and Fridays.

20:24It's stolen, isn't it?

20:26Well, this was a druid's house as well.

20:28A man called laser artefacts that were calling his jewels and a knife.

20:32And it wasn't a domestic knife, it was a ceremonial knife.

20:35A druid knife?

20:37The druids killed children. They sacrificed them.

20:41Whoa, whoa, wait, and...

20:43You're not saying you think the druids have come back?

20:45Well, of course I'm not saying that.

20:48You know a lot of weird people about.

20:54Look, this is what I'm looking for.

20:55That's what I'm trying to tell you.

20:56Every time they killed a child, every time they sacrificed a child,

20:59they did it under the oak tree.

21:14Jack, there's something happening here in this room.

21:20I don't know.

21:21I don't know.

21:22You can't lose me.

21:23But when you're going to work, when I walk down the corridors, I've never felt so afraid.

21:28Well, it's not natural.

21:29No, it's not natural.

21:30That's how I'm going to be.

21:33And you know what must be.

21:33a little bit.

21:34A new mini mighty mo.

21:36A new mini mighty mo.

21:37Catch a monkey by itself.

21:39A new mini mighty mo.

21:44A new mini mighty mo.

21:45Sometimes I see faces.

21:46Children and I don't recognize them.

21:49And then when I don't think of them, I will die.

21:51Easy, meeny, miny, moe

21:54Catch a monkey by his tongue

21:56If it all is left to go

21:59Easy, meeny, miny, moe

22:03Johnny's on it this morning

22:04Why Johnny?

22:06I just opened the desk

22:08I don't know why

22:10It's a silence

22:13There's an opening, Jake

22:14Only the train must have been there this morning

22:16But Emma, what do you mean about Druids and the uncleys whole yesterday?

22:20With you and I, was he?

22:24Listen

22:34That game they play all the time, they never stop

22:38It's just a craze

22:40Oh no, they have their crazes

22:41Ninja Tassel and bloody leaders

22:44And games they make up themselves

22:45But they're never so phonetic or not like this

22:48But what a ballad is just a game

22:50Oh, that's my sort

22:51But listening to it every day

22:54The words they're singing

22:56They're a literature of Cornish wrote and Latin

22:58But the origin's Celtic

23:00The Druids used to do their rituals

23:02It's the way they chose their victims for sacrificing

23:06The Druids in the rain

23:12O U T spells out, Boorzejie

23:18I'm going to see you soon.

23:23I'm going to see you soon.

23:25I'm going to see you soon.

23:48I'm going to see you soon.

23:48Sue, will you take a look at this?

23:52Oh, not at all.

23:54I'm going to see you soon.

24:04I'll see you soon.

24:08I'll see you soon.

24:14I'll see you soon.

24:15I'll see you soon.

24:26I'll see you soon.

24:28I'll see you soon.

24:47I'll see you soon.

24:52I'll see you soon.

24:58I'll see you soon.

25:00I'll see you soon.

25:03I'll see you soon.

25:06I'll see you soon.

25:08I'll see you soon.

25:10I'll see you soon.

25:12I'll see you soon.

25:17I'll see you soon.

25:19I'll see you soon.

25:43The water won't go down, Mr. Keegan.

25:46I've tried cross-cut soda and the plunger, but it's no good.

25:49And now there's a smell.

25:50It's blocked.

25:52Of course it's blocked.

25:54That's why I called you.

25:56Smoked rotten.

25:59Rotting wood.

26:01Let me look at your drain.

26:04It can't be the drains.

26:05We only had them done last June.

26:07Oh.

26:08Oh, look at that.

26:13Can you feel anything?

26:16Maybe I could get you a knife or something?

26:18No.

26:20No.

26:24There you are, Mr. Sproutzer.

26:25That's the problem.

26:26There are the leaves.

26:28That's what the smell is.

26:29Oof.

26:30But how did they get in there?

26:33Those are oak leaves.

26:35There are no oaks around here.

26:37Oh, they're getting in everywhere around here.

26:46There's going to be another one.

26:47I can't just sit and wait for it to work.

26:49That's all I've been doing, isn't it?

26:50All I've been doing for months.

26:51Wait is the next one.

26:52Look, I want it to happen.

26:53And I do want it.

26:54Jack.

26:55No, that's a hell of a hand.

26:56We want it.

26:57So let us know.

26:58Labs, SIOs, everyone.

26:59We need another lead.

27:01And where are we going to get it?

27:02Victor, number six.

27:03You still want another killing?

27:04I've got fucking hands on the ceiling.

27:06Let me find you.

27:08What are we doing?

27:09It's fantastic.

27:11Sounds like this is serious.

27:15What's going to do?

27:17You've been listening.

27:19You've got police bunkers in the area.

27:20Teachers, shopkeepers.

27:22Everybody's looking for the bastards.

27:23He's still getting his phone out.

27:25He's been lucky.

27:30Come on, let's all get back to school.

27:32Jack, what are you going to do?

27:35No, that's not the question.

27:37I know this area.

27:38I know the people.

27:39If there's anything to see, I'll see it.

27:44They're my children, Jack.

27:46These are my children that have been taken.

27:50Yeah.

27:53Yeah.

28:01lyям.

28:08They're young.

28:09They're a hard little.

28:11My younger people.

28:12They're all very old.

28:14Oh, it's amazing.

28:17Oh, yeah.

28:18That's it.

28:19Hey, hey, hey, hey.

28:33What are you going to do?

28:34I'm going to loop in road.

28:35That's not me as I can't.

28:37No.

28:38I'm going to loop in road.

28:39Do it all again.

28:40What was I going to do?

28:41Drawing around the circle?

28:43Do you have a better idea?

28:44I'm sorry.

28:47I'm sorry.

28:48I'm just...

28:50I just sort of threw away.

28:52I'm sorry.

29:24I'm sorry.

29:25It's not the same in this town, isn't it?

29:27Have you noticed?

29:28Really?

29:29There aren't many kids in the street.

29:31I'm sorry.

29:36I'm sorry.

29:38I've just knocked two and a half grand up for a quick sale.

29:41Have you bought them?

29:43I'm not sure of it.

29:44Nothing.

29:44They're just relocated.

29:47You ought to view it.

29:48It's only a few minutes.

29:50Have we got the keys?

29:51Yeah.

29:51They're in the drawer.

29:54Have an hour before I have to keep my daughter up.

29:55They're in the drawer on the top.

29:56Yeah.

29:57It's okay.

29:58Bye.

29:59Cheers, Janet.

30:01Follow.

30:03Bye.

30:05Bye.

30:10Bye.

30:11Bye.

30:13Bye.

30:14Bye.

30:22Bye.

30:24Bye.

30:25Bye.

30:28Bye.

30:37Bye.

30:51Bye.

30:52Bye.

30:53You see?

30:54I told you not to stray out of my side.

30:57You stay in your lifetime.

30:59You see?

31:04Okay, thanks.

31:05I'll be there as soon as I can.

31:07Soon?

31:08Yeah, who is it?

31:09You're going to have to hold a portal.

31:11I'm sorry.

31:11I've just heard the doctor on the phone.

31:13Oh, it's eating warm.

31:14Sugar is warm.

31:15Oh.

31:16I have to go to her soon.

31:17Go on, you go.

31:18But I'll stay next to you.

31:20As long as you'll be all right.

31:22Yeah, we'll get back in ten as a kind of place.

31:24Oh, what about school?

31:25I'm going to fetch Johnny.

31:26I'll do my system.

31:27Thanks.

31:27It's no bother.

31:28You guys do too much.

31:35Come on, you love.

31:36We're going to go to Mrs. Simpson.

31:37Hurry up.

31:48How's he doing at school?

31:50It was nice for him.

31:52It was like his dad.

31:54You can't let him down.

31:56I don't see him.

31:57That's not true.

31:58I see him twice a week.

31:59Take him back.

32:00Take him to football.

32:01Buy him a hamburger.

32:01Take him back again.

32:03Jack, this Christmas wasn't all your fault.

32:07It's not that true.

32:08It's normal these days.

32:11But I probably can say you've taken divorce dances.

32:14Great stuff around here, isn't it?

32:16She.

32:28What should we be moving?

32:29That's supposed to be a squat car, are you?

32:32What is that?

32:34Great human.

32:36How are you doing?

32:37Absolutely not.

32:38I'm going to do the old lot again.

32:55I'm going to do the old lot again.

33:19Hello.

33:19Glenda Escapes.

33:20How can I help you?

33:21But Jenna.

33:22It's Susan here.

33:24Hiya.

33:25Hiya.

33:25And is Mary there, please?

33:27No, I'm sorry, Mrs. Turner.

33:29She's out with a client.

33:30Oh, right.

33:31Do you know when she's coming back to the office?

33:33Yep.

33:34She said she'd look in.

33:35It's like I've got a bit stuck here.

33:37Can you ask her to pick up Johnny for me?

33:40I'll have it again.

33:41Yeah?

33:44Right, you sure you'll see her?

33:46Oh, yes, yes, she's just around the corner.

33:48But I'll tell you what, I'll put you a note on her desk just to be on the safe zone.

33:52What do you bring with you?

33:53She doesn't come back.

33:54I'll have a line.

33:54Yeah, but she'll be back any minute.

33:57Right, lovely.

33:58Lovely.

33:58Thanks a lot.

33:59Okay.

34:00Bye-bye.

34:01Sorry.

34:01Bye-bye.

34:02Bye-bye.

34:03Bye-bye.

34:05Bye-bye.

34:07Bye-bye.

34:09Bye-bye.

34:17Bye-bye.

34:20Bye-bye.

34:21Bye-bye.

34:23Bye-bye.

34:24Bye-bye.

34:25Bye-bye.

34:26Bye-bye.

34:27Bye-bye.

34:28Bye-bye.

34:30Bye-bye.

34:31Bye-bye.

34:37Can you tell him I'll be there in 10 minutes?

34:39Yes. It's urgent.

34:49Suleka.

34:50Suleka.

34:58Okay, run away.

34:59It was made by the child's side project.

35:02It's got some person.

35:03Jack.

35:04What?

35:04The man.

35:28Do you want to make something useful?

35:31What?

35:32Oh no, thanks.

35:33Oh yeah?

35:34Yeah.

35:35And a box of matches while you're about it.

35:37I've got a call coming in.

35:39I like your story.

35:41Yeah.

35:43Keep the change going.

35:46It's your funeral.

35:59It's, it's.

36:03It's your funeral.

36:08Okay, go.

36:10Let me just do this.

36:14Just comfortable.

36:15Okay.

36:15I like her thingy Turner.

36:16See you later.

36:17Bye.

36:46What is that?

36:50I don't think about it, but then they read the papers and they think again, don't they?

37:02Look at them.

37:04I don't suppose.

37:06Well, they're never going to sell anything in this bloody thing, huh?

37:12I was walking back to school today.

37:15Your school.

37:17I was thinking to myself, which one of them will it be next?

37:22Which one of them?

37:23Why were you at the school?

37:25Told you.

37:26Just walking.

37:29What's wrong with it?

37:31The last three.

37:35No messages?

37:37No.

37:37No messages.

37:39Right.

37:41See you Monday.

37:42Yeah.

37:43You all right?

37:43Yeah.

37:45See you Monday.

37:48See you Monday.

37:50See you Monday.

37:50No, don't lie.

37:51Off you go.

37:51Oh, wait.

37:53One minute.

37:55Before you go, let me just remind you.

37:58Today, you must all go out the front way.

38:01And you only go home with your mum, your nan, or someone else you know.

38:07If you see any strangers outside of school, anyone you don't know, just tell a teacher immediately.

38:14Is that clear?

38:16Yes.

38:18Good.

38:19Here you go then.

38:20Have a nice one again.

38:40Good morning.

38:42We are increasing over here.

38:44Well, the hour is increasing or...!

38:45I just need to remember.

38:45Here's all an hour.

38:46Yeah, em droom.

38:47My playboy has a synergy.

38:48I have a DHC power, your dinner room from Move Moaboo.

38:51With a Samanthaaku, the house trees.

38:51Drooming trees, the house trees.

39:54There you go.

39:56Looks like a good read.

39:58Oh yeah.

39:59I like a good read.

40:05Do you mind?

40:07Oh, sorry.

40:08Sorry.

40:10Sorry.

40:14Sorry.

40:28Sorry.

40:30What are these three?

40:32That is an inkling as an inkling.

40:36That was drawn in on an inkling.

40:40Yeah, what about this one?

40:43I thought this was a shadow cock.

40:46But now I'm wondering if it couldn't be an acorn.

40:54Oh my god.

40:55I think you could be right.

40:59I think these are drawings of the killer and the children did see him outside those schools.

41:06Like you said.

41:08Here.

41:09Yeah.

41:10We thought these were sweets.

41:12And these bars of chocolate.

41:14Yeah, that's how I got them to go in.

41:16No.

41:17It's like I told you.

41:20Children of this age have no sense of proportion.

41:23No.

41:24No.

41:24Dispective.

41:26And look what you believe is the net.

41:31It's underneath them.

41:33And it's the same shape as the bars here and here.

41:40It's every crossing.

41:42Here.

41:44What looks like a lollipop.

41:48It's in this picture.

41:51And also here.

41:54And here.

41:56It sounds very beautiful.

41:58Many people think and tell us that they're here.

42:01The child drew this bigger.

42:04Because it was more important to him.

42:06Or maybe because it was the easiest one to draw.

42:09But it's the same shape as the moment.

42:17A lollipop, I know.

42:18Is that the store?

42:20Yes.

42:21A splash of yellow.

42:23You thought they might be supposed to end this.

42:26Is yellow.

42:27Junkie.

42:27I want a list of every crossing warden.

42:30Look back for criminal record, history of Milton Evans.

42:33Whatever.

42:33You go with it.

42:34And put that in general.

42:35Tell H.G.O.

42:36What's that for?

42:37Yeah.

42:38It is in front of the warden.

42:40Right there.

42:42Don't be too high or so.

42:44I really have a sign of luck.

42:45Well, this morning I was almost number six.

42:50Maybe you saw me.

42:54Maybe.

42:58Mister.

43:00What do you want to do?

43:06There was a man.

43:08Ask me to go with him.

43:09What man?

43:10The man from the sweet shop.

43:11He offered me sweets.

43:13Right.

43:15Do you know where he is now, this man?

43:17I'll show you.

43:18Nice.

43:19Miss?

43:19Yes.

43:48Thank you very much.

44:42I knew she wasn't well. I didn't know you.

44:47Well, that needs service when you come to the police.

44:51I'm not afraid.

44:54Must have been a hospital for that.

44:58Should have been a service.

45:00What do you mean?

45:02That's strange.

45:13Why did you find this knife in your school?

45:19I took it.

45:23I took the knives with me to work.

45:27You see, I thought that if there were no knives...

45:30Do you know really why this name's the key?

45:32No.

45:33What a little time did you expect her back.

45:35Well, she should be here.

45:37She's not at work.

45:39She's not taking a thing.

45:42Oh, Poppy.

45:46Oh, Jesus.

45:56It's not a balloon.

46:00It's all right.

46:02It's all right.

46:04That's a bad school.

46:07What we need is...

46:11It's easy.

46:13This is changing.

46:14It's easy.

46:17It's easy.

46:28Sue, where's the job?

46:29What are you doing?

46:30I've been to the actual work there.

46:31Where is it?

46:32It's with my one.

46:33Have you found her?

46:33No.

46:34Do it now.

46:59One, two, how come you should, three, four, four, nothing to do, five, six, pick up six.

47:09It's dark.

47:12I'm going to be out again soon.

47:17I'm tired.

47:19I'm going to be out now.

47:22Keep going.

47:24Hold on.

47:26Oh, yes, please.

47:35Yes.

47:38Oh, yes.

47:41I slept.

47:50I slept.

47:52I slept.

47:56So?

47:57So, who cares about them?

47:59So, great, isn't it?

48:00Well, why have she been taking them anywhere? Is anywhere?

48:04No.

48:06Directors.

48:07If you know what's...

48:08Take the back roads.

48:20You can hear this one.

48:22So, we're actually standing here.

48:23Three, seven, and four.

48:28And then six, seven.

48:30I'm just going into...

48:31I'm just going into aqui.

48:33Actually I'm starting to run this.

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