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TVTranscript
00:08Replay
00:12You know what?
00:14Abubica says she noche she understands us and business owners.
00:19She doesn't understand her.
00:21She doesn't understand her.
00:22She now says she knows her what's going on with the thing about the thing.
00:26and she doesn't think about it.
00:29She doesn't understand that time is coming
00:32and that she comes to a new time.
00:34She's like a new time in the past.
00:38She's left there and she's not going to be there.
00:40Time is not going to happen.
00:42Time is money.
00:45You can't have any information about your local house.
00:50No, no.
00:51No, no.
00:53No, no.
00:54We haven't talked about this.
00:56Okay.
00:58Did you have any evidence for this house?
01:02So, how are we?
01:04How different.
01:06I don't know for this house.
01:08I don't know for this house.
01:09I don't know for this house.
01:10I don't have evidence.
01:11I'm telling you something about the city.
01:14What are you going to do now?
01:17Kadice?
01:20No, Biljana.
01:21I'm not going to tell you that you don't have to go.
01:23Never.
01:26I don't have to go.
01:28I don't have to go.
01:29Okay.
01:30What do you think?
01:31What do you think?
01:32What do you think?
01:35What do you need?
01:36What do you need?
01:37I just wanted to ask you how to go.
01:39Fantastic.
01:41Like everyone else.
01:48What do you think?
01:55What do you think?
01:59If you have to go,
02:03One thing I did,
02:04What do you think?
02:08What did you think about it?
02:09What was your feelings about?
02:11What happened to the girl?
02:14The Sunni's parents died in a relationship with no luck when she was a teenager.
02:21He's a jerk!
02:22He's a jerk! He's a jerk!
02:26He's a jerk!
02:27What's up?
02:28Where are you going?
02:31Where are you going?
02:31Here we go.
02:34What is this? Everything is dark.
02:39Look, the Greek has a reputation.
02:42He has contacts.
02:44And all that, people are afraid of him.
02:47And that is with a weak relationship.
02:50I think that theory is completely different.
02:53What theory?
02:54Who do you have with the theory?
02:55I think the Greek is only a problem
02:58for a very, very strong jerk.
03:06You know what?
03:07I'm a person.
03:08Let's do the tambour.
03:10Of course.
03:12And his son.
03:15The tambour has a son.
03:16The tambour has a son.
03:18The police.
03:20What did they share with you?
03:22Well, they are two-year-old.
03:23You know, one takes care of people,
03:26and the other takes care of them.
03:27They have to go to them.
03:30We don't work.
03:31The local is closed.
03:33A magazine.
03:36It will be done and will you go to the rest.
03:48Come on.
03:51Can you define me,
03:53what does the correct answer mean?
03:55The image was really sad for me.
03:58I still don't have some papers to give him a look at him, but he didn't look at him.
04:03He asked me a personal question, and I'm saying nothing now, but it's not too much.
04:12It's so typical for these guys.
04:14You know, when you go to a job interview, they see it as a double crochet and go back to
04:19it.
04:19I mean, it's just so that it's in the whole job interview.
04:24Gabriel, you are the mother of Alex's offspring.
04:30You need to have a treatment for you.
04:34Okay.
04:36I told you what I wanted.
04:37If you want me to go, if you don't want to go, you can go back to the station.
04:41I'm sure you didn't want it.
04:44It was a bad thing.
04:46You had to say it.
04:49Let's go.
04:50I didn't want to go there.
04:52Sorry, stop me.
04:54Go.
04:55I'm not sure what I'm doing here.
04:56Everything is done.
04:57Yes, everything is done.
05:01Everything is done.
05:02The police sent people who were forced to do it.
05:06They were forced to do it.
05:07They didn't get anything.
05:09They drank it, they drank it, they drank it, they fell.
05:13They didn't get anything.
05:14I didn't see anything.
05:17You didn't see anything.
05:18If I saw my eyes, I'm going to go.
05:21Okay.
05:23Okay.
05:24It will be.
05:26But if you become different, you won't be able to do this.
05:31Well, I won't.
05:32You won't.
05:34When I saw my eyes, I didn't see my eyes.
05:36What do I do?
05:43We won't.
05:46Cause I go.
05:48You're welcome.
05:51I know.
05:52I did not count.
05:56What did he have on his hand?
06:02I like to.
06:02You're going to sleep.
06:06What did he say?
06:36Like love in the war, there is no rules, you have one life, only one chance.
06:50To be one who is the one who is the star, you will die.
07:07Oh, oh, oh, oh.
07:26Oh, oh, oh, oh.
07:57Oh, oh, oh, oh, oh, oh, oh.
08:01Oh, oh, oh, oh, oh, oh.
08:32Oh, oh, oh, oh, oh.
09:01Oh, oh, oh, oh, oh, oh, oh, oh.
09:30Oh, oh, oh, oh, oh.
09:54Oh, oh, oh, oh, oh, oh, oh, oh.
09:56I'm going to take you to control your mind.
10:00I'm going to give you a good thing.
10:05What do you think?
10:08You're going to show me as the main one.
10:11Because I'm going to show you as the main one.
10:13You're a good school.
10:17You're not a good one.
10:19It's a good story.
10:19It's a good story.
10:20It's a good story.
10:23What's your name?
10:24My young, dear friend.
10:28You're fine.
10:30You're well, Maxime and Comarac.
10:33From him alone.
10:34He's a great deal.
10:36You're a good story.
10:36You're a good story.
10:38You're a good story.
10:40After you put it in a frame.
10:46Half-grada will be Juric.
10:49You're a good dog.
10:50You're a good guy.
10:51What do you think?
10:52What can you do to do Maxime and Comarac?
10:55You're the two.
10:56Man.
10:57No, no.
10:59This guy was hurt his head.
11:02He wouldn't hurt his head when you hear the clearest,
11:05who you hear, is suffering from a woman.
11:08And because of his head, he will lose.
11:12Yes, he will lose his head.
11:14That's why he ended up in the Dunavu.
11:16What do you think?
11:22Relia...
11:24Relia, as a young man,
11:25had his entire life.
11:29Then he left without his parents
11:32and his brother was still in his place.
11:37And how do you do that man?
11:40How do you get him on the right path?
11:43No?
11:44I don't know about this.
11:47Only God can help us.
12:05What are you waiting, Brelang?
12:07What are you waiting for?
12:08What are you waiting for?
12:09You have a successful company
12:11and a successful friend in front of yourself.
12:13It's a package.
12:14What a package?
12:15What a package is.
12:16What a package is.
12:16What a package is.
12:17It's not a package.
12:19Lenka, I think that you are right.
12:21You need to do well think.
12:23You don't know a guy at all.
12:25You can make sure that you are rich.
12:28You understand?
12:29You need to be rich.
12:33You need to be rich.
12:35You need to be rich.
12:36You need to be rich.
12:36You want to tell me what you want?
12:37No.
12:38What does that mean,
12:39it really happened to me
12:40that he is a normal person.
12:42I don't know.
12:43Okay.
12:43And what do you do?
12:45I don't know.
12:46I really need money.
12:48I don't know.
12:49I don't know.
12:50I don't know.
12:50You need to be rich.
12:51I don't know.
12:53I don't know.
12:54I don't know.
12:55I don't know.
12:55I think that you are worth good and phenomenal partner
12:59in front of yourself.
13:00That needs to have money.
13:02Today you should have money.
13:05If you don't have money,
13:06what do you want?
13:06Sorry.
13:07I'm going to ask you,
13:08what is with you?
13:09Where is the reason?
13:11What did you make sure you were able?
13:13I don't understand.
13:14I don't understand.
13:14What's that connection with anyone?
13:16Wait.
13:17Cekaj, Lenka, we have to think about how the man has a choice.
13:22Why is that a mistake?
13:25What is wrong?
13:26What is wrong?
13:27What is wrong?
13:28You have to say that he has the opportunity to get out of this one.
13:32To get out of the way.
13:35I understand, you say that it's not because the tip has a lot.
13:38It's just a lot of money.
13:40It's the most important thing in this world.
13:42You have money, Mačko, why don't you do it?
13:45Let's give it to the other one.
13:47When you're in the position of the man, let's give it to the other one.
13:51I'm a social worker who gives you money.
13:53I'm sorry, Lenka, I'm sorry.
13:55But she's a small girl, everyone will eat it.
13:57Of course.
13:57What is your problem?
13:59Mačko, what is your problem?
14:01Your problem is that you love me.
14:03Who?
14:04I'm on you, I'm on you, I'm on you.
14:06I'm on you, I'm on you, I'm on you.
14:07I'm on you, I'm on you, I'm on you.
14:09I'm on you, I'm on you, I'm on you.
14:11I'm on you, I'm on you.
14:12Yes, yes I'm on you.
14:14I'm on you.
14:15Yes, yes, yes, yes, yes.
14:16I'm on you, I'm on you.
14:19Yes, yes, yes, yes, yes.
14:20Yes, yes.
14:20What's next?
14:21Yes, yes, yes.
14:24The worst of the first thing you'll stay here on your life is like this,
14:27The worst thing you'll stay on your life is like the poor too.
14:28in a company for the food of your own,
14:31because of your rules of the world.
14:33I really wanted to leave you,
14:35but before this conversation,
14:37not the only one.
14:37Let's go, let's go with fake shalom.
14:42Let's see.
14:43You would like to be fake,
14:45but you wouldn't have to do it.
14:47Let's go, hello.
14:52I'm going to blow my face.
15:03What are the biggest problems from this night of a nightmare that we have?
15:08Well, Ponceta, you know what to do?
15:10Today, one person comes with a pistol in the local.
15:18For you?
15:19Me, me.
15:20In the local?
15:21In the local.
15:23Why, Mr. Mido?
15:25Why?
15:25Why?
15:27He's called a woman and said to me that she was left in the local.
15:33Who is that?
15:35How did he call that?
15:37He called me Daniel.
15:41He was sent to me a picture, he was asked for a long time, like in the movies.
15:45Yes.
15:45He was sent to me a pistol in the head.
15:48What did you say?
15:50What did I say?
15:52I was a little bit of a maestro.
15:53I understood him a little bit.
15:54I've never heard, never seen.
15:59That's it.
16:00What?
16:01What?
16:02What did you say?
16:03What did you say?
16:03What did I say?
16:05I think a little bit of a pistol.
16:07A pistol.
16:08What?
16:09What did you say?
16:10You didn't say anything.
16:13You don't say anything.
16:16What?
16:16You're all right, my son.
16:17It's not right, my son.
16:18It's nothing.
16:19It's not?
16:19It's nothing.
16:20I'm thinking.
16:21It's maybe you can't get another one.
16:25It's not that way.
16:27It's not that way.
16:28It's not that way.
16:30It's not that way.
16:38What?
16:39If you don't have a word, you won't do anything else.
16:42It's only against me.
16:53What happened?
16:57What happened?
16:58A crazy ass.
17:00Oh my God, how did she change when she got into the money.
17:05No, no, no. She was always a fool,
17:08but because of the amount of money went on the floor.
17:11What are you doing if you don't have the amount of money,
17:14if you don't have the amount of money, you don't believe it.
17:16No, no, no, I'm going to ask you,
17:19how do you deal with it?
17:21Miletov business, that's what he has achieved success.
17:24What's that? How do you deal with it?
17:26Okay, Milet, he really had a good idea.
17:29He managed to get it out of the way.
17:30I mean, every time.
17:31I'm going to tell you that.
17:33Every Milet is the time.
17:36What's that?
17:37What's her relationship with?
17:38What's her situation now?
17:41She's crazy.
17:43She's all being upset.
17:44She's not a wine, she's not a wine.
17:46She's not a speech.
17:48I don't know the people of the world.
17:52I'm crazy.
17:53I'm crazy.
17:56You know who knows?
17:58Maybe we're like that.
17:59I don't know.
18:00We?
18:01Sorry, my friend, but no.
18:03No, no.
18:04No, no.
18:05You know what?
18:05You know what?
18:05And you felt like you were living in the house?
18:08No.
18:08You didn't.
18:09You didn't.
18:09You didn't.
18:10You didn't.
18:10You didn't.
18:11You didn't.
18:11You didn't.
18:12You didn't.
18:13You didn't.
18:13You didn't.
18:14You didn't.
18:15You didn't.
18:26You didn't.
18:29You didn't.
18:30You didn't.
18:58You didn't.
19:00You didn't.
19:00You didn't.
19:01You didn't.
19:02You didn't.
19:03You didn't.
19:31You didn't.
19:34It's the best to go over the night.
19:36I mean, tomorrow you'll have a different perspective.
19:43Don't get nervous.
19:44I won't even think about that.
19:47Bye.
19:59I'm talking to you, woman.
20:04Are you listening to me?
20:06I'm listening to you.
20:07I'm listening to you.
20:09I'm telling you, woman.
20:10I'm telling you to explain the situation.
20:11If it comes to the punishment,
20:13it will be against the dead, understand?
20:15I'm telling you,
20:16I'm telling you,
20:16I'm telling you,
20:17I'm telling you,
20:17I'm telling you,
20:17I'm telling you.
20:21What are you doing now?
20:22I don't know.
20:24I'm letting them out of the water
20:25because of some Kabadahije.
20:28The weapon.
20:29Well, the Kabadahije are usually the weapon.
20:31I'm telling you,
20:33I'm telling you,
20:33I'm telling you,
20:35because it's like that.
20:36We're scared.
20:38I don't know.
20:39Why are we here?
20:42I'm telling you.
20:44God,
20:45and both of them,
20:46and both of them,
20:46and both of them,
20:47and mother and daughter,
20:48they deserve to protect them.
20:50If anyone does not.
20:52Here you are.
20:53I protect them,
20:54but she's not my wife,
20:56but her husband and her.
20:56What?
20:57And what do they have caught up with her ?
20:58Who's whose wife?
21:00I am.
21:00I, I don't know,
21:01how's she,
21:02who's your wife?
21:02Where is she telling you from because of her
21:05who's her flowers and flowers?
21:07But who knows how much she has a woman?
21:13Or are you, Mido?
21:15Do you really want to leave Asio and Maša?
21:19Do you want to say that?
21:23I don't want them to be a collateral damage.
21:28Let me tell you something.
21:30Them two are more important and more useful than my Kazanova and his financier.
21:43You know?
21:46And the other one, the other one will come here.
21:53Who will come here?
21:54Who will come here?
21:55That's the pistol.
21:56Let me pull the
21:57I'll give him a little bit of a knife.
21:59I'll give him a little.
22:00I'll give him a little.
22:02I'll give him a little.
22:04I'll give him a little.
22:06What about this...
22:07This one?
22:10Let's go.
22:11If you see him again, he'll call him to come.
22:13I'll give him a little.
22:15I'll give him a little.
22:17I'll give him a little.
22:18And they're the other one.
22:20And you.
22:25Bravo!
22:26Bravo, damo!
22:27Bravo!
22:28I'll give him a little.
22:31I'll give him a little.
22:32You can't tell him.
22:32I'll give him a little.
22:37You can't kill me.
22:42I'll give him a little.
23:04That's fine.
23:06I don't know.
23:08I'm not sure.
23:09But I'll never give you anything.
23:10I'll give you three.
23:12You can see, you're not sure.
23:14You're right.
23:14I'm not sure.
23:15I'll come to a party,
23:16and I didn't have any one.
23:18I'm not sure.
23:19I'm not sure.
23:21A kafa bez cigare,
23:23to ti je kao selo bez crkve.
23:25Znaš?
23:27Znaš ti kod koga sem ja bio u posidi?
23:32Mogu da pretpostavim.
23:34Kod koga?
23:35Kod mog šefa,
23:37tvojeg bivšeg prijatelja.
23:39Zavisni, molim te,
23:41privel me na informativni razgovor.
23:43A mogli smo to i telefonovali.
23:45A ide.
23:47I, šta si mu rekao?
23:51On je meni rekao za onog,
23:53za onog tipa što je pucao u fejmu.
23:56Izbacio ga je Dunav.
23:58Tako da...
24:00A šta je?
24:04Hoćeš i ti da me isleđuješ?
24:06Ne, ne.
24:07Ovo nije nikakvo isleđivanje, ovo je.
24:10Moja družnost.
24:12A služba je služba.
24:13A družba je družba.
24:15Ne.
24:16Ej, ti smo drugovi.
24:17Ne, ne, ne.
24:18Mi nismo drugovi, ali taj slučaj je dodeljen meni.
24:22Aha.
24:23Pa ja sam ja to nešto sumnjiv?
24:26Ne.
24:28Nisi.
24:29Ali je žrtva poslednji put vidjena u tvom lokalu.
24:32I ja moram da ti postavim nekoliko pitanja.
25:04Šta radiš da?
25:07Si normalna?
25:08Dobro, šta je problem?
25:10Nemamo ni jednu zajedničku lepu sliku.
25:12Ne trebaju nam ni lepe, ni ružne slike.
25:16Ali ja sam ovog tela za tebe.
25:18Za mene?
25:19Da, da okratiš na Instagram.
25:21To zaboravi odmah.
25:24Molim te, makar kako se držame za...
25:26Ne dolazi u obzir, neću uopšte da pričam o tom.
25:29Relja, ti kada bi objavio jednu našu sliku, svi bi znali da smo zajedno.
25:33Upravo.
25:36Znači tebi ne smeta što meni stiže 150 zahteva jezivih dnevno.
25:42Pa dobra si riba, svako želi da okuša sreću.
25:45Nije to zbog toga.
25:47Nego da bi muvao klinke.
25:48Ne muvaju se klinke, tako.
25:50A kako se muvaju klinke?
25:54Ne znam.
25:58Teoretski, kažem se.
25:59Ne znam, kunem se.
26:02Relja, Instagram profil mi mnogo sporo raste.
26:05I?
26:06I pomoglo bi mi kada bi objavio neku zajedničku sliku, jer prosto ne mogu samo od modelinga da postanem poznata.
26:12Pomoglo bi kada bi imala neki drugi talent, osim da se našminkaš i da uvučeš guzicu u neku krpu.
26:39Čao.
26:40E čao.
26:41Kako idem?
26:43Sve je ok.
26:45Evo, ima tri ugovora, treba samo da se parafiraju.
26:50Aha.
26:51Vrlo.
26:52To je ono od juče, jel?
26:53Jeste.
26:54Sve je spremno, samo još autogram.
26:59Ali ne vidim ovde nigde ugovor za telje. Je li to spremno?
27:03Nije trebao da prođemo kroz dokumentaciju. Ne znam šta je ideja.
27:07Aha.
27:09Ideja je da ih želim pod našim krovom.
27:13Ali ne vidimo čemu je trik. Nama ništa nije interesantno vezano za to.
27:17U smislu?
27:18U smislu nije unosno. To sam tela da zaključim.
27:20Pa vidi, ja u tebe nisam tražio ni procenu ni evaluaciju. Samo ugovor.
27:25Ali moja obaveza jeste da iznesem evaluaciju, zar ne?
27:28Da, kada ja to u tebe tražim. A sada ne. Želim ugovor.
27:32Dobro, znači ova saradnja je očigledno pokroviteljstvo.
27:36A ne ulaganje kome bi se moglo prosperirati.
27:39Ne znam isli li me čulo?
27:42Želim da ja te lijepo od našim krovom.
27:45Sad, odmah.
27:46Ne. Zapravo, urgentno.
27:52Razumem, ali...
27:53Nataša,
27:55savršili smo.
28:00Razumem.
28:25Jel ti znaš koliko sam ja Pandora ispratio u penziju?
28:29Za ovih nekoliko decenija od kad radim.
28:33Ne znam. Koliko?
28:35Pa ne znam ja.
28:36Ali znam šta zna.
28:37A to je?
28:39Da nikad nikome ni jednu jedinu reč nisam rekao.
28:43Čele vidi, to je kad si bio mlad.
28:46A sada je neka druga stvar.
28:49Ne ima to veze da li si mlad ili star.
28:53Ja, Cinkaroš, nikad nisam bio.
28:56Ali ti možda da shvatiš da sad ne razgovaraš sa policijom.
28:59Nego sa svojim sinom.
29:00Je li?
29:01Pa šta će ti onda daj tefter?
29:03Tefter?
29:05Da nije ovog teftera,
29:07ne bi smo ti i ja sedeli ovde i pili kafu.
29:09Nego bi ti bio u pritvrskoj jedinici.
29:12No, nemoj. Velika si mi ti zaštita.
29:16Čele.
29:18Vidi, ti moraš da mi veruješ.
29:21Razumeš?
29:21Ja znam da ti nemaš nikakve veze sa ubizdu.
29:25Moraš da mi se otvoriš, da kažeš u čemu se radi.
29:28Pričaj mi šta se desilo, šta si video, znaš celu proceduru.
29:33Ajmo, kreni.
29:57Vodni, otelje.
30:01Pa da popričamo...
30:04...sa Lenkova.
30:24Matova.
30:26Nisam tako mislio, stvarno.
30:29Ma ne, skoro si upravo.
30:32Ma nisam. Šta ja znam o talentu?
30:35Ma nit pevam, nit plešem, nit puvam, sal pijem, pušim i dežem tegov.
30:40Pa šta ja znam?
30:42Ja sam samo dobra riba.
30:45Ti si najbolja riba.
30:49To samo kažeš.
30:51A i ostalom, to nije dovoljno.
30:53Sad imam milion dobrih riba.
30:55Za šta to nije dovoljno?
30:57Pa da postanem slavna, Relja.
31:00Kako da postanem slavna kad ima toliko dobrih riba?
31:04Znam, ali...
31:05Moram da imam neki, neki talent.
31:07I, upisat ćemo časove ples, mato?
31:12Ma kakav ples.
31:14Umreću neslavna i ne znam što uopšte živim.
31:20Dobro, Eli.
31:21Zem.
31:25Napravit ćemo od tebe pravu zvezdu.
31:30Stvarno?
31:32Stvarno.
31:33Bet će još.
31:35Ali, bet će još.
31:36Zbarno?
31:44Zbarno?
31:46Zbarno?
31:51Neću mogu da verujem!
31:52Ja ne mogu da verujem na šta je sveta gala,
31:55ta jedna ljubomorna rospija, spremna da, da, da uradi!
31:58Samo da bi, ne, ja tečno znam.
32:00I know what she's going to do. I'm sure you don't know what she's going to do.
32:04I'm going to die.
32:06No, it was really scary. She's going to tell me. She's going to have a stop.
32:10That's a stop, Milo.
32:12You understand?
32:13Die.
32:14I'm going to die.
32:17I'm going to die.
32:20I'm going to die.
32:21I'm going to die.
32:21I'm going to die.
32:27I'm going to die. What do you do? What do you do?
32:30What is important now to your wife's phone? Let me explain.
32:33What do you need when you go? I'm going to die everything.
32:37Of course you need to die. Of course.
32:41I don't understand.
32:42What is more important than me? I don't understand.
32:44What do you do?
32:45What do you do?
32:46I'm going to do something very important.
32:49Something very important.
32:50You're probably looking for a way to save the car in the car,
32:54because I didn't do anything else.
32:55What do you do?
32:56Bravo, Kajć.
32:57What is bravo?
32:58Concern.
32:59Let me interrupt you.
33:00Let me tell you, I'm speaking serious.
33:01I was on the river with Gal...
33:03Kako?
33:04I'm not even forgetting.
33:06I'm going to die for a concert.
33:07I'll die for a while with Gal.
33:08I'll die for a while.
33:09No.
33:10I'll die for a while?
33:11I won't die for a while.
33:12You'll die for a while?
33:12I'll hear you.
33:13Yes.
33:13I was on the river with Gal and Lenko.
33:19Okay.
33:20I can't explain you how Gal was Gal.
33:24What did she do?
33:26She can't get sick that she wasn't with you,
33:31when it needed to be, and that she wasn't with you,
33:33and that she wasn't with you.
33:34That woman is ready for everything.
33:37Wait, just ask me.
33:38Is it better to take silver Rolex or silver Rolex?
33:42Because now I have silver, and silver,
33:45but it looks like silver.
33:47If I put silver Rolex here,
33:49and here this one,
33:50it will be interesting.
33:52What do you think?
33:53And what will it be?
33:55I thank you a few people.
33:58I thank you a few people?
33:59What are you doing?
34:00We know very well why the boys are killed when they are killed.
34:04What happened?
34:05Have I heard and heard
34:08that you were with Gal in any kind of contact?
34:11I don't want to.
34:12And you will see where you wear your silver Rolex.
34:15What do you want?
34:16Why?
34:17What did I want to tell you?
34:18I didn't hear anything.
34:19I don't have anything.
34:20That's right.
34:21That's better.
34:22Because she is her.
34:25We are her.
34:26We are her.
34:28We are her.
34:29We are her.
34:30We are her.
34:31We are her.
34:32We are her.
34:32We have to maintain contact with her.
34:35Because they are ours.
34:36If you understand me.
34:37You are coincident with herlock.
34:39I don't understand
34:39Who is it afخ Bottomsk okay?
34:41Not behind the scenes.
34:43You're right.
34:44Who?
34:44Can you tell me?
34:45Who is mechanical?
34:46Who is crippled?
34:47Who is it afg answer?
34:49What do you mean she could handle the relationship?
34:50You know.
34:51How do you understand yourself?
34:51And thank you for the phone with the iPhone 17 Pro me as well.
34:57Chica.
34:58What is Chica? What is Chica?
35:00It's not from Agora Chica, my Chica, Strika.
35:48Chica.
35:48Who are you, brother? Good day.
35:50What do you say, good day? Who are you?
35:52I came to the woman.
35:55Which woman?
35:56My mother.
35:57There's no mother.
35:59There's no mother.
35:59There's no mother.
35:59There's no mother.
36:00There's no mother.
36:02There's no mother.
36:03What do you hear?
36:06There's no mother.
36:08I'm just coming to the house.
36:10Listen to me.
36:12From this house, mother will come out and come out.
36:16More accurate.
36:17It can be, but it's dead.
36:19Is it clear?
36:21Gorane!
36:22Mido!
36:25What do you want?
36:26I'm afraid of you.
36:28I pray.
36:28Chica, Strika, no.
36:30A little.
36:31But you...
36:33Really.
36:33What do you want, Chica, Strika?
36:46Hello.
36:47Lenka, poštovanje, ne bojša tambura je ovde iz policije.
36:51Da?
36:52Ili imate par minuta?
36:54Ako je nešto važno, imam, da.
36:56A ne bih vas zvao za časkamo, sigurno.
37:09A ti bih mogla malo da pripaziš na svoje ponašanje, znaš?
37:12Ja?
37:13Mhm.
37:13I'm sorry.
37:14I'm really sorry.
37:15I just said something wrong.
37:18Pa možda mi se samo učinilo, el' da?
37:20Da.
37:31Is ove kuće, maki, izaći i neće.
37:35Tačnije.
37:36Može, ali preko mene mrtve.
37:38Jel' ti jasno?
37:40Gorane!
37:41Mido!
37:42Gospođu, spustite!
37:43E, majko, staj!
37:44Pa, majko, što radiš?
37:46Što, majko, što se...
37:46Ja šta radim?
37:47Pogadaj ga!
37:48Došao zlostavljač po našu mašu i po Asju.
37:52Pa de će moći, gospodine.
38:04Svano se osjećam grozno zbog ovo što, svega što se dogodilo.
38:07Mislim, ja znam kako to izgleda, ali nema stvarno potrebe.
38:11Samo je neprijatna situacija i ništa više.
38:13Volela bih da to mogu da ispravi.
38:15Znam.
38:25Ne, ne, ne, sve u redu, Aleksej.
38:27Sve je meni i jasno.
38:28Aj sa očekaj, molim te na ti objek.
38:30Bez bjegi.
38:30Zdrav.
38:47Evo ga, sad i ovo!
38:48Pa šta ti je?
38:49Pa šta mi pričaš i ti sad o vekovima?
38:51Ti kovaj moj sin!
38:52Šta vam to uopšte znači?
38:53Pojasni da te ne bi izbeglala komaramicu za odelo!
39:07Taj je odlično prošao.
39:10Ne razumijem kako je odlično prošao.
39:14Pa živi je.
39:16A ko nije?
39:18Taj koji je pucao.
39:22Njega smo pronašli u Dunovu.
39:35Jasno, šef.
39:36Idi brži.
39:41I ja sam za...
39:44Za formatiranje.
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