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Experience pure nightmare fuel with Terrified (original title: Aterrados) — one of the most disturbing paranormal horror films of the decade.

Directed by Demián Rugna, this critically acclaimed Argentine horror follows a group of investigators uncovering terrifying supernatural events in a quiet Buenos Aires neighborhood. From unexplained deaths to horrifying apparitions, the fear escalates into something far beyond human understanding.

Unlike typical haunted house movies, Terrified delivers relentless tension, shocking visuals, and deeply unsettling scenes that horror fans still talk about today. If you enjoy intense supernatural thrillers, demonic horror, and psychologically disturbing films, this is a must-watch.

🔔 Follow for more classic and international horror movies.
Transcript
00:00:00The
00:00:11moment
00:00:17is
00:00:28I don't know.
00:00:58I don't know.
00:01:28I don't know.
00:01:58I don't know.
00:02:28I know very well what I heard. I was listening to the whole afternoon. They were talking.
00:02:44I don't know, these are very old things, they make noise.
00:02:49What do you think you heard of?
00:02:52I don't know, even Walter, the neighbor, breaking, making arreglos in the house.
00:02:56I don't know, these sounds are filtered all the time.
00:03:00Did you hear the noise?
00:03:08You didn't have to be in the middle, Che.
00:03:10They were human.
00:03:14What did you say?
00:03:17They were going to kill me.
00:03:47Their family.
00:03:54This gang has rendered their enemy.
00:03:56Theirпрampion dele is on and if they are off, they take their bullseye associated with them to shoot me!
00:04:05And the other person drives me to die!
00:04:09They won't be forced to commit to blow me!
00:04:12Stop to shoot! Stop with the noise forro! Stop! Stop!
00:04:42Don't listen to me, son of a bitch.
00:05:07Puta de tu madre atender.
00:05:12Walter.
00:05:15Walter.
00:05:18Walter, soy Juan.
00:05:22Estás ahí, boludo, te escucho, estás ahí.
00:05:24Ey.
00:05:28Dale, boludo, te estoy escuchando, sos vos, dale.
00:05:30Ey.
00:05:32¿Podés parar de golpear la pared?
00:05:37Che, boludo, ¿podés dejar de golpear, boludo, que se escucha todo en mi casa?
00:05:42Cinco de la mañana, boludo, ¿qué te pensás?
00:05:46Te iba a mandar la cana, ¿eso querés?
00:05:49Porro.
00:05:50El hijo de puta de tu vecino se pone a picar la pared a las cinco de la mañana.
00:06:00Pero no hay vuelta.
00:06:01¿Clara sos vos?
00:06:02¿Sos vos la que golpea?
00:06:03¿Clara?
00:06:04¿Clara?
00:06:05¿Clara?
00:06:06¿Clara?
00:06:07¿Clara?
00:06:08¿Clara?
00:06:10No hay vuelta.
00:06:12¿Clara?
00:06:15¿Clara?
00:06:16¿Clara?
00:06:19¿Clara, sos vos, ¿cos los que golpean?
00:06:26¿Clara?
00:06:28Let's go.
00:06:58I
00:07:28Yes, Blumetti, we want to remove him from here.
00:07:44We believe in you.
00:07:48But he will have to collaborate with us.
00:07:51Did you talk to my lawyer?
00:07:54Yes, we talked.
00:07:57But your lawyer seems to not believe us too much.
00:08:06I know them.
00:08:07No, no.
00:08:08They don't know them.
00:08:10They never saw us.
00:08:11We know that you killed your wife.
00:08:14We don't have concrete tests,
00:08:16but we're behind that.
00:08:19Look at the picture, Mr. Blumetti.
00:08:27It's not clear.
00:08:32That's not her wife.
00:08:37In 1998, in the United States,
00:08:40a very similar case to her.
00:08:42Almost identical.
00:08:44You can clear it.
00:08:47We need to know everything you remember from that moment.
00:08:54I don't know.
00:08:55I told you all that.
00:08:57All that you remember from those last two weeks in your...
00:09:03In your neighborhood.
00:09:05In your neighborhood.
00:09:07Something outside of normal.
00:09:17The accident outside of my house.
00:09:20My neighbor, Walter, was very sad. He was doing some remodelations in his house at any time.
00:09:37Remodelations?
00:09:39His neighbor, Walter.
00:09:41Walter Carabajal.
00:09:47Hello.
00:09:48Hello, how are you? With the Dr. Albrecht, please.
00:09:53Who is looking for?
00:09:54My name is Walter Carabajal.
00:09:57The doctor can't help her now. Do you need to tell her?
00:10:01No, I would need to talk to the doctor.
00:10:05I have some problems in my house for several months.
00:10:10At the beginning, I thought it was me, but then it was accentuated.
00:10:16It's hard to tell her what's going on.
00:10:20Who gave this phone, Mr. Carabajal?
00:10:22Well, I talked to several specialists and many of them had to give me this phone number.
00:10:30Look, I'm going to ask you to call her tomorrow again, please.
00:10:34Ah, well. Well, tomorrow he called.
00:10:37Can you tell the doctor that I called, please?
00:10:39Please do my orders later.
00:10:40Please, please.
00:10:41Please hold them for the life of us, Mr. Capu.
00:10:42Please.
00:11:00BIRDS CHIRP
00:11:30BIRDS CHIRP
00:12:00BIRDS CHIRP
00:12:12BIRDS CHIRP
00:12:14I don't know.
00:12:44Oh, my God.
00:13:14Oh, my God.
00:13:44Oh, my God.
00:14:14Oh, my God.
00:14:44Hace semanas que no puedo dormir. Estoy tomando medicación, pero no me hace más efecto. Estoy en una situación muy difícil.
00:14:49Oh, my God.
00:15:19Ya hablé con todos. Muchos me dicen que la única persona que me puede ayudar es la doctora.
00:15:24Yo puedo pagarle. Puedo hacer lo que sea necesario. Usted dígame qué tengo que hacer y yo lo hago. Por favor, le pido.
00:15:29La doctora Albrecht no toma caso sin evaluar las pruebas y es algo que ella hace personalmente. Y efectivamente en este momento no puede hacerlo.
00:15:38¿Cómo quiere que le doy pruebas y lo que me pasa no se puede ver?
00:15:41Lo siento, señor Carabajal. No estamos en condiciones de poder ayudarnos.
00:15:46Walter.
00:15:54¿Qué pasa con tu casa, viejo?
00:15:56Sí. ¿Qué pasa con tu casa, viejo?
00:16:01¿Por qué?
00:16:01¿Cómo por qué? ¿Cómo por qué? O sea, me rajaste toda la pared. Hay golpes todo el tiempo acá.
00:16:07Ah, es que estoy haciendo unas modificaciones. Unos arreglos.
00:16:12O sea, ¿me entendés que me rajaste toda la pared? O sea, toda.
00:16:15¿Quieres pruebas? Te voy a dar pruebas.
00:16:45¿Qué pasa con tu casa, viejo?
00:17:15¿Qué pasa con tu casa, viejo?
00:17:45¿Qué pasa con tu casa, viejo?
00:18:15¿Qué pasa con tu casa, viejo?
00:18:45I don't know.
00:19:15I don't know.
00:19:45I don't know.
00:20:15I don't know.
00:20:45I don't know.
00:20:46I don't know.
00:20:47I don't know.
00:20:48I don't know.
00:20:49I don't know.
00:20:50I don't know.
00:20:51I don't know.
00:20:52I don't know.
00:20:53I don't know.
00:20:54I don't know.
00:20:55I don't know.
00:20:56I don't know.
00:20:57I don't know.
00:20:58I don't know.
00:20:59I don't know.
00:21:01I don't know.
00:21:02I don't know.
00:21:03I don't know.
00:21:04I don't know.
00:21:05I don't know.
00:21:06I don't know.
00:21:07I don't know.
00:21:08I don't know.
00:21:09I don't know.
00:21:10I don't know.
00:21:11I don't know.
00:21:12I don't know.
00:21:13I don't know.
00:21:14I don't know.
00:21:15I don't know.
00:21:16I don't know.
00:21:17I don't know.
00:21:19I don't know.
00:21:22Alicia!
00:21:27Alicia!
00:21:33Alicia!
00:22:49Algo muy importante.
00:22:52No, está bien. ¿Qué pasa?
00:22:55Hace cuatro días ocurrió un siniestro. Atropellaron a un nene de 10 años y se murió en la puerta de su casa.
00:23:01Te necesito, Jano. Necesito que estés acá. Necesito que vengas.
00:23:08Bueno, está bien, sí.
00:23:11Mandé una patrulla para que te vaya a buscar. Tomará más o menos una hora en llegar.
00:23:15¿Está bien?
00:23:18Jano, sos el único que me puede decir lo que está pasando acá.
00:23:20No.
00:23:21No.
00:23:22No.
00:23:23No.
00:23:24No.
00:23:25No.
00:23:26No.
00:23:27¿Quién es?
00:23:55No.
00:23:56No.
00:23:57No.
00:23:58No.
00:23:59No.
00:24:00No.
00:24:01No.
00:24:02No.
00:24:03No.
00:24:04No.
00:24:05No.
00:24:06No.
00:24:07No.
00:24:08No.
00:24:09No.
00:24:10No.
00:24:11No.
00:24:12No.
00:24:13No.
00:24:14No.
00:24:15No.
00:24:16No.
00:24:17No.
00:24:18No.
00:24:19No.
00:24:20No.
00:24:21No.
00:24:22No.
00:24:23No.
00:24:24No.
00:24:25No.
00:24:26No.
00:24:27No.
00:24:28No.
00:24:29No.
00:24:30No.
00:24:31No.
00:24:32No.
00:24:33No.
00:24:34No.
00:24:35No.
00:24:36No.
00:24:37No.
00:24:38No.
00:24:39No.
00:24:40No.
00:24:41No.
00:24:42No.
00:24:43And that's...
00:24:44Jano.
00:25:00¿Adentro?
00:25:06¿No te asustas nada vos, no?
00:25:10Nunca se sabe.
00:25:12Vamos a ver.
00:25:13I'm sorry.
00:25:15I'm sorry.
00:25:17I'm sorry.
00:25:19I'm sorry.
00:25:21I'm sorry.
00:25:23I'm sorry.
00:25:25I'm sorry.
00:25:27Officer Guzmán, you already know him.
00:25:31Officer Picarel, of my trust.
00:25:33He was in a routine patrol.
00:25:37They saw the door open, they entered
00:25:39and they met the lady in that state.
00:25:41Chief,
00:25:43are we going to wait outside?
00:25:47Go, calm down.
00:25:55They're scared.
00:25:57And you're with what?
00:26:07Jano,
00:26:09Jano se murió hace cuatro días.
00:26:11Yo estuve en el entierro,
00:26:13en el velorio.
00:26:15¿Entendés?
00:26:17No,
00:26:18no.
00:26:25They're still asleep.
00:26:27They're still alive.
00:26:29They're still waiting for you...
00:26:31...they're still asleep.
00:26:33It's the only one who's left.
00:26:39It's the only one who's left.
00:26:43It's the only one who's left.
00:26:47It's the only one who's left.
00:26:51Is that he?
00:26:53Eh...
00:26:56The officials say...
00:26:58That's the only one who's left, Jano.
00:27:05I swear to me it seemed to be able to see that he moved in a moment.
00:27:28. . .
00:27:42. . .
00:27:48Tiene olor a podrido, Jano.
00:27:52Yes, it smells bad.
00:27:59Do you think Alicia could have done all this?
00:28:07Look at his hands, Funes.
00:28:10They're dirty, you see?
00:28:13He was burning the earth for several days.
00:28:19You know, there are many cases of profanation by their own family.
00:28:35There are people who don't accept the idea of knowing that their son is dead.
00:28:39Some even come to the locality of robbers.
00:28:44I think we have to investigate a little between the mother's clothes.
00:28:49Maybe there is some bacteria, or flora, or cadavérica, I don't know.
00:28:57You know, you're wondering.
00:29:00Yes, I have doubts that this is one of those cases.
00:29:06Can you give me the explanation that I just gave you?
00:29:12No, it's not the answer you expected of me.
00:29:15No.
00:29:16Of course, it's okay.
00:29:18Because it's not what it is.
00:29:20But it's the one you should give.
00:29:23Yeah.
00:29:24Yeah, you know the person, you know?
00:29:33Yes.
00:29:34You know the person?
00:29:35Yes.
00:29:36Do you know the person?
00:29:40Yes.
00:29:41You know the person?
00:29:43Yes.
00:29:44Tuvimos una historia muy linda, varios años.
00:30:04Se movió.
00:30:05¿El brazo estaba sobre la mesa igual que ahora?
00:30:19Creo que sí.
00:30:21¿Cómo creo, Jano? ¿Jano?
00:30:25¿Sacaron fotos?
00:30:27No, no hicimos nada.
00:30:31Está bien, no hay que hacer nada.
00:30:33¿A qué te referís? No entiendo.
00:30:34A eso, que no hay que hacer nada, no.
00:30:37Lo mejor va a ser volver a enterrarlo.
00:30:41Ah, sí.
00:30:45Enterrarlo.
00:30:47Ah, pues estás en pedo, Jano.
00:30:50Fue ni saber si se entiende.
00:30:53Supongo que vos estás al tanto de las dificultades que puede ocasionar todo esto, ¿no?
00:30:58Supongo que sí.
00:30:59Por ejemplo, si interviene una fiscalía.
00:31:01A tu amiga.
00:31:02La encierran en un loquero.
00:31:04Y dado este escenario, se queda varios años ahí adentro.
00:31:08¿Les parece que habría que buscar la forma de evitarlo, no te parece?
00:31:11¿Qué le digo a mi gente?
00:31:12Movimientos post-mortem ocasionados por acumulación de gases. Es un cuerpo en estado de descomposición.
00:31:30Habría que conseguir, vale un inyectable. Mejor que tu amiga duerma antes que nos llevemos a su hijo.
00:31:45No vuelvas a apagar la luz.
00:31:47No vuelvas a apagar la luz.
00:31:48¿Qué es lo que está pasando, chiquito?
00:31:51¿Por qué viniste a visitarnos?
00:31:55¿Qué es lo que te trajo hasta acá?
00:31:56¿Qué es lo que te trajo hasta acá?
00:31:57¿Qué es lo que te trajo hasta acá?
00:31:58¿Qué es lo que te trajo hasta acá?
00:31:59¿Qué es lo que te trajo hasta acá?
00:32:04¿Qué es lo que te trajo hasta acá?
00:32:11You came to visit us.
00:32:15What did I bring you to here?
00:32:17What did I bring you to here?
00:32:45What did I bring you to here?
00:32:49No, I don't want you to bring me back.
00:32:51Please don't bring me back to my baby.
00:33:15Sorry, I know her.
00:33:19I ask her why I see her taking photos.
00:33:23She seems to know her from the other side.
00:33:25What did I bring you to here?
00:33:27She's not the licenciada Mora Albrecht.
00:33:31Doctora Albrecht,
00:33:33is she who is?
00:33:35You can't believe her personally.
00:33:39My name is Mario Jano.
00:33:41Mayor gusto.
00:33:43Mayor gusto.
00:33:44Yo asistí a varias de sus conferencias.
00:33:46Eventos paranormales, metasimbiosis.
00:33:49Perdón, ¿qué anda buscando por acá, doctora?
00:33:52¿La puedo ayudar?
00:33:53¿Esto es acá?
00:33:55Sí, es acá.
00:33:57¿Por qué es extraño?
00:34:01Toco el portero eléctrico.
00:34:03Parece que alguien atiende, pero nadie responde.
00:34:07No atiende sus teléfonos.
00:34:09¿Usted lo conoce al señor Carvajal?
00:34:12¿Lo ha visto en estos últimos días?
00:34:15No.
00:34:16No, lo que pasa es que...
00:34:19Yo no soy de acá tampoco.
00:34:22Sabe que esto es más que una casualidad, ¿no?
00:34:25Si yo la invitara a que me acompañe,
00:34:28¿podría ser?
00:34:30Le va a interesar, doctora, ¿eh?
00:34:32Le va a interesar.
00:34:39Pones...
00:34:50La doctora Albrecht, una colega, una eminencia de verdad.
00:34:54¿Puedo hablar con usted, por favor, un segundo?
00:34:57Sí, permiso.
00:35:02¿Vos lo llamaste?
00:35:03No.
00:35:04¿Aló?
00:35:05No, no, pero esto es más que una coincidencia, ¿eh?
00:35:07O no importa.
00:35:08No, vamos a poder hacer el traslado, ¿eh?
00:35:10¿Por qué?
00:35:11Porque mirá la verdad que es.
00:35:13Porque es un quilombo, porque hay gente, porque se ve.
00:35:16Pero no me vas a decir que no podés resolver el tema en el cementerio.
00:35:19Yo soy el comisario.
00:35:20No se trata de eso, no es del cementerio.
00:35:22Hay embotellamiento, hay gente que se ve, pero eso va muy con el nenito.
00:35:26No lo voy a hacer.
00:35:27Yo creo que hay que hacer esto, que es la opción correcta.
00:35:30Ah, ¿sí?
00:35:31Sí.
00:35:32¿Verdad?
00:35:33¡Eh, eh!
00:35:34¿Estás sacando fotos?
00:35:35Sí, ella sabe lo que hace, sí.
00:35:37Ya no está sacando fotos.
00:35:38Confía en mí, por favor, ella sabe lo que hace.
00:35:41Por favor.
00:35:42¿Vos sabés el problema de salud que yo tengo?
00:35:45Sí, lo sé.
00:35:46Sí.
00:35:47En dos meses me dan el retiro.
00:35:49No tengo una puta mancha en mi legajo.
00:35:52¿Vos sabés el quilombo que puede traer todo esto a mí?
00:35:54¿Lo sabés?
00:35:55Ya ve, Funes.
00:35:56Esta es la opción correcta.
00:35:58En un rato van a venir las amigas de Alicia a tomar mate y hasta el nenito sentado.
00:36:03¿Me podés escuchar, Funes, por favor?
00:36:06No dormiste.
00:36:08Está muy tenso.
00:36:10Tenés que hacer una cosa.
00:36:11Por favor, llévate a los oficiales.
00:36:13¿Eh?
00:36:14Y anda al cementerio a resolver el tema del entierro.
00:36:17Y déjanos a mí y a Albrecht, que nos vamos a ocupar de Alicia y lo vamos a solucionar.
00:36:21Y, por favor, sacá esa patrulla de acá antes que los vecinos empiecen a preguntar qué está pasando.
00:36:27Por favor.
00:36:33¿Qué están ocultando ustedes?
00:36:37¿Usted todavía ha visto esto?
00:36:38Yo me voy y en un par de horas vuelvo, ¿sabés?
00:36:48Escuchame.
00:36:49Conseguí.
00:36:50Escuchame vos a mí.
00:36:51¿Estamos haciendo las cosas bien?
00:36:52Sí, sí.
00:36:53Hay que conseguir dos bolsas de cemento.
00:36:55¿Para qué?
00:36:56¿Para ahí?
00:36:57¿Cómo para qué?
00:36:58¿Qué querés?
00:36:59¿Que vuelva a salir de la tumba?
00:37:02Que te parió.
00:37:03No te parió.
00:37:25¿Ese olor?
00:37:29¿Podrido?
00:37:31No.
00:37:33No es olor a podrido, es olor a muerto.
00:37:38Ahora estamos hablando el mismo idioma.
00:38:03¿Quieres sentarse, doctora? Quiero comentarle algo.
00:38:12¿Sabes?
00:38:13Fui forense policial. Trabajé más de 15 años con el comisario Funes.
00:38:18Hacía autopsias, muchas.
00:38:19Y bueno, un día me llegó un muerto joven. Veinte años. Tenía 14 balas en la cabeza.
00:38:33No tuve más alternativa que quitarle.
00:38:34No tuve más alternativa que quitarle.
00:38:36Estuve escarbando cinco horas en el cráneo de ese muchacho.
00:38:42Y en un momento me agarró un brazo.
00:38:43Me agarró un brazo.
00:38:44Me agarró un brazo.
00:38:45Me agarró.
00:38:47Y abrió los ojos para mirarme.
00:38:48¿Despertó?
00:38:50¿Despertó?
00:38:51En realidad yo creí que era mi estrés.
00:38:53Pero no.
00:38:54No.
00:38:55No.
00:38:56No.
00:38:57No.
00:38:58No.
00:38:59No.
00:39:00No.
00:39:01No.
00:39:02No.
00:39:03No.
00:39:04No.
00:39:05No.
00:39:06No.
00:39:07No.
00:39:08No.
00:39:09No.
00:39:10No.
00:39:11No.
00:39:12No.
00:39:13No.
00:39:14No.
00:39:15No.
00:39:16No.
00:39:17No.
00:39:18No.
00:39:19No.
00:39:20No.
00:39:21Ese suceso volvió a repetirse en un anciano y estaba muerto hacía dos días.
00:39:30Despertó...
00:39:32Me miró...
00:39:35Y me habló.
00:39:42Yo, no tuve mejor idea que llamar a la familia.
00:39:47The family arrived at the morgue.
00:39:52You would imagine the moment for the son of that poor old man.
00:39:58But these things happen, Doctora.
00:40:02And happen when you're with things that are not in this world.
00:40:08I think we should let them pass and give them less importance.
00:40:16At least, less than the one we should give, do you think?
00:40:20The dead old man spoke about his own son of his death.
00:40:29I think I read his book.
00:40:31No tell me.
00:40:33It was very well-written.
00:40:46All right.
00:40:48All right.
00:40:50Let's go.
00:40:51I think he's very innocent.
00:40:53Come on.
00:40:54Let's go.
00:40:55You're good.
00:40:56Let's go.
00:40:57Let's go.
00:40:58Let's go.
00:40:59Let's go.
00:41:00Go.
00:41:01Doctor, what makes you think that these photos are...
00:41:27They are true. I haven't crossed half a country with a fake photos.
00:41:32I'm not saying that they are fake, but it's a very strange coincidence.
00:41:37Maybe it's not a coincidence.
00:41:49Alguien entró.
00:41:57You have to move the body.
00:42:04No one will believe too much the story that that guy tells me when he comes home.
00:42:11No one will believe too much the story that that guy tells me when he comes home.
00:42:26No one will believe the story that that guy tells me when he comes home.
00:42:37For the doubts.
00:42:38You have to go to bed.
00:42:55Yes, but not for a long time.
00:42:59You have to act fast.
00:43:01You have to solve the issue of the cemetery, you know?
00:43:04Yes.
00:43:07We had to move.
00:43:10Where is it?
00:43:11In the freezer.
00:43:12No one is allowed to go to bed?
00:43:16No one is allowed to go to bed.
00:43:21Enchufalo, Jano.
00:43:37La puta madre, Jano.
00:43:45Vamos a tener que llevarlo con Freezer y todo.
00:43:48El comisario va a tener que colaborar con nosotros si no quiere que esto se repita.
00:44:03Por suerte, contamos con la aprobación del comisario.
00:44:08Pero eso no es suficiente.
00:44:11Tenemos que seguir dando pasos y para eso necesitamos que usted nos firme algunas autorizaciones.
00:44:15Vamos a necesitar su casa.
00:44:19Bueno, pasar unas noches en su domicilio.
00:44:22Pero para eso necesitamos de su aprobación.
00:44:27¿Para qué?
00:44:28Para investigar, señor Blumetti.
00:44:31Hay varios focos en un mismo radio donde han sucedido eventos paranormales.
00:44:35Y uno de los vectores es su casa.
00:44:38Ya tenemos la aprobación de los vecinos y ahora solamente nos falta la suya.
00:44:42Gracias, señor Blumetti.
00:44:56¿Pero qué es lo que implica todo esto?
00:44:59Esto implica que nosotros tres vamos a dividirnos en cada una de las casas donde creemos que ocurran los fenómenos paranormales.
00:45:07Afortunadamente, contamos con la inestimable ayuda del doctor Rosentón.
00:45:15Él es colega de la doctora Albre, que ha estado a cargo en casos similares en Estados Unidos y en gran parte del continente.
00:45:21¿Pero qué pasó con mi vecino, con Walter?
00:45:30No se sabe nada de él.
00:45:33Nadie sabe nada de él hace bastante tiempo.
00:45:38Bueno, ha sido suerte.
00:45:43La van a necesitar, creo.
00:45:45La van a necesitar, creo que no se sabe nada de él.
00:46:15La van a necesitar, creo que no se sabe nada de él.
00:46:45La van a necesitar, creo que no se sabe nada de él.
00:46:47La van a necesitar, creo que no se sabe nada de él.
00:46:47No se sabe nada de él.
00:46:48I don't know.
00:47:18I don't know.
00:47:48I don't know.
00:48:18Comisario.
00:48:19Acá estamos.
00:48:20Pudimos entrar bien.
00:48:21Bien.
00:48:22¿Revisaron toda la casa?
00:48:23Cortaron la luz por falta de pago.
00:48:26Si yo toco un contacto, puedo activarla.
00:48:28No, no es necesario.
00:48:29Para encontrar lo que estamos buscando es mejor que no haya luces encendidas.
00:48:34Ah, ah, ah, ah.
00:48:35Ok, ok, ok.
00:48:36Bueno.
00:48:37¿Cómo no?
00:48:38Bueno, quedamos en contacto entonces.
00:48:49Rosenthal.
00:48:50Bueno, específicamente, ¿qué es lo que tal vez podemos encontrar acá?
00:49:00Buenas.
00:49:01Pistas de lo que sucedió el noche diez atrás.
00:49:07O sea, solamente eso, ¿no?
00:49:14Usted puede elegir o no estar aquí esta noche.
00:49:21El miedo es con...
00:49:33Contagioso.
00:49:34Contagioso.
00:49:35Contagioso.
00:49:35Tengo un problema yo, ¿sabes, no?
00:49:44Eh...
00:49:46Estoy anticoagulado.
00:49:49¿No?
00:49:51Y además...
00:49:54Escucho muy poquito.
00:49:57O sea...
00:49:59Entonces, este no es el buen lugar para que usted esté.
00:50:22Hola.
00:50:25Hola.
00:50:29¿Es usted Albrecht?
00:50:32Hola.
00:50:33¿Sí?
00:50:34Hola.
00:50:35Quiero hablar con Alicia, por favor.
00:50:37Ah, no, no.
00:50:38Ella no...
00:50:40No está aquí hace varias semanas que está en casa de su hermana.
00:50:44Si quiere, puedo darle el teléfono de donde está.
00:50:47¿Tiene para anotar?
00:50:49Sí, dígame.
00:50:524242-1603.
00:50:57¿Quién es que habla?
00:50:59Hola, Ani.
00:51:14Soy Sarita.
00:51:15Mirá, escuchame.
00:51:17Te llamo porque Patito volvió a casa sin su mochila.
00:51:20Me dice que fue a tu casa a buscar los juguetes.
00:51:22Y dice que se le cayeron ahí, no sé.
00:51:25Avísame si ves después la mochila por ahí.
00:51:27Te mando un beso.
00:51:28Subtara, ¿no?
00:51:31¡Suscríbete!
00:51:32¡ lot center!
00:51:52Exchrario, ¿no?
00:51:53I have to speak with you. It's urgent. Call me, please, if you listen to this message. It's urgent.
00:52:19I'm Sarah again. Please, I'm trying to ubicate you today.
00:52:24Patricia grabbed something very strange with her phone.
00:52:27She grabbed it in the garden of your house. He left the wall, as always did.
00:52:33I don't know how to say this. We're very scared.
00:52:37You have to watch this video. It's something that has to do with your son.
00:52:41It also has to do with your ex, the police.
00:52:45I don't know what to do. Please, call me. I'm going to try to ubicate you in a way. It's very strong. Call me, please.
00:52:53Call me.
00:52:55Call me.
00:53:05Call me.
00:53:07Call me.
00:53:09Call me.
00:53:11Call me.
00:53:13It's over, it's over, it's over ...
00:53:20Hey, Lolo!
00:53:23Hurry, hurry, hurry, hurry, hurry!
00:53:26OK, wait, wait, wait, wait, wait, wait, wait, wait, wait!
00:53:27Let me help him!
00:53:28Don't!
00:53:30Shh, shh, shh, shh!
00:53:32Shh, shh shh!
00:53:36He's dead!
00:53:38It's...
00:53:42Chuping.
00:53:43Chuping...
00:53:44...sangre.
00:53:47Algo...
00:53:49...aquí adentro.
00:53:52Chupando.
00:54:08No, no, no, no. Don't shoot. Don't shoot. No.
00:54:18¿Qué?
00:54:20¡Alceláme!
00:54:22¡Puta madre!
00:54:29Funes.
00:54:30Señora, mire, acá las cosas se están poniendo muy difíciles.
00:54:33Rosentor que está herido.
00:54:35Dile que estoy bien.
00:54:37Lo tendría que ver un médico. Me parece urgente.
00:54:44Hambre.
00:54:45Sí.
00:54:46Estamos en el buen camino.
00:54:50Me alegra mucho escuchar eso.
00:54:54Creo que estamos en el nicho.
00:54:57¿Nicho?
00:54:58El nido.
00:54:59Dentro del nido.
00:55:01Me alegra escuchar eso también. Es un placer que esté colaborando con nosotros.
00:55:05Te agradezco mucho.
00:55:08Seguimos luego.
00:55:11Debe limpiar el sangre.
00:55:14El energético tardará...
00:55:16¡Ay!
00:55:17...en actuar.
00:55:19Mientras...
00:55:20...debe aprobarse.
00:55:22Limpiar el sangre que dejamos en la casa.
00:55:25¿Yo?
00:55:26¿Y por qué yo te voy a limpiar la sangre?
00:55:28No queremos más tiempo.
00:55:29El tiempo aquí dentro pasa rápido.
00:55:32¡Pasa rápido!
00:55:33¡Shh!
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