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Famed Queen guitarist and citizen astronomer Brian May collaborated with NASA's asteroid mission OSIRIS-REx, helping scientists find a suitable landing spot on the space rock that turned out to be completely different from what they had expected and designed their mission for.

May, who famously completed his PhD in astronomy in 2007 after a more than 30-year hiatus enforced by Queen's rise to fame in the early 1970s, sat down with Space.com to discuss his collaboration with the groundbreaking mission, NASA's first attempt to collect a piece of space rock and deliver it to Earth.

"Bennu: 3-D Anatomy of an Asteroid", authored by May and OSIRIS-REx principal investigator Dante Lauretta, is available in the U.S.from University of Arizona Press and in the U.K. from London Stereoscopic Company

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Transcript
00:00Hello everyone, my name is Teresa Polterva, I'm a senior writer at Space.com and today I have
00:04something really special for you. I'm here with Sir Brian May, the rock legend of Queen, who also
00:10happens to be a part-time astronomer and he was one of the scientists working with data and images
00:17coming from NASA's OSIRIS-REx mission. OSIRIS-REx was NASA's first mission to collect a sample from
00:25an asteroid and it will soon deliver this sample to Earth. And Sir Brian actually worked with Dante
00:32Loreta, OSIRIS-REx chief investigator, on a beautiful new book about asteroid Bennu and he is here now with
00:42us to tell us everything about this book and his collaboration with OSIRIS-REx. Thank you very much
00:48for finding time to talk to us, it's a great pleasure. So let me start at the beginning, you and
00:54OSIRIS-REx
00:55how did the two of you get together? Well quite informally really because I'm on the outside of
01:01NASA and nobody pays me to do this but I love it and I and my collaborator Claudia Manzoni generally
01:11go around the internet to find things which we can make into stereos because the data is all there
01:17from all these different missions from NASA, from ESA, from JAXA, there is enough data there to find
01:23viewpoints in order to make the stereo images which we crave. We just love making stereo images and of
01:29course then you have to use a viewer to appreciate them in 3D and I mean I'm creator of the
01:39London
01:39stereoscopic company and we now make stereo viewers, we make 3D viewers. So what happened with me and Dante
01:46was I sent him just off the cuff a couple of his images which I'd made into 3D along with
01:52Claudia
01:53and he was amazed, he said I've never seen them like this, this is such a great tool and this
01:58might
01:59be able to help us find the landing site that we need in order to get our samples safely and
02:04so we
02:04started to interact and we started to trade emails and pictures and from that point on I mean we've become
02:13very good friends during the passage of time but a lot of work because when it became serious we're
02:19not just making pretty pictures we're supplying them with images that they can view and make that
02:24crucial decision, is this a flat enough site to land our spacecraft, will it be safe, will we get the
02:29sample back to earth. So that's what I became engaged doing and a lot of work but very very happy
02:36work.
02:36Is there any particular reason why you are interested in this mission?
02:40I'm interested in them all. I was incredibly lucky to be involved in the New Horizons mission
02:46with Alan Stern who also kind of took me under his wing and I was able to help secure 3D
02:52pictures of
02:53Pluto. See no one had ever seen Pluto close up before so I was able to bring I think the
03:00universe's
03:01first 3D picture of Pluto to light and they went on to photograph an object in the Kuiper belts as
03:07you
03:08probably know but yes Rosetta also we've made some lovely stereo images of maybe there's a book there
03:14too. I think the difference is that that Dante wanted to involve me and involve us at an early
03:22stage so that we could actually contribute to the conduct of the mission that's the crucial difference.
03:26I understand that you were actually called upon to help the team solve a major issue they had
03:31trying to find a suitable landing spot on the surface of an asteroid that looked very different
03:37than they expected it to. Do you remember how the atmosphere was among the scientists during this
03:43challenging time? Yeah well I think it was suddenly becoming much more difficult than they'd expected
03:49because Bennu wasn't a solid object with flat places it was a completely randomly accrued object
03:56it's a rubble pile and there are no places where it's safe to land apparently. There's only sort of different
04:04sizes of pebbles and it's very difficult to assess what the landing will actually be like if you can't be
04:11there
04:11and see it with your own eyes. That's where this comes in handy because once you have a stereo image
04:15of that particular potential landing site you can really make an instinctive judgment as to whether
04:21things are going to work out or not you know how near is this boulder, how much slope is there,
04:26how dangerous is it to be to get it off and get on. So that's where we were able to
04:32get
04:32into it and I know that at one point Dante said look all my guys have to see this I've
04:37seen it
04:38this has changed my whole opinion I want my whole team to see this so I sent about a box
04:42of these
04:43and everybody sat around the table I think and made those decisions looking at Bennu as if they were
04:49there. So can you explain to us how do you create these stereo images? Basically to make a stereo image
04:55you need two different viewpoints just as in real life when I look at you my left eye has a
05:01viewpoint and
05:01my right eye has a viewpoint slightly different I see more of your your cheek here be more of your
05:06cheek
05:06here and that's the whole thing I mean I've said it there what you have to do in making a
05:13stereo image
05:14is to reproduce that effect so I have to take a picture from my left eye I have to take
05:18a picture
05:18for my right eye and then I put him in a viewer like like this in the situation where my
05:23left eye
05:24only sees the left image and my right eye only sees the right image then the effect is reproduced
05:31so I see this crater as if I were about a mile away from Bennu um but my eyes are
05:38about a hundred
05:39thousand miles apart no no not that far delete that my eyes are about half a mile apart you know
05:45so how did the idea for the book come about we made so many images and um it was a
05:51labor of love
05:52and it was also very rushed and I remember saying to Dante we should do the book you know we
05:57have such
05:57an amazing collection of images not just of the details of the surface also of the of the um the
06:04whole
06:05planet which which is something very attractive and so we started to think of a book and we realized
06:12that it could be the the world's first opportunity to make a real atlas of a of an asteroid so
06:18that's
06:18what we attempted to do and the fact that it has stereo images as well I think makes it something
06:22very
06:23very unique and special so who is the book aimed at who is the target audience the book is really
06:29aimed
06:29at anyone who has an interest in this kind of subject anyone who's interested in what they see when
06:33they look up in the night sky it's not just for scientists there's a lot of well there's a whole
06:39world of scientific information in there for anyone who wants it but if you read it as a story you
06:44should
06:44be able to understand it without prior knowledge
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