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00:00Transcription by CastingWords
00:30The relatively modern Korean martial art of Hapkido is said to have its origins in Japan,
00:40or at least to have obtained its major influences from the Japanese art of Daito Ryu Aiki Jujutsu.
00:50This art was made famous by Sokaku Takeda.
00:55He is thought of by many as the last of the samurai.
01:00And was the teacher of Weishiba, referred to as O-Sensei, who founded Aikido based on Daito Ryu Jujutsu.
01:11Most Hapkido stylists believe that Takeda Shihan was the teacher for 30 years of the founder of Hapkido, Grandmaster Cheya.
01:23His name is spelled as Choi in English, but pronounced Cheya in Korean.
01:31He started Hapkido in 1945 as World War II ended,
01:36and moved back to Korea after some 30 years of studies in Japan with Takeda.
01:44In English, Hapkido may be translated as the art of coordinated power.
01:50Its meaning also implies coordinated movement and harmony,
01:56such as between one's mind and body, plus the energy of inner strength.
02:02In 1964, Hapkido Master Rim began his studies in Korea with Grandmaster Cheya.
02:12He then moved to America to teach as a Grandmaster of the system.
02:20Master Joe Cheya, seen here with Grandmaster Cheya,
02:26has studied many years with Grandmaster Rim,
02:29and now holds the rank of 8th Degree Black Belt in Hapkido.
02:34And now holds the rank of 8th Degree Black Belt in Hapkido,
02:37comfortable as a leader in Missouri Middle East,
02:38and to fancykeepers who are in Tokyo!
02:52After
02:53David
02:55Ford
02:55a
02:56in
02:59the
03:01and
05:02This is Volume 3 in the Black Belt series of tapes that we're doing on traditional Hapkido.
05:09In this tape, we're going to discuss some of the levels of force available to the practitioner of Hapkido.
05:15We're going to look at some more basic and fighting motion.
05:19We'll look at a little bit of down fighting motion in this tape as well.
05:22I hope you enjoy it.
05:23I hope you enjoy it.
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11:30...maintain control, so I'm going to slip my grip into his fingers.
11:34By taking his fingers across his eyes, I'll turn his body.
11:39I'll tuck his hand back.
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18:11By the way, I'm holding his thumb.
18:13If your shoulders don't cock away from me, I'm not doing this technique right.
18:17From here, I'm going to step up and into Eric, stretching him high.
18:21My hip against his hip, my shoulder in his armpit.
18:25His arms straight, palm up.
18:27My opposite hand's going to come around.
18:29I'm going to crank him all the way around to my opposite foot.
18:33Flipping.
18:35Just turns him over.
18:39The person this is being done to should tuck his chin and go.
18:43You don't want to end up on top of your head in this motion.
18:55The second technique incorporates the shoulder grip and the double wrist grip.
19:01Again, this is another exercise for the mechanics and the feeling of this motion.
19:05I'm going to spread my palms towards the mat.
19:09I'm going to cross over and catch Eric's wrist with my right thumb and turn into him.
19:19I'm going to step up inside and pretend that I'm blocking a punch again.
19:25Raise the hands up.
19:27My body is very close to his.
19:29Proximity is very important in this exercise.
19:31I'm going to cover the hand with my opposite hand and flip him just like I did the first time.
19:37The last motion of this set takes a punch out of the ear and gets to this shoulder flip.
19:55I'm going to use a crossing block.
19:57As Eric punches at me, I'm going to cross touching him at the elbow.
20:03If I try to block him at his hand or his wrist, he's going to hit me in the mouth at his elbow.
20:09So I block at the elbow.
20:11I'm going to ride his arm down across his own body and reach through and block this hand up so that it doesn't hit me as I step in.
20:19The hand raises up and away.
20:24I cover the arm and flip him over.
20:28Now if this isn't enough, I can step in and break the elbow.
20:37I can also pull the hand back and push the elbow to the mat.
20:41This raises his hips up and gives me these floating ribs as a solid target to break down into his lungs.
20:50Very nasty motion.
20:53If I don't want to harm him so much, I'll take the edge of my palm across his nose and turn his head.
21:00And I'll place my thumb right below his ear and push.
21:07There's a bunch of nerves that cross right here below the ear level.
21:11I'll put the thumb straight into it and push.
21:25Let's have Phil do these techniques with Rob now and see what comes up.
21:29First technique is a chest grab.
21:36Okay, see how far away he is from you, Phil?
21:41It started right in the beginning of the motion.
21:44Grab on, Rob.
21:48When you covered his hand, you step back.
21:53You change the proximity of your hips to the movement.
21:58If you stay where you are, okay, even with this foot a little bit forward instead of back.
22:03When you pull this over, his shoulder turns away from you.
22:08His weight drops and he has no tools for him.
22:11Then as you extend this up and away and step into him, you put your hip next to his.
22:17When you turn him over, he'll turn over very close.
22:20So you can still have contact without reaching.
22:26Okay.
22:27So initially, don't step back.
22:31Try it again.
22:33Much better.
22:35Much better.
22:36Much better.
22:37Much better.
22:38Much better.
22:39Much better.
22:43The second technique is from a double front wrist grab.
22:50Grab each of Phil's wrists.
22:52Are you going to hook him and turn your body through?
22:57Then step up and in and do the technique.
23:03The only little thing I saw, it was almost there but not quite there.
23:09When you move through, make sure you throw this hand out and away as you're coming up
23:14because it's going to block the other palm, the other fist if you're coming through from
23:19a punch.
23:20Okay.
23:21Consciously, jam the other arm up even if it's not there.
23:24Get in the habit of doing that.
23:34And the last technique is from a punch.
23:37You can do a crossing block.
23:43Move up and in.
23:48Okay.
23:49Let me make a couple of corrections on this one.
23:54Make the crossing block.
23:57He didn't jam that fist.
23:59Okay.
24:00Same as from the other.
24:01Just there so he can't get it off.
24:03Then, as you're coming under and flipping him over, if you're going to use that elbow
24:14pin, you need to place the elbow, drive it down, and bring yourself up parallel to his
24:21body because you can't reach your other points unless you're there.
24:25Right here, I can pop those ribs if I have to.
24:28Okay.
24:29So come into him parallel after you take him down.
24:33Do it again.
24:34Don't forget to jam another punch until the motion's over before you duck under.
24:39Tuck the elbow.
24:40Come up parallel.
24:41Good.
24:42Good.
24:43Good.
24:44Tuck the elbow.
24:45Tuck the elbow.
24:46Come up parallel.
24:47Good.
24:48Good.
24:49Pretty.
24:50Good.
24:51Amazing.
24:52So we had to work on all this one.
24:53Yes, no.
24:56Oh, oh, oh.
24:57You asked him a belt.
24:58Oh, oh, oh.
25:00Oh, oh.
25:01Well, I'll make a loop after that also changes away.
25:03Good.
25:04Nice simultaneously.
25:07Wait till the slower thing.
25:09Keep the elbow because it's not thigh when it's about.
25:11I'm going to go.
26:41The four motions of this set are an excellent illustration
27:03of extending Eric's energy as it's placed on him.
27:09The first motion we started from a two-handed grab.
27:13I move laterally just a little bit.
27:18I'm going to upset Eric's center just a little bit to the side as I bring my hands up in it
27:23and move and reach over his shoulder.
27:26He's got a positive tilt to his right side.
27:29I've lined his shoulder up on the center of my chest.
27:33My palms are open.
27:35I'm going to pull that shoulder in with the edge of my right palm.
27:39I'm going to drive his left arm over that center fulcrum and turn him over.
27:44From this controlled position, he's going to sit.
27:49I'm going to draw his right arm up around his throat.
27:52I'm going to reach underneath his jawline with these two fingers
27:57and pinch the glands underneath the mandible.
28:01I call the sudden ambiguous hands by going up and into him.
28:06When I pinch him, they hurt.
28:16The second motion in this set is similar to the first.
28:20It's a controlled exercise in this extension of energy in Eric's body.
28:24I'm going to start from the cool hand grab again.
28:26I'm going to perform the same lateral line,
28:29only this time I'm going to reach over Eric's shoulder and behind his neck.
28:35I'm going to use his head as the fulcrum point,
28:38the back of his neck and his head.
28:40I'm going to pull this into me as I drive his arm around.
28:44I'm sitting down the same way.
28:46I want to control this because it's an exercise.
28:49I'm going to reach underneath the jaw again
28:51and pull up on the sudden ambiguous hands.
29:02The first two exercises in this set
29:04translate very easily into punching motion.
29:07The block we're going to use for both of these
29:09is an over-cupping block with a little bit of lateral movement.
29:14If Eric punches towards me, I'm going to cup over his arm.
29:18Palm up, not grabbing.
29:20I'm going to stroke the arm in the direction that it's punching.
29:24At the end of the extension of his motion,
29:27I'm going to ride his wrist around in an arc to the outside.
29:33This sets up the motion.
29:35So if we're cupping the shoulder, it looks like this.
29:41Reaching for the shoulder, pulling it around, and laying it down.
29:45Off a punch, it's not likely that Eric's going to sit.
29:49It's probably going to end up on his back like this.
29:51From here, I want to control the arm.
29:54I'm going to drop into him and give him a shot right in the throat with a spearhead.
29:58I'm hitting him just to the side of the tracheal tube
30:03and tucking up underneath this flat muscle on the side of the neck called sternocleidomastoid.
30:08There's large vascular and nerve tissue underneath this muscle.
30:12It doesn't like to be hit.
30:13So I use a spearhead, an extension of my fingers,
30:16and I drive that into the throat to finish the complication.
30:30The last technique in this set is very similar to the one prior to it.
30:35We use the same block.
30:36This time when I extend to Eric's center,
30:39I'm going to catch him behind the neck, just behind his head,
30:42and use that for my fulking point to turn his body over.
30:44So it's the same blocking motion, over cupping block,
30:49moving laterally to the side and tucking in behind his head with my open palm.
30:54I'm going to pull that towards me as I turn his arm over,
30:58parallel to my body.
31:02Finish the same way by loading up and dropping a spearhead.
31:06And use that.
31:14Okay, let's run Rob through this set.
31:20We started with a double wrist grab and a lateral movement.
31:30Okay, that was pretty good, but what we missed here,
31:33we moved laterally with a flat hand like this.
31:39What I want you to do is pick your hand up
31:41and catch his wrist
31:43and move him this way.
31:46Because that gives you a positive handle.
31:49If you move this way, if he lets go,
31:51you don't have anything.
31:53This way, even if he lets go,
31:55you're hooked into the crook of his wrist
31:57and you have a positive contact.
32:00Try it again.
32:01Good.
32:13This time, do the same motion,
32:14only use the back of the neck as the fulcrum point
32:16instead of the shoulder.
32:24Okay, pretty good.
32:26Pretty good.
32:27Now, just try an over-cupping block
32:29with a little bit of lateral fade.
32:31Don't do the whole motion.
32:34Okay, now drive that around on a lateral movement.
32:39Okay, start from scratch again
32:41and do the whole motion.
32:47Okay.
32:49The reason Phil sat that time
32:50is because when you picked him up,
32:54you did everything from here
32:55with your hips back.
32:57You can get him to turn over
32:58but your body's not being as efficient
33:01as if you close that distance
33:04and flip him.
33:08Okay?
33:14Better.
33:15Go ahead and finish it the same way.
33:17If he's sitting, finish it under here.
33:20If he's not,
33:21strike him to the throat.
33:22Okay.
33:23Okay.
33:23Okay.
33:28Same thing behind the neck.
33:37Good.
33:38Good.
33:38Good.
33:38Good.
33:39Good.
33:39Good.
33:39Good.
33:40Good.
33:40Good.
33:40Good.
33:40Good.
33:41Good.
33:41Good.
33:41Good.
33:41Good.
33:42Good.
33:42Good.
33:42Good.
33:43Good.
33:43Good.
33:43Good.
33:44Good.
33:44Good.
33:44Good.
33:44Good.
33:44Good.
33:45Good.
33:45Good.
33:45Good.
33:46Good.
33:46Good.
33:47Good.
33:47Good.
33:47Good.
33:48Good.
33:48Good.
33:48Good.
33:49Good.
33:49Good.
33:50Good.
33:51Good.
33:52Good.
33:52Good.
33:53Good.
33:54Good.
33:54Good.
33:55Good.
33:56Good.
33:57Good.
33:58Good.
33:59Good.
34:00Good.
34:01Good.
34:02Good.
34:03Good.
34:04Good.
34:05I don't know.
35:05In set one of this volume, we incorporated a motion into the come-alongs.
35:13We call it crank flip.
35:15This set takes that crank flip and initiates the motion with the flip.
35:21We started first with just a grab on the chest.
35:24You need to twist over your palm, then grab to facilitate this exercise motion.
35:32I'm going to reach underneath Eric's hand and step up under his forearm with my hip.
35:38Using my hip, I'm going to pop his elbow up high, keeping hold of his hand.
35:44Then I'm going to turn my hips into him and face his palm outward.
35:50My body is very close to his.
35:52I'm now going to place this palm on the mat in a slight arc and it'll turn Eric's body
35:58entirely over.
36:22This program has led him to flip down the mat.
36:45.
37:15.
37:45.
38:15.
38:45.
39:15.
39:45.
40:15.
40:17.
40:37.
40:38.
40:43.
40:44Sui!
40:50Sui!
40:55Sui!
41:02Sui!
41:07Sui!
41:14Oh, my God.
41:44This set contains some techniques to get your opponent down onto the mat when you're already
42:10on the mat or on your way there.
42:13The first technique, I was already down on the mat and Eric was measuring me for a kick.
42:21What I want to do is cut the radius of his kick by rolling into the kick.
42:27That may seem at first to be a bad idea, but you're actually lessening the energy of that
42:33kick a great deal by getting closer to it.
42:35So as Eric kicked at me, I rolled to him and jammed the kick up.
42:41I placed one hand behind his ankle and the other hand in front of his knee.
42:49Anchor the ankle, push up and away on the knee, it's going to drop his bottom.
42:54I'm hanging on to this leg because I don't want it kicking at me.
42:57At the same time, I'm going to pull my hips around, jam his other leg up, and I'm going
43:01to give him a hammer kick with my heel to his groin.
43:04If I have to, I'll do it a couple of times.
43:08That's the first technique.
43:10The second technique is the leg scissors that I'm going to perform as I'm being knocked down.
43:24When Eric puts his hands on me to push me, open hands, and push, as I fall, I'm going to push
43:31my hips towards his body.
43:33And as I go down, I'm going to scissor his legs with my legs, so wide scissors.
43:41To pin him after this point, I'm going to pick up his knee and turn up his body, locking
43:47his leg at the knee.
43:52The finish for the movement was an open palm strike at the back of his neck.
44:08The third technique is very similar to the last technique, only this time it comes off
44:13a punch.
44:14It's a type of punch where every once in a while you're in a situation where you get
44:18overwhelmed by the punching technique and it starts to move backwards even when you're
44:23blocking it.
44:24With this one, as it overwhelms me, I'm going to drop and take Eric with me.
44:29So as he punches, I'm going to get a little block in, drop, scissor the leg the same way.
44:36From here, I'm going to turn, scrape through, come up on his body this time, and finish the
44:45motion with an elbow to the back of the neck.
44:47In this fourth technique, Eric's going to rush me and grab my uniform with the chest.
45:02Overwhelming me with his momentum, I'm going to drop and put a foot in his hip and just launch
45:09him.
45:10Using his momentum to launch his body through the air.
45:14So as he steps and grabs and starts to push into me, I grab him back on his lapel and I
45:23let his push continue straight through my body.
45:26As I do that, I'm going to drop my hips and put a foot into his hip and launch him.
45:31So I make a little push.
45:41In the last motion of this set, I was flat on my back on the mat.
45:47Eric was kneeling between my knees and had both hands on my throat.
45:54I can contact him at his elbows and control this motion.
45:59I'll do that by covering his hands and raising my hips at the same time and scissoring his elbows.
46:09I've got his arms.
46:10I've got him tight.
46:11I'll finish this motion either to his head or to his groin.
46:24In this set, we have a change of personnel.
46:25We're going to be teaching the motion to Elaine and Paul's going to be your partner.
46:29The first motion, you'll be down on the mat and Paul's going to step up to kick you.
46:36You want to jam his kick by turning into it.
46:39Pull your hips up.
46:44Good.
46:45Excellent.
46:46Do the same thing again, only sit up.
46:50Just sit on the mat.
46:52He's got the same two points coming at you.
46:55Alright?
46:56So as he comes to kick, jam it with your hand.
47:00Good.
47:03Same position again.
47:05This time, let him kick more between your legs towards your body.
47:10You can also use your ankle to hook his ankle.
47:13It's down.
47:14So trap the leg by moving into it as it starts to kick up with your hands.
47:21Use your ankle, right, to pull him down.
47:24As long as you've got the back of his ankle and the base of his knee,
47:28you'll be able to lay him down from that position.
47:30The second technique starts from a push.
47:40As Paul pushes, you're going to drop your hips into him and turn to one side or the other
47:45and scissor the down leg.
47:50Good.
47:51Turn up and it'll be a strike to the back of the neck.
47:54There's one thing I want to change on this.
47:56Stand back up.
47:58I'm going to let you guys walk through this and stop when I stop you, please.
48:01Okay?
48:02Step in.
48:03Give her a push.
48:05Start to go down.
48:06Now stop.
48:07See this bend?
48:09What it's going to do is stop you.
48:11You need to extend your leg straight.
48:14Okay?
48:15You also need to be closer with your hips.
48:18From this position, as you strike and turn with the straight legs,
48:22you will lay him down.
48:24You'll end up in a better position to hit him.
48:27This next technique is very similar but has to be done just a little quicker in the mix
48:37because it comes off a punch and not a push.
48:40So his paw is going to punch at you and step towards you at the same time.
48:43You want to take that momentum to the mat by doing the same leg scissors.
48:47The block you're going to do is an under-stroking block.
48:50So as he's punching you, you come up with your palm and your elbow.
48:54At the same time, your hips will drift towards his body so that you can throw your scissors on him in very close proximity.
49:00Give it a try.
49:01Feel how that felt difficult at the bottom?
49:10That's because you waited until you hit the mat to try to turn him over.
49:15This time, do exactly what you did but start your scissors and your turn on his body before you hit the mat.
49:24Try it again.
49:28Much better, much quicker.
49:31In this technique, Paul's going to rush you.
49:37He's going to reach out and grab your gi at both lapels.
49:41What I want you to do is not to stop his momentum but to reach up and grab his gi in the same manner inside his arms
49:48and to drop your hips, put a foot into his pelvis and launch him with the momentum that he offers you.
49:57Okay?
49:58You're going to step up and grab her, and she's going to send you flying.
50:05Good job.
50:06Alright, you're doing that well enough, but I'm going to augment it now.
50:10So, this time, instead of launching him, I want you to attach yourself to him with your grip.
50:18Come up on his belly and finish with an open hand strike to the throat.
50:23Open handed to the throat.
50:40Okay, this technique starts with you down on the mat.
50:43So, you want to lay down.
50:45Paul, you're going to kneel down between her knees.
50:49Put both hands on her throat like you're choking.
50:52Alright, what you're going to do is access his elbows with your thighs.
50:56So, trap his hands.
50:57Reach across, raise your hips up, and do a scissors right over his elbows.
51:02And turn him one way or the other.
51:05You can reach the side of his head.
51:06Here, the side of his head is protected because it's between his arms.
51:09You can reach back and access the groin or access ribs from this position before you get out.
51:24This concludes volume three.
51:25In this tape, you've seen techniques that restrain, that give pain, that maim,
51:31and there are even hot keto techniques that kill.
51:35In tape four, we're going to be taking a look at hand strikes, kicking, sweeping, and some hip techniques that I think you'll find very interesting.
51:50At the beginning of this lesson, and here at the end, we are privileged to see founding Grand Master of Hap Ki Do, Yong Sul Che.
52:03This extremely rare footage of Che was taken in America a few years before he passed away.
52:10A true legend in the world of martial arts, Yong Sul Che.
52:16A true legend in the world of martial arts, Yong Sul Che.
52:17A true legend in the world of martial arts, and the blind a desert, and a
55:17Let the experts show you on black belt video.
55:20To order your black belt video for only $29.95,
55:24call 1-800-581-5222.
55:47Let the experts show you on black belt video.
56:17Let the experts show you on black belt video.
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