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00:00So far away again.
00:11Sometimes I think I hardly knew you.
00:13Oh, the two of them.
00:15They were just scampering off into the jungle like, well, like two frightened school children.
00:21They were raptors, Challenger.
00:23Well, baby raptors.
00:24Oh, Veronica, you should have seen them.
00:26Maybe I will.
00:26I'm going for a swim.
00:27Oh, you want some company?
00:28Not really.
00:30But thanks.
00:33Veronica, are you all right?
00:35Mm-hmm.
00:36I'll be back in a little bit.
00:40I think it broke the Paul Gulls heart balloon.
00:43You know, I've been thinking about that myself.
00:45And despite her denials, I think she may well be in love with him.
00:49Well, I'm not so sure about that.
00:52Well, we talked about it a little while ago.
00:55Good friends, she said.
00:56No more than that.
00:57I'm afraid to take a chance if you ask me.
01:01No.
01:03Veronica's just reached a time in her life when she wants to fall in love.
01:06And it's not necessarily with Malone.
01:09But it's definitely with someone.
01:10It's not even with a Sam.
01:11Yeah.
01:11No.
01:13No.
01:14Yeah.
01:15No.
01:16No.
01:19No.
01:22No.
01:23Yeah.
01:25No.
01:25No.
01:27No.
01:29No.
01:33No.
01:34No.
01:35No.
01:35No.
01:36No.
01:36No.
02:07Where am I?
02:19What's going on?
02:31Let's look.
02:37Two lows today, Frau Hess?
02:45Yeah, I'll take my notes.
02:48I'll take my notes.
03:18I'll take my notes.
03:48At last, you've come to see me.
03:55Do I know you?
03:56Oh, I've been waiting for your visit ever since I first laid eyes on you.
04:02Do you like my music?
04:04Yes, I like it very much.
04:06I wrote it just for you.
04:10For me.
04:12My dream come true.
04:20At the dawn of the last century, a band of explorers search for a prehistoric world.
04:33Driven by ambition, secret desires, a thirst for adventure, and seeking the ultimate story,
04:41they are befriended by an untamed beauty.
04:46Stranded in a strange and savage land, each day is a desperate search for a way out of the lost world.
04:55And you're listening to you.
04:56And you're listening to the land of war.
04:57Death
05:06To be with us.
05:08Non-human
05:09Someday
05:10You're zij.
05:15Oh, my God.
05:45That... that was incredible.
05:50You wrote that just for me.
05:53Yes, I did.
05:56I've never seen a real piano before.
06:00Can I touch it?
06:01Certainly.
06:03Sit down.
06:05Don't be afraid.
06:15Who are you?
06:24My name is Thomas Ducard.
06:28I've seen you many times in the village.
06:32Perhaps you've noticed me as well?
06:35No, I've never been here before.
06:37I live in the jungle that surrounds this place.
06:42Jungle?
06:43That's where I was born.
06:45I've been through this valley lots of times, though, and I've never seen your village here.
06:51Oh, such an imagination.
06:54But I'm afraid there aren't many jungles in Germany these days.
06:59Not Germany.
07:01South America.
07:04A lost plateau in the Amazon jungle.
07:07My parents came here before I was born.
07:10And how long ago was that?
07:121895.
07:141895.
07:15It's only 1822.
07:161822 was a hundred years ago.
07:26We should be back by late tomorrow afternoon.
07:29I don't know why you don't wait until the morning.
07:31You'd make an early start.
07:33My sentiments exactly.
07:35Well, it could, but either way, it'll take more than a day to get there and back.
07:38So we may as well get started.
07:40Did I really volunteer for this?
07:42We all need bullets, Marguerite.
07:43Without sulfur, we'll soon be out of gunpowder.
07:45Wouldn't you rather go alone?
07:47I need someone to carry the sulfur.
07:50Do I look like a pack mule to you?
07:52Absolutely not.
07:54Which is why I'm anxious for your company.
07:56So, get off that fine tush of yours and let's get going.
07:59See you tomorrow, George.
08:00Yeah, good luck.
08:02Are you sure you don't need my organizational skills around here?
08:06Oh, I think I can manage without you, Marguerite.
08:09Although I will miss your sunny disposition.
08:11Well, whatever force brought us together, we were destined to.
08:19But you think I'm someone else.
08:21Well, yeah, yeah.
08:22I thought you were a young woman I'd often seen here, but...
08:25Hey, I'm clearly mistaken.
08:28You're nothing like her at all.
08:29Well, it must be your clothes that cause the confusion.
08:34I don't even know how I came to be wearing these clothes.
08:38You're from another place in time or a ghost or something.
08:42This whole place, it can't be real.
08:45Well, you know, I feel alive.
08:47Very much so.
08:48I mean, don't I feel alive, do you?
08:54Yes.
08:55Um, I can't stay.
08:57I've got to get back to my friends.
08:59Well, may I come with you.
09:01No, I want to meet your friends and see for myself this strange world you talk about.
09:07I don't like that very much.
09:26What?
09:28What happened to your clothes?
09:30Well, this is what I always wear.
09:35You're beautiful.
09:37A goddess.
09:42In this place.
09:44It is a jungle.
09:47Everything you've said, it's true.
09:50So you're not disappointed?
09:52No.
09:53No, no, far from it.
09:55Like I've been given a second chance to live life.
09:59It's wonderful.
10:01It's extraordinary.
10:03I'm glad you like it.
10:04Well, I love it.
10:05It's all because of you, the most amazing thing that's ever happened to me.
10:13How can this be?
10:14My friend Challenger might be able to explain it.
10:21Come on.
10:21I should have done this a long time ago.
10:35At least for everything.
10:38And everything in its place.
10:41I can't wait for you to meet him.
10:55Challenger!
10:57He's probably in his lab.
10:59That's incredible.
11:02Challenger!
11:02What happened?
11:08Oh, are you all right?
11:12Where am I?
11:13I missed a bang in my head when I fell off the ladder.
11:18Ow!
11:19Oh, you've got quite a bump.
11:21Well, who's your friend?
11:30You're lucky you didn't fracture your skull.
11:32I'm not so sure you didn't.
11:34I did.
11:34I have a slight concussion, no more than that.
11:36A concussion can be very serious.
11:38A sudden movement will only make it worse.
11:40You tell him.
11:41Should take it easy for a few days, at least.
11:43I hope you're listening.
11:45How is it that a musician knows so much about medicine?
11:48Well, I studied medicine briefly at university, but music has always been my passion.
11:53You should hear him play, Challenger.
11:55It was amazing.
11:57I could have listened to him play for hours.
12:00And I could play for you forever.
12:01Yes, well, I would like to visit this village of yours myself.
12:04Not until your head's better.
12:06Your appearance here seems to defy rational explanation.
12:09No, it doesn't.
12:10Well, not for you.
12:11Strange things happen all the time around here.
12:13Well, yes.
12:15I suppose it could have something to do with harmonics.
12:18Etheric vibrations caused by your music could have ripped you and your village from their natural place and time and space.
12:24See?
12:25I told you you could explain it.
12:26I'm not sure that I have.
12:30You could still be no more than some supernatural apparition.
12:36Well, Veronica and I have already established that I'm not a ghost.
12:40What do you recall of your life in Germany?
12:42I remember growing up and going to school, studying music, everything right up until this morning.
12:48You recall anything unusual?
12:50Well, no, not until Veronica walked into my life.
12:52I see.
12:55Now, the conditions that have led to your sudden appearance here may not be permanent.
13:02You're saying I could disappear again?
13:04As quickly as you arrived.
13:05But until I know more about this phenomenon, I can't possibly draw any logical conclusions.
13:11Do we have to talk about this right now?
13:14Come here.
13:15I want to show you something.
13:16What is it?
13:19Wait and see.
13:20It's Mozart.
13:33Concerto number 21.
13:35Isn't it amazing?
13:36Absolutely.
13:37Whatever is this machine?
13:38It's called a gramophone.
13:40Such clarity.
13:41It's like actually being in an orchestra pit.
13:50Isn't he fantastic?
13:52I can see how attracted you are to him, Veronica.
13:55But he may not be as charming as he appears to be.
14:00What do you say?
14:01Just be careful.
14:03And stay out of that village.
14:04As I said, it could vanish as quickly as it materialized.
14:07And you do not want to be caught in it.
14:09It does.
14:10I can take care of myself, Challenger.
14:14Are you okay?
14:15Yeah, no, no, no.
14:16Can you hurt yourself?
14:16No, I'm fine.
14:17I'm just afraid of broken your machine.
14:20That's all.
14:21It's okay.
14:23Challenger can fix it.
14:25It must have been lonely living here all by yourself.
14:31Sometimes.
14:33But I've gotten to know a lot of the tribes that live here.
14:37As well as most of the animals.
14:40But you never found out what happened to your family.
14:45Not yet.
14:46But I think they'd like to meet you.
14:55What is it?
14:59Triceratops, I think.
15:01What?
15:04A dinosaur.
15:05Come on.
15:05Come on.
15:13Thomas!
15:18Thomas!
15:19Are you all right?
15:29No broken bones.
15:34That was one of the less friendly inhabitants.
15:36We really should get going in case he comes back.
15:49I know I thought it'd be like this.
16:06Oh, better than this.
16:07It could never be.
16:08No.
16:08No.
16:09I feel like I'm in a dream.
16:17Oh, you feel wonderful to me.
16:19Well, it's still there.
16:41Oh, the mist at least.
16:42Oh, I'm sure it might really just as well.
16:48Do you think Challenger's right about it being unstable?
16:52Well, I hope not.
16:55See, I must see you again tomorrow.
16:59I'll be waiting right here for you.
17:01Oh.
17:05Oh.
17:06Oh.
17:08Oh.
17:10Oh.
17:10Oh.
17:10Oh.
17:11Oh.
17:11Oh.
17:11Oh.
17:11Oh.
17:11Oh.
17:11Oh.
17:11Oh.
17:11Oh.
17:11Oh.
17:11Oh.
17:11Oh.
17:11Oh.
17:11Oh.
17:11Oh.
17:11Oh.
17:11Oh.
17:11Oh.
17:11Oh.
17:11Oh.
17:11Oh.
17:11Oh.
17:11Oh.
17:12Good morning, Challenger.
17:19How's your head today?
17:20Oh, a little better, I think.
17:22Although I had a splitting headache last night.
17:24Well, you should take it easy for a couple of days, like Thomas suggested.
17:28I take it you're going off to see him again.
17:31Yes, if that's all right with you.
17:34He broke this on purpose, you know.
17:37Why would he do that?
17:38To interrupt our conversation.
17:40He didn't like what I was saying about his intentions.
17:41Well, neither did I.
17:42Well, neither did I.
17:43Well, neither did I.
17:43You're wrong about him.
17:45You don't think you're rushing things a little?
17:48No.
17:51I don't trust him, Veronica.
17:53Veronica.
17:57You need to be more careful.
17:58I can take care of myself, Challenger.
18:01I always have.
18:02We all make mistakes, especially when it comes to matters of the heart.
18:06Mistakes?
18:07Is that what you think he is?
18:09No.
18:10Worse than that, I think he's dangerous.
18:12You don't know what you're talking about.
18:14He makes me very happy.
18:15I think you should stay away from him.
18:16I'm not a little girl, Challenger.
18:19And you're not my father.
18:20If I were, I wouldn't let you leave this treehouse.
18:22Oh, really?
18:24Well, watch this.
18:28Veronica.
18:32Some shortcut, Roxton.
18:33Oh, stop your complaining, Marguerite.
18:36You're the one who's so anxious to get back to the treehouse.
18:38Besides, who looks like a pack mule here, huh?
18:46Strange, I haven't seen the valley choked up in fog like this before.
18:50Better not be choked with dinosaurs.
18:57What is going on?
18:58Who knows?
19:06Excuse me.
19:07How did this happen?
19:11Well, I have no idea, but you look stunning.
19:16You look pretty dapper yourself.
19:18Yes, I do look pretty damn sharp, don't I?
19:22Some sort of uniform.
19:25Which prompts the question, where the hell are we?
19:29Looks like a German village.
19:37Well, how are we?
19:39I have no idea.
19:42Are we alive again?
19:46If we are,
19:48Ducarp must be alive as well.
19:51But only till I find him.
19:52Do you hear that?
20:15It sounds like a full orchestra.
20:20Where would Thomas find anything like that around here?
20:23It has to be him.
20:25Come on.
20:26This is just like being in Germany a hundred years ago.
20:30Must be some sort of illusion.
20:35I wonder if this couple can see us.
20:37Good afternoon.
20:38Oh, there she is.
20:39Good day, sir.
20:40Nice weather.
20:40I guess we're not invisible.
20:45Well, not if they're wearing the same kind of clothes we are.
20:48Ow!
20:48What is it?
20:51Something in my shoe.
20:53Sit down over here.
20:55Here we go.
21:05Such a gentleman.
21:08Excuse me.
21:09We didn't order these.
21:10They're on the house.
21:12Enjoy your afternoon.
21:15Oh, Marguerite, I don't like this place.
21:17Oh, why not?
21:18I think it's rather pleasant.
21:20It's almost like being back in the civilized world.
21:22How do you know it's not poisoned?
21:24How do you know it's even real?
21:26Well, that waiter looked and sounded real enough.
21:28Oh, John, there are many strange forces at work on this plateau.
21:31Do all of them have to be cause for alarm?
21:33I think we should go back the way we came and get back to the treehouse.
21:37I am going to enjoy myself for five minutes.
21:39Why don't you go look around?
21:40See if you can find yourself some trouble.
21:42Is that what you want?
21:43Mm-hmm.
21:44What are you waiting for?
21:47All right.
21:49I'll be right back.
21:51You wait here.
21:52Mm-hmm.
21:52What strange kind of house is that?
22:02Ducard!
22:04You up there?
22:06Anybody home?
22:08Who are you?
22:10What do you want?
22:11We're looking for Thomas Ducard!
22:13You wait right here.
22:17What year did you say it is again?
22:191922.
22:21That doesn't make any sense.
22:23How did our village get here?
22:25Yes, well, that's still something of a mystery to me as well.
22:28Now, tell me, Captain Melerick,
22:30why are you so concerned to find Mr. Ducard?
22:33The man is an utter scoundrel.
22:36I had my suspicions.
22:37In 1822, he was married to me.
22:41Until he ran off with a young girl named Julia Gash.
22:44She lived with her father.
22:46He sent me a letter begging that I intervene.
22:48My sister and I went after Ducard.
22:50He was hiding in a cellar under the shops in the village.
22:53When Julia learned the scandal she had caused,
22:58she committed suicide.
23:01Oh, that's terrible.
23:03Yes.
23:04It was terrible for us all.
23:08Oh, my God.
23:11Nadine, look at this.
23:13That's Veronica.
23:15No.
23:18That's Julia Gash.
23:23Oh, now, where is she?
23:40Are they still open?
23:41Dad, come on.
23:44I'm still lost.
23:50No!
23:52I'm not.
23:53You're looking for me, Melrick.
23:59Who the hell are you?
24:02You know damn well who I am.
24:04You just take it easy with that.
24:06Get out of here!
24:07Not until I find the woman I came here with.
24:10Get out of here!
24:10What the hell is going on here?
24:25It's just like 1822 all over again.
24:28Oh, no.
24:31Not again.
24:32You really are a modern ghost.
25:01You died a hundred years ago.
25:04Yes.
25:06Yes, after Thomas ran off with that girl, Julia Gash.
25:13Melrick and I went after them.
25:14We chased them into a small village.
25:17Melrick confronted Thomas, but Thomas pulled a gun on him and shot him dead.
25:22I found the cellar they were living in.
25:34I found the cellar they were living in.
25:34My husband, once a great composer, now reduced to filth.
25:41Living like rats.
25:44Poor girl.
25:46She was innocent.
25:48What chance did she have?
25:49My husband filled her head with lies.
25:51He said she was his muse.
25:54His inspiration.
25:57How could she resist his music?
26:01So beautiful.
26:05So divine.
26:06There must be some way out of this.
26:19I must get her back here.
26:21There must be some way out of this.
26:51I stood there in the doorway, listening to his music.
26:57I could see her reclining on the bed enraptured.
27:02I was watching him with such love in her eyes.
27:05Once she saw me, she gasped.
27:08My husband stopped playing.
27:10He turned to me.
27:12I could see his madness then.
27:13Even when he drew his gun, I didn't move.
27:21The bullet in my chest was like a caress.
27:24He shot you?
27:26The pain was gone.
27:28He couldn't hurt me anymore.
27:30The young woman, having seen that, took her own life.
27:34Yes, by drinking hemlock.
27:36A little makes a good sedative.
27:37Any more than that is fatal.
27:39How dreadful.
27:41Her father was a lowly woodcutter who lived in the forest near the village.
27:48He found her in the cellar.
27:49She was his only child.
27:50He must have been drawn here by Veronica.
27:59Well, if she is with him now, her life is in terrible danger.
28:02He must have been drawn here.
28:32Bravo.
28:52Exquisite.
28:54What are you doing here?
28:55I'm sorry.
28:56I didn't mean to disturb you.
28:58The door was open.
29:00No, no, please.
29:01Don't stop playing on my account.
29:03You have no business here.
29:04There's nothing left between us.
29:07Was there ever?
29:10Why does a man with your such obvious talent hide himself away down here?
29:14I'll never play for you again, Nadine.
29:17I only married you for your money and your position.
29:20You knew that.
29:21But you weren't happy being my patron.
29:23No, no, no.
29:23You wanted more.
29:26I'm not, Nadine.
29:27You must be mistaken for somebody else.
29:29Oh, there's no mistake.
29:31You followed me here because you couldn't let me go.
29:35Move away from the door.
29:37And you'll never see me again.
29:39No, no, I'm afraid it's too late for that.
29:42You see, I've already killed your brother and now you're going to have to die as well?
29:47I'm not your wife.
29:48I don't have a brother.
29:50The captain.
29:51Melrick, I shot him half an hour ago.
29:54Captain.
29:55Roxton.
29:56He came here to defend your honor as if you have any.
29:59You shot Roxton?
30:00I despise you, Nadine.
30:03I always have.
30:06But now I have found another woman.
30:09A creature so divine.
30:11My music is for her and for her alone.
30:14Then play for her.
30:16I promise I won't try and stop you.
30:18No, you won't.
30:18No.
30:19Nadine.
30:31There's still time.
30:34Stop.
30:36Nadine.
30:38You must find your friend.
30:40You have to hurry.
30:41I can't.
30:41I can't.
30:41I can't.
30:41I can't.
30:42I can't.
30:42I can't.
30:42I can't.
30:42I can't.
30:43I can't.
30:43I can't.
30:43I can't.
30:44I can't.
30:44I can't.
30:44I can't.
30:45I can't.
30:45I can't.
30:46I can't.
30:46I can't.
30:47I can't.
30:47I can't.
30:48I can't.
30:48I can't.
30:48I can't.
30:49I can't.
30:49I can't.
30:50I can't.
30:50I can't.
30:51I can't.
30:51I can't.
30:52I can't.
30:52I can't.
30:53I can't.
30:53I can't.
30:54I can't.
30:54I can't.
30:55I can't.
30:55I can't.
31:11Veronica, wait!
31:14Thomas, I didn't think you'd come.
31:19I never thought I'd see you again.
31:21I couldn't live without you.
31:24You're my muse.
31:27My inspiration.
31:29And we should always be together.
31:31Always.
31:41I think I'm falling in love with you.
31:55And I don't want this to end.
31:57No, why does it have to lie?
32:03I don't want to lose you.
32:04But you never will.
32:06A challenger said you could just disappear.
32:09You, your village, your music.
32:12How do you know that challenger is right?
32:18How does he know?
32:25You forget about challenger.
32:29Has he ever been in love?
32:32Does he even remember what it's like?
32:35No.
32:38I guess not.
32:39No.
32:41Then come and live with me, Veronica.
32:43Let my village be your home, too.
32:48Well, what about my friends?
32:50It's not the need of your friends.
32:54We have each other.
32:56But I belong out here.
33:08I'll come see you every day.
33:10No, no.
33:11No, no, no, no, no.
33:12No, you must come with me now.
33:15Yeah?
33:16You stay with me.
33:18Forever.
33:18I can't.
33:19I can't.
33:20I can't.
33:21I can't.
33:22I can't.
33:31At least come and listen to my music.
33:37I'd love to.
33:39I'd love to.
33:41Oh, Marguerite, where are you?
33:49No.
33:55No.
33:55No.
33:56No.
33:58No.
33:59I'm looking all over for you.
34:01It was castling.
34:02I heard a piano.
34:03He thought I was his wife.
34:05He shot me.
34:05No, it's all right.
34:06It's all right.
34:06It's probably the same lunatic who shot me.
34:08Thought I was someone else as well.
34:09Where'd he go?
34:10I don't know, but we've got to get out of this village now.
34:12Come on.
34:14You were right about this place.
34:16We never should have stopped here.
34:17You're always right.
34:18You should know that.
34:18Right for me.
34:20I will not forget you said that.
34:29Let's hope I don't need this.
34:31Now all I've got to do is find that village.
34:42Seize the moment.
34:44Live for the day.
34:45Is that not the way that love should be?
34:48Oh, I thought you said that love should last forever.
34:50Well, so it shall.
34:53No one will come between us.
35:01Wait here.
35:05I have a surprise for you.
35:08A surprise?
35:24Come in.
35:31Where's the surprise?
35:33Oh, you'll see it in a minute.
35:41Let's drink to the sunny days ahead.
35:48Go ahead.
35:49Throw caution to the wind.
35:54Now come here and sit on the bed where I can watch you while I play.
36:01Oh, such beautiful music.
36:17Genius tainted by insanity.
36:19I will spare you no mercy if you have harmed her in any way.
36:26I can listen to you play forever.
36:29And so you shall.
36:31When I first looked upon her face,
36:35it was like
36:36I was looking at an angel.
36:41So innocent.
36:43So pure.
36:45I don't understand.
36:47Her name was Julia Gash.
36:52Oh, she looked like you.
36:54What?
36:54I loved her as no man has ever loved a woman.
36:58I turned my back on fame and fortune.
37:01Shunned all humanity, even the light of day for her.
37:05I have to go.
37:12Let me out of here.
37:13No, no, no, no.
37:14I can't.
37:15I can't.
37:17Now you are mine.
37:18No.
37:19Yes.
37:20Yes.
37:22You belong to me.
37:29These must be the clothes of the Pogil's father.
37:33Right.
37:33Your wine was laced with hemlock.
37:50Same poison she drank to end her life.
37:55Now you will stay with me forever.
37:56I love you more than life itself.
38:15What have you done?
38:19She's not your daughter anymore.
38:24Oh, you're bad.
38:25You are completely insane.
38:35You can't save her.
38:38You can't take her away from me.
38:54Veronica.
38:55Veronica.
38:56Not yet.
39:05Come on, now.
39:07Now drink this.
39:08Drink.
39:10Come on.
39:11That's it.
39:12Just a little bit more.
39:14Good.
39:15Come on, now.
39:17Oh, come back to me.
39:19Come on, now.
39:20Oh, come on, now.
39:34What?
39:35We back where you belong
39:52Why is he he's gone you're safe now
40:05In your arms not hit this
40:24All right
40:26It's all right
40:35Do you remember what you said to me back in that village
40:41About you being right for me
40:44Yes
40:46I was delirious
40:49I didn't really know what I was saying
40:51Oh
40:52I didn't think so
41:02You let go of me
41:03Monica
41:04It's all right
41:05I just had the most horrible dream
41:09Not a dream
41:10It really happened
41:12Are you sure?
41:16German village
41:17Crazed musician
41:17We were all there
41:19You saved me
41:22I wasn't all bad
41:25From what I hear
41:26Being adored
41:28Idolized
41:30Love is much more than that
41:32It's unconditional nurturing
41:34Nurturing
41:34And understanding
41:35But does it always have to hurt so much?
41:40Oh yes
41:41It may not always be smooth
41:46But it is always worth the effort
41:49That's all right
41:51To be with you
41:53Actually, I'll be there
41:53To beecho
41:55We're all there
41:55We're all here
41:56We're all there
41:56We're all there
41:56We're all there
41:57We're all there
41:58We're all there
41:58We're all there
41:59We're all there
41:59To be continued
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