- 2 days ago
Category
🎥
Short filmTranscript
00:00To be continued...
00:30Even the rats don't want you anymore, Mbuchu.
00:39But apparently you still do.
00:43This is your second visit today.
00:46I enjoy watching a prisoner in his final hours.
00:49It invigorates me.
00:52Maybe you're just jealous.
00:56In a day, I'll be free.
00:59In a day, you'll be dead.
01:02True.
01:04But at least I won't be here.
01:09The rat waits in his next meal.
01:12I want his guts retching until his final hour.
01:15You won't run from death this time.
01:23A dead man! You hear me? A dead man!
01:26Come on, Braveheart! Give me a break!
01:28There's your break.
01:30Fast and clean one to the heart.
01:32It's getting you alive and hanging you up for the vultures.
01:34What?
01:35You have no idea how glad I am to see you.
02:01You know, Cutter, I'm impressed.
02:07You tried to take out an elephant poacher in your underwear.
02:12Maybe I underestimated you.
02:15This is an over, Cutter!
02:16Nobody sleeps with my wife and lives to brag about it!
02:19Not even me!
02:20I can explain.
02:24Well, I can explain.
02:31For the last time, they are not married.
02:33They are separated.
02:35As in, not together.
02:37Totally different.
02:38Life is just a set of loopholes for you, isn't it, Cutter?
02:42What is that supposed to mean?
02:44You always have an excuse.
02:46You never take responsibilities.
02:48It's always about whatever makes Matt Cutter happy.
02:51That is not true.
02:53At least not anymore.
02:55Look at the jobs I've taken recently.
02:58A group of botanists on a spore hunt,
03:02followed by a group of war historians retracing some battle.
03:06Believe me, that did not make Matt Cutter happy.
03:09Meet your new clients.
03:12Ruby, Pearl, and Jade.
03:16Meet Matt Cutter.
03:19So, more war historians?
03:24Apparently.
03:27Cool.
03:39I'm sorry.
03:51Oh, yeah.
03:57Oh, no.
03:58Oh, yeah.
04:02Oh, yeah.
04:03Oh, yeah.
04:03Okay.
04:04Oh, my God.
04:34Oh, somebody pinch me. I must be dreaming. Is this Prada?
04:38No. It's, um, Gazelle.
04:42Oh, goodness. Every time you turn your head, you see another beautiful fashion guy descending from the heavens. Isn't this gorgeous, ladies?
04:49Who's Gazelle?
04:51I'd lose the boots, but the bare midriff is bomb. Ultra retro.
04:57This is Marcus Cain with Stuff Magazine. He wants you to lead him deep into the African wild where he can use the savage backdrop to photograph his models in bikinis.
05:12I can do that.
05:15See, I told you the famous Matt Cutter of Cutter Unlimited will know how to get us to the Garden of Eternal Life.
05:21The Garden of what?
05:22Don't act coy with me. You know exactly what I'm talking about.
05:27The ring of ancient trees, the thick, deep grass, this velvitude, a touch that reflects a prism of light off the nearby waterfall.
05:35Um, I never heard of the Garden of Eternal Life, but what you're describing sounds like a pasture near the army prison.
05:43Prison?
05:43Prison?
05:44Prison?
05:45Prison?
05:45Prison?
05:47Unbutu. What will tomorrow's date be? October 11th. October 11th. The day that I will die.
06:12how do you suppose that date was chosen the way everything else in gamma chooses on a whim
06:19i don't want to die because of someone's whim my good man don't dwell on why we die dwell on why
06:30we live okay if we take this road won't it get us close to that garden spot it'll get you in the
06:41vicinity and how close will that be depends on your definition of close compared to jupiter
06:49mars is close to earth in maltaka three days walk at a marathoner's pace that's it i must get out
06:58and about i can feel my creative juices starting to turn into month old jello hard and no bounce
07:04not that i don't find your debate about speed and distance fascinating
07:08it's just not what my head is at
07:12i hate those kinds of people no no mendelson don't be judgmental
07:21it's my upbringing in my family we were punished for ending sentences with a preposition
07:28so
08:03Well, no matter which way we go, there's still going to be a lot of walking involved.
08:18Please, honey. I can do a 40-foot runway 17 times in 60 minutes in Manolas. Thank you.
08:25Is that a good thing? It's hell on the arches.
08:29Oh, my God. I cannot believe the incompetence. That shoot I did in the Bahamas for Venus Swimwear, they didn't even airbrush my tan lines.
08:40It looks like the brush missed a few other things, too.
08:46That looks very, very nice.
08:51Yeah.
08:52I think Marcus has gotten his creative juices back yet.
08:55Oh, hey there, soldier boy. I trust Clawwood. I would love to take your picture.
09:19Come on, now. No rough stuff, okay?
09:23Ow, hey! Can't we all just get along?
09:26Ow!
09:28You...
09:29Ow!
09:41Ow!
09:44This is not a boy.
09:57Oh, hey!
09:58Believe me, Maddie, honey, this is nothing compared to the shoot I did in the Sahara.
10:17I shot there once, too, and I have never been so hot in my life.
10:22When I got home, I didn't want a stitch of clothes for a week.
10:25Well, a mailman must have loved you.
10:27Why is that?
10:28Oh, look, I'm all constricted!
10:33I'm all constricted!
10:35Wow, it looks just like that purse I modeled at the Versace show in March.
10:41I hope it wasn't like a friend of his or something.
10:45That wasn't real snakeskin, Pearl.
10:47Oh, my God, because we do not need bad karma out here in the middle of nowhere where awful things could happen.
10:54Goddard, that's so funny and clever of you, pretending something awful happened just because I said something awful happened.
11:05Something awful happened, didn't it?
11:16I am never modeling snakeskin anything again, fake or not.
11:32This did not happen because of some purse that gave us bad karma.
11:36Jade's right, this happened because Cutter is just a bad driver.
11:41How could something that gorgeous create like gravel under your eyelids?
11:47Matthew, honey, Matthew, honey, I think I'm going to go to this tower over here to see if I can find someone who can help us fix the truck.
11:55Well, that tower happens to be the prison.
11:58Really?
12:00The prison?
12:01Well, since we're all here, I'm going to go check it out.
12:08I'm bored.
12:09Let's go take a walk.
12:19Yeah, I think the rim's bent.
12:22I don't know about that, but he's definitely lighten the loafers.
12:26I was talking about the tire.
12:28Oh, that, yeah, yeah.
12:29Whoa, whoa, whoa, whoa, whoa, whoa, whoa, stop, don't panic, don't panic, don't crash around, it just makes it worse.
12:41A snake doesn't help.
12:44I can't breathe, I can't.
12:48Reach for me, reach for me.
12:49Reach for me.
12:54Please, reach for my hand.
12:57Come on, now.
12:59Grab my hand.
13:01I can't.
13:03Please, no.
13:04Cutter, get me another bind.
13:06Hurry.
13:08You guys, you stay calm.
13:11Cutter.
13:15I can't reach it.
13:17Please.
13:23I can't reach it.
13:24I can't reach it.
13:24I can't reach it.
13:25I can't reach it.
13:26I can't reach it.
13:26I can't reach it.
13:27I can't reach it.
13:28I can't reach it.
13:31Oh my...
13:32Please.
13:33Oh my...
13:37Your hand...
13:39Ah!
13:44Ah!
13:46Ah.
13:47Ah.
13:48Ah!
13:49Ah!
13:50Ah!
13:51Ah!
13:52Ah!
13:53Anyone have some needle-nosed flyers?
14:23Isn't that amazing, the way Shima rescued us?
14:25Their strength is really unbelievable.
14:28It's Pilates, I swear.
14:30As soon as I get back to the States, I'm signing up for Pilates.
14:34Oh, that's a great idea.
14:35Then maybe we can pull people out of quicksand, too.
14:53Hey.
14:54Hey.
14:55Better be careful there.
14:56Your eyes are going to pop out of your head.
14:58And I'm finished saving people today.
15:01Very, very funny.
15:03Well, I do owe you one for helping out.
15:10So, uh, you enjoy looking at them?
15:14No.
15:15Well, I'm watching over them, too.
15:17I want to make sure nothing else happens.
15:19Like crocodiles.
15:20Or sharks.
15:23It doesn't make you nervous.
15:25Nervous?
15:26Well, yeah.
15:27I mean, you get nervous watching me bathe in the lagoon.
15:31Yeah, but that's because I know you.
15:34And you know them.
15:36Yeah, but they don't know them from watching.
15:39So you're spying?
15:41No.
15:42Not really.
15:45I guess it's no different than looking at them in those magazines they pose for.
15:51The magazines?
15:52Yeah.
15:53You don't think men are buying them to admire the wardrobe now, do you?
15:59Well, I don't know.
16:01Why are they buying them?
16:03Well, to look at them.
16:04Well, before you go getting all indignant on me, keep in mind these women can make a lot of money posing for magazines.
16:20So if I were to pose for one of those magazines, they'd pay me a lot of money, too?
16:25You?
16:26Yeah.
16:27Big bucks.
16:29Huge bucks.
16:31Where's Marcus?
16:35I think he needs to come take advantage of this photo opportunity.
16:42Yeah, I doubt that.
16:44Marcus isn't here for pictures.
16:48Whoa.
16:49Whoa, whoa, whoa.
16:50Where did that statement come from?
16:52Well, I followed him last night.
16:54You know, when he had to find his creative fluids.
16:57Juices?
16:58Yeah, well, he met up with a man who gave him a package.
17:01He might have been a soldier based on how he was dressed.
17:05But, uh, they went to a bar.
17:08And, uh, after Marcus left, two of Ngama's men tried to beat him up in an alley.
17:13Well, now that story sounds unique.
17:15I mean, Ngama's men try to beat up everyone.
17:17It's not like he doesn't call attention to himself.
17:20So, where is he?
17:22He went to check out the present.
17:24Oh, Sheena.
17:27You showing up at that quicksand pit, was that, uh, just a lucky coincidence?
17:33Didn't think so.
17:36Faster!
17:40Yes?
17:45What?
17:46It's about the execution list, Commandant.
17:48Was your name accidentally left off the list, Lassa?
17:52What about the list?
17:55Three of the men scheduled to die are already dead, Commandant.
17:59Then pick three more.
18:01Use your own discretion.
18:03But, Commandant...
18:05But what, Lassa?
18:07Are you such a useless piece of waste you can't select three bodies to shoot bullets through?
18:12What I meant, Commandant Kesey, is that a decision of such honor and magnitude
18:17should not be left to a lowly guard like myself?
18:23What would President Ngama think if he somehow found out?
18:28I'll start on the list this afternoon.
18:31It shouldn't be too difficult.
18:33Everyone in the prison deserve to die.
18:36Don't you think so, Lassa?
18:38Yes, Commandant.
18:40When you leave here, find out what this nonsense is all about, sir.
18:44Yes, Commandant. I'll check on it right now, sir.
18:48We cannot shoot here.
18:50No! Why? Why can't we shoot here?
18:52This is a prison.
18:53That's exactly why we must shoot here.
18:54Can't you see the significance of the statement that we'll make?
18:55Putting beauty before...
18:58Barbarianism!
19:00Come on, now!
19:02What beauty?
19:03The beauty!
19:04Oh, okay, not him, not him.
19:05Here come the beauty now!
19:07Beauty one, beauty two, and beauty three!
19:11And you got a nice hat, but isn't this beautiful?
19:13Open the gates, Lassa.
19:14We need to get Baccarat to the infirmary.
19:16What happened to him?
19:18We found him on the side of the road.
19:20They say he got into some kind of bar fight.
19:24Take it in.
19:26No, no, no, no.
19:29No, no, no, no, no, no, no, no.
19:31No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
19:34No.
19:35No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
19:36No, no, no, no, no, no, no, no, no!
19:37No, no, no, no.
19:38Take it in.
19:49So what about our photo shoot?
19:51No pictures.
19:52Oh, come on.
19:54Please, come on.
19:55Oh, we're so sad.
19:56Just a little bit.
19:57Yeah.
19:58Just one.
20:00Okay.
20:01Okay.
20:02One hour.
20:03That's all.
20:05Well, Marcus, you heard the man.
20:08Got one hour.
20:10What?
20:11Oh, that's not gonna work.
20:13I've lost my light.
20:15We'll just have to come back tomorrow.
20:20After an act like that, he's not even gonna shoot?
20:23He owes us big time.
20:31Okay, this is new to me.
20:33I've never done this with three girls before.
20:36Let's make this special.
20:51Find her?
20:52No.
20:53Where's Marcus?
20:54He's not looking for his creative producers again.
20:57This time he's eliminating them.
20:59I believe the loo is that way.
21:04Carry on.
21:07Everybody now.
21:10In the eye, my lord.
21:29Lookin' for this?
21:40Whoa.
21:41Slap me silly and watch me smile.
21:44It's just so much out here to photograph, you know.
21:47Marcus.
21:48I saw you last night with that soldier.
21:50The one who was knifed.
21:52Look lady, I'm not trying to hurt you.
22:06Just let me do what I need to do and this will all be over by tomorrow night.
22:09I don't think so.
22:11I don't think so.
22:12No.
22:32Man, what I wouldn't give for a group of boring war historians.
22:35Is that really necessary?
22:49Not if you would have told the truth in the first place.
22:52What's the story, Marcus?
22:54Are you even a photographer?
22:56Yes, yes, I am a photographer.
23:00And I'm also the son of Joseph Mugwambe.
23:03Are you related to Ambutu Mugwambe?
23:06Yes.
23:07I'm his nephew.
23:09Well, I can sit here and pretend I know who this guy is,
23:11but I am way too tired to try hiding my ignorance.
23:14So who is Ambutu Mugwambe?
23:18He's a prisoner in that prison.
23:21My father and my uncle were entrepreneurs.
23:24In the early days of Motaka's independence, they made a lot of money.
23:29But instead of keeping it all to themselves, they invested in their people.
23:34Oh, man, a principle.
23:36Ngama must have loved those guys.
23:39Kali said he made up reasons to have them both arrested.
23:41All of the prisoners are in there on trumped-up charges.
23:45Fortunately, my father managed to escape for the rest of his life.
23:51Freeing his brother was his obsession and his dying request of me.
24:00I tried two years ago, but needless to say, it just didn't work out.
24:06Do you know if your uncle's even still alive?
24:08Yes, he's still alive, but not for long.
24:12Tomorrow, he's scheduled to be executed.
24:15And again, it's all falling apart.
24:18That box of dynamite back there, that's less than a third of what I paid for.
24:23That Baccarat, the guard who was brought in with the stab wound.
24:27He was my inside man.
24:29But I'm not going to leave here without my uncle.
24:35Marcus, you can't rescue your uncle by yourself.
24:38Both of you will end up dead.
24:40She's right.
24:42Tough as it sounds, sometimes you just have to cut your losses.
24:45So one of you can live to fight another day.
24:47Which is why we'll help you rescue him.
24:59Sheena, we're models.
25:02Hello? Those guys in there? Those are soldiers.
25:06Now, I don't know if you want us to go after them with a couple of lip pencils or something, but I just really don't think this is the gig for us.
25:13Besides, aren't there like teams trained to do stuff like break people out of prison?
25:17Right now, we don't have any trained teams. It's just us. Without our help, Marcus's uncle will die.
25:25Yeah, and we could too, right? Like you almost did in the quicksand?
25:29Right, until you rescued us.
25:32Oh.
25:36We're not going to do this.
25:38Hey, now, now, don't give up. Sheena can be pretty persuasive.
25:42Yeah, but we're talking supermodels here.
25:44Man, that's the point.
25:47Well, it's not like I'm afraid or anything like that. It's just, I don't think we'd be very good at it.
25:55Well, you're not giving yourselves enough credit.
25:57Besides, all you have to do is exactly what you've been doing all along.
26:02Complain, pose, look beautiful, and distract.
26:08Now, I'm not saying what you're about to do isn't dangerous, but your part will be over before the real danger begins.
26:14Well, I trust you.
26:19And if you trust us, then count me in.
26:25Me too.
26:27This is great.
26:28Finally, we're not being used just for our bodies.
26:31That is exactly why we're being used, Ruby.
26:34Only this time, we'll end up saving someone's life.
26:37Hey.
26:38Let's get to that.
26:39Woo!
26:40Woo!
26:41Woo!
26:42Yeah.
26:43Yeah.
26:44All right.
26:45Yeah.
26:46All right.
26:47Woo!
26:48Woo!
26:49Woo!
26:50Woo!
26:52Woo!
27:08I think he might be dead, Commodore.
27:11Do you think he might be dead, Commandant?
27:13I doubt it.
27:19I don't know how to chain him to the others, Commandant, if he cannot walk.
27:22Of course he can walk.
27:32Perhaps you would like to let me wear a crown of thorns and carry a cross.
27:41Leave him there!
27:43When it's time to execute him, tie him up and drag him to the wall.
27:47And get the other prisoners out to the block. Now!
27:58What did you do to earn that kind of anger?
28:01I would not take a bribe.
28:11We're getting close, Cutter. The guards are starting to check their rifles. We need to go now.
28:21Relax. Marcus, everything's right on schedule.
28:25Hey, Rory. You there, it's Cutter.
28:28The answer's no.
28:30I need you to pick up a few folks for me in your helicopter.
28:33Well, then the answer's hell no.
28:36Rory, you got a copy of this month's Maxim magazine handy? If so, turn to page 37.
28:41Oh, yeah. Okay. So?
28:45The one almost wearing that bikini would happen to be one of your passengers.
28:51She's the ugliest one of the three.
28:53Oh, man. Oh, jeez. I can't do it myself, Cutter. I'll have to send somebody else.
29:00Hey, whatever it takes.
29:02They're moving the prisoners.
29:27How are we going to get in there? That place is like a fortress.
29:31Yeah, it is. For us, two-legged folks.
29:34Whoa!
29:49Oh, dear, dear.
29:54Oh, hi!
29:56We wanna come out and play!
30:00Oh, oh, oh, oh, oh, oh, oh, oh, oh.
30:30Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
30:39What's going on here?
30:40What do you think you're doing?
30:41Well, you said we could shoot photos for an hour.
30:43We've only been here five minutes.
30:44I haven't even gotten to the second first yet.
30:46That was yesterday.
30:47Well, we didn't get to it yesterday.
30:49Is there a problem?
30:50Where's the photographer I talked to?
30:52I'd be his assistant.
30:55Relax.
30:58Coming up, I tried to stand up.
31:00All of you get out of here
31:07And you get back to work before I execute all of you to this one bring him with me
31:30It's taking so long shouldn't everybody be here by now this is a prison break
31:41We're trying to pull off Ruby these things don't exactly go as planned
31:45They would have Calvin Klein we're running the show five seconds late on the catwalk and your ass is grass
31:54Night is young
32:00Oh
32:02Oh
32:04Oh
32:27I'll ask you one more time what are you doing here if I can explain it to you in a language?
32:32I thought you'd understand I would
32:34All I can tell you is I'm here to photograph models and so far you are the first guy to find that objectionable
32:42Execute him with the others
33:02Oh
33:04Oh
33:06Oh
33:08Oh
33:10Oh
33:12Oh
33:14Oh
33:16Oh
33:18Oh
33:20Oh
33:22Oh
33:24Oh
33:26Ah
33:28Oh
33:30Oh
33:32Oh
33:33Okay, which one is your uncle?
33:37I don't know, I don't know, I don't see him.
33:39Butu, answer me.
33:41He's still in his cell.
33:43Now what do we do? I don't know where that is.
33:45East cell block, top floor.
33:47Hey, release the others and wait.
33:58Where are all the guards?
34:01Preparing for the executions, commandant.
34:02Besides, there's no one on the cell block to guard except Mbutu.
34:13You let him get away.
34:15Well, it was your lucky day.
34:17Apparently he just evaporated.
34:22Find him.
34:26What happened with Cutter?
34:27During the distraction with the girls, the warden came and took a window.
34:31You must do whatever you can to help save this mob.
34:36Are you okay with this one?
34:38Yes, but I must admit I'm surprised.
34:41Even Kesey wasn't willing to wait until I was dead.
34:45There's plenty of air holes right here.
34:47You should be fine until you're out of the prison.
34:49Even in this coffin, I am out of the prison.
34:52We'll see you on the outside and on the wall.
34:57Aren't you coming?
34:58Not without Cutter.
34:59Now get going.
35:00Man, let me go.
35:20Oh, my God.
35:50And shoot him, too.
35:54We're letting this happen.
35:55Come on up.
36:10Come on.
36:12Get the prisoners away.
36:14Why'd you have to come here to shoot your pictures?
36:18I've been asking myself the same thing.
36:20Over and over.
36:22One, ready?
36:24In!
36:32What's going on?
36:33What's going on?
36:34What's going on?
36:35What's going on?
36:36What's going on?
36:37What's going on?
36:38What's going on?
36:39What's going on?
36:40What's going on?
36:41What's going on?
36:42What's going on?
36:43What's going on?
36:44What's going on?
36:45What's going on?
36:46What's going on?
36:47What's going on?
36:48What's going on?
36:49What's going on?
36:50What's going on?
36:51Oh
37:21Oh, you're punishing me, aren't you?
37:44All those years of gawking and girly magazines, you're finally staying there.
37:48Mad?
37:51Go.
37:52Go.
37:53Go.
37:54Go!
37:55Go!
37:56Go!
37:57Go!
37:58Go!
37:59Go!
38:00Go!
38:01Go!
38:02Go!
38:05Now let that man get away!
38:07Let's go!
38:37Oh, my God.
39:07He's gone.
39:18The one man I wanted to see die.
39:22And you let him get away.
39:37Cutter and Sheena, they're on the way.
39:56Hey, it's Cutter.
40:19You made it.
40:22You're late.
40:23Yeah, you have no idea how late I nearly was.
40:31What are you doing?
40:32I got to wait for Sheena.
40:33You guys, you guys go ahead.
40:35Come on.
40:36It's all right.
40:36I got to wait for her.
41:06Is it just my imagination?
41:13Is that silhouette looking awful lot like you?
41:16Maybe.
41:17So does this mean that I'll make lots of money?
41:21Uh, no.
41:23There's no cleavage.
41:26Cleavage?
41:27Yeah, you know, um...
41:30Flapping hands.
41:33Waving.
41:34Cups.
41:35Cups.
41:36Cupping your hands.
41:37Breast.
41:38Okay.
41:39You're not showing the demarcation line of your breasts.
41:44Like here.
41:45Like the models are.
41:46So how come you point and talk about their breasts, but you can't do that with mine?
41:52Here we go again.
41:54Well, I'm just trying to understand.
41:56I am not having this conversation with you.
41:59Is it because you don't know their breasts, but you know mine?
42:06I do not know your breasts, either.
42:10Ruby.
42:11Hey, guys.
42:12I wanted to stop by and say thank you for the best experience of my life.
42:17I actually did something good, like help rescuing Marcus's uncle, and I met the most wonderful man.
42:24McShane?
42:25I'm separated, you know, Cutter.
42:30Separated.
42:30There's a big difference.
42:31It's a big difference.
42:55I'm not having this conversation with you.
43:25Oh, no, yeah.
43:33Oh, no, yeah.
Comments