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00:00:00The End
00:00:30The End
00:01:00The End
00:01:30The End
00:01:59The End
00:02:29If you'll only help me concentrate now
00:02:35I'll try to relate my fears
00:02:41Here are you
00:02:49And here am I
00:02:52No moon in view
00:02:54No star on high
00:02:58But it's a lonely night to school
00:03:02Let's pretend there's a moon
00:03:08Nights like this
00:03:14We're made for love
00:03:16We're made for love
00:03:18Regardless of the moon above
00:03:22The time and place are opportunities
00:03:26Oh, let's pretend there's a moon
00:03:32Oh, let's pretend there's a moon
00:03:34Oh, it's like to tell about the smell of moonlight bliss
00:03:38And they weave it into every rhyme
00:03:42Now we don't need a moon above
00:03:44Now we don't need a moon above to tell us when to kiss
00:03:48So why should we be wasting time
00:03:52Oh, let's pretend there's a moon above
00:04:00Here are we and here is love
00:04:02Here are we and here is love
00:04:04Here are we and here is love
00:04:06Here are we and here is love
00:04:08Oh, let's pretend there's a moon
00:04:24Would it be asking too much and want to know what this is for?
00:04:26Your salary for the week
00:04:27Well, but my good man, it's just a slight mistake
00:04:29This is only half of it
00:04:30Come, come, come
00:04:31Go ahead, show me
00:04:32Oh, now, wait a minute, Chisler
00:04:33You're not going to get away with this
00:04:34There was no money
00:04:35You saw the business
00:04:36I'm splitting what there was between the acts
00:04:38That's yours
00:04:39You mean to tell me we work five shows a day for seven days
00:04:41And get paid off an old used earmuffs
00:04:42Well, you're lucky
00:04:43I've been in this business 20 years
00:04:45And I haven't got even that
00:04:46Tomorrow morning it's either bankruptcy or I shoot myself
00:04:48Oh, yeah?
00:04:49Well, do me a favor and forget the bankruptcy, will you?
00:04:59Well, they told me there'd be nights like this
00:05:01You should have believed you'd have stayed home in Little Rock
00:05:03It doesn't matter, Bill, we're at regular
00:05:04How about those situations?
00:05:06By the time we get two pain and room rent
00:05:07We won't have enough left for the rattler back to the big town
00:05:09Looks like the old routine tosses the bags out the window
00:05:11You saw that landlady, didn't you?
00:05:13She knows we're closing tonight
00:05:14She's seen actors before
00:05:15Anyway, that old suitcase of mine won't stand one more
00:05:17Tossed in the first floor, much less the third
00:05:19Okay, mastermind, what do we do now?
00:05:21Don't worry about a thing
00:05:22I'll think of something
00:05:23Just give me time
00:05:24I've gotten awfully hungry waiting for you before
00:05:27Wait a minute
00:05:42There you are, boys and girl
00:05:43Maybe I'm nearsighted, but I just don't see my name there anywhere
00:05:46I mean, that's where we belong
00:05:48Oh, come on
00:05:49Are we gonna raise enough dough to get home?
00:05:50We go send some wires
00:05:51Maybe we find somebody silly enough to send it
00:05:53There you are
00:05:58Have you got a message for Charlie Sullivan?
00:06:12Sullivan?
00:06:13Uh-huh
00:06:20Here we are
00:06:21Wait
00:06:22For once you've made it
00:06:23Come on, let's have it
00:06:24Collect, Mr. Sullivan
00:06:2555 cents
00:06:26Collect?
00:06:27That's funny, there must be some mistake
00:06:2855 cents
00:06:30Well, 50 bucks ought to be worth 55 cents
00:06:34Scotty, let me have 55 cents
00:06:38Let him have 55 cents
00:06:45Thank you
00:06:52I'll repeat the pay telegram to the Earl Craft offices
00:06:54Earl Craft Theater Building, New York City
00:06:55I've received no answer to my wire last night about Harold Seabrook
00:06:57Stop
00:06:58If he is not down here today, I'll come up there myself and fire every...
00:07:02Sorry, Mr. Craft, I can't send anything like that over the wire
00:07:04All right, all right, make it good
00:07:05Every single one of you
00:07:06Stop
00:07:07I can't stand this heaven of the day, he's awful
00:07:08Signed, Earl Craft
00:07:09Signed, Earl Craft
00:07:10Right, thank you
00:07:11Well, I wonder what your high-pressure boyfriend is up to now
00:07:13Oh, don't be too hard on him
00:07:14One of his high-pressure boyfriend is up to now
00:07:15Oh, don't be too hard on him
00:07:16One of his high-pressure boyfriend is up to now
00:07:17Oh, don't be too hard on him
00:07:18One of his high-pressure boyfriend
00:07:19One of his high-pressure boyfriend
00:07:20If he is not down here today, I'll come up there myself and fire every...
00:07:21Sorry, Mr. Craft, I can't send anything like that over the wire
00:07:22All right, all right, make it good
00:07:23Every single one of you
00:07:24Stop
00:07:25Just have another day, he's awful
00:07:27Signed, Earl Craft
00:07:28Right
00:07:29Thank you
00:07:36Well, I wonder what your high-pressure boyfriend is up to now
00:07:38Oh, don't be too hard on him
00:07:40One of his ideas might work out someday and surprise you
00:07:43Hello, Western Union
00:07:44This is Earl Craft at the Apollo Theater again
00:07:46Yeah, I just gave you a wire
00:07:47Right, I want to cancel it
00:07:48Yeah, take this one instead
00:07:50Uh-huh, to the same address
00:07:55I shall repeat your paid message
00:07:58Hold Seabrook
00:08:00Pay no attention to previous wires
00:08:02Have Phil paused satisfactorily
00:08:04Signed, Earl Craft
00:08:08At this time, I got it sure
00:08:10Come on, let's go
00:08:11Where to now?
00:08:12The Apollo Theater
00:08:13What are we gonna do?
00:08:14Hand-to-hand balancing in the lobby?
00:08:16We'll skip the gags, dearie
00:08:17I just got Scotty a job at the 9 o'clock product
00:08:19Come on
00:08:25Where will I find the one?
00:08:37Tell me where can there someone be?
00:08:42Seems there can be no sun without that one
00:08:50Where can I find that love?
00:08:55Tell me where
00:09:00Stop! Stop!
00:09:01No, no
00:09:02A million times no
00:09:04It's the power thing that I've ever listened to in any series
00:09:07Get that guy out of my sight
00:09:09I never want to see his face again
00:09:11Throw him in the ocean
00:09:12Throw the whole show in the ocean
00:09:14Pig
00:09:15What kind of a New York office have I got?
00:09:20In three days I open
00:09:21And they can't find me a leading man that can sing a song
00:09:24Oh, I have a good mind to throw myself in the ocean
00:09:27Hello
00:09:28Oh, what have I ever done to deserve this?
00:09:30Mr. Craft
00:09:31Who are you?
00:09:32What do you want?
00:09:33Who sent you here to annoy me?
00:09:34I'm from the New York office
00:09:35I got your new leading man
00:09:36Seabrook
00:09:37Where is he?
00:09:38Well, uh...
00:09:39Well, what are you waiting for?
00:09:40This is not Seabrook
00:09:41We couldn't find him
00:09:42This is somebody you don't know
00:09:43What?
00:09:44I can't stand it anymore
00:09:45Now, listen, Mr. Craft
00:09:47I'm telling you, this boy's a positive sensation
00:09:49Mr. Cohn from your office saw him at the Capitol of New York yesterday
00:09:51And rushed us right down here
00:09:52Of course, we had to cancel the rest of the week to make it
00:09:54But we figured the chance of one of your shows was worth it
00:09:56And anyway, everybody knows Seabrook's reputation
00:09:58He's just south from the word go
00:09:59On your opening night, he's just as libel to fall flat in his face
00:10:01Yeah, I know all about it
00:10:03But I had to take a chance in the county before his
00:10:04What's this guy's name?
00:10:05Scotty
00:10:06I never heard of him, who are you?
00:10:07Charlie Sullivan, his manager
00:10:08I never heard of you either
00:10:09Well, that makes us even
00:10:10There was a time nobody ever heard of you
00:10:11All right
00:10:13All right
00:10:14Put him on
00:10:15And I warn you
00:10:16If he can't sing
00:10:17I'm going to twist your neck
00:10:18Until it looks like a spiral staircase
00:10:20Now, now, now, Mr. Craft
00:10:21Calm yourself
00:10:22Remember, you're a badly overworked man
00:10:23You're only going to upset yourself again
00:10:24Let's have it
00:10:26I want to say you muggins
00:10:27Sing like you never sang before
00:10:28Toby, play for him
00:10:29One wrong note
00:10:30And I'll throw the piano at you
00:10:31Go on, now, remember
00:10:32It's do or die for dear old Putnam Hall
00:10:34Clear the stage
00:10:36Sit down, everybody
00:10:45Where to hear this kid, Mr. Craft
00:10:46Is the answer to your prayers
00:10:47Music is the language Heaven sent from above There is nothing that's so grand Understood in every land You are all my music
00:11:16You're my one song of love It begins and ends with you dear It's you I hear
00:11:38You're like a lover's dream in the spring A song of the trees and the birds I don't know how to say it Too beautiful for words You're like a sweet refrain that won't cling A strength that won't cling A strength that won't be
00:12:07It is you I hear the angels bring by
00:12:08All I can do is blessed Come on, be quiet
00:12:09Come on, be quiet
00:12:10Some beautiful for words Like the music of a Berger or a Gershwin Or even a moonlight
00:12:15Sernay Though I can compare with Berger or with Gershwin To me you'll love you to play something
00:12:33With Gershwin, to me, you'll always be
00:12:39a perfect rhapsody for you.
00:12:48You bring an inspiration to sing
00:12:53a song that can never be heard.
00:12:59You're just a lovely love song,
00:13:06too beautiful for words.
00:13:29How about the contract, Mr. Kraft?
00:13:39I didn't talk dough in New York.
00:13:41I wanted you to hear him first.
00:13:42Go to the office.
00:13:43I'll be there in a minute.
00:13:44I'll be there now.
00:13:53You bring an inspiration to sing a song that can never be heard.
00:13:58A song that can never be heard, you're just a lovely love song.
00:14:11Too beautiful a world, too beautiful a world.
00:14:28Hello? No, who's calling? Who? I said this is Harold Seabrook speaking.
00:14:48Seabrook? Yes, Mr. Seabrook. You're in town? Oh, that's fine. Where?
00:14:55Oh, at the Carlton. Listen, Mr. Seabrook, this is Sullivan, Mr. Kraft's assistant.
00:15:01You stay right where you are. What's the room number?
00:15:03Okay, I'll be right over there.
00:15:14Who's there?
00:15:25Mr. Seabrook? Certainly. Glad to know you're talking just a few minutes ago. I'm Sullivan, Mr. Kraft's assistant.
00:15:31Oh, how do you do? Won't you come in? You can skip that. I am in. Just wanted to make sure you were comfortable.
00:15:35Anything I can do? No, no, I don't think so. I'm also appointed as an entertainment committee of one. Now, what can you suggest?
00:15:43Entertainment committee? Oh. Oh, pardon me, sir. Just a slight headache. I've been reading a video lately.
00:15:50Yes, yes, yes. Nothing like a good book. Now, about the entertainment. You see, there's no rehearsal until tomorrow night.
00:15:55Mr. Kraft thought you might get a little lonesome. I thought you were opening in three days.
00:15:58No, we had to put the date back. Couldn't get ready. Oh. Oh, that's fine.
00:16:02Yeah, I thought you'd think so. Well, how about it? Would you like to go out and look around and get some air?
00:16:06Oh, no, I scarcely think that. Tut, tut, tut. Not another word. I've got a better idea.
00:16:09Suppose I get out there and get a bottle. We have a couple of little nips. Nothing like a couple of little nips, you know.
00:16:13They help you make up your mind. But if I go too fast, now stop me. Maybe you don't drink.
00:16:17Oh, well, I take one now and then. As a matter of fact, I believe I have a bottle somewhere with me.
00:16:22Oh, just in case of a cold or something, you know. Certainly.
00:16:25I'll go look in my bag. Don't bother. It's right in back of you.
00:16:29Charlie, you've always admired me, haven't you, old boy?
00:16:32Why, of course, Brookie.
00:16:39Where are we going? Just for a little trip.
00:16:42I think I'll get a little sleep.
00:16:44Okay, Brookie, old pal, you do that.
00:17:14Okay, let's go.
00:17:15Let's go.
00:17:31Hello. How's it?
00:17:32Well, where have you been?
00:17:33Out for a ride.
00:17:35I, uh, I'd been back a long time ago and there's something happened in the car and I'm going to stop and get it fixed.
00:17:38Hey, you.
00:17:43Is there a guy named Charlie Sullivan around here?
00:17:45How dare you win if you're in my rehearsal like this?
00:17:47Who are you?
00:17:48Wait for the police.
00:17:49We want to know if there's a Charlie Sullivan here.
00:17:51Oh, oh, so it's you, Steve Blue.
00:17:53Yes, it's me.
00:17:54Well, what's the idea?
00:17:55What's a riot for?
00:17:56Well, I've been the victim of an outrage.
00:17:58We want this guy, Sullivan.
00:17:59What for?
00:18:00Kidnapping and stealing an automobile, that's all.
00:18:02Oh, why didn't I think of that?
00:18:04What have you done?
00:18:05What is it?
00:18:06I can't stop for questions.
00:18:07I'll see you around sometime, folks.
00:18:08Where are you going?
00:18:09To the Canary Islands, if I can make it.
00:18:10All over there.
00:18:11Will you let go?
00:18:12No, no, listen.
00:18:13This is my rap.
00:18:14You're sitting here with Captain.
00:18:15This is your chance.
00:18:16You're sticking here.
00:18:17Don't be a chug.
00:18:18Get along, little doggies.
00:18:19Get along.
00:18:27Sullivan, is there any way to keep you from doing these things?
00:18:30How did I know it was going to turn out that way?
00:18:32You didn't have to steer the car to top it off.
00:18:34I wasn't going to walk back from where I left you.
00:18:36Charlie, you sure did.
00:18:37Oh, let's forget it.
00:18:38You were trying for all of us.
00:18:39We know that.
00:18:40It sure was great while it lasted.
00:18:42Don't worry.
00:18:43I'll figure something.
00:18:44I'll get you out of this.
00:18:45Out of this?
00:18:46Not me, you won't.
00:18:47It's the first place I've been sure of in weeks.
00:18:49I second the motion.
00:18:50Well, if you gentlemen will pardon me, I'm going to run upstairs and get some sleep.
00:18:56If you go through the East Wing, you'll find the Rose Room all ready for you.
00:18:59Try and get some sleep, honey.
00:19:01I'm sorry I messed things up.
00:19:03Oh, I think nothing of it.
00:19:05I see a great big chair way in the back.
00:19:07Think well, Kitty.
00:19:08Here's a gal for you.
00:19:09She sure is.
00:19:10You know, it's the way she takes things that makes me feel the worst.
00:19:12She'd only squawk once in a while.
00:19:13You've got her pretty bad, haven't you?
00:19:14You're asking me?
00:19:15I figured that when she first joined me.
00:19:16What are you planning to do about it?
00:19:29Why do you think I'd almost lie, steal, or commit arson?
00:19:34Just so I can do something about her.
00:19:37Well, I've finally broken down.
00:19:40That's never been exactly a secret to me, anyway.
00:19:42There's no use talking about it.
00:19:45You know, I've got a hunch New York's going to be a pretty hot place for little Charlie.
00:19:48Those cops weren't kidding.
00:19:51Do you hear what I hear?
00:19:53If I can, maybe it's an ambulance or something.
00:19:55I've got a feeling this is me.
00:20:01What happened?
00:20:03It's the gendarmes.
00:20:07It's the gendarmes.
00:20:17This is the end. They got me.
00:20:19You just went by a main highway intersection at 40 miles an hour.
00:20:24And you're getting a ticket.
00:20:26Catch me. I'm going to faint.
00:20:27If you do, it'll be on top of me, because I'm doing it right now.
00:20:29I'll be first, and we'll faint three high.
00:20:37Let's go.
00:20:44Anything going?
00:20:48I've only hit two officers and then quit.
00:20:50They're asking too many questions.
00:20:51What do you mean?
00:20:52Everybody wants to know if you're the Charlie Sullivan that was Atlantic City lately.
00:20:55Oh, they got the drag net out for me.
00:20:57From what I've seen, I'd say they have.
00:20:58I knew it. I've got to get out of town.
00:21:00That's exactly how we're going to arrange that.
00:21:02We has nothing to do with it. I pulled this. You're not in on it.
00:21:05I want to get sore at you pretty soon if you don't quit this.
00:21:08If any getting out of town, we'll do it together.
00:21:12How much longer is this dump good for?
00:21:14Oh, yeah. I forgot to tell you.
00:21:16Our charming landlady was up again today.
00:21:18What's the bad news?
00:21:19Three days more to pay or oomph.
00:21:22She's got a heart like a rock.
00:21:24A rock's a sponge compared to hers.
00:21:26Come in.
00:21:30Well...
00:21:31Meet your new boarder.
00:21:32Not for long.
00:21:33We're only playing three days here.
00:21:36Well, that's nothing.
00:21:39My old pal here turned out to be good for one more throw.
00:21:42Well, here you are. It's all yours.
00:21:45I think I'll sleep for the next three days and get ready.
00:21:48I never could rest on a park bench.
00:21:50Now look.
00:21:51Don't you worry about that.
00:21:52No, no. Don't worry about a thing.
00:21:54Everything's going to be just there.
00:21:56There.
00:22:02Don't be so upset. We've been broke before.
00:22:04That's not all. The cops are after me.
00:22:05How do you know?
00:22:06Every office Scotty went into, they asked about me.
00:22:11Well, where, when, and how do we go?
00:22:14Are you sticking to...
00:22:15I might as well stop in company.
00:22:17Anyhow, I like to travel.
00:22:20You know something?
00:22:22You're the grandest thing that was ever invented.
00:22:24I'd like to be an invention that worked.
00:22:26We'll get out of this, and everything will be all right.
00:22:27You wait and see.
00:22:29I'm so broken into hard luck now that I wouldn't know what to do
00:22:32if something good did happen.
00:22:34I'll make it happen.
00:22:35Gee, I hate to see you in a spot like this.
00:22:38I'll endorse that.
00:22:40I want you to have things, everything, and be comfortable
00:22:43and not have to worry.
00:22:45That's sweet of you, but...
00:22:47I doubt if my heart could stand a shock like that.
00:22:49I'll get them for you. You wait and see.
00:22:51Well, let's figure out something immediate instead, like,
00:22:54how to get dinner tonight.
00:22:56Why do you always clown when I get on a level with you?
00:23:00I'm not, darling, but...
00:23:02this is hardly the time for the personal note.
00:23:07Has the brain trust developed any ideas?
00:23:09California. That's it. That's where we're going.
00:23:11How so? For a hamburger.
00:23:12That's where all the dough and show business is, anyway.
00:23:13There's nothing left but pictures.
00:23:14You're awfully interested.
00:23:15I don't know why we could borrow some money.
00:23:16Don't do that.
00:23:17The cops are looking for us now from the last time.
00:23:18I'm going to take a walk.
00:23:19Maybe I'll get an idea.
00:23:20Wait a minute.
00:23:21You think it's safe to make a personal appearance tour?
00:23:22I'll sneak through every back alley from here to the battery.
00:23:23The Pacific Coast needs us.
00:23:24California, here I come.
00:23:26What are you going to do with a guy like that?
00:23:27I think I'll go back and take a cold shower.
00:23:31I'll take a cold shower.
00:23:47I don't know if things are as good as you say.
00:24:12What do you need 200 bucks for?
00:24:13Well, I'll tell you, I've got plenty to do all right,
00:24:15but it's all tied up, see, stocks and things.
00:24:16Close my soul now means taking a loss.
00:24:18We've got this contract starting next week,
00:24:20and this is just to tide me over.
00:24:21Things are too tight, Charlie.
00:24:22I haven't got it.
00:24:23Listen, Jim, I'm in a jam,
00:24:24and I need the dough to get out of town.
00:24:25I haven't got a dime.
00:24:25If you don't let me have it,
00:24:26I don't know what I'm going to do.
00:24:27Oh, you wanted me to give you 200 bucks,
00:24:29and then you were going to blow town.
00:24:30You'll get it back.
00:24:31No dice.
00:24:32You were still walking the wire.
00:24:34I could tell you why you forget it, though.
00:24:36Huh?
00:24:36No, I wouldn't tell you.
00:24:37It's too risky.
00:24:38Either in the wire or act on the show.
00:24:40That'll touch it.
00:24:40Listen, for 200 bucks, I'll walk the Atlantic cable.
00:24:42Now, you're going to tell me you're out.
00:24:43Do you hear?
00:24:44Let's have it.
00:24:44Okay, okay.
00:24:45Now, wait a minute.
00:24:46What's the lowdown?
00:24:47Well, there's a guy that's in the beer business,
00:24:50and he thought up a stunt.
00:24:59Are you sure this is all right?
00:25:01They couldn't find a law to make Kelly and his bride
00:25:03get down off the flagpole, could they?
00:25:05I know, but this is different.
00:25:06It's over a public highway.
00:25:07It's in the bag, I tell you.
00:25:08I made a deal with the police department
00:25:10that if they'd rope off the side street with this stunt,
00:25:12we'd make the Kelly's get down off the pole
00:25:14and it was over.
00:25:15I don't know.
00:25:16Well, I do.
00:25:17I've been selling homemade wild men for 20 years.
00:25:20Beer is essential.
00:25:21Why, there's a million dollars worth of publicity in it.
00:25:23Every newsreel in the country is out there.
00:25:26How about it?
00:25:27Let's have the 200.
00:25:33What if something happens to him?
00:25:35Well, you've got your publicity anyway.
00:25:37Oh, just a cow, aren't you?
00:25:42You!
00:25:53Found this little opera in there.
00:25:55Do you mind?
00:25:56Very smart, too.
00:25:57Let's go.
00:26:10We've got you down, haven't we?
00:26:12Not as usual.
00:26:14I don't like to see you like this.
00:26:16We'll be fine. We've made money before, we'll make it again.
00:26:19Scotty, did you ever hear the old bromide?
00:26:23He travels the fastest, he travels alone.
00:26:25So what?
00:26:27Why don't you forget about Charlie and me?
00:26:30You've got it and on your own you can make it.
00:26:33You're not serious, are you?
00:26:34I am.
00:26:35But you've been around me for a year, you ought to know me better than that.
00:26:37I'm talking to you for your own good.
00:26:39Charlie and I have been together for ten years, we broke in together.
00:26:42Watering elephants and running errands.
00:26:44We fought our way through circuses, carnival shows, saloons and what have you.
00:26:48Do you think I'd split up with him now?
00:26:50Or for anything in the world?
00:26:52He's like cutting my arm off.
00:26:54He's just like my own brother.
00:26:56Where do I fit him?
00:26:58Oh, you know what Charlie thinks about you.
00:27:00He's been walking around in a dream since the first day he saw him.
00:27:06Did you ever like anybody very much?
00:27:09Like you say, Charlie does me?
00:27:12Oh, I don't think so.
00:27:14I'm sort of a catch-as-catch-can guy.
00:27:16Maybe I just haven't met the right one.
00:27:18No, I...
00:27:20I guess you haven't.
00:27:23Well, how about something to eat?
00:27:26That would be another day.
00:27:28That would be another day.
00:27:46Hey, you!
00:27:47You can't wait until I have to call the police.
00:27:49Be quiet yourself.
00:27:51What do I ask you?
00:27:52Nothing but the way I shall find the business captain.
00:27:55Do I ask you to come with me?
00:27:57No!
00:27:58I don't mind you.
00:27:59Go back into your kitchen.
00:28:01The loiter of the loiter of the loiter of the loiter of the loiter of the loiter of the loiter of the loiter of the loiter of the loiter of the loiter.
00:28:12Now, all I ask you from you is the witch of Wondering, the witch of dawn.
00:28:15Now to what kind of place is this?
00:28:20What kind of place is this?
00:28:22These people look like a rabbit!
00:28:25These people look like a rabbit!
00:28:28Where are you?
00:28:30Oh, my boy!
00:28:33He's a fat man!
00:28:35You look pretty good.
00:28:36And the kids.
00:28:38And the kids, they're going to stop him.
00:28:40Oh, that's swell.
00:28:42Yes, I'll see him, but I know him for just the fact.
00:28:46Oh, you're crazy.
00:28:51Scotty, please, where is your room?
00:28:53One more floor off the first door to the right.
00:28:55Come on, we're going now.
00:28:57Mr. Scotty.
00:28:59Go ahead, I'll be right up.
00:29:01Go ahead.
00:29:02Oh, listen, Mr. Scotty, I gave you three days.
00:29:05But I'll have no maniac in my house.
00:29:08I've arrived here.
00:29:16Where?
00:29:17Come here, girl.
00:29:20You're together in marriage.
00:29:23But I'm very...
00:29:29Why do you have a wife?
00:29:32I don't have anyone.
00:29:33Oh, I see.
00:29:34Come here.
00:29:35This is Toby, one of my partners.
00:29:37This is Cellini.
00:29:38How do you do?
00:29:39It is my pleasure.
00:29:40Now, will you tell me what brought you here?
00:29:42God!
00:29:43You yourself, in this last letter, you said,
00:29:47Cellini, I wish you were here.
00:29:49Well, I am here.
00:29:52And anyway, I always want to see America.
00:29:56Such a marvelous country.
00:29:58So big.
00:29:59People have so much money.
00:30:04But if you make so much money, why do you live here?
00:30:09Well, we're not here very much.
00:30:11Oh, I see.
00:30:13Well, now I've got to take a bath.
00:30:16Then I'll take a sleep, eh?
00:30:23Your supper time, you work me out, eh?
00:30:26I'd be so hungry.
00:30:30Would you mind telling me what just went through there?
00:30:32I told you about Cellini a long time ago.
00:30:34Don't you remember?
00:30:35Oh, you mean the one who took you in when your folks died?
00:30:38What a merry little family we're getting to be.
00:30:42Now Father shows up.
00:30:44We must have let him know how things are going.
00:30:46He thinks I'm at least a millionaire.
00:30:48What are we going to do now?
00:30:50Well, it looks like it's my turn for a cold shower.
00:30:53Well, we're all set there.
00:30:56Uh-huh.
00:30:57Well, good luck, kid.
00:30:58Let me get that I'm dug up by the stairs.
00:30:59They're not getting any close-ups of me.
00:31:00Why, fine.
00:31:01Move it.
00:31:02You heard me.
00:31:03Get that cheese box out of the way.
00:31:04Here goes.
00:31:28Good luck.
00:31:29You have to find yourself late again.
00:31:30Good luck.
00:31:31It's a nice wish.
00:31:32Good luck.
00:31:33Go!
00:31:34Check out.
00:31:35Where?!
00:31:36I'll see.
00:31:37Let's go!
00:31:39Yes!
00:31:40Oh, my God.
00:31:55Ooh, two- paddle!
00:31:56If not, let us.
00:31:57He's fixed the wrong path!
00:31:59Holy crap!
00:32:00He's fixed the wrong path!
00:32:02Hey, turn him around!
00:32:04Are you all right?
00:32:05Hey, let me alone.
00:32:06I'm all right.
00:32:07Hold him.
00:32:08Hold him.
00:32:09Hold him.
00:32:11He's lost.
00:32:12Well, any guy did what he did is crazy anyway.
00:32:15Kyle.
00:32:20There's a man downstairs asking for Mr. Sullivan.
00:32:22What kind of a man?
00:32:23What does he look like?
00:32:24Oh, a little man with a black hat and he's got a police badge.
00:32:26Police badge?
00:32:27Uh-huh.
00:32:29Listen.
00:32:30You go downstairs and there's nobody's home.
00:32:31You understand?
00:32:32Huh?
00:32:35Nobody's home.
00:32:37Sure.
00:32:42We must be running those cops from Atlantic City.
00:32:43We've got to get out of here and see if we can't head Charlie off.
00:32:45Should we take our thing?
00:32:46Yes, and get his suitcase too.
00:32:48Oh, what's going on here?
00:32:50Everybody crazy?
00:32:51You can wait if you want her.
00:32:52But there's nobody home.
00:32:53Where's Mr. Sullivan's apartment?
00:32:54There's nobody home.
00:32:55Where's Mr. Sullivan's apartment?
00:32:56There's nobody home.
00:32:57Come on.
00:32:58Come on.
00:32:59Hurry up.
00:33:00What's all this crazy business?
00:33:01What does you and I go crazy too?
00:33:02Can't stop to explain.
00:33:03Now we've got to move fast.
00:33:04Come on.
00:33:05Down the fire escape.
00:33:06Ah, ah, ah, ah.
00:33:07Not that way.
00:33:08This way.
00:33:09This way.
00:33:10This way?
00:33:11This way?
00:33:12What's the matter with this way?
00:33:13Maybe it's Charlie.
00:33:14I hope so.
00:33:15Hello.
00:33:16Hello?
00:33:17Oh, Scotty?
00:33:18I am coming.
00:33:19Oh, come on.
00:33:20I am coming.
00:33:21Hurry up.
00:33:22Come on.
00:33:23Hurry up.
00:33:24That's all this crazy business.
00:33:25What is this crazy business?
00:33:26What is your mind going crazy too?
00:33:27You can't stop to explain.
00:33:28Now we've got to move fast.
00:33:29Come on, down the fire escape.
00:33:30Oh, ah, ah.
00:33:31Not that way.
00:33:32This way.
00:33:33This way?
00:33:34What's the matter with this way?
00:33:35Not too.
00:33:36Maybe it's Charlie.
00:33:37I hope so.
00:33:38Hello?
00:33:40Hello?
00:33:41Scotty, I just borrowed $200.
00:33:43Yeah, do you think it's safe for me to go back to the apartment?
00:33:45No, no, there's a dick downstairs waiting for you.
00:33:48Yes?
00:33:49All right, we'll meet you at the bus station.
00:34:03Scotty, what's a dick?
00:34:09No, no.
00:34:17Nothing like a banana. That's so good for you.
00:34:19You like it so?
00:34:25Well, why you don't take Toby away from me, hmm?
00:34:28Hmm? What are you talking about?
00:34:30Well, you know what I am talking about, hmm?
00:34:33For the last time, Shalini, Toby is Charlie's girl.
00:34:35She's just in front of mine, that's all.
00:34:37But Twyla has gone. Maybe she hasn't this room's idea about that.
00:34:40Let's talk about something else, huh?
00:34:42Listen.
00:34:43Listen, sir.
00:34:46Glad there was New Mexico.
00:34:48Bet you never thought we'd get this far.
00:34:50Won't be long now, California.
00:34:52California.
00:34:54There's a place.
00:34:55We'll make a pile of dough and settle down.
00:34:57And maybe later on, we'll buy a great big house up on top of a hill.
00:35:00You ever think you'd settle down, hmm?
00:35:02Ever been talking to myself?
00:35:04What? Did you say something?
00:35:05Just a small muttering in my beard, I guess.
00:35:07I'm sorry.
00:35:08I was thinking about something.
00:35:09You've been doing a lot of that lately.
00:35:11All right. What did you say?
00:35:12Let it go.
00:35:14Say, are you sure I don't know you from somewhere else?
00:35:17Listen, you've asked me that once every ten miles ever since we've started.
00:35:20I'm positive I've never seen you before.
00:35:21And I don't care if I never see you again.
00:35:24Hmm.
00:35:25Hmm.
00:35:26Hmm.
00:35:27Hmm.
00:35:28Hmm.
00:35:29Hmm.
00:35:30Hmm.
00:35:31Hmm.
00:35:32Hmm.
00:35:33Hmm.
00:35:34Hmm.
00:35:35Hmm.
00:35:36Hmm.
00:35:37Hmm.
00:35:38Hmm.
00:35:39Hmm.
00:35:40Hmm.
00:35:41Hmm.
00:35:42Hmm.
00:35:43Hmm.
00:35:44Hmm.
00:35:45Hmm.
00:35:46Hmm.
00:35:47Hmm.
00:35:48Hmm.
00:35:49Can't you do something about them?
00:35:51Hey, you're eating.
00:35:53Time for lunch?
00:35:54No, no.
00:35:55Go back to sleep.
00:35:56All right.
00:36:12How are we doing?
00:36:13Not so good.
00:36:14What have you done with him?
00:36:15He eats more than all of us put together.
00:36:17It's too late to worry now.
00:36:26We'll soon be in Santa Fe.
00:36:28And what of it?
00:36:29Well, can I have a dollar?
00:36:31I gave you one yesterday.
00:36:32I know, but I need another one badly.
00:36:36Now, this will be the last until we get there.
00:36:46Enter Santa Fe, folks.
00:36:48You'll find the lunch room to the left.
00:36:52One hour for lunch.
00:37:15Yes, sir.
00:37:16I'll take this.
00:37:17That'll be 79 cents.
00:37:18I only paid 71 for it in Amarillo.
00:37:19Do you want it or not?
00:37:20Sure, I want it.
00:37:22Take a look at this.
00:37:23Hello, there.
00:37:24Oh, hello.
00:37:25Buy a little something for this bit?
00:37:26Yeah.
00:37:27I don't blame you.
00:37:28It gets pretty dull.
00:37:29We saw you on the bus.
00:37:30Oh, no.
00:37:31No, no.
00:37:32No, no.
00:37:33No, no.
00:37:34No, no.
00:37:35No, no.
00:37:36No, no.
00:37:37No, no.
00:37:38No, no.
00:37:39No, no.
00:37:40No, no.
00:37:41No, no.
00:37:42No, no.
00:37:43No, no.
00:37:44I saw you on the bus.
00:37:45Uh-huh.
00:37:46I saw you, too.
00:37:47You were with that pretty girl.
00:37:48We thought as long as we were going to be together,
00:37:49we might as well get acquainted.
00:37:50That's right.
00:37:51Yeah, my name's Scotty.
00:37:52My name's Joe.
00:37:53Joe, meet Charlie.
00:37:54Pleased to meet you, Charlie.
00:37:55How do you do, Joe?
00:37:56Well, you see, Joe's my real name,
00:37:58but all my friends call me Egghead.
00:38:01Well, well, well, Egghead.
00:38:03Do you mind if we call you that?
00:38:04It's more informal, you know.
00:38:05Oh, sure, Joe.
00:38:06Right ahead.
00:38:08Shall we go sit down someplace?
00:38:11Good idea.
00:38:12Yes, a good idea.
00:38:14Here you are, Egghead, old boy.
00:38:16Sit down.
00:38:17Make yourself comfortable.
00:38:18Thanks.
00:38:19Where are you from, Mickey?
00:38:20Hollywood.
00:38:21That's a charming lady sitting next to you.
00:38:23Huh?
00:38:24I mean on the bus.
00:38:26Oh, her.
00:38:27Oh, that's Madame Rose.
00:38:28She tells fortune.
00:38:29We're just coming back from the World's Fair.
00:38:31I'll never let you get away.
00:38:33Huh?
00:38:34Nothing.
00:38:35I suppose she's a relative of yours.
00:38:36My aunt.
00:38:37Oh, she's your aunt.
00:38:38Well, not exactly my aunt.
00:38:39Not exactly?
00:38:40No, I just travel with her.
00:38:42Hey, old son, have another little mip.
00:38:44Well, thanks.
00:38:45You don't buy much of the time, do you?
00:38:47Well, she don't give me enough money.
00:38:49That's why I can't give you fellas any,
00:38:52because this is the last till I get home.
00:38:54But she has quite a bit of money, hasn't she?
00:38:56Must be great to have someone take you around like this.
00:38:58I bet you don't have to worry about a thing, do you?
00:39:00Hmm.
00:39:01That's all I do is worry.
00:39:03That's why I drink, because I need courage.
00:39:06Aggie, don't tell us you're really worried.
00:39:09Mm-hmm.
00:39:10What a bomb.
00:39:13Well, I'm gonna tell you fellas something,
00:39:16because you've been nice to me.
00:39:20Oh, don't get scared,
00:39:21because there ain't no bullets in it.
00:39:23I threw them away a long time ago,
00:39:25because I was scared.
00:39:26But what do you do with that?
00:39:31I'm her bodyguard.
00:39:34Well, how about something to eat?
00:39:36You go ahead, I'll be right with you.
00:39:38I'll be right with you.
00:39:59Say, I just remembered where I saw you.
00:40:02I saw you in the newsreel.
00:40:03Will you be quiet and go away?
00:40:05Wait a minute.
00:40:06This sounds very interesting.
00:40:07I'd like to hear more about it.
00:40:08Well, you're his friends, ain't you?
00:40:09You don't mean to tell me that you don't know, are you?
00:40:10All right, Sullivan.
00:40:11What's this all about?
00:40:12Oh, come on.
00:40:13Let's take a walk.
00:40:14Ouch!
00:40:15There was nothing to it as long as I didn't let down.
00:40:16I may believe I was only two feet off the ground.
00:40:18It was a cinch.
00:40:19Oh, a cinch, huh?
00:40:20That's how you got the money.
00:40:21You should've known that nobody would lend you $200.
00:40:22I don't know whether that would come up.
00:40:23It would come up with you.
00:40:24Well, don't worry.
00:40:25You don't know what, Don.
00:40:26Well, you don't know what would come up and take a walk.
00:40:27Oh, come on.
00:40:28Let's take a walk.
00:40:29Ouch!
00:40:30There was nothing to it as long as I didn't let down.
00:40:32I may believe I was only two feet off the ground.
00:40:33It was a cinch.
00:40:34A cinch, huh?
00:40:35That's how you got the money.
00:40:36I can't believe I was only two feet off the ground.
00:40:38It was a cinch.
00:40:39Oh, a cinch, huh?
00:40:40That's how you got the money.
00:40:41You should have known that nobody would lend you $200.
00:40:44I don't know whether to kiss you or slug you.
00:40:46Oh, Charlie, you might have been killed.
00:40:49Oh, what do I care?
00:40:51I'm being paid with interest right this minute.
00:41:06How do you do, Mr. Palopolis?
00:41:09You don't remember me.
00:41:10I'm Charlie Sullivan.
00:41:11I worked for you once.
00:41:12Did you?
00:41:13Uh-huh.
00:41:14Scotty Brown and Sullivan.
00:41:15We're on our way to the coast.
00:41:16I'd like to talk to you about some booking.
00:41:17I don't talk to you about anything.
00:41:18Now, now, now, Mr. Palopolis.
00:41:19We got a swell act.
00:41:20I don't care if you're doing a production of a bizarre role.
00:41:22Go away.
00:41:23Go away!
00:41:24That's the great Palopolis he's talking to.
00:41:26He owns about ten theaters on the coast.
00:41:30Great Palios, isn't it?
00:41:31Skip it, you've got to do something.
00:41:32We can use this guy to get a bankroll
00:41:33that'll carry us until we crash pictures.
00:41:35I'm not here and you're going to sing a song.
00:41:36I am not.
00:41:37You've got to do it.
00:41:38If he goes for it, our troubles are over.
00:41:39With all these tourists here, not in your life.
00:41:40Bill Lovett, come on.
00:41:41This is our break.
00:41:42We can't miss it.
00:41:43But we can't do that.
00:41:44Go ahead.
00:41:45What do we care about, Devin?
00:41:46Maybe the gag will work.
00:41:47That's right.
00:41:48Listen to reason.
00:41:49Now, listen, but it's not reason.
00:42:00Love is supposed to be exquisite.
00:42:03I wonder, is it wild or tame?
00:42:07What is the proper way to treat it?
00:42:10How can you beat that funny game?
00:42:14Ever since the world began,
00:42:18It's been puzzling every man.
00:42:25Love's a lot of trouble.
00:42:28And yet a blessing from above.
00:42:32You must learn each rule you're going to school.
00:42:37When you're in love, love will gently pet you, and then upset you with a shock.
00:42:47Whether big or small, you learn how to crawl.
00:42:52When you're in love, love's a trail, you're always traveling.
00:42:59But you don't know where you're bound.
00:43:03Love's a game, you keep unraveling.
00:43:07It's a merry merry-go-round.
00:43:10Love is bound to hit you, so make it fit you like a glove.
00:43:17You're a beggar alone, but a king on a throne.
00:43:22When you're in love.
00:43:32How about you?
00:43:33Well, you'll be fine.
00:43:34What's the matter? You lost your nerves?
00:43:35Remember, they start throwing things. You're going to our straw.
00:43:38Very nice.
00:43:39How do you like it, Mr. Lollipop?
00:43:41A love for me.
00:43:42Love's a lot of trouble, and yet a blessing from above.
00:43:52You must learn each rule.
00:43:54You're going to...
00:43:55You like them too, eh?
00:43:56I noticed you on the bus, and I thought I'd try one.
00:43:59I saw you too.
00:44:01No good.
00:44:02Nothing in the world will like her banana.
00:44:04I, um, I think I'll, um, go and, um, get another banana flower.
00:44:10Would you like one too?
00:44:12Well, if you like.
00:44:15Love's a train.
00:44:17You're always traveling.
00:44:19But you don't know where you're born.
00:44:23Love's a game.
00:44:25You keep on traveling.
00:44:27It's a merry merry-go-round.
00:44:31Love is bound to hit you.
00:44:34She's okay, the laughing boy.
00:44:37You're ugly my girl.
00:44:39You're a beggar alone, but a king on a throne.
00:44:44When you're in love.
00:44:48Love, a love, a drop-o.
00:44:52And yet a blessing from above.
00:44:56From all I've read, you're a wick in the head, Gwen.
00:45:00You're in love.
00:45:04Now, gently pet you
00:45:08And upset you with a shower
00:45:11Oh, the thrill it brings
00:45:14You do for the thing
00:45:16When you're in war
00:45:19Love's a flame
00:45:21To burn without regret
00:45:23It's a joy and then an ache
00:45:27Just the same
00:45:29It's like too much spaghetti
00:45:31Gives you one big stomach
00:45:35Love is bound to teach you
00:45:38That's what I've been thinking of
00:45:42You're a king on a throne
00:45:45I wish I was home
00:45:48When you're in love
00:45:53Love's a flame
00:45:55You're always traveling
00:45:57Come on, Mr. Volopoulos. Is that class or not?
00:46:00Very good
00:46:01She's better than him for my dough
00:46:04It's a merry merry merry-go-round
00:46:08Oh, love is bound to hit you
00:46:11So make it fit you like a glove
00:46:15You're a beggar alone
00:46:18But a king on a throne
00:46:22When you're in love
00:46:27Very good
00:46:32Very good indeed
00:46:34A very fine act
00:46:36Would you book us?
00:46:37I certainly would
00:46:39If I hadn't just gone to New York
00:46:41And sold all my theater
00:46:43What?
00:46:50All aboard!
00:46:57You were great before you
00:47:10You had the nice thing of the real artist
00:47:12I knew it the moment I saw you
00:47:27They are going to sing operas for you
00:47:29I should endure it
00:47:31Hey, what's he doing up there?
00:47:33Well, I should think the other day
00:47:35Great relief for you
00:47:36Oh, I'm jealous
00:47:37And
00:47:41Who am I?
00:47:52Gee- allá
00:47:54Who am I?
00:47:57Who am I?
00:47:59Who am I?
00:48:01THE END
00:48:31Hello, everybody.
00:48:50Guess what's happened?
00:48:51I found us a job.
00:48:52We eat.
00:48:52Bravo!
00:48:53Bravo!
00:48:54You hear what he said?
00:48:55We eat the food.
00:48:56Wait a minute, wait a minute.
00:48:57Sit down.
00:48:57Did you say a job?
00:48:58I did.
00:48:59Oh, I don't believe it.
00:49:00Tell him quick.
00:49:01Well, it isn't much of a job.
00:49:03Never mind about that.
00:49:03They pay money for it.
00:49:04A few bucks a week and dinner for four every night.
00:49:07Miles.
00:49:08Now I'm going to tell her I'm a Rosa what I think of her.
00:49:11Oh, no, you don't.
00:49:12What's the matter?
00:49:13We got the job, but we make money.
00:49:15I'm going to tell.
00:49:16Listen, when I said a few bucks, I meant it.
00:49:18We won't get enough cash to pay rent on the doorhouse.
00:49:20Anyhow, it isn't set yet.
00:49:21Oh, I know there was a catch to it.
00:49:23A little dump out here that calls us off a roadhouse.
00:49:25It's a nice tryout.
00:49:26What if we miss?
00:49:27When lose or droll we get fed tonight.
00:49:28That's the contract.
00:49:29Oh, that's all I love on my hands for one little stake.
00:49:32Sure, that's fine.
00:49:34But what about me and the fortune talent?
00:49:36You keep right on going the way you are.
00:49:37No, no, no.
00:49:38Chalina, you've got to for all of us.
00:49:40As long as your masculine appeal holds out,
00:49:41we've at least got a place to sleep.
00:49:43No, no, no, no.
00:49:43Yes, yes, yes.
00:49:44No, no, no, no, no, no.
00:49:45Yes, yes, yes, yes.
00:49:46Me, Chalina, the great artist?
00:49:49What do you want to make out of me?
00:49:50A jiggle?
00:49:51What's the matter?
00:49:52You liked her all right at first.
00:49:53Yes, that's right, but then I didn't know she was crazy.
00:49:59All the time she looked into that piece of glass,
00:50:02but as soon as she drove me crazy, too.
00:50:05I tell you, I don't do it anymore.
00:50:07No, no, no more.
00:50:12Oh, Chalina.
00:50:17Please, I don't go.
00:50:19He's in here, Madam Rose.
00:50:25Good afternoon, madam.
00:50:27Blessings, my children.
00:50:29Come, Chalina.
00:50:30I'm ready for our walk.
00:50:31No.
00:50:32Why, Chalina, what's the trouble?
00:50:34Not a thing, Madam Rose.
00:50:36He's ready for his walk.
00:50:41Madam, I am ready.
00:50:43Come, Chalina.
00:50:45We shall go and commune with nature.
00:50:48Listen to the whisper of the breeze.
00:50:51And I shall teach you the language of the flowers.
00:51:04Greater love hath no man than to do that for his friends.
00:51:07The last words of summer
00:51:15Let you be alone
00:51:22On a lovely companion
00:51:28Did you hear noise like that before?
00:51:32Uh-huh. Once on a boat in a very heavy fog.
00:51:58And a beautiful night.
00:52:03And a beautiful night.
00:52:08I'll give you my own smile.
00:52:23Good evening, Miss LaRue.
00:52:25This is a pleasure, Mr. Bobcock.
00:52:26Oh, I'm sorry. Excuse it, please.
00:52:28Forgive me, you don't know me.
00:52:30You never saw either one of us before.
00:52:32Why, of course not.
00:52:34This way, please.
00:52:38Is this all right?
00:52:40Yes, but don't put anybody near us.
00:52:42I'm sorry.
00:52:44Excuse me, please.
00:52:46Forgive me, you don't know me.
00:52:48You never saw either one of us before.
00:52:50Why, of course not.
00:52:52This way, please.
00:52:54Don't put anybody near us.
00:52:58What a terrible dump.
00:53:00Now, dear, don't stop that, sweetheart.
00:53:02Please.
00:53:03You know why we have to come to these hideouts?
00:53:05I'm getting sick and tired of these checkered tablecloths.
00:53:07This is the last time.
00:53:09Dearie, have a heart.
00:53:11You might as well go to some decent place.
00:53:13You aren't fooling anybody in town.
00:53:17Would you look at that?
00:53:18I am.
00:53:19All right.
00:53:20Now you think.
00:53:21Wait a minute.
00:53:22Wait.
00:53:23You heard me.
00:53:24Sing first, Benny.
00:53:25Listen.
00:53:26Sing.
00:53:27Come on, Toby.
00:53:28Let's get a moment.
00:53:34Remind me to kill that guy someday.
00:53:35Just bump heads with me trying to be first.
00:53:37Feel like a lover's dream in the spring.
00:53:52The song of the trees and the borders.
00:53:56I love to hear you say it.
00:53:57Oh, beautiful for words.
00:53:58You're like a sweet refrain that will claim the strength that the angels prefer.
00:54:11If I could only pray it.
00:54:12Oh, beautiful for words.
00:54:13You are everything I've ever tried to picture.
00:54:18Oh, really you're wonderful and sweet.
00:54:19You're a bundle full of love.
00:54:20A gorgeous mixture.
00:54:21Oh, really you're wonderful and sweet.
00:54:23You're a bundle full of love.
00:54:25A gorgeous mixture.
00:54:26Oh, beautiful for words.
00:54:27If I could only pray it.
00:54:28If I could only pray it.
00:54:29If I could only pray it.
00:54:30Oh, beautiful for words.
00:54:31You are everything I've ever tried to picture.
00:54:33Oh, really you're wonderful and sweet.
00:54:40You're a bundle full of love.
00:54:43A gorgeous mixture.
00:54:47And you know how to start.
00:54:52There's something in my heart.
00:54:56You bring an inspiration to sing
00:55:04A song that can never be heard
00:55:09You're just a lovely love song
00:55:18Too beautiful for the world
00:55:26Too beautiful for the world
00:55:42Oh, that was great! That was wonderful!
00:55:46You got the job. Look.
00:55:48I give you dinner for four every night and thirty dollars a win.
00:55:51What do you think of that, huh?
00:55:53Great stuff.
00:55:54Well, all right. Now you can eat.
00:55:57Say, I'm a pretty nice fellow to do so much for you, no?
00:56:04I'm a pretty nice fellow to do so much for you, no, huh?
00:56:10The big ape.
00:56:11Oh, an ape in his, huh?
00:56:13You do imitations for me.
00:56:15You make jokes with me. You call me a big ape, huh?
00:56:18Hey, who?
00:56:19Listen, mister, I'm sorry.
00:56:20Nothing to him. Get out. All of you.
00:56:22Not before I eat.
00:56:23And no eating.
00:56:24Come on, get out.
00:56:25Do you hear me? Who do you think you're talking?
00:56:27What's the matter with me?
00:56:28Get away!
00:56:29Get away!
00:56:30Get away!
00:56:31Get away!
00:56:32Wait a minute.
00:56:33What's going on here?
00:56:34Oh, excuse it, please, Mr. Babcock.
00:56:36Shh, quiet.
00:56:37Go back in the kitchen where you belong.
00:56:39I want to talk to these people.
00:56:40Did he say Mr. Babcock?
00:56:41You, uh, you know who I am?
00:56:43Oh, the international pictures?
00:56:44Yes.
00:56:45Mr. Babcock, everybody knows.
00:56:47Yeah, that's fine, that's fine.
00:56:49I'm here with my secretary and her sister.
00:56:52Strictly business.
00:56:53Why, of course.
00:56:54Young man, come to my office tomorrow morning at 10 o'clock.
00:56:56I'll have a job for you.
00:56:57Here's my card.
00:56:59Did I give you two?
00:57:00Oh, no, it's quite all I know.
00:57:02What was that song you sang?
00:57:04Why, I wrote it.
00:57:05Good.
00:57:06I want that in my picture.
00:57:07I'll talk to you tomorrow morning about that, too.
00:57:09Come on, let's get out of here.
00:57:11Yeah, let's.
00:57:25I'm sorry.
00:57:26I didn't know you knew Mr. Babcock.
00:57:28Open the door.
00:57:29Go ahead.
00:57:30Yes, of course, yes.
00:57:33Say, uh, what do we do now?
00:57:34Simplest thing in the world.
00:57:35Borrow five bucks from Anna Rose and go eat.
00:57:37Sweetie, go get it.
00:57:38Me?
00:57:39No, no, no, no, no.
00:57:40I am not hungry.
00:57:43No, no, no.
00:57:47Nice, Apollo.
00:57:48Nice, Apollo.
00:57:55Thank you very much.
00:57:56Tomorrow we get the job.
00:57:58Just a foot tonight and we have no money.
00:58:00Dear boy.
00:58:01Don't you know that all you have to do is to ask me?
00:58:05Oh, monsieur.
00:58:06Well, I go now.
00:58:12Jalini.
00:58:13Stay a little while.
00:58:14I want to talk to you.
00:58:16All right.
00:58:17Talk about the police and not torture.
00:58:19Oh, Jalini.
00:58:21Jalini.
00:58:22Oh, you're so cold.
00:58:26Don't you like me?
00:58:29Well, sure.
00:58:30It's because I am just nervous.
00:58:33Oh, well then relax, little one.
00:58:36Jalini, do you know what I'm going to do?
00:58:40I'm going to pull aside the veil and look into our future together.
00:58:43Please, not again.
00:58:44I cannot stand it.
00:58:46Jalini, be quiet.
00:58:48No, I've got to go.
00:58:49Sit still.
00:58:53Ah, it's coming.
00:58:55I'm going.
00:58:56I said be quiet.
00:58:59It's becoming clearer.
00:59:01I can see us now.
00:59:03We're two happy lovers.
00:59:05Babes in the woods strolling along the lane.
00:59:09How beautiful.
00:59:11Now we come to a rusty bridge.
00:59:13We stand by the railings side by side,
00:59:17looking down into the sparkling stream,
00:59:20as it sings its way over each little pebble,
00:59:23on its way down to the sea.
00:59:25I'm getting thirsty.
00:59:27Now we turn to each other.
00:59:29You take my hand.
00:59:32Now we're talking.
00:59:33What do we say?
00:59:34You're telling me that I am beautiful,
00:59:37as fair as the summer skies,
00:59:40as lovely as the morning dew.
00:59:42on a rose,
00:59:44as tender,
00:59:45as the first blush of dawn.
00:59:48What you said, thank you to me.
00:59:51I tell you that I too love you.
00:59:54That we were destined for each other.
00:59:56That we were born for one purpose.
00:59:58Just to be together forever and ever.
01:00:01Our feet must tread the same path,
01:00:04the rose-covered path of the rainbow.
01:00:07It's destiny.
01:00:09It's kisnet.
01:00:11It's our life together.
01:00:13It's fate.
01:00:14It's love.
01:00:16It's beautiful.
01:00:18Believe me.
01:00:20Don't be the serpent.
01:00:22Come back here.
01:00:24My!
01:00:25I liked it, didn't you?
01:00:27Oh, yes.
01:00:28I think that Scotty boy is too divine.
01:00:29Yes.
01:00:30I figured you did.
01:00:31Oh, yes.
01:00:32I figured you did.
01:00:33Oh, yes.
01:00:34Oh, yes.
01:00:35I think that Scotty boy is too divine.
01:00:36Yes.
01:00:37I figured you did.
01:00:38Oh, yes.
01:00:39Oh, yes.
01:00:40I think that Scotty boy is just too divine.
01:00:41Oh, yes.
01:00:42I figured you did.
01:00:43Oh, yes.
01:00:44I think that Scotty boy is just too divine.
01:00:45Yes.
01:00:46I figured you did.
01:01:08I thought you were just grand tonight in you and me.
01:01:18Who were you looking at when you said that?
01:01:20She was looking at you, of course.
01:01:22It's quite all right, darling.
01:01:24It's all coming to you.
01:01:25You simply walked away with the eyes.
01:01:31I never thought I'd live to see the day.
01:01:33What?
01:01:34When that girl says that anybody else in one of her pictures is any good,
01:01:39she's either being nasty or it's love.
01:01:42And it doesn't look as if she's being very nasty.
01:01:45Well, that's pictures for you.
01:01:47She runs after him.
01:01:48And now, instead of firing him, I've got to make a star out of him.
01:01:52Oh, I thought you and Mr. Root had just a business agreement.
01:01:55Sure, just business.
01:01:56I...
01:01:57Well, you don't think for one moment that...
01:01:59Oh, no, no.
01:02:00No, no.
01:02:03I guess I've been kidding myself, too.
01:02:07What's the matter, Ryan?
01:02:08Oh, yeah!
01:02:09Oh, thank you!
01:02:29May I help you, sir?
01:02:30Thank you very much.
01:02:31I help you myself, please.
01:02:38Come on, Iggy, let's celebrate the new picture, huh?
01:02:45Sure, I'll celebrate, but I'm not happy.
01:02:48What's the matter?
01:02:52Charlie?
01:02:53It's Madame Rose.
01:02:55She likes Chalene.
01:02:56Very charming couple, don't you think?
01:02:58Yeah, but I'm scared.
01:03:00Suppose she marries him or something.
01:03:01Oh, what a horrible thought.
01:03:05Now, why are you scared?
01:03:06Well, if she does, then what's going to happen to me?
01:03:10Iggy, let me put your mind at rest.
01:03:12You'll have no further trouble with Chalene.
01:03:15You can fix it?
01:03:16Sure, it's all a matter of business.
01:03:18Look, Madame Rose likes Chalene, so we get a bungalow.
01:03:22But now that we're big shots, we got all this.
01:03:25See?
01:03:26So now you're all set, huh?
01:03:28Let's have another drink.
01:03:30You know, Iggy, I'm not happy either.
01:03:35No, what's the matter?
01:03:36You know, Toby?
01:03:38She's my girl.
01:03:39Your girl?
01:03:40I thought that she was Scotty's girl.
01:03:43Yeah, I know.
01:03:43That's what I'm afraid of.
01:03:44I'm beginning to think so myself.
01:03:48Well, I just thought I didn't know.
01:03:50Yeah, I know, I know.
01:03:50You thought if she liked one of us, it must be him.
01:03:53I don't think...
01:03:54Yeah, but she's awful cute.
01:03:55You're telling me?
01:03:56I want to marry her.
01:03:58Well, look, Iggy, how are you going to marry a girl that's in love with somebody else?
01:04:02How do you know she is?
01:04:04I don't.
01:04:05I just got a hunch.
01:04:07Oh, I know.
01:04:09You're in love.
01:04:10Oh, it's terrific.
01:04:14What am I going to do?
01:04:16I got an idea.
01:04:17Suppose I talk to her.
01:04:18No, no, no, no.
01:04:19Well, suppose you talk to her.
01:04:22No.
01:04:23No, I might find out I was right, Iggy.
01:04:26Oh, you're in love.
01:04:30Hey!
01:04:31Pull me the sound.
01:04:38Who is it?
01:04:39That's what I've been wondering for a long time.
01:04:41Come on.
01:04:42We'll go find out.
01:04:43Quiet now.
01:04:51Now then, who are you?
01:04:56He's so full of grass, he can't talk.
01:04:59All right, let's turn him over.
01:05:02I like him better than the other wife.
01:05:05Wait a minute. Who are you?
01:05:10The detective.
01:05:11I knew it. You've been following me, haven't you?
01:05:13What have you been waiting for? Why didn't you arrest me?
01:05:16What? I can't arrest anyone. I'm a private detective.
01:05:19What in the name of heaven have you been following me?
01:05:23Your ex-wife pays me to follow you and let her know when you go to work.
01:05:26Well, I'll hear you.
01:05:28She's just being mean, that's all.
01:05:30She's got more money than I'll ever see anyway.
01:05:33Why, it costs her more to keep you on the road than she'll ever get out of me.
01:05:36Yeah, I know that. And I don't like her either.
01:05:39You know, we may be able to talk this over.
01:05:42What's your name, little man?
01:05:43Hilda Brand. And don't call me Hildy.
01:05:45Oh, no, I'll let him call me Egghead.
01:05:48All right, Hildy. We may be able to talk this over.
01:05:53I haven't had a chance to congratulate you tonight. I'd like to.
01:06:05Sure, thanks.
01:06:06I thought you were wonderful.
01:06:07Yeah, I was a bit surprised myself, the way things went.
01:06:11You're kidding, aren't you, Scotty?
01:06:12About what?
01:06:14You're not really letting all this throw you, are you?
01:06:16I don't know what you're talking about. What's throwing me?
01:06:18All this sudden thing that's happened.
01:06:20Well, I don't see anything sudden about it. I've worked all my life for it, haven't I?
01:06:24So the town's really got you. I've never believed it.
01:06:28Oh, forget it, Will.
01:06:29You and I used to be friends.
01:06:31What's that got to do with anything?
01:06:33I know you've been acting funny lately, but I thought it was just because you were busy.
01:06:37Oh, stop it, Will.
01:06:38But you really believe all this. You've lost your head. The town's got you. You've gone Hollywood.
01:06:44Listen, you bother me. I brought us up from being hungry to this.
01:06:47What more do you want?
01:06:51Now look, be a good little girl and run along and find Charlie.
01:06:55There are quite a few people in here that want to see me.
01:06:57Oh, there you are.
01:07:03Come on, darling. They all want us to do a number.
01:07:06Excuse me.
01:07:09You're like a lover's dream in the spring.
01:07:34A song of the trees and the mud.
01:07:42I don't know how to say it.
01:07:48Too beautiful for words.
01:07:54You're like a sweetly friend.
01:07:57Well, I was just...
01:08:00Hey, hold on there.
01:08:02Let me go, Charlie.
01:08:03No.
01:08:03Please.
01:08:05Not until you tell me what this is all about.
01:08:11Listen, sweetheart.
01:08:12I want you to tell me the truth.
01:08:15Is it, Scotty?
01:08:18Is it?
01:08:23I thought so.
01:08:25Oh, I should have told you a long time ago.
01:08:28I should have made it my business to find out.
01:08:30I was afraid it would ruin everything for the three of us.
01:08:34Well, how could that happen?
01:08:36He'd never let me think they'd come between you two.
01:08:39Well, don't you think I can take it any better than that?
01:08:42Oh, there's no use talking about it anyway.
01:08:44That's that and we'll call it a day.
01:08:46Oh, stop being silly.
01:08:48It's not silly.
01:08:50I couldn't stay here now.
01:08:51You're out of your mind.
01:08:53Now, listen.
01:08:55I, Charlie Sullivan, alone and unaided, positively guaranteed to fix everything for you.
01:09:02Charlie, you won't.
01:09:03Promise me.
01:09:05For what?
01:09:06Say a word about this to anyone, please.
01:09:08I couldn't stand it.
01:09:09Promise me.
01:09:12All right.
01:09:13I'll promise you.
01:09:14I'm sorry.
01:09:26Honest.
01:09:28Okay.
01:09:28I love to hear you say, dear.
01:09:44Oh, beautiful, oh.
01:09:50You're like a sweetly friend that will play.
01:09:55A strain that the angels play.
01:10:01If I could only you play.
01:10:07Oh, beautiful, boy.
01:10:12You are everything I've ever tried to picture.
01:10:17Oh, really, you're wonderful and sweet.
01:10:21You're a bundle full of love, a gorgeous mixture.
01:10:28And you know how to start.
01:10:32There's something in my heart.
01:10:35Oh, you bring an inspiration to sing.
01:10:44A song that can never be heard.
01:10:48You're just a love with a love song, too beautiful, a world.
01:11:03Too beautiful, a world.
01:11:07Too beautiful, a world.
01:11:13There's nothing left.
01:11:28Out of my life.
01:11:29What?
01:11:30So you do have to do this.
01:11:32What?
01:11:32You're going in there and talk to her or else.
01:11:34The manager you're tremendous.
01:11:35You're forgetting there's a redhead downstairs and you're wasting a lot of my time.
01:11:37Listen, Sonny boy.
01:11:37We've been together a long time.
01:11:38We haven't had any trouble.
01:11:40Well, I don't want any out of you now.
01:11:41Don't let me spill over the edges about this, will you?
01:11:44Exactly what you're writing about.
01:11:46She's not for me, it's you.
01:11:47And she's going to get what she wants
01:11:48if I have to knock you over the head
01:11:50and chase all the redheads out of Hollywood to get it.
01:11:53Then run along and have another nip.
01:11:55When the fever dies down, you'll be all right.
01:11:56I'm telling you what she just told me.
01:11:58She's probably in there packing right now.
01:11:59What are you going to do?
01:12:00Let her go while you clown around with somebody
01:12:02who isn't worth the tiniest part of her?
01:12:05Are you sure you know what you're doing?
01:12:07I was never sure.
01:12:08You're quite a fellow.
01:12:12That's what I always told you, haven't we?
01:12:14The funny part is you've been right about it.
01:12:16Now go on in there, will you?
01:12:18Go on, go on.
01:12:20Go on, go on.
01:12:38He told you, didn't he?
01:12:40Come here.
01:12:41No, go away.
01:12:47You don't suppose there meant any of the things
01:12:48I've been doing, do you?
01:12:50No.
01:12:53Oh, Tidini.
01:12:59Oh, you naughty boy.
01:13:01You've been hiding.
01:13:03You just wanted to make me find you, didn't you?
01:13:05No, it is not so, mother.
01:13:08I hide here, away from everybody, because I am suffering.
01:13:12Suffering?
01:13:14Oh, poor little one, tell me.
01:13:16It isn't because you are so beautiful.
01:13:19It isn't because you are so lovely.
01:13:21Your eyes, your hair, everything about you.
01:13:25No, Tidini.
01:13:27But I am no good.
01:13:29What?
01:13:30I am a lie to you.
01:13:31What do you mean?
01:13:32In Italy, I have a wife and a seven kids.
01:13:37What?
01:13:37But you are so beautiful, I cannot tell you.
01:13:41But now I must.
01:13:42You imposter.
01:13:44You heartbreaker, you.
01:13:46You, you snake in the grass.
01:13:49Aiden, my crystal.
01:14:02Aiden, come on.
01:14:04Aiden, come on.
01:14:05Aiden, come on.
01:14:07Aiden, come on.
01:14:11Well, that's all.
01:14:13Now I'll have something to eat.
01:14:14Ladies and gentlemen, may I have quiet, please?
01:14:30This party tonight is not only a celebration of the new picture,
01:14:33it's a double celebration.
01:14:35And I've been allowed this signal honor of announcing the other reason.
01:14:38It gives me great pleasure and happiness to announce the engagement of Mr. Paul Scotty
01:14:42to Miss Toby Brown.
01:14:44Well, little man, what now?
01:15:12You bring an inspiration to sing
01:15:20A song that can never be heard
01:15:25You're just a lovely way
01:15:30Love, so
01:15:33What a beautiful way
01:15:39Love, love, love, love, love, love, love
01:15:49Love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love
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