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00:00:07The End
00:00:35The End
00:01:12The End
00:01:29Would you have lunch with me today?
00:01:31How often do I have to tell you no?
00:01:54How often do I have to tell you no?
00:02:01What?
00:02:02How often do I have to tell you no?
00:02:06We'll be the next fight for old Uncle Sam.
00:02:08Come on.
00:02:09Open the bandwagon and we'll all go down to the recruiting office.
00:02:12Handsome.
00:02:13Come on, baby.
00:02:14I could get you a better uniform than that.
00:02:16Come on.
00:02:20Good evening.
00:02:22May I drive you home?
00:02:23No, thank you.
00:02:25Why?
00:02:26Are you going to begin that all over again?
00:02:29No.
00:02:31Yes.
00:02:32Please, Mr. Stuyvesant.
00:02:34I hate to keep turning you down this way.
00:02:36Then why do it?
00:02:38Because you Rolls Royces seem to think that every girl that works in the store
00:02:42is just dying to step right in your car and go places.
00:02:45There may be some girls like that, but I'm not one of them.
00:02:48So please don't keep asking me, will you?
00:02:52And you won't bother me anymore, will you?
00:02:56Well, I'm glad that's understood.
00:02:59I hate to be forced into being so rude.
00:03:02But I simply can't go out with you.
00:03:04Now you understand, don't you?
00:03:07That's fine.
00:03:08Goodbye.
00:03:10How about a little dinner and a show?
00:03:13Oh.
00:03:34Who are you?
00:03:35Come on up there!
00:03:37Come on over there!
00:03:47Gustav?
00:03:48Yes, sir?
00:03:49What seems to be the trouble?
00:03:51But our chauffeur has gone away from us.
00:03:54Discharge him.
00:03:55Yes, Mr. Stuyvesant.
00:03:57But I can't drive the car.
00:03:59No?
00:04:00No, I can't.
00:04:02There must be an employment agency around here.
00:04:04Well, should we get another one?
00:04:06Very good, Gustav.
00:04:08I shall engage him.
00:04:09Yes, Mr. Stuyvesant.
00:04:16Hurray!
00:04:16Hurray!
00:04:17I've got flat feet!
00:04:20Hey!
00:04:21I don't have to go!
00:04:27There's some place he doesn't have to go.
00:04:35Not a very nice-looking place.
00:04:37Oh, you just walk in, sir.
00:04:38You'll find everything you need in there.
00:05:03What's your name?
00:05:06Helmer J. Stuyvesant.
00:05:08What's the J for?
00:05:10What's the J for?
00:05:10What's the J for?
00:05:10Why, he was named after my father.
00:05:12What's his name?
00:05:14Helmer J. Stuyvesant.
00:05:16All right, Jack.
00:05:19Julius.
00:05:21Julius.
00:05:25Who's the nearest relative?
00:05:27My sister.
00:05:29She lives right around the corner.
00:05:32Is it necessary that I answer all these questions?
00:05:34It's not only necessary, but imperative.
00:05:38Where were you born?
00:05:40St. Vincent's Hospital.
00:05:42What's the matter?
00:05:43Were you sick?
00:05:44I don't remember.
00:05:45I was quite young.
00:05:48How old are you?
00:05:49Twenty-three.
00:05:51Married?
00:05:52No.
00:05:54I know the sweetest girl.
00:05:56You're not married.
00:05:58Most beautiful eyes.
00:06:00Do you know that if you're rejected by any reason
00:06:02of this qualification is known to be concealed from the accepting officer,
00:06:05that you will not be furnished to return to that position
00:06:06of the place of acceptance?
00:06:08I do.
00:06:10Sign here, please.
00:06:13You know, I've never done this sort of thing before.
00:06:17And if you don't mind, I would like immediate action.
00:06:19Oh, you'll get it, all right.
00:06:23That door, please.
00:06:27Oh, a better selection.
00:06:40All right, take off your clothes.
00:06:42Huh?
00:06:43Take off your clothes!
00:06:44I beg your pardon.
00:06:47Come on, don't stall around.
00:06:48Get those clothes off.
00:06:49Why, there's some mistake.
00:06:50Your name's Stuyvesant, isn't it?
00:06:52Yes.
00:06:53Well, come on, get them off.
00:06:54I will not.
00:06:55Come on, get your clothes off.
00:06:57What's the idea?
00:07:00Oh, you're going to get that one, huh?
00:07:01Oh, no.
00:07:02You can't, Mike.
00:07:03You can't.
00:07:03Don't give us that argument.
00:07:05You ought to be ashamed of yourself.
00:07:07No, sir.
00:07:07We'll be ashamed of ourselves.
00:07:08No, sir.
00:07:09Let me look.
00:07:15Oh, no, no.
00:07:17Excuse me.
00:07:17Now, wait a minute, Mike.
00:07:18No, no, no.
00:07:19Excuse me.
00:07:19Excuse me.
00:07:20Excuse me.
00:07:20Excuse me.
00:07:24Excuse me.
00:07:29Come on, Mike.
00:07:32I don't want to go for any help.
00:07:34Have I?
00:07:36Keep your eyes to the front.
00:07:41Don't be gazing around.
00:07:43Stand still.
00:07:46Wipe that smile off your face.
00:07:48This ain't funny.
00:07:49You'll find out.
00:07:51Come on.
00:07:52Come on.
00:07:52Come on.
00:07:53Come on.
00:07:53Come on.
00:07:53Come on.
00:07:54Come on.
00:07:54Come on.
00:07:54Come on.
00:07:54Come on.
00:07:54Come on.
00:07:55Come on.
00:07:55A fine looking bunch of mugs.
00:07:57Why the enemy will probably laugh themselves to death when they look at this outfit.
00:08:04Listen to me, you bird.
00:08:05You're in the army now.
00:08:07Do as you're told and do it quick.
00:08:09Don't try to think.
00:08:10That's what I'm here for.
00:08:11You got two feet, right and left, remember which is which.
00:08:17That's all you gotta remember for a while.
00:08:18No, answer to your names and step one page to the front
00:08:21so I can get a look at you.
00:08:25Cohen!
00:08:30Get in there!
00:08:34Abe Cohen!
00:08:38What is this, the wholesale house of an army?
00:08:41Get back in the range, except you!
00:08:45Say, General, any time you wanna shoot press,
00:08:47I'll press our bell like nobody ever pressed our bell.
00:08:51Get back in the range!
00:08:57Winding ball.
00:09:05Now there's a picture.
00:09:09Get back in the range!
00:09:13Here am I, broken heart.
00:09:18Hey!
00:09:25Hey!
00:09:29Hey!
00:09:31Hey!
00:09:31Hey!
00:09:31Hey!
00:09:34What's your name?
00:09:37Don't you know who you are?
00:09:39Hey!
00:09:39I'm not myself today.
00:09:42Well, I got your number.
00:09:44Will you call me up sometime?
00:09:46Get back in the range!
00:09:49Stuyvesant!
00:09:54Stuyvesant!
00:09:56Elmer Stuyvesant!
00:09:58Elmer Stuyvesant!
00:09:58Uh, did you want Junior or Senior?
00:10:02Which are you?
00:10:03I'm Junior.
00:10:04Well, I'll take Senior.
00:10:08Hey!
00:10:08Hey, who do you think you are?
00:10:10Elmer Stuyvesant, the second.
00:10:12I don't care if you're Henry VIII!
00:10:14Oh, but I'm not!
00:10:15Who said you was?
00:10:20What did you do before you got in the army?
00:10:23I'm associated with my father.
00:10:26I'm out!
00:10:26Wait!
00:10:27What did he do?
00:10:28He's retired.
00:10:30And the loot!
00:10:32Get it up!
00:10:33Loose!
00:10:34Don't fall out!
00:10:36Throw your equipment!
00:10:37And the loot!
00:10:39All right, come on.
00:10:40Get down the street.
00:10:41Get!
00:10:45Haven't you anything smaller?
00:10:46Oh, yeah, sure.
00:10:50All right, now, get that stuff and follow the man in front of you there.
00:11:02Hey!
00:11:07Hey, who's leaving this office?
00:11:09What's this going on?
00:11:10What's this?
00:11:11Who's in there?
00:11:12Come here, you!
00:11:12Hold it!
00:11:13Hold!
00:11:14Hey!
00:11:15Who told you to go up here?
00:11:17Go on!
00:11:18Get away and march!
00:11:24Why, you, you, sir, who started you up here?
00:11:31All right!
00:11:32Hey, company!
00:11:33Fall out!
00:11:34Come on, get off!
00:11:35Get off the street!
00:11:36Get off stage, you!
00:11:37Come on, get off!
00:11:38Get off!
00:11:38Take that rifle!
00:11:40Come on, fall in here, you!
00:11:41Hold your killer.
00:11:42Come on, dress up on the man in front of you.
00:11:44Give me that apple.
00:11:48Put that rifle on the ground there. Get it next to you.
00:11:52That rifle around. Get it on the ground.
00:11:57Listen, wise guy, I'm laying for you. Your life's not gonna be worth a nickel.
00:12:02Get that rifle on the ground. Get those feet together.
00:12:05Get it over here. Come on.
00:12:08Get that hat on.
00:12:11Such a fine, cockeyed-looking army.
00:12:15Every uniform tailored to fit, and you got them on backwards, upside down.
00:12:19And after a few instructions, I want you to get them on.
00:12:23Get them buttoned up. Get looking like soldiers.
00:12:28What are you doing with two guns?
00:12:32Where's your gun?
00:12:35Who's got that gun?
00:12:38What are you guys trying to do? Frame me? You got a fraternal order here?
00:12:44Straighten up. Get that gun to get her.
00:12:46Button up those blouses and get yourself looking like soldiers.
00:12:51Spit it out! Spit it out!
00:12:53Why, you worm?
00:13:03Now, this is your rifle, a Springfield rifle.
00:13:07Springfield? Illinois's or Massachusetts?
00:13:12What's the difference?
00:13:13Oh, there's a vast difference.
00:13:16For instance, you see, the Illinois Springfield
00:13:18would probably be similar to the Ohio.
00:13:21Mm-hmm.
00:13:22Now, of course, around the back bay section around Boston.
00:13:24How long?
00:13:25In Massachusetts, of course, you know that.
00:13:26Yeah, how long since you've been in Boston?
00:13:28Break up that meeting before I bash your brains out!
00:13:32Now, listen.
00:13:34I'll do all the instructing here.
00:13:36Well, Sergeant, we'll have to give them a little hooves, though.
00:13:40Take them out to the parade ground and see what these smart guys will do.
00:13:44Left face!
00:13:45Forward!
00:13:46March!
00:13:50Come on, left!
00:13:52March!
00:13:53One, two, three, four!
00:13:55One, two, three, four!
00:13:57One, two, three, four!
00:13:59One, two, three, four!
00:14:01Come on up there, soldier!
00:14:03Come on up there!
00:14:04Get up there!
00:14:05Get up there!
00:14:13No, Father, I don't think I'll stay in the Army.
00:14:16The other chaps don't seem to recognize my social position.
00:14:21Yes.
00:14:22Yes.
00:14:23So I think I'll resign.
00:14:25Yeah.
00:14:27Come on...
00:14:28Weel joe, baby, vine, is older than she so good in that a very good time!
00:14:37You'll flee their feet long!
00:14:41Come on, arrived!
00:14:43Now I'm not going to sing!
00:14:45Now I won't sing!
00:14:46Oh, come on.
00:15:04Why, Mr. Stuyvesant, it's not really you.
00:15:12Well, it's me, all right, but it can't be you.
00:15:16Don't you like it?
00:15:18Oh, it looks great on you.
00:15:21Balloon Corps?
00:15:22Well, I like that.
00:15:24No, I'm in the entertainment division.
00:15:27Maybe I'll get to France.
00:15:30I'm afraid I will, too.
00:15:32You know, this is the last place on Earth I expected to see you.
00:15:35I didn't expect it myself.
00:15:38But you enlisted.
00:15:39The draft hasn't started yet.
00:15:41Well, I enlisted.
00:15:43I didn't mean to.
00:15:44I know.
00:15:45You were swept off your feet.
00:15:48Yeah.
00:15:49I know just how you felt.
00:15:51All the boys felt the same way.
00:15:53Only you didn't weaken.
00:15:55You went through with it.
00:15:56And you didn't use your family influence to get a soft job in the Army.
00:16:00You started from the bottom.
00:16:02I started below the bottom.
00:16:05Below?
00:16:05Yeah, I've been digging ditches for three weeks.
00:16:09Not a manicurist in the camp.
00:16:11The Army's done you a lot of good already.
00:16:15With you?
00:16:17Well, it hasn't hurt you in my estimation.
00:16:19Come on, Mary.
00:16:20The car's waiting.
00:16:21I'll be right outside.
00:16:22Well, hurry up.
00:16:22Hurry, Mary.
00:16:23Come on over also.
00:16:24Come on, Mary.
00:16:25Oh, Mary.
00:16:25Come on.
00:16:26Come on.
00:16:29Oh.
00:16:44What do you think, Scott?
00:16:46What?
00:16:46I got my transfer and sailing orders, and I leave for France tonight.
00:16:49Splendid, old man.
00:16:51Congratulations.
00:16:52Thanks.
00:17:05All right.
00:17:06We'll try it.
00:17:11En garde!
00:17:14Advance!
00:17:15Advance!
00:17:17Advance!
00:17:18Monk, point!
00:17:21Oh, nothing like it.
00:17:23Nothing like it.
00:17:24As you were, get back, you monk.
00:17:26Get back.
00:17:28Boy, you look like a lot of fond dancers charging in there.
00:17:34Where's your baneet?
00:17:42Why, you stupid lug?
00:17:44Pick it out, pick it out, pick it out, and get it on.
00:17:46It's guys like you that make work for stretcher bearers.
00:17:49What do you think you guys are doing with them baneets?
00:17:51Stabbing pickles at a church festival?
00:17:54This is baneet work.
00:17:56Cold, steel, bloody business.
00:17:59I want you to show the tiger that's in you.
00:18:01I want you to come in growling.
00:18:03I want you to give them a real growl, like this.
00:18:06Ah!
00:18:08And then as you lunge for your man, growl again.
00:18:10Ah!
00:18:11That's what I want.
00:18:13It's ferocious as a wild beast of the jungle.
00:18:16Because when the enemy sees a charging bunch of fighting, snarling, growling, fighting men coming in with cold steel,
00:18:23ready to rip and tear through flesh and bone, they don't like it.
00:18:26They don't like it, I tell you.
00:18:29He said they don't like it.
00:18:33Well, I can understand that.
00:18:35Silence in the ranks!
00:18:37Now, let's see the tiger that's in you.
00:18:40You, Elmer J. Stuyvesant, Jr., the second.
00:18:44En garde.
00:18:46Pick it up, pick it up, pick it up.
00:18:52Get it on.
00:18:53En garde.
00:18:54Come on, come on.
00:18:56Advance!
00:18:57Woof.
00:18:58What do you call that?
00:19:00He said the growl.
00:19:02Is that a growl?
00:19:04Boy, you got him.
00:19:06You got me scared right now.
00:19:08Scared that I'll have to wrap this around your skull and lose my chevron.
00:19:12Get in there.
00:19:16Now, the second movement in Margaret's bane of quirk is called the short thrust.
00:19:22Rip your rifle like this.
00:19:24You'll get right up.
00:19:25You'll probably use this in close quarters.
00:19:27This is what you'll use in the trenches.
00:19:30Get this blade right up against the enemy's blade.
00:19:34Rip it short.
00:19:35Get it around.
00:19:36Under his chin.
00:19:37Ready to give it to him in the gullard.
00:19:39Man to man.
00:19:40Body to body.
00:19:42Eye to eye.
00:19:43You can feel your heart's breath burning right through the enemy.
00:19:46Look at that.
00:19:47Slick, shiny steel.
00:19:49A man's weapon.
00:19:51Every one of you.
00:19:52And if you use it like men, you'll come out like soldiers.
00:19:55Not like a lot of dead ones.
00:19:58Now, watch me.
00:20:01All right, then.
00:20:02The enemy's advancing.
00:20:04He's coming to you.
00:20:05What do you do?
00:20:06You duck him.
00:20:07You get on to his guard.
00:20:09And you give it to him.
00:20:10Right through the gullard.
00:20:11Then you get a short grip.
00:20:13Tiny arrival.
00:20:14Rip and tear.
00:20:16You can't get it out.
00:20:17What do you do?
00:20:18Put your shoulder against him.
00:20:20Work it.
00:20:21Tear rip.
00:20:22You can feel his hot blood.
00:20:23What do you do?
00:20:25It infuriates you.
00:20:26And you're ripping your tear.
00:20:28There may be a guy next to you.
00:20:29And you've got to get him.
00:20:31So you get it out.
00:20:32And then get it along.
00:20:33That's what I want.
00:20:54Hello.
00:20:55How do you do?
00:20:58How are you?
00:21:00Well, I'm fine.
00:21:01How are you?
00:21:02Oh, I'm just fine.
00:21:04How have you been?
00:21:06Oh, I feel pretty good.
00:21:08How are you?
00:21:10Won't you come in and sit down?
00:21:12Oh, I can't.
00:21:14I've got to go back and drill some more.
00:21:23How have you been?
00:21:25How are you?
00:21:25Are you going to start that all over again?
00:21:27Then will you have some gumdrops?
00:21:32Thanks.
00:21:37You're welcome.
00:21:39What did you say?
00:21:44You're welcome.
00:21:50How about seeing you at your house sometime?
00:21:59I don't know.
00:22:02Well, gee whiz, you know, it's part of your job to...
00:22:08...keep us soldiers happy.
00:22:11Well, if you put it that way, I...
00:22:13I guess I'll have to say yes.
00:22:15When?
00:22:17Well, it can't be before tonight.
00:22:19I'll be there.
00:22:21Where?
00:22:22It's your house.
00:22:23You don't even know the address.
00:22:25Don't have to know.
00:22:28I've been by there a hundred times.
00:22:31Have you really?
00:22:40You girls need a set.
00:22:42Goodbye.
00:22:43I'll see you tonight.
00:22:46I'll be over early.
00:22:48You know, I'm beginning to like you.
00:22:52In military clothes.
00:22:54Oh, I'll wear them the rest of my life.
00:23:01Sergeant, line the company.
00:23:02I found you in a second.
00:23:06What was that soldier that just went out the window?
00:23:10One of the boys.
00:23:12Oh.
00:23:17Hi, Mame.
00:23:18The name's Mary.
00:23:20But don't be formal.
00:23:21Just call me Kid.
00:23:24Gee, you know, that's sweet of you, Mame.
00:23:28Kid.
00:23:29Oh.
00:23:32You know, I'm keeping my eye on you.
00:23:34I don't want any of these guys to pull any rough stuff.
00:23:37I don't appreciate that.
00:23:38See, I'm perfectly capable of taking care of myself.
00:23:41I know, I know.
00:23:43But I was afraid some of these rookies might not know that you're my girl.
00:23:47Oh.
00:23:48Am I your girl?
00:23:50Sure.
00:23:51Didn't I tell you so yesterday?
00:23:53That's right.
00:23:54I'd forgotten all about it.
00:23:55If I see any of those worms hanging around your house,
00:23:57why they'll never live to die in France.
00:24:01We're going out tonight.
00:24:04Are we going out tonight?
00:24:06Oh, boy, you bet we're going out tonight.
00:24:11Tonight.
00:24:19Everybody having a good time in there?
00:24:21Oh, boy.
00:24:23Yeah.
00:24:24Everybody all set?
00:24:25Yeah.
00:24:27There and a go.
00:24:28Oh, there we go.
00:24:29All got your passes?
00:24:30Yeah.
00:24:32Well, that's great.
00:24:33Tear them up.
00:24:34All passes have been revoked.
00:24:36We're liable to shove off any minute.
00:24:39Wait a minute.
00:24:41Mine has personally been signed by the captain.
00:24:45Yeah.
00:24:46That's the captain's signature.
00:24:48That's not any good either.
00:24:54Well, boys.
00:24:56Pleasant dream.
00:24:58Reveille at 4.30 as usual.
00:25:03Oh.
00:25:15Who's there?
00:25:16Sergeant of the Guard.
00:25:17Remember your special orders.
00:25:19All passes have been revoked.
00:25:26Where do you think you're going?
00:25:28Well, I was just going out for a walk.
00:25:31Where's your pass?
00:25:34Where's yours?
00:25:38Don't get fresh with me, soldier.
00:25:40Sneaking out, going AWOL, hey?
00:25:43Same as you.
00:25:51Where was you going?
00:25:53Oh, listen, Sergeant.
00:25:54I just had to see my sweetheart to tell her goodbye before we sailed.
00:26:00Say, you know, Spiverson, you're not a bad little guy.
00:26:02To tell you the truth, I was a bit romantic myself tonight.
00:26:05I was going out to see a skirt, too.
00:26:08Skirt?
00:26:09Yeah, cookie.
00:26:12Cookie.
00:26:14Which way are you going?
00:26:15Oh, I gotta go down this way.
00:26:17Fine, I'm going down there, too.
00:26:19Let's go together.
00:26:20Keep your eye out for the MPs.
00:26:23MPs.
00:26:25I hope my girl doesn't fall in love with somebody else while I'm in France.
00:26:31You know, I think a guy is an awful rat that would go out with another fellow's girl while he's
00:26:35soldiering.
00:26:36Why, he ought to be shot.
00:26:37Shot?
00:26:38Why, shooting's too good for him.
00:26:40It's a painless sort of a debt.
00:26:42Do you like throwing under trains?
00:26:45Well, throwing under trains ain't bad, but it's over too quick.
00:26:50Well, you could pick out a slow train.
00:26:52Yeah, but you know, if I caught a guy red-handed going out with my girl, why, I'd tear him
00:26:58limb from limb.
00:27:01That's cute.
00:27:02Yeah.
00:27:03Well, so long, Sarge.
00:27:05This is as far as I go.
00:27:08Say!
00:27:10Is this your girl's house?
00:27:22You want to meet her?
00:27:23Yeah, I'd love to meet her.
00:27:25Oh, you'll like her.
00:27:27She is beautiful.
00:27:29The sweetest...
00:27:36Hello?
00:27:38Do you know this mug?
00:27:41I never saw him before in my life.
00:27:45What?
00:27:46Are you trying to make a liar out of my girl?
00:27:48Get out of here!
00:27:55Get away with that mug.
00:27:57Hiya, baby.
00:27:59Come on in, sit down.
00:28:19And furthermore, if you don't stop forcing your attentions on me, I'm going to tell the commanding officer.
00:28:24I hope that's clear.
00:28:26Okay, sister.
00:28:28Have it your way.
00:28:32But remember, you're passing up an awfully good bet.
00:28:36You've got to make a lot of good...
00:29:38My Adoline, my Adoline, that night, dear heart, in all my dreams, your fair-faced dreams.
00:29:57Hey, you birds!
00:29:59Come on, police, come around.
00:30:01You're the flower of my heart, sweet Adoline.
00:30:11Hey!
00:30:12What are you giving me?
00:30:16What do you think you're doing?
00:30:18Why, sir, I was just dead at...
00:30:22Don't talk back to me.
00:30:24I'll...
00:30:25I'll have you arrested for disrespect to an officer.
00:30:29I'll have you put in irons.
00:30:31You...
00:30:32Fat...
00:30:33Fathead, you!
00:30:36The idea!
00:30:51Here, you'll be all right in a couple weeks.
00:30:53Okay.
00:31:12Good night.
00:31:12I'll have you.
00:31:13It's a great day.
00:31:19Good night.
00:31:22Maybe it's for the best, Elmer, that you met again by chance.
00:31:31You never really guessed it apart at the height of your own eyes.
00:31:39But something in the air tells me that she don't care.
00:32:23You never guessed it apart at the height of your own eyes.
00:32:39You never guessed it apart at the height of your own eyes.
00:33:15I want my mama.
00:33:21I want my mama.
00:33:23You get your mama.
00:33:25Come on, K Company.
00:33:26Fall in.
00:33:27The formation up there.
00:33:28Come on.
00:33:28Get up, will you?
00:33:29Come on, you luck.
00:33:31Get up.
00:33:40Come on.
00:33:41Come on.
00:33:42Come on.
00:33:42All right, K Company.
00:33:43Fall in.
00:33:44Come on.
00:33:48Come on, K Company.
00:33:49At ease.
00:33:52Ma'am, we are about to enter the submarine danger zone.
00:33:56You all know your boat station.
00:33:58No matter where you are or what you are doing, report it once to your proper boat station
00:34:04and stand by for further orders.
00:34:06Sergeant, it's Mr. Company.
00:34:13Attention.
00:34:15Now, all you swimmers, don't forget to have those water wings with you.
00:34:20Dismissed.
00:34:32Mary.
00:34:37That's your baby, Ma'am.
00:34:38Mary.
00:34:40I don't care.
00:34:42What?
00:34:43I don't care.
00:34:45I said that's Mary, your girlfriend.
00:34:47I'm sorry.
00:34:49What's the matter with you, you?
00:34:50He's great.
00:34:52No, I'm not interested, that's all.
00:34:56I'm absolutely through with dames.
00:34:59They're all traitors.
00:35:01Well, I'm going down below and police up the nice, pretty, white lily body now.
00:35:08So whoops, to a sailor.
00:35:10I'm not the matter with you.
00:35:11Now, come see.
00:35:11Come and see.
00:35:12Well, no one, no one.
00:35:13No, no one, no one.
00:35:15No one.
00:35:16No one, no, no.
00:35:16No one, no one, no one.
00:35:20Yeah.
00:35:39No one.
00:35:48Don't be alarmed, it's only a boat drill.
00:35:51Oh!
00:36:03Sergeant!
00:36:06Speak to this man.
00:36:12What do you mean, falling in looking like that?
00:36:15Orders are orders.
00:36:17Why, you sleepy-looking pelican, go below and wrap something around that torso before I wrap this around you.
00:36:23Company, dismissed.
00:36:52Why, Elmer!
00:36:57Oh, Elmer, I want to see you.
00:37:00Oh, no you don't.
00:37:01Come out here.
00:37:06Elmer, I want to see how you look in your overseas outfit.
00:37:09Oh, you'd be surprised.
00:37:11Go away, I don't want to talk to you.
00:37:16Elmer, I want to explain to you about that evening.
00:37:19I don't want to hear about it, go away.
00:37:24If you don't come out here, I'm going to come in there with you.
00:37:26Oh!
00:37:27Oh, no!
00:37:34En general, la France est fière de recevoir un groupe d'hommes si brave et si bien entraînés.
00:37:42Thank you for the compliment, General.
00:37:44We are proud to be with you in your sunny France.
00:37:50Hey!
00:37:51Hey!
00:37:54Hey!
00:37:58Hey!
00:37:59Hey!
00:38:02Hey!
00:38:04Hey!
00:38:05Hey!
00:38:05Hey!
00:38:05Hey!
00:38:06Hey!
00:38:10Hey!
00:38:29I'm not one of them, man.
00:38:34What's left?
00:38:35Hey!
00:38:36Come on in!
00:38:40Lieutenant, village accompanies.
00:38:44All right, first place next.
00:38:46Two, four, six, eight, six, 12, 14, 16, 18.
00:38:51Nice job there, bro.
00:38:52Sergeant, get these lugs and shove them in a rat kennel.
00:38:57I wonder where Elmer is.
00:38:59Never mind about Elmer.
00:39:00I'll worry about him.
00:39:01All right, you eight men.
00:39:02Right over in that barn there.
00:39:03Get him in there.
00:39:04Downstairs.
00:39:04Come on.
00:39:05Snap in there.
00:39:05Get that rifle.
00:39:06I don't know where that lugs, Stuyvesant, is.
00:39:08Let's go.
00:39:09You're going to see your bring.
00:39:18Take that rifle.
00:39:20Hit the rifle.
00:39:22Take that rifle.
00:39:36All this horse & congratulations.
00:39:51Where are you, Ben, you worm?
00:39:53Don't you know I'm responsible for every man in the company?
00:39:56I've been looking for you for hours.
00:39:59Every man's in there, nice comfortable quarters, getting all cleaned up.
00:40:03I'm in the dining room now.
00:40:05And you, you lug.
00:40:09Clean up your gun.
00:40:11Is that all, sir?
00:40:13No, that's not all.
00:40:15Get yourself cleaned up.
00:40:16You're on guard duty tonight.
00:40:20Go to your billet.
00:40:29Oh, you stupid mug.
00:40:31Get up.
00:40:33Get up, you lug.
00:40:37Get up.
00:40:40Get up.
00:40:40Why, you wheel.
00:40:45You worm.
00:40:46Let me get my hands on you.
00:40:48I'll carry your limbs from limb.
00:40:51I'll strangle you.
00:40:52Why, you slimy serpent.
00:40:55Let me get up there.
00:40:56Get up.
00:40:57Get up before I'm weight of you.
00:41:00That's what I get for being tenderhearted with these lugs.
00:41:04Ha, ha, ha, ha, ha, ha.
00:41:11Let that off, Gugelheimer, you lousy, dirty poisoner.
00:41:20Now, remember, come to the port arms at any time you're talking to anyone on your post.
00:41:25And remember to keep your eyes open for the officer of the day.
00:41:28Yes, sir.
00:41:29Don't serve me.
00:41:30Yes, sir.
00:41:31See, tail?
00:41:32Hurt.
00:41:33Hurt.
00:41:45Hurt.
00:41:57Hurt.
00:42:13Hurt.
00:42:15Who's there?
00:42:16A friend.
00:42:19Advanced friend to be recognized.
00:42:24Halt!
00:42:25I ought to arrest you for false pretenses.
00:42:29You're no friend of mine.
00:42:31Oh, Elmer.
00:42:33I never saw you before in my life.
00:42:41Oh, Elmer, please give me a chance to explain.
00:42:46I can't talk now. I'm on Sentry Goat.
00:42:55What are you doing here anyhow?
00:42:57I'm billeted here. I was just going to bed.
00:43:00Oh, don't let me detain you.
00:43:03Oh, Elmer.
00:43:05I tried to explain to you on the boat, but you ran away from me.
00:43:08I told Sergeant Brokley I didn't know you to keep you from getting hurt.
00:43:15Oh, don't you understand?
00:43:17For some reason, Sergeant Brokley said he'd beat up any man that paid any attention to me.
00:43:22And that's why I denied knowing you.
00:43:24But Sergeant Brokley to you.
00:43:26Nothing.
00:43:27I only met him at camp.
00:43:30Besides, I kicked him out of my house.
00:43:32And he's furious.
00:43:35You did that just for me?
00:43:37Mm-hmm.
00:43:39Oh, Mary.
00:43:42You're wonderful.
00:43:45Then we can be friends again?
00:43:47Friends?
00:43:49Is that all?
00:43:50Well, isn't that enough?
00:43:53I mean, until the war's over at least.
00:43:56I guess I'll go to bed.
00:43:58Good night, Elmer.
00:44:00Oh, Mary.
00:44:01Do you remember that day, that time, that time when you kissed me?
00:44:06That day?
00:44:09I did that because you were so brave and everything.
00:44:13Gee, I'm brave now.
00:44:15Ain't I guarding your billet?
00:44:18From, from raids and spies and aeroplanes and submarines?
00:44:24Oh, my hero.
00:44:28Good night.
00:44:46Who fired that shot?
00:44:47What's this wrecking all about?
00:44:49What happened?
00:44:51Oh, it was Mary.
00:44:55She kissed me.
00:44:56Relieve this man and send him to his billet under arrest.
00:44:59Yes, sir.
00:45:02Take your phone.
00:45:04Go to your billet.
00:45:07Detail?
00:45:08I'm out.
00:45:19Get out of there, Elmer.
00:45:22She kissed me.
00:45:23Well, why don't you sue her?
00:45:26No, no.
00:45:27She loves me.
00:45:29Well, don't put anything in writing.
00:45:34Oh, what a beautiful moon.
00:45:39I can see her billet from here.
00:45:42From here?
00:45:44You were meant for me.
00:45:50You were meant for me.
00:45:51And I was meant for you.
00:45:57Hey.
00:45:58Hey, take my ukulele.
00:46:00Hey!
00:46:01Come on, Elmer.
00:46:13Come on.
00:46:28You were meant for me, too.
00:46:30If you're out of here?
00:46:32I'm up with the pro for you.
00:46:32There it is.
00:46:33Oh, my God.
00:46:35Is what...
00:46:36Oh, my God.
00:46:38Oh, my God.
00:46:40Yes, sir.
00:46:41She's wearing the pants.
00:46:41Oh, my God.
00:46:41Oh, my God.
00:46:50What are you doing, everyone?
00:46:52I don't know who you are.
00:47:01Oh!
00:47:03That's what happens to the parents of us!
00:47:06Let's go!
00:47:06Oh!
00:47:07What's that, sir?
00:47:09Oh, no!
00:47:10Que souffle, faites-vous!
00:47:11Que souffle, faites-vous!
00:47:12Que souffle, faites-vous!
00:47:13Monsieur!
00:47:15Allez, tassé, vite!
00:47:16Oh, Miserable, c'est moi!
00:47:19Moi!
00:47:19I am the royal soutien!
00:47:21What?
00:47:21Al soutien!
00:47:22Oh, what's that?
00:47:23Humant! Humant!
00:47:24Que c'est?
00:47:25Oui, tu les couvras, Miserable!
00:47:27J'ai trouvé sept ans, sept ans,
00:47:29dans la force de ma vie,
00:47:30en prenant des mille minutes.
00:47:32Et différente, je fais ici.
00:47:33Le général rendra l'honneur de ma famille!
00:47:35Miserable!
00:47:35Il a pris le l'honneur...
00:47:36de ma fille, m'a dit!
00:47:40M'a dit d'un !
00:47:42M'a dit un lunde!
00:47:45M'a dit un lunde!
00:47:47M'a dit un lunde!
00:47:50Oh, Miserable, oui.
00:47:51Allez!
00:47:52Oh, Miserable.
00:47:53Oh, Miserable.
00:47:55Oh, Miserable!
00:47:56This man!
00:47:57My daughter!
00:47:59This man!
00:48:00In my daughter's bedroom!
00:48:02Oh, no, no, no.
00:48:03I didn't do anything.
00:48:05Gee, I wouldn't even kiss her.
00:48:08Sacreble!
00:48:10But this hand is not good enough for a kiss.
00:48:12Oh, no, no, no, yes.
00:48:14Yes, fine.
00:48:16Gee, if that's causing all the excitement, I'll kiss her.
00:48:21Put that down.
00:48:22Just a moment.
00:48:24How did you get in this man's house?
00:48:28Walked in.
00:48:30Oh, you just walked in, huh?
00:48:33Well.
00:48:34The matter will be taken up immediately.
00:48:37And if we find it necessary, a marriage will take place.
00:48:41Merci, mon commandant.
00:48:42You are honorable, you...
00:48:47Oh, Captain.
00:48:49Attention!
00:48:51Sergeant Brophy.
00:48:56Yes, sir.
00:48:57Sergeant, I'm surprised
00:49:01to think
00:49:02that a man of your military standing and ability
00:49:07should allow such a thing to happen in his company.
00:49:09It is almost neglect of duty.
00:49:13You evidently are not paying enough attention to your men.
00:49:17Now, I assure you
00:49:18that if an incident of this sort happens again,
00:49:22K Company will have a new first sergeant.
00:49:25Now, take Private Stuyvesant out
00:49:27and impress him with his duties.
00:49:30That's all.
00:49:32That's all.
00:49:32Yes, sir.
00:49:36Come on, Private Stuyvesant,
00:49:38and be impressed.
00:49:39Come on!
00:50:06Well, what did you do?
00:50:09Stoop over in front of a tank?
00:50:11No, the top sergeant impressed me.
00:50:14Yeah.
00:50:15Boy, you sure are in bed.
00:50:19The captain was awful mad at me.
00:50:21Never mind the captain.
00:50:23You're in bed with Mary.
00:50:26Mary?
00:50:27Yes, sir.
00:50:28Why?
00:50:29Well,
00:50:30she saw you with that mademoiselle there
00:50:32and a man with a sword.
00:50:34Oh, I'm perfectly innocent of that.
00:50:37I don't know that girl.
00:50:38She means nothing to me.
00:50:39Oh.
00:50:40Why don't you tell me the one about
00:50:42Jack and the Beanstalker?
00:50:44What did she say?
00:50:45She said she never wanted to see you anymore.
00:50:47She don't care even if you never breathe again.
00:50:50Oh, she's got to see me.
00:50:52Yeah.
00:50:52She's got to talk to me.
00:50:53Gee, I'd die if she didn't.
00:50:55Well,
00:50:56you're practically a corpse now, then.
00:50:59You go tell her.
00:51:00You go explain it to her.
00:51:01I don't want anything to do with it.
00:51:03She's so mad at you,
00:51:04she'd perhaps take it all out on me.
00:51:07Well, you must help me.
00:51:08There's something we can do.
00:51:10Now, I,
00:51:10I,
00:51:13say,
00:51:15my prolific brain
00:51:16just gave birth to an idea.
00:51:19I'll tell you what you do.
00:51:20Tonight,
00:51:21come over to the show with me
00:51:23and we'll go backstage
00:51:24and I'll get over on one side.
00:51:35Come on,
00:51:36come on,
00:51:36come on.
00:51:39Now,
00:51:40you look like a swell temelier
00:51:41and you've got nothing to worry about.
00:51:44Just follow the guy in front of you
00:51:46and do everything that he does.
00:51:48Well,
00:51:49whose place am I taking?
00:51:50I don't know
00:51:51and I don't care.
00:51:53This is your only chance
00:51:54to see Mary.
00:51:59The End
00:51:59The End
00:52:05The End
00:52:49When it comes to getting up, that's what I detest, for rest is the best thing I know.
00:52:56Can there be no letting up, no rest from the past, they call Mr. Trouble and Woe.
00:53:04All the flurry and the worry that he causes has been wished on everybody, I am sure.
00:53:10And if you ever want to try to shake that old guy, let me suggest a cure.
00:53:17Sing, a happy little thing. Come on and let us bring joy to the new day.
00:53:26Bing, out goes the blue day. Sing, just like a bird in the frame.
00:53:31Sing, and let the echo ring way up in heaven.
00:53:37The song is king, this life is cold.
00:53:40Unless we have that certain spark, it's all controlled.
00:53:46Find music so from morn till dark.
00:53:49Be a lark and just sing.
00:53:51And you can have your play.
00:53:59Sing, and let the echo ring way up in heaven.
00:54:15Sing, and let the echo ring, this life is cold.
00:54:17Unless we have that certain spark, it's all controlled.
00:54:22Find music so from morn till dark.
00:54:23Be a lark, be a lark, be a lark, be a sing.
00:54:26Sing, and let the echo ring.
00:54:28Not in anything, if you will want me.
00:54:31Sing, sing, sing, sing, sing.
00:54:35Oh, sing, a happy little thing.
00:54:40Come on and let us bring joy to the new days.
00:54:44Bing, out goes the blue days.
00:54:49Sing, and let that echo ring straight up to heaven.
00:54:53Song is king, this life is dark.
00:54:58Unless you hold that spark, but it's controlled by music.
00:55:03So from morn till dark, be a lark and just sing.
00:55:08You can have your fling and accomplish anything.
00:55:12If you will only sing, sing, sing.
00:55:35Hey, and you can have your fling and accomplish anything.
00:55:44Hey, if you will only sing.
00:55:50Hey, if you will only sing.
00:58:29This is from General Enfiles, sir.
00:58:36We're ordered to move up at once.
00:58:38The enemy's made a strong advance.
00:58:41Lieutenant found the call to arms.
00:58:43Yes, sir.
00:58:44Yes, sir.
00:58:57The enemy's made a strong advance.
00:58:58Yes, sir.
00:58:58Yes, sir.
00:58:58Yes, sir.
00:59:12Yes, sir.
00:59:14Yes, sir.
00:59:15Yes, sir.
00:59:15Yes, sir.
00:59:18Yes, sir.
00:59:19Yes, sir.
00:59:20Yes, sir.
00:59:22Mary.
00:59:23Wait.
00:59:25Mary, we're going up.
00:59:27I've come to say goodbye.
00:59:28I don't care. I never want to see you again.
00:59:32Why? What have I done?
00:59:34What have you done?
00:59:35You've got a lot of nerve to ask me what you've done.
00:59:38Why, you...
00:59:38Oh, what?
00:59:41Stylison!
00:59:46Stylison!
00:59:47Why, are you real? The whole battalion's waiting on you!
00:59:50Who's over there before I strangle you?
00:59:53Get out of here!
00:59:58Get out of here!
01:00:03He'll be sorry.
01:00:06Ten!
01:00:07Five!
01:00:09Five!
01:00:10Five!
01:00:21I ain't gonna be long now.
01:00:24You can't come too soon for me.
01:00:27I'm not so anxious.
01:00:30I am.
01:00:31I'll score.
01:00:33Bring on your war.
01:00:35I'll make her sorry.
01:00:39Cliff, do me a favor.
01:00:42If I get a medal after I'm gone, feel it, Mary gets it.
01:00:47What a cheerful fellow he is tonight!
01:00:51I can see her now.
01:00:55Crying over my medals.
01:00:57After it's too late.
01:00:59And I'm buried in no man's land.
01:01:02Her heart will be breaking.
01:01:04And I'll be there laughing at her.
01:01:07Boy, that's a funny revenge.
01:01:20Keep the sector going.
01:01:22Sure up.
01:01:25Well, Captain, will it be all right if I go over the top now?
01:01:32I'm glad we resigned this position.
01:01:34It's a great spot for our battalion to become seasoned.
01:01:38Yes, it is.
01:01:39This is a quiet sector.
01:01:56So this is a quiet sector.
01:02:00Well, if this is a quiet sector, I'm going out in no man's land and relax.
01:02:05That's the enemy's way of showing us they know we're here.
01:02:09Are we supposed to be a secret?
01:02:12I ever think your fish peddle a pipe down.
01:02:14Scott, see if you can pick up a prisoner.
01:02:17Find out what enemy units are opposite.
01:02:20Yes, sir.
01:02:23I want you to bring back a prisoner.
01:02:25For question.
01:02:28Now, it's a dangerous mission.
01:02:32And I need three men.
01:02:40Let's go.
01:02:41Yes, sir.
01:02:43Harrison?
01:02:43Yes, sir.
01:02:48Meskopec.
01:02:53All right, Meskopec.
01:02:55You'll go first.
01:02:57Keep down and crawl.
01:03:00Get the prisoner and bring him back.
01:03:06Webb?
01:03:07Harrison?
01:03:08You'll leave at five minute intervals.
01:03:13Good luck.
01:03:14And goodbye.
01:03:20Why?
01:03:23Why didn't they pick me?
01:03:25I'm a lucky fellow.
01:03:26I've been lucky all my life.
01:03:30I'm going to get the fellow that the captain wants, and I'm going to bring him back.
01:03:39Schultze, Meyer and Hoffmann.
01:03:42You go to earth.
01:03:43The other two follow them in five minutes.
01:03:46Come on, march.
01:03:48Goodbye.
01:03:49What a future you got.
01:03:56Thank you, Schultze.
01:04:05I'm going to bring him back.
01:04:06Come on, don't look, Schultze.
01:04:14Good luck, Schultze.
01:04:24Let's go.
01:04:56Let's go.
01:05:20Let's go.
01:05:23Let's go.
01:05:26Let's go.
01:05:34Let's go.
01:05:56There's someone moving out there.
01:06:06Well, one of my men is bringing in a prisoner.
01:06:11Excellent, Captain.
01:06:13This is a great honor for K Company.
01:06:23Captain.
01:06:24I've got a prisoner.
01:06:25Great work, my boy.
01:06:27He's asleep.
01:06:28Well, bring him in.
01:06:29Yes.
01:06:31This is a great night for K Company K.
01:06:38Hey, are we winning?
01:06:42It's Nescapec!
01:06:45Should I take him back, sir?
01:06:50You're a stupid-looking, rivet-head.
01:06:56Come here!
01:06:57Get in here!
01:06:58It's the one of you that didn't wander in the headquarters and bring the general back.
01:07:01Stay there now, and I'll find something for you to do before I kill a two of you.
01:07:07Hey, Elmer, what happened?
01:07:11Oh, nothing.
01:07:12I just made a little mistake.
01:07:14And I was in.
01:07:22Hey, Elmer, if you see my hat, will you bring it back, will you?
01:07:25Hey, Elmer, if you see my hat, will you bring it back, will you?
01:08:01That fish-head Private Stuyvesant, why that dumb cluck?
01:08:15And I will take a look.
01:08:16Get off me.
01:08:21Then we will take a look.
01:08:26I'm going to support you.
01:08:26This is for you.
01:08:27When?
01:08:28Come in.
01:08:32Do you want to do it?
01:08:33Go in.
01:08:33Go in.
01:08:34Go in.
01:09:08Why am I going to get the E-Latruder grenade and tear his ears off?
01:09:11Let him have the grenade!
01:09:33Surrender.
01:09:33Come on.
01:09:36Mr. Stuyvesant.
01:09:39Gustav.
01:09:41Gee, I'm glad to see you.
01:09:42Well, I'm very pleased to meet you, Mr. Stuyvesant.
01:09:45Gee, you're looking fine, too.
01:09:47Thank you, thank you.
01:09:48So do you.
01:09:49Uh, humans,
01:10:01Mr. Stuyvesant.
01:10:02Mr. Stuyvesant.
01:10:02Mr. Stuyvesant, wouldn't you be kind enough to sit down a moment and allow me to take this?
01:10:05Mr. Stuyvesant.
01:10:07Uh, why, why didn't you shoot me?
01:10:09Well, we didn't have any ammunition.
01:10:12Oh, I'm sorry.
01:10:15I'm so sorry I can't invite you for luncheon, Mr. Stuyvesant, but we haven't got anything
01:10:21to eat.
01:10:21We didn't have anything for the last three days but just a little bit of cracker, that's
01:10:24all.
01:10:25Is that all you've had?
01:10:26That's all we've had.
01:10:27Oh, that's terrible.
01:10:29Did they have anything either?
01:10:30No, they didn't.
01:10:31No, they're all starving.
01:10:32Well, maybe if I went back to our place, I could bring you back some food.
01:10:41What would you like to have?
01:10:42What would you then have, Kimmer?
01:10:44We'll listen in, sir.
01:10:46Jenny Schnitzel, please.
01:10:48And a bit of liverwurst.
01:10:50And liver sausage.
01:10:51Liver sausage.
01:10:52You had those pumpernickel?
01:10:54Pumpernickel, of course.
01:10:55Ah, pumpernickel.
01:10:57And for myself could I have some, some, some schmierkäs.
01:11:01Would you rather have cheese?
01:11:03Sure, sure, sure.
01:11:05Now, I'll...
01:11:06Oh, can I have this luger?
01:11:08Yes, take it along.
01:11:09Oh, I can get anywhere.
01:11:10Anything the cook's got for that souvenir.
01:11:12Don't miss it.
01:11:12I'll come by now.
01:11:13This becomes the other souvenir.
01:11:14Oh, no, no, no, this will be enough.
01:11:22You'll be right here.
01:11:23Yes, we wait.
01:11:24You bet we wait here.
01:11:25And maybe I'll get some cheese, too.
01:11:27Oh, that would be terrifying.
01:11:30Here we go.
01:11:32There we go.
01:11:32Can I have some cheese, too?
01:11:42Don't be sarcasm.
01:11:42Go away now, I'll be right back.
01:11:55What is that?
01:11:56Souvenir.
01:12:02Look at this.
01:12:06That's the layout of the enemy's position.
01:12:09I say this is a very important thing.
01:12:12Souvenir, I should say it is a souvenir.
01:12:15The Major must see this at once.
01:12:17My boy, you've done a great deed.
01:12:20Come with me.
01:12:22Can you imagine that?
01:12:24Major.
01:12:26Look at this.
01:12:30This is marvelous.
01:12:33There's Hill 42 over here.
01:12:36And here are all their big guns from back up, Sector 32.
01:12:39Here's the transportation line running right down here.
01:12:41This is gorgeous.
01:12:43Say, Captain, who brought in this?
01:12:44Private Stuyvesant.
01:12:45Stuyvesant?
01:12:46My boy, do you realize what you've done?
01:12:49I'm sorry.
01:12:50I didn't mean to start anything.
01:12:51This is gorgeous.
01:12:52This gives the entire forces of the enemy.
01:12:55They're going to attack tonight in force.
01:12:57Gustav's with them, too.
01:12:59Gustav?
01:12:59Good.
01:13:00Four or five others.
01:13:01Four or five others?
01:13:02Good.
01:13:03That completes the battalion.
01:13:04Here we are.
01:13:05We go over here.
01:13:06Captain, send this man back to report to the commanding officer of the evacuation hospital
01:13:10with instructions to move to the rear immediately.
01:13:12Yes, sir.
01:13:13And give him a two weeks' rest.
01:13:15Yes, sir.
01:13:15I can't do that, sir.
01:13:16I've got to get back to the enemy's line.
01:13:17I won't hear of it, my boy.
01:13:18You've done enough to deserve that two weeks' rest.
01:13:21What about the cheese?
01:13:22We'll capture that later.
01:13:25Stuyvesant, my personal congratulations.
01:13:32You are certainly a credit to K Company.
01:13:35Sergeant.
01:13:36Yes?
01:13:36Escort Private Stuyvesant to the rear.
01:13:39Yes, sir.
01:13:41Captain, this is wrong.
01:13:42Captain, if it's all the same to you, can I find it alone?
01:13:45Yes.
01:13:47Oh, I think that this fall into our hands.
01:13:49This is great.
01:13:50Say, if we had 20 more men like him, this war would be one in a week.
01:14:03Get right in here.
01:14:06Elmer!
01:14:07Mary!
01:14:08What are you doing up here?
01:14:10Oh, I'm so glad you're not hurt.
01:14:12I want to tell you how sorry I am.
01:14:14I shouldn't have done this terrible thing.
01:14:16I shouldn't have...
01:14:22Get out of here.
01:14:24Get these men to the rear.
01:14:25Go on, back away.
01:14:26Right away.
01:14:30Ambulance driver.
01:14:31Ambulance driver.
01:14:33I'll drive with myself.
01:14:42Where's my truck?
01:14:43I don't know.
01:14:43Some soldier took it down the street.
01:14:45Holy smoke!
01:14:46That truck is loaded with an ambulance.
01:14:47They're going to have a violation.
01:14:58I'd better take these men right straight to the base hospital.
01:15:23See, look back and see how the boys are.
01:15:28Elbert, it's ammunition.
01:15:29What is it?
01:15:30Huh?
01:15:34Hey!
01:15:35Go away!
01:15:36Mary's in here!
01:15:37Oh, I'm sorry.
01:15:59Come on!
01:16:01Come on!
01:16:01Come on!
01:16:02Come on!
01:16:05Come on!
01:16:07I think so.
01:16:29Oh, Elmer, there's something to that.
01:16:37Don't get it, Elmer!
01:17:27Elmer, Elmer!
01:17:37You know where we are, I do
01:17:43Pick up that other box back there and you feed it through this way make sure it goes through that
01:17:48way and no matter what happens save the last bullet for yourself
01:17:59Mr. Stuyvesant, the war is over. Huh? The war is over. Elmer, it's over. Yes, great. Mr. Stuyvesant, couldn't I
01:18:10get my chalk bag with you?
01:18:13Oh, yes, yes. Thank you. Thank you. In fact, you can start immediately. Thank you. I'd polish this up a
01:18:19little bit too, sir. I shall. Thank you.
01:18:26Good day, gentlemen. Good afternoon, gentlemen. What day? I'll run into you from some other war sometime.
01:18:42Elwin. Elvie. Elwin.
01:18:51Elwin.
01:18:54Sorry, Mr. Stuyvesant. Well, that's all right. Just clean it up.
01:18:59My associates, we introduce to the waiting world the Nescapec gold medal ukulele. The pride of a Stuyvesant manufacturing company.
01:19:08Uh, Scott.
01:19:09Yes, Mr. Stuyvesant.
01:19:15Oh, Mary. You look beautiful. Just wait just a second, dear. Uh, if you'll sign right here, please.
01:19:23Really? It will complete the transaction.
01:19:30Mr. Stuyvesant! You whine!
01:19:33Boston, I'll force your feet off me neck, or I'll bite your leg off!
01:19:37Mr. Stuyvesant! You whine! Boston, I'll force your feet off me neck, or I'll bite your leg off!
01:19:50Mm-hmm!
01:19:50...
01:19:50...
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