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00:00:00The End
00:00:30The End
00:01:00Look at this. Our rooster and the gang promised me a limousine with a show.
00:01:04This pie crust are you, ain't it?
00:01:05Shut up, you sap. We ain't out of debt.
00:01:07It's ten miles to town.
00:01:09Well, so long. I hope I never see you again.
00:01:11Boy, I hate these country prisons.
00:01:13I hate all prisons. The food is bad.
00:01:15Yeah, well, listen. The next time I'm gonna...
00:01:17There ain't gonna be any next time. Not for me.
00:01:19No? What are you gonna do for a living?
00:01:20I thought I'd start a chicken farm.
00:01:22You can start with a hundred eggs, and by saving the bullets at the end of a year, you'll have ten thousand eggs.
00:01:27Yeah? Listen, get out fixed, then, will you?
00:01:29What's the matter?
00:01:29I think we got a tire.
00:01:31Flat tire. That's luck for you.
00:01:33I don't see any flat tire.
00:01:35Oh, well, buy a mirror.
00:01:37Hey, then.
00:01:38I don't know.
00:01:48Oh, well, buy a mirror.
00:01:50Oh, well, buy a mirror.
00:02:00Come on.
00:02:01We will hear from Brother Dan, once lost in the sea of sin, but now safe on the shores of love.
00:02:30Friends, you wouldn't think to look at me now that I once was as wicked as you, but yea, verily, there's no sinner among you what I can't call brother.
00:02:44And you know how I got lost in crime and sin?
00:02:46Bad company, but I found the error of my ways.
00:02:50I found that crime don't pay.
00:02:53And now I'm happy and love the whole world.
00:02:55Yeah, even the depraved wretch, what led me into sin, even him I love and forgive.
00:03:05And remember, brothers, crime don't pay.
00:03:15No, sir. Crime don't pay.
00:03:17And verily, I say to you, even the depraved wretch, what led me into sin, even him I love and forgive.
00:03:34And there is a blow of vengeance coming, what on all sinners what knows no mercy.
00:03:40And there is retribution for all.
00:03:43And there is thunderbolts coming from the sky on your head, unexpected.
00:03:48And verily, I say to you, the wages of sin is a punch in the jaw.
00:03:53And I say to you, the labor, like—
00:03:53Okay!
00:04:02Hey!
00:04:03Hey!
00:04:03What are you going to make for me?
00:04:04Eat the matter!
00:04:05Pate the fire!
00:04:06Pate the fire!
00:04:17m
00:04:1820, four.
00:04:2120, six!
00:04:2320, eight.
00:04:2620-6, 20-8, 20-8, 20-8...
00:04:3420-8, 20-8, 20-8, 20-8...
00:04:51Hello, Al, another log?
00:04:53Yeah.
00:04:59Oh, look at the bug on that guy.
00:05:02Boy, look at that. Look at that.
00:05:06See, is there a piccolo player in the crowd?
00:05:09Why, no, sir, but I can play a saxophone.
00:05:12So that's what you're in for.
00:05:15For three months, I've been trying to get a piccolo player...
00:05:18and all it's in up is saxophone.
00:05:20Just a lot of punks, that's all.
00:05:23Oh, now, that's a shame.
00:05:25What did you do, boy, rob your mama's bank?
00:05:28Oh, the poor kids, what do you think of that?
00:05:31Get out of the dirties.
00:05:32Get this, get the paint on this guy.
00:05:38I've been in this jail 40 years...
00:05:40and the samples they send up here gets worse and worse.
00:05:43It's getting to be a day nursery.
00:05:45They wouldn't even allow those kind of guys in here in my time.
00:05:48Well, how'd they keep them out? Blackball them?
00:05:51Do you know what they'd call Big Pete in my day?
00:05:53What?
00:05:54A sissy.
00:05:55Yeah, there was men in those days.
00:05:58Men with needles in their chests.
00:06:00Men like myself.
00:06:02Come on over and play, boy.
00:06:09Just one week before the big game...
00:06:12and I had to go and pardon the pitcher.
00:06:14It's politics.
00:06:16That's what it is, politics.
00:06:18Somebody higher up don't want us to win.
00:06:21You know who it is?
00:06:24The governor!
00:06:27Jessop!
00:06:28Well, but ain't little Morris, so you're here.
00:06:31Yes, I'm here, and you're here too, where you belong.
00:06:33You got me all wrong, kid.
00:06:35I lost more money on that horse than you did.
00:06:37Did you, Jessop?
00:06:38Did you lose your position and money and friends?
00:06:41And mother?
00:06:42She died at my trial.
00:06:43If it hadn't been for you...
00:06:45Shut up, little swine.
00:06:46You were a thief long before I knew you.
00:06:48That's a lie!
00:06:49Take it back!
00:06:50Take it back!
00:06:51Here, cut it out, cut it out!
00:06:52Go on, scram!
00:06:56Come on, don't take it so hard.
00:06:59I can't help it.
00:07:01How did your family feel?
00:07:06Well, they don't know.
00:07:08I changed my name, and...
00:07:11they think I'm in China.
00:07:13How'd you do that?
00:07:15Well, they got friends out there.
00:07:18They forward my letters home and cable my folks once a month.
00:07:24I'll see you around.
00:07:25I work in the office there.
00:07:27Got a lot of new fish coming in, you know.
00:07:30Associates, inmates.
00:07:32Come on, son.
00:07:33Buck up, boy!
00:07:34Come on, you fellas, will ya?
00:07:37Come on!
00:07:38Come on!
00:07:39All right, Pop.
00:07:40What's the hurry?
00:07:41I got 20 a time.
00:07:4330 years.
00:07:44Next, only 20 for me.
00:07:51Say, do you think they'd mind if I was to join in?
00:07:54Could you play ball?
00:07:55Why, sure.
00:07:56Well, go on and get over there, then.
00:07:57Why, Pop will plaster you with kisses.
00:07:58Hurry up!
00:07:59And this is the men's yard.
00:08:00Aren't you afraid here with all these dreadful characters?
00:08:02Oh, dear, no.
00:08:03They're just like little children to me.
00:08:05In fact, to all the welfare workers.
00:08:07Watch it.
00:08:08Watch it.
00:08:09Oh, how do you do, Mrs. Matthew?
00:08:10How do you do, dear?
00:08:11So jolly to see you again.
00:08:12I missed you terribly last Thursday.
00:08:13I had some friends up from the city.
00:08:15Charming people.
00:08:16They were very disappointed not to meet you.
00:08:19Well, cheerio.
00:08:20See you again.
00:08:21You see?
00:08:22So jolly to see you again.
00:08:24Missed you terribly last Thursday.
00:08:26Had some friends up from the city. Charming people.
00:08:29They were very disappointed not to meet you.
00:08:33Well, cheerio. See you again.
00:08:36You see? And who is he?
00:08:39Electrical genius. Wire-tapper.
00:08:46I do know.
00:08:52Very strangler.
00:08:54Now, we'll go over to the welfare rooms.
00:08:56You see? They're right over there.
00:09:00Don't be afraid.
00:09:01He's just amusing little Jean.
00:09:03The warden's daughter.
00:09:05Jean, hello to my friends.
00:09:08How do you do?
00:09:09How do you do?
00:09:10Have you a kiss for Mrs. Massey?
00:09:12Yes, Mrs. Massey. I gave...
00:09:14A dog.
00:09:16Let's go over to the welfare rooms.
00:09:19Okay. What's next, Betty?
00:09:21Try this one, Jean.
00:09:27Oh, I can do that.
00:09:32Here's one you can do. Walk on your rear, Jean.
00:09:35No, of course not.
00:09:51Let's go over to the wall장aires!
00:09:54Your tired...
00:09:55Give me goosebumps!
00:09:56Come on.
00:09:57Come on.
00:09:59Come on.
00:10:00There's a ride there.
00:10:01Have a fast***.
00:10:02Excuse me?
00:10:37Come on, St. Louis.
00:10:39Come on, come on.
00:10:40Watch this way, please.
00:10:41Look this way, St. Louis.
00:10:42This way, please.
00:10:43This way, please.
00:10:44Come on, Mow.
00:10:46Think tomorrow, St. Louis.
00:10:53All right, one with you tomorrow, St. Louis.
00:10:55Come on, get over there.
00:10:57Thanks.
00:11:00Come on, buddy.
00:11:01I'm gonna move up.
00:11:02Get out of the cab, okay?
00:11:03Move up.
00:11:04No, you'll come out now.
00:11:09Come on, Mow.
00:11:10Remember?
00:11:11This is a damn old place with you.
00:11:12That's all.
00:11:13Come on.
00:11:14Come on.
00:11:15Here.
00:11:16Number one, right here, please.
00:11:17Number two, right here.
00:11:18Come on, Mow.
00:11:19Come on, Mow.
00:11:20Come on, Mow.
00:11:21Come on, Mow.
00:11:22Come on, Mow.
00:11:23Remember?
00:11:24This is a damn old place with you.
00:11:25That's all.
00:11:26That's all.
00:11:27That's all.
00:11:28Come on.
00:11:29Come on.
00:11:30Here.
00:11:31Number one, right here, please.
00:11:32Number two, right here.
00:11:33Come on, Mow.
00:11:34Come on, Mow.
00:11:35Come on, Mow.
00:11:36Come on, Mow.
00:11:37Come on, Mow.
00:11:38I ain't seen you.
00:11:39I ain't seen you in about a month, eh?
00:11:40I know.
00:11:41Well, come on.
00:11:42I'm gonna take care of you two myself.
00:11:43Everything is lovely.
00:11:44By galley, you girls.
00:11:45Say, I'm gonna check these two girls in person right here.
00:11:47How's it been now?
00:11:48Oh, everything is lovely.
00:11:49We got a new wing on the place.
00:11:50The Morgan boys are singing just the same.
00:11:53Name?
00:11:54What's that one?
00:11:55Judith Fields.
00:11:57Three.
00:12:00Age?
00:12:01Twenty-one.
00:12:03Your first offense?
00:12:05The first time they caught me.
00:12:07Fraud.
00:12:10I told fortunes.
00:12:12And they gave you three years for that?
00:12:14Well, after I'd finished telling fortunes, I'd, uh, recommend certain oil stocks.
00:12:21Oh.
00:12:22Well, then you worked with someone.
00:12:25A broker.
00:12:27Oh, what you were doing?
00:12:29Of course.
00:12:30Well, then why?
00:12:31It was fun.
00:12:32I always wanted to travel.
00:12:34You know, we never hit the same town twice.
00:12:36Oh, you can't understand.
00:12:38Oh, yes I do.
00:12:39I felt the same way.
00:12:40I was headed for China.
00:12:42China?
00:12:43Gee, I love that.
00:12:45Gee, you know, we have jobs out there.
00:12:47Three of us boys and...
00:12:48Well, then this came up.
00:12:51And you threw that over?
00:12:52To work here?
00:12:53To work here?
00:12:54No, you don't understand.
00:12:56I don't work here.
00:12:58I belong here.
00:13:00A convict?
00:13:02Yes.
00:13:03But we call ourselves inmates.
00:13:07Gee, that's tough.
00:13:09You don't look it.
00:13:10Oh, neither do you.
00:13:12Well, tell me, uh...
00:13:14What...
00:13:15What did you do?
00:13:17A fight.
00:13:20Just before the boat sailed.
00:13:23And the other boy...
00:13:25What a rotten break.
00:13:27Married?
00:13:29No.
00:13:31Engaged?
00:13:34Say, is that on the card?
00:13:37Oh, no.
00:13:40What are you in for?
00:13:42Shock lifting.
00:13:43I was praying.
00:13:44Sure, we all were praying.
00:13:45What's yours?
00:13:46Spitting in the river.
00:13:47Gee.
00:13:48I didn't know they could hint you for that.
00:13:50Why, you tell Mrs. Massey it was for winkin' at a cop.
00:13:52We're not winkin' at them.
00:13:53Terrible creatures.
00:13:54Well, at least she don't scare them to death.
00:13:55We'll black them.
00:13:56Is it necessary that I ain't waitin' here with these other persons?
00:13:58I don't know.
00:13:59I don't know.
00:14:00I don't know.
00:14:01I don't know.
00:14:02I don't know.
00:14:03I don't know.
00:14:04I don't know.
00:14:05I ain't waitin' here with these other persons.
00:14:07Yeah.
00:14:08Sorry.
00:14:09Well, it was all arrested, and here we are.
00:14:11Well, I can't escape.
00:14:12Who's she?
00:14:14Laverne.
00:14:15I don't see what men see as her.
00:14:17Oh, is that the luck thief?
00:14:19The extortionist?
00:14:20The extortionist?
00:14:22Yes.
00:14:23Honey?
00:14:24Was you with the circus?
00:14:29I'm so sorry for them, really.
00:14:32And these are the women.
00:14:35Come, girls.
00:14:36Yes, sir.
00:14:37Hey, Captain.
00:14:38That is it.
00:14:39Yes, sir.
00:14:40That is it.
00:14:41Yes, sir.
00:14:42That is it.
00:14:43Okay.
00:14:44Okay.
00:14:45Okay.
00:14:46Say, there's nobody...
00:14:47A lady's garden here.
00:14:48Yeah, so I see.
00:14:49It's funny to see no warden in there.
00:14:51Hey, boys.
00:14:52Hey, look.
00:14:53Hey, look.
00:14:54Hey, boys.
00:14:55Okay, boys.
00:14:56Hey, buddy, buddy.
00:14:57Where's the warden's...
00:14:58This one?
00:15:00Oh.
00:15:01You got company.
00:15:04Not a bad jail.
00:15:10Hey, Harry.
00:15:11What's the idea?
00:15:12Hello, warden.
00:15:13How are you?
00:15:14Well, well, St. Lloyd.
00:15:15Glad to have you with us.
00:15:16Hello, Curly.
00:15:17Say, listen, warden.
00:15:18I want to make a little bargain with you.
00:15:19You know, I thought you looked a little bit worried out there in the yard.
00:15:22Yeah?
00:15:23Yeah, you know.
00:15:24Thinking that I might leave here a little bit unexpectedly.
00:15:27And I want to tell you something, warden.
00:15:28I'm on the square with this.
00:15:30I shoot straight.
00:15:31See?
00:15:32When I decide to go, I warn him.
00:15:34Yeah?
00:15:35Yeah.
00:15:36How's that?
00:15:37That's fair.
00:15:38Okay, warden.
00:15:39That's a bargain.
00:15:40Show him to his cell.
00:15:42Oh.
00:15:43Oh, now, please.
00:15:45Please.
00:15:46Wait a minute.
00:15:47You know, warden, about this cell business...
00:15:49Sorry, I haven't any cigars.
00:15:50Thanks.
00:15:51I don't use them anyway.
00:15:52Now, listen.
00:15:53About this cell business, warden.
00:15:54If you don't mind, I don't like to sleep too high up.
00:15:56No?
00:15:57Hmm.
00:15:58And if you don't mind, I'd like a nice airy cell, you know.
00:16:01Plenty of windows and a nice sun exposure.
00:16:03Southern exposure.
00:16:04Yeah.
00:16:05You don't mind, you know.
00:16:06And then I'd like a double bed.
00:16:07Sure.
00:16:08And running water, you know.
00:16:09I'd like both...
00:16:10See, I'm not boring you, am I?
00:16:13No.
00:16:14No.
00:16:15Go on.
00:16:16Out of here.
00:16:18Okay, warden.
00:16:19See you at supper.
00:16:21Beans again, I suppose.
00:16:24Southern exposure.
00:16:26Running water.
00:16:28Not too high up.
00:16:30Sunshine.
00:16:31Say, if I had a cell like that, I'd sleep in it myself.
00:16:35Don't forget to lock that.
00:16:36There's a lot of new guys coming here today.
00:16:41Is that us from home?
00:16:42Yeah.
00:16:43Pretty regular.
00:16:44Now look here.
00:16:45See the picture of a mother here.
00:16:46See here?
00:16:47Here's my kid sister Francis over here.
00:16:48Let's see it, Steve, will it?
00:16:49Sure.
00:16:50Now look here.
00:16:51See the picture of a mother here.
00:16:54And see here?
00:16:55Here's my kid sister Francis over here.
00:16:59That's his, Steve, will it?
00:17:00Sure.
00:17:01I'll see you later.
00:17:02I'll see you later.
00:17:03I'll see you later.
00:17:04Come on, sir.
00:17:05We're here.
00:17:06Now look at the door.
00:17:07Don't forget to lock that.
00:17:08There's a lot of new guys coming here today.
00:17:11Is that us from home?
00:17:12Yeah.
00:17:13It's pretty regular.
00:17:14Now look here.
00:17:15Too skinny.
00:17:18I don't like them so skinny.
00:17:21I like legs.
00:17:22What?
00:17:23Limbs.
00:17:24When I left home, she was a kid on roller skates.
00:17:28And now she's off to college.
00:17:30College?
00:17:31Yeah.
00:17:32Gee, you folks must be swell.
00:17:34Then look at that house.
00:17:36You know, it makes me real sick to look at a house like that.
00:17:39Why?
00:17:40Why?
00:17:41Because I could have had a house like that.
00:17:43Easiest thing in the world.
00:17:45Only mine had had a towel on it with my chicken farm.
00:17:49If it wasn't for that big baboon.
00:17:51What baboon?
00:17:52To come in here today.
00:17:54He means St. Louis.
00:17:56And you shut up about him.
00:17:58He's the greatest ball player you ever saw.
00:18:00Oh, how that guy can pitch.
00:18:04Well, ball player or no ball player,
00:18:07he'd better stay out of my way.
00:18:09Because if I ever lay the hands on that guy, I'll croak him.
00:18:12I never know how they're going to turn out.
00:18:17Here we go!
00:18:18Hey!
00:18:19Hey!
00:18:20Hey!
00:18:21Hey!
00:18:22Hey!
00:18:23Hey!
00:18:24Hey!
00:18:25Hey!
00:18:26Hey!
00:18:27Hey!
00:18:28Hey!
00:18:29Hey!
00:18:30Hey!
00:18:31Hey!
00:18:32Hey!
00:18:33Hey!
00:18:34Hey!
00:18:35Hey!
00:18:36Hey!
00:18:37Hey!
00:18:38Hey!
00:18:39Hey!
00:18:40Hey!
00:18:41Hey!
00:18:42Don't we see?
00:18:43Oh, there's no rumble seat on the car, right?
00:18:44He got it!
00:18:45He got it!
00:18:46They have a rumble seat.
00:18:47They're not gonna leave.
00:18:48Oh, alright.
00:18:49Maybe there was a rumble seat on the car.
00:18:50Look out for as well.
00:18:51All right.
00:18:52That's the way boys.
00:18:53Don't fight.
00:18:55Don't let them fight.
00:18:56I won't let him.
00:18:57Steve's my name.
00:18:58I'm glad to know you, kid.
00:18:59Glad to know you, too.
00:19:00Let me say we turn in, boys.
00:19:01I think you're up there.
00:19:15Say, you wouldn't let our way up there, would you?
00:19:19He might strain as a...
00:19:21I gotta throw, too, ain't I?
00:19:22You throw higher than him. You have to throw way down to second bay.
00:19:25Oh, I ain't gonna let that guy put anything else over on me.
00:19:27I'm getting smart, aren't you?
00:19:29What do you mean, put something over on you?
00:19:31What do you think you're gonna...
00:19:33Wait a minute.
00:19:35I'm not dumb.
00:19:36I'll settle this thing without me fighting.
00:19:37How do you think of a number from one to ten?
00:19:39One to ten?
00:19:40Yeah.
00:19:41Seven.
00:19:42That's it. You're study from the lower one.
00:19:44Go on, get on.
00:19:45That's fair enough, ain't it?
00:19:52As long as I lost under 11, it's okay.
00:19:59It's right.
00:20:00You're not my fault...
00:20:01...
00:20:09...
00:20:10...
00:20:12...
00:20:46Say, on second thought, I remember.
00:21:05Don't rumble seat on that car, all right.
00:21:07Oh, shut up.
00:21:16Oh, shut up.
00:21:46Shut up, Trina.
00:21:47Try and get some.
00:21:49Oh.
00:21:50Oh.
00:21:51Oh.
00:21:52Oh.
00:21:53Oh.
00:21:54Oh.
00:21:55Oh.
00:21:56Oh.
00:21:57Oh.
00:21:58Oh.
00:21:59Oh, my God.
00:22:29Nancy, forward.
00:22:37Well, how are you today, Genesis?
00:22:40How is y'all, Mrs. Nancy?
00:22:46Well, Julie, quite an honor, it seems to me, to be selected to instruct the daughter.
00:22:52Of course, it's quite against my better judgment, but I hope it will turn out all right.
00:22:57Thank you, Mrs. Nancy.
00:23:00Two and two is four, four and four is...
00:23:02Sour grapes, kid.
00:23:03Sour grapes.
00:23:04Mrs. Riley, can Judy and I go in the yard and take a walk?
00:23:08Surely, dear. Go right along.
00:23:13Oh, how do you do, Mrs. Nancy?
00:23:16Oh, what a beautiful apple.
00:23:18Straight. Such good-looking girls, all of them. Not a homely one among them.
00:23:23Oh, thank you, Mrs. Nancy.
00:23:25Yes, yes.
00:23:26Years ago, when I started doing welfare work, it was quite the reverse.
00:23:30Well, in those days, women wore long skirts.
00:23:33The only ones that were acquitted were the ones that were smart enough to cross their legs during the trial.
00:23:39What a peculiar psychology. Have an apple, dear.
00:23:42Oh, thank you, Mrs. Nancy.
00:23:43Oh, and I have a magazine for you, my dear.
00:23:45Oh, thank you, Mrs. Nancy.
00:23:46Oh, and here's the latest style magazine for you.
00:23:49Thank you, Mrs. Nancy.
00:23:50Thank you, Mrs. Nancy.
00:23:51Girl, isn't this jolly? During the Battle of Manila.
00:23:55Ah, you gotta take a little rest.
00:23:57Why didn't you leave me alone?
00:23:58I haven't done anything to you.
00:23:59I'm good for you, kid.
00:24:00What did I have?
00:24:01Let him alone.
00:24:04What do you mean, let him alone?
00:24:05I said let him alone.
00:24:06Scram, kid.
00:24:08What are you gonna do, make a favor to that punk around here?
00:24:10I'm gonna get your hands off him.
00:24:11Say, who are you to tell me to keep my hands off of anybody?
00:24:15What's the matter, Steve?
00:24:16What's all the trouble?
00:24:17Why, Pop and I came along here.
00:24:19We found this big lump, and he gave me an argument.
00:24:21He thinks everybody's scared of him.
00:24:23Yeah, everybody's scared of him.
00:24:24Everybody's scared of him.
00:24:25They're out here, are they, big boys?
00:24:30You ought to bother with them guys.
00:24:32It's a waste of breath.
00:24:33I know, but look out for your arm.
00:24:34Look out for your arm.
00:24:35Hey, the game game is waiting at the 8th game.
00:24:38Thanks.
00:24:39Don't mention it.
00:24:44Hey, Steve.
00:24:45I wouldn't go down there.
00:24:47Keep away from that girl.
00:24:48I'm getting pretty near your parole, and I wouldn't take any chances.
00:24:51Yeah, listen, kid.
00:24:52He's right about that.
00:24:54You do what Pop says, kid, and you'll never go wrong.
00:24:57I'll go.
00:24:58Hey.
00:25:01Hey, some guy hit a great big luck out there, right on the button.
00:25:07Hey, buddy, I'm sorry.
00:25:09I butted into something.
00:25:10I didn't know.
00:25:12She didn't want to see me.
00:25:13She wants to see you.
00:25:14Me?
00:25:15Yeah.
00:25:16Say, I didn't know that you two were fond of each other.
00:25:19Oh, gee.
00:25:20I don't know how fond she is of me, but I think she's a fine girl.
00:25:25Well, ain't you never said anything to her?
00:25:27No, I haven't had a chance.
00:25:28You know what the rules are.
00:25:30Always.
00:25:31Ha.
00:25:32We've been a couple of times in the windows.
00:25:33Well, you come on over.
00:25:34I'd like to have you meet her.
00:25:35Yeah, but listen, if she's caught talking to me, you know...
00:25:36Oh, don't let that worry.
00:25:37I'll take care of all that.
00:25:38Hey, love.
00:25:39Come here.
00:25:40No, he means...
00:25:41Say, who do you think you are ordering me around?
00:25:42What do you want?
00:25:43Judy's got a boyfriend.
00:25:44Judy's got a boyfriend.
00:25:45Judy's got a boyfriend.
00:25:46Judy, there's a couple of fellas out in the reception room to see you.
00:25:48I got the pass right here.
00:25:49Come on.
00:25:50Okay.
00:25:51Okay.
00:25:52Jean!
00:25:53Come over here.
00:25:53Your Uncle Danny wants to tell you a fairy story!
00:25:57Oh, Danny!
00:25:58Why does a chicken cross the street?
00:25:59To get on the other side!
00:26:00Oh, its not fair!
00:26:01What do you want?
00:26:02Judy's got a boyfriend.
00:26:04Judy's got a boyfriend!
00:26:06Judy's got a boyfriend!
00:26:07Judy's got a boyfriend!
00:26:08Judy's got a...
00:26:09Judy!
00:26:10There's a couple of fellas out in the reception room to see you.
00:26:11I've got the pass right here.
00:26:12Come on.
00:26:13Okay.
00:26:14Gene!
00:26:15Come over here.
00:26:16Your Uncle Danny wants to tell you a fairy story.
00:26:18Oh, Danny!
00:26:19Why does a chicken cross the street?
00:26:20He said you were being paroled in a few days.
00:26:25Yes, I am.
00:26:28I just wanted to say goodbye to you before you left.
00:26:33Thank you for being so sweet to me that day in the office.
00:26:36Well, that's all right.
00:26:39I've...
00:26:40I've been trying to get to see you, too, because...
00:26:44well, I...
00:26:45I have a lot of things I want to talk to you about.
00:26:47Do you remember that first day in the office when...
00:26:51when I asked you if you were engaged?
00:26:54Yes.
00:26:55And I said, is that on the card?
00:26:58Yeah.
00:27:00Well, it...
00:27:01I mean, you know it wasn't.
00:27:03I wanted to know because...
00:27:06well, are you engaged?
00:27:11Mr. Eve, I'm not.
00:27:13Are you...
00:27:14No, I'm not.
00:27:17Oh, but I'd like to be.
00:27:21To you.
00:27:23Now, look out for this one, Jean.
00:27:24This is a hard one.
00:27:26Why does the President of the United States wear a high-silk hat?
00:27:30To keep it more.
00:27:37I'm on the level, too, Steve.
00:27:40But I guess it...
00:27:41it can't be.
00:27:42Why not?
00:27:43Well, I've...
00:27:44I've heard all about your...
00:27:46home and your family and...
00:27:48well, I'm...
00:27:50I'm just...
00:27:51Well, now, wait a minute.
00:27:53That's just storybook stuff about the...
00:27:55rich boy and the poor girl not being able to marry.
00:27:57It doesn't count here at all.
00:27:59When we get out of here, we're just going to be a couple of ex-convicts.
00:28:06And that's not storybook stuff.
00:28:08We've got to start all over the bottom of the ladder.
00:28:12And I...
00:28:13I'd like for us to start together.
00:28:17Well, that is it.
00:28:19If you're...
00:28:22fond enough of me.
00:28:27I am fond of you, Steve.
00:28:30I'm more than fond of.
00:28:33If there was five birds in a tree...
00:28:36and St. Louis and I shot one of the birds...
00:28:38how many of the birds would be left in the tree?
00:28:41None, because they'd all fly away.
00:28:43Jane, you ain't been reading a book, have you?
00:28:59No.
00:29:00I didn't understand.
00:29:02I'll leave you an answer tonight.
00:29:04Peter, Ted, would...
00:29:06Stan, you.
00:29:07Hey, Judy, tell him you're not at home.
00:29:13Well, darling, here I am.
00:29:31Just three months too late, Friesby.
00:29:34And never mind the darling.
00:29:35But, Judy...
00:29:36I didn't come in here because I wanted to see you.
00:29:39I came in here because I wanted to tell you what a dirty rat you are.
00:29:41But you don't understand.
00:29:42Yes, I do understand now.
00:29:44The business was a little shady.
00:29:46I didn't know it was going to land me in jail.
00:29:49It's finished.
00:29:50I'm paying for it.
00:29:51What could I do?
00:29:52What could you do?
00:29:54You could have stayed and faced it out...
00:29:55and not run away like a coward and leave me to take the rat.
00:29:57Now, listen, Judy.
00:29:58I've got friends and influence...
00:30:00and I've got some dough left.
00:30:02I can get you out and we can go away.
00:30:05We can't do anything.
00:30:07I'm through with you and all your kind.
00:30:09Now, listen.
00:30:10There's a fine, clean kid inside.
00:30:13And he's stuck on me.
00:30:14And I'm crazy about him.
00:30:17He gets out of here in a week.
00:30:19And he's going to wait for me.
00:30:21And we're going to start together.
00:30:24At the bottom of the ladder.
00:30:27Steve and I.
00:30:28Steve.
00:30:29Yes, that's the name of the kid that's waiting in there for me.
00:30:32He's waiting in there now for my answer.
00:30:34Okay, Judy.
00:30:35Time's up.
00:30:36Dear, Mama.
00:30:37Oh, my God.
00:30:38All right.
00:30:38Jenny.
00:30:39Sure, let's get to him.
00:30:50Don't forget.
00:30:50Yes, I'm leaving.
00:30:52Oh, I'm leaving.
00:30:53I'll start.
00:30:54I'll be sure she wants to see you.
00:30:55Oh, my God.
00:30:55You're here to see you.
00:30:56I'll never let you see you.
00:30:57I'll never let you see you.
00:30:57Good night, Jenny.
00:30:58Good night.
00:30:58Good night.
00:30:59Good night.
00:30:59Good night.
00:31:00Oh, my God.
00:31:00Yes, I shall see you better.
00:31:02I am getting you.
00:31:03And Genesis, poor lamb.
00:31:05Oh, Miss Massey, Miss Massey, you were such a good woman, and I such a bad woman.
00:31:15If I'd only met you when I was a little child, I'd have been in my chest, on my way to glory.
00:31:26That's two chocolate balls and an apple you owes me now.
00:31:44What's going on?
00:31:56Signal.
00:31:57Yeah?
00:31:58Yeah, from the woman's quarters.
00:31:59Oh, is that how they do it?
00:32:01Sure, didn't you know that? With all the cans you've been in.
00:32:04Yeah, but I've never stayed in any one of them long enough to find those things out.
00:32:08What does it say?
00:32:10Wait a minute.
00:32:14Message.
00:32:19Gate.
00:32:24Good day, boys.
00:32:25Mrs. Massey, look at your shoes.
00:32:26All dusty again.
00:32:27Imagine that.
00:32:28Why, boys, every time I come through that gate, you clean off my shoes.
00:32:32Oh, that's all right, Mrs. Massey. It's a pleasure.
00:32:34Let it go.
00:32:35Good-bye, boys.
00:32:36Good-bye.
00:32:37Good-bye.
00:32:38Did you get it?
00:32:39Prestige.
00:32:40Ah, none of them bimbos ever write me.
00:32:42No sex appeal, my boy. No sex appeal.
00:32:47Why?
00:32:48I got a kite for her.
00:32:49I'll take it.
00:32:50You'll take it.
00:32:51I'm in on this.
00:32:52Oh.
00:32:55Hey, don't look over my shoulder when I'm reading Steve's mail.
00:32:58This is from a lady.
00:33:00Hey, Steve.
00:33:01Come here a minute, will you?
00:33:18Congratulations, Steve.
00:33:19For what?
00:33:20Why, you're...
00:33:21I got a little note here for you.
00:33:30I'm engaged.
00:33:31No.
00:33:32Yeah.
00:33:33Judy.
00:33:34No.
00:33:35Yeah.
00:33:36Hey, you fellas.
00:33:37You didn't read this, did you?
00:33:38No.
00:33:39No.
00:33:40Yeah.
00:33:41Judy.
00:33:42No.
00:33:43Yeah.
00:33:44Judy.
00:33:45No.
00:33:46Yeah.
00:33:47Hey, you fellas.
00:33:48You didn't read this, did you?
00:33:49No.
00:33:50Four times six.
00:33:51Twenty-five.
00:33:52No, dear.
00:33:53Twenty-four.
00:33:54Hello, Judy.
00:33:55How are the answers getting on?
00:33:56It's fine, warden.
00:33:57That's great.
00:33:5811-thirty-six wants to see you, boss.
00:34:00I'm busy.
00:34:01It's Steve.
00:34:02He wants to say good-bye.
00:34:04Oh, sure.
00:34:05Show him in.
00:34:06Show him in.
00:34:07Come on.
00:34:08I'll be here.
00:34:09I'm in.
00:34:10I'll be here.
00:34:11No.
00:34:12No.
00:34:13No.
00:34:14No.
00:34:15No.
00:34:16No.
00:34:17No.
00:34:18No.
00:34:19No.
00:34:20No.
00:34:21No.
00:34:22Oh, no.
00:34:23No.
00:34:24Good luck to you, my boy.
00:34:26Thanks, warden.
00:34:32I, uh...
00:34:34I know it's against the rules, but...
00:34:36could I give you a message for a girl here?
00:34:38A prisoner?
00:34:40You see, we're...
00:34:42Well, we're engaged.
00:34:44And I wanted to know that I'm gonna work hard for her...
00:34:46and make something of myself...
00:34:48so that when she's free...
00:34:50Now, just you wait a moment. Wait till I get a pencil...
00:34:52and I'll write that message down.
00:34:54Well, all right, bring it to me.
00:34:56I'll write every week.
00:34:58I won't write at all.
00:35:00Your family mustn't see letters with this postmark.
00:35:02They mustn't know.
00:35:04Don't worry.
00:35:06I'll stick it out.
00:35:08It's only five months.
00:35:10I don't know.
00:35:12I don't know.
00:35:14I'll stick it out.
00:35:16It's only five months.
00:35:18It's only five months.
00:35:24You won't forget?
00:35:26Well...
00:35:32Well.
00:35:34Well...
00:35:36Unlike the other...
00:35:37says criminal on...
00:35:39you...
00:35:45Huh?
00:35:46Oh, yes, I found a pencil...
00:35:48Now, what was that message?
00:35:50Oh, uh...
00:35:51What I wanted to say was..."
00:35:52Thanks."
00:35:55Thanks.
00:35:58So long, Dee.
00:36:06Four times the eight.
00:36:10Forty-three.
00:36:13It's gone.
00:36:14Four times nine.
00:36:19Bye-bye, Dee. Not too long.
00:36:21Goodbye, kid. Don't come back.
00:36:22Help me outside, son.
00:36:23Take care of yourself, kid.
00:36:24I'm gonna miss you.
00:36:25The kids, will you?
00:36:26You bet I will see you.
00:36:27Right, kid.
00:36:28You bet.
00:36:54Well, Stephen.
00:36:55Why, I'm glad to see you.
00:36:56Thank you very much, Mr. Sterling.
00:36:57I'm glad to be home.
00:36:58Goodbye.
00:36:59Goodbye.
00:37:00Hope you've enjoyed the service.
00:37:01Yes, we have.
00:37:02Hope to see you next Sunday.
00:37:03Goodbye.
00:37:04Goodbye, girls.
00:37:05Goodbye, sir.
00:37:06Glad to see you.
00:37:07Glad to see you.
00:37:08Glad to see you.
00:37:09Why, hello, Steve.
00:37:10Hello.
00:37:11How's China?
00:37:12Oh, fine.
00:37:13Thought you'd be wearing a pig tail.
00:37:14Going back there?
00:37:15No.
00:37:16That is not until I've been around home for a while.
00:37:17Oh, no.
00:37:18He's going home for a while and get some of Mother's good cookies.
00:37:20How do you do, sir?
00:37:21You're a stranger here, aren't you?
00:37:22Yes.
00:37:23Well, I'm glad to see you.
00:37:24Thank you very much.
00:37:25It was a delight to be here to find.
00:37:26My name is Frosty.
00:37:27I'm the Reverend Mr. Sterling.
00:37:28Glad to meet you, I'm sure.
00:37:29Oh, isn't that a pleasure?
00:37:30How do you do, sir?
00:37:31How do you do, sir?
00:37:32Oh, you're a stranger here, aren't you?
00:37:33Yes.
00:37:34Well, I'm just...
00:37:35Thank you very much.
00:37:36It's a most delightful thing to hear about.
00:37:37My name is Frosty.
00:37:38Well, I'm the Reverend Mr. Sterling.
00:37:40Glad to meet you, I'm sure.
00:37:42Oh, isn't that beautiful?
00:37:43It's a beautiful and beautiful.
00:37:45I've been a bit beautiful.
00:37:46Well, I'm very beautiful.
00:37:48Glad to meet you, I'm sure.
00:37:50Oh, isn't that Stephen...
00:37:51That's Jordan. Do you know him?
00:37:53No, I'm not acquainted with him personally,
00:37:55but I know a very dear friend of his.
00:37:57Well, I shall be delighted to introduce you.
00:37:59Most gracious of you, I'm sure.
00:38:03Mr. Jordan, will you allow me to present Mr. Prosby?
00:38:06How do you do, Mr. Prosby?
00:38:08And this is her son, Stephen.
00:38:10How do you do? How do you do?
00:38:11My sister, Cynthia.
00:38:13How are you?
00:38:14I'm very, very pleased to meet the Jordan.
00:38:17In fact, I might say I was most anxious.
00:38:20Oh, really?
00:38:21Uh-huh.
00:38:22Your son and I happened to have a mutual acquaintance.
00:38:24Yes.
00:38:25A Miss Fields.
00:38:27A Miss Judith Fields.
00:38:29She was formally in my employ.
00:38:31Really?
00:38:32How interesting.
00:38:33Yes, isn't it?
00:38:34Well, perhaps you'd come and have supper with us tonight.
00:38:36Mother, I'd be delighted.
00:38:37That's all right, dear.
00:38:38Sophie always has enough for a dozen, you know.
00:38:40You'll come, won't you?
00:38:41Elect, thank you very much.
00:38:42Goodbye, Mr. Sterling.
00:38:43Goodbye.
00:38:45I shall be there.
00:38:46See you this evening.
00:38:47Oh, I'm going to open up a branch office here.
00:39:01Of course, I shall miss him.
00:39:04She was a most valuable assistant.
00:39:07But as you know everyone in town, you may be able to take our position.
00:39:12Something gets you every season, boy.
00:39:13Hiya, Locke.
00:39:14What are you doing in there?
00:39:15We're taking intelligence.
00:39:16I thought we were trying out for the show.
00:39:17Hey, you're in the wrong line.
00:39:18Get over there in front of the welfare building.
00:39:19Any of you guys are trying out for the show.
00:39:20Here, you stick right here.
00:39:21You're going to take a test.
00:39:22Yeah, you better take that intelligence test, boy.
00:39:23You'll need us.
00:39:24Hey, Happy.
00:39:25Yeah.
00:39:26Come on.
00:39:27Give me the words here, will you?
00:39:28Right.
00:39:29All right, boy.
00:39:30Come on.
00:39:31Come on.
00:39:32Come on.
00:39:33Come on.
00:39:34Come on.
00:39:35Come on.
00:39:36Get a little pepper into it.
00:39:37What's the matter with you?
00:39:38What's the matter with you?
00:39:39What's the matter with you?
00:39:40You're going to get over there in front of the welfare building.
00:39:42Any of you guys are trying out for the show.
00:39:43Here, you stick right here.
00:39:44You're going to take a test.
00:39:45Yeah.
00:39:46You better take that intelligence test, boy.
00:39:47You'll need us.
00:39:48Hey, Happy.
00:39:49Yeah.
00:39:50Come on.
00:39:51Give me the words here, will you?
00:39:52Right.
00:39:53All right, boy.
00:39:54Come on there, boy.
00:39:55Come on.
00:39:56Come on.
00:39:57Get a little pepper into it.
00:39:58What's the matter with you?
00:39:59What's the matter with you, you stiff?
00:40:00Singed away.
00:40:01You get back turned, kid.
00:40:03Heard from Steve?
00:40:08I had.
00:40:09He's in a jam.
00:40:10How?
00:40:11You know Frosby?
00:40:12He's the guy you took the rap for, isn't he?
00:40:14Yeah.
00:40:15He followed Steve to New England.
00:40:17He's trying to use him.
00:40:19Blackmail, huh?
00:40:20The old stock racket.
00:40:21He threatened to...
00:40:22Yeah, yeah, I know.
00:40:24You're going to tell the folks that Steve was in store?
00:40:27What'll I do?
00:40:28You don't do nothing, kid.
00:40:29Just leave it to me.
00:40:30Say listen, Judy.
00:40:31Yeah?
00:40:32Are you really stuck on Steve?
00:40:33Yeah.
00:40:34There's no chance for a guy to muscle in there, is there?
00:40:38I'm on the level.
00:40:39I really love Steve.
00:40:40I love Steve.
00:40:41I love Steve.
00:40:42I love Steve.
00:40:43I love Steve.
00:40:44I love Steve.
00:40:45You're not.
00:40:46You're not.
00:40:47I love Steve.
00:40:48I love Steve.
00:40:49You're not.
00:40:50I love Steve.
00:40:51I love Steve.
00:40:52I love Steve.
00:40:53You're not.
00:40:54I love Steve.
00:40:55I love Steve.
00:40:57I love Steve.
00:40:58I love Steve.
00:40:59I love Steve.
00:41:00I love Steve.
00:41:01I love Steve.
00:41:02I love Steve.
00:41:03I love Steve.
00:41:07I love Steve.
00:41:08What does M-O-R-O-N spell?
00:41:09Why.
00:41:10Why, that spells moron.
00:41:12I passed, 100%.
00:41:13Hey look.
00:41:14You was never in New England, were you?
00:41:15No.
00:41:16Good luck. You was never in New England, were you?
00:41:19No.
00:41:20Well, you're going now.
00:41:43Hello, fellas.
00:41:45As you know, we're gathered here tonight for our annual entertainment,
00:41:49which is sponsored by our good friend, Mrs. Matthew.
00:41:59Also, we have as our honored guests
00:42:02a number of people from the outside,
00:42:05which we take great pleasure in welcoming.
00:42:08And now, ladies and gentlemen,
00:42:14I take great pleasure in introducing our master of ceremonies,
00:42:19one who is a master of ceremonies,
00:42:22one who has acted in a similar capacity
00:42:25in a great many institutions of this kind,
00:42:28both in this country and abroad,
00:42:30and one whom we hope to have with us
00:42:33for many, many years to come.
00:42:36Ladies and gentlemen,
00:42:38I take great pleasure in introducing our master of ceremonies,
00:42:44honest,
00:42:45John Jessup.
00:42:47Mr. Warden,
00:42:55ladies,
00:42:57and gentlemen.
00:42:59I can scarcely find gratitude
00:43:01in having been selected as master of ceremony
00:43:05for this delightful performance.
00:43:07It is a very unusual compliment.
00:43:09And now, with your kind permission,
00:43:11I take infinite pleasure
00:43:13in presenting that ever-popular team,
00:43:17Black and Blue.
00:43:31Come on here, Blue.
00:43:33Now, let me ask you something right now.
00:43:34You owe me some money,
00:43:35and what I want to know is,
00:43:36when is you gonna pay me my money?
00:43:38Well, I pay you when you're alone.
00:43:40When I'm alone.
00:43:41Mm-hmm.
00:43:42When I'm alone now.
00:43:43No, you ain't.
00:43:44I'm here.
00:43:48What is that thing you got there?
00:43:50Well, that's my bazooka.
00:43:51That's a musical instrument.
00:43:53Bazooka?
00:43:54You owe me to tell them
00:43:55that you get music out of there.
00:43:57Sure I do.
00:43:58Let me see this thing.
00:44:04Man, that ain't nothing but an old piece of gas pipe.
00:44:07Yeah, but I makes my living
00:44:08with that piece of gas pipe.
00:44:16Yeah, but I play good music on this thing.
00:44:17Go on, let me hear you play it some morning.
00:44:19Now, I'm just gonna play the St. Louis blues
00:44:21on this thing in honor of St. Louis.
00:44:23I'll be seeing you.
00:44:24Go ahead, mister.
00:44:25Will you play it for me?
00:44:26Go ahead, you play them!
00:46:57M is for the million things she gave me, O is for the only thing I owe.
00:47:11T is for the tears she shed to save me, H is for a heart of purest gold.
00:47:27E is for her everlasting kindness.
00:47:33R is right and right she'll always be.
00:47:43Put them all together, they spell mother, the word that means the most to me.
00:48:05Well?
00:48:06Well?
00:48:16I ain't going through it in real St. Louis, I tell you...
00:48:20Now listen.
00:48:21I never break my word.
00:48:23And I gave my word to Judy and we're going to New England and we're going tonight.
00:48:27I can't go to New England, not tonight.
00:48:29I'm in the finale.
00:48:30Oh, what do you say, St. Louis?
00:48:31Say listen, if you don't do like I tell you, it's going to be your finale.
00:48:34All right, I'll go.
00:48:35But what's that got to do with the act?
00:48:37It's part of my plan, you sap.
00:48:39Oh.
00:48:40Well, what do I do when I get on the stage?
00:48:42You just stand there.
00:48:43Don't I sing or dance or do nothing?
00:48:44Yeah.
00:48:45You do nothing.
00:48:46You're not getting smart.
00:48:47There's something screwy about this.
00:48:48And now, ladies and gentlemen, our next act will hardly need an introduction.
00:48:53Allow me to present St. Louis and Company.
00:49:07Hey, thanks very much.
00:49:09Ladies and gentlemen, I've asked me to do my little bit for the entertainment here tonight.
00:49:12I can't sing and I can't dance, but I'll tell you what I will do.
00:49:15I'll do an act that I used to do when I was a little kid and ran away with the circus.
00:49:22This is a knife-throwing act.
00:49:24And I use a human target.
00:49:25And the gentleman that's kindly consented to act as my target tonight
00:49:29is none other than my old partner and pal.
00:49:32Dan Amora Dan.
00:49:40Right over there, Danny.
00:49:41Now listen, you guys want to be quiet out there. I've got to have absolute quiet.
00:49:48Are all the lights in this theater controlled from that switchboard right there?
00:49:49That's right, sir.
00:49:50Thanks very much.
00:49:51Throw a little more light on Danny's head.
00:49:52All right, sir.
00:49:53Now listen, you guys want to be quiet out there. I've got to have absolute quiet.
00:50:00Are all the lights in this theater controlled from that switchboard right there?
00:50:02That's right, sir.
00:50:03Thanks very much.
00:50:04Throw a little more light on Danny's head.
00:50:05All right, sir.
00:50:06Now listen, you guys. You want to remember that I haven't done this act for a long time. I'm
00:50:13able to make a few slips. You've got to overlook that.
00:50:15I'll do my best, though, to go through the act without any serious injury.
00:50:31Now, Danny? Danny?
00:50:52He missed him.
00:50:54ard line.
00:51:00Andrew?
00:51:20Aaron?
00:53:27I'm proud of you.
00:53:29Come on, boys.
00:53:31Give them a great big cheer.
00:53:33I guess they made it.
00:53:39Yeah.
00:54:59I've learned how to handle crooks like you.
00:55:01You've been threatening me now.
00:55:03If you don't get out of this town by tonight, I'll kill you.
00:55:07We're not intruding, are we?
00:55:09Oh, no.
00:55:10Not at all, gentlemen.
00:55:11Won't you sit down?
00:55:13Our business can wait.
00:55:15Hmm?
00:55:16Glad to know you, Mr. Jones.
00:55:18Well, what can I do for you?
00:55:19I wanted to have a little business talk with you.
00:55:21Well, you'll have to make it pretty short.
00:55:23Because he's leaving town.
00:55:24That's too bad.
00:55:25Well, I'll see you when you come back.
00:55:26He'll be back.
00:55:27Oh.
00:55:28Well, that's, that's tough.
00:55:30Oh, say, by the way, which is the best hotel in town?
00:55:33Well, there isn't any best.
00:55:35They're all terrible.
00:55:36But I'd like very much to have you stay at my house.
00:55:38Oh, no, no.
00:55:39I don't want to put you to all that trouble.
00:55:45Why?
00:55:46It won't be any trouble at all.
00:55:49I say, really, I'd like to have you meet my mother and my sister.
00:55:53Give you a nice room and put him in the garage.
00:55:55Swell.
00:55:56And I know how you traveling men like to get a good home-cooked meal.
00:55:59Ah, boy, now you're hawking.
00:56:01Say, I haven't had a home-cooked meal in years.
00:56:03It's been quite some time now.
00:56:06Okay, then.
00:56:07So we go right over.
00:56:08Fine and dandy.
00:56:09Come on.
00:56:10Come along there, brains.
00:56:11There are millions to be made in this duck.
00:56:13Put that up and save it for me, will you, boy?
00:56:15I'll be back later.
00:56:16Fosby.
00:56:17I'll be down at the train tonight to make sure you don't miss it.
00:56:20Bye-bye.
00:56:21Goodbye.
00:56:22Say, listen, Fosby.
00:56:35What are you trying to do?
00:56:36Huh?
00:56:37Those two guns from New York.
00:56:38What about them?
00:56:39I never saw them before.
00:56:41Say, have you got some new you're not going to cut us in?
00:56:44Now, listen, Cutie.
00:56:45As long as you're as pretty as you are...
00:56:48No.
00:56:49Listen.
00:56:50If you even try to double-cross us,
00:56:53you know what'll happen to you.
00:56:56Oh, shut up.
00:56:57Get out of my way.
00:56:58I'm busy.
00:57:09Come on in, fellas.
00:57:10Oh.
00:57:11Hello, Mother.
00:57:12Hello, dear.
00:57:13Say, listen, Mother.
00:57:14I brought a couple of friends of mine home.
00:57:15Spend the weekend with me.
00:57:16You don't mind, do you?
00:57:17Oh, no.
00:57:18Of course not.
00:57:19Bring them right in.
00:57:20Oh, all right.
00:57:21Come on in, boys.
00:57:22Mother, I want you to meet Mr. Jones.
00:57:24Do you belong to the Salem Joneses?
00:57:26New Bedford Joneses?
00:57:27Well, I'll tell you, ma'am,
00:57:28I come from New York State.
00:57:29Yes, you see, and this is Mr.
00:57:31Danny Mora.
00:57:32Who?
00:57:33Say, where's Baby?
00:57:34Danny Mora?
00:57:35I think she's upstairs.
00:57:36Oh, hello, sis.
00:57:37Sis, I want you to meet a couple of friends of mine.
00:57:39This is my sister.
00:57:40This is Mr. Jones and Mr. Mora.
00:57:42How do you deal with me?
00:57:43You don't mind, do you?
00:57:44No, of course not.
00:57:45Bring them right in.
00:57:46All right.
00:57:47Come on in, boys.
00:57:48Mother, I want you to meet Mr. Jones.
00:57:50Do you belong to the Salem Joneses?
00:57:51New Bedford Joneses?
00:57:52Well, I'll tell you, ma'am,
00:57:53I come from New York State.
00:57:54Mr. Jones and Mr. Mora.
00:57:55How do you do?
00:57:56How do you do?
00:57:58Now, come right in, children,
00:58:00and make yourselves perfectly at home.
00:58:03Won't you sit down?
00:58:04Thanks.
00:58:05Well, you sit here, wouldn't you?
00:58:06Thank you very much.
00:58:07I'll take your hair.
00:58:08Yes.
00:58:09And I'll take your hair.
00:58:10You can sit right here.
00:58:12I hope you'll make yourselves perfectly at home,
00:58:15and you may smoke if you like.
00:58:18Steve smokes.
00:58:20I caught him once smoking corn silk
00:58:23when he was a little boy.
00:58:24Gee, Steve.
00:58:25That was wrong.
00:58:26Oh, well.
00:58:27Anyway, he's grown up to be a fine young boy.
00:58:29I'll help Sophie get supper for supper.
00:58:31Can I help you, ma'am?
00:58:32Oh, no.
00:58:33Thank you, dear.
00:58:34Sophie's here.
00:58:45Gee, Steve.
00:58:46This is great.
00:58:47This is swell.
00:58:49Boy, your mother and her...
00:58:50This is great.
00:58:53Our home?
00:58:54Sure.
00:58:55To me, your mother's love.
00:58:56Sure.
00:58:57Your mother's love.
00:59:18Hey.
00:59:19Who's his knob, sir?
00:59:21Your father?
00:59:22Oh, no.
00:59:24That's Abraham Lincoln.
00:59:26Oh.
00:59:27Is that him?
00:59:29No.
00:59:30The father of his country.
00:59:35Come along, children.
00:59:36Our dinner is served.
00:59:37Now, let me see.
00:59:38How am I going to see you?
00:59:40Mr. Sterling dines with us about once,
00:59:42so I found you his guest, Mr. Dines.
00:59:45And Mr. Sterling, my lady.
00:59:46Yes, sir.
00:59:47And I sit here.
00:59:50Oh, thank you, dear.
00:59:57And Mr. Morrow, you may sit next to baby.
01:00:13And now, Mr. Sterling, will you say grace?
01:00:18Accept our thanks, O Lord, for this food,
01:00:22and bless it to our use, for thy name's sake.
01:00:25Amen.
01:00:32I think I'll take these flowers off.
01:00:36Daffodils are lovely this time of year,
01:00:38but they're in the way.
01:00:39Thank you, dear.
01:00:42Welcome.
01:00:44I hope you'll enjoy your supper, children.
01:00:46It's a very simple one.
01:00:47Our regular Saturday night meal.
01:00:50But no one in the country can cook them
01:00:53as we New Englanders do.
01:00:55Boston beans.
01:01:00Well, that's... that's splendid.
01:01:03I'm so sorry, Mr. Frosby.
01:01:05Mrs. Frosby.
01:01:06Yes.
01:01:07I invited Mr. Frosby to come and have supper with us,
01:01:10but he couldn't.
01:01:11Marvellous stock he's offering for sale.
01:01:14It ought to enrich many of our townspeople.
01:01:17Mr. Sterling, I... I don't know very much about stocks, but...
01:01:20Well, if I were you, I wouldn't invest in any stock
01:01:22until I consulted my bankers.
01:01:24Are you going to invest much?
01:01:26Well, with my modest salary, of course I...
01:01:28Blessed are the poor in spirit.
01:01:30For theirs is the kingdom of heaven.
01:01:38Hey-bye!
01:01:39Hey-bye!
01:01:40Hey-bye!
01:01:41Hey-bye!
01:01:42We didn't know you had company.
01:01:44Oh, that's all right, dear.
01:01:45We're sorry if we're intruding.
01:01:47Oh, no, you're not intruding.
01:01:48Just a couple of friends for supper.
01:01:50Oh, Steve!
01:01:51Aren't you going?
01:01:52Going where?
01:01:53Well, your friends are cordially invited to attend
01:01:55the third annual Haybride and Dance.
01:01:57The choir leaders are giving me...
01:01:59Hey, where are they?
01:02:00You'd like to go, wouldn't you, boy?
01:02:01Sure!
01:02:02Where'd you put my hat?
01:02:03Oh, wait a minute.
01:02:04There's plenty of time now, Danny.
01:02:05Come on, sit down, girls, and have a cup of coffee.
01:02:07Yes, do that.
01:02:08Oh, Sophie!
01:02:09Nice to see you, dear.
01:02:10Thank you, Roy.
01:02:11Can I hear you?
01:02:12I'll give you a Haybride.
01:02:13I'm so quiet.
01:02:15I think it's beautiful.
01:02:16Hi-bye.
01:02:17What are you doing?
01:02:18I want to take the choir off in the choir.
01:02:20Come on, head on here.
01:02:22I want to take the choir off in the choir.
01:02:25Come on, have a coffee here.
01:02:28Hey, what are you doing?
01:02:30Oh, I didn't know.
01:02:31Oh, I didn't know.
01:02:32Hey, well, wouldn't you have some meat and brown red?
01:02:34Oh, we'd like to take the choir off.
01:02:36Just the coffee, just the coffee.
01:02:38Oh, thank you.
01:02:39I'll take the meat here, you see.
01:02:41Oh, my kids, we'll take the choir off in the choir.
01:02:44We all have to take the choir off in the choir.
01:02:46Oh, what have you done?
01:02:47Oh, welcome.
01:02:48And it's for the wedding to the choir now.
01:02:50Oh, I'm sure you'll meet all your horses.
01:02:52I love you.
01:02:53I love you.
01:02:54I love you.
01:03:20I love you.
01:03:39Helen, sing us a song, please.
01:03:43I'll be carrying to the new jail tomorrow
01:03:51Leaving my poor darling alone
01:04:00With the coin-frizen bars all around me
01:04:09And my head on the billow of stone
01:04:18And my head on the billow of stone
01:04:24And my head on the billow of stone
01:04:27And my head on the billow of stone
01:04:32Ah, good evening, my dear boy.
01:04:35How do you do?
01:04:36Out in the night air, eh?
01:04:38Delightful. Music and moonlight.
01:04:41Well, enjoy them while you may.
01:04:44It's always a pleasure to see the young enjoy themselves.
01:04:47To some of us, that has been denied.
01:04:50But...
01:04:51Ah, well.
01:04:52Ah, good evening, good evening.
01:05:03What was Prosby doing here?
01:05:05Steve, I've just made a wonderful investment
01:05:09That will make you and your sister independent for life.
01:05:13You bought his stock?
01:05:14Yes, dear.
01:05:15And you gave me a bond?
01:05:16Well, yes, why?
01:05:18Nothing.
01:05:19Nothing.
01:05:20Ah, Steve don't know anything about business.
01:05:24He don't know how those things are done.
01:05:26That's right.
01:05:27You know, Mother, I think you'd better go to bed.
01:05:30You know, you had a hard day, all those people here and everything.
01:05:33Oh, always the nice little gentleman.
01:05:37I believe I will.
01:05:38Come along, Cynthia, dear.
01:05:40Oh, Mother.
01:05:42Cynthia.
01:05:43Well, gee, I had a lot of fun.
01:05:45Thanks a lot.
01:05:47Good morning.
01:05:48Good morning.
01:05:49Good night.
01:05:50Good night, boys.
01:05:51Good night.
01:05:52Steve will show you where you're going to sleep tonight.
01:05:53Sure he will.
01:05:54Good night.
01:05:55Happy dreams.
01:05:56Good night.
01:06:04Good night.
01:06:07Where are you going?
01:06:09You heard what I told that guy.
01:06:11Not with that Gatch, you're not.
01:06:13You think I'm going to stand by and see him rob my mother?
01:06:15Shhh.
01:06:17Give her that gun. Come on, get out of my way.
01:06:19Wake up here. Wait a minute.
01:06:23Go on in there. I want to have a little talk with you.
01:06:27I want to have a little talk with you.
01:06:37I want to have a cigarette.
01:06:39I don't want one.
01:06:41Smoke it!
01:06:49Now, Steve, you've got to get out of this.
01:06:51You're only a kid.
01:06:53You're going to marry Judy, aren't you?
01:06:55And you've got a great home here.
01:06:57And you've got a wonderful mother.
01:06:59And just one little girl.
01:07:01You're going to marry Judy, aren't you?
01:07:03And you've got a great home here.
01:07:05You've got a beautiful mother.
01:07:07And just one shot out of that gat,
01:07:09and you're going to blow the whole works.
01:07:11Oh, forget it. Forget it, Steve.
01:07:13It's a sucky game.
01:07:15Nobody but chumps uses guns.
01:07:25Steve.
01:07:27Did you ever see a guy go to the chair?
01:07:29Huh?
01:07:31Well, I did.
01:07:35I spent eight months in that condemned row.
01:07:37Watched them go one by one.
01:07:39Pals of mine.
01:07:41Guys that you'd say good morning to in the morning.
01:07:45And then you'd say good night at night.
01:07:47And then they'd go.
01:07:49And I'd wait day after day, week after week, month after month,
01:07:53wondering if I was going to be the next one to go.
01:07:55Let me tell you, that's no picnic, kid.
01:07:57Listening to the drone of that lousy motor
01:07:59and watching those lights go dim.
01:08:01Listenin' to the drone of that lousy motor
01:08:03and watchin' those lights go dim.
01:08:05And then you'd say good night.
01:08:25Come on.
01:08:27Don't be as sad.
01:08:29What am I gonna do?
01:08:31Now, don't worry about Frosby.
01:08:35He'll be taken care of.
01:08:37Well taken care of.
01:08:39Say, what do you think Danny and I come up here for?
01:08:42To go on hay rides?
01:08:44Steve!
01:08:59Yes, Mother.
01:09:01Aren't you going to say good night to Mother?
01:09:05Yes, Mother.
01:09:07Aren't you going to say good night to Mother?
01:09:21Coming, Mother.
01:09:29...
01:09:43...
01:09:51...
01:11:27There you are, Steve.
01:11:41There's the works.
01:11:42What's this?
01:11:43Your mother's bonds.
01:11:46Oh, say, gee, fellas, I...
01:11:48Oh, that's nuts.
01:11:49Oh, listen, I can never...
01:11:50Oh, forget it.
01:11:51Say, Steve, we got to scram.
01:11:52We got to date.
01:11:53Besides, if you're seen around here with us, it'll break your parole, and you know what that means.
01:11:57And, Steve, we're going to tell Judy just exactly what you told us to tell her.
01:12:01Wait for wait.
01:12:03Make her believe it, will you?
01:12:04Hey, Steve, you're on the square with Judy, aren't you?
01:12:10You bet I am.
01:12:12That's all we wanted to know.
01:12:15Owen.
01:12:18Here's a little piece of poetry I copied out of a book.
01:12:23Give it to her for me, will you?
01:12:25Sure, Steve, sure.
01:12:30Hey, that's our friend.
01:12:31Now, wait a minute.
01:12:34Us.
01:12:44Well, as everybody on their toes, this is a tough bunch of homers in a great family, and you should see them slugged.
01:12:51Now, listen, fellas.
01:12:52I've been in this can 40 years, and my one ambition is to get out.
01:12:59Oh, shut up.
01:13:01No.
01:13:01It's the window.
01:13:04The instant champagne it three times.
01:13:06You still want it twice all.
01:13:07You come to get us, sir.
01:13:08Yes, and I haven't sat on on me.
01:13:10Sat on on you?
01:13:11Yes.
01:13:12Electrocuted.
01:13:13Look out for us, Alan, will you?
01:13:15And now, St. Louis and that other girl have to walk out, man.
01:13:18Just one week before this big...
01:13:20Now, here's what I want you to do.
01:13:21I'm pretty old.
01:13:23I haven't got very far to go.
01:13:26But I'd be the happiest guy yet in jail if I could cop this game today.
01:13:30Now, will you go in and fight and try and win for old Pops?
01:13:33Do the way, do the way, do the way.
01:13:35All the way to talk.
01:13:37Now, remember our slogan.
01:13:38From first base to second base to third base, we've grown.
01:13:43Be ever so humble, there's no base like home.
01:13:47That's the place that counts, home base.
01:13:49And remember who you're playing with.
01:13:51Bunch of crooks.
01:13:52No edits.
01:13:54Show them that you're gentle.
01:13:56I want everything in this game on the up and up.
01:13:58Sure.
01:13:58All right, show them.
01:14:00Kneel.
01:14:00All right, go away.
01:14:01All right, go away.
01:14:02Go away from those guys now.
01:14:06You know, St. Louis, what my ambition is to ride on a real train with towels and everything.
01:14:36In the distance, one sees the gray walls and towers of Vero Vincenna.
01:14:54Home again, pal.
01:14:57Yeah, and I'm glad to get back.
01:15:00Now, have you got that poem for Judy, you halfwits?
01:15:03Why, certainly. I got it right here. There you are.
01:15:07Let's go.
01:15:09Let's go.
01:15:13Let's go.
01:15:15Let's go.
01:15:16Let's go.
01:15:17Let's go.
01:15:18Let's go.
01:15:19Let's go.
01:15:20Let's go.
01:15:21Let's go.
01:15:22Let's go.
01:15:23Let's go.
01:15:24We'll give you a game, all right, but if our pitcher hadn't busted out of here you wouldn't have had a chance.
01:15:53Oh, yeah? Good luck.
01:16:06Now, listen, fellas. This game has got to be on the square. Handleman, at all times.
01:16:11Sure, sure. Where's your pitcher?
01:16:14Oh, is this your pitcher? Yeah.
01:16:16Well, now, remember, the game's got to be up and up.
01:16:18Okay.
01:16:19None of that, you know.
01:16:20No, but none of that.
01:16:21No?
01:16:22Not soon again.
01:16:23None of this.
01:16:24See what I'm saying?
01:16:25No eyes.
01:16:26Yeah.
01:16:27Look at your pitcher.
01:16:28Right here, buddy.
01:16:29Oh, I've heard about you.
01:16:30Yeah, dear.
01:16:31You just heard the ruins, didn't you?
01:16:32Sure.
01:16:33None of that.
01:16:34Hey, look at the eyes here.
01:16:35None of that.
01:16:36Come on.
01:16:37Leave alone.
01:16:38Yeah, I see.
01:16:39You don't have to show him that.
01:16:40No.
01:16:41Didn't I tell you the worst?
01:16:42None of that.
01:16:43Sure.
01:16:44Isn't it that scary?
01:16:45Then I smell a secret.
01:16:47I'm sorry.
01:16:48It doesn't matter now.
01:16:49Come on, play ولا.
01:16:50All right, everybody ready?
01:16:51Watch.
01:16:52Watch.
01:16:53Come on, press it.
01:16:54Now to look, go right to it.
01:16:56Watch this, boy!
01:17:00Get him, they're out of.
01:17:02Get him, they're out.
01:17:05Oh, for the fact. I'll get that ball for you, Warren.
01:17:18Oh, let me get it. Thank you.
01:17:20Well, we'll get it back. We'll get it back.
01:17:23Oh, that was just a little bit. Come on. Come on, everybody.
01:17:26Come on. Let's make it. Let's go now. Come on.
01:17:35Okay to come in?
01:17:58Goodbye, dear. Good luck.
01:18:05Hello, Danny.
01:18:25Gee, I'm sorry to see your kids back here again.
01:18:28Oh, that's all right, kid. I told them I'd be back.
01:18:30And I never break my word.
01:18:32Besides, I'll tell you, it wasn't so much fun out there, you might think.
01:18:35You know, traveling around by yourself, all alone.
01:18:38Yeah, that's what I mean.
01:18:41Say, what are you going to do, kid?
01:18:44I don't know.
01:18:46I'll go back to the old racket, I suppose.
01:18:50No, no. No, no, you won't go back to the old racket.
01:18:54You're going right to New England.
01:18:56New England?
01:18:57Sure. Steve's waiting for you.
01:19:01Steve's waiting for me.
01:19:03Well, I'm telling you, he's waiting.
01:19:04Listen, listen, he gave us a message to give to you.
01:19:07Listen, he told us to tell you.
01:19:09What was that message that he gave us?
01:19:13Well, he told us to tell you all about the birds and the lilacs.
01:19:20You know, flowers.
01:19:21And the blue skies.
01:19:24And the love, what comes but once.
01:19:29Well, the meat of the whole thing is, you're going to go back to New England.
01:19:31Yeah, yeah. Now, what he's trying to tell you is this.
01:19:35You know, you know, the birds are singing and the, and the flowers and the, and the, and the river is kind of, it's, it's pretty, ain't it?
01:19:45And it's all, it's, well, listen, here's the dough for you to go back there with.
01:19:50I don't need it.
01:19:54Sure you do.
01:19:55Them Chinese mannequin coats cost a lot of jack.
01:19:59Chinese coats?
01:20:00Well, certainly, Steve's going to take you to China.
01:20:02We told you that, didn't we?
01:20:03Sure.
01:20:04Tokyo, Honolulu, all them Chinese towns.
01:20:09Say, are you kidding?
01:20:12No.
01:20:12You mean, Steve is really waiting for me?
01:20:18Say, what the heck?
01:20:20Listen, baby, I'm telling you, on my word, and I never break my word.
01:20:25That's one thing I'll say for the louse.
01:20:42Hey, Sam, now, here's your big chance.
01:20:51We're going to send you in there to hit that ball.
01:20:53Do you think you can do it?
01:20:54Sure, Pop.
01:20:54Pass the boy, okay.
01:20:56Now, listen, if ever you laid on an apple in your life, lay on this one.
01:21:00It's our only chance to win.
01:21:01You'll do that for your old pals, won't you?
01:21:02Sure.
01:21:03All right, do it for Pop.
01:21:05Do it for the boy.
01:21:06Come on, Honolulu.
01:21:06Come on, Honolulu.
01:21:07Come on, Honolulu.
01:21:09So, you know, the fellow that never breaks his word.
01:21:12Oh, now, listen, Wooden, I'm sorry about that.
01:21:14But, honest, I had to leave in such a hurry that I just couldn't say goodbye.
01:21:17Now that this doubled your sentences, don't you?
01:21:19All right, I'll read them.
01:21:21Gee, that makes me 286 years.
01:21:24I won't need that.
01:21:26Tank them to the cooler.
01:21:28Oh, Daddy, Daddy, Daddy, Judy's gone, and we're losing the ball game.
01:21:33Huh?
01:21:33Yeah.
01:21:34That's right, Steve.
01:21:34Three runs behind.
01:21:36Tank them to the cooler.
01:21:37Send St. Louis and Uncle Dan to the cooler when we're losing the ball game?
01:21:42Oh, now, listen, Wooden, you're not going to do that.
01:21:44There's Gene and the gang waiting for us out there.
01:21:46We've got to win that ball game.
01:21:47Look here, St. Louis.
01:21:48Can I trust you and Dan to go out to that diamond without leaving us?
01:21:52I'll tell you what I'll do.
01:21:53I'll give you my word.
01:21:54And you know that I never break my word.
01:21:56No?
01:21:57Well, never twice in succession.
01:21:59Tank them to the cooler.
01:22:03After the game.
01:22:04Why does a fireman wear rent suspended?
01:22:10Keep his trousers up.
01:22:12Say, St. Louis, you know that fellow McDowell on the other side?
01:22:15Now, don't give him a high ball.
01:22:16Keep him down as close to him.
01:22:18I don't care if there was a rumble seat on the corner, but there wasn't a rumble seat.
01:22:22But had it been for you, we wouldn't be spending a month at the cooler.
01:22:24Well, you shut up about that rumble seat.
01:22:26Take that cigar out of your mouth.
01:22:27You're a trainer.
01:22:28Take it out.
01:22:28All right.
01:22:29And I'm telling you, there was a rumble seat.
01:22:31I don't care if there was.
01:22:32Ever since I met you, I've been in trouble.
01:22:33Yeah, well, you know, you're no turning point.
01:22:35If that's a chicken farm and me, you wouldn't want any of my...
01:22:37And I know there was no rumble seat on the bar.
01:22:40Will you shut up?
01:22:53St. Louis, St. Louis, what do you say?
01:22:55What do you say?
01:22:57What do you say?
01:22:59Hold on!
01:23:01Hey!
01:23:01Hey!
01:23:03Hey!
01:23:08Hooray!
01:23:09Hey!
01:23:10Hey!
01:23:10Hey!
01:23:22grow
01:23:27ails
01:23:30are
01:23:33helps
01:23:36determination
01:23:37pai
01:23:41irling
01:23:43conform
01:23:45air
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