- 4 weeks ago
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00:00:00The End
00:00:30The End
00:01:00The End
00:01:30The End
00:01:59The End
00:02:29The End
00:02:59The End
00:03:29The End
00:03:59The End
00:04:29Don't you worry
00:04:30But I do worry
00:04:31Think of that valuable jewelry you're carrying
00:04:34I've been carrying jewelry for years
00:04:36And nothing ever happened to me
00:04:37Besides
00:04:38It's insure
00:04:39I know
00:04:40But somehow I'm uneasy
00:04:41Every time you go away
00:05:13letter in two weeks. Remember? Oh, yes, but, well, I was terribly busy. Well, this will
00:05:19have to do you till I get back.
00:05:29Goodbye, dear. You'd better run along. The train will be leaving in a minute. But I...
00:05:32Now, don't worry. Everything will be all right. Goodbye.
00:05:35All about the killer. Killer loose and steady. Read about it. Read about the killer's escape. Read about it. All about the killer's escape.
00:05:50Killer Delmar escape. I'm special X-ray here. Yes, how's it going? Swell. If you're any paper I work for, it's bound to be out front.
00:05:58I'm X-ray here. How do you like my scoop? All right. All right.
00:06:04Say, listen, when I get news, it's so hot, they have to put it on a space. Say, don't you ever stop patting yourself on the back?
00:06:10Sure, when I'm sunburned. Listen, honey, how would you like to have dinner with the best little reporter in town?
00:06:16I love it. Where is he? Well, you're looking right at him. Jimmy Hawley in person, not a picture.
00:06:23Ah, you news guys are all alike. The last time I had a date with one, he left me flat while he was out chasing police cars.
00:06:31Oh, not me, honey. My day's work is done and I punch the clock. Now, first I'll take you to dinner, then to a picture show. What do you say?
00:06:38No. Oh, come on. Can't you see that nice, thick, juicy steak smothered in onions and mushrooms, french fried potatoes, coffee, apple pie, a la mole?
00:06:49You got me, boy. That's the only reason I'm going is because I'm hungry. When do we eat?
00:06:54Now, I got your hat.
00:06:56Watch this for me, will you, Pearl? I got a sucker.
00:06:58Los Angeles Police Department. Calling cars, attention, please. Cars, 15, 16, 17, 18.
00:07:14Go to Union Station. Pick up officers on your way. Killer Delma reported in vicinity.
00:07:20Union Depot, Ed. Step on it.
00:07:21Attention, cars, 15, 16, 17, 18.
00:07:29Go to Union Station. Pick up officers on your way. Killer Delma reported in vicinity.
00:07:43Get tight, Ed.
00:07:44Pick up officers on your way. Killer Delma reported in vicinity.
00:07:48Delma, Ed?
00:07:49Yeah.
00:07:50Come on, step on it.
00:07:51Hang on, 27, 12, 3, 4, 5, 3, 4, 3, 5, 1, 2, 1, 1, 1, 1, 1, 1, 1, 1, 1, 2, 1, 1, 1, 1, 1, 1, 1, 2, 1, 1, 1, 2, 1.
00:08:21I'm holding off.
00:08:51Hey you, ginger ale, make it two.
00:09:04Questy 0191 Joe, you two get round that side, hurry up now.
00:09:14Hey Joe, what's down there, what's the post?
00:09:18City editor.
00:09:25Hello?
00:09:26Well hello Chief, Jimmy, Union Station.
00:09:28Say I've got a hot tip on Delmar, full space for a scoop.
00:09:31Attaboy Jimmy, give it to me quick, I want to make the next edition.
00:09:34Okay.
00:09:48See anybody snooping around here?
00:09:55No.
00:09:56Hey, come here.
00:09:57What do you look for?
00:09:58Huh?
00:09:59What are you looking for?
00:10:00Oh well, I lost a dime.
00:10:01Oh yeah?
00:10:02Where?
00:10:03Over there.
00:10:04Well what are you looking here for?
00:10:06Well what are you looking for?
00:10:07Oh well, I lost a dime.
00:10:09Oh yeah?
00:10:10Where?
00:10:11Over there.
00:10:13Well what are you looking here for?
00:10:16Well, there's more light here.
00:10:18Oh, well I'm with you pal.
00:10:21Well.
00:10:25Stick them up!
00:10:26Come out of there!
00:10:29Don't you watch what you're doing.
00:10:51Stephanie.
00:11:13Would you stop following me?
00:11:14Sure.
00:11:36By reservation?
00:11:37Your name, please.
00:11:38Martin.
00:11:38Martin.
00:11:39Get it.
00:11:40How much is it?
00:11:41Lower in car 12, 450.
00:11:51What are all these policemen doing here?
00:11:54They're looking for Delmar, the man that escaped the jailhouse.
00:11:57Well, if they watched him when they had him, they wouldn't have to be looking for him now.
00:12:01Yes, sir.
00:12:05Two tickets here, ma'am.
00:12:07Who's the other passenger?
00:12:08My husband.
00:12:09The coffin's in the baggage car.
00:12:11I'm sorry.
00:12:13Lower four, Chi-12.
00:12:16You'll have to check the dog with the baggage man.
00:12:17He'll see if he gets on the train.
00:12:19Right this way.
00:12:24It's tough for a woman to make a trip like this.
00:12:26It's tough for anybody to trip on this railroad.
00:12:49Hey, buddy.
00:13:04I hope you don't think I was trying to ditch you.
00:13:06Oh, no.
00:13:07I know you wouldn't do that to me.
00:13:09Say, listen.
00:13:10Do me a favor, will you?
00:13:11Sure.
00:13:11Go find a cop and tell him there's a drunk annoying you.
00:13:13A drunk annoying you?
00:13:15Where was the cop?
00:13:17There's one over there.
00:13:18Hey, officer.
00:13:19I'll tell him.
00:13:20I'm here.
00:13:24Officer.
00:13:26There's a drunk annoying my friend.
00:13:28And I want to stop.
00:13:30Because if there's anything I hate, it's an intoxicated person.
00:13:36So do I.
00:13:36Good.
00:13:37Good.
00:13:37Good.
00:13:37Good.
00:13:37Good.
00:13:43Bye now.
00:13:49Don't worry about me.
00:13:51I'll be all right.
00:13:53No.
00:13:55Come on, chick.
00:13:59Let's go.
00:14:03Oh, no.
00:14:03Goodbye, mom.
00:14:14Pretty tough on Chick's mother.
00:14:36Chick who?
00:14:37Chick Lewis.
00:14:38He's the guy that squealed on Killer Dalmar.
00:14:41Say, that kid don't know how lucky he is.
00:14:44The sooner he's in the pen, the safer he'll be.
00:14:46Take a look through that baggage room, Ed.
00:14:47Any luck, Cap?
00:14:48Not yet, Jimmy.
00:14:49Looks like it's colder in Kelsey.
00:15:08Come on.
00:15:13Crestview 0191.
00:15:20City editor.
00:15:24Hello?
00:15:25Hello, hi.
00:15:25Yeah, did you get it, Jimmy?
00:15:26Say, it looked like a bum steer.
00:15:28They only thought he was going to Frisco.
00:15:30Yeah, if I were you, Jimmy, I'd hop that train for Frisco.
00:15:32What for?
00:15:33Look at the scenery?
00:15:35And besides, the cops have been all through it.
00:15:37Say, listen, wise.
00:15:38Did it ever occur to you that he might be on that train in disguise?
00:15:41Sure.
00:15:43He might be made up as a mattress and hiding in one of the uppers.
00:15:46And besides, did it ever occur to you that this is Saturday night and I'm not going to Frisco?
00:15:52Goodbye.
00:15:53Hello?
00:15:54Hello?
00:15:54Hello?
00:15:56There you are, palsy.
00:16:01I got all fixed.
00:16:03I saw the cops and you're not going to be bothered with drunks anymore.
00:16:08What do we do now?
00:16:11I'm going to pour you on that train.
00:16:13Come on.
00:16:13Come on.
00:16:14Come on.
00:16:14Come on.
00:16:15Come on.
00:16:16Come on.
00:16:17Come on.
00:16:18Come on.
00:16:19Come on.
00:16:20Come on.
00:16:21Come on.
00:16:22Come on.
00:16:25That sounds really nervous.
00:16:28I'm thinking.
00:16:29Oh, I'm so happy.
00:16:30Yeah.
00:16:31I'm a little nervous, too.
00:16:34Oh, there's that gang again.
00:16:36Say, cut it out.
00:16:37Pull them back.
00:16:38Come on.
00:16:39Let's get them.
00:16:40Cut it out.
00:16:41Let's get them.
00:16:42Go.
00:16:55Goodbye.
00:16:56Goodbye.
00:16:56Goodbye.
00:16:56Don't do anything I wouldn't do.
00:16:57Oh, thank you so much.
00:16:59Goodbye.
00:16:59Goodbye.
00:17:00Goodbye.
00:17:01Goodbye.
00:17:02Hey, George.
00:17:04Take care of him now.
00:17:06Yes, sir.
00:17:06Pal.
00:17:14Oh, I'm awfully sorry.
00:17:15That was a mistake.
00:17:17Oh, lady, if that's your idea of a mistake, I'd like to have one that's on a level.
00:17:21This is the funniest thing that's ever happened to me.
00:17:23Oh, no.
00:17:24It's the hat that makes me look funny.
00:17:25You ought to see me in a Panama.
00:17:26I was just kissing the boys goodbye.
00:17:30Oh, and you wanted to get in an extra practice shot.
00:17:32I get it.
00:17:32No, I thought you were one of my friends.
00:17:35Well, I am.
00:17:36That is, I'd like to be.
00:17:37Pull!
00:17:39I'd better be getting on.
00:17:42Oh, are you going on this train, too?
00:17:44Why, no.
00:17:46But it's a good idea.
00:17:47I'll be seeing you.
00:17:49Pull!
00:17:56Crestbule 191.
00:18:10City editor.
00:18:13Hello?
00:18:15Huh?
00:18:15Say, I've changed my mind.
00:18:16I'm taking the grant for Frisco.
00:18:18Yeah, well, it sounds to me like there's a woman in the case somewhere.
00:18:20Yes, I mean, no, no.
00:18:22Yeah, now I know there's a woman in it.
00:18:24Well, anyway, I'll send you a wire next to everything.
00:18:26Why, you low-down, ungrateful, no-good, cheap-skate, one-horse reporter.
00:18:38Oh!
00:18:56Well, hello there, palsy.
00:19:05How are you?
00:19:06See you later.
00:19:07Sure, I'll see you later.
00:19:08I'll see.
00:19:10You ought to be a shame to yourself.
00:19:14Yes, you.
00:19:17Hey, pal, wait a minute.
00:19:18I don't want to tell you any funny stories.
00:19:20I don't know.
00:19:21Let me have one of those for you.
00:19:43Oh, yes.
00:19:46May I?
00:19:46There.
00:19:53Is that better?
00:19:55Yes, thank you.
00:19:57There's a very interesting article in there about Contract Bridge.
00:20:01I'd much rather just look at the ads.
00:20:03They're so clever.
00:20:05Going to San Francisco?
00:20:07Why, yes.
00:20:08Sort of a pleasure trip?
00:20:09Something like that.
00:20:14How does your husband feel about your going away and leaving him?
00:20:18There's no such animal.
00:20:20I'm quite unattached.
00:20:22Isn't that gorgeous?
00:20:23Yes, it is.
00:20:25I mean this.
00:20:27Oh!
00:20:27Well, it's rather pretty.
00:20:32I don't like the way those square-cut emeralds are set.
00:20:35How do you know they're emeralds?
00:20:37Well, it's very simple.
00:20:38They're the only stones of that shape valuable enough to put in such a bracelet.
00:20:42You sound as if you knew a lot about it.
00:20:44Jewelry's my business.
00:20:48How very interesting.
00:20:49I'm going to show you some really beautiful pieces.
00:20:58Now, there's a beautiful bracelet.
00:21:00Look at the way those emeralds are set.
00:21:02Yes, sir.
00:21:03That's charming.
00:21:07Oh, don't come.
00:21:18Hello, Jimmy.
00:21:19Lose something?
00:21:20Yeah, and she's beautiful.
00:21:21Well, you might find her up ahead.
00:21:22There's a couple of pips up there.
00:21:24Okay, Mac.
00:21:25Good luck, chick.
00:21:26I'll need it.
00:21:27Got a cigarette?
00:21:28Yeah.
00:21:29Keep them.
00:21:29Drunk.
00:21:39Yeah, me too.
00:21:53Well, look.
00:21:53If you straighten up, nobody will notice you.
00:21:56Go ahead.
00:21:57And look, be careful of that there turning around, because it's very dangerous.
00:22:01It's very...
00:22:02Hey, pal, where are you?
00:22:04Here's your boyfriend right here.
00:22:05Oh, well, hello.
00:22:12Hello.
00:22:12Hello.
00:22:12Hello.
00:22:13You thought you weren't going to see me again, didn't you?
00:22:16I never disappoint.
00:22:17Are you tired, honey?
00:22:22No.
00:22:23Are you?
00:22:24Yes.
00:22:25No.
00:22:28You know, if we weren't married, we'd be breaking one of the commandments.
00:22:33Which one?
00:22:33Well, it's not the one about killing somebody.
00:22:38Whose little yum-yummy zoo, huh?
00:22:41Why, yours, you silly little baby.
00:22:45Mama's little sugar poo.
00:22:47Oh, baby, kiss papa.
00:22:55Everybody in this train's crazy.
00:23:01Now, I know he's in here somewhere.
00:23:03Excuse me, that's my fault.
00:23:11Yeah, you can't do that to me.
00:23:13Hey, wait a minute, wait a minute.
00:23:14Now, you wait a minute.
00:23:15I can take it, I can dish it out, and I can dish it out.
00:23:18Don't worry, I'll take care of it.
00:23:20Sure, I'll take care of it.
00:23:22That's all right, pal.
00:23:23You and I have been friends for five million years.
00:23:26I'm sorry that happened.
00:23:28Shall we go into the diner?
00:23:30Oh, yeah.
00:23:33Come on, now.
00:23:40Iron yourself out.
00:23:41Sure.
00:23:43Oh, hello.
00:23:45How is your wife?
00:23:46I have no wife.
00:23:48What a lucky woman she is.
00:23:49Haunted.
00:24:09You won't be bothered anymore, miss.
00:24:11Bothered?
00:24:11By whom?
00:24:12Oh, by somebody.
00:24:13Anybody.
00:24:14Well, thank you for taking such an interest in me.
00:24:16But I don't believe we've been properly...
00:24:18Introduced?
00:24:19Oh, that's easy.
00:24:20I'm Mrs. Hawley's boy, Jimmy.
00:24:22Mrs. Hawley?
00:24:23Oh, yes, you must know Mrs. Hawley.
00:24:25My mother.
00:24:26You know, when I was a kid, she always told me to be sure to make friends with nice people.
00:24:31Don't you think I'm being a good boy?
00:24:33Oh, very.
00:24:34Well, now that we are properly introduced, suppose we clear all formalities.
00:24:40You can call me Jimmy.
00:24:42And I'll call you...
00:24:43Alice.
00:24:45Okay, Alice.
00:24:46Okay, Jimmy.
00:24:47Okay, America.
00:24:49Well, there's my little palsy.
00:24:51You didn't...
00:24:52Oh, so you found the wife, eh?
00:24:54Hey, wait a minute.
00:24:55Wait a minute.
00:24:55Oh, you don't understand.
00:24:56Oh, yes, I understand, lady.
00:24:58I'm a married man myself.
00:24:59And see, you've got the greatest little husband in the world.
00:25:03You know, I know this guy all my life.
00:25:06We were buddies in the war together.
00:25:08I know him better than I know my own brother.
00:25:11He...
00:25:12Hey, what is your name?
00:25:15Hawley.
00:25:16Hawley?
00:25:17Mrs. Hawley?
00:25:18Meet Mr. Hawley.
00:25:20Dinner's now being served in the dining...
00:25:22Dinner's now being served in the dining...
00:25:24Oh, shall we dine, my dear?
00:25:26The Hawleys always dine at eight.
00:25:27Sure, we're gonna dine now, eh?
00:25:29Oh, you'll excuse me, but I'm dining with my wife.
00:25:32Your wife.
00:25:33Oh, my wife is at Frisco.
00:25:36What are you crying for?
00:25:37You're going to Frisco?
00:25:38Yeah, that's why I'm crying.
00:25:40Oh, my...
00:25:43I got the best little wife in all of my...
00:25:47I got this little girl.
00:25:49I got the best little wife, he got...
00:25:52I got it the best little in love of that...
00:25:57My wife, you know, will never get addicted to me, but then...
00:25:58The..
00:26:01The..
00:26:03The...
00:26:04The...
00:26:05enjoy your dinner mrs. Hawley yes thanks and if you wish mrs. Hawley yes I wish you'd stop
00:26:23calling me mrs. Hawley all right miss Murray how did you know my last name well I can name
00:26:31everybody in this car for you oh I see a mind reader no just the star reporter on the Gazette
00:26:36you see that man sitting on the aisle two tables forward
00:26:43you know the one that's trying to win the decision over the state
00:26:48his name is Martin and the little lady in mourning at the table just ahead of him
00:26:55is mrs. Leonard yes yes and a chap sitting right across the aisle from the grouchy
00:27:07individual who's the largest jewelry store in our fair city
00:27:10his name is Chambers and that attractive lady with him who is she
00:27:22well at the present moment she's known as Eileen Ailsworth
00:27:28I bet there's one thing you don't know yes what's that you're pretty fresh
00:27:35say I could have told you that too if you'd asked me
00:27:38by the way what are you doing on this train well I was supposed to get a story on killer
00:27:45Delmar but I've been sidetracked I'm now on the trail of a desperate woman
00:27:50a siren a vampire of the worst kind what did she do she attacked a man in the railroads
00:27:56really well that is uh she kissed him
00:28:00four other fellows the four other guys don't count oh no
00:28:05I don't see much of a newspaper story in that well I do she wrecked this man's life
00:28:11in fact he changed all of his plans and followed her
00:28:14he went all the way to Frisco just to be with her
00:28:16hope the newspapers won't print a story like that why sure they will if we write a happy ending
00:28:22have some more coffee mrs. Hawley no thanks
00:28:26you know women are like diamonds you can always tell the real from the artificial
00:28:32if you examine them closely with a glass
00:28:36well sometimes a glass helps
00:28:38there's a lot of taste being set in platinum these days
00:28:42you know make such marvelous imitations now I don't think I'd know one from the other
00:28:46oh yes you would
00:28:48I'm going to show you a bracelet
00:28:51you know those were real stones
00:29:00that's that's the loveliest thing I've ever seen
00:29:05I want you to notice how evenly and beautifully the stones are
00:29:29cut
00:29:32why it must be worth a fortune
00:29:36it cost a few pennies
00:29:44say come on Mac will you take off these curfews
00:29:51so I can cut this steak
00:29:58what turn you loose with a knife in your hand
00:30:02you think I'm crazy pick it up with your fingers
00:30:09say copper some of these days your heart's gonna swell up to the size of a pea and kill you
00:30:13smart guy
00:30:16maybe some of your mobs on the train
00:30:17maybe some of your mobs on the train
00:30:19maybe
00:30:23maybe
00:30:30you think it would be safe to give me a spoon
00:30:35you think it would be safe to give me a spoon
00:30:42thanks
00:30:49here you are sir
00:31:04let me take it
00:31:06let me take it sir
00:31:07gin and ginger ale
00:31:11don't you think you better have something to eat first sir
00:31:18gin and ginger ale
00:31:22here you are
00:31:23here's some nice things right here
00:31:24let me take your hat sir
00:31:25just gin and ginger ale
00:31:27yes ma'am what is it
00:31:52oh I
00:31:54I just wanted to feed my dog
00:31:56certainly
00:31:57certainly
00:31:58go right ahead lady
00:31:59thank you
00:32:00oh
00:32:07I
00:32:14oh
00:32:17oh
00:32:21Say, Chief, two of these steak knives, mister.
00:32:51Two steak knives, eh?
00:32:53Souvenir hunters again.
00:32:54They'll be the death of me, yes.
00:32:56Two more than gone.
00:32:58How come people don't take that knife with knives?
00:33:01What they gonna do with them?
00:33:04Many things can do with knives.
00:33:06That's right, too.
00:33:21How come people don't take that knife with knives?
00:33:40No.
00:33:41No.
00:33:42No.
00:33:43I'm so afraid.
00:33:45No.
00:33:47No.
00:33:48No.
00:33:49No.
00:33:50No.
00:33:52No.
00:33:54No.
00:33:55No.
00:35:26Oh, Alice.
00:35:27Yes?
00:35:29I want to say good night.
00:35:48What, again?
00:35:49Sure, do you care?
00:35:51Oh, I was asleep.
00:35:53Oh, just say good night once again, will you, dear?
00:35:56I will not.
00:35:57Oh, go on, say good night.
00:36:00No.
00:36:01Go on, say good night.
00:36:04No.
00:36:05Please, then I can go to sleep.
00:36:09I won't.
00:36:11Oh, say good night so we can all go to sleep.
00:36:19Good night.
00:36:21Good night.
00:36:27Mr. Martin, Mr. Martin.
00:36:30Yes, yes, what is it?
00:36:31Good night.
00:36:32Oh, yes.
00:36:57Good night.
00:37:02Good night.
00:37:06Good night.
00:41:52I want everybody up out of their berths.
00:41:55You stay here.
00:41:56What's the idea of waking me out of a sound sleep?
00:41:58The idea is I want you to get up.
00:42:00Get your clothes on.
00:42:01Sorry, lady.
00:42:02You'll have to get up.
00:42:03Come on.
00:42:05Come on, Jimmy.
00:42:06Get your clothes on.
00:42:06Okay.
00:42:07Sorry, lady.
00:42:08Get up out of there.
00:42:10Wake up in there.
00:42:11Wake up.
00:42:12Get in.
00:42:13What's up.
00:42:13What's up?
00:42:14I'm not doing anything.
00:42:14I'm not doing anything.
00:42:14Get your clothes on.
00:42:17Please, please.
00:42:17Come on.
00:42:18Come on.
00:42:19I'm up.
00:42:20I'm sorry.
00:42:22Just a minute.
00:42:23There's no one in the rest of the berths.
00:42:24No.
00:42:24Well, I'm going to take a look just the same.
00:42:27Search the drawing room up ahead.
00:42:28All right.
00:42:33What's wrong?
00:42:40Yes?
00:42:41Sorry, folks, but you'll have to get out.
00:42:42Get out?
00:42:43Yep.
00:42:45What's the matter?
00:42:46Convicts escape.
00:42:47We'll have to search every room.
00:42:48But honestly, conductor, there's nobody in here but us.
00:42:51Why, no.
00:42:51Sorry, but it's orders.
00:42:52You'll have to get up in front.
00:42:54Well, it's all right, dear.
00:42:55It's all right.
00:42:55Now, I'll take care of you.
00:42:58Everybody's up, officer.
00:43:15Come on.
00:43:15Wake up in there.
00:43:28Wake up in there.
00:43:59Anyone got smelling salts?
00:44:01I have some.
00:44:01Get them.
00:44:02I wonder who could have done it.
00:44:04Oh, who could have done it?
00:44:04I don't know, but I'll get them.
00:44:06Murdered in his berths.
00:44:07Oh, my God.
00:44:07Who is it?
00:44:08Anybody know him?
00:44:10Oh, I remember seeing him right on the train.
00:44:11He was all alone, doesn't he?
00:44:13Oh, what a boy!
00:44:15He happened right next to me.
00:44:17Murdered in his berths.
00:44:19I don't know who did it, but I'll get them.
00:44:21Is there a lot there when I saw him?
00:44:23I never saw him.
00:44:23What's his name?
00:44:24I don't know who did it.
00:44:25I don't know who did it.
00:44:26I don't know who did it.
00:44:27I don't know who did it.
00:44:28There's a gun laying around there.
00:44:30I don't know who did it.
00:44:30It's having a heart.
00:44:32I don't know who did it.
00:44:32I don't know who did it.
00:44:33You can see the blood.
00:44:34It's terrible.
00:44:36Everybody in this car is under suspicion.
00:44:38What's the idea of accusing us?
00:44:39What about the fellow who got away from you?
00:44:41I'll ask the questions.
00:44:42Porter, lock that door.
00:44:44Yes.
00:44:47Conductor, search those cars up ahead.
00:44:49Right.
00:44:49Are you all right, Ellis?
00:44:51There's been a murder committed.
00:44:51Search those cars up ahead for Chick Lewis.
00:44:53Murdered?
00:44:53Yes, go ahead.
00:44:54Okay.
00:45:05We don't know.
00:45:20That's what we're trying to find out.
00:45:21Come on, folks.
00:45:23Come on, everybody up.
00:45:26Everybody up.
00:45:27What's the matter?
00:45:29Convict escaped.
00:45:30Oh, I'll never sleep another way.
00:45:32Anybody else in there?
00:45:46All right.
00:45:46Put them back.
00:45:47Put them back.
00:46:02Let's go.
00:46:07Just let them back.
00:46:09Ah, I'll never sleep another day.
00:46:10Ah, yeah, yeah, yeah.
00:46:19Ah, yeah, yeah.
00:46:24Ah, yeah, yeah, yeah.
00:46:25Oh, my God.
00:46:29Ah, yeah, yeah.
00:47:30Come on, hurry up!
00:47:44It's Chick!
00:47:46Somebody...
00:47:49Conductor!
00:47:50Get these people in the club car!
00:47:52Right.
00:47:52Come on, come on, get a move on you!
00:47:53Come on.
00:47:54Let's see that they stay there.
00:47:58Right.
00:48:05He's still alive.
00:48:06Who was it, Chick?
00:48:07That's nice from the dining car.
00:48:32I'll look into that later.
00:48:33Please.
00:48:40Now remember, I want no one to leave this car.
00:48:54Conductor, put him in the drawing room.
00:48:55Right.
00:48:56Come on, Porter, pick him up.
00:48:57Give him a hand.
00:49:02Come on.
00:49:25Hey, Porter.
00:49:26You stay right here and watch this body.
00:49:28Well, he don't need to watch it, boss.
00:49:30Listen, there's another one in lower six.
00:49:40Watch that one, too.
00:49:45Hey, listen, Mac.
00:49:46Before you start anything, I've got something important to tell you.
00:49:48Tell me later.
00:49:49But I tell you, it's very important.
00:49:50It can't wait.
00:49:54Now that I've got you all together, I'm going to ask you a few questions.
00:49:57What's your name?
00:49:58J.W. Martin.
00:49:59What do you do?
00:50:00Nothing.
00:50:01What do you mean, nothing?
00:50:02I'm retired.
00:50:03Did you know the man who was murdered in the lower six?
00:50:04No.
00:50:05Did you know him?
00:50:06No.
00:50:07No.
00:50:08No.
00:50:09No.
00:50:10No.
00:50:11No.
00:50:12No, of course not.
00:50:13What are you doing on this train?
00:50:14I...
00:50:15I'm just going to San Francisco to visit my folks.
00:50:16Oh, yeah?
00:50:17I'll get back to you later.
00:50:18Now listen.
00:50:19Get this.
00:50:20Whoever killed a man in the lower six is in this car,
00:50:23and I'm going to find out who did it if I got to keep you here all night.
00:50:46if I got to keep you here all night.
00:50:48Now, if you're smart, you'll come clean.
00:50:53What were you doing when the murder was committed?
00:50:55Huh? Who, me?
00:50:58Why, I...
00:50:59Why, we...
00:51:04Ugh.
00:51:07Come on, you. Wake up. Wake up.
00:51:11What's your name?
00:51:12Gin and Ginger Ale.
00:51:14Come on, sober up.
00:51:16You're not as drunk as you look.
00:51:44Where you been, Jimmy?
00:51:46Oh, just snooping around?
00:51:48Well, stick around here, Jimmy. I might need you.
00:51:50Okay.
00:51:51This is cold-blooded murder,
00:51:52and I'm going to find out who did it if I got to keep you here all night.
00:51:55Now, if you're smart, you'll come clean.
00:51:58Did any of you know this man?
00:52:00Yes, I knew him.
00:52:01His name was Chambers, a prominent jeweler,
00:52:03and he carried some valuable pieces with him.
00:52:05Pieces of what?
00:52:07Jewelry.
00:52:07Diamonds.
00:52:08Diamonds, eh?
00:52:10Then robbery was the motive.
00:52:12All right.
00:52:13We'll have all the baggage in here.
00:52:15Everybody get their own bag.
00:52:17Go ahead, Jimmy.
00:52:17See that they don't try to pull anything.
00:52:19Okay.
00:52:19Come on, get going.
00:52:20Come on, miss.
00:52:21Get going.
00:52:22Come on, miss.
00:52:25Come on, you.
00:52:26Wake up.
00:52:26What's the matter?
00:52:27Go up and get your bag.
00:52:28Bag?
00:52:28Go ahead.
00:52:29Everything in here, Jimmy?
00:52:54Yeah.
00:52:54It's a doctor.
00:52:55Chris gets back.
00:52:56All right.
00:52:56Jimmy, look all through this baggage
00:52:58and see that you don't miss anything.
00:52:59Okay.
00:53:02Where's your baggage?
00:53:11What's the idea?
00:53:15Sorry, I got to do this, lady.
00:53:17Don't apologize, Arthur.
00:53:22All right.
00:53:24Be a little more careful with my stuff.
00:53:28There's a button off this shirt.
00:53:33Feeling better, Mrs. Hawley?
00:53:34Yes, thanks.
00:53:35Nothing in here, Mac.
00:53:57Why don't you make a thorough search before you say that?
00:54:00Why don't you quit snarling?
00:54:02I did search it.
00:54:03Why'd you stop so suddenly?
00:54:04What do you mean?
00:54:05I don't know what I mean.
00:54:10What have you got to say?
00:54:12Why, I...
00:54:12Oh, Mac, she doesn't know anything about it.
00:54:14No?
00:54:15Well, what about this?
00:54:16It must have been planted on her.
00:54:17Yeah?
00:54:18Maybe you can tell me who did the planting.
00:54:20Well, I can make a good guess.
00:54:21Start guessing.
00:54:23Well, she was out to rob him.
00:54:24That's a lie.
00:54:25And this man hated him.
00:54:26Chambers was a friend of mine.
00:54:27I thought you said you didn't know him.
00:54:32Oh, he knew him all right.
00:54:34Chambers had him thrown out of the Jewelers Association for handling stolen diamonds.
00:54:37Well, what about it?
00:54:39That's not true.
00:54:40He's saying that to protect that girl.
00:54:42I'll check up on that and get back to you later.
00:54:45What do you got to say?
00:54:47Oh, he's only trying to alibi the girl.
00:54:50What were you doing at his birth last night?
00:54:52Your mistake.
00:54:54I wasn't near his birth.
00:54:55You didn't happen to hand him a cigarette, did you?
00:54:57I did not.
00:55:00Look here, Mac.
00:55:02Here's what I found in Chambers' fingers.
00:55:04While I was snooping around.
00:55:07Compare it with her cigarettes.
00:55:08Let me have those cigarettes.
00:55:16This is one of your cigarettes, isn't it?
00:55:23Yes, but I didn't give it to him.
00:55:24Oh, you didn't give it to him.
00:55:26Hey, Mac.
00:55:27You were on the narcotics squad, weren't you?
00:55:28Yes, why?
00:55:29Then smell that cigarette.
00:55:33Dope.
00:55:34What's your name?
00:55:36What's your name?
00:55:37Eileen Ailsworth.
00:55:39Yeah, but her real name's Maisie Wilson.
00:55:41Ever heard of her?
00:55:44Yeah.
00:55:44I thought there was something familiar about you.
00:55:48So you're Maisie Wilson.
00:55:52Why didn't you tip me off about this before?
00:55:54Because I'm a reporter, not a cop.
00:55:56When I saw with Chambers, I smelled a good story.
00:55:59And besides, when I did try to tell you something, you shut me up.
00:56:02It looks like I'll have to arrest you for the murder of Chambers.
00:56:05You've got me wrong.
00:56:06I didn't kill him.
00:56:08I gave him a dope cigarette and lifted the bracelet, but I didn't kill him, I tell you.
00:56:11I didn't kill him.
00:56:12Oh, you expect me to believe that, eh?
00:56:13Come on.
00:56:14Come clean.
00:56:15I tell you, I didn't kill him, I didn't.
00:56:17Well, if you didn't, I'd like to know who did.
00:56:19You might ask her.
00:56:22What's she got to do with it?
00:56:24That's Killer Delmar's wife.
00:56:26Delmar's wife?
00:56:29Yes, you stool pigeon.
00:56:31I'm Mrs. Delmar.
00:56:33What about it?
00:56:33Then Delmar must be on this train.
00:56:35Oh, no, he's not.
00:56:36Don't lie to me.
00:56:37He's on this train and you know it.
00:56:38Where is he?
00:56:40You're a smart copper.
00:56:42Find him yourself.
00:56:43Oh.
00:56:45Oh!
00:56:45Oh!
00:56:45Thing outta that train.
00:56:45Oh!
00:56:47See?
00:56:47Whoa.
00:56:47Jason.
00:56:47Oh!
00:56:48Oh!
00:56:48Oh!
00:56:48Oh!
00:56:48Oh!
00:56:49Oh!
00:56:49Oh!
00:56:51Oh!
00:56:51Woo!
00:56:51Oh!
00:56:51Oh!
00:56:52Oh!
00:56:53Oh!
00:56:53Oh!
00:56:54Oh!
00:56:54Oh!
00:56:55uh!
00:56:58Oh!
00:57:03Oh!
00:57:09What happened?
00:57:34Take him off.
00:57:35Over here.
00:57:39Don't try to pull anything.
00:57:48Stop this train.
00:58:09Get him off.
00:58:16Get him off.
00:58:17Get him off.
00:58:18Get him off.
00:58:28Stick him off.
00:58:29Come on, get him off.
00:59:00All right, Mrs. Delmar, you'll talk at headquarters, and I'm going to hold you for the murder of Chambers.
00:59:20You're wrong, Mac.
00:59:22Get back.
00:59:24Here's the guy that committed both murders.
00:59:27What do you mean, Paul?
00:59:30I'm sure I bumped that rat chick because he double-crossed me, but that's all.
00:59:34Yeah?
00:59:35Well, who killed Chambers?
00:59:36I don't know.
00:59:37I don't know anything about him.
00:59:38Well, if you don't, your wife does.
00:59:41She was in the car when the crime was committed, and I'm going to hold her out suspicion.
00:59:47Martin.
00:59:49Are you going to let her take the rap for this?
00:59:51What do you mean?
00:59:52I never saw you before in my life.
00:59:53Never saw me before.
00:59:55Me and him did time in the big house together.
00:59:57You're crazy.
00:59:58We were celebrating.
00:59:59She told me all about this guy Chambers.
01:00:01Chambers was the man that sent him up.
01:00:02You swore you'd get him.
01:00:03Well, you got him, didn't you?
01:00:04Now you're trying to pin the rap on my wife.
01:00:06Well, you can't get away with it, you yellow-bellied rat.
01:00:10There it is.
01:00:11That's how he got him.
01:00:12Give me that gun, Jimmy.
01:00:23Step out of there, Maisie.
01:00:25Come on, Maisie.
01:00:26Get over there, Del Mara.
01:00:28When we reach Frisco tomorrow, you're going to be a guest of the state again.
01:00:31Maybe.
01:00:32What do you mean, maybe?
01:00:33Maybe we won't reach Frisco.
01:00:36Tom.
01:00:38Something wrong.
01:00:38We should have stopped that last station for orders.
01:00:40We're going too fast down this grade.
01:00:46Taking up speed every second.
01:00:48If he don't slow up before we get to the bottom...
01:00:49He will never make that turn.
01:00:50You've got to stop him.
01:00:58He doesn't answer.
01:00:59Something's happened to the engineer.
01:01:05Speak him up.
01:01:06You're right.
01:01:07Something has happened to the engineer.
01:01:09He's dead.
01:01:10Del Mara, you've got to let me get down to that engine and sustain and we'll all be killed.
01:01:14Keep back.
01:01:15Nobody leaves this car.
01:01:16Well, kid, this will be a great story for your paper.
01:01:20But you ain't going to write it.
01:01:21Copper, you're smart.
01:01:23Figure out some way to stop this train.
01:01:26Martin, you're lucky.
01:01:28You ain't going to die in this wreck.
01:01:30Because I'm going to rub you out myself.
01:01:33Stand up, rat.
01:01:36No.
01:01:36No.
01:01:36Hold him.
01:01:37Hold him.
01:01:38Hold him.
01:01:39Hold him.
01:01:40Hold him.
01:01:41Hold him.
01:01:42Hold him.
01:01:43Hold him.
01:01:44Hold him.
01:01:45Hold him.
01:01:47Hold him.
01:01:47Hold him.
01:01:48Hold him.
01:01:50Hold him.
01:01:51Hold him.
01:01:51Hold him!
01:02:05Hold him!
01:02:06Hold him!
01:02:06Hold him!
01:02:21Hold him!
01:02:51Oh, darling, speak to me!
01:02:55Speak to me!
01:02:56What happened?
01:02:57You fainted!
01:02:58Oh, well, don't you worry, dear.
01:03:00I'll take care of you.
01:03:02Oh, we fainted again!
01:03:03Somebody get some water!
01:03:05Honey, talk to me!
01:03:06Talk to me, honey!
01:03:17Jimmy!
01:03:19Oh, honey, this is going to make a great story.
01:03:21Can't you see those headlines?
01:03:22Killer Delmar recaptured after fierce battle on train.
01:03:25Five men killed.
01:03:26Oh, baby, what a story!
01:03:28Killer Delmar!
01:03:29Read about it!
01:03:30X-B!
01:03:31Read about it!
01:03:33Killer Delmar!
01:03:34Hey!
01:03:35Read about it!
01:03:36Read about it!
01:03:38X-B!
01:03:39Hey!
01:03:39Read about the killer!
01:03:41Hey!
01:03:42Read about it!
01:03:43Well, Mrs. Hawley,
01:03:51how do you like being married to the best little reporter in town?
01:03:54Great!
01:03:55And now Mrs. Hawley's husband is going right over to that telephone
01:03:58and call his editor
01:03:58and tell him that he's going on a two-weeks vacation.
01:04:01You said it, honey.
01:04:03I'm not going to let anything interfere with our honeymoon.
01:04:05Jimmy!
01:04:13Call that editor and tell him to hold space for a scoop!
01:04:20Jimmy!
01:04:21Jimmy!
01:04:22Jimmy!
01:04:23Jimmy!
01:04:24Jimmy!
01:04:25Jimmy!
01:04:26Jimmy!
01:04:27Jimmy!
01:04:28Jimmy!
01:04:29Jimmy!
01:04:30Jimmy!
01:04:31Jimmy!
01:04:32Jimmy!
01:04:33Jimmy!
01:04:34Jimmy!
01:04:35Jimmy!
01:04:37Jimmy!
01:04:38Jimmy!
01:04:39Jimmy!
01:04:40Jimmy!
01:04:41Jimmy!
01:04:42Jimmy!
01:04:43Jimmy!
01:04:44Jimmy!
01:04:45Jimmy!
01:04:46Jimmy!
01:04:47Jimmy!
01:04:48Jimmy!
01:04:49Jimmy!
01:04:50Jimmy!
01:04:51Jimmy!
01:04:52Jimmy!
01:04:53Jimmy!
01:04:54Jimmy!
01:04:55Jimmy!
01:04:56Jimmy!
01:04:57Jimmy!
01:04:58Jimmy!
01:04:59Jimmy!
01:05:00Jimmy!
01:05:01Jimmy!
01:05:02Jimmy!
01:05:03Jimmy!
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