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Después del divorcio, la heredera recupera todo
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Transcript
00:00Congratulations to Dorothy for winning the Best Original Screenplay at the Rising Stars Movie Awards.
00:17You did it.
00:19Three years ago, I was the most sought after screenwriter.
00:23Three years later, I fell in love with Drake,
00:28giving my identity a secret for the sake of his pride.
00:32I thought we were happy until...
00:38Hi!
00:45Where the hell have you been?
00:47I told you that Stephanie was coming to help set up for my brother's birthday
00:50and instead of helping us, he just disappeared.
00:53What, did you bail so you could go and laze around or something?
00:56You know, people say that the only reason you're allowed to stay by Drake's side
01:00is because you're nothing more than a free maid.
01:03Otherwise, why would someone like you be allowed to marry my brother?
01:07What?
01:08A maid?
01:09I just hid my identity for the sake of this marriage.
01:13Well, I think Drake's idea is great and it could be really good for us.
01:17But the risk is way too high.
01:21Dad.
01:23Please.
01:25Okay.
01:27And I'm sure you don't want him to know the real reason why I'm investing.
01:35Think about it, Dorothy.
01:36Since you got married, has he ever even touched you?
01:39How often does he actually come home?
01:41He doesn't even want to look at you.
01:44Let alone sleep with you.
01:46That's enough, Ellie.
01:47We're all here to celebrate Drake's birthday.
01:49I'm sure he wouldn't be happy to see us like this.
01:51Everybody knows that if it weren't for her, you would be married to Drake
01:55instead of being my late brother's widow.
01:57Ellie!
01:58Whatever happened between me and Drake is all in the past.
02:01Besides, I'm carrying Nick's baby.
02:08It's the perfect time.
02:12Oh, my God.
02:13Oh, my God.
02:14Dorothy just pushed Stephanie into the pool.
02:16What?
02:23Quick, save Stephanie.
02:24She's carrying Nick's baby.
02:29Quick, get in there.
02:31I can't.
02:32Help!
02:33Help!
02:34Help!
02:35Help!
02:36He chose Stephanie over me.
02:37My baby.
02:38My baby is gone!
02:39Why would you do this to me?
02:40Help!
02:41Help!
02:42Help!
02:43Help!
02:44Help!
02:45He chose Stephanie over me.
02:49My baby.
02:50My baby is gone!
02:51Why would you do this to me?
02:53How dare you?
02:54You push Stephanie into the pool to try and kill her and her unborn baby?
02:59Are you happy now that Stephanie's baby's gone?
03:02I didn't do it.
03:03I know you don't want me here.
03:05I told you whatever happened between me and Drake is in the past.
03:08You can hate me however you want to, but how could you be so cruel as to kill my unborn child?
03:13You didn't do it.
03:14You didn't do it.
03:15You know me, I would never do that to Stephanie.
03:18Just apologize to Stephanie.
03:21I'm not going to apologize for something I didn't do.
03:23Apologize to Stephanie right now or I will divorce you.
03:32Divorce?
03:33If you apologize right now, then I'm willing to give you another chance.
03:43It's been three years, Drake.
03:45I gave up everything to be your wife.
03:48I've always kept to the shadows, Dorothy.
03:50I already have a life.
03:52And right now I just want to focus on being on my marriage of Drake.
03:56I thought you would always be by my side, but I was wrong.
04:03The only reason you're allowed to stay by Drake's side is because you're nothing more than a free maid.
04:08Since you got married, has he ever even touched you?
04:10He doesn't even want to look at you.
04:15Fine.
04:17Let's get a divorce.
04:26There's nothing left in my heart.
04:28Drake's nothing without me.
04:32My ring!
04:34My ring is gone!
04:36Well, you must have taken it.
04:37Why would I take her ring?
04:39Well, look how quickly you packed your suitcase.
04:41You're probably seeing someone else.
04:43Dorothy.
04:45Yes?
04:47We were married for three years.
04:48Were you seeing someone else?
04:49Of course she was.
04:50You've probably been cheating on you for a really long time.
04:53Couldn't wait for the divorce.
04:56So what if I was, huh?
04:58And what about you?
04:59Still hung up on your so-called sister-in-law?
05:01What gives you the right to talk about me?
05:04I only look after Stephanie because she's my brother's widow.
05:08But you actually seeing someone else?
05:10Who is he?
05:11Big talk!
05:13Don't bring me down to your level.
05:15I'm not like you.
05:17Since your sister-in-law lost her ring,
05:22why don't you take...
05:26this one?
05:31You've been waiting for this for a long time, haven't you?
05:39Bye.
05:46And so I left.
05:47I left.
05:50This is ridiculous!
05:52We, the Bennett family, are one of the four major production companies in the world.
05:56I let him marry my daughter and even invest it in his business.
06:01How dare that Drake do this to my daughter?
06:05Look, it's actually a good thing, Dad.
06:08Now we know who he really is and he has no idea who I am.
06:12Still, you're my daughter.
06:14I can't let him do this to you.
06:16If it weren't for you, I would not have considered investing in his company.
06:20We're gonna pull our investment immediately.
06:22Yes. It's time to cut him off.
06:24He doesn't deserve you.
06:26I'm over Drake.
06:27If we withdraw the plans now, it's going to hurt the family business.
06:33He's not worth it.
06:35Honey.
06:37Why didn't you just take a vacation?
06:40Well, just put all this aside and take some time out for yourself.
06:44Yeah.
06:47No.
06:48I've wasted too much time with Drake over the three years.
06:55You know, now I want to focus on something that actually matters.
07:00You know, Christopher has been saying that many people want to buy the movie rights to Liar's Game.
07:06Universal, Paramount, every major studio wants this.
07:13Liar's Game, your story on the big screen.
07:16If you're in, I'd be happy to be the one headlining it.
07:19Oh. So that's why they're making it. Because of you.
07:23I'm sorry, Christopher Santoro.
07:25See? They're not funding the film.
07:28They're funding you.
07:30Oh. They're funding the story.
07:32It's more than good.
07:34It's phenomenal.
07:36Christopher is right.
07:38I'm taking my life back.
07:44I'm going to adapt it myself.
07:47You are?
07:48Yes.
07:49I will.
07:51Good for you.
07:53I won't tell anyone I'm asking you.
07:54I won't ask you.
08:04Congratulations to Aria Wong for winning the best director.
08:12This is my close friend from college.
08:15Aria, I need your help.
08:17I want to adapt the Liar's Game myself.
08:19And I want you to direct it.
08:22Of course.
08:24Okay.
08:26There's just one thing.
08:28I want to keep my identity as the writer a secret.
08:31I don't want anyone to know, especially not the team.
08:34SQ.
08:35Are you sure?
08:37But why keep it a secret?
08:39I just want people to focus on the story itself.
08:42Got it.
08:43Your secret's safe with me.
08:45Hey.
08:47Oh my god.
08:51Dev.
08:52It's a bit weird.
08:54Ever since news got out about our movie, my phone has not stopped ringing.
08:58Really?
09:05It's Stephanie.
09:09Yeah, just take it.
09:14Hello?
09:15Hello, Miss Wong.
09:17I've heard Liar's Game is being made into a movie.
09:19I'm interested in playing the lead.
09:21Can we arrange an audition?
09:22I'll speak to the writer and I'll let you know.
09:28Thank you, Miss Wong.
09:31What do you think?
09:34Anyone can audition, right?
09:36As long as they write for the role.
09:39What happened between me and Stephanie is not important here, so...
09:43Okay.
09:45I'll call her back and let her know.
09:47Mm-hmm.
09:52What about me?
09:57What about me?
10:00Can I be your hero?
10:06Oh, you mean, uh...
10:08A film, right?
10:10I...
10:12I've never considered anyone else.
10:16I have to take this.
10:18Hi.
10:23You know, I'm not just talking about the film, Dorothy.
10:27It's okay.
10:29I can wait.
10:32I've waited this long.
10:37Well, well, well.
10:39Look who it is.
10:43Why are you here?
10:45Oh, I see.
10:46You're the production assistant.
10:49Well, do your job.
10:51Get me a water.
10:54Stephanie.
10:56Get your own water.
10:57I'm not your PA.
10:59Look.
11:01It's my first day on set, and I want to buy coffee for the crew.
11:04Why don't you be a doll and mark down everyone's order?
11:08Are you deaf?
11:10I'm not a PA.
11:12Here's a tip.
11:14Go on.
11:15Show some respect, Stephanie.
11:18Do you know who she is?
11:21What are you doing?
11:23Oh, no.
11:24She can't know I'm asking you.
11:28I want to keep my identity as the writer a secret.
11:32I don't want anyone to know, especially not the team.
11:34What do you mean?
11:36Who is she?
11:38No one but a lower PA, I'm sure.
11:40Isn't that right?
11:42Well, actually, she's...
11:44She's just a PA.
11:46You're right.
11:48So why don't you show me a lower PA, your acting skills?
11:50Maybe I'll be impressed even by who the goffies myself.
11:51Ha!
11:52Watch this.
11:53I loved you once.
11:55Or so I thought.
11:57But now I see that it was all just a lie.
12:00A beautiful...
12:02I loved you once.
12:04Or so I thought.
12:06But now I see that it was all just a lie.
12:09A beautiful...
12:10Painful lie.
12:11You took everything from me.
12:12My dreams.
12:13My future.
12:14I loved you once.
12:16Or so I thought.
12:18I loved you once.
12:19Or so I thought.
12:21But now I see that it was all just a lie.
12:23A beautiful...
12:25Painful lie.
12:27You took everything from me.
12:31My dreams.
12:33My future.
12:36My future.
12:41See?
12:42There's no soul.
12:44That's not acting.
12:45It's just...
12:46reciting lines.
12:49Why don't you show her how it's done?
12:50What?
12:52Go on.
12:56Go on.
13:10What?
13:17You're right!
13:19I loved you once.
13:20Or so I thought.
13:24But now I can see...
13:26It was all a lie.
13:28A beautiful, painful lie.
13:32You took everything from me.
13:35from me. My heart, my dreams, my future. And for what? For your own personal gains.
14:00How is that possible?
14:02Dorothy, that was perfect. The role is yours if you want it.
14:08No! This role is mine! I'm the one with the investment. Without me, there's no funding for this movie.
14:16Your investment? Do you even know who she is?
14:20Who is she?
14:25Who is she?
14:26As you know, no one but a PA.
14:30Dorothy, this movie is important to Stephanie. I mean, why are you here? You're not a real actress. What are you doing? You're trying to ruin her career. You're trying to get back at me by ruining her career.
14:39I'm not ruining anything. If she can't handle the role, that's on her, not me. You can't blame this on anyone else.
14:47You embarrassed her in front of everyone. I mean, I know what you're doing. You're the one pulling all the strings here. You're trying to make her fail so you can take her place.
14:54She's using this whole thing to get to you, Drake. She's been jealous from the start, trying to ruin my chances to get back to you.
15:02Okay, no. I don't want to fight anymore. Well, let's just take a look at the script and maybe we can work something out.
15:08And you were just so damn selfish! You already care about yourself! Just give Stephanie her role back!
15:15You know what? I didn't want to do this. But I will. I'll take the role. I'll play the lead.
15:28I'll play the lead. No way! You can't be serious! She's not even a real actress!
15:33Dorothy's performance was far stronger than yours. Everyone in the room can see it.
15:39I'm so glad you've agreed to do the role.
15:46Right, it's settled then. The lead roles go to Christopher and Dorothy.
15:51I will double my investment if you give Stephanie a role.
15:58I never thought I'd see the day my ex-husband would go this far for his sister-in-law.
16:06I can always count on you, right?
16:14I will double my investment if you give a role to Stephanie.
16:18You two are just such...
16:22Okay, look. If the money's on the table, there's no reason to turn it down.
16:27Let's just give her a part. We have nothing to lose.
16:30I guess that'll be fine. I'll talk to SQ.
16:39Your father's production company is already the biggest investor in your movie.
16:43So why take Drake's money? You don't...
16:46You don't still have feelings for Drake, do you?
16:49No! He's an asshole!
16:51Come on.
16:54I've got an idea.
16:57Why don't we just give her a character? That'll make her miserable.
17:03Wow, Mr. Santaro. I feel bad now.
17:06I only wish you didn't have feelings for Drake anymore.
17:17How did she learn herself the role?
17:19She's practically a nobody.
17:20No fan base, no real experience.
17:23Just one good scene.
17:25Doesn't make sense.
17:26Find out everything you can about Dorothy.
17:31I want all the dirt.
17:39Director, there must be a mistake.
17:42I'm only a side character and not even in the main scene.
17:45You wanted a role, we gave you a role.
17:48I came in with an investment.
17:51Well, you're more than welcome to take it back and leave the set.
17:54Even a small role in Eskew's film is going to do great things for your career.
17:59Now is not the time for you to be messing around.
18:04Fine.
18:11Two take one.
18:12Action.
18:14Lily, you are my best friend. How could you do this to me?
18:16I'm sorry, but this is...
18:21What the hell are you doing?
18:22It's part of the scene!
18:24Okay, take it again from the slap.
18:30Action!
18:35Cut!
18:37Stephanie, why aren't you saying your lines?
18:39You have to keep going in the scene.
18:42I think you've had enough for today.
18:44We'll just try again tomorrow.
18:45We'll try again tomorrow.
18:53Did you see her face?
18:55Absolute gold!
18:57I mean, she got what she wanted.
18:58She asked for a role and that's what we gave her, so...
19:01Seriously, her performance is all over the place.
19:05Maybe we should just cut down on her screen time.
19:09And we all know the film's better without her slowing us down.
19:13You're right.
19:15I'm not gonna let anyone ruin your story.
19:22So, if you can just give me something that's a bit more...
19:26Tell me about her back.
19:28What's going on with my scenes?
19:35Why have so many of them been cut?
19:37It's a collective decision.
19:40Fuck that!
19:41Let me talk to the writer.
19:44The writer is SQ and as you know, they never show their face, so their decision is final.
19:48I'll see you on set in five.
20:05Now it all makes sense.
20:11Now it all makes sense.
20:14That's the head of the production company.
20:16No wonder she got the role.
20:19Let's see how John's wife feels about that.
20:31Everyone, I have an announcement to make.
20:34Today will be Stephanie's last day on set.
20:41You really think I don't see through your little games?
20:43Somebody will be walking out that door today.
20:46But it won't be me.
20:49You really think you can get away with this?
20:52Sleeping your way up?
20:56John's wife is on her way.
20:58Let's see how you talk your way out of this one.
21:00Slut.
21:01That's enough!
21:02So were you the one who was stalking and secretly taking photos?
21:14What?
21:15Scared the truth is going to come out?
21:17Someone had to expose her for who she really is.
21:19So you admitted.
21:20You did it.
21:22Damn right I did.
21:24And I'd do it again if I had to.
21:26You don't know who you just crossed!
21:29Oh, I know.
21:31Just some rich old bastard throwing a tantrum.
21:34I sent those photos to your wife too.
21:36And now your mistress is about to be exposed.
21:39Yeah.
21:41Security.
21:43Stephanie is banned from the studio.
21:45Make sure she never sets foot here again.
21:47You can't just do that!
21:49Oh, this is insane!
21:50Why are I right?
21:52I was only telling the truth!
21:54She is a mistress!
21:55A loose woman!
21:56A lady of the night!
22:04Is it true that Dorothy is John's sugar baby?
22:07Otherwise why would he come onto the set and get me banned from the movie?
22:10That's unbelievable!
22:12And he humiliated me!
22:14He had me dragged off the set like a criminal!
22:16You should have seen it!
22:18I'm not going to let her just ruin her reputation like this!
22:22I mean this whole mess is just making us look like fools!
22:26Dorothy's always been trouble.
22:28I mean first she goes off with a married man and now this!
22:31I don't know how you put up with her for three years.
22:35You should have got a divorce earlier.
22:39Stephanie, are you 100% sure that Dorothy is John's sugar baby?
22:43It's the only explanation!
22:45She's clearly nothing but a slut!
22:47Oh!
22:49Drake, Stephanie is your sister-in-law.
22:53Now you need to take care of her and forget about Dorothy.
22:56Can't you see she's the one behind all of this?
22:58She was sleeping her way to the top.
23:02Killing Stephanie's unborn child.
23:05And John dragging her off the set.
23:07You should be sticking up for Stephanie!
23:13I'm not going to let her do this to you.
23:14Do you think you can just walk away from what you did like nothing happened?
23:32I didn't walk away from anything!
23:34You did!
23:36You chose Stephanie over me!
23:37Remember this one?
23:38She's my sister-in-law!
23:39I'm so sick of hearing this.
23:42You have feelings for her and I'm just tired of it!
23:45You're out of your mind if you think I'm going to let you get away with this!
23:49You do what you want to do.
23:51For now, get out!
23:53Why?
23:54Why?
24:00We were married for three years.
24:02And we never...
24:03Oh, your dear fuck!
24:04You might let go of it!
24:14No wonder you want me to go!
24:16Shh!
24:17Just look at yourself!
24:19You're not half the man Christopher is!
24:23Get out!
24:25Or I will call the cops!
24:27Just go!
24:36Are you okay?
24:37You're okay.
24:43Dorothy?
24:44Yeah?
24:45Remember, safety first.
24:47The lifeguard's right there if you need him.
24:49Okay.
24:52Anything you need, let the AD know.
24:54Okay.
24:55Got it.
24:56Got it.
25:04Here's a coffee for you.
25:06It's still early before the shoot.
25:07Take your time.
25:36Something's wrong.
25:37Oh no!
25:38Oh no!
25:39I'm sorry!
25:58Something's wrong.
25:59Something's wrong.
26:05That's not acting.
26:07She's in trouble.
26:13Where's the lifeguard?
26:18Where's the lifeguard?
26:29Where the fuck is the lifeguard?
26:51Come on, Dorothy.
26:59Why did you do that?
27:17I'll do anything for you, Dorothy.
27:23Christopher risked everything without hesitation.
27:26How could I have been so blind?
27:29I wasn't expecting that.
27:53I wasn't expecting that.
27:53Where were you?
28:01I'm sorry.
28:01They could have drowned.
28:02I'm sorry.
28:03I had a stomachache.
28:04I had to look at her back.
28:05Make sure it doesn't happen again.
28:06Do you think that I should call Dorothy just to make sure she's okay?
28:16Are you still hung up on her?
28:18No.
28:20It's not like that.
28:21I'm just trying to be helpful.
28:22Don't you remember, Drake?
28:25She's the one who had me kicked out of the movie.
28:28She's the one who killed my baby.
28:30Not just my baby, but Nick's baby.
28:32I know I'm just her sister-in-law.
28:35Whatever happened between us is in the past.
28:37But I have no one now.
28:40No husband.
28:42No baby.
28:43What I have left is you.
28:48Can you see through Dorothy yet?
28:50She's nothing but a slut sleeping away to the top.
28:52You don't know that.
28:55You know I'm right.
28:57Why else would John come onto the set and stand up for her?
29:00Not just John, but Christopher too.
29:02She's sleeping around with anyone she can find.
29:04She's a whore.
29:05Shut up!
29:15You want war?
29:17I'll give you war.
29:22Do it.
29:24And make sure Dorothy feels every bit of it.
29:31Breaking news.
29:32Unknown actress seduces Hollywood heartthrob.
29:35Rising star or opportunist.
29:38Actress Dorothy's shocking affair with Christopher.
29:40Christopher's new flame or a heartless gold digger.
29:43Dorothy!
29:45Liar!
29:46The bitch!
29:48This is getting out of hand.
29:51Maybe we should just reveal her real identity.
29:54Let everyone know she's not just some random actress.
30:01No.
30:02Dorothy, once we tell them who you are,
30:03there's no reason for them to attack you.
30:05There's someone behind this.
30:08And whoever they are,
30:09I'll make them him.
30:16Fuck off.
30:17Well, this can't be right.
30:29I'd die in the second scene.
30:32This must be Dorothy and John forcing S.Q. to cut me out.
30:36They won't get away with this.
30:37Trey, can you believe this?
30:44They've completely written me out of the script.
30:47Do you remember when Nick was lying in that hospital bed?
30:50You promised him you'd look after me.
30:53I've already lost my husband and my baby.
30:55I can't lose my career too.
30:56Don't worry.
30:56I'll get you your character back.
31:16There's a tape of a documentary that apparently S.Q. has always wanted.
31:20So, if we win this bid and we gift it to them,
31:23we should be able to get you your rollback.
31:28Up next, a rare gem.
31:31The original film documentary chronicling the creative journey of none other than herself,
31:37legendary screenwriter Margaret Lane.
31:40$50,000.
31:40What's she doing here?
31:45I don't know.
31:47I'm not going to let her win this.
31:49$60,000.
31:54$70,000.
31:57$100,000.
32:01This is my grandmother's documentary.
32:04It's her legacy.
32:05She's the one who inspired me to become a screenwriter.
32:08I can't let it fall into the wrong hands.
32:10$500,000.
32:23$500,000.
32:27I'm trying to get you your rollback.
32:28Don't worry.
32:30I've got it covered.
32:31Ladies and gentlemen,
32:33we are down to the final bid.
32:35Standing at a whopping $500,000.
32:38$500,000 going once.
32:42$500,000 going twice.
32:45Sold.
32:46To the lady in the blue dress.
32:47I can't believe this.
32:57You have no right
32:59to take that film reel with you.
33:04You have no right
33:06to take that film reel with you.
33:10What's going on?
33:11Ladies and gentlemen,
33:18I've just been informed
33:19that Miss Dorothy
33:20is in fact not
33:22an invited guest.
33:24Therefore,
33:24as per our rules,
33:27this documentary reel
33:28will not be released
33:29to Miss Dorothy.
33:30This is ridiculous.
33:31I was invited.
33:33Well, in that case,
33:34may I see your invitation?
33:42I did have it,
33:43I swear.
33:43I'm sorry, Miss Dorothy.
33:45If you do not have
33:46the invitation at hand,
33:47the documentary reel
33:48has to go to the
33:49second highest bidder.
33:49This is the protocol.
33:51Oh, you don't understand.
33:52I'm sorry.
33:53I'm sorry.
34:12These are the rules.
34:14The documentary reel
34:15will go to the
34:15honourable couple.
34:35Stephanie, wait.
34:37Just sell it to me.
34:40Name your price.
34:41I'll pay you anything you want.
34:42It's really important to me, please.
34:44Why are you doing this?
34:46Are you just trying to get
34:47my attention by going
34:48after something that
34:49Stephanie wants?
34:50No, you don't understand.
34:51Just let me buy this.
34:55Whatever it takes.
34:57Dorothy.
34:59You think this is about money?
35:01Please.
35:02This isn't something
35:02you can just buy.
35:04Dorothy.
35:05What the hell are you doing?
35:07Why do you always have
35:08to go against her like that?
35:09This reel is important
35:10to Stephanie.
35:11She can use this
35:11to help her career.
35:13Her career?
35:15Is this about your role
35:16being cut from the pen?
35:19Is that why you're doing this?
35:21I'm the writer.
35:24I'm going to fix this.
35:26I'm going to rewrite the story
35:27and bring your character back.
35:29Just...
35:29Just let me have the real face.
35:32You're the writer.
35:34Are you telling me
35:35that you're SQ?
35:36You, the writer-esque you.
35:42Can you give us a break?
35:43Look, this reel
35:45is important to Stephanie.
35:47End it.
35:48Don't make this harder
35:49than it has to be.
35:51You've been with Dorothy
35:52for so long
35:53and you don't even know her.
35:54Oh, and you do.
35:55A hell of a lot more than you.
35:57What the fuck do you think you are?
35:58Both of you, calm down.
35:59What the fuck do you think you are?
36:00Scratched all over.
36:14It's ruined.
36:15Not even fit to be a gift anymore.
36:18I can fix this.
36:19Stephanie, I know someone
36:20who can restore it.
36:21Just sell it to me.
36:22Please, just name your price.
36:26Even if I had no use for it,
36:27I'd never give it to you.
36:29I want to be a writer like you, Grandma.
36:59I want to make movies like you do.
37:02This reel
37:03has more than pictures
37:06and sound on it.
37:07Really?
37:08An entire world I've captured.
37:11But it's just one way
37:12of seeing things.
37:14The magic is creating it yourself.
37:17Someday you will.
37:18Dorothy, I need you to go
37:32apologize to Stephanie
37:33and give her her role back.
37:36Apologize?
37:37To her?
37:38She destroyed the reel.
37:39She wouldn't have done that
37:40if you hadn't pushed her.
37:41So go apologize
37:47or I'm pulling my funding.
37:49Look, Dorothy,
37:51let's be real here.
37:53Without Stephanie,
37:55who's going to invest?
37:57Even the production company
37:58will pull out if they hear
37:59that she's not involved anymore.
38:00Her name carries weight.
38:02Let's not pretend
38:03that your reputation
38:03is exactly stellar right now.
38:06Christopher's fans hate you.
38:07Stephanie's fans hate you.
38:09Even if you actually
38:10make this film,
38:12no one's going to support you.
38:13You won't be prepared.
38:16But if you apologize
38:18to Stephanie now,
38:20I can help you.
38:22I can control the press.
38:24I can control the narrative.
38:26I can actually give you a chance.
38:30What's so funny?
38:33What's so funny?
38:35You're funding.
38:37Do it.
38:39You'll see there's nothing
38:40for the movie.
38:41Okay.
38:42So what if I tell
38:43the production head
38:43to pull his funding too?
38:46Didn't I tell you
38:46that I know Mr. Bennett?
38:48Oh.
38:49Go ahead.
38:50Try it.
38:52Want me to call?
38:53Uh-huh.
38:54Fine.
38:59Hi, Mr. Bennett.
39:00It's Drake.
39:01Drake Mossbacher.
39:03Yeah, I'm pulling my funding
39:04from Liars Game
39:04and I suggest that you
39:05do the same thing.
39:06I've seen it
39:06and it's a sinking ship.
39:07Ha ha ha ha ha ha.
39:10You're pulling out?
39:11Great.
39:12I'll take full control
39:13of the investment.
39:14Not a problem.
39:20So you sat with it?
39:25That's why he's supporting you,
39:26isn't it?
39:26Is this how you see me?
39:31The type of woman
39:31who would use her body
39:32to get what she wants?
39:33What other explanation
39:34do you have?
39:36You know nothing
39:37about Dorothy.
39:41Apologize to Stephanie,
39:42cut ties with Mr. Bennett
39:43and end this.
39:45Dorothy, come back to me.
39:46Whatever he's offering you,
39:47I'll match it.
39:47I'll double it.
39:48You must be out of your fucking mind.
39:51What makes you think
39:53I would ever go back
39:54to that living hell?
39:55Living hell?
39:56You heard me.
39:57Being married to you
39:59was a fucking nightmare.
40:01You made me believe
40:02you loved me.
40:05And then you had me waiting
40:06in vain for three years, Drake.
40:08You said you always protect me,
40:10but then when I need you the most,
40:12you just turned your back on me.
40:15You chose your sister-in-law
40:17over your wife.
40:21I've had enough, Drake.
40:22You were my prison.
40:24So just go back
40:25to your precious Stephanie.
40:31Let's just go.
40:41Why are you hurt?
40:43Are you okay?
40:45What are you doing?
40:52Well, you want me, don't you?
40:53Just kiss me.
40:54I'm all yours.
40:55Steph!
40:56You're Nick's wife.
40:57I've always thought of you
40:58like a sister.
40:59Sister?
41:01Funny.
41:03Don't you remember
41:03when you came to me
41:04the night Nick and I got married?
41:05Don't you remember
41:06what you said?
41:08Remember this?
41:10Yeah.
41:10Why not marry Stephanie?
41:13God.
41:13You're practically begging me
41:14not to marry Nick.
41:15No, I shouldn't have found that.
41:16I shouldn't have said that.
41:17I don't see that.
41:20What's that?
41:22Oh, it's nothing.
41:23Yeah, what is that?
41:24No, Drake, no.
41:25Please.
41:28You lied about this.
41:32You lied about this.
41:33You said that Dorothy pushed you
41:38into the water,
41:38but this shows you
41:39shoving her in.
41:41It's a glitch.
41:43A glitch.
41:44So, do you actually expect me
41:45to believe that?
41:47What's this?
41:50Buying pills off the black market?
41:53Tell me I hit your pregnancy.
41:55It's you.
41:56This time when you blamed Dorothy
41:58like some sort of scapegoat
41:59and she was innocent
42:00the whole time.
42:00Please, no,
42:01you have to believe me.
42:03I didn't...
42:03Do you know what?
42:04I've always thought
42:04of you like a sister.
42:06I've always taken care of you.
42:08I even thought
42:08that I loved you once,
42:09but that was before
42:09you were Nick's wife.
42:13You've changed.
42:16You've changed.
42:19You're not the person
42:20I thought you were.
42:21I only looked after you
42:24because I thought
42:24it was my duty
42:25as Nick's brother
42:26to look after his widow.
42:28I guess there's no need
42:30to look after you anymore.
42:32What does that mean?
42:33You're just going to
42:34throw me away?
42:36I'm not going to throw you away,
42:37but this is my house.
42:41When I'm back,
42:42I hope you'll be gone.
42:44But you can't just
42:45walk away from me like that.
42:46I've said everything
42:46that I need to say.
42:47Now I'm going to go find
42:48the person that I actually
42:49care about.
42:54Don't ask me.
42:56This is all your fault.
43:01Let's take this bitch down.
43:15Don't ask me, please.
43:18I'm not.
43:19I was wrong.
43:25I misunderstood everything
43:27about you and about us.
43:32Can you please just hear me now?
43:34You think you can just
43:35come here and apologise?
43:37After everything?
43:39I didn't mean to hurt you.
43:42Look, I understand what I did,
43:43but it was just because
43:44it was definitely an...
43:45anyone.
43:45Can you please just forgive me?
43:48I don't need your apology,
43:50Drake.
43:51You let me down.
43:52You abandoned me.
43:55And I needed you the most.
43:57You used me.
43:59Manipulated me.
44:00And now you beg
44:01for my forgiveness?
44:03Oh my God, please,
44:04just don't show me out.
44:05I can fix this.
44:06I can fix it.
44:07I can do anything,
44:09Dorothy, please.
44:09Just...
44:09No.
44:10You were never the person
44:14who thought you were.
44:16And I'm not either.
44:18I've moved on.
44:21I don't need you.
44:25Not like I used to.
44:27Just stay back.
44:29After everything.
44:30Yeah, that's it.
44:31I just have better than this.
44:45Before you all celebrate this movie,
45:13there's something you should know.
45:16Dorothy is nothing but a homewrecker.
45:18What's going on?
45:20A glorified mistress
45:21who's been playing the part
45:22of a wonderful actress
45:24when all she's really done
45:25is ruin lives.
45:29This is true, Dorothy.
45:30Are you involved with a married man?
45:31What's your response
45:32to Stephanie's claim?
45:33This is ridiculous.
45:38Let's talk about
45:39how she got here,
45:41shall we?
45:42She didn't get here
45:43off her talent.
45:44Oh, no.
45:45She got here
45:46by clinging
45:46to powerful men.
45:49No real experience.
45:50No skill.
45:51Just a man's name
45:52and a man's money.
45:54Security!
45:55Get her out of here.
45:56Wait.
45:57If she has something to say,
45:59let's hear it.
46:00Dorothy,
46:01it's a trap.
46:02I'm not afraid of the truth.
46:04Let's see what she's got.
46:09What's going on?
46:11So tell us, Dorothy.
46:12How did you get here?
46:15Did you use your relationship
46:16with John Bennett
46:17to land the part?
46:18A homework, are you saying?
46:36Is there something wrong
46:37with me appearing
46:38with my own dad?
46:39You're the one
46:40who sent me this photo, right?
46:41How about you take another one?
46:43This time,
46:44of my lovely family of three.
46:46Dorothy, Dorothy, Dorothy.
46:48Are you really
46:48John Bennett's daughter?
46:49Yes.
46:50I bet you never
46:51ask my last name.
46:53It's Bennett,
46:53either way.
46:56So, Dorothy
46:57is the producer's daughter.
46:59Dorothy,
47:00so,
47:01did you use
47:01your father
47:02to get the part?
47:03Ha!
47:04So it's
47:04just nepotism,
47:06then.
47:06Well, even if she didn't
47:11fuck her way to the top,
47:12she still only got here
47:13through her connections.
47:14Whether you like it or not,
47:15my performance
47:16speaks for itself.
47:17And everyone here
47:18saw it.
47:19She was actually really good.
47:20Yeah, she handled
47:21the movies.
47:22Oh, are you saying
47:23that everyone here is wrong?
47:25You think you're so clever,
47:26don't you?
47:28Fine.
47:29You can act
47:29a little bit,
47:30but let's be real.
47:32You didn't land this role
47:33on your own.
47:33You just snapped
47:34your bony little fingers
47:35and let daddy
47:36give you a role.
47:37How else
47:38would a nobody like you
47:39have landed yourself
47:40the lead otherwise?
47:42Dorothy isn't
47:43just a nobody.
47:46She wrote
47:47Liar's Game.
47:49She is SQ.
47:54Dorothy is SQ.
47:56How can that
47:57be possible?
47:58Liar's Game is a
47:59masterpiece.
47:59There's no way
48:00you could have written it.
48:01You don't have to
48:02believe me.
48:03Just let the credit
48:04speak for itself.
48:08How can this be true?
48:11Oh, no.
48:13It's not that funny.
48:15Dorothy Bennett,
48:16you're the daughter
48:17of the producer
48:17and the famous writer
48:19SQ.
48:19Why did you keep
48:20your identity
48:20a secret so long?
48:24Why did you keep
48:25your identity
48:25a secret so long?
48:26Stephanie Marsbecker,
48:28Linda Marsbecker
48:28and Ellie Marsbecker,
48:30I'm arresting you
48:30on suspicion of defamation.
48:31No, no, no, no.
48:33I didn't do anything
48:33wrong.
48:34This was all
48:34Stephanie's idea.
48:35I didn't do anything.
48:37She...
48:38This whole time
48:44she was actually
48:45telling the truth.
48:46Dorothy's SQ.
48:49She geniused.
48:50That's why she always
48:53had a book in her hand.
48:56Always writing
48:57something on her
48:57laptop, always
48:58lost in her thoughts.
49:02Didn't you ever see her?
49:05I guess I was blind
49:06all along.
49:08I don't deserve that.
49:09I've missed this place.
49:31Don't you remember?
49:32Of course I do.
49:34We saw so many
49:35films here.
49:37We would just
49:37stay in our seats
49:39and talk
49:40about life
49:41and everything.
49:44But you just
49:44made me feel
49:45like I could face
49:46anything, really.
49:51God, I used to be
49:52so nervous back then
49:53about everything.
49:55About the future.
49:56But you just
49:59made me feel
50:00like I could face
50:00or anything, really.
50:03No.
50:05Someone had to be there
50:06to make sure
50:06you didn't overthink
50:07everything.
50:09I remember you used
50:09to unpick
50:10every little detail
50:11like it was
50:11a life or death
50:12situation.
50:17You know, Dorothy,
50:19life's not been
50:21the same without you.
50:22even when we
50:26parted ways,
50:27I always knew
50:30that we would
50:30find each other
50:30again.
50:34I don't care
50:34what we've been
50:35through.
50:36I don't care
50:37what's happened.
50:38All I know
50:38is that I need
50:41you now
50:42more than ever.
50:52And the award
51:00for Best Adapted
51:01Screenplay
51:02goes to
51:03Dorothy Bennett
51:04with Liar's Game.
51:09Wow.
51:10Best screenplay.
51:13What, shall I start
51:13calling you
51:14Your Majesty?
51:15I think that's
51:15the greatest idea.
51:17Why don't I start now?
51:19You deserve this.
51:21Your Majesty.
51:23Every bit of it.
51:25Now,
51:26since you won,
51:29I think this
51:29calls for a reward.
51:31Oh, yeah?
51:34And what would
51:35that be?
51:38Me.
51:38You.
51:43What'd you say?
51:47What'
51:48You.
51:48...
51:49What?
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