Moonlight S01E15 Whats Left Behind CWS -Eng Sub #movies #drama #hot #hotdramas #turkish #english #french #tvseries
Category
🎥
Short filmTranscript
00:00Previously on Moonlight.
00:03I was a medic back in World War II.
00:05Multiple gunshot wounds were common.
00:07I know you must be older, but you look about 30.
00:10I'm gonna be 85 this November.
00:12It can't be all that bad to live forever.
00:14Yeah, but it's not so fun to experience things alone.
00:17I haven't been in a romantic relationship with a human since I became a vampire.
00:21What happens when a vampire thinks he's about to be exposed?
00:24He moves on.
00:25Starts all over.
00:26As long as you're involved with me and you work at Buzzwire, his secret will always be in danger.
00:31I have something to tell you.
00:32I quit Buzzwire.
00:33If you hadn't been a vampire, I'd have died 23 years ago.
00:37Being a vampire isn't all you are.
00:56I have something to tell you.
00:58I have something to tell you.
00:58I have something to tell you.
00:59I have something to tell you.
01:00I have something to tell you.
01:01I have something to tell you.
01:02I have something to tell you.
01:03I have something to tell you.
01:04I have something to tell you.
01:05I have something to tell you.
01:06I have something to tell you.
01:07I have something to tell you.
01:08I have something to tell you.
01:09I have something to tell you.
01:10I have something to tell you.
01:11I have something to tell you.
01:12I have something to tell you.
01:13I have something to tell you.
01:14I have something to tell you.
01:15I have something to tell you.
01:16I have something to tell you.
01:17I don't know.
01:47Hey, I got your message.
01:55Wow, look at you.
01:56Make sure you come by so early.
01:58Want your coffee?
01:59Yeah.
02:00Hey, how's it going?
02:01Two coffees?
02:02So, how's unemployment treating you?
02:06I know quitting buzzwire is the right decision, but I don't know.
02:09Being noble and unemployed isn't everything you dreamed it would be?
02:12Thanks.
02:13I have been baking a lot.
02:17I'm sure.
02:18Sit here.
02:22So, you, um, you hear about the little boy who was abducted last night?
02:28I covered two similar kidnapping cases with buzzwire last year.
02:32Do you think it's the same guy?
02:35I do.
02:36Yes, I pulled your report.
02:38Very well researched.
02:39Really insightful.
02:40Huh.
02:41Didn't help.
02:42The boys were still found dead within a week of their abductions and the cops never caught
02:46the guy.
02:47Well, that's why I want you to come with me.
02:48Take a look at the crime scene.
02:50Oh, I'm not a profiler.
02:51No, but you've already done the legwork on the last two victims.
02:54There's gotta be some kind of connection.
02:56Maybe you'll see something we're missing.
02:58How could you not know a Roche-Boubois couch?
03:09From a Minotti.
03:10You invite me to a night on the town.
03:13I'm thinking jazz.
03:15Cigars.
03:16Maybe a fresh from the vein pitcher of sangria.
03:20Not window shopping for couches.
03:22So soon.
03:23My new office is almost ready and I just fired my bonehead designers.
03:27Okay, 4 a.m. really is the best time to browse.
03:31So, are we gonna find your designers at the bottom of the tar pits?
03:34Mick!
03:35Please, I don't have the energy to kill everyone who pisses me off.
03:38I have to hire some people.
03:40Uh, blood, juice, day, night.
03:44You know a few weeks as a human and my body still can't work out what it wants?
03:48Yeah, well, blood orange juice must be particularly confusing.
03:51Oh, sorry about your jet lag.
03:53Maybe I should say human lag.
03:55But I am feeling the call of sub-zero oblivion.
03:58...of the boy's father, Robert Fordham.
04:02This is my son, Jacob.
04:03You just turned six.
04:05He's 45 pounds.
04:07He's just under four feet.
04:08Oh, you are positively Pavlovian where that girl is concerned.
04:12Rough hair, brown eyes.
04:16Please, whoever you are, bring my son back.
04:22Mick.
04:35Hey.
04:36You're not here with Buzzwire?
04:38No, Talbot asked me to come.
04:40Why are you here?
04:43I grew up in this neighborhood.
04:45You grew up here?
04:46Beth.
04:47Go ahead.
04:48Are you okay?
04:49Yeah.
04:50Okay.
04:51Joseph thought it was seeing Beth that drew me here.
05:04But it wasn't.
05:05It was the house.
05:06And the people who once lived in it.
05:08My buddy, Ray.
05:10His wife, Lila.
05:13Mick.
05:14Keep an eye on him.
05:15You know, he trips over his own shoelaces.
05:17Well, if he does, I'll be there to pick him up.
05:20Down at the station, I'll be by that game.
05:25God knows I must be patient.
05:28Did you see you, Frank?
05:29I love you.
05:31I'll be home soon, Lila.
05:33You can count on that.
05:41We've been friends all our lives.
05:43I loved them.
05:45And then I betrayed them.
05:50And then I betrayed them.
05:51We took shots of this.
05:52I'll be in the room.
06:14All right, I'll be in the room.
06:16Hey, Dave.
06:17Yeah.
06:18All the detectives are upstairs.
06:21I'm actually a...
06:23I'm a private investigator.
06:24Mick St. John.
06:25Robert Fordham.
06:26Good to meet you, sir.
06:27I think there's a mistake.
06:28I didn't call anyone.
06:29I volunteered my help.
06:31I grew up right down the street.
06:33I can't believe this is happening.
06:35I'm really very sorry.
06:37Is your parents?
06:38Yeah, my folks passed away a few years ago.
06:41You know them?
06:43Kind of.
06:44I didn't know they had any children.
06:46Just me.
06:46I was a baby boomer.
06:47Mr. Fordham.
06:49Why don't you go have a seat with your wife?
06:50We still have some questions.
06:51Okay.
06:57Mr. St. John, I don't know who let you in here.
06:59Detective, there's a child missing.
07:01You use all the help we can get.
07:07Thanks.
07:08Yeah.
07:09They'll, uh, finish the interview up in there.
07:12Okay.
07:12All right.
07:13All right.
07:14Okay.
07:19Okay.
07:19Had anyone been bothering Jacob at school, on the playground?
07:23No.
07:24He would have told us.
07:25You said he was having nightmares.
07:27Was he seeing a doctor?
07:28No.
07:28No.
07:29It's nothing like that.
07:30He's six.
07:30He has a big imagination.
07:32Every little creak he heard was a monster.
07:34He said he heard tapping coming from the walls.
07:39I checked the crawl spaces that put rat traps in the attic.
07:42It's okay.
07:44Detective.
07:47Okay.
07:47Hey, you guys, take a minute.
07:53Hey, you mind if I, uh, take a look in the boys' room?
07:56Forensics are still working.
07:57Come back in a couple hours.
08:07Yeah, great.
08:09A couple of hours so they can trample anything useful.
08:11The cops never found blood or prints at the previous scenes.
08:14Hey, do you know Robert?
08:16What?
08:17No.
08:17Why?
08:19I don't know.
08:19You're acting kind of odd.
08:21Oh.
08:23So you think it's the same guy who took the other boys?
08:25Well, the MO is exactly the same.
08:28Little boy taken from his home while his parents slept.
08:31No sign of forced entry.
08:32The perp is a ghost.
08:33Yeah.
08:34Or a vampire.
08:36Were any of the other victims missing blood?
08:38Do you have anyone in mind?
08:40Yeah.
08:41Somebody Talbot wouldn't know about.
08:46My name didn't ring a bell with Robert.
08:48I guess I shouldn't be surprised Lila and Ray never mentioned me.
08:54Damn.
08:56This makes K-rations seem gourmet.
08:59Yeah.
08:59File a complaint.
09:00Oh, wait a minute.
09:03We're in the middle of nowhere fighting Germans.
09:06This isn't nowhere.
09:07It's a forest.
09:09In Italy.
09:14Oh.
09:14What I wouldn't give for one of Lila's Sunday dinners right now.
09:18Mm.
09:18Mm.
09:19I mean, not only does she have Lana Turner's legs and Garbo's laugh,
09:24but my wife could cook a ham so juicy he tempt a rabbi.
09:27Right?
09:28Right.
09:28Yeah.
09:29Yeah.
09:32No!
09:33Take the ball!
09:33Get down!
09:34No!
09:34No!
09:35No!
09:35No!
09:36No!
09:36No!
09:37No!
09:37No!
09:38No!
09:38No!
09:39No!
09:39No!
09:40No!
09:41No!
09:41No!
09:42No!
09:43No!
09:43No!
09:43No!
09:44No!
09:45No!
09:45No!
09:46No!
09:47No!
09:47No!
09:48No!
09:49No!
09:50No!
09:51No!
09:52No!
09:53No!
09:54No!
09:55No!
09:56No!
09:57No!
09:58No!
09:59No!
10:00No!
10:01No!
10:02No!
10:03No!
10:04It's what happened when you're fighting in a war.
10:05No!
10:07No!
10:09No!
10:11Hey, yeah.
10:12You know, when I asked you here, it wasn't a group invitation.
10:17Oh, I didn't call, Mick.
10:19But I mean, it just seems wherever one of you goes, the other one isn't far behind.
10:22behind. What? Look at the toys. Okay, so the kid's a little OCD. No, it's a defensive line. If a monster
10:36showed up, he'd have to break through the perimeter and make enough noise to wake Jacob. Is that what
10:41you did after you were taken as a child? How do you know about that? It's my business to know.
10:48Come on, tell me you didn't Google me after we first met, huh?
10:52Every vamp knows children's blood is more pure, less free radicals. But some crave it because
11:03they think it tastes better, like something cooked in butter instead of margarine. Leo's
11:08one of those vamps. He's also the nervous type. If Jacob heard tapping on the walls, I may
11:14have found the mouse.
11:14Tell me you didn't take that kid in West Adams last night, Leo.
11:30Nick, you wound me. I'm not some kind of pervert.
11:34And I'm not the cops, Leo, but I will get the truth before I leave. The only question is,
11:39easy way, hard way. I didn't take them. Children are our precious gift. I just like their blood.
11:47Where do you get them?
11:49Runaways, mostly. I buy them booze and I tap a vein while they're sleeping it off.
11:55Do you kill them? Hell no. I even leave them cash. More than they get at the blood bank.
12:03Ask anybody.
12:10Leave the runaways alone, Leo.
12:24So what kind of monster were you, Mr. Talbot, talking about?
12:26Oh, I was just wondering if there's any kind of real-life explanation for Jacob's fears.
12:33You mean someone he knew?
12:34Right. Somebody who had a key, like a housekeeper you fired or an angry ex-wife.
12:39No. No, there's no one like that.
12:42Huh.
12:45Is that photo from World War II?
12:47Yeah. It's my dad. Ray Fordham.
12:55His company was stationed in Italy.
13:00Robert was a child of the baby boomer, right? Thousands of reunited couples celebrating life
13:05had thousands of babies. But Robert was born only seven months after Ray got home.
13:10Hey, so I saw a photo of you at Robert's. You were in the war with his father. Why didn't you tell me
13:30you wanted to help because you knew the family? Because they could be my family.
13:49Your family? How?
13:52Years before I became a vampire, I was just another soldier in World War II. Ray was my best friend.
14:04In the late summer of 1944, we were fighting together in Italy.
14:18Where's that coming from?
14:19That's the road to Florence.
14:22Okay, let's move out. Go!
14:25Keep coming!
14:27Take cover!
14:32Say you're in the air, boy!
14:34Get over here!
14:40Answer me!
14:40You all right?
14:43Ray! Ray! Ray!
14:46It's okay. Are you all right?
14:47My leg's so funny. Are you still there?
14:50Yeah, of course. Two good legs and I still gotta run to you.
14:56You stay with me, Ray. Okay?
15:00Take care of Lyra. Okay?
15:02Shut the hell up.
15:04You gotta take care of her yourself.
15:06Tell her.
15:08That I love her.
15:10Tell her.
15:11I'll tell her, Ray. I'll tell her. Ray!
15:21A week later, I woke up in a field hospital, wounded but alive.
15:27They told me I was the only one who survived from that patrol.
15:30And eight months later, I was back in the States.
15:35Of course, Lyra knew that Ray was gone, but...
15:39I needed to see her.
15:40We were devastated.
15:58And then a week later, the war in Europe was over and there were parades in the streets.
16:04There were picnics. Everybody was starting over.
16:14Mick!
16:16Take a break. I swear you're gonna start fixing things that aren't even broke.
16:28I like to keep busy.
16:30I know that feeling.
16:32Works until I close my eyes at night.
16:39You know, I can't believe a woman who built airplanes for three years can't change a fuse.
16:45It's not that I can't.
16:48Ray just always used to take care of some things.
16:57He wanted me to take care of you.
16:59Well, you do, Mick.
17:04You do.
17:21You started over with Lyra.
17:24I know how it sounds, but it just kind of happened. It didn't...
17:31It just happened.
17:32So you think Robert...
17:36How could you not know you had a son?
17:37When I left Lyra, I had no idea she was pregnant.
17:41When I checked Robert's birthday, it's possible.
17:45Why did you leave her?
17:47Because Ray survived.
17:51He was in a coma for months. He lost his dog tags. The army didn't know who he was.
17:56When Ray turned up, I made myself scarce.
17:59What else could I do?
18:01I left my best friend for dead, and then I stole his wife.
18:05It was wrong.
18:08It wasn't wrong if it was love.
18:14Was it love?
18:14Yeah.
18:22Yeah, I think it was.
18:26It's getting late.
18:27The cops should be done by now.
18:29Yeah.
18:34Hey, thanks for letting us have a look around on our own.
18:36Yeah, well, like I said, you know, CSI and police have come to every inch.
18:39I don't care who finds Jacob, as long as he's found.
18:42It's strange to have a son who looks old enough to be your father.
18:47You seem familiar somehow.
18:50Oh, he was all over TMZ last week.
18:54No.
18:54Do I maybe know your family?
19:00No, I don't think so.
19:04Excuse me.
19:18This is a human crime.
19:20There's no scent of vampire in here.
19:22Hey, can't you smell if Robert's your son?
19:25No, it's not that specific.
19:27Can you get a DNA test?
19:28It wouldn't work.
19:29My DNA was fundamentally altered when I became a vampire.
19:32What about pre-vamp DNA?
19:34I have a lot of skills.
19:35Time travel is not one of them.
19:36I don't know.
19:37What about a block of hair from a family bible or something like that?
19:40Maybe.
19:42I didn't keep much from when I was human, though.
19:48Is that fingerprint powder?
19:49No, it's-it's powdered metal.
19:54CSI is probably bad to sample.
19:57Lucky for us, we have the mobile vampire lab.
20:02Let's take a look upstairs.
20:03Jacob's room would be right under here.
20:25He was here.
20:26This is where he watched Jacob.
20:27And this is the door he came in.
20:44Who's had physical access to the attic?
20:47We renovated last year.
20:49Other than the contractor, there were dozens of workers.
20:51Okay.
20:52We're gonna need those names.
20:54If he made a secret way into Jacob's room, maybe he made a secret way into the house.
21:02We found one that's already here.
21:04A lot of these old houses had coal chutes.
21:08Like this one.
21:15And it's a way into the house.
21:16It's been open recently.
21:26Once he was in the kitchen, he could take the servant's stairs to the attic and take his time.
21:30To take my son.
21:37So Jacob was right.
21:38The monster was in the walls.
21:40And in the floors, and in the ceilings.
22:00How'd you know about the coal chute?
22:02I grew up in a house like this.
22:04Here in LA?
22:06Yeah.
22:07What school did you go to?
22:10You investigating me now?
22:12Depends.
22:12You got something to hide?
22:13No, not anymore.
22:14The paparazzi exposed my deepest secrets.
22:17Shoe size ten and a half.
22:18Favorite color, blue.
22:19Boxers, not briefs.
22:21How did we get on to this delightful subject?
22:23We digressed.
22:25Look, I know the other two crime scenes are in different parts of the city,
22:28but they're all turn-of-the-century Victorians.
22:30Maybe our guy worked on all of them.
22:32You should check and see if they have coal chutes.
22:33Well, explain how he got in.
22:35I'll have our guys check it out.
22:41This is, uh, every piece of paper from the renovation last year.
22:45Every work order, invoice, every suspect.
22:47That's a lot of names.
22:48Well, then we need to get started.
22:50Yeah.
22:52Thanks.
22:56Make some coffee.
22:57Yeah.
23:00It's after three.
23:01You know what you want?
23:03Try to get some sleep.
23:05Easier said than done.
23:13Robert's DNA.
23:15One sample down, one to go.
23:16So, you should try to get some rest, too.
23:19Yeah, it's hard to sleep knowing Jacob's out there with this nut.
23:23We'll get him back.
23:25We have to.
23:26The DA's office will narrow it down.
23:28Ben's got a good team.
23:29Ben?
23:31Oh, wow.
23:34Should I be jealous?
23:36Of course.
23:37Even if I have no romantic interest in him,
23:39your jealousy makes me feel desirable.
23:42Maybe I can't time travel,
23:55and I definitely don't have a lock of hair in the family bible.
23:59But every soldier had to fit his life into a box.
24:03This, I kept.
24:07So, Robert's contractor is legit,
24:09but he hired a lot of labor off the books.
24:11So, they could either be nice guys from the Home Depot parking lot,
24:14or convicted felons.
24:15Right.
24:16Do that better look at the other crime scenes.
24:19Both houses have been renovated within the last year.
24:23First victim was taken from a 1911 Victorian in Ocean Park.
24:26Second was taken from a 1903 Victorian in Pasadena.
24:29Do they both have coal chutes?
24:30No, but Ocean Park had a wine cellar with an access door,
24:34and Pasadena had an in-floor heating system riddled with a bunch of old steam tunnels.
24:38Both have been sealed up for decades.
24:40Have they both been open recently?
24:42Yep.
24:43I bet you $100 even the owners didn't know those entrances existed.
24:48You'd win.
24:51You ever think you'd become a civilian investigator?
24:53Uh, well, I did some investigating at Buzzwire, but I'm not a cop.
24:56But you don't have to be.
24:57But, uh, you would have to work for me.
25:02Is that a job offer?
25:03Yeah, it is.
25:08I thought my human past was dead, hidden away in storage.
25:12But now I find out it might be alive and well, living in a house in West Adams.
25:18Only my human DNA will tell me for sure.
25:23Ooh, nice footlocker.
25:24What did you mug an army guy?
25:27Joseph, to what do I owe this pleasure?
25:29I left my cell phone here yesterday.
25:32I spent 400 years with that one, and now I can't go a day.
25:37So, G.I. Mick, why the trip down memory lane?
25:46I need DNA to confirm that I fathered a child with my best friend's wife after the war.
25:54Wow, never a dull moment, huh?
25:55I don't give you that.
25:56Come on.
26:01Give me your best shot.
26:02I know you're dying to.
26:03Do you want the truth?
26:07I'm jealous.
26:09You see, I've started plenty of vamps in my day, but, uh, no regrets.
26:14Well, that I know of.
26:15I guess they'd all be dust by now, so it's kind of a moot point, but...
26:20Yeah, you know, it's one of my only regrets.
26:22And I don't believe in regrets.
26:27That boy who was kidnapped?
26:32He might be my grandson.
26:35Yeah.
26:37I hope you get the kid back.
26:39Your last contribution to the human gene pool.
26:41Yeah, I guess he is.
26:44Unless you and Beth, uh, rewrite the rules of vampire love and figure out how to procreate.
26:50Hi, Beth.
26:52Beth's here.
26:53What'd you find out?
26:58Uh, I think the kidnapper saw the original blueprints of the victims' houses.
27:03Could he get those online?
27:04No, all hard copies are filed at the county assessor's office.
27:07He would have had to physically sign them out.
27:09Okay.
27:10I'll drop you at the Hall of Records.
27:13Oh, you found it?
27:14Yeah.
27:16Pre-vampire DNA.
27:18Well, we should take it to bioanalysis.
27:20Okay.
27:27So, the lab promised to rush your DNA results, and we should know by tomorrow.
27:32So, what about what Joseph said?
27:34What, that we can't have a baby?
27:37You want to have my baby?
27:38What do you think of Elliot for a boy?
27:42I'm kidding, relax.
27:44But, I mean, children are a part of most normal human relationships.
27:48Our relationship being neither normal nor human.
27:56But, Joseph was right. Vampires can't have kids.
27:58So, I mean, if it's a deal breaker...
28:02Oh, whoa, whoa. I think we're getting ahead of ourselves.
28:05I mean, we haven't even slept with each other yet.
28:06It may not be any good.
28:08Look, let's just focus on getting Jacob back,
28:15and we'll worry about our children when the time comes.
28:18Yeah.
28:25Bye.
28:25I already went through all this with the police.
28:37I understand it's a lot of names, but I need you to try to remember faces, voices, anyone who's off kilter at all.
28:45Hey. Hey, hey, hey, hey. It's okay.
28:51Just, let's just take a breath.
28:52Okay.
28:53Okay?
28:54You know, we, we had Jacob late in life.
28:59He was our little miracle, you know?
29:02Just like I was for my folks.
29:06Why were you a miracle?
29:07Because my father was partially paralyzed when he came back from the war.
29:12They didn't think that he could have any kids.
29:14And then I came along seven months later.
29:17It's the biggest premium my, my mother's doctor ever saw.
29:20He was big because he wasn't premature.
29:23He was mine.
29:26Robert, I, how do you tell a man twice your age that you're his father?
29:31You don't.
29:37I'm gonna get Jacob back.
29:44Just, you know, I never thought that I'd ever have a son, you know?
29:52Yeah, I know.
29:56Okay, so listen.
29:58These workmen.
30:01Were any of them especially interested in Jacob?
30:03Yeah, it was chaos when you're renovating, you know?
30:07It's a lot of, a lot of dust and noise.
30:08People everywhere.
30:10Wait a minute.
30:13There was this one guy, though.
30:15He liked to work at night.
30:17Did, did, did he ever speak to Jacob?
30:19Maybe once or twice.
30:20I think he did the, uh, the metal work on the roof.
30:24I don't know his name.
30:26Um, wait a minute, wait a minute, what is this, Kevin?
30:28Ken, or, uh, Ken, so the V is, uh...
30:32Vertolino.
30:33Ken Vertolino.
30:34That's him.
30:34Hello?
30:42Have you figured it out yet?
30:51Vertolino.
30:52Yeah, and you're Mick St. John.
30:56The P.I. who drives the old Mercedes.
30:59You've been watching me?
31:00It's what I do.
31:02Where's Jacob?
31:04Jacob's mine now.
31:06Stay away.
31:07We can talk about this in person, Ken.
31:09Come on.
31:10How about I talk to your blonde friend instead?
31:12She's lonely all by herself among the files in the bookshelves.
31:18I always did like the smart girls.
31:42She's lonely all by herself in the bookshelves.
31:57Hello?
31:59Hey, I'm still in here.
32:00Can you turn the lights on, please?
32:04Hello?
32:06Flashlight.
32:12Hello?
32:24Hey!
32:30Hello?
32:42You okay?
32:45There's somebody in there.
32:46He's watching me.
32:47Listen to me.
32:48His name is Ken Vertolino.
32:49He's the guy who took Jacob.
32:50Okay?
32:50You have to stay here.
32:52Listen.
32:52Stay here.
33:04Okay, I got it.
33:08He's long gone.
33:09If you keep sneaking up on me like that,
33:11I am gonna mace you one of these days.
33:13It's only a matter of time.
33:14Who's that?
33:15It was Ben.
33:15He's got Vertolino's address from the DMV.
33:17It's 1532 Hobart and Wes Adams.
33:20He's getting a search warrant.
33:21Why don't we pull Vertolino's blueprints while we're here?
33:24This is not 1532 Hobart.
33:29It's right under the freeway.
33:30And there's a basement.
33:33It's gotta be where he's holding Jacob.
33:35Let's go.
33:36Mick, wait.
33:37Mick.
33:38Mick.
33:39I know this boy means a lot to you,
33:40but we should wait for the warrant.
33:42You want to play it by the book while this guy could be moving Jacob or worse?
33:45I just don't want you to spook him.
33:47He might do something desperate.
33:48I know what I'm doing.
34:00I know what I'm doing.
34:06I know what I'm doing.
34:08Vertolino knows I'm onto him.
34:11He's out of time.
34:12And so is Jacob.
34:14They tore houses down
34:43years ago to make room for the freeway, but they left scars behind, basements, for monsters
34:52to hide in.
34:55Cops are on their way, you let Jacob go, you can walk out of here alive.
35:00Vertolino likes the dark, fine by me.
35:07Ken Bartolino, LAPD, open up.
35:14Break it down.
35:18I know how you feel Ken, always on the outside looking in, always alone, always in the dark.
35:40That's why I can't let him go.
35:41We all have to learn there's nothing to fear in the dark.
35:45You think kidnapping him and terrorizing him is therapy?
35:50There!
35:51I thought St. John said Vertolino was here.
35:56He did.
35:57No sign of either of them.
35:58No, I saw Mick's car outside, he's still here somewhere.
36:01Once Jacob gets over his fear, he's free to go.
36:05How can he get over his fear when he's cold and alone?
36:10Life's cold, Mick.
36:12It's a harsh lesson we all got to learn.
36:15Actually, you're pretty close.
36:17Closer than you think.
36:19Where's Jacob?
36:21Tell me where he is now!
36:26Help me down!
36:28Why aren't you scared?
36:33It's over.
36:34So it is.
36:36And now Jacob's going to die alone and scared because of you.
37:03Jacob!
37:06Jacob!
37:07Jacob, if you can hear me, you gotta make a noise, buddy.
37:12Jacob?
37:13Beth, come on.
37:14There's nothing here.
37:15You heard the gunshots.
37:16He's here.
37:17I know he's here.
37:18Yeah.
37:19Jacob, you gotta give me a sign.
37:21Come on, kid.
37:34Jacob.
37:36Hey.
37:37Hey.
37:38Hey.
37:39Hey.
37:40Hey.
37:41Hey.
37:42Guys.
37:43Guys.
37:44I found something.
37:45Let's go.
37:46Let's go!
37:47Jacob!
37:48Jacob!
37:50Jacob!
37:51Jacob!
37:52Jacob! Jacob!
38:01Jacob!
38:09Jacob. Come on, Jacob.
38:12Breathe. Breathe.
38:15Breathe.
38:19Okay. Okay.
38:22Come on.
38:23There's someone moving down there.
38:25This is LAPD. Come out slowly with your hands up.
38:28It's Big St. John. I have Jacob.
38:30It's St. John. Stand down.
38:31Clear me.
38:32You clear?
38:33Where are the paramedics?
38:34There. Where's Verlino?
38:35He killed himself.
38:42You're okay.
38:45Check him out.
38:47Eye response three.
38:49Airways clear.
38:50Dilated.
38:51You got a mask on him?
38:52Yeah. It's gonna be okay.
39:11The DNA test.
39:12The lab sent it over this morning.
39:15Robert's not my son.
39:30Good for you, Ray.
39:33I'm sorry.
39:34No.
39:35No.
39:36No, this is the way it's supposed to be.
39:40I just didn't know how much I wanted a family until I almost had one.
39:46You know?
39:48Family's not only about DNA.
39:49You know?
39:56Family's not only about DNA.
39:59Not only about DNA.
40:02Jacob.
40:03Hey, buddy.
40:04Ha ha ha.
40:05Look, it's Mick.
40:07I know, I know.
40:08I just saw him pull up.
40:09We'll go say hi.
40:10I know I know I just don't pull up we'll go say hi no in the picture
40:40that thrills and delights me oh no it's just the nearness of you
41:10the
41:17the
41:22the
41:25the
41:29the
41:31the
Comments