The Walking Dead- Daryl Dixon - Season 3 Episode 6 - kisskh
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
Category
🎥
Short filmTranscript
00:00:00Transcription by CastingWords
00:00:30Where's that convoy go next?
00:00:31Barcelona, probable.
00:00:32They're all one after them to get Justina.
00:01:00What the hell are you doing here?
00:01:27I could ask you the same question.
00:01:32I thought you might need a tour guide in Barcelona.
00:01:42Didn't figure you for a hippo-miopi guy.
00:01:45Whatever.
00:01:48Let's go.
00:01:48Let's go.
00:02:18Let's go.
00:02:22Let's go.
00:02:23Let's go.
00:02:23Let's go.
00:02:28Transcription by CastingWords
00:02:58I used to love coming here with my cousins when we were kids.
00:03:02I didn't realize Barcelona was so big.
00:03:07Over there?
00:03:10It's Edad Bella, the old Gothic neighborhood.
00:03:14That's where the convoy will be going.
00:03:16All right, lead the way.
00:03:18We will make it on our own.
00:03:21No, we'll be fine.
00:03:24I know people here, they can help.
00:03:26No, we don't need them.
00:03:28Back at the beginning, I came here with my friend Nerea.
00:03:34There was a refugee community.
00:03:37They took us in while she fell in love with Amanda
00:03:41and decided to stay behind.
00:03:43You kept moving?
00:03:44I was...
00:03:50I was looking for somebody.
00:03:59We should get going.
00:04:01Let's go find your friend.
00:04:03Follow me.
00:04:03I'm excited.
00:04:05Oh!
00:04:06Oh!
00:04:07Oh!
00:04:08Oh!
00:04:09Oh!
00:04:10Oh!
00:04:11Oh!
00:04:12Oh!
00:04:13Oh!
00:04:15Hey!
00:04:16Oh!
00:04:17Oh!
00:04:18Oh!
00:04:19Oh!
00:04:20Oh!
00:04:21Oh!
00:04:22Oh!
00:04:23Oh!
00:04:27Are you prepared to try the smoke?
00:04:29Yes.
00:04:30I'm sure.
00:04:31Roberto!
00:04:32Are you ready?
00:04:34Let's go!
00:04:52How long did you live in Barcelona?
00:04:55For four years, before the crash.
00:04:58I really wanted to make films.
00:05:02Hmm.
00:05:04You're more than just a movie nerd.
00:05:07I spent my communion money on a Super 8.
00:05:11My mother cried.
00:05:13My father hit me with a belt.
00:05:15Nobody understood.
00:05:17Then I met Maria.
00:05:19She was the first person who believed it wasn't just...
00:05:23What's the expression? A pipe dream?
00:05:27Hmm.
00:05:32Can I enter?
00:05:34Doña Marga.
00:05:36You've spent the night.
00:05:38She's slept well.
00:05:40She's awake for a while, but she's not able to talk.
00:05:44Good afternoon. Good afternoon.
00:05:48Good afternoon.
00:05:49Good afternoon.
00:05:50Good afternoon.
00:05:51Good afternoon, my dear.
00:05:56I heard Roberto's better.
00:06:10It's better, right?
00:06:11Hmm.
00:06:12Yeah.
00:06:13Very good.
00:06:17Has he said anything?
00:06:19Mm-mm.
00:06:20We just need to let Donya Marga's treatment take its course.
00:06:23What about your friend?
00:06:25He works all night and all day on the boat.
00:06:28No rest.
00:06:29No, it's Daryl.
00:06:30It's just a really hard worker.
00:06:33Yeah.
00:06:34Claro.
00:06:35Claro, claro.
00:06:36Hey, Daryl.
00:06:38Sergio wants to talk to you.
00:06:40It's down, on the doors.
00:06:41Now I'm going.
00:06:44Keep me...
00:06:45...uprise.
00:06:47My town deserves to know what happened.
00:06:49Okay?
00:06:50Yes.
00:06:51Good.
00:07:04What a mess!
00:07:05I hate this place!
00:07:07What a mess that was!
00:07:10You remember the three guards of Alcazar?
00:07:13Mm-hmm.
00:07:16...
00:07:17Two
00:07:19...
00:07:20...
00:07:21...
00:07:22...
00:07:23...
00:07:24...
00:07:25...
00:07:26What do you have to do with you?
00:07:31It's been days ago that no one has appeared.
00:07:36It's clear that America is lying.
00:07:39Mr. Dixon brings something between the hands, very sure.
00:07:42But let's do it with God.
00:07:56No, no, no.
00:08:01Oh, I'll be done in a moment.
00:08:07Oh, God.
00:08:09I'm good. I was just looking for a screwdriver.
00:08:14For the boat.
00:08:17Your cat's hungry.
00:08:20He's got a boy, a girl.
00:08:23God, so many tools.
00:08:25Sorry, I'm not used to having guests.
00:08:29But the water is still warm if you want to also shower.
00:08:34I mean...
00:08:36Found it.
00:08:37After I finish.
00:08:39Oh, mierda.
00:08:45And the vernier scale says what?
00:08:48Um, three tenths of one argument.
00:08:51Oh, okay.
00:08:53So, with the degrees and the minutes, you make the corrections for reflections, sea level, altitude of the sun.
00:09:02And there you have it.
00:09:04You will always know where you are.
00:09:06Did you?
00:09:20What?
00:09:21There is the local wine.
00:09:25God, you are the worst.
00:09:27You are the worst.
00:09:29Mira.
00:09:30This may help.
00:09:36We're not gonna need it. We're leaving.
00:09:38Exactly.
00:09:39You don't have much time.
00:09:41Okay.
00:09:42Let's see.
00:09:43Uh...
00:09:44Vezus.
00:09:45Un veneno para secar otro.
00:09:47Es bueno.
00:09:48One poison cures another one.
00:09:49Poison, what is this?
00:09:50Spanish self-help?
00:09:51Oh, it just means that sometimes...
00:09:52Sometimes you need something...
00:09:54Peligroso.
00:09:55Um...
00:09:56Risky.
00:09:57Dangerous.
00:09:58Um...
00:09:59Alcohol.
00:10:00Sex.
00:10:01Love.
00:10:02Ya he terminado mi ronda.
00:10:03La quemadura de Rodrigo se está curando muy bien.
00:10:06Je me ha roto ahora.
00:10:08No.
00:10:09No.
00:10:10No.
00:10:11No.
00:10:12No.
00:10:13No.
00:10:14No.
00:10:15No.
00:10:16No.
00:10:17No.
00:10:18No.
00:10:19No.
00:10:20No.
00:10:21No.
00:10:22No.
00:10:23No.
00:10:24No.
00:10:25No.
00:10:26No.
00:10:27No.
00:10:28No.
00:10:29No.
00:10:30No.
00:10:31No.
00:10:32No.
00:10:33No.
00:10:34No.
00:10:35No.
00:10:36No.
00:10:37No.
00:10:38No.
00:10:39No.
00:10:40No.
00:10:41No.
00:10:42No.
00:10:43No.
00:10:44No.
00:10:45No.
00:10:46No.
00:10:47No.
00:10:48No.
00:10:49No.
00:10:50No.
00:10:51No.
00:10:52No.
00:10:53No.
00:10:54No.
00:10:55No.
00:10:56No.
00:10:57No.
00:10:58No.
00:10:59No.
00:11:00No.
00:11:01No.
00:11:02It's that you work a lot, son, cuidando of the people.
00:11:07So terrible would be to find someone who cares about you.
00:11:13You care about me.
00:11:16Right?
00:11:18Well, that's it. That's all the love I need.
00:11:29Well, you know what I want to say.
00:11:32You're so handsome.
00:11:34Mom, don't talk about Celestina.
00:11:36And go with Gemma, she needs you now.
00:11:39I'll send Doña Lupe with Roberto.
00:12:02If you not, take yourFreların support team to help you.
00:12:08I'll ask you to turn on the other side.
00:12:12Do I have a card?
00:12:14Yeah, good.
00:12:16Mom, I'm cooling off the достаточно.
00:12:17I'll be back home.
00:12:47What a fear, do you have more dragons here?
00:12:53No, dragons exist only outside of the city.
00:12:58I'll put this here and I'll tell you a story.
00:13:06Come here.
00:13:11I'll tell you once again, a feroz dragon that had terrorized a whole town.
00:13:17It was so brave that to keep him away from the walls,
00:13:21they decided to give him a day to eat a animal every day.
00:13:25And when the town left without animals to feed him,
00:13:28they didn't have any remedy than to send someone chosen by order.
00:13:32And he hit the princess.
00:13:35The dragon came with fire.
00:13:38The princess was sure of his time.
00:13:40But then, St. Geordi appeared.
00:13:44With his sword, he killed the dragon.
00:13:47And a rose rose from his blood.
00:13:54Big waste of time.
00:13:5613, 14 years ago, right?
00:13:59We need to find my friends.
00:14:10Fuck these ancient plants.
00:14:14That's a hard one.
00:14:15Hey, heads up!
00:14:16Hey, heads up!
00:14:20Hey, heads up!
00:14:21Hey, heads up!
00:14:22Yeah!
00:14:23Yeah!
00:14:24Yeah!
00:14:25Yeah!
00:14:26Hey!
00:14:27Wait, heads up!
00:14:28.
00:14:37Come, come!
00:14:39Come, come, come, come!
00:14:41Come, come, come!
00:14:43Take the door!
00:14:44Take it!
00:14:45Take it!
00:14:47Calm down.
00:14:51If you move you're dead, we're dead.
00:14:55Laia?
00:14:58What?
00:15:02It's too.
00:15:21Nice crossbow.
00:15:29It used to be just a dozen or so girls running from an ofrenda.
00:15:34Some grew up, started families of their own.
00:15:37And we keep welcoming others to save them from El Alcatraz.
00:15:41That's why we're here. We need to catch up to them.
00:15:44We are a refugee community. We don't have resources for an attack.
00:15:49You definitely protect yourselves.
00:15:52To survive. But to do what we do, we need to keep a low profile.
00:15:57Come.
00:15:59There's someone you'll want to say hello to?
00:16:09Khalid.
00:16:11Aviam si la coneixas.
00:16:17Khalid!
00:16:18Faf.
00:16:23The first time you go to visit us, eh?
00:16:27And the Nerea, where is it?
00:16:29I will lose it.
00:16:30For two years.
00:16:38I'm very sorry, Khalid.
00:16:39He's my friend, Dary.
00:16:40Oh.
00:16:41He comes from very far away.
00:16:42Encantado.
00:16:43Everywhere is far away now, eh?
00:16:44Tell me about it.
00:16:45You and your friend.
00:16:46You must be hungry.
00:16:47Take a seat.
00:16:48Yeah.
00:16:49Come on.
00:16:50Yeah.
00:16:51Come on.
00:16:52Yeah.
00:16:53It means that you speak your mind.
00:16:54Isn't Palos here?
00:16:55The literal term.
00:16:56The literal term.
00:16:57The literal term.
00:16:58It means that you speak your mind.
00:17:02No.
00:17:03No.
00:17:04That makes that sense.
00:17:05No.
00:17:06You must be hungry.
00:17:07Take a seat.
00:17:08Yeah, come on.
00:17:09Not kill, Palos, en la lengua.
00:17:15Yeah, it means that you speak your mind.
00:17:21Isn't Palos here?
00:17:24The literal translation is I don't have hairs on my tongue.
00:17:28Yeah, that makes so much more sense.
00:17:31Do you know the expression,
00:17:34estás como una regadera?
00:17:36Isn't it in your book?
00:17:38It's just what?
00:17:40Here.
00:17:42I am a watering can?
00:17:45No.
00:17:46It means that you are out of your mind.
00:17:52Regadera.
00:17:53Regadera.
00:17:54You have to roll your R's, like a rr, rr, rr, rr, rr, rr.
00:18:01And that's rr, hard.
00:18:05Especially with all the hairs on my tongue.
00:18:09Rio, river, Mario.
00:18:13Laugh.
00:18:14Yes.
00:18:16Doña Marga está en un parto.
00:18:24Doña Marga had to tend to a birth.
00:18:27When did this fever start?
00:18:29No sé cuándo tiene febre.
00:18:31No te preocupes.
00:18:32Make a tea cold cloth.
00:18:35I don't understand.
00:18:36He was better.
00:18:38We need medicine.
00:18:39We're gonna have to ask Fede for some aspirin
00:18:41or something to reduce the fever.
00:18:43He's not going to. Give it to me.
00:18:45Ulrich's just gonna have to make him.
00:18:50He needs more than tea and a prayer right now.
00:18:59The town is devoting as many resources as possible to your son.
00:19:11Please.
00:19:12You saw how weak he is.
00:19:14Just aspirin to stop the fever.
00:19:16Roberto put us all in danger when he took off on his own.
00:19:20He's only a kid.
00:19:21No, a kid who thinks the laws don't go with him.
00:19:24Don't mess with me, Antonio.
00:19:26We have rules to keep everyone safe.
00:19:31Actually, that's my job.
00:19:33You're saying you can't spare any for Roberto?
00:19:36He put our alliance in jeopardy.
00:19:38Do you understand?
00:19:40Who knows when we'll have the next delivery?
00:19:43Until then, I have to ration for my town.
00:19:45I wonder what your town would think if they knew what you were doing.
00:19:50You want to threaten me?
00:19:52Is that what you want to do?
00:19:56Perhaps it's time for you to leave.
00:20:00I intend to, very soon.
00:20:03But until then, she's my guest.
00:20:06Well, tell you to your guest that, as you're making rumors secret or gilipolleces,
00:20:10you'll have more than a problem.
00:20:12No you don't have to open any Pandora here.
00:20:14Díselo very clearly.
00:20:15She has a pretty voice.
00:20:29Sandra, she was 14 when she was sent to El Alcázar.
00:20:36But she was never marched.
00:20:38So, they put her to work.
00:20:39They beat her there.
00:20:40Kept her like a slave.
00:20:41It was a miracle she got away.
00:20:42Her first three months here, she did an auto-award.
00:20:45So, too much.
00:20:46So, too much.
00:20:47When's the next pig race?
00:20:48Your friend, I swear they're headed.
00:20:49When is that?
00:20:50Very soon.
00:20:51Very soon.
00:20:52Two days.
00:20:53They will be heavily fortified.
00:20:54And one is the only one.
00:20:55I don't know.
00:20:56I don't know.
00:20:57I don't know.
00:20:58I don't know.
00:20:59You're not the only one.
00:21:00But she was never matched.
00:21:01So, they put her to work.
00:21:02They beat her there.
00:21:03Kept her like a slave.
00:21:04It was a miracle she got away.
00:21:05Her first three months here, she did an auto-award.
00:21:06So traumatized.
00:21:09When's the next pig race?
00:21:12Your friend, I swear they're headed.
00:21:15When is that?
00:21:16Very soon.
00:21:17Two days.
00:21:18They will be heavily fortified.
00:21:20And once they add inside to that bella, you have no chance.
00:21:24We gotta get ahead of them.
00:21:26It's not possible.
00:21:27Trying to save a girl.
00:21:29Isn't that what you do here?
00:21:31And what do you think happens to all of these girls
00:21:33if El Alcázar finds out about this place?
00:21:36I can't risk everything for just one girl.
00:21:39It's not just one girl.
00:21:45Guillermo Torres is with them.
00:21:48Next in line for the crown.
00:21:51We get to save our girl.
00:21:52You get to kill the next king of Spain.
00:21:54No more king.
00:21:56No more ofrenda.
00:21:57No more ofrenda.
00:21:58Yeah.
00:21:59Yeah.
00:22:00To get to Ciutadella, they must pass here.
00:22:03La Riada.
00:22:04Was that a river?
00:22:05A bad kind.
00:22:06Ciutadella built a trap to contain all the insatiables.
00:22:09That's what they call here Los Huecos.
00:22:10Insatiables.
00:22:11It started out as a way to confine them.
00:22:12And over time, it's become a bell that protects the community.
00:22:17And over time, it's become a bell that protects the community.
00:22:24So Bea, that's where they're headed?
00:22:25Si.
00:22:26So Bea, that's where they're headed?
00:22:27Si.
00:22:28Si.
00:22:29So Bea, that's where they're headed?
00:22:30Si.
00:22:31Si.
00:22:32And that's the only place that is going, that's where they're headed?
00:22:34would lead the last one to see.
00:22:39No.
00:22:40What?
00:22:41No.
00:22:42Yes.
00:22:43We can find its neighbors.
00:22:44No!
00:22:45We can find the same friends.
00:22:46It started out as a way to confine them.
00:22:48But over time, it's become a bell that protects the community.
00:22:51So Bea, that's where they're headed?
00:22:53Si.
00:22:58And that's the only crossing.
00:23:12That's where we hit them.
00:23:14That's where they get across.
00:23:16One problem.
00:23:18The convoy soldiers and the checkpoint guards
00:23:20will be fighting together.
00:23:22We will be outnumbered.
00:23:24We don't hit them all at once, huh?
00:23:42Get out of here.
00:23:46Go!
00:23:48Run!
00:23:54He's in here.
00:23:56They're all at.
00:23:58Now, go.
00:24:00Don't look back.
00:24:04Don't you ever look back.
00:24:06Don't you ever look back.
00:24:08Don't you worry about me.
00:24:10I can take it, all right?
00:24:16You gotta come to us.
00:24:18I'll be okay.
00:24:20Go on.
00:24:22Let's go.
00:24:24I can't.
00:24:30Do I?
00:24:32I can't sleep.
00:24:33No, you're right.
00:24:34I don't want to sleep.
00:24:35I am fine.
00:24:36I can't sleep.
00:24:37No, I can't sleep.
00:24:38иком.
00:24:40I can't sleep.
00:24:41I can't sleep.
00:24:43It's pretty��� Again.
00:24:44I can't sleep.
00:24:45I can't sleep.
00:24:47Do I not sleep?
00:24:48No, I can't sleep.
00:24:49I'm sorry, but no, you're okay.
00:24:51Maybe you should save a little bit of that blade for tomorrow.
00:25:09Bad dreams?
00:25:12Rainbows and puppies.
00:25:16Sorry about your friend.
00:25:21You know, in Salazar, I saw you with that lady.
00:25:27I had one from El Alcazar.
00:25:33Elena.
00:25:36She's a princess now.
00:25:42We were teenagers when we met in school.
00:25:45I never dreamed she'd notice me.
00:25:47But then she did, and it was magic.
00:25:56Those first few months after La Caída, and the world was falling apart,
00:26:03she and I, we were so happy.
00:26:07And they took her?
00:26:12The first of Renda.
00:26:16It was supposed to be only once.
00:26:19To repopulate her some bullshit.
00:26:22And you went to get her back.
00:26:25We were so naive, Nere and I.
00:26:29Chasing the convoy from town to town, always too late.
00:26:32I felt like if I stopped, it would become real.
00:26:38Not seeing her again.
00:26:41But if I didn't give up...
00:26:43You wouldn't have to accept her.
00:26:48I get it.
00:26:49I made it to El Alcazar.
00:26:56I tried to break in, but they caught me.
00:26:59Left me on the road for dead.
00:27:01To be eaten by Los Huecos.
00:27:05They lived.
00:27:10I convinced myself that it was better to forget.
00:27:14That forget wasn't the same as giving up.
00:27:17What changed?
00:27:26She showed up in Zola.
00:27:30Out of the flu.
00:27:32Like a dream.
00:27:35And everything with Roberto.
00:27:38How hard he was fighting, never giving up.
00:27:43I knew I was wrong to ever stop.
00:27:47Now you know my reason for being here.
00:27:59What's yours?
00:28:00I think, maybe, you love someone, too.
00:28:12Someone you can't get by.
00:28:16I've lost a lot of people.
00:28:22They don't all hurt the same.
00:28:23I mean, you know, we've lost Truth.
00:28:35I'm going to Die.
00:28:36I don't know.
00:29:06I don't know.
00:29:36I don't know.
00:30:06Let's go.
00:30:36Let's go.
00:31:06Let's go.
00:31:16Let's go.
00:31:26Let's go.
00:31:28Let's go.
00:31:30Let's go.
00:31:32Let's go.
00:31:34Let's go.
00:31:36Let's go.
00:31:38Let's go.
00:31:40Let's go.
00:31:42Let's go.
00:31:44Let's go.
00:31:46Let's go.
00:31:48Let's go.
00:31:50Let's go.
00:31:52Let's go.
00:31:54Let's go.
00:31:56Let's go.
00:31:58Let's go.
00:32:00Let's go.
00:32:02Let's go.
00:32:04Let's go.
00:32:06Let's go.
00:32:08Let's go.
00:32:10Let's go.
00:32:12Let's go.
00:32:14Let's go.
00:32:16Let's go.
00:32:18Let's go.
00:32:20Let's go.
00:32:22Let's go.
00:32:24Let's go.
00:32:26Let's go.
00:32:28Let's go.
00:32:30Let's go.
00:32:32Let's go.
00:32:34Let's go.
00:32:36Let's go.
00:32:38Let's go.
00:32:40Let's go.
00:32:42Let's go.
00:32:44Let's go.
00:32:46Let's go.
00:32:48Let's go.
00:32:50Let's go.
00:32:52Let's go.
00:32:54Let's go.
00:32:56Let's go.
00:32:58Let's go.
00:33:00Let's go.
00:33:02Let's go.
00:33:04the medicine is working his fever is down oh good we have to go he's too weak to move him
00:33:25it's just to the lighthouse valentino let us stay there if he dies because of me we have to go
00:33:31before fade is on to us and then what then when daryl and justina get back we get on that boat
00:33:39america you can't yes you can no whatever this awful thing is that fade is holding over you
00:33:49you've paid for it enough you don't understand well okay then help me tell me what it is
00:34:01it was a radical group they fought for basque independence for decades
00:34:29things franco they wanted their own country yes
00:34:35my mother was basque she believed in it so did i for a while
00:34:49i was working on this documentary
00:34:54perfect
00:34:56mi amor es el momento vamos a cambiar el mundo
00:35:04maria wanted nothing to do with this process
00:35:28she hated that we were giving voice to terrorists but i made her do it i insisted
00:35:37that we were going to do it
00:35:44now
00:35:45now
00:35:47now
00:35:48now
00:35:49now
00:35:50now
00:35:52now
00:35:53now
00:35:54now
00:35:56now
00:35:57now
00:35:58now
00:36:00now
00:36:02now
00:36:04now
00:36:27now
00:36:29now
00:36:30His mom died, how she did it for me.
00:36:37It was all my fault.
00:36:40My fault.
00:36:42My fault.
00:36:44My fault!
00:37:01Roberto.
00:37:04Roberto.
00:37:05Wait!
00:37:30I don't have any fear.
00:37:45I don't have any fear.
00:37:46I don't have any fear.
00:37:56I don't have any fear.
00:37:58I don't have any fear.
00:38:00I've been there.
00:38:02I don't have any fear.
00:38:04Roberto!
00:38:06I don't have any fear.
00:38:10It's a little bit more.
00:38:12I don't have any fear.
00:38:16Let's go.
00:38:46Let's go.
00:39:16Let's go.
00:39:46Let's go.
00:40:16Let's go.
00:40:46Let's go.
00:40:47Let's go.
00:40:48Let's go.
00:40:49Let's go.
00:40:50Let's go.
00:40:51Let's go.
00:40:52Let's go.
00:40:54Let's go.
00:40:58Let's go.
00:40:59Let's go.
00:41:01He's going to be fine.
00:41:11What's the problem?
00:41:13It's not working.
00:41:19What are you doing?
00:41:21Get up!
00:41:31He's hard.
00:41:32He has to keep...
00:41:40Fuck.
00:42:01The door is open!
00:42:03Let's go!
00:42:05Get up!
00:42:06Come on!
00:42:17What are you doing?
00:42:20We can't let it escape, William.
00:42:25The Elena is right!
00:42:32Come on!
00:42:40Come in! Come in!
00:42:41Come on! Come on!
00:42:42Get up! Get up!
00:42:43Get up!
00:42:48Kasia! Kasia, go!
00:42:50No!
00:42:51No!
00:42:52Zarya!
00:42:53They're moving!
00:42:54Get the mouse now!
00:42:56Zarya, come on!
00:42:59TARMIN!
00:43:00Hurry!
00:43:01Get back!
00:43:02Zarya, come on!
00:43:03Get out of here!
00:43:04Hurry!
00:43:05Get back!
00:43:07Get here!
00:43:08Zarya!
00:43:09You're in it!
00:43:10You're in it!
00:43:11You're in it!
00:43:12No!
00:43:13No!
00:43:14No!
00:43:15Zarya!
00:43:16Zarya!
00:43:17Come on!
00:43:18Zarya!
00:43:19Zarya!
00:43:20Oh shit!
00:43:31Shit!
00:43:42No!
00:43:43No!
00:43:49Usted no lo entienda!
00:43:50No!
00:43:51No!
00:43:52No!
00:43:53No!
00:43:54No!
00:43:55No!
00:43:56No!
00:43:57No!
00:43:58No!
00:44:13No!
00:44:14No!
00:44:15No!
00:44:16No!
00:44:17No!
00:44:18No!
00:44:19No!
00:44:20No!
00:44:21No!
00:44:22No!
00:44:23No!
00:44:24No!
00:44:25It's not first class legroom.
00:44:27As long as he gets me out of here.
00:44:41You good?
00:44:43Give me a minute.
00:44:54I'll talk to you eventually.
00:44:58Yeah.
00:44:59Best thing telling a lie is when you get to start telling the truth.
00:45:04It really does kind of set you free.
00:45:07I hope so.
00:45:09First you survive what happened to you?
00:45:12When you survive the survival.
00:45:15And after time, if you're lucky, the gift you get is start living again.
00:45:21Gustavo will help me to sneak out.
00:45:30I'll meet you at the lighthouse.
00:45:32Okay?
00:45:33Carol, one more thing I want to say.
00:45:36You can say it later.
00:45:37For saving Roberto.
00:45:38For caring about him.
00:45:39I mean, I think what I'm trying to say.
00:45:43I mean, I think what I'm trying to say.
00:45:48I think what I'm trying to say.
00:46:01Okay, I need keys.
00:46:02Okay.
00:46:03Okay.
00:46:04I need keys.
00:46:05Yeah.
00:46:06Okay.
00:46:08Okay.
00:46:09I need keys.
00:46:10Yeah.
00:46:11Okay.
00:46:12I need keys.
00:46:13Okay.
00:46:14I need keys.
00:46:15Yeah.
00:46:16Well...
00:46:18Until then, Klinga.
00:46:46Will you be able to make it back to the camp?
00:47:16Stay in San Fortes.
00:47:26Good luck. Thank you.
00:47:32Promise to be back?
00:47:34So sorry.
00:47:42We had to try.
00:47:46You weren't gonna let go of her, were you?
00:48:02I thought that might have been my only chance.
00:48:14No, no, Alcazar.
00:48:18Which way do we go?
00:48:20No, no, no, no.
00:48:32A bit late for the beach, no?
00:48:50I was just leaving town.
00:48:52It's been nice, but it's time for me to leave.
00:48:56Buenas tardes.
00:48:58We have to inspect your vehicle.
00:49:00Sure.
00:49:02I have to warn you, it's like Jenga back there.
00:49:10I don't remember you bringing a solar panel when you arrived.
00:49:14A parting gift from Antonio.
00:49:16For the journey home.
00:49:18Antonio is very generous.
00:49:20Antonio is very generous.
00:49:22But it's not his to leave.
00:49:24I don't know.
00:49:26I don't know.
00:49:27What do you think this is?
00:49:28Do you think people can't get out of this place?
00:49:40When did our village come to prison?
00:49:47I appreciate the thieves and the mentirous.
00:49:53If we don't want to be mentirous,
00:49:55you should be the first to leave.
00:49:59Or better,
00:50:01why don't you explain to everyone
00:50:04what you did with Justina?
00:50:14Because Roberto is awake
00:50:17and he told me everything.
00:50:22How did you try to kill my son?
00:50:24Just to cover your lies.
00:50:30I prefer the thieves to the murderers.
00:50:33Donetti, this is not one of your movies.
00:50:36Don't say more nonsense.
00:50:37Don't say more nonsense.
00:50:40Goodbye, Carol.
00:50:43This is not of your concern anymore.
00:50:46Go.
00:50:53Go.
00:50:54Go.
00:50:55Go.
00:50:56Go.
00:50:57Go.
00:50:58Go.
00:51:00Go.
00:51:02Go.
00:51:04Go.
00:51:06Go.
00:51:08Go.
00:51:10Go.
00:51:11Go.
00:51:12Go.
00:51:14Go.
00:51:15Go.
00:51:16Go.
00:51:17Go.
00:51:18Go.
00:51:19Go.
00:51:20I'm sorry.
00:51:28No.
00:51:30Intent it again, please.
00:51:33We can't do anything more for her.
00:51:35Once again.
00:51:37I'm sorry.
00:51:38There are more people who need help.
00:51:40I'm sorry.
00:51:44My love.
00:51:45My love.
00:51:47I'm sorry, my love.
00:51:50I'm sorry.
00:51:52I'm sorry, my love.
00:51:55This is my life.
00:51:57This is my life.
00:51:59This is my life.
00:52:17This is my life.
00:52:18I'm sorry.
00:52:19This is my life.
00:52:22This is my life.
00:52:25And from those sevens.
00:52:27The animals continue to dream of acting.
00:52:31I have to go back for your dad.
00:52:54He's called him out in public.
00:52:55I don't think Fede's gonna let that go.
00:52:59Answer, Pruella.
00:53:01No, you and your friend, Mr. Dixon.
00:53:04What the hell are you doing?
00:53:07Got an UTF?
00:53:08Still working on it.
00:53:10Roberto, you took everything from me.
00:53:14You are gonna die here.
00:53:22Did you?
00:53:23What?
00:53:26Taste the local wine.
00:53:28God, you are the worst.
00:53:30The most amazing love story to share, and the one we probably have to keep secret for quite a while, is between Antonio and Carol.
00:53:40She's had a bunch of loves.
00:53:42She's been married to a king.
00:53:43She's had a couple of things.
00:53:44But I think that having these moments, watching movies, and like, this is nice here.
00:53:50Maybe you could settle here.
00:53:52I think it's nice to watch her have that.
00:53:55Oh.
00:53:56I'll be done in a moment.
00:53:56Oh, God.
00:53:57I'll be done in a moment.
00:54:00Oh, God.
00:54:01The shower scene was really cute.
00:54:02And it was fun to shoot, and he's awfully brave, because that water was very cold.
00:54:07And we did take after take after take after take, but it was a cute scene for both of them.
00:54:13The shower scene was the fun scene to come up with.
00:54:16Part of it is inverting the male and female roles in it, so that it's not the female body that's being idolized.
00:54:23But it was also meant to sort of point out a difference between the more modest American point of view and a looser European attitude.
00:54:38What the hell are you doing here?
00:54:40I thought you might need a tour guide in Barcelona.
00:54:44Paz was really another way of framing a different kind of love story in the context of a bunch of love stories that are all kind of coming together.
00:54:51You know, Daryl's lost love story, Carol's building love story, Justina and Roberto as a sort of classic young love story,
00:54:59and Paz and Elena as a different sort of lost love also.
00:55:02Paz believes she failed to protect her love, Elena, before, and she goes on a huge adventure to rescue her with Daryl.
00:55:12It was beautiful, and I read on the script that we have to shoot in Barcelona.
00:55:16It was amazing, because I'm from Barcelona, and I have beautiful memories when I was a child.
00:55:21In Tibidabo.
00:55:23Three, two, one, car.
00:55:29Starting the scene with the phrase,
00:55:31I used to love coming here with my cousins when we were kids.
00:55:34It was so emotional for me, because it was 100% true.
00:55:37And seeing this Ferris wheel with the walkers in it, to see the booth, to see the plaza, it was crazy.
00:55:44I loved it. I never imagined I could see Tibidabo like that, right?
00:55:48Back at the beginning, I came here with my friend Nerea.
00:55:51There was a refugee community while she fell in love with Amanda and decided to stay behind.
00:55:57You kept moving?
00:55:59I was looking for somebody.
00:56:00They don't recognize it at first, but Paz and Daryl are kind of kindred spirits in that they both feel like they blew it.
00:56:08You know, Daryl, I think, still harbors a sense of responsibility and guilt that he didn't save Isabel.
00:56:13And with her, she failed to save Elena when she feels she could have back in the day.
00:56:18And so they're both engaged in trying to fix something that they messed up.
00:56:26So, Bea, that's where they're headed?
00:56:28Si.
00:56:29Contrabando is the name of episode six.
00:56:30Contraband being goods that are stolen and delivered.
00:56:34It refers to the contraband of these girls who were taken from their homes and brought into Alcazar.
00:56:40It's largely revolving around the attempt to rescue Justina and Elena.
00:56:46My favorite scene was the convoy ambush.
00:56:51We spent one day rehearsing and almost three days to film it, but it was visually striking.
00:56:59Carol, one more thing I want to say.
00:57:02You can see it later.
00:57:06Filming the kiss, I don't know how you prepare for a thing like that.
00:57:10You don't really rehearse.
00:57:11Gentlemen doesn't speak about kiss.
00:57:14I don't know how to say that in English.
00:57:17They've known for months that they're coming to this moment.
00:57:20And there was always a lot of anxiety around it because you want it to work and you want it to be believable.
00:57:24The key for me, for us as writers, was always don't force things, don't rush into them, earn them.
00:57:32So we really felt like we built a dynamic between Antonio and Carol over five episodes that got to that moment.
00:57:40I think Carol's wounded as my character is.
00:57:43And I think they recognize themselves in each other.
00:57:46He catches her off guard.
00:57:47Okay, I need the keys.
00:57:49Yeah.
00:57:54It's funny when I'm playing Carol and something like that happens, she gets a little flustered.
00:58:01She doesn't know where she's going.
00:58:03She kind of does a, like a, I don't know where I'm going.
00:58:07There's also a backstory of Antonio, which involves his story of his wife and Roberto when Roberto was younger.
00:58:18The Fede-Antonio-Maria triangle is really a story about unrequited love and guilt because Fede was very much in love.
00:58:28And he lost in the game of love to Antonio.
00:58:32And Fede has never gotten over this.
00:58:35So, of course, Fede's niece and Roberto would be an extension of this feud.
00:58:42Three cameras rolling.
00:58:43We have to inspect your vehicle.
00:58:45Sure.
00:58:46We see Carol sneaking out of the village with Roberto in the truck to try to get him to safety because he's endangered by Fede.
00:58:54His health is endangered and it seems that Fede is trying to get rid of him.
00:58:58And so she has to smuggle him out.
00:59:00So there's a couple different smuggling references there.
00:59:03Maria wanted nothing to do with this project.
00:59:08She hated that we were giving voice to terrorists.
00:59:12But I made her do it.
00:59:18And because he lost, Maria was with Antonio.
00:59:21And because she was with Antonio, she died.
00:59:24The story also culminates with the arrival of the apocalypse in Barcelona.
00:59:30She died.
00:59:34She died.
00:59:35She died.
00:59:36She died.
00:59:36She died.
00:59:37Transcription by CastingWords
01:00:07Transcription by CastingWords
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