The Walking Dead- Daryl Dixon - Season 3 Episode 5 - kisskh
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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Short filmTranscript
00:00:00I feel like us being here has caused a lot of trouble.
00:00:13I don't want to go away!
00:00:15I didn't want to go away.
00:00:17Surviving six ofrendas, such luck, she feels guilty.
00:00:22I think I put the idea in her head.
00:00:24Anything's worth fighting for, isn't it?
00:00:26Two young people that just want to be together?
00:00:30For this, we gave them to the girls of our town.
00:00:33It was supposed to be the AlcƔzar protected us.
00:00:35Roberto took a truck, no matter why.
00:00:37We've got to go after him.
00:00:38So they're together.
00:00:47They split up here.
00:00:49Looks like three went down there.
00:00:51And two that way.
00:00:56Los huecos.
00:00:57Yeah.
00:00:58Come on.
00:01:00Yeah.
00:01:01Yeah!
00:01:03They're still here!
00:01:05Yeah!
00:01:06Yeah!
00:01:07Yeah!
00:01:08Well!
00:01:09Yeah!
00:01:10Yeah!
00:01:11Yeah!
00:01:12Yeah!
00:01:13Yeah!
00:01:14Yeah!
00:01:15Yeah!
00:01:16Yeah!
00:01:17Yeah!
00:01:18No!
00:01:19You have a shit!
00:01:20You can't do it.
00:01:21Let's leave a lot of time in there.
00:01:22You have to suffer.
00:01:25Do you think you're going to revoke the two?
00:01:28Two, two.
00:01:29Four, minimum.
00:01:30No, no, no.
00:01:31If I revoke it in two, this night you pay.
00:01:33That's it.
00:01:44Last one.
00:01:50On the top.
00:01:56We're going.
00:01:58We're gonna move.
00:02:04The Kansas City Arena going.
00:02:07None.
00:02:09They're going.
00:02:11We're going.
00:02:15They're going.
00:02:16They're going.
00:02:18He's breathing.
00:02:24I'm here.
00:02:25I'm here.
00:02:48I'm here.
00:03:18I'm here.
00:03:21I'm here.
00:03:25I'm here.
00:03:27I'm here.
00:03:29We drive away.
00:03:31But then we hear them come after us.
00:03:44But then we hear them come after us.
00:03:50I got that.
00:04:08And they took her again.
00:04:10Again?
00:04:12She never volunteered.
00:04:14They lied all along.
00:04:16And cheated.
00:04:18She did?
00:04:20What are you saying?
00:04:22The ribbons.
00:04:24She was never chosen.
00:04:26How could you do that?
00:04:30She says she will tell everyone if he doesn't stop the friend.
00:04:36Calm down.
00:04:38Calm down.
00:04:40You must get him back.
00:04:52DoƱa Marca will make him healthy again.
00:04:54I don't know that it's safe enough for him to come back knowing what we know.
00:04:57They have new medicine for Melkathar.
00:04:59It can help him.
00:05:01Papa.
00:05:02Si.
00:05:03I'm here.
00:05:04I'm here.
00:05:05I'm here.
00:05:06I have nothing here.
00:05:07I come over.
00:05:09I can't believe you.
00:05:11You can't believe He's a guy.
00:05:12You can't believe me.
00:05:13Come on.
00:05:15Look.
00:05:17Look, maybe it's safer we don't know.
00:05:34If we don't know.
00:05:36We'll say he got jumped on the road or something.
00:05:39And then he'll throw Fede off and he can get better.
00:05:41I mean, that's what matters, right?
00:05:43It could work.
00:05:45All he needs is a good liar.
00:05:47We got one of those.
00:05:49What are we going to do about you, Stina?
00:05:51I don't think there's anything we can do about that.
00:05:54Not now.
00:05:54You can't just do nothing.
00:05:56It's like we're taking advantage of it.
00:05:58We're not taking advantage.
00:05:59Especially these two after everything that they've done for us, for me.
00:06:05I'll just go after her myself.
00:06:07You can't go.
00:06:08You stop telling me what I can and can't do.
00:06:12We should be leaving.
00:06:16Where's that convoy go next?
00:06:20Barcelona, probably.
00:06:22They go through there before heading south.
00:06:24Barcelona?
00:06:25How far is Barcelona?
00:06:27A few days by road.
00:06:30You got a map?
00:06:31Yeah.
00:06:32In the glove box.
00:06:33I'm coming with you.
00:06:39You're not 100%.
00:06:40You're faster on my own.
00:06:43Daryl.
00:06:43They need you.
00:06:44Both of them.
00:06:47I'll be back in a few days.
00:06:48All right?
00:06:53Hot dogs.
00:06:54All right.
00:07:08Let's go.
00:07:09La queimada sana el alma doliente.
00:07:39A potion is called queimada, a special brandy remedy the magas know how to brew.
00:07:46Magas?
00:07:47Folk healers, ancient learning passed down from mothers to daughters.
00:07:54Like, um, like witches?
00:07:58No.
00:08:00Well, yes.
00:08:11Moussos, caruxas, sapos e bruxas,
00:08:15Demostrados e diƔƱos, espĆritos das nevadas veigas,
00:08:21Corvos pĆntegas e meigas, feiticios das mencineiras,
00:08:26Apartaos del nostro figlio Roberto.
00:08:37If it doesn't fix him, at least it will make him drunk.
00:08:41My mother will do all she can for Roberto.
00:08:56She has calendula, ecozote, berberis, palodul, I don't know the word in English.
00:09:03All herbs brought to us by el Alcaza.
00:09:10It's hard, here, now, in the village.
00:09:16Those primitivos were a surprise.
00:09:18We paid a dear price.
00:09:27But we get through it.
00:09:32We get through it.
00:09:34With the munitions and supplies that Alcazar gives us.
00:09:38Yes, we paid a price.
00:09:41Sit down.
00:09:43You know, my cousin RaĆŗl's family used to live up in this part of the town.
00:09:52Two houses over.
00:09:54We call him Tonetti, all the time.
00:09:59You remember him or not?
00:10:01Of course, I remember.
00:10:03RaĆŗl, he showed up for dessert almost every night, like it was only a coincidence.
00:10:10Ah, just takes on my postre.
00:10:18Maria was the best baker in Solaf.
00:10:20Maria?
00:10:23Roberto's mother.
00:10:28Tonetti was a lucky man, but he knows that.
00:10:31He knows that.
00:10:32So, tell me, what happened out there?
00:10:41When you found Roberto, how did he end up like this?
00:10:45We couldn't say exactly.
00:10:47Seems he was caught by bandoleros.
00:10:49Snuck up on him, left him for dead.
00:10:51By the time we got to him, he was barely conscious.
00:10:54What about the car?
00:10:57Gone.
00:10:59They must have taken it.
00:11:04You think it was Los Primitivos?
00:11:06Yes.
00:11:07We think.
00:11:12I don't think so.
00:11:14They would have killed him.
00:11:17No sign of El AlcƔzar?
00:11:20No.
00:11:21Well, that's for the best, I suppose.
00:11:28For everyone.
00:11:32Fede.
00:11:36SĆ© que Roberto no se ha portado bien Ćŗltimamente.
00:11:39But he'll behave, right?
00:11:41I'll talk to him about it when he's well.
00:11:44Well, we're going to do better from now.
00:11:46Yes, yes.
00:11:47I'll be fine.
00:11:49What about your friend?
00:11:52I went to check on the boat.
00:11:55Okay.
00:11:57Ah.
00:11:58If he's going to come into the village at night,
00:12:00we should know.
00:12:01So he can enter safely, okay?
00:12:04That's very kind of you.
00:12:05But I think he's going to spend the night there.
00:12:09On the beach?
00:12:11Yeah.
00:12:13He's very, um...
00:12:15outdoorsy.
00:12:18Yeah.
00:12:19He looks it.
00:12:23Well.
00:12:25Well, eh...
00:12:27When Roberto gets back,
00:12:28we'll talk about what steps we need to leave
00:12:30all this behind.
00:12:40The AlcƔzar did this to Roberto.
00:12:59Didn't they?
00:13:00Path.
00:13:01It's alright.
00:13:02We can trust Path.
00:13:05What about the convoy?
00:13:07And Daryl?
00:13:08Daryl went after them.
00:13:10I have to get you, Stina.
00:13:40We have to get you.
00:13:41Okay.
00:13:42No.
00:13:43We have to do okay.
00:13:45Go.
00:13:46I don't know.
00:14:16I don't know.
00:14:46I don't know.
00:15:16I don't know.
00:15:46I don't know.
00:16:16I don't know.
00:16:46I don't know.
00:16:47I don't know.
00:16:48I don't know.
00:16:52I don't know.
00:16:53I don't know.
00:16:54I don't know.
00:16:55I don't know.
00:16:56I don't know.
00:16:57I don't know.
00:16:58I don't know.
00:16:59I don't know.
00:17:00I don't know.
00:17:05I don't know.
00:17:06I don't know.
00:17:07I don't know.
00:17:08I don't know.
00:17:09I don't know.
00:17:10I don't know.
00:17:11I don't know.
00:17:12I don't know.
00:17:13I don't know.
00:17:14I don't know.
00:17:15I don't know.
00:17:16I don't know.
00:17:17I don't know.
00:17:18I don't know.
00:17:19I don't know.
00:17:20I don't know.
00:17:21I don't know.
00:17:22I don't know.
00:17:23I don't know.
00:17:24I don't know.
00:17:54I don't know.
00:18:24I don't know.
00:18:54I don't know.
00:19:24I don't know.
00:19:54I don't know.
00:20:24I don't know.
00:20:54I don't know.
00:21:24I don't know.
00:21:25I don't know.
00:21:26I don't know.
00:21:28Back up.
00:21:30Back up.
00:21:32Back up.
00:21:34Back up.
00:21:36Back up.
00:21:40Back up.
00:21:46Back up.
00:21:48Back up.
00:21:50Back up.
00:21:52Back up.
00:21:54Back up.
00:21:56Backup.
00:21:58Back up.
00:22:00Back up.
00:22:02Back up.
00:22:04Back up.
00:22:06I'm not sure.
00:22:26Mateo.
00:22:27Mateo.
00:22:30Agua.
00:22:32Agua.
00:22:36Agua.
00:22:46Vamos.
00:22:48Vamos.
00:22:50Vamos.
00:23:06Vamos.
00:23:07Vamos.
00:23:08Vamos.
00:23:09Vamos.
00:23:10Vamos.
00:23:11Vamos.
00:23:12Vamos.
00:23:14Vamos.
00:23:15Vamos.
00:23:17Vamos.
00:23:19Vamos.
00:23:50Is that water? Can I have some?
00:23:53Agua, por favor.
00:23:54Agua, por favor.
00:24:10Mas. Mas, come on.
00:24:20Mas.
00:24:23Ya no Mas.
00:24:23Mas.
00:24:27Amaya es nuestro invitado.
00:24:29Lo encontramos solo en el desierto.
00:24:33ĀæY cĆ³mo sabes lo que es?
00:24:36Tiene un rifle.
00:24:39Igual puede ayudarnos.
00:24:42BebiƩndose toda nuestra agua.
00:24:43Mas, agua, por favor.
00:24:45This agua is what we have for all of us.
00:24:54It's a cistern that holds water.
00:25:18Agua.
00:25:19Si.
00:25:21Si, si.
00:25:21Si, para agua.
00:25:28Agua.
00:25:35Antes, hace muchos aƱos.
00:25:38AquĆ, lluvia.
00:25:41Lluvia.
00:25:41Rain. Rainwater.
00:25:43Si, si. Agua.
00:25:45So, dry it up.
00:25:51Is that from, uh, the sun?
00:25:53Dries, uh, the sun dry, uh, dries it up?
00:26:00No, no.
00:26:00Uh, bandidos.
00:26:06Bandidos took your water?
00:26:08Muy, tres.
00:26:14Bad men come.
00:26:17They take our water.
00:26:19Uh, a su tren.
00:26:24They're on a train?
00:26:29Did the bad men do this to your town?
00:26:31No, no, no.
00:26:32Esto fue, um, old, old war.
00:26:42EspaƱa contra EspaƱa?
00:26:44Civil war.
00:26:45Si.
00:26:47GeneralĆsimo.
00:26:49Franco.
00:26:50Franco.
00:26:50He do this.
00:26:53Tu quieres la resistencia.
00:26:55The resistance.
00:26:55Why do you all live here?
00:27:03Why not somewhere else?
00:27:06They have no other place.
00:27:09No one will have them.
00:27:12Nosotros, we, leprosos.
00:27:17Lepers.
00:27:18Lepers.
00:27:20Limbos, people say.
00:27:21Entre los vivos y los muertos.
00:27:28No is, um, living, no dead.
00:27:34How come you're not, uh, leproso?
00:27:38Um, I can, um,
00:27:43tocar.
00:27:46Un poco.
00:27:47Uh, a little bit is okay.
00:27:53It's safe for you.
00:27:55Pero no mucho.
00:27:59ĀæEntiendes?
00:28:00Yeah, I get it.
00:28:05Look, I need to get to Barcelona.
00:28:09Those men on the train, they,
00:28:10they took my bike, my motorcycle.
00:28:15Los buitres le robaron la moto.
00:28:17Dile que,
00:28:25si nos ayuda,
00:28:27se puede quedar con la camioneta.
00:28:30ĀæCĆ³mo sabemos que podemos
00:28:31viernos de Ć©l, Mateo?
00:28:34Es que acaso tenemos
00:28:35otra alternativa?
00:28:37DĆselo.
00:28:43You can take
00:28:44this
00:28:45for you.
00:28:47And why would you do that?
00:28:56Bring our water
00:28:57from the train.
00:28:59You want me to bring your water back?
00:29:01Dile que,
00:29:02si no vuelve,
00:29:05moriremos.
00:29:13Four, five days.
00:29:16No water,
00:29:17no life.
00:29:19Nada.
00:29:19Now we sleep.
00:29:25Tomorrow you tell us.
00:29:26Tomorrow you tell us.
00:29:26You, nobody look.
00:29:36No water,
00:29:37no serve.
00:29:38Here we go.
00:29:44Let me know.
00:29:48Here I go.
00:30:49Okay, I'll do it.
00:31:11I'll go get your water.
00:31:19Look, this is all I got.
00:31:37Four.
00:31:38Cuatro.
00:31:39Okay?
00:31:40Mucho bandidos.
00:31:41Okay?
00:31:42Mucho.
00:31:43We have to fight them.
00:31:44Fight.
00:31:45You understand me?
00:31:46Fight.
00:31:47Fight.
00:31:47Fight.
00:31:48Luchar.
00:31:49Luchar.
00:31:51Tenemos que luchar.
00:31:52Tenemos que luchar.
00:31:53I'm going to need a lot.
00:31:56A lot of rope.
00:31:57See this?
00:31:58Mucho.
00:31:59Cuerda.
00:32:00Necesita cuerdas.
00:32:01Cuerda.
00:32:02Cuerda.
00:32:03SĆ.
00:32:04Carlos, ve al campanero por cuerdas.
00:32:07Venga, rƔpido, rƔpido, rƔpido.
00:32:08Vamos.
00:32:09You got it?
00:32:09Yeah.
00:32:10La cuerda.
00:32:30Oh, it's good.
00:32:31It's real good.
00:32:32Bueno.
00:32:32PregĆŗntale quĆ© piensa de nosotros, de este pueblo.
00:32:42He asked what you think.
00:32:46This town, these people.
00:32:51The French have a word for it.
00:32:53Uh, de peison.
00:32:55That's a good thing.
00:32:57Tell them it's a good thing.
00:32:58Dice que somos buena gente.
00:33:25Amigo.
00:33:27ĀæAgua?
00:33:28SĆ.
00:33:28SĆ.
00:33:58Gracias.
00:34:19Gracias.
00:34:19What do you mean?
00:34:43May God accompany you.
00:34:45Matteo thinks you bring us water.
00:34:49What, you don't?
00:34:52I think you'll leave us to die.
00:35:15I think you'll leave us to die.
00:35:45To be continued...
00:36:15Lleva mucho tiempo afuera.
00:36:23Igual tenĆa razĆ³n.
00:36:27Ā”AllĆ!
00:36:34Puentes.
00:36:39Vamos. Ā”Vamos!
00:36:45Ā”Vamos!
00:36:50Ā”Vamos!
00:36:53Ā”Vamos!
00:36:55Ā”Vamos!
00:36:55Ā”Vamos!
00:36:56Ā”Vamos!
00:37:07Ā”Vamos!
00:37:07Ā”Vamos!
00:37:08What are you doing?
00:37:38I'm going to go.
00:38:084 demonios, 4 balas.
00:38:12Now!
00:38:13Why?
00:38:14So this.
00:38:15I want to quit to go to find a game.
00:38:16I let you do it all.
00:38:17I was like,
00:38:20I'm so scared.
00:38:22I got to try to find a game.
00:38:24I got to try.
00:38:26Why?
00:38:27I got to try to escape.
00:38:29I got to try to escape.
00:38:32Expletions.
00:38:33I got to try to escape.
00:38:37Run.
00:38:43Where is he?
00:38:56Where is he?
00:39:13No!
00:39:21Dos.
00:39:43Tres.
00:39:52Tres.
00:40:04PuƱo.
00:40:13Cuatro.
00:40:26Cuatro.
00:40:43Cuatro.
00:41:13Cuatro.
00:41:15Cuatro.
00:41:16Cuatro.
00:41:17Cuatro.
00:41:18Cuatro.
00:41:19Cuatro.
00:41:20Cuatro.
00:41:21Cuatro.
00:41:22Cuatro.
00:41:23Cuatro.
00:41:24Cuatro.
00:41:25Cuatro.
00:41:26Cuatro.
00:41:27Cuatro.
00:41:28Cuatro.
00:41:29Cuatro.
00:41:30Cuatro.
00:41:31Cuatro.
00:41:32Cuatro.
00:41:33Cuatro.
00:41:34Cuatro.
00:41:35Cuatro.
00:41:36Cuatro.
00:41:37Cuatro.
00:41:38Cuatro.
00:41:39Cuatro.
00:41:40Cuatro.
00:41:41Cuatro.
00:41:42Cuatro.
00:41:43Yes, I'll leave.
00:42:08Yes, I'll leave.
00:42:10Yes, I'll leave.
00:42:17Yes, I'll leave.
00:42:23Yes, I'll leave.
00:42:30Yes, I'll leave.
00:42:35Yes, I'll leave.
00:42:42Yes, I'll leave.
00:42:49Yes, I'll leave.
00:42:56Yes, I'll leave.
00:42:58Mi Lola.
00:43:03Es una puta serpiente.
00:43:05Si quieres una puta serpiente, cƔllate.
00:43:07Mi Lola, Lola, Lola.
00:43:11Parece que tiene hambre.
00:43:12Mira quƩ carita.
00:43:17QuƩ puto asco.
00:43:20No te preocupes, Lola, que tu comida estĆ” al caer.
00:43:23ĀæQuĆ© es?
00:43:28No viiĆ³n...
00:43:33Yo, que tu fuera una puta...
00:43:41Van pan.
00:43:43Hey!
00:44:07Hey!
00:44:08Hey!
00:44:10The fucking shit is happening!
00:44:14Shhh! Shhh! Shhh!
00:44:17Shhh! Shhh!
00:44:22But, oh...
00:44:30āMierda! āChicos!
00:44:34W-No!
00:44:35W-No!
00:44:37W-No!
00:44:37W-No!
00:44:40Hey!
00:44:46No!
00:44:47No!
00:44:48No!
00:44:49No!
00:44:50No!
00:44:51No!
00:44:52No!
00:44:52No!
00:44:53Get up!
00:45:04I don't know.
00:45:34I'm out of here.
00:45:36I'm out of here.
00:46:04Come on.
00:46:34Come on.
00:47:04Come on.
00:47:34Come on.
00:48:04Come on.
00:48:06Come on.
00:48:08Come on.
00:48:12Come on.
00:48:16Come on.
00:48:28Come on.
00:48:40Come on.
00:48:52Come on.
00:48:54Come on.
00:49:06Come on.
00:49:08Come on.
00:49:10Barcelona?
00:49:12Come on.
00:49:14Come on.
00:49:16Come on.
00:49:18Come on.
00:49:20Come on.
00:49:22Come on.
00:49:24Come on.
00:49:30Come on.
00:49:32Come on.
00:49:34Come on.
00:49:36Come on.
00:49:38Come on.
00:49:40Come on.
00:49:42Come on.
00:49:44Come on.
00:49:48Come on.
00:49:50Come on.
00:49:52Come on.
00:49:54Come on.
00:49:56Come on.
00:49:58Come on.
00:50:00Come on.
00:50:02Come on.
00:50:04Come on.
00:50:06Come on.
00:50:08Come on.
00:50:10Come on.
00:50:12Come on.
00:50:14Come on.
00:50:16Come on.
00:50:18Come on.
00:50:20Come on.
00:50:22Come on.
00:50:24Come on.
00:50:26Come on.
00:50:28Come on.
00:50:30Come on.
00:50:32Come on.
00:50:34Come on.
00:50:55Hola, Gustavo.
00:50:57Valentina, ĀæcuĆ”nto tiempo?
00:50:59Mi visita anual.
00:51:01Vamos a ir a ver a Roberto.
00:51:04Ā”Abre la puerta!
00:51:08Ā”Abre la puerta!
00:51:14Robert.
00:51:17Amigo.
00:51:21ĀæQuĆ© te han hecho esos animales?
00:51:25ĀæCrees que se recuperarĆ”, DoƱa Marga?
00:51:28El alma de Roberto estĆ” atrapada entre la esperanza y la desesperaciĆ³n.
00:51:32Entre querer vivir y querer rendirse es como estar en un limbo.
00:51:38Pero lo traeremos de vuelta.
00:51:42Necesitamos mƔs orujo.
00:51:43Hay botellas en el orrio.
00:51:45Necesitamos mƔs orujo para la quemada.
00:51:49ĀæPuedo ayudarte?
00:51:51SĆ, gracias.
00:51:53No, no, no.
00:51:54No, no.
00:51:55No, no.
00:51:56No, no.
00:51:57No, no.
00:51:58No, no.
00:51:59No, no.
00:52:00No, no.
00:52:01No, no.
00:52:02No, no.
00:52:03No, no.
00:52:04No, no.
00:52:05No, no.
00:52:06No, no.
00:52:07No, no.
00:52:08No, no.
00:52:09No, no.
00:52:10No, no.
00:52:11No, no.
00:52:12No, no.
00:52:13No, no.
00:52:14No, no.
00:52:15No, no.
00:52:16No, no.
00:52:17No, no.
00:52:18No, no.
00:52:19No, no.
00:52:20No, no.
00:52:21No, no.
00:52:22No, no.
00:52:23No, no.
00:52:24No, no.
00:52:25No, no.
00:52:26No, no.
00:52:27No, no.
00:52:28No, no.
00:52:29No, no.
00:52:30No.
00:52:31No, no.
00:52:32No, no.
00:52:33No.
00:52:34No.
00:52:35No.
00:52:36No.
00:52:37No.
00:52:38No.
00:52:39No.
00:52:40No.
00:52:41No.
00:52:42No.
00:52:43No.
00:52:44No.
00:52:45No.
00:52:46No.
00:52:47No.
00:52:48Can we get a ride to the orchard?
00:52:55Claro.
00:53:18So, Valentina, has she been bending your ear?
00:53:43She bended a little, I guess.
00:53:45She's, um, how do you say?
00:53:50Nosy.
00:53:51Si.
00:53:52Yeah.
00:53:53Un poquito.
00:53:54Tell me about it.
00:53:55She was asking what my plans are.
00:53:58And you said?
00:54:02Oh, I said when Daryl comes back, we're setting sail for America, I guess.
00:54:09What about you?
00:54:11What are your plans?
00:54:13This is home for me.
00:54:15Starting over somewhere else.
00:54:19I tried it once, but it didn't end so well.
00:54:25Barcelona, you mean?
00:54:27Mm-hmm.
00:54:27Well, it's not Barcelona.
00:54:40Ohio, I mean.
00:54:41But it's not a bad place, either.
00:54:43I mean, it's a place where a person, someone like you, could learn to like.
00:54:52Maybe.
00:54:53What I'm saying is that you could come with us on the boat.
00:55:05We have to get back.
00:55:07They are waiting for us.
00:55:08We have to get back.
00:55:09We have to get back.
00:55:09We have to get back.
00:55:10We have to get back.
00:55:10We have to get back.
00:55:10We have to get back.
00:55:11We have to get back.
00:55:12We have to get back.
00:55:12We have to get back.
00:55:13We have to get back.
00:55:13We have to get back.
00:55:14We have to get back.
00:55:14We have to get back.
00:55:15We have to get back.
00:55:15We have to get back.
00:55:16We have to get back.
00:55:17We have to get back.
00:55:17We have to get back.
00:55:18What do you have, chaval?
00:55:48AsĆ es.
00:55:52ĀæSe puede saber cĆ³mo llegĆ³ el colgante de Justina a manos de Roberto?
00:55:55No se lo habrĆ” dejado para Ć©l.
00:55:59Pero si ella lo lleva a puesto como se fue.
00:56:01Te estƔs confundiendo, mamƔ.
00:56:07Bueno, voy a preparar la cena.
00:56:09SĆ, mejor.
00:56:11Y deja ya de comer chocolate, caray, que luego no me comes.
00:56:17Gracias.
00:56:31Sergio.
00:56:35Ve a la playa y comprueba que el americano ha estado donde el barco.
00:56:38Ok, Fede. Enseguida.
00:56:40Te salve, MarĆa.
00:56:56Gracias, seƱor, por cuidar de mi hijo y hacer que se recupere.
00:57:04Por favor, ayude a darle a encontrar a Justina y hacer que la traiga de vuelta a casa.
00:57:09Ā”SuscrĆbete al canal!
00:57:23To be continued...
00:57:53I wonder what your town would think if they knew what you were doing.
00:57:57You want to threaten me?
00:57:59You get to save our girl. You get to kill the next king of Spain.
00:58:02No more king. No more ofrenda.
00:58:15They're a Guffer.
00:58:17They took her again.
00:58:19Where's that convoy go next?
00:58:21Barcelona, probably.
00:58:22You got a map?
00:58:28Daryl's character has a big change, really mid-season,
00:58:32where he becomes finally fully engaged in the Justina and Roberto story,
00:58:37which Carol has been engaged in earlier.
00:58:39They've been at odds a bit about that.
00:58:41We see it really hit full throttle in episode five in Limbo.
00:58:44This episode was the one that we most consciously and aggressively leaned into the Spaghetti Western.
00:58:53When he goes looking for Justina, you know, Carol's back in Solace, but he's moving on, going through the desert.
00:59:00I think that was primo Spaghetti Western kind of.
00:59:04Spain helps us a lot. This is where they've done all the Western before.
00:59:07We're filming now in Lerogoda.
00:59:11This is the first time that I'm shooting here, and I had no idea that we had such a beautiful desert so close to Madrid.
00:59:17Quiero llamar tĆŗ.
00:59:18I was hoping this was going to happen.
00:59:21To ride motorcycles up here in the mountains, it's like a dream.
00:59:23Norman is not only a great rider.
00:59:25He knows the show like nobody else knows the show.
00:59:28He comes to the location, it's like, oh, this is so great.
00:59:30Let me use this. Let me use that.
00:59:31So it's like having fun, like, two little children with having fun together.
00:59:46Back up.
00:59:48Buenas noches, seƱor.
00:59:51Episode five is called Limbo.
00:59:52It is the name of this group of people that live in the desert.
00:59:55They suffer from leprosy.
00:59:56We started researching, like, what the disease looks like and how it manifests itself physically
01:00:03because the idea is that Daryl comes across this group of people and you want them to think it's walkers for a minute
01:00:08and then all of a sudden they start talking.
01:00:10So he comes in, boom, I think he's a zombie, right?
01:00:14Puts his hands up, the hands go down, then the rest of them come in with weapons.
01:00:18So does this go back up again?
01:00:20Oh, interesting.
01:00:21Then you reveal it's a leper colony.
01:00:23They're called Limbo's partially because they're kind of between living and dead
01:00:26because they're not perceived as fully acceptable in human society.
01:00:30And they're sometimes sort of treated almost as if they were walkers, but they're not walkers.
01:00:34They're just humans with a disease.
01:00:35Their town, the national monument of Belchite, which from the Spanish Civil War is a town that was bombed mercilessly.
01:00:42And it's visually kind of stunning.
01:00:44There are these churches in the town that are just, like, fantastic.
01:00:47Only these, the ceilings are bombed out and they're sort of relics.
01:00:50Still, it retains an enormous amount of beauty.
01:00:53The thing that they most guard preciously is their water.
01:00:56This power is what we have for all of us.
01:01:00They are besieged by a group of people who regularly come in and take the water from them and lead them on the margins.
01:01:06Daryl comes upon this world and knowing his character quite well, this is not something they'll let abide.
01:01:11And then he kicks into full hero mode.
01:01:13Okay, ready and action.
01:01:15We just immediately started to see a confrontation between Daryl and one of these characters.
01:01:23The showdown between me and the bad guy on the bikes I really liked because it's a very wah, wah, wah moment, you know?
01:01:31And that actor was really fun to work with because he's like, ah!
01:01:33And then I liked the thing that looks like a katana but it folds like a switchblade.
01:01:38It's called a fucker, which is fun to say.
01:01:42But I like that, going in and slicing them.
01:01:49Yeah, it was all fun.
01:01:53And I, in the back of my head, had an idea about zombies pulling a train through the desert.
01:01:58I thought, A, that's awesome, and B, I don't know if we can do that.
01:02:02When we were able to finally put it on its feet, it was pretty amazing.
01:02:06I really liked that whole sequence, you know, and the guy playing guitar, singing an old Spanish song on the horse and they're following him.
01:02:14It was one of the most exciting sequences we've done.
01:02:16We have high falls.
01:02:17We have people being, you know, knocked off by Daryl, all the while surrounded by walkers.
01:02:21I also will say it required an incredible amount of work.
01:02:25We got an actual, real old train.
01:02:27We had to find tracks in the desert that we could get it to, that we could get walkers on, that we could safely have actors.
01:02:32Three, two, one, action!
01:02:35Watch your head!
01:02:37So it took a tremendous amount of team effort and preparation to actually get us there.
01:02:43Crazy day, doing crazy action.
01:02:45It was perfect.
01:02:46I love that guy that I ended up drowning in the bathtub.
01:02:51He was really fun to work with.
01:02:58I actually kept his bathrobe.
01:03:00It's my bathrobe in Spain.
01:03:01But everyone's like, why don't you throw it away?
01:03:03It's filthy.
01:03:03And I'm like, it's just makeup.
01:03:05It's not really dirt.
01:03:07Yeah, that whole sequence was great.
01:03:10It felt like Outlaw Josie Wales, you know, Mad Max, sort of Western.
01:03:15It was really fun.
01:03:16I think it's everybody's favorite episode.
01:03:17This is a really lovely parable in the middle of our story that is kind of a Western tale.
01:03:26That's kind of truest to the Sergio Leone homage.
01:03:30So it had a lot of things coming together that felt really indigenous to this place.
01:03:34So Limbo reflects that story very specifically.
01:03:40Limbo also is relevant to the Roberto side of it, the Carol side of it.
01:03:45El alma de Roberto estĆ” atrapada entre la esperanza y la desesperaciĆ³n.
01:03:49Entre querer vivir y querer rendirse es como estar en un limbo.
01:03:53And they're hoping they're going to be able to get him out of it, but they can't.
01:03:56And they're struggling to pull him back to life.
01:03:58Gracias, seƱor, por cuidar de mi hijo y hacer que se recupere.
01:04:04Por favor, ayuda a Darila a encontrar a Agustina.
01:04:08Y hacer que la traiga de vuelta a casa.
01:04:10Y hacer que la traiga de vuelta a casa.
01:04:40Y hacer que la traiga de vuelta a casa.
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