- 2 days ago
The Secret Police of Bulldog Drummond is a classic mystery crime film featuring the legendary gentleman adventurer Bulldog Drummond. As hidden forces operate behind the scenes, Drummond finds himself entangled in a dangerous web of secrets, deception, and underground intrigue.
With its vintage atmosphere, suspenseful storytelling, and old-school charm, this film delivers a compelling journey into crime, espionage, and justice. A must-watch for fans of classic detective and mystery cinema.
With its vintage atmosphere, suspenseful storytelling, and old-school charm, this film delivers a compelling journey into crime, espionage, and justice. A must-watch for fans of classic detective and mystery cinema.
Category
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Short filmTranscript
00:00The End
00:30Stop chasing that train, you, Drummond.
00:56Aunty, the engineer would think I'm a quitter if I stop now.
01:01I see.
01:02Keep your eyes on the road.
01:04Well, it's here, I can't.
01:05It'll be 20 more hours, darling.
01:07May I say I hope so, sir?
01:09May I say I doubt if there will ever be a wedding?
01:11Well, what could be better our marriage this time?
01:13What prevented it five other times?
01:15Fires, murders, explosions, everything sort of an earthquake.
01:19This time, Aunty...
01:20Not your aunt, you, Drummond.
01:26Oh, we made it.
01:27Something seems to whisper, my love.
01:29That was only the beginning.
01:30Of our happy married life.
01:32Oh, of a trip to the hospital.
01:35Pardon me, my good man, but, uh, would you be good enough to tell me the way to, uh, to, uh...
01:41Oh, did I have forgotten where I wanted to go?
01:43This is Rockingham, sir.
01:44Rockingham?
01:45Oh, yes, quite so.
01:46Yeah.
01:47Rockingham Tower.
01:48There are a residence.
01:49Oh, yes.
01:50Oh, yes.
01:51Oh, yes.
01:52Oh, yes.
01:53Oh, yes.
01:54Oh, yes.
01:55Oh, yes.
01:56Oh, yes.
01:57Oh, yes.
01:58Oh, yes.
01:59Oh, yes.
02:00Oh, yes.
02:01Oh, yes.
02:02Oh, yes.
02:03Quite so.
02:04Yeah.
02:05Rockingham Tower.
02:06The residence of Captain Drummond.
02:07Go right up the old Roman road.
02:08All you have to do is follow the furniture vans.
02:11Follow the furniture vans?
02:12Now, why, nurse, should I want to follow furniture vans?
02:14Well, you see, Captain Drummond's always lived at the lodge.
02:17But he's getting married tomorrow, so they're opening the towers.
02:20First time in 20 years, sir.
02:21Oh, I see.
02:22Oh, yes.
02:23Yes.
02:24Quite so.
02:25Oh, yes.
02:27Yes.
02:28Roll the wall for the time of year, don't you think?
02:29Hey.
02:30It's warm, all right, but it's August, you know.
02:31August?
02:32My calendar said January.
02:34Ha, ha, ha.
02:35I must have forgotten to turn it.
02:37Ha, ha.
02:38Thank you so much.
02:39Up the room and roll.
02:40Follow the furniture vans.
02:41Captain Drummond.
02:42Why?
02:51How are you, Tenny?
02:52Thank you, miss.
02:53Miss Annalsy?
02:54Captain Drummond?
02:55Oh, Tenny.
02:56I'll put these in water, if I may.
02:57I'll think they're in the car, Tenny.
02:58I'll see to them, miss.
02:59Your rooms are in the east wing.
03:01The towel will be ready by dinner time, sir.
03:03Good, Tenny.
03:04And tomorrow?
03:05I've made all arrangements, sir.
03:06Rehearsals at 11 and the wedding at 12.
03:08And it's the last chance you'll have if I have anything to say about it, you Drummond.
03:12You hear that, Tenny?
03:13No nonsense.
03:14This time we've got to get married.
03:15As they say in America, sir, this time it is in the bag.
03:19I don't like American slang, Tennyson.
03:22Shall I show you to your rooms, miss?
03:24Bosh!
03:25Spent half my time here when I was a girl.
03:27Coming through this?
03:28Presently, Aunt Blanche.
03:30I'm afraid Auntie doesn't like us.
03:32But I do.
03:34That will be Mr. Longworth, sir.
03:36Yes, making himself useful again.
03:38I'm afraid so, sir.
03:40Aunt yourself?
03:41I don't know, old boy.
03:43The way you saved that bosh is remarkable.
03:47Quite acrobatic.
03:48What?
03:49Yes.
03:50Hello, old boy.
03:51The sparkle in those eyes can mean only one thing.
03:54Happiness.
03:56Scotland Yard waits while I attend your wedding.
03:58Thank you, Colonel.
03:59By the way, did I hear a crash?
04:01Oh, yes.
04:02All the way from the top shelf, old boy.
04:04I never broke it.
04:05It's lucky for you, Algie.
04:06That's a genuine Ming worth 200 pounds.
04:08200 pounds?
04:09I'd better put it right up.
04:13Oh.
04:18It was worth 200 pounds, old boy.
04:22This way, Mr. Bolton.
04:24Mr. Tennyson should be somewhere about.
04:26Mr. Tennyson?
04:27He's in charge of the staff.
04:29I thought the butler was usually in charge.
04:32Captain Drummond's gentleman's gentleman.
04:35He's the one you have to keep your eye on at Rockingham.
04:38Why, he's even discharged the new cook.
04:41Oh, that came only this morning.
04:43Because she didn't agree with him about the Yorkshire pudding.
04:46He's the whole cheese, I can tell you.
04:49Quite so, Mrs. Tolz.
04:51The cheese.
04:52The whole cheese.
04:53Oh, I'm sure, sir.
04:54I didn't mean the...
04:55Quite so.
04:56You'll see that those roses are put in Miss Clavering's room.
04:59Yes, sir.
05:00Your bolton, the new butler?
05:01Shastra's agency sent me down, Mr. Tennyson.
05:03No.
05:07Been in some nice families.
05:08Oh, yes, sir.
05:09The very best.
05:10Yes, you'll begin your duties at once.
05:12Mrs. Thomas will show you at your quarters.
05:14Yes, sir.
05:15Mm.
05:16State papers of Roger Bacon.
05:31Oh, how frightfully interesting.
05:34I wonder what addition it is.
05:37Oh.
05:38Excuse us, sir.
05:40Oh, that's quite all right.
05:41Go, go right ahead.
05:42Go right ahead.
05:43Wait.
05:44Pardon me, but, uh...
05:49Is there something you want, sir?
05:51Oh, no, no, no.
05:53Nothing at all, no, no.
05:54Oh, is that my tea?
05:55Hmm.
05:56Uh, well, uh, just, uh, put it somewhere.
05:59Somewhere.
06:00Pardon me, sir, but this is Captain Drummond's tea.
06:02Oh, Captain Drummond, yes.
06:03Oh, that's my tea.
06:04Well, uh, just, uh, put it somewhere.
06:05Somewhere.
06:06Pardon me, sir, but this is Captain Drummond's tea.
06:08Oh, Captain Drummond, yes.
06:09Oh, uh, I asked him to come and see me, yes.
06:11Uh, uh, show him in, show him in.
06:13Oh, pardon me, sir, but Captain Drummond is in.
06:16Oh, oh, how stupid.
06:18I came to see him, didn't I?
06:19Uh, oh, just a moment, please.
06:21Ah.
06:24Ah.
06:28Would he be so good as a teller mine here?
06:30Very good, sir.
06:31Uh, you'll, uh, wait here, sir?
06:33Oh, yes, you.
06:34Yes, yes, yes, yes.
06:35I'll wait here.
06:36Yeah.
06:39Mm.
06:45Uh, come in.
06:47That's odd.
06:48I, I distinctly heard a knock.
06:50These things have no fixed value.
06:51Only one of collectors willing to pay for them.
06:53Splendid.
06:54Oh, come on.
06:56Gentlemen, to see you, sir.
06:57Oh.
06:58Professor Downey, research department,
07:00museum of historical documents.
07:01Downey?
07:02What's he doing here?
07:03What, do you know him, Colonel?
07:04I'll have met him.
07:05In Scotland Yard?
07:06You know, Hugh, just because I happen to associate with you and your friends,
07:09does not necessarily mean that all my acquaintances are rascals.
07:13I like that.
07:14Ha ha!
07:15I see him about you, Hugh.
07:16He's a quaint old bird.
07:17Knows more English history than any man I've ever heard of.
07:19I'll sue him in, Tanny.
07:20Very good.
07:21Yeah.
07:22Good as new, almost.
07:23That makes me feel much better.
07:24I'm so glad of that.
07:25Just let it dry for a few hours, will you?
07:26Oh, put it where it will be safe.
07:27Be careful, Lousy.
07:28Ha ha!
07:29Not twice you.
07:30Oh.
07:31Oh.
07:32Oh.
07:33Oh.
07:34Oh.
07:35Professor Downey.
07:36Oh.
07:37Oh.
07:38Oh.
07:39Oh.
07:40Oh.
07:41Oh.
07:42Oh.
07:43Oh.
07:44Oh.
07:45Oh.
07:46Oh.
07:47Oh.
07:48Professor Downey.
07:49Oh.
07:50Oh.
07:51Oh.
07:52Oh.
07:53Well, Professor Downey, I'm Hugh Drummond.
07:54You're just in time for tea.
07:55Oh, I just had some tea out there.
07:56Oh, I see you've got some more here.
07:57How jolly.
07:58This is Algie Longworth.
07:59Longworth.
08:00Anglo-Norman name.
08:0111th century.
08:02How do you do?
08:03How do you do?
08:04Won't you come and meet my friends, Professor?
08:05Oh.
08:06Oh.
08:07Oh, I'd be delighted.
08:08Phyllis, may I present Professor Downey, Miss Clavering.
08:10Charmed here.
08:11And Colonel Nielsen of Scotland Yard.
08:12How are you?
08:13Oh.
08:14Oh.
08:15Oh, I'd be delighted.
08:16Phyllis, may I present Professor Downey, Miss Clavering.
08:17Charmed here.
08:18And Colonel Nielsen of Scotland Yard.
08:23Oh, a fellow scut.
08:24And what part might I ask of Scotland?
08:27Excuse me.
08:28No, no, no, Professor.
08:29You misunderstand.
08:30Colonel Nielsen is Commissioner of Scotland Yard.
08:32Oh, yes.
08:33I wrote a history about it once.
08:35Rather overrated, I fear.
08:36Scotland Yard?
08:37Oh, no, no.
08:38My book.
08:39Tea, Professor?
08:40Oh, thanks.
08:41Nothing like a good cup of hot tea on a cold January day.
08:48Oh.
08:49Perhaps I should explain the reason of my visit.
08:52It's about the treasure.
08:53Treasure?
08:54What treasure?
08:55I estimate the value to be in the neighborhood of one million pounds.
08:58Of course, in the days of Charles I, the value of the pound wasn't...
09:01What on earth are you talking about, Professor?
09:03Oh, I'd better explain.
09:05Yes.
09:06Yes, I will explain.
09:07You've heard of, uh, Bori Isliani.
09:10No, I can't say that I have.
09:12Well, he was my assistant in the museum until I had him arrested three years ago.
09:16Arrested?
09:17What for?
09:18For theft, sir.
09:19Theft of these.
09:20At least, I should say, a tenth of them since I've still got them.
09:23He was a scoundrel, sir.
09:25A sane, clever thinking scoundrel, sir.
09:28Who masqueraded under the name of Seton.
09:31Henry Seton.
09:32Stop it, Hugh.
09:33Before something happens.
09:34Not a chance, Tony.
09:35Professor, may I ask what those papers are?
09:37Oh, all these are the plans of the ancient rooms and passages below Rocky Mount Tower.
09:42What, my own place?
09:43Yes.
09:44And this, this is the diary of Colonel John Cooper, a royalist officer under Charles I.
09:49One of my ancestors, darling.
09:50There's a portrait of him in the long gallery.
09:52Yes, we have a copy in the museum.
09:54Look rather a blackguard, a bit like you, Captain Drummond.
09:58Did I say something amusing?
10:04Not at all, Professor.
10:05Please go on.
10:06Let me see.
10:07Where was I?
10:08Oh, yes.
10:09I was puzzled as to why Seton should want to steal these particular papers.
10:12So I made a study of them together with all contemporary documents I had in my possession.
10:16And I came to the conclusion that there is a treasure, King's treasure, hidden somewhere.
10:22Here, perhaps, under our very feet.
10:24Did you hear that, darling?
10:25Right here in Rockingham.
10:26I might have known it.
10:27And now, this is what Colonel Cooper says in his diary.
10:32Riding all day and all night, got safely to Rockingham with the King's treasure.
10:36Did you hear that, darling?
10:37I heard.
10:38My wound, very painful.
10:41Conceal all the treasure in the passages without arousing suspicion of the servants.
10:46Dead will remain until my royal master hath need of it.
10:50Those are the passages, Captain Drummond, according to the plans.
10:53Rockingham is positively honeycombed.
10:56Oh, my.
10:57I was through them scores of times when a boy.
10:59Then you saw the crypt, the tower of the waters, the chamber of the spikes.
11:02The what?
11:03The tower of the water, the chamber of spikes.
11:05No, no, darling.
11:06No, they are new to me, sir.
11:07Then you haven't seen the places mentioned in this diary.
11:10Perhaps I didn't see them all.
11:12My father had the entrance to those passages walled up.
11:14Where was the entrance?
11:16In one of the storerooms, I believe.
11:18Why, the one directly below this, as a matter of fact.
11:21Obviously, there's another set of passages.
11:24The diary describes them minutely.
11:26And where's the entrance to those passages, Professor?
11:29Unfortunately, Colonel, I cannot tell you yet.
11:33Good.
11:34You see, this diary makes use of a device very common at the time, a secret cipher.
11:39So that it conceals the exact location.
11:42Observe.
11:46And there it will remain until my royal master hath need of it.
11:49U-R-E-Z-Q-S-L-T-I-S.
11:54Sounds like Greek to me.
11:55Oh, no, no, my dear sir.
11:57If it were Greek, there'd be no different thing.
11:59Well, it's all very exciting, Professor,
12:01but I'm afraid it's not going to make us much richer.
12:04How's that, darling?
12:05Oh, my dear sir, you are wrong.
12:07I have already made progress in reading the cipher.
12:10You have?
12:11Mm-hmm.
12:12But I am hampered as to exact data concerning the tower itself.
12:16Now, I thought, perhaps, if I might see it.
12:23Professor, I'm to be married tomorrow.
12:26And the treasure that becomes mine then is all that interests me.
12:30Bravo, darling.
12:31That's a very pretty speech.
12:33But I should be glad to have you as my guest for as long as you may require
12:36to carry out your researches.
12:38Oh, my dear Captain Drummond, you make me very happy.
12:41What a wonderful adventure this is going to be.
12:45That's what I'm afraid of.
12:47Professor Downey asked me to give you this, sir.
13:02He said he thought you might like to read it tonight.
13:04Cooper's diary, huh?
13:05Very thoughtful of him.
13:06Made him comfortable, Tony?
13:07In the North Wing, sir.
13:08He's engrossed in studying the cipher.
13:10Well, you might put it beside my bed.
13:12Take a good job.
13:13Your elaborate indifference doesn't fool me a bit, Hugh Drummond.
13:16I know you're positively aching to tear Rocky into pieces stone by stone.
13:20Darling, a million pounds!
13:22Hugh, please, won't you tell him to...
13:25Help!
13:27Help!
13:29Help!
13:30Help!
13:31What a fool I am.
13:37On my record, darling, you're justified in expecting battle, murder, and sudden death.
13:41If anything should happen now.
13:42Not this time, sweet.
13:43We'll be married tomorrow at the stroke of twelve.
13:46What prevented it five other times?
14:02Fires, murders, explosions, everything short of an earthquake.
14:07We'll be going.
14:09Get married tomorrow.
14:16Where's the clergyman, Elsie?
14:19He'll be a long old boy.
14:20Don't get nervous.
14:21I thought everything was arranged.
14:22Don't worry, darling.
14:23It is.
14:24Cut it out, big boy.
14:25Don't tell me married life is going to spoil your sense of humor.
14:27Bet you forgot the ring.
14:28Uh, quit to a jurorsenic.
14:29I haven't.
14:30You.
14:31You...
14:32You really want to marry me, don't you?
14:33Can you imagine my not wanting to crime?
14:34No.
14:35I mean...
14:36No.
14:37No.
14:38No.
14:39No.
14:40No.
14:41No.
14:42No.
14:43No.
14:44No!
14:45I don't want to marry you.
14:46No.
14:47No.
14:48No.
14:49No.
14:50No.
14:51No.
14:52No.
14:53No.
14:54No.
14:55No.
14:56No.
14:57No.
14:58No.
14:59Colonel, Colonel Milton!
15:22You drummer!
15:27Colonel, we'll...
15:28You, Drummond, you have the most uncanny faculty for getting into trouble
15:32just when you're about to be married.
15:37You're wasting your time, Drummond.
15:40Below you is the Thames River, and I will.
15:57Tenny!
15:59Tenny!
16:00Yes, sir?
16:01This place is going to blow up any minute.
16:02Get out while you're on a chance.
16:10Tenny.
16:11Tenny!
16:12I tried to give satisfaction to him.
16:15Louder, Tenny, louder!
16:27Tenny!
16:57Tenny!
16:58Tenny!
16:59Tenny!
17:00Tenny!
17:01Tenny!
17:02Tenny!
17:03Tenny!
17:04Tenny!
17:05Tenny!
17:06Tenny!
17:07Tenny!
17:08Tenny!
17:09Tenny!
17:10Tenny!
17:11Tenny!
17:12Tenny!
17:13Tenny!
17:14Tenny!
17:15Tenny!
17:16Tenny!
17:17Tenny!
17:18Tenny!
17:19Tenny!
17:20Tenny!
17:21Tenny!
17:22Tenny!
17:23Tenny!
17:24Tenny!
17:25Tenny!
17:26Tenny!
17:27I'm expecting battle, murder, and sudden death.
17:29If anything should happen now.
17:31At this time, sweetie.
17:32We'll be married tomorrow at the Spook.
17:36You know, wedding or art of it, I am the best man.
17:38I'm right.
17:56Here.
17:57Captain Drummond, Captain Drummond!
18:26Help!
18:27Mr. Longworth!
18:28Colonel.
18:29Help!
18:30Oh.
18:31Tenny, Tenny, what happened?
18:33We appear to have had a slight touch of nightmare, sir.
18:36There was no nightmare that hit me on the chin.
18:37Then it wasn't you who hit me on the chin.
18:39Then it wasn't you who hit me, sir?
18:40Then it wasn't you who hit me, sir?
18:41Hey, open the door.
18:42What the...
18:43What the...
18:44What the...
18:45What the...
18:46What the...
18:47What the...
18:48What the...
18:49What the...
18:50Oh.
18:53You okay, open the door.
18:55Oh, god.
18:56No.
18:57Look!
18:58What the...
18:59Slight touch of nightmare, sir.
19:01There was no nightmare that hit me on the chin.
19:04Then it wasn't you who hit me, sir?
19:08Hey, open the door.
19:18Have you two been fighting?
19:19Fighting? Oh, no, sir.
19:21It's you.
19:21No, no, darling, there's nothing to worry about.
19:23I warned you, if we came down here, something would happen.
19:25What was it?
19:26Probably a second-story man, Colonel,
19:27who thought rocking him was still unoccupied.
19:30We'd rather get the worst of it, eh, Tenny?
19:31It could hardly be called a holiday, sir.
19:34Let's go after the blackers, old boy.
19:35There was only one, Algie, only one.
19:37Only one?
19:39You mean you let one man knock you both down and then get away?
19:42Oh, dear, dear, dear, you're a slipping old thing.
19:44You too, Tenny.
19:46And we are humiliated, sir.
19:49Billis, you mark my words.
19:51Can you wriggle out of this wedding just as he did all the others?
19:54That's hardly fair, Aunt Blanche.
19:56I was just reading Colonel Cooper's diary.
19:57I'm sorry.
20:05It's gone.
20:06And so am I.
20:08Good night.
20:10Colonel, somebody beside Donnie thinks there's treasure hidden in Rockingham.
20:12You didn't see his face?
20:13I couldn't see anything because of that pillow.
20:15Afterwards, we smashed the lamp and it was too dark.
20:17Hugh, you really want to marry me, don't you?
20:20No.
20:21Can you imagine my not wanting to marry you?
20:22Then let's leave here now.
20:25We can be in London in an hour and...
20:27All right, darling, we'll do that very thing.
20:32Captain Drummond's room?
20:34Yes, Professor Donnie.
20:37He wants to speak to you.
20:38Says it's urgent.
20:39Don't talk to him, Hugh.
20:41He's my house guest, darling.
20:42I must.
20:43All right.
20:45Dear, dear old girl, it's quite all right.
20:46Nothing's going to happen.
20:48Yes, Professor.
20:48Yes, I know it's midnight.
20:53He's six minutes late.
20:55You have?
20:57He's solved the cipher.
20:59Go on, Professor.
21:00Are you certain?
21:02Yes, yes, yes.
21:03I can lead you directly to the hiding place.
21:13Henry Seton.
21:15Hello.
21:16Hello.
21:17Are you there?
21:18So you know where the treasure is, Professor Donnie.
21:22Yes, Henry.
21:24Now I know why you tried to steal the Cooper diary.
21:27You saved me a lot of work.
21:29Line's dead.
21:30I knew it.
21:31Tenny.
21:31I have the mail, sir.
21:33I give up.
21:34Now, darling.
21:35I know it's not your fault.
21:37The fates are against us.
21:38It'll be the same if we went to Timbuktu to get married.
21:40But, sweetheart.
21:41As long as that's the way it is.
21:42Tenny, give me a pissy.
21:44Darling, you're one in a thousand.
21:46Last time I was one in a million.
21:47I've got a good question.
21:50Professor.
21:51Professor Donnie.
21:52I say, old boy, let me, will you?
21:55Hello.
21:56Are you there?
21:57Are you there?
21:59I haven't here, sir.
22:02Stand back, now.
22:08Maybe I'll try it here.
22:09Yes, I'll show you how, old boy.
22:10Hold this, will you?
22:11I'll show you how, old boy, sir.
22:16Ow!
22:18Oh, now, darling.
22:19No nerves, old girl.
22:20No nerves.
22:22In heaven's name, you drunk.
22:24Couldn't you wait until morning?
22:25What is it, sir?
22:26That's what we're trying to find out.
22:27Pardon me, sir.
22:28And if you'll pardon me, sir.
22:32Do you really intend to marry this lunatic?
22:35I'm doing my best.
22:36Heaven protect your children.
22:38Well, then, the first girl after you, auntie.
22:40Gosh.
22:44Well, well, well, hurry up.
22:46I want to get back to sleep.
22:47Pardon me.
22:48Never mind, Teddy.
22:50I follow you, sir.
22:51I'll go.
23:08Hello.
23:09Rockingham Police Station?
23:11This is Colonel Neilson, Scotland Yard.
23:14A man has been killed at Rockingham T...
23:16No, no, no, no, no, no.
23:17Wait a minute.
23:18Not the lodge.
23:19Rockingham Tower.
23:20Notify the coroner and send a detail of police over here to patrol the grounds.
23:25Yes.
23:26Have them report to me personally.
23:28I'll explain when they arrive.
23:29Colonel.
23:30Hold the line, wait a minute.
23:31What is it, Archie?
23:32I've been thinking.
23:34What about?
23:37Nothing.
23:39I'm not surprised.
23:50I've checked the windows and doors in this wing, Mr. Tennyson.
23:55And the billiard room?
23:56Everything is secure, sir.
23:57You can start on the second floor.
23:58Very good, sir.
23:59I say thank you.
24:06How's Aunt Blanche?
24:08You gave her a sleeping tablet.
24:10Good, just what she needed.
24:11Colonel, Downey mentioned someone by the name of Seton, didn't he?
24:14Hugh, this is interesting.
24:16Isianni, or Seton, was released from prison yesterday.
24:19I just got that from the yard as you came in.
24:21Then he's the man who murdered the professor.
24:23And tried to do me in.
24:24And stole Cooper's diary from your room.
24:26And Downey's key to the cipher.
24:28Which means that Seton will try to get into Rockingham again.
24:31And that is why I had Tenney and Bolton lock all the doors and windows, my dear Sherlock Holmes.
24:35And that is why I ordered a detail of police to patrol the grounds, my dear Watson.
24:40He had an ounce of brain, she'd leave the doors and windows open.
24:47And let the fellow walk off with a million pounds?
24:50And if I remember my Sherlock Holmes, Dr. Watson managed to get married.
24:55Which is more than you'll ever do, Hugh Drummond,
24:57as long as you keep fooling around with treasure trove and that villainous diary.
25:02Sit down, Aunt Blanche.
25:03Oh, I don't want to sit down.
25:05But, Auntie, we haven't got the diary.
25:07I beg your pardon, sir.
25:09I found it under the window of Professor Downey's room.
25:13Good, Tenney.
25:14See, fellas.
25:16Deception.
25:17Collusion.
25:19Hugh, I'm afraid.
25:21That book brought death to Professor Downey.
25:24Please get rid of it, won't you?
25:27All right, darling, I will.
25:28Now.
25:30Tenney.
25:30Yes, Captain Drill.
25:31The diary.
25:33A match.
25:35A newspaper?
25:39Please, Captain Drill.
25:41The Times.
25:42Thank you, sir.
25:43You're welcome.
25:46Times, sir.
25:47And a fireplace.
25:49I follow you, sir.
25:53You're quite certain, sir?
25:55Fire, Tenney.
25:56Flames.
25:57As you say so.
25:59You see?
26:03Maybe I was mistaken, Hugh.
26:06You're a nice boy.
26:10Come now, dear.
26:11We can sleep.
26:16I see, old boy.
26:17Did she kiss you?
26:19Did she, Elsie?
26:20I saw her.
26:23Well, then maybe she did, Elsie.
26:25Maybe she did.
26:30Well, there goes a million pounds.
26:33That's love, old boy.
26:35Real love.
26:36Well, maybe it is, Elsie, but somehow I, well, I feel like a quitter.
26:39I beg your pardon, son.
26:42But if you feel any pangs of regret about burning the diary, I took the precaution to burn the telephone directory, sir.
26:51Just in case.
26:54Tenney, you're magnificent.
26:55I try to give satisfaction, sir.
26:58You're a veritable treasure, sir.
27:00Treasure indeed, Tenney.
27:01And with this, we'll find it, eh?
27:04As they say in the medical, though.
27:06One can't be shot for trying.
27:09You're wrong, Tenney.
27:11Professor Donnie won't.
27:21Well, anything doing?
27:22Nothing irregular.
27:23Nothing but me losing a good night's sleep.
27:25I wish they see Henry Seaton in Halifax, I do.
27:28Here, cooperating with Scotland Yard to catch Henry Seaton might win you a promotion, my boy.
27:32Aye, or a bullet in the back.
27:35Yeah, talk hearty now.
27:36Talk hearty.
27:37Hearty?
27:38Hearty me, aye.
27:40Go on.
27:41Carry on.
27:47Okay.
27:48And M's the thirteenth letter.
27:51Now, if that were transposed, we'd have...
27:53We'd have N.
27:55Elsie, wake up!
27:56Oh, leave me alone, leave me alone.
27:58Come on, old boy.
27:59You promised to help me.
28:00No, no, don't, darling, don't.
28:02What?
28:03Oh, it's you, huh?
28:05Oh, then she didn't slap me.
28:07Who didn't?
28:08The girl on the bus.
28:10We were riding down Piccadilly.
28:12And just as I kissed her, you slapped me.
28:15I'm sorry, old boy.
28:16Oh, that's all right.
28:17I'll probably see her again sometime.
28:20Now, look, Elsie, I've got to...
28:21Hugh!
28:21I forgot to ask for a telephone number.
28:26Look, Elsie, I've got it.
28:27The first letter, it's N, I think.
28:29First letter in what?
28:31In the alphabet, Elsie, the letter N.
28:33N in the alphabet.
28:35That's funny.
28:36Shut up.
28:37Now, here, look at that.
28:40Z, Y, X, W, B, U.
28:44Now, it's a reversed alphabet directly above a normal ABC one.
28:47Oh, right now, A is Z, and B is Y.
28:52Right.
28:53Now, when I read you a letter, you write down the one directly above it in the reversed alphabet.
28:57I get it.
28:58I think.
29:00X.
29:01X.
29:02C.
29:03L.
29:05O.
29:06L.
29:06Go on.
29:07X.
29:08C.
29:09L.
29:10O.
29:11L.
29:12O.
29:12Now, that's the first word.
29:13What does it spell?
29:14Coo-coo.
29:18Coo-coo.
29:20Doesn't make sense, does it?
29:22Well, that depends on the point of view, Elsie.
29:26Oh, confondant if we only have Professor Donnie's notes.
29:30Y.
29:32I.
29:34R.
29:35Z.
29:36A.
29:37I.
29:38R.
29:39Y.
29:41D.
29:42R.
29:43I.
29:44O.
29:46L.
30:07Great help you turned out to be.
30:09Oh, it's three clubs.
30:11I'd give anything for just one.
30:14Doubled.
30:16With Lodge and Rockingham in line, a stone is found.
30:21Fold three long paces north, and in the ground the answer lies.
30:27But should you hear the sound of turning wheels, beware.
30:30Y.
30:30Y.
30:39R.
30:40A.
30:41B.
30:42I.
30:42L.
30:43I.
30:43B.
30:44I.
30:44I.
30:45L.
30:46I.
30:46I.
30:47I.
30:47I.
30:48I.
30:49I.
30:49I.
30:50I.
30:50I.
30:51I.
30:51I.
30:52I.
31:53Oh, how are you?
32:00Oh, how are you?
32:04Oh, how are you?
32:08Oh, how are you?
32:16Oh, how are you?
32:18Oh, how are you?
32:26Oh, how are you?
32:28Oh, how are you?
32:36Oh, how are you?
32:38Oh, how are you?
32:46Oh, how are you?
32:54Oh, how are you?
32:56Oh, how are you?
32:57Oh, how are you?
32:58Oh, how are you?
32:59Oh, how are you?
33:00Did you see who it was?
33:01No, sir.
33:02Let's get him inside.
33:04Kenny!
33:05Hurry, now.
33:06Come, pardon.
33:07What's the matter with the lights?
33:08The pews must have been, sir.
33:10It's all right.
33:11It's all right.
33:12No, no.
33:21What?
33:22Oh, it's you, Colonel.
33:27Be done for, sir.
33:28You?
33:29What is it?
33:30It's one of the constables, dear.
33:40I beg your pardon, miss?
33:41Over here, Bolton.
33:42Yes, Mr. Tennyson.
33:44You'd better go to your room, darling.
33:45Yes, and keep Aunt Blanche in hers.
33:47She must have snapped right through it.
33:49Well, that's something to be thankful for.
33:51Al thought a feeling that Seton would get him, sir.
33:53Any instructions?
33:54Yes, locate your menace station close around the house.
33:57Very good, sir.
33:59Poor fellow.
34:01It might have been you if Seton had got inside.
34:03But he was inside.
34:04We saw him.
34:06You saw him?
34:08Where?
34:10In this very room, Colonel.
34:11He must have hidden somewhere after he killed Downey.
34:13That explains why the lights went off
34:15and why the burglar alarm sounded when he went out.
34:18Confirm it, Algie, if you hadn't made such a racket.
34:20Well, I'm sorry, old boy.
34:21I was only trying to help.
34:22I know, I know.
34:23Well, besides,
34:25Seton won't try and get inside again tonight.
34:27How do we know he isn't in now?
34:29We saw him go through those doors.
34:31We had plenty of time to come back while we were outside, Algie.
34:33Oh, Hugh.
34:35You mean he may be hiding in one of those secret passages?
34:38Waiting to pop out and corpse one of us?
34:41It's not unlikely.
34:42He has Downey's key to the sci-fi, you know.
34:44And we don't know where those passages are.
34:46Not the ones Downey mentioned at any rate.
34:48Kenny, Bolton.
34:49Coming, sir.
34:54We're going over to this house from cellar to attic.
34:56Darling, you better go to your room and lock yourself in and stay there.
34:59Bolton, see Miss Clapping to her room and stay on guard in the hall.
35:02Very good, sir.
35:03But Hugh, I...
35:04What?
35:05Please do as I say, Darling.
35:06All right.
35:10Algie.
35:12Algie, you take this floor and I'll do the cellar.
35:14Tenny, you take the upper floors.
35:16Oh, what am I to do, Hugh?
35:18Well, Colonel, you stay here.
35:19If Seton comes back...
35:20I'll mow him down.
35:22All right, Hugh, I'll carry on.
35:23Bulldog, Drummond, Sacred Police.
35:27Could have gone that way.
35:28I don't think so, sir.
35:29He would have had to pass one of my men I had stationed at the front gate.
35:32And he didn't take the path toward the lodge?
35:34No, sir.
35:35Because that's where I was on duty when it happened.
35:36He could have gone through the floor beds and escaped through the woods.
35:39Not unless he had seven-league boots, Colonel.
35:40That bed's over 20 feet wide.
35:41There's another footprint on it.
35:43And had he gone that way...
35:44He would have met us.
35:45Which he did not.
35:47And we can't let him get away with this, Colonel.
35:48He's made a fair job of it so far.
35:50May I get up now, sir?
35:52Oh, yes, Tenny.
35:55Well, that gives us a pretty fair idea of what took place here last night.
35:58Except how he got away.
36:00Yes, Alzi.
36:01Except how he got away.
36:02And if he didn't go that way, and if he didn't go that way...
36:04Or that way.
36:05Then which way did he go?
36:07Up, sir.
36:09Up.
36:10Yes, Alzi.
36:11Up.
36:12The ivy!
36:13Huh?
36:19Look, Colonel.
36:20He's left a trail of broken ivy.
36:21He's playing his day.
36:22Now, will you believe he's somewhere in the house?
36:23In the passages, Colonel.
36:24And when we open the entrance to the ones I'm familiar with...
36:26We'll try to find the entrance to the ones he's familiar with.
36:28Right.
36:29Have you ordered the men from the village, Tenny?
36:30They started to open the wall in the storeroom an hour ago, sir.
36:33Good.
36:34Now we'll see if Seton went through the window or made it to the roof.
36:36Oh, careful, Hill.
36:37Right.
36:38See you in the third floor, sir.
36:39Right, Tenny.
36:40Wedding festivities, indeed.
36:42This place is a museum of horrors.
36:44Not just one murder, but two.
36:46Two murders in one night.
36:48There, there, Aunty.
36:49It's all over now.
36:52What's that?
36:53What is it?
36:54Help!
36:55Help!
36:59Sorry, darling.
37:00I thought you were downstairs having breakfast.
37:02Hugh Drummond.
37:03What are you doing?
37:04Peering in my window.
37:05Now, perhaps you realize the kind of man you're marrying?
37:08Please, Aunt Blanche, let me explain.
37:09I'm following Seton.
37:10Yes, climbing up walls like a bat.
37:12Well, that's how we got away.
37:13Up the ivy to one of the rooms above this, I think.
37:15Yes, I think.
37:16I'm through.
37:17I've had enough.
37:18I'm taking the next train back to town and so are you.
37:21But, Aunty, we're going to be married at noon.
37:23Well, I could be done to death twenty times before then.
37:26Oh, Aunt Blanche.
37:27I'm not your aunt.
37:28I wouldn't be your aunt if an act of parliament decreed it.
37:31That's but you're Phyllis's aunt and you can't desert her like this.
37:34Oh, can't I?
37:36I suppose you'll stop me, you...
37:38you...
37:39you fine climbing Dracula!
37:45You better go.
37:46I'll talk to her.
37:47All right.
37:49No, not that way.
37:51Down.
37:52Anything for you, darling?
38:06Phew!
38:07Don't worry, darling.
38:08That's much the easiest way to come down.
38:10Captain Drummond!
38:11Yes, Denny?
38:12There's no trace of him in this room, sir.
38:15Well, try the next one then.
38:16That'll be Bolton's room, sir.
38:18Well, go over and see if the vines are torn over there on the right.
38:21Very good, sir.
38:25Bolton!
38:27Bolton!
38:33Bolton!
38:34Tenny!
38:37Tenny!
38:38I thought he doesn't answer.
38:41Let's go up.
38:42Captain Drummond!
38:43What is it, Sergeant?
38:44I'll pray, sir.
38:45One of my men found a body in clear wood.
38:47What, another one?
38:48Yes, sir.
38:49And we're hoping that you can identify him.
38:50What makes you think that?
38:51Because, sir, he was coming here.
38:52Here?
38:53Open season at Rockingham.
38:54The stationmaster identified him as a passenger on the 215 yesterday.
38:58He asked the way to the tower, sir.
38:59What'd he look like?
39:00Well, sir, he, uh...
39:02He was a...
39:03He was a man about 40.
39:05Of medium height.
39:06Said he was your new butler, sir.
39:08Bolton!
39:09I've got it.
39:10Bolton started for Rockingham.
39:12And it was Seton who arrived.
39:13Right.
39:14He must have met Bolton on the train and...
39:15I say, Hugh!
39:16What's happened to Tenny?
39:17Tenny!
39:18We're wasting time.
39:19Sergeant, let no one leave the house.
39:21Right, Sergeant.
39:22Right, Sergeant.
39:37Here, Elsie.
39:38What?
39:39Up there.
39:40Oh.
39:41Did you get my hot water bottle for this?
39:46Bolton.
39:47What are you doing in my room?
39:48Whoa!
39:53Tenny!
39:54Tenny!
39:59Well, he doesn't seem to be in...
40:01In the water bottle.
40:05Where is everyone, Bolton?
40:07In the garden, I believe, Miss Clavering.
40:08Captain Drummond is examining the ivy.
40:10Oh, thank you.
40:11Captain Drummond, take it easy, old boy.
40:13What happened?
40:14What did you see?
40:15Stars.
40:19Auntie.
40:22Auntie!
40:23Auntie!
40:24Auntie!
40:25The first burger games, huh?
40:26Yes, we know, Tenny.
40:27We know.
40:37Hugh!
40:38Hugh, where are you?
40:39Hugh!
40:40Hugh!
40:41No!
40:42No!
40:43No!
40:44No!
40:45No!
40:46No!
40:47No!
40:48No!
40:49No!
40:50No!
40:51No!
40:52No!
41:00Come!
41:01Bolton!
41:03What on earth are you doing?
41:04Captain Drummond must've found the entrance to the passages, Miss.
41:04But I thought the entrance...
41:05Phyllis!
41:06Yeah, Phyllis!
41:07What on earth are you doing?
41:08Captain Drummond must have found the entrance to the passages, miss.
41:11But I thought the entrance was...
41:12Phyllis!
41:14Phyllis!
41:20Phyllis!
41:21Phyllis!
41:23She must be with Seton.
41:24But where?
41:25That's what we've got to find out, Algy.
41:27See if the men have opened the wall in the storeroom.
41:29Colonel, I'm sure that screen came from here.
41:31There must be an entrance somewhere.
41:37Hey!
41:40Those old blighters didn't half wall up the entrance to these here passages, they didn't.
41:44Wait a minute!
41:45I'm the old blighter that walled it up 20 years ago!
41:53Blimey, what's he doing?
41:54Making a bomb, young fellow, my lad.
41:58Brottle, fuse, and gunpowder.
42:02It'll blow open the entrance to that passage in no time at all.
42:07Won't it damage the house, sir?
42:12Not a chance, oh no.
42:13I learned all about this sort of thing during the war.
42:15Pardon me, sir.
42:16We are both needed in the laborer, sir.
42:18Right-ho.
42:19I'll toddle along.
42:32Oh, confound it, Colonel.
42:33These panels are like the rock at Gibraltar, all of them.
42:35This code isn't solving either.
42:37Well, what do you expect?
42:38It took Donnie three years to work it out.
42:40You can't do it in ten minutes.
42:41No, no.
42:42Don't get the wind up, Hugh.
42:43But Colonel, Phyllis!
42:44Algie!
42:45Tenny!
42:46Right here, old boy.
42:47Tenny, sir.
42:48Oh, good work, Tenny.
42:49Huh?
42:50Now get busy, all of you.
42:51Yeah, but I say, Hugh, I've never used one of these things.
42:53It's just like a corkscrew, Algie.
42:54Oh, I know how to do that.
42:57I wouldn't try to bother you.
43:12These passages are like catacombs.
43:14May I ask what you propose to do with me?
43:17I don't know.
43:18You know something I haven't counted on.
43:20You know just how you're going to get out of here.
43:23Well, that's the way we came in.
43:26I suppose it hasn't occurred to you they'll be waiting in the library.
43:30They know the entrance is there.
43:32Do they?
43:34We heard them.
43:36So they must have heard me when I screamed.
43:38Oh, you're a smart girl.
43:54The Tower of Waters.
44:04Now I know how I'm going to get out of here.
44:06Where?
44:07Where?
44:08Perhaps.
44:09Go to the library with you.
44:11It's my ticket.
44:12So don't try to get away again.
44:13I wouldn't like it.
44:27Chamber of the Spikes.
44:37It's worth a hundred quid if it's worth a penny.
44:40Here, put it on.
44:41No!
44:42Not good enough for a ladyship, I suppose.
44:44I've got it, sir.
44:46Good work, sir.
44:50Seems just like the others.
44:52What a draft here, Colonel.
44:53You!
44:54Good work, Alfie.
44:56Stand clear, sir.
44:59Come on.
45:02Will you please get out of the way?
45:04Oh!
45:28And should you hear the sound of turning wheels, beware.
45:41This place could tell some pretty tales, eh?
45:55Clever.
46:10With Lodge and Brockingham in line, a stone is found.
46:39Pull three long paces north and in the ground the answer lies.
46:54Phyllis! Phyllis!
47:09Well, what's one little gold piece?
47:24The roundheads never knew what became of the King's duels after the Battle of Naseby.
47:39Here.
47:45You little fool, I'm one of the richest men in England.
47:50Phyllis! Phyllis!
48:09Oh, like sardines in a tin, birds in a cage with them all appropriate, sir.
48:24Pardon me, sir, but we are in your spotted trouble.
48:28Oh...
48:31Oh...
48:38Oh...
48:43Oh, no, no.
49:13Let's go.
49:43Let's go.
50:13Let's go.
50:43Let's go.
50:44Yes, Colonel?
50:45Let Miss Clovering come down to us and we'll give you a fair chance to get away.
50:48Throw out your pistols.
50:49Oh, I say.
50:50We can't do that.
50:51I'll count five.
50:52One.
50:53Don't do it to you.
50:54He'll kill you.
50:55Two.
50:56Here they come.
50:58Pardon me, sir.
50:59The reserve.
51:05Good work, Tenny.
51:06Come out, all of you.
51:07You must take me for a fool, Nielsen.
51:08They promised to let you go.
51:09I'll see to that.
51:10First, we'll have Captain Drum.
51:11You!
51:12You must take me for a fool, Nielsen.
51:13They promised to let you go.
51:14I'll see to that.
51:15First, we'll have Captain Drum.
51:16You!
51:17You!
51:18You must take me for a fool, Nielsen.
51:19They promised to let you go.
51:20I'll see to that.
51:21First, we'll have Captain Drum.
51:22You!
51:23You!
51:53Two.
51:54Two!
51:55Two!
51:56Two!
51:57Two!
52:00Two!
52:23Ah, Captain Drummond, Miss Clavering.
52:28Places, everyone.
52:29Rehearsal.
52:30Right over here, please.
52:31Facing me.
52:32And, Captain, you will be on Miss Clavering's right.
52:36Oh, yes, of course.
52:38Just a little bit closer, if you please, yes.
52:40And, Colonel, you will be on Miss Clavering's left.
52:42Oh, splendid.
52:43And, Mr. Longworth, you will right here.
52:46Oh, Captain Drummond's right.
52:48That's right.
52:49Well, now, splendid.
52:50Now, supposing we run through it.
52:52All you have to do is to keep calm.
52:55Now, let me see.
52:56Ah, dearly beloved, we are gathered here.
53:05I say, Hugh, are you there?
53:12Where's Phyllis?
53:13Chin up, old boy.
53:15She's gone.
53:17Gone where?
53:18She and her aunt have departed for Africa, sir.
53:23Africa?
53:24Yes, to hunt lions.
53:26She said it would be safer, sir.
53:29All right.
53:30Oh, Well, good.
53:31Hold on.
53:32Oh, love.
53:33All right.
53:34Here you go, John.
53:35Here's your sweet Dolls.
53:37Come on.
53:38Come on, John.
53:39Come on.
53:40Come on.
53:41Come on.
53:42Come on, come on.
53:44Come on.
53:45Come on, come on.
53:46Come on.
53:47Come on, come on.
53:48The End
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