Bulldog Drummond: The Return follows the daring British adventurer Captain Hugh “Bulldog” Drummond as he steps back into the world of mystery and danger.
When a trusted friend is kidnapped, Drummond must uncover a web of deceit, espionage, and crime — using his sharp wit and courage to bring justice to those hiding in the shadows.
This classic film blends action, intrigue, and British charm, making it a must-watch for fans of vintage detective thrillers and golden-age cinema.
#BulldogDrummondTheReturn #BulldogDrummond #ClassicMystery #VintageFilm #OldMovies #DetectiveStory #CrimeThriller #ClassicCinema #FilmNoir #BritishDetective #AdventureMovie #RetroMovies #PublicDomainFilm
When a trusted friend is kidnapped, Drummond must uncover a web of deceit, espionage, and crime — using his sharp wit and courage to bring justice to those hiding in the shadows.
This classic film blends action, intrigue, and British charm, making it a must-watch for fans of vintage detective thrillers and golden-age cinema.
#BulldogDrummondTheReturn #BulldogDrummond #ClassicMystery #VintageFilm #OldMovies #DetectiveStory #CrimeThriller #ClassicCinema #FilmNoir #BritishDetective #AdventureMovie #RetroMovies #PublicDomainFilm
Category
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Short filmTranscript
00:00:00The End
00:00:30The End
00:01:00I tell you, sir, you can't make it. The fog so thick down here, you can slice it.
00:01:22But I kind of float around in this hoop like an oyster. Catch off those players, will you?
00:01:26It looks awfully bad. He can't make it. Is he going to try it? Well, he's crazy if he does.
00:01:33He's crazy, all right. I disagree with you, sir. But he'll try it anyhow.
00:01:41He can't cut his way through this. Cut his way through the Borneo jungle to rescue Tillens, didn't he?
00:01:45That's not London Falls.
00:01:50He hasn't a chance, sir. Even with players. Will you please touch them off?
00:01:55You'll crack up, sir. Players or no players, I'm coming down.
00:02:03He's coming down. Touch him off.
00:02:05Touch off your feet, boys!
00:02:07Can you watch the middle of that?
00:02:09Get it off, police!
00:02:11Leave him out!
00:02:11Leave him out!
00:02:14I don't want to stop!
00:02:15I should move. Please don't go there, will you?
00:02:18I don't want to stop!
00:02:19I don't want to stop!
00:02:21Oh, Jack.
00:02:51Oh, Jack, take care of my ship, will you?
00:02:52I do it.
00:02:53No, nothing to declare.
00:02:54You can check.
00:02:55Very good, sir.
00:02:56Well, Kenny, how are you?
00:02:57London again.
00:02:58Good to see you, sir.
00:02:59Where's my car?
00:03:00I'll be there.
00:03:01Good.
00:03:02Now, get a taxi and take my bags home to Rockingham Lodge.
00:03:03I'll be along later.
00:03:04Captain Drummond?
00:03:05Just one.
00:03:06Wait a minute, sir.
00:03:07Captain Drummond, can't I just...
00:03:08Oh, please, sorry, boys.
00:03:09I've got a couple of questions.
00:03:10Oh, no, no.
00:03:11Oh, no, no.
00:03:12Come on.
00:03:13Come on.
00:03:14There you are.
00:03:15There you are.
00:03:18Is he always like that?
00:03:20Captain Drummond is a very dynamic person, sir.
00:03:23What's all the excitement?
00:03:24You think it was a matter of life and death?
00:03:26It is rather like that, sir.
00:03:27He has a friend in the hospital.
00:03:34How is he?
00:03:35He pulled through.
00:03:36It's all right if I see him?
00:03:37I think so.
00:03:42Come in.
00:03:49What's the matter, Algie?
00:03:51Hugh, Hugh.
00:03:52What is it, Algie?
00:03:53Gwen.
00:03:54Yes, yes.
00:03:55Yes.
00:03:57Yes, you see, I'm...
00:03:59We...
00:04:00I'm going to become a father.
00:04:05No.
00:04:07Yes.
00:04:09Well, just buck up, old fellow, buck up.
00:04:11Millions of fathers have pulled through this.
00:04:13Millions of them.
00:04:14It's all so strange.
00:04:15Yeah, I know, I know.
00:04:17It isn't as if I'd been a father before.
00:04:20This is my very first.
00:04:23I thought I'd like to have you around, you know, just for old times' sake.
00:04:27Oh, of course, all boy.
00:04:28One for all, all for one.
00:04:31Yes.
00:04:32Damon and Pythias.
00:04:33Yes, that's right.
00:04:37Hello?
00:04:38Who?
00:04:40Colonel Nielsen.
00:04:42Colonel Nielsen for me.
00:04:43Yes, I know.
00:04:44I told him you were coming.
00:04:45Oh, that's how I knew.
00:04:47Ah, Inspector.
00:04:49Now, now look here, Master Hughie Drummond.
00:04:51I've known you for ten years.
00:04:53And for ten years I have pleaded with you
00:04:55not to call me Inspector.
00:04:58Right you are, Colonel.
00:04:59It'll never happen again.
00:05:00And what might you be doing in England?
00:05:03Well, what are you up to this time?
00:05:05Well, Colonel, a fatherhood is a sacred institution.
00:05:08Fatherhood?
00:05:10But you're not married.
00:05:11No, but Al she is.
00:05:13Is it a crime that I come home to help him have his baby?
00:05:16No, no, no.
00:05:17Of course not.
00:05:18But you'll find a crime, or invent one, before the night's over.
00:05:22Oh, I want to see you.
00:05:25Oh, never mind about what.
00:05:26You'll find out when you get down here.
00:05:28No, no, no.
00:05:29I had your place at Rockingham Lodge.
00:05:31Right you are, Colonel.
00:05:38I'm in London less than an hour, Algie,
00:05:40and Commissioner Nielsen wants to see me.
00:05:43Well, now that you're going to pull through, all right,
00:05:46let us consider why he might want to see me.
00:05:51A typical crime he wants us to solve, perhaps.
00:05:55That's it, Algie.
00:05:56By joke, I'll wager that's it.
00:05:58Let's go.
00:05:59Oh, but you.
00:06:00Imagine it, Algie.
00:06:01Just imagine.
00:06:02You are together again, as always.
00:06:04Oh, I can see us now.
00:06:06Faring forth into the fog-drenched night.
00:06:08Finding adventure.
00:06:10New thrills for this bored and jaded mind.
00:06:12Come on.
00:06:13But you.
00:06:14Come on, Harry.
00:06:15We haven't a moment.
00:06:16It moves.
00:06:17It's 40 miles.
00:06:18But you.
00:06:19I'm about to become a father.
00:06:20Oh.
00:06:21Oh, yes.
00:06:22I'd forgotten.
00:06:23Of course.
00:06:24If I thought there was any danger.
00:06:25What?
00:06:26Deserve when duty calls?
00:06:27No.
00:06:28Your place is here.
00:06:30You know, old friend, goodbye.
00:06:33But you.
00:06:34No, Algie.
00:06:35Stay here.
00:06:36Have your baby.
00:06:38Oh.
00:06:39Give my love to Gwen, won't you?
00:06:41She'll see you through.
00:07:07Are you all right?
00:07:11Help!
00:07:13Oh!
00:07:19Help!
00:07:20Oh!
00:07:27Help!
00:07:30No, no, no, no, no, no, no, no.
00:07:33So turn it out.
00:07:34Oh!
00:07:35Come on!
00:07:36Oh.
00:07:37Come on, ochry.
00:07:38Don't you?
00:07:38Hey, you're anyway!
00:07:39How are you going to give her a sound?
00:09:11What happened?
00:09:31He fell into a marsh.
00:09:33Did he?
00:09:34Hurry, will you?
00:09:35Captain Drummond.
00:09:45Where did you find my car?
00:09:46In a ditch a few miles down the road.
00:09:47I was riding in a taxi to Rockingham Lodge.
00:09:49Yes, yes.
00:09:50Did you find the handkerchief?
00:09:51Handkerchief?
00:09:52Yes, Tenny.
00:09:52A dangerly perfume one it should be belonging to a young lady.
00:09:55Do you understand?
00:09:55No, I'm afraid I don't, sir.
00:09:56But I must explain.
00:09:58Young ladies who borrow cars on lonely roads always leave perfume handkerchiefs.
00:10:02Really, sir?
00:10:02Yes, usually with initials.
00:10:03How very interesting, sir.
00:10:09Ah.
00:10:13It's breathing me.
00:10:16I beg your pardon, sir?
00:10:17Spirit of the night, Tenny.
00:10:18Does it portend, sir?
00:10:21Tenny, it portends.
00:10:23It portends.
00:10:24And the initials, sir?
00:10:26I'm afraid they're absent, not at all, according to the book.
00:10:29Would it be quite proper sort of the initials to appear up in the young lady's bag?
00:10:33Oh, occasionally, but not quite in harmony with the best authorities.
00:10:35And probably the young lady is an amateur of this sort of thing.
00:10:39But here they are.
00:10:41P.C., if I'm not mistaken.
00:10:45And you're not mistaken.
00:10:47P.C. they appear to be, and P.C. they are.
00:10:50Now, Tenny, give me a girl's name.
00:10:53A romantic name to fit these uninspiring initials.
00:10:57Wouldn't Miss... Miss Clavering do so?
00:11:00Excellent, Tenny.
00:11:02It sounds as if it belongs to her.
00:11:04Oh, it does belong to her, sir.
00:11:05And there is a Miss Clavering, a Miss, uh, Phyllis Clavering,
00:11:09residing at Greystone Manor's arm.
00:11:12It begins, Tenny.
00:11:13It's taking forth.
00:11:15It builds.
00:11:17It grows, you see.
00:11:18I can pray, don't you?
00:11:20Ah.
00:11:26And who else resides at Greystone Manor?
00:11:28Now, let me see.
00:11:30Two gentlemen, I believe, sir.
00:11:32Two gentlemen?
00:11:32Yes, sir.
00:11:34Well, who are they?
00:11:35What do they do?
00:11:35Where do they come from?
00:11:36Where are they going?
00:11:37Regarding those things, sir, I regretfully admit ignorance.
00:11:41Complete ignorance?
00:11:43Complete, sir.
00:11:44Yet you knew the young lady's name.
00:11:46The cards were in the bag, sir.
00:11:48Oh, I see.
00:11:49There were cards in the bag.
00:11:50Yes, sir.
00:11:51Conveniently informing you, I suppose, that the young lady lived at Greystone.
00:11:54Oh, no, sir.
00:11:54A few weeks ago, a letter addressed to Miss Clavering arrived at Brockingham Lodge by mistake, sir.
00:12:01And you delivered it?
00:12:02Yes, sir.
00:12:02In person?
00:12:04Yes, sir.
00:12:04To Miss Clavering?
00:12:06No, sir.
00:12:06Then to whom, Danny?
00:12:08To whom?
00:12:09Do I have to cross-examine you every time I want to find out something?
00:12:13It helps, sir.
00:12:15Very well.
00:12:16To whom?
00:12:17To one of the gentlemen, sir.
00:12:18The one with the beard.
00:12:20Aha!
00:12:21That'd be good, pardon.
00:12:23I said, ha-ha!
00:12:25Quite so, sir.
00:12:27And this was at Greystone Manor?
00:12:28Yes, sir.
00:12:29Then something tells me, Teddy, we're going to pay a visit to Greystone.
00:12:33We, you, sir?
00:12:34Aye.
00:12:36Quetzals.
00:12:59Good evening, sir.
00:13:06Whom do you wish to see, sir?
00:13:07Oh, would you inform Miss Clavering, Miss Phyllis Clavering, that Captain Drummond is here?
00:13:12Will you wait in the drawing room, please?
00:13:29Captain Drummond?
00:13:39Yes, sir.
00:13:40Permit me to introduce myself.
00:13:43I'm Norman Merribeau.
00:13:45We're neighbors, I understand.
00:13:46Oh, Rockingham Lodge and Greystone Manor, friend.
00:13:49Ah.
00:13:50Yes.
00:13:51Will you join me?
00:13:53You, uh, wanted to see Miss Clavering?
00:13:56Yes.
00:13:56I came to return her bag.
00:14:01Found on the road, perhaps?
00:14:03No.
00:14:05As a matter of fact, in my car.
00:14:07Oh.
00:14:08Oh, I see.
00:14:09Then it was your car, Miss Clavering used.
00:14:11Yes.
00:14:26Oh, Phyllis, dear.
00:14:38This is Captain Drummond.
00:14:40What do you do?
00:14:43He's brought your bag.
00:14:45Oh.
00:14:46Yes, sir.
00:14:47I believe you'll find everything there.
00:14:48You're very kind, Captain Drummond.
00:15:01My pleasure, I assure you.
00:15:05That is all, my dear.
00:15:09Then you want to excuse me?
00:15:10Surely.
00:15:10You're puzzled.
00:15:31Definitely.
00:15:33An explanation is in order, Captain.
00:15:35An hour ago, Miss Clavering appropriated your car and attempted to proceed to London.
00:15:44An extraordinary instant, I admit.
00:15:46But when I explain that she is, uh, suffering from a persecution complex, I think you'll understand.
00:15:52And you were the persecutor?
00:15:54For the moment, she believes that I am responsible for her brother's death.
00:15:58And, uh, she also believes that I am plotting to steal her inheritance.
00:16:03Are you?
00:16:09Miss Clavering's inheritance is safely invested in war loans.
00:16:14Series D, to be exact.
00:16:15I have some.
00:16:16They're very good, too.
00:16:17Yes, an excellent investment.
00:16:19Uh, Mr. Meridoux, you mentioned a brother.
00:16:21Yes, poor chap.
00:16:23He was accidentally killed while we were hunting several weeks ago.
00:16:26Then Miss Clavering, perhaps, is a relative of yours?
00:16:29Oh, no.
00:16:29Daughter of an old friend.
00:16:30A very dear friend who died several years ago.
00:16:33Deep grief accounts for her state of mind and is the explanation of what presents you are in Greystone.
00:16:37Oh, I see.
00:16:39Ah, Mrs. Selden, my sister.
00:16:41How do you do?
00:16:42Professor Stanton, this is Captain Drummond.
00:16:44How do you do?
00:16:44Happy to meet you, Captain.
00:16:45Professor Stanton is a psychiatrist.
00:16:47He is confident that a few months in the country will see Miss Clavering herself again.
00:16:51Unquestioned.
00:16:52I see.
00:16:52Of course, Captain, I may count on you to treat the matter with confidence.
00:16:55Gossip has an ugly way of spreading, even in the country.
00:16:58Yes, I think I understand.
00:16:59Well, good night.
00:17:01And thank you so much.
00:17:01Thank you, Mr. Meridoo.
00:17:03Good night.
00:17:04Good night.
00:17:05Good night.
00:17:05Good night.
00:17:06Good night.
00:17:06Good night.
00:17:07Good night.
00:17:08Good night.
00:17:09Good night.
00:17:10Good night.
00:17:11Good night.
00:17:12Good night.
00:17:13Good night.
00:17:14Good night.
00:17:15Good night.
00:17:16Good night.
00:17:17Good night.
00:17:18Good night.
00:17:19Good night.
00:17:20Good night.
00:17:21Good night.
00:17:22Good night.
00:17:23Good night.
00:17:24Good night.
00:17:25Good night.
00:17:26Good night.
00:17:27Good night.
00:17:28Good night.
00:17:29Good night.
00:17:30Good night.
00:17:31Good night.
00:17:32Good night.
00:17:33Good night.
00:17:34Good night.
00:17:35Do you think that he...
00:17:37Never mind.
00:17:38Were you both in here when she came from the drawing room and went upstairs?
00:17:41Why, no.
00:17:41We were...
00:17:42Never mind.
00:17:43Something happened that makes me believe she tried to.
00:18:01Did you put a note in Captain Drummond's house?
00:18:03No.
00:18:03Don't lie.
00:18:04I didn't.
00:18:05What did you have in this bag when you left here?
00:18:10Nothing.
00:18:11What was it you hoped that Captain Drummond had found?
00:18:13Nothing, I tell you.
00:18:13Nothing.
00:18:17Tenton.
00:18:17Oh, no.
00:18:27But what do you say?
00:18:28Tenton.
00:18:29Wait.
00:18:30Oh.
00:18:31That is what?
00:18:31Wait.
00:18:32See?
00:18:32What?
00:18:34No, no.
00:19:05Thank you, Drummond.
00:19:15Ah-ha, Colonel.
00:19:18Glad to see you.
00:19:21You're off a trip like I've had.
00:19:22It's a pleasure to come back and find such a smiling countenance.
00:19:25Yeah, I know all about that.
00:19:27Yeah, now you kept me waiting.
00:19:29An hour.
00:19:29Well, I'm awfully sorry, sir, but you see, I...
00:19:31Oh, I know, I know.
00:19:32You were never on time in your life.
00:19:34Well, now that you made yourself at home and I'm here and you're here...
00:19:38Let's begin.
00:19:39Sit down.
00:19:42Hugh, I want you to do something for me.
00:19:46Gladly, sir.
00:19:47Go away.
00:19:48What?
00:19:50You mean leave London?
00:19:52Leave England.
00:19:53But why?
00:19:54Because whenever you come back from having been somewhere, things begin to happen.
00:20:00Oh, is that all you wanted to see me about?
00:20:02Now, as a favor to me, go away.
00:20:05Anywhere.
00:20:06Drive back to, uh, to, to Borneo for a couple of weeks.
00:20:09Anywhere.
00:20:10Now, won't you?
00:20:11Oh, but, Commissioner, I...
00:20:12Now, please.
00:20:14I, I, I'm on a vacation.
00:20:16Yes, I, uh, I want to concentrate upon my gulf.
00:20:20Now, you know that slice of mine.
00:20:22Well, I'm determined to get rid of it.
00:20:24Now, like a good fellow, fly that aeroplane of yours back across the channel to, uh, to Paris.
00:20:31Uh, uh, yes, that's it.
00:20:33Paris.
00:20:34Yes, you like Paris, Hugh.
00:20:35Yes.
00:20:37Uh, Colonel.
00:20:39You know, I have a sneaking suspicion that you're dealing from the bottom of the deck.
00:20:44What's that?
00:20:46You're quite certain you're not down here in a big case?
00:20:49Oh, rubbish, rubbish.
00:20:51I, I, I'm on a vacation, I tell you.
00:20:53And, and I don't want it ruined by you.
00:20:55But why should I go away when within two hours of my homecoming?
00:20:59I knew it.
00:21:00I knew it.
00:21:02Now, I suppose you're going to tell me that you've met a girl.
00:21:06I have met a girl.
00:21:08Oh, yes, yes.
00:21:09And the girl's in distress, I suppose.
00:21:12She is in distress.
00:21:14Ah, yes.
00:21:15And you are going to rescue her from some bearded villain, eh?
00:21:19Colonel, he is bearded.
00:21:24What's this?
00:21:26Where'd you get this?
00:21:27You, are you asking me to believe that this girl you've met is in prison at Greystone Manor?
00:21:33That is exactly what I'm asking you to believe.
00:21:36Ten minutes ago, I saw, uh...
00:21:39Yes, well, never mind what you saw.
00:21:40Where's this envelope?
00:21:41Oh, it wasn't there.
00:21:42Wasn't where?
00:21:43In my car.
00:21:44Oh, my hat.
00:21:46You are an adult ape.
00:21:49Now, look here, Hugh.
00:21:50There's nothing wrong at Greystone Manor.
00:21:53Norman Marriedew is, uh, is a friend of mine.
00:21:55Well, I've known him for years.
00:21:57Why, he's the only man I can beat at golf.
00:22:00Ha, ha, yes.
00:22:01No, no, he, he and his sister are doing a fine thing.
00:22:06But, Inspector, don't call me Inspector.
00:22:11This fine thing you speak of, uh, does it concern Miss Clavering?
00:22:16Ah.
00:22:17Oh, why, in the name of my sainted aunt, have you come back to torment me?
00:22:25Well, yeah, yes, Hugh, uh, he does concern Miss Clavering.
00:22:31And I want you to listen to me.
00:22:33Sit down.
00:22:34Huh?
00:22:55Oh, my dear, Hugh, if you will only scotch the wheels of your imagination,
00:23:19you may understand that this girl is not responsible for anything she said or does.
00:23:25But, Colonel, I tell you that you're telling me...
00:23:28I'm telling you, Hugh Drummond.
00:23:31Commission, now, where's your romance?
00:23:35Romance?
00:23:35That's the trouble with you, my boy.
00:23:38This eternal quest for melodrama and romance.
00:23:42Now, you, you will do what I ask, won't you?
00:23:44But, uh...
00:23:45No, I'll hear another word about it.
00:23:46No, I'm on a vacation.
00:23:48And I want peace and quiet, Hugh.
00:23:50Please, peace and quiet.
00:23:53Come on.
00:23:59Bye.
00:24:04Bye.
00:24:04Bye.
00:24:04Bye.
00:24:05Bye.
00:24:06Bye.
00:24:11Bye.
00:24:18Bye.
00:24:19It's yours, sir.
00:24:25Is it a boy or a girl?
00:24:26Neither, sir.
00:24:27It's Captain Drummond calling from Rockingham Lodge.
00:24:30Well, thank you.
00:24:34Hello, Q.
00:24:37What's that all, fella?
00:24:39Oh, but I couldn't now.
00:24:41Oh, but, Algy, I'm depending on you.
00:24:44Imagine this.
00:24:45The road to Danmore.
00:24:46Fog and such a fog, Algy.
00:24:48A dank and dismal dusk on the depressing stretches of dreary Danmore.
00:24:53Quite a few Ds, don't you think?
00:24:54And then, Algy, appearing suddenly from nowhere like an angel from the clouds, a girl.
00:25:01A beautiful girl.
00:25:03A lovely, ravishing girl.
00:25:05A girl?
00:25:06But, Hugh, you know, tonight's a sort of crisis in my life.
00:25:10You know, it isn't every day that chap becomes her father.
00:25:12I've just got to be here, don't you think?
00:25:15Or do you?
00:25:16You're right, Algy.
00:25:17Of course you're right.
00:25:19If there's danger to face, I'll face it.
00:25:23Alone.
00:25:31Oh, oh, oh, oh, oh, oh, oh, oh.
00:25:32Hello.
00:25:33Hello.
00:25:34Hello, hello, hello, hello, hello.
00:25:36Operator.
00:25:37Operator.
00:25:38Did you ring, sir?
00:25:39Oh, yes, Tenny.
00:25:40That delightful atrocity donated by our aunt, that he will hold us no more.
00:25:44May I express approval, sir?
00:25:45You may.
00:25:46Very well, sir.
00:25:47I approve, sir.
00:25:49It's all right, Tenny.
00:25:50It's Algy.
00:25:51He thinks I'm shot.
00:25:52Are you expecting Mr. Longworth, sir?
00:25:53If he's the alder I know, he'll be here.
00:25:55And when he comes, tell him I've gone to Greystone Manor.
00:25:58Very well, sir.
00:25:59He'll need a gun, my doctor.
00:26:01Yes, excellent idea.
00:26:02Yes, I well don't think so, sir.
00:26:04Nurse!
00:26:05Yes, Mr. Longworth.
00:26:06I've heard Mr. Dorman.
00:26:06He's been shot.
00:26:07He needs me.
00:26:08Well, then why don't you go to him, sir?
00:26:10The baby.
00:26:10Don't you think that I ought to...
00:26:11There's nothing, sir, that you can do for five or six hours.
00:26:14Are you sure?
00:26:15You can take my word for it.
00:26:17I'll meet him in the drawing room, sir.
00:26:19Right.
00:26:19Captain Dorman.
00:26:25Oh, you've come here to see me concerning the note left in your hat by Miss Clavering.
00:26:29Colonel Nielsen was kind enough to explain.
00:26:32This gentleman has tried to convince me that Miss Clavering's attempt to leave here this afternoon
00:26:35was due to some mental condition.
00:26:38Frankly, without missing matters, my dear sir, I don't believe a word of it.
00:26:42I've seen the young lady twice, and she's just the same as you or I.
00:26:45Do you know what you're saying?
00:26:47I've had this speech very carefully prepared.
00:26:49Now, look here.
00:26:50Colonel, one moment, please.
00:26:52You believe Miss Clavering is being held here against her will.
00:26:55You've stated very clearly.
00:26:57And you've come to convince Colonel Nielsen that I am, what shall I say, a scoundrel.
00:27:01A bearded scoundrel.
00:27:03Commissioner, the note you read referred to an envelope addressed to you.
00:27:07Here it is.
00:27:18Read that.
00:27:19Go on, out loud.
00:27:33Dickery, dickery, dock.
00:27:34The mouse ran up the clock.
00:27:37And when she got there, the cupboard was bare.
00:27:39And so the poor doggie had none.
00:27:41I warned him not to annoy you, Mary Dune.
00:27:45And my word for it, he won't do it again.
00:27:48Drummond, this has gone beyond a joke.
00:27:51You leave here immediately.
00:27:52And that's an order.
00:27:54Leave here.
00:27:55All right.
00:28:02I suppose I should be angry, Captain.
00:28:06But you're not.
00:28:07I quite understand the romantic interest that you so chivalrously display.
00:28:11On the other hand, you look as impetuous and sometimes foolhardy.
00:28:17So reading between the lines, I should mind my own business.
00:28:20Virtues at such a cost have undeniable advantages.
00:28:23Yes, I dare stay.
00:28:27I dare stay.
00:28:29Well, au revoir.
00:28:31You too, pickled face.
00:28:32I dare stay.
00:29:02I dare stay.
00:29:03I dare stay.
00:29:04I dare stay.
00:29:05I dare stay.
00:29:06I dare stay.
00:29:07I dare stay.
00:29:08I dare stay.
00:29:09I dare stay.
00:29:10I dare stay.
00:29:11I dare stay.
00:29:12I dare stay.
00:29:13I dare stay.
00:29:14I dare stay.
00:29:15I dare stay.
00:29:16I dare stay.
00:29:17I dare stay.
00:29:18I dare stay.
00:29:19I dare stay.
00:29:20I dare stay.
00:29:21I dare stay.
00:29:22I dare stay.
00:29:23I dare stay.
00:29:24I dare stay.
00:29:25I dare stay.
00:29:26I dare stay.
00:29:27I dare stay.
00:29:28I dare stay.
00:29:29I dare stay.
00:29:30I dare stay.
00:29:31I dare stay.
00:29:32Miss Clavering, Phyllis.
00:29:50Who's that?
00:29:52I'll own you my car tonight.
00:29:54Remember?
00:29:55Captain Drummond.
00:30:02Please, please, go away.
00:30:05If they find you here...
00:30:06Your genuine host believes us, God.
00:30:08And besides, they're all downstairs discussing golf sticks with Colonel Nielsen.
00:30:13You know Colonel Nielsen?
00:30:15You gave him the envelope?
00:30:16He's got his draw and caught on me.
00:30:18Why?
00:30:19Didn't you read what was in it?
00:30:20Well, the envelope contained in the sort of mother goose rhymes.
00:30:25Oh.
00:30:27Then someone must have...
00:30:29Substituted them for what you wrote.
00:30:30That's the only way it could have happened.
00:30:34Ah.
00:30:36Now, let's get to the bottom of it, shall we?
00:30:41Who wants to be murdered tonight on the moor?
00:30:47Solvus.
00:30:48Chauvin.
00:30:49He was helping the escape.
00:30:51You're being held here against your will.
00:30:52Isn't that it?
00:30:54Why?
00:30:56But I...
00:30:56I don't know exactly.
00:30:59I'm feeling the way I do.
00:31:01You see, um...
00:31:02My brother...
00:31:04It does sound a bit queer, doesn't it?
00:31:08Well...
00:31:09A little mixed shall we say.
00:31:12Do you think I'm crazy?
00:31:17Well, if you are, I...
00:31:19I'd rather like it.
00:31:20Well, and until his death.
00:31:22Two months ago.
00:31:23Ted.
00:31:24That was my brother.
00:31:25With Mr. Merriam's secretary.
00:31:27How did Ted die?
00:31:29He was shot during a hunt.
00:31:31You think it was an accident?
00:31:34No.
00:31:35He married you murderly in cold blood.
00:31:37Why?
00:31:39I don't know.
00:31:43What was in those papers you were so anxious for Colonel Nielsen to see?
00:31:46I don't know that either.
00:31:48But if you wrote them...
00:31:49I didn't.
00:31:50Ted wrote them weeks ago.
00:31:51Well, I hope he sent them to me.
00:31:52You must know what was in them.
00:31:53He didn't send them to me.
00:31:55I found them in the garden.
00:31:56The envelope had come apart.
00:31:58And the writing was so blurred.
00:32:01And so covered in mud that I couldn't read most of it.
00:32:03Anyway, what could you make out?
00:32:05Anything?
00:32:06Well, there was, um...
00:32:08An astounding discovery concerning Nathan Merriam.
00:32:11And two whole pages of numbers.
00:32:14A series of numbers, it seemed to me.
00:32:16After Ted died, Mr. Merriam, you sent for me.
00:32:24He's an old friend of my father's.
00:32:26He asked a lot of strange questions.
00:32:29I guess my answer must have made him believe that I knew what Ted had written.
00:32:34Because I've been a prisoner here ever since.
00:32:35But I told you, Mr. Longworth, Captain Drummond left just a few moments ago.
00:32:40But wasn't that his...
00:32:40Oh, I see.
00:32:43He's gone, you say?
00:32:44Yes, Mr. Longworth.
00:32:46Oh, thank you, yes.
00:32:47The pogs up this way are very similar to the pogs in London, aren't they?
00:32:50Quite similar, sir.
00:32:52Yes.
00:32:56Have you seen anything unusual?
00:32:58No.
00:32:59No, I haven't.
00:33:02But sometimes at night there are the most peculiar noises.
00:33:05Like something shrieking.
00:33:08Then the lights go down.
00:33:09And up.
00:33:10Then the stops.
00:33:11And start all over again.
00:33:14I'm going through.
00:33:16Come on, do it.
00:33:28Are you comfortable, dear?
00:33:30I'm all right.
00:33:31And have you taken your ready for me?
00:33:33Remember what Professor Sandman told you, dear.
00:33:36To find your way back to health and happiness, you must do exactly as he cares.
00:33:41You try and get a quiet, comfortable night.
00:33:44And don't let those dreadful imaginings upset you again.
00:33:48I'll be in my room, dear.
00:33:49If you want anything, just call me.
00:33:51Oh, my God.
00:34:00Stop.
00:34:00Oh, Mr. Pendergons.
00:34:19Stiles!
00:34:23What happened?
00:34:25Why, Captain Drummond.
00:34:26Captain Drummond? What was he doing?
00:34:28I don't know, sir.
00:34:28Before I could say anything, he and the other gentleman.
00:34:32What other gentleman?
00:34:32Mr. Longwood, sir.
00:34:33They set upon me.
00:34:35That's all I can remember.
00:34:36And that's enough.
00:34:38Drummond!
00:34:42So they have finished the story.
00:34:45Exciting, isn't it?
00:34:46But it could have happened, Algie.
00:34:47It could have happened.
00:34:48I don't know.
00:34:50If you're considering her as a possible mother for your children,
00:34:52I'd be awfully careful, old boy.
00:34:54When Grimmin...
00:34:55I have an idea.
00:34:57Oh.
00:34:58Hugh, if you don't interrupt me.
00:35:01Please.
00:35:03But Hugh, why?
00:35:07I'm sorry, old boy, but you've just got to excuse me.
00:35:10What?
00:35:10What?
00:35:11Where are you going?
00:35:12I'll be right back.
00:35:14I'll be right back.
00:35:27Beautiful technique, sir.
00:35:50Thank you, Teddy.
00:35:51If I'm not mistaken, sir, the gentleman has laid his egg.
00:35:55Well, that's biologically impractical, but quite expensive.
00:35:58I'd rather like it, sir.
00:36:02Now, if this had been a bullet...
00:36:04Bullet?
00:36:05That's it, Teddy, bullet.
00:36:08Lock him up in the hall cupboard.
00:36:12Algy!
00:36:13Algy!
00:36:16Algy!
00:36:18What are you doing?
00:36:19Come on, I've got it.
00:36:20Wait a minute, old boy.
00:36:21How do you do, sir?
00:36:28What game are we playing?
00:36:29Oh, come on.
00:36:33You're certain, are you, that this is the bullet that killed Dad Gavring?
00:36:36Oh, yes, sir.
00:36:37That was Exhibit A.
00:36:38Very good, Constable.
00:36:39I'll forward a recommendation for your promotion.
00:36:42Oh, thank you, Commissioner Nielsen.
00:36:43All right.
00:36:44Good night, sir.
00:36:44Good night.
00:36:45I say, boy, do you mind if you use your firm?
00:36:47Come on, come on.
00:36:48Come on, dear, dear, dear.
00:37:17First of all, I'm in a hurry.
00:37:22Hang on a minute, dearie.
00:37:25Yes, sir?
00:37:26I'm Commissioner Nielsen.
00:37:27You're Commissioner Nielsen?
00:37:30Yes, the Scotland Yard.
00:37:31I want you to send two of your men, although yourself, to Rockingham Lodge and see that
00:37:36Captain Drummond, Captain Hugh Drummond, remains there until I...
00:37:40Wait a minute.
00:37:41You say that you're Commissioner Nielsen, the Scotland Yard?
00:37:43Certainly.
00:37:45Well, how about your credentials?
00:37:46My credentials?
00:37:48Why, what do you mean?
00:37:48Well, I think I know Commissioner Nielsen, I do.
00:37:51And you know him, you ain't.
00:37:53I'm not.
00:37:53I...
00:37:54Well, the Commissioner was here himself just now.
00:37:56And an impersonating officer is a very serious offense.
00:38:01You might have to cool off in a cell, you might.
00:38:03Why, what do you mean?
00:38:04Hey, help.
00:38:05Oh, come here a minute.
00:38:06I don't like it.
00:38:06I tell you, I want to get away from here.
00:38:08When all we need is two more weeks, we're staying.
00:38:10If we got rid of the girl in the first place, none of this would have happened.
00:38:13All right, all right, I was wrong.
00:38:15We can't do away with her now.
00:38:16Nielsen isn't a fool.
00:38:17He believes she's ill.
00:38:19You can tell him she can't leave her home.
00:38:29Drummond.
00:38:32Good night.
00:38:32Good night.
00:38:32I'll attend to this.
00:38:41It isn't against the law to shoot a prowler.
00:38:43And if the prowler happens to be Drummond, that's our good fortune.
00:38:47Oh, dear, dear, dear, dear, dear.
00:39:13Hospital, hospital, hospital, hospital.
00:39:21Hospital, are you there?
00:39:22Are you there?
00:39:25Oh.
00:39:26Kelly, where are you?
00:39:28Hospital?
00:39:29This is Mr. Longworth speaking.
00:39:31Yes.
00:39:31And I'm about to, well, that is, I'm going to have a, I say, old girl, is my baby born?
00:39:38Oh, yes.
00:39:39You're the father of...
00:39:40Hello.
00:39:42Operator.
00:39:43Oh, I've been cut off.
00:39:45You.
00:39:46I'm the father.
00:39:47Nice work.
00:39:48How do you feel?
00:39:48Oh, I feel all right.
00:39:50Hello.
00:39:51Operator.
00:39:52Operator.
00:39:54Algy.
00:39:56I have it.
00:39:58Why, Christopher, I have it.
00:39:59Huh?
00:40:00Now, our friend, the constable, supplied this bullet, which killed Tad Clavering.
00:40:06Our friend, the dummy, supplied this one, which Mary do attended for me.
00:40:10Yes.
00:40:11Now.
00:40:15Hello, Operator.
00:40:17Look at the rifleing on these two.
00:40:19Identical, are they not?
00:40:21Very pretty.
00:40:23Operator.
00:40:27Visitor's algy.
00:40:30Visitor's algy.
00:40:37Hello, Operator.
00:40:39Oh, Inspector, you're just the man I wanted to see.
00:40:41And you ought to be shot for this night's work, young Huey Drummond.
00:40:44Impersonating an orphan, sir.
00:40:45Oh, they're under arrest.
00:40:46You do long work.
00:40:47But I say, Colonel, I just...
00:40:48Be quiet.
00:40:49Well, what are you going to say for yourself?
00:40:51Colonel, six weeks ago, one Tad Clavering died with a bullet in his heart.
00:40:54Tonight, fired from the same gun.
00:40:55The same gun, Mark.
00:40:56You, another bullet's fed into the heart of a defenseless dummy.
00:40:59A dummy?
00:41:00A dummy, Colonel, upon which I performed an autopsy.
00:41:02And you found what?
00:41:03In its cork and excelsior heart, the bullet intended for me.
00:41:06Pity it missed.
00:41:08And I suppose you'll be asking me to believe that the gun that fired these identical bullets
00:41:12belongs to Mr. Meridue.
00:41:14It does belong to him, Colonel.
00:41:16Yes, and I've told you before that I've known Meridue for years.
00:41:20But, Colonel, it takes only one false move to make an honest man a crook.
00:41:24Yes.
00:41:24Have you got those bullets?
00:41:25In there, sir.
00:41:26Open the door.
00:41:28Excuse me.
00:41:29Hello, operator.
00:41:30Operator.
00:41:30Now, Colonel, if you'll just follow me.
00:41:39Well?
00:41:40Where are they?
00:41:41Well?
00:41:58Well?
00:41:59They're gone.
00:42:01Yes.
00:42:01They're gone.
00:42:02And you are under arrest.
00:42:04Wait a moment.
00:42:05I know.
00:42:05I know.
00:42:11That butler we captured.
00:42:18He must have escaped.
00:42:20Butler?
00:42:20What butler?
00:42:22Stiles of Greystone Manor.
00:42:24But while we were out there, he must have come in here.
00:42:27Do you expect me to believe all this?
00:42:29First you insult my friends.
00:42:32Then you impersonate me.
00:42:33Then you expect me to swallow a lot of mildewed melodrama about autopsies on dummies.
00:42:40Identical bullets.
00:42:42Disappearing butlers.
00:42:43Murdered chauffeurs.
00:42:44And young girls who write nursery rhymes.
00:42:47Oh, Colonel.
00:42:48Oh.
00:42:49Greystone Manor, please.
00:42:50But Commissioner.
00:42:51No, I'm here to enjoy a holiday and I mean to enjoy it.
00:42:54Shall I, sir?
00:42:56Yes.
00:42:56Yes.
00:42:57Oh, Inspector, please.
00:42:58And you and your man remain here.
00:43:00They won't get away from us.
00:43:01They won't, sir.
00:43:02But Colonel, I've just become a father.
00:43:04Well, there's nothing so extraordinary in that.
00:43:06Is that you married you?
00:43:07Yes.
00:43:08This is Nielsen.
00:43:09I'm a Drummond.
00:43:10Yes.
00:43:11Well, at the moment I have him handcuffed and under guard.
00:43:14And he's going to stay there for the next two weeks.
00:43:16Yes.
00:43:17Yes.
00:43:18We break off tomorrow?
00:43:20Yes.
00:43:20That'll be very nice.
00:43:21Yes.
00:43:22Have your usual good luck.
00:43:24It's all right.
00:43:25Nielsen's got him locked up.
00:43:26Yes, I'll have him locked up.
00:43:29I'll have a couple of men down from the yard to take them up to London.
00:43:32You hear that, Master Huey Drummond?
00:43:33And for two weeks, while you are languishing behind prison bars, I shall be playing golf.
00:43:42Why?
00:43:44Hugh, what did he say?
00:43:46Nothing.
00:43:46Nothing at all.
00:43:48Would you gentlemen mind if I called my man?
00:43:50I'd like a scotting soda.
00:43:52Well, sir, I don't know his idea.
00:43:53Tell him.
00:43:55Tell him.
00:43:56He must be out, sir.
00:43:57He must.
00:43:59That's a colossal deduction, Higgins.
00:44:01As you say, he must be out.
00:44:09Tell him.
00:44:09Tell him.
00:44:10It became necessary for me to leave rather unexpectedly, sir.
00:44:17I'm very sorry, sir.
00:44:21Will your friends join you, sir?
00:44:22An excellent idea, Tenny.
00:44:24I'd rather like it.
00:44:26What say, Constable, will you join us?
00:44:28Well, now, sir, it don't seem exactly right, you don't.
00:44:30You know, drink him with you after arresting you, so not us, it'll.
00:44:33Well, I can't recall anything in the book of rules and regulations.
00:44:36Splendid up.
00:44:37Of course you can't.
00:44:39Come, come, Constable.
00:44:40Well, I don't know his...
00:44:41Oh, while we're quacking these convivial cups,
00:44:43we'll allow bygones to be bygones.
00:44:45He is.
00:44:46Right you are, sir.
00:44:47It's only the line of duty, it is, sir,
00:44:49and no odd feelings, I hope.
00:44:51Nope, no odd feelings.
00:44:53Good.
00:44:56An inspired idea, Tenny.
00:44:58A harmless drink, sir, but quite a thing.
00:45:00After the stars' escape, you pardon?
00:45:03Yes, sir.
00:45:04And this pursuit led you to...
00:45:05The stone wall surrounding grey stone men.
00:45:08Oh, sir.
00:45:08At this stone wall, he saw me, and I blackened both his eyes, sir.
00:45:13He caught me off my guard once.
00:45:16Was that all that happened?
00:45:17No, sir.
00:45:17He disappeared.
00:45:19Into thin air.
00:45:21No, sir.
00:45:21Into the stone wall, I believe.
00:45:24Into the stone wall.
00:45:25You see, sir, when the gentleman's fist made contact,
00:45:32there were a number of shooting stars, long ones,
00:45:35some natural comets, sir.
00:45:37And during this astronomical display,
00:45:42a portion of the wall seemed to open,
00:45:44and style...
00:45:45Necessary, I didn't understand opening.
00:45:47That was my impression.
00:45:48Good.
00:45:48Now, do you think you'll find the same spot again?
00:45:51If I must.
00:45:52Come on, Anthony.
00:45:54Let's do it now.
00:45:55Let's do it for us, sir.
00:45:56Come on.
00:45:56Come on.
00:45:56Come on.
00:45:57Come on.
00:45:57Come on.
00:46:00I don't need it, I tell you.
00:46:02I won't take it.
00:46:03Professor Stanton knows what's best for you, dear.
00:46:06Come on.
00:46:14There.
00:46:15Good night, my dear.
00:46:19Good night.
00:46:19Good night.
00:46:36I stood here and Stan was still there, sir.
00:46:39The wall seemed to open up directly behind you, sir.
00:46:42Here?
00:46:42In there, sir.
00:46:43Say, did I tell you?
00:46:44Oh, several times, sir.
00:46:46Aha.
00:46:47You've solved the mystery, sir?
00:46:48Yes, sir.
00:46:48There seems to be a gate.
00:46:49That would explain everything, wouldn't it?
00:46:51It would.
00:46:52And unromantically enough,
00:46:53it won't even have to force an entrance.
00:46:54Come on.
00:46:54But you.
00:46:55I've got this, sir.
00:46:57After you, sir.
00:46:58Oh.
00:47:06That halcy is Phyllis' room.
00:47:08Yes, but it seems to be barred.
00:47:10As a matter of fact, it is barred.
00:47:11But the one below it is not.
00:47:14Well, if I only had out of it.
00:47:15Would this serve the purpose, sir?
00:47:17It would.
00:47:18I'd brought it from the car, just in case.
00:47:20A great idea, Tenny.
00:47:21I love electric, sir.
00:47:22But I see you.
00:47:23After, I'm a family man now, you know.
00:47:25And rain.
00:47:26Shh.
00:47:26That's over.
00:47:28You and Tenny, wait here.
00:47:30Come on.
00:47:36What was that?
00:48:06What was that?
00:48:36What the matter with you?
00:49:05I heard something at him.
00:49:07There's someone moving about.
00:49:08Come on.
00:49:09We can't be up this all night.
00:49:35They're covering me.
00:49:40They're covering me.
00:49:42I'm coming.
00:49:47I'm coming.
00:49:50I'm coming.
00:49:59I'm coming.
00:50:32Why you?
00:50:41Take Phyllis Wardropper.
00:50:43Phyllis?
00:50:43God, I guard her with your very life.
00:50:45Where will I take her to?
00:50:46If those constables regain consciousness...
00:50:48I know the jail.
00:50:49I took the keys from the constables, sir.
00:50:50Tenny, you have wonderful ideas.
00:50:52I love them, I like them, sir.
00:50:53Come on, they'll never find her there.
00:50:54Yeah, then I can follow the hospital.
00:50:55Hospital, hurry, hurry.
00:50:56All right.
00:51:32Captain Donald.
00:51:39Phyllis.
00:51:42Are there two of you?
00:51:44Two of me?
00:51:45Three minutes ago, I rescued you from your room.
00:51:49Oh, that was Natalie.
00:51:50Asleep in your room?
00:51:52No.
00:51:53A little while ago, Professor Stanton gave me a sleeping tablet.
00:51:56I held it in my mouth.
00:51:58And when Natalie came to see if I was asleep,
00:52:00I smashed her off the head with a knife down.
00:52:04Phyllis, you're wonderful.
00:52:05You're one of us.
00:52:06One of me?
00:52:06Yes, it's out of here.
00:52:07Tenny and...
00:52:08Come on.
00:52:11Are all the doors and windows locked?
00:52:31Everything.
00:52:32It's getting to be funny, the way you keep healing things.
00:52:35Let's dive and forget to stand.
00:52:36Well, go upstairs and see whether everything's all right.
00:52:39Oh.
00:52:44Well, it looks like you might be here for quite a while, Phyllis.
00:52:48Be seated.
00:53:18Dust.
00:53:21Dust of ages, my dear.
00:53:23Alive with the romantic past of these ancient walls.
00:53:27I'm bleeding, too.
00:53:29I suppose this beehive of industrious skullduggery
00:53:33would eventually quiet down.
00:53:35Now we can get out of here.
00:53:44Seems to come from below.
00:53:48It does come from below.
00:53:51Yes.
00:53:53But don't you think we're talking too much?
00:53:55That's a very wise remark.
00:53:59But before we settle down to wait,
00:54:01may I ask just one simple question?
00:54:03Maybe it doesn't take too long an answer.
00:54:05Oh, it doesn't.
00:54:09Do you cook?
00:54:13No.
00:54:14No?
00:54:14Oh, it's too bad.
00:54:20Well, we will now meditate.
00:54:22About what?
00:54:25This.
00:54:33Was everything all right upstairs?
00:54:34Everything is locked.
00:54:35If that's what you mean.
00:54:36But the window in the library wasn't.
00:54:38There's somebody in this house.
00:54:39What?
00:54:46What is that?
00:54:52Who's in there?
00:54:54Come out or I'll shoot.
00:55:05Open it up.
00:55:06There's a key on the other side.
00:55:10Well, push it out.
00:55:11What are you wishing for?
00:55:12Open that chair.
00:55:33oh oh hello good evening get up diamond keep your hands above your head
00:55:45i'm awfully sorry old chap but i can't make it uh would you mind if pickle face gave me a lift
00:55:52help it no tricks no tricks like it is a good one take his gun and there my friend i have you
00:56:01because i haven't begun then you're very careless captain drummond no good straight ahead
00:56:06to your left
00:56:11why don't i hurt something now you're doing it straight ahead
00:56:31that'll be far enough
00:56:46uh-huh six in there
00:56:53your persistence is to be admired thank you
00:57:14but your judgment is now i see another trip to snowman's marsh yes it leaves no incriminating evidence
00:57:28and when does this interesting event take place there's no time like the present
00:57:45no noise you follow me perfectly professor stanton might use his popcorn and he is an excellent shot
00:57:57okay
00:58:01oh colonel ninson yes mary you has captain drummond been there again why no colonel we haven't seen him here
00:58:09no it isn't necessary that we have a guard i'm sure he won't bother us again
00:58:15yes colonel oh thank you so much
00:58:19good night
00:58:25all right coming surely not now why not well my man and mr longwood both know i'm here and
00:58:31and you must account for me that's for us to worry about if you don't mind but i do
00:58:37you're fond of your attractive sister i don't see what that has to do with the situation
00:58:44suppose i tell you she's not in graystone
00:58:46but i say you're a liar
00:58:51suppose you look
00:58:56tell miss selden to come here at once
00:58:58hello hello
00:59:07hello
00:59:07give me a car on your feet please
00:59:10yes the yorks
00:59:11hurry please
00:59:21come out of there
00:59:34come out of there
00:59:46that's it
00:59:49thank you
00:59:50and lower my hand
00:59:52you're courageous
00:59:53and you're very versatile
00:59:55murder kidnapping and uh counterfeiting
00:59:58you're going to be the only one who knows where your charming sister is
01:00:28you're going to be the only one who knows where you're going to be the only one who knows
01:00:32hello
01:00:34hello
01:00:35we were disconnected
01:00:37ring carl leopold again
01:00:41then ring the police station
01:00:43hurry please
01:00:44let me out of here
01:00:46let me out of here
01:00:47quite a strenuous task jenny
01:00:49miss clabbering has an extremely well-developed right
01:00:53rather of the channel swimmer
01:00:55great place you see soon
01:00:59if i ever get my hands on you i'll i'll scratch your eyes out
01:01:03it's a very trying situation tennie
01:01:05you see i've just like so sir
01:01:08you've just become a father sir
01:01:11as things are i don't know
01:01:13you don't know what you've become the father of sir
01:01:16it or they might even be quintuplets
01:01:20some
01:01:26oh
01:01:28oh it's you is it carl
01:01:30you longworth of all people are you out of your mind
01:01:34no no you see i uh well that is telly
01:01:37good evening carl
01:01:38yeah well well he he suggested quintuplets
01:01:41has german anything to do with it
01:01:43what's it carl why he was my best friend
01:01:45yes and and he's admired you's i know it go on drive on
01:01:56see what keeping natural in style
01:02:07what is it carl why it doesn't need to be told
01:02:09nothing but
01:02:14it doesn't need to be told
01:02:15so
01:02:17you know it's going to be told
01:02:18right
01:02:21and
01:02:22and
01:02:25and
01:02:26May I?
01:02:36Awkward situation, isn't it, Mary Jules?
01:02:47Did you find them, Stanton?
01:02:48Drop that gun.
01:02:50Miss Clevering, exactly on the count of three, I'm going to end an awkward situation.
01:02:57And that awkward situation line belongs to me.
01:03:00One.
01:03:02Two.
01:03:03Phyllis, behind you!
01:03:05They're gone. Natalie and Tire, they're both gone.
01:03:08Where's Mrs. Stanton?
01:03:09Proving, Mr. Meridieu, that two can play the game.
01:03:12Where is she, Drummond?
01:03:13Yes.
01:03:14If you value your life.
01:03:15And I assure you I do.
01:03:17Before my life and Miss Clevering's freedom, I'll bargain with you.
01:03:21I don't bargain?
01:03:22For the last time?
01:03:47Sorry, old man. Had to do it.
01:03:51Glad to see you again.
01:03:52Oh, boy.
01:03:53Ah.
01:03:56Operator.
01:03:57Now, this man, I demand that you...
01:03:59You're under arrest.
01:04:01Help him, Dennis.
01:04:02And now, Colonel, let me explain.
01:04:04You don't have to.
01:04:06There's another of them.
01:04:07The one they call Stiles, the butler.
01:04:09Find him.
01:04:10You mean you've known about Meridieu?
01:04:12Oh, but quite a while.
01:04:14Oh, don't take it so hardly.
01:04:17After all, you've been useful.
01:04:19In your own quiet, acrobatic way.
01:04:22What?
01:04:23Oh!
01:04:24You!
01:04:25It's the boy.
01:04:26Yes, congratulations.
01:04:28Congratulations, Colonel.
01:04:29What?
01:04:30Oh, yes, and the same to you.
01:04:31But, Commissioner, why didn't you let me know?
01:04:33Oh, my dear boy.
01:04:34Experience suggested a saner course than yours.
01:04:37And experience would have achieved the same result.
01:04:40Yes, I know, but Phyllis...
01:04:42Phyllis.
01:04:43Phyllis!
01:04:44Phyllis!
01:04:45Phyllis!
01:04:46Phyllis!
01:04:47Phyllis!
01:04:50Phyllis!
01:04:51Here I am.
01:04:53Phyllis.
01:04:57Are you running away?
01:04:58Yes.
01:04:59Oh, Phyllis!
01:05:00With you.
01:05:01The light?
01:05:03Oh, come on.
01:05:04Let's go!
01:05:10Well.
01:05:15And where are you two going?
01:05:17Oh, we ought to make our wedding arrangements.
01:05:19What?
01:05:20You approve?
01:05:21Oh, most assuredly.
01:05:22If you'll take a long honeymoon.
01:05:25Promise?
01:05:26Oh, I do.
01:05:27Why?
01:05:28Because when you leave England, I shall get a chance for a real vacation.
01:05:32Then pack your things, Commissioner, because we're on our way.
01:05:40The two of you.
01:05:47Oh, come on.
01:05:50There's shall grupp hablar with us!
01:05:51All right.
01:05:52Welcome.
01:05:53Ooooh!
01:05:54Take care.
01:05:55Take care.
01:05:56From what did there all go we had?
01:05:58Just leave, but we should all walk alone now to us.
01:06:01Follow us with you.
01:06:03Oh!
01:06:04Oh, who are you?
01:06:05¶¶
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