Join Captain Hugh “Bulldog” Drummond in another thrilling adventure in Bulldog Drummond’s Bride (1939).
As Drummond prepares for his wedding, danger strikes once again — forcing him to choose between love and duty.
A perfect blend of mystery, action, and humor that captures the golden age of British detective cinema.
This timeless public domain film remains a fan favorite for lovers of vintage crime stories.
#ClassicMystery #VintageMovies #BritishCinema #PublicDomainFilm #CrimeAdventure #BulldogDrummond #OldMovies #ClassicFilms #1930sFilm #DetectiveMovie
As Drummond prepares for his wedding, danger strikes once again — forcing him to choose between love and duty.
A perfect blend of mystery, action, and humor that captures the golden age of British detective cinema.
This timeless public domain film remains a fan favorite for lovers of vintage crime stories.
#ClassicMystery #VintageMovies #BritishCinema #PublicDomainFilm #CrimeAdventure #BulldogDrummond #OldMovies #ClassicFilms #1930sFilm #DetectiveMovie
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Short filmTranscript
00:00.
01:30The bank, yes.
01:31That vault popped open like a muffin.
01:33And the police.
01:34They were too fast for me to get clear away, so we'll proceed with the other plan.
01:38All right, come on, get away.
01:40Hey, son, now, please.
01:42One loon dandage flashes in and out of here before you know it.
01:45Now, all I want to know is that...
01:57I know, I know.
01:58I've had a report.
01:59Join the cordon, officer.
02:00Yes, sir.
02:00I'm Nielsen of the yard.
02:02This is Inspector to Dennis.
02:03We're taking charge.
02:03Well, you're a bit late.
02:05The bandit's gone.
02:06Shot away with 10,000 pounds of the bank's money.
02:08Well, he can't get far.
02:10Speed plan completed?
02:11Yes, sir.
02:11One minute after the alarm, our car's established a cordon around the entire district.
02:14Good.
02:15Our man must be inside that line.
02:17The net will close at the rate of one square an hour.
02:20Our fist can't possibly wriggle out of it.
02:21But suppose Mr. Barrows finds you.
02:23He'll know you're not one of his men.
02:25I'll say I'm taking your place because you're ill.
02:27But suppose the police come here?
02:28Suppose...
02:29What if they do?
02:30I'm ready for them.
02:32Mr. Armages, it's...
02:34It's an education to work with a man like you.
02:37Awkwardly.
02:50No, you!
02:51You!
02:52No!
02:53Remember what you promised.
02:55You're not going to play cups and robbers ever again.
02:58No, dearest, only I...
02:59Hugh Drummond, when are we going to be married?
03:01On the 10th, sweetheart.
03:02And how long is that?
03:03A day?
03:04Three days, sweetheart.
03:05Well, you don't forget it because if you do...
03:08Oh, Phyllis, you wouldn't marry that flight to Aldergate, would you?
03:10Hugh, I want to marry you more than anything else in the world.
03:13Oh, I knew you were only bluffing about Aldergate.
03:15But I've promised to marry Mr. Aldergate on the 11th.
03:18If you don't take me on the 10th,
03:19It's your last chance, Hugh Drummond, so help me.
03:22It's the only chance I'll ever need, darling.
03:25Aye!
03:26Aye!
03:28What are you two after?
03:30Cheap suicide?
03:31Pee!
03:31Pee!
03:32Pee!
03:32Pee!
03:33Pee!
03:33Pee!
03:34Pee!
03:34Pee!
03:34Pee!
03:36Pee!
03:36Pee!
03:37Pee!
03:38Pee!
03:38Pee!
03:39Pee!
03:39Pee!
03:40Pee!
03:40Pee!
03:41Now what, darling, now, what's the problem?
03:42First, we'll go and see what the decorators are doing to our new home.
03:45Right.
03:49That's Nielsen's car.
03:50Well, what if it is?
03:52Didn't you see him wave at me? He needs me.
03:54He'd never forgive me if I left him in the lurch, fellas.
03:57I'll be back in a jiffy.
04:00In half a jiffy.
04:02Don't hurry back on my account.
04:04You... you...
04:13Hey, fishy fishy in the brook.
04:15Papa catch him with a hook.
04:17How's fishing, Inspector?
04:18Don't call me Inspector.
04:19Oh, how did you get here?
04:22Well, Colonel, I was having a little look-see at my new flap,
04:24and what did I hear but police cars?
04:25Hill, isn't the bank robbery on my hands enough
04:29without having you in my hair and under my feet and between my teeth?
04:32Well, now, Colonel, after all I've done for Scotland Yard.
04:34After all you've done?
04:35Look here, sir.
04:37What's that?
04:40Army?
04:41Well, that's a new one, but we won't discuss that now.
04:44Hill, go home, you young scamp.
04:47Please, go home.
04:48Well, go and marry that lovely girl of yours,
04:51and don't please come middling in my affairs.
04:54Why, Colonel, I wouldn't bother with a simple bank robbery, because...
04:57Well, because what?
04:58Well, because it might just possibly be a case.
05:00Just possibly, mind you, a case that you could solve for yourself.
05:04Oh, that's all right.
05:06Good luck, Inspector.
05:07You'll need it.
05:07Oh, that's all right.
05:10Good luck, Inspector.
05:11You'll need it.
05:12Good luck, Inspector.
05:27Good luck.
05:28Good luck.
05:29Good luck.
05:39The entrance hall looks very nice, Mr. Barrow.
05:42Ah, but, madam, wait till you see the drawing room.
05:45Such a soft, cream color.
05:48Everything in the modern mode, madam.
05:50Yes, yes.
05:53Do you see what I see?
06:00What's the meaning of this?
06:03You'll pay for this, my man.
06:05I don't remember you.
06:07Ah, but you will.
06:09The world will remember me as a man who had courage.
06:12Courage to rebel against the everlasting monotony of white walls.
06:16Dead, flat, dull walls.
06:19A man can only go on painting white walls for so long.
06:22And then, psst, something snaps.
06:24Closer, come closer.
06:25You see what I'm doing?
06:26I express the human form divine,
06:28not in the Vulcan.
06:30I express the human form, not in the Vulcan.
06:33I express the human form divine,
06:35not in the Vulcan terms of flesh and skin and hair,
06:37but as kitchenware.
06:39Ha, ha, ha.
06:41Notice how a cooking pot represents the essence of a lovely woman's face.
06:44Mad as a heart.
06:45We'll send for an ambulance.
06:46More than a heart is dead.
06:48This is the art of tomorrow.
06:50Kitchenware.
06:51That's the secret.
06:53A pot for a face, a skillet for a body,
06:56and knives for fingers.
06:58Hello, hello, hello, hello.
07:00Hello, hello, hello, hello.
07:01Hello, hello, hello, hello.
07:02Hello.
07:03Hello.
07:04Hello.
07:05Hello.
07:06Hello.
07:07Hello.
07:08Hello.
07:09Hello.
07:10I say, is Phyllis, er, I mean, Miss Clavering about?
07:13I am Algie Longworth, and she promised to meet me here.
07:16I'm very happy to meet you, Mr. Longworth.
07:17Yeah.
07:18Miss Clavering.
07:19Is she the pretty girl with the green hair and the purple face?
07:21Yes, I...
07:22What?
07:23She was here.
07:24She went away.
07:25They all go away!
07:26They will look in my painting.
07:27Ah, but you...
07:28You are an intelligent man.
07:31You can appreciate it through your heart when you see it.
07:33Look, this is she lovely.
07:36Notice that she's a good man.
07:37You are an intelligent man.
07:39You can appreciate it through your heart when you see it.
07:42Look, isn't she lovely.
07:43Notice that she's a good man.
07:44You can appreciate it through your heart when you see it.
07:46Look, this is lovely.
07:48Notice the delightful curves of the pot face.
07:53By all means, yes.
07:54You like it?
07:55You really like it?
07:56Terrific.
07:57I'm not just saying that.
07:59No, no, no, no.
08:01If you'll pardon me, I'll be popping, old boy.
08:04You don't like my painting.
08:06I should have known that a man would wear that tie with that suit,
08:10would have no color sense at all.
08:13Look at yourself in the mirror.
08:14Huh?
08:15Now look at yourself in the mirror.
08:16Oh!
08:17Now look at yourself in the mirror.
08:18Oh, just a moment.
08:19Listen.
08:20Now look at yourself in the mirror.
08:21Oh, this is too much.
08:22Too much?
08:23Not enough?
08:24No.
08:25Oh!
08:26Now look at yourself in the mirror.
08:27A masterpiece.
08:28Oh, so you're still against me.
08:29Huh?
08:30Now hold the others, eh?
08:31Oh!
08:32Help!
08:33Help!
08:34Help!
08:35Help!
08:36Help!
08:37Now, look at yourself in the mirror.
08:40A masterpiece!
08:43So you're still against me, like all the others, eh?
08:55No! Help!
08:59There! No, no!
09:04You!
09:06No!
09:11Be careful, Hugh.
09:19Hugh, save me! He's mad!
09:26Get back!
09:27Your way! Put me alone!
09:29I'll show you!
09:30Leave me alone!
09:31Don't!
09:32Get back!
09:33Get back!
09:38Here, Doctor!
09:39Butchers!
09:40Murderers!
09:41You're killing me!
09:42Quiet!
09:43Quiet!
09:44Quiet!
09:45Quiet!
09:46Quiet!
09:47Quiet!
09:48Quiet!
09:49What is it, Doctor?
09:50Plain case of lead poisoning!
09:51Painters!
09:52Occupational disease!
09:53Mania!
09:54Delusions!
09:55Followed by spasms and coma!
09:57And then?
09:58Oh, they usually come out of it in time!
10:00It's a good thing you nabbed him before he did any real damage!
10:03What do you mean, before he did any real damage?
10:05What's happened here?
10:06One of the painters went barmy, sir!
10:07Oh, my sacred aunt, I might have known it!
10:09If there's trouble happening anywhere, you'll be there!
10:10I'm sorry, Colonel!
10:11No, you're not sorry!
10:12You're only sorry when you miss something!
10:13Well, you're going to miss something now!
10:14Get out!
10:15But you can't throw me out, Colonel!
10:16No, really?
10:17Why not?
10:18Because this is my flat!
10:19Our flat, darling!
10:20Yes, our flat, Colonel!
10:21Did you catch the bank robber?
10:22Bank robber?
10:23Hugh, was there a...
10:24Ask the Colonel!
10:25No, we haven't got him yet, but he can't possibly get through our lines!
10:27Every house in the whole area is in the house!
10:28I don't know!
10:29I don't know!
10:30I don't know!
10:31I don't know!
10:32I don't know!
10:33I don't know!
10:34I don't know!
10:35I don't know!
10:36I don't know!
10:37I don't know!
10:38We met, but he can't possibly get through our lines!
10:40Every house in the whole area will be searched!
10:41We'll have him before nightfall!
10:43How much did he get from the bank?
10:45The marriage said about 10,000 pounds!
10:46Colonel, maybe I can...
10:47Or maybe you can...
10:48What?
10:49You're coming with me, Hugh Drummond!
10:51Do you want me to miss my train?
10:53Are you going to France today, Phyllis?
10:55Yes, I'm joining Aunt Blanche!
10:56Darling, will you do me a favor?
10:58Take him with you!
10:59He'll be over for the wedding on the 10th!
11:01I hope you're coming, Colonel!
11:03Well, if your perfect descent is going to take place, I wouldn't miss it!
11:05If he fails me this time!
11:07I'm going to marry Mr. Aldegut!
11:09Serve him right if he did!
11:10Wouldn't it just?
11:11Come on, Hugh!
11:12Oh, just a moment!
11:13You'll need a pass to go through the lines!
11:15I'm afraid you can get through with that one!
11:17Here she goes!
11:18How long has this painter been in your employ, Mr. Barrows?
11:22I'm not quite sure!
11:24Some time, I believe!
11:26Have you ever noticed anything unusual about his conduct?
11:28No, no, I can't say I have!
11:30If there's anything I can do for him, Inspector, I'll be very glad to oblige if you'll let me know where he is!
11:35I'm sure he'll be grateful!
11:37Thank you, Mr. Barrows!
11:38You'd better have one, too, Phyllis!
11:41There you are, my dear!
11:42Thank you!
11:45Oh, sad case, Captain Drummond!
11:47Very sad!
11:48I assure you, every trace of his ridiculous work will be removed!
11:51Thank you, Mr. Barrows!
11:52Good day, Captain!
11:53Good day!
11:54Oh, Hugh, wait!
11:55Don't leave me like this!
11:56Chill!
12:03Have they caught the bank robber yet, Constable?
12:05Not yet, but he can't get away!
12:12Stand back!
12:13Stand back, Prince!
12:14Stand back!
12:21Stand up for inspection, please!
12:22Everybody must be inspected!
12:29All right!
12:32Beg pardon, sir, but I've had orders to stop all cars from leaving this area!
12:35There's been a bit of a bank robbery, sir!
12:37No!
12:38Oh, Uzi!
12:39Oh, but in your case, sir, I know it's just a bit of formality!
12:42But I've had orders to stop everybody!
12:44Absolutely everybody!
12:47I'm sorry, sir, but this pass is just for the young lady!
12:50Would you mind waiting here a few moments, Captain Drummond?
12:58Tenny!
12:59Ah, catch!
13:00There goes up!
13:04I presume you've got Miss Phyllis to the train on time, sir!
13:06But just, Tenny!
13:07And would you believe at the last minute she didn't want to go,
13:09she didn't think I was fit to be trusted alone in London!
13:12What's the matter, Tenny?
13:13Nothing, sir!
13:14I love the spring because spring loves me!
13:18I forgot to tell you, sir, we have a visitor!
13:22Yes, Mr. Longworth!
13:23Precisely, sir!
13:24War paint and all?
13:25No, sir!
13:26I lent him one of my suits, sir!
13:29Why, Tenny, I didn't know you had another suit!
13:31Oh, for special occasions, sir!
13:33A new grey one!
13:34I see!
13:35Tilly blend!
13:36Oh!
13:37Algy!
13:38Here, old boy!
13:39Oh, what a day!
13:40What a day!
13:41Little did I know, little did I dream when I popped in on your new flat!
13:44Keep a stiff upper lip, old boy, because we're popping right back there!
13:46Oh, anything you say, old boy!
13:47What?
13:48Yeah, it's from Phyllis!
13:49Please go to new flat, get portable radio set and send air express,
13:51and make sure you aren't getting into more trouble!
13:53Yours until the 10th, love, Phyllis!
13:54Well, I don't see why we have to go!
13:56Why can't Tenny go?
13:57I think you'll pop up a little bit!
13:58Yeah, he's still in the house!
13:59No, he's still in the house!
14:00Oh, no!
14:01I'll do this!
14:02I'll do this!
14:03I'll do this!
14:04I'll do this!
14:05I'll do this!
14:06Well, I'll do this!
14:07...I'll do it!
14:08I'll do this!
14:09And I'll do it!
14:10I'll do it!
14:11I'll do it!
14:12I'll do it!
14:13But I'll do it!
14:14I'll do it!
14:15Well, I don't see why we have to go.
14:17Why can't Tenny go?
14:18I beg your pardon, sir.
14:19I should be very happy to attend to the letter.
14:21Now, see, this chap Barrows is up to something.
14:23It sticks out like a sore thumb.
14:24And this is a good excuse to have another look at it.
14:26But, you know, I was on my way home, really.
14:28Now, nonsense, Archie.
14:29Don't worry about that painter.
14:30He's safe under lock and key.
14:31Tenny, my hat.
14:32Oh, dear, dear, dear, dear, dear.
14:42Well, not a trace, sir.
14:43Absolutely nothing.
14:44No, but hang it, old man.
14:46He couldn't get away.
14:47We've tried everything, sir.
14:48The basements, attics, even the housetops.
14:50I can't see how any criminal could get through a cordon like that
14:53with his loot under his arm.
14:54Well, he's a smart one, and that's a fact.
14:56Yeah.
14:58Home secretary has just had me on the phone.
15:01The usual thing, questions, questions.
15:03Tomorrow, the press will be doing the same thing.
15:06Have we any clues?
15:07When may we expect an arrest?
15:09What do the police propose to do?
15:11I don't quite know, sir.
15:12Neither do I.
15:13I wonder what young drummer would do.
15:18I beg pardon?
15:20Am I sending?
15:20I don't think so, no.
15:23All right, dear.
15:23Did you bring some clothes?
15:42Sure.
15:43In the car.
15:43Come on.
15:44Not so fast.
15:44You want to get anywhere in this business, you must learn not to leave anything behind.
15:50Well, you left the money.
15:52Safely hidden, my boy.
15:54When the police go...
15:55They've gone already.
15:56All right.
15:56Good.
15:57Come on.
16:01Any news?
16:02I thought you should know, sir.
16:03That painter who went mad, he escaped from the hospital.
16:05Oh, he's probably gone straight back to his own home.
16:07We thought he'd do that, sir.
16:08But you see, he gave a false address.
16:10He what?
16:11He gave a false address in Peckham.
16:13They've never heard of him out there.
16:15But Dennis, I'm beginning to see daylight.
16:18Oh, what a fool I've been.
16:19What is it?
16:20Why, that painter.
16:21Why couldn't he be the very man we're looking for?
16:23Right out from under our very noses.
16:25But the manager, what's his name?
16:26Barrows.
16:27Barrows.
16:27Yes, I think I'll go and have a talk with Mr. Barrows.
16:30And when I get through with him,
16:31I think we'll know a little more about our bank robber.
16:34Well, if it isn't the poor mad painter himself.
17:00Recovered quickly, didn't you?
17:01As a matter of fact, I was expecting you,
17:05but not quite so soon.
17:07Is this where you hid it?
17:09In the radio?
17:10I don't know what you're talking about.
17:12Oh, yes, you do, Mr. Bank Robber.
17:15No tricks.
17:17Well, why don't you call the police?
17:20Why?
17:21Oh, we really don't need them, do we?
17:23Let me see now.
17:25Ten thousand pounds, wasn't it?
17:27Or didn't you have time to count it?
17:29I see.
17:30A split.
17:31You couldn't stop me if I took all of it.
17:34But I'll be generous.
17:36Fifty-fifty, agreed.
17:38You're a smart man, Mr. Barrows.
17:40Oh, you're pretty smart yourself.
17:43You know, it takes brains to do what you did today.
17:46You better turn off that light.
17:48The police know this flat's not occupied.
17:50Did we blow a tire?
18:01There's no blowout, Elsie.
18:02That was a shot inside somewhere.
18:03Come on, we're going in.
18:04Stay here, Tony.
18:05Very good.
18:09What's going on?
18:10Something's up, Elsie.
18:11Come on.
18:11Come on, Elsie.
18:12Now, here, sir.
18:20Oh!
18:38Halsey, where's the flashlight?
18:40Huh?
18:41I thought you had it, Hugh.
18:42Oh.
18:44Must be a light switch around here somewhere.
18:50Nothing here, Hugh.
19:20Come on, Hugh.
19:28His leg's up, Algie.
19:30All right, old boy.
19:34Wait a minute.
19:38I got him, old boy.
19:40I got him.
19:44Algie, get him!
19:46He's gone, hasn't he?
19:50Yes, Algie.
19:52Captain Drummond.
19:54In here, Tenny.
19:56Tenny, did you see a man escaping?
19:58Yes, sir.
20:00Why didn't you do something?
20:02Because he did it first, sir.
20:04You're not the only one, Tenny.
20:08Algie, do you suppose he could have fired that shot we heard?
20:10What would he be firing at? There was nobody here.
20:12Let's have a look.
20:14Listen.
20:16Do you think he's coming back?
20:18Algie, be sure you tie his ankles this time.
20:38Tenny, the lights!
20:40Yes, sir.
20:42I got him.
20:44I got him.
20:46Oh, dear, dear.
20:48I'm afraid we've made a mistake.
20:49It's right, Colonel.
20:50You see, we...
20:51We thought you were somebody else.
20:52Yes.
20:53A natural mistake, sir, under the circumstances.
20:55You see, Colonel, we didn't expect you.
20:56We didn't expect me.
20:58Well, who in blazes did you three hoodlums expect?
21:00We weren't quite sure.
21:02You see, we heard a pistol shot.
21:03What?
21:04No, no, no, no.
21:05We thought we heard a pistol shot, but it wasn't.
21:07It was a backfire.
21:09I see.
21:10Yes, it was a backfire.
21:11You see, Colonel, Phyllis wired me and asked me to come up here
21:13and get a radio set that she wanted.
21:15Yeah, and here it is, old boy.
21:17Marvelous invention, the radio.
21:19Great thing for shut-in.
21:20Yes, I'd like to see all three of you shut-in for six months at Harvard.
21:23Now, Colonel.
21:24Pardon me, sir.
21:25Your hat, sir.
21:26Yes, sir.
21:27Yes, sir.
21:28Yes, sir.
21:29Yes, sir.
21:30Yes, sir.
21:31Yes, sir.
21:32Yes, sir.
21:33Yes, sir.
21:34Yes, sir.
21:35Yes, sir.
21:36Yes, sir.
21:37Yes, sir.
21:38Yes, sir.
21:39Yes, sir.
21:40Yes, sir.
21:41But you rushed up here thinking you had a shot, didn't you?
21:43Well, yes.
21:44And when you got here, you found everything quiet and peaceful.
21:47Perfectly quiet, Colonel.
21:48Yes.
21:49Then what in the name of my sainted aunt Harriet is that?
21:53Good hands.
21:55Well, that's Bellows, the manager.
21:57Hill, that car you heard fires bullets through the heart.
22:02Yes, sir.
22:03Now he's going to jump in and Gorin.
22:05Well, the Lord is fifth.
22:06And he's going to leave ya in and he's going nowhere with
22:09The Lord can't go around and grow the heart.
22:11Yes, sir.
22:25Wedding agisting.
22:26Picic, chemin, Mancел Ture.
22:29Hi.
22:31Here's radio for Miss Phyllis Claverine.
22:36Merci, facteur.
22:37A bientôt, Therese.
22:42Find your man here, Hugh.
22:43That's it, Colonel, but if he's here, I will.
22:45I know, I know.
22:47You think the bank robber, the painter, and your burgd
22:49are all one and the same man?
22:51No, so did I last night.
22:53There's an old offender.
22:54He's quite capable of committing both robbery and murder.
22:56Name's Henry Armadies.
22:58He's a dangerous customer.
22:59I'm sorry, Inspector, I don't recognize him.
23:01Well, you couldn't have had more than a glimpse
23:02of the man in your flat last night.
23:04You probably wouldn't recognize his picture.
23:05I'm positive, Colonel.
23:06His ugly mug was within an itch of my nose.
23:08Well, since you didn't see the painter,
23:10except with his face completely covered,
23:12we can't be sure they were the same even now.
23:14Colonel, the people at the hospital said
23:15that a man with lead poisoning couldn't get up for a week,
23:17and yet the painter was able to escape.
23:20He wasn't suffering from lead poisoning.
23:23Hugh, they couldn't have been right in both cases, now could they?
23:26No, they couldn't, Colonel, but I...
23:27No, no, no, we've given your theory a fair trial,
23:29and we've nothing left to go on.
23:31Colonel, let...
23:32Will you please go home, Hugh?
23:34Please go home.
23:35I've got work to do.
23:37Good luck, Inspector.
23:38Good.
23:42Well, it's not in the bedroom, so it must be in here.
23:44Suppose Drummond comes home?
23:46We'll take care of him if he does.
23:48How could he hide a radio in there?
23:50The money could have been taken out of the radio, my friend,
23:53and tacked to the bottom of the drawer.
23:55Well, if Drummond found the money,
23:56wouldn't he turn it into the police?
23:58Drummond's not such a fool.
24:00He likes money as well as we do.
24:05The main thing to remember in searching a room
24:07is that the unlikely places are the likeliest.
24:10When I was serving my apprenticeship, as you are now,
24:13I was sent to find a letter.
24:15A very important letter.
24:17I failed.
24:19Because I didn't realize it could have been pinned into the draperies.
24:22Maybe he carries it with him.
24:24Maybe he did a letter now or is it told me that we are working on the Thingolus
24:29correctly?
24:30Maybe he can go to a dungeon.
24:32A drawer?
24:33Yes.
24:35Dr. Amen Xavier.
24:37Why is he there?
24:38I don't think so.
24:39Does he know the irritation of interest materials?
24:40I don't know why Sirius does it really exist,
24:42you know, what an attorney.
24:43I don't know.
24:44Remember.
24:45He's gone look and brought it back.
24:46As you make a little siri.
24:48On the acknowledge.
24:49shareholders.
24:50Parish.
24:52Wait!
24:53Are you leaving that message for Drummond to read?
24:56No, I'll tear it up, of course.
24:59Another thing.
25:00Captain Drummond must not go to Taj Mahan today or undertake.
25:04He might make trouble for us there.
25:06How can we stop him?
25:08Watch.
25:10On the desk, there's some fishing line.
25:12Get it.
25:22You will observe, my friend, that this is train on the door through which Drummond will enter.
25:37Yes, but...
25:39I see.
25:40When Drummond opens the door, bingo!
25:43But suppose it gets the wrong person.
25:45Another shooting in a Drummond flat would interest the police, I imagine?
25:50Captain Drummond would be so busy explaining, he wouldn't give us much trouble for several days.
25:55Criminy.
25:56What's that?
25:57Blake has the fingerprints.
25:58Good.
25:59Send him in.
26:00To Dennis, we're in luck.
26:01We've got fingerprints from the bank.
26:03Here are the fingerprints, found in the London and Southminster banks, sir.
26:06Fingerprints from the bank robber?
26:08Definitely.
26:09These prints were taken from the handle of the paintbrush in Captain Drummond's flat.
26:13They're the same.
26:15Then Drummond was right.
26:16The bandit did hide in his flat.
26:18Good work, Blake.
26:19That's all, sir.
26:20Look at these.
26:21Where do you get these, these?
26:22From our files.
26:23They're the prints of Henry Armadie's.
26:24They're the same as these others.
26:25Look, line for line.
26:26That's right.
26:27That's all, Blake.
26:30Drummond was right.
26:31He's been right all the time.
26:33Don't forget that you had that idea first, sir.
26:35I know that, only I hadn't sense enough to stick to it.
26:38Get me a picture of Armadie's from our files.
26:40I want Drummond to identify it.
26:41You only have one with the beard, and Drummond actually looked at them.
26:43Well, then paint the beard out, man.
26:44He'll recognize it quickly.
26:45I'll have him here in half an hour.
26:46Good.
26:47After you, Waltie.
26:56All the way back.
27:01Oh...
27:17Thanks, Tinney.
27:21Oh...
27:24Do you think that was meant for a joke?
27:25Joke, Alzi.
27:26I'd be named a few inches lower, that'd be no joke.
27:29Why, Tenny? First a new flat and now this. Who is he? What's he want?
27:32I don't know, sir. Let me see that.
27:36Tenny, have we got any cables recently?
27:38No, sir. Perhaps it blew in through the window.
27:40Oh, nonsense. Algy, the window's closed.
27:47What's the matter, old boy? Did you lose something?
27:49Looks like it, Algy.
27:50Thought perhaps they'd torn up the message, but they were too smart for that.
27:53Might be from Phyllis.
27:55Do you think, sir, that's what I'm saying?
27:57A cable of ours has been intercepted by the enemy?
27:59Right, Tenny.
28:00Then may I suggest, sir, that we call up the telegraph office
28:03and have the message repeated?
28:05Brilliant idea, Tenny.
28:06I'd rather like it, though.
28:18Be careful, Algy.
28:24Hello.
28:25Hello.
28:26I want to repeat on a message.
28:27It wasn't quite clear.
28:28Yes, the name's Drummond.
28:29Hugh C. Drummond.
28:30Number nine, Chesty Mansions.
28:31That's right.
28:34Yes, go ahead.
28:37All right, thank you.
28:38Well?
28:39It's from Phyllis thanking me for the radio.
28:41Oh, it's a good thing it wasn't anything important.
28:44Important.
28:45But it was important, Algy.
28:46Tenny!
28:47Yes, sir?
28:48Get in my bags. I'm leaving town.
28:49Very good, sir.
28:50What did you find out?
28:51Don't you understand, Algy?
28:52Everything checks.
28:53The bank robber.
28:54The mad painter.
28:55That's where he hid the money in the radio.
28:56And I sent it to Phyllis.
28:57Oh, where are we going?
28:58We.
28:59Yes, we.
29:00All the way, old boy.
29:01To Tajmo.
29:02I've got to get there before the enemy.
29:03We've just got time to catch the boat train, sir.
29:05No, it's too slow, Tenny.
29:06We wouldn't get there tomorrow night.
29:07I'm going by air.
29:08The three of us, sir?
29:09Why three?
29:10All for one and one for all, sir, as the saying goes.
29:12Very apt, Tenny.
29:13I rather like it, sir.
29:21I see trouble approaching, sir.
29:26Hello, Inspector.
29:27Afraid I can't stop to entertain you just now.
29:29That's all right, Captain Drummond.
29:30I'm going to entertain you.
29:31Not arrested again?
29:32No, not exactly.
29:33We want you to look at some photographs.
29:35Oh, delighted, old chap.
29:36Tomorrow or the day after, not today.
29:37You're coming to the yard, Captain Drummond.
29:39Colonel Nielsen's orders.
29:40I was going to take a plane, but...
29:42Ixte Ithwae Ime.
29:43I trae oh yea.
29:44Do you mind taking my car?
29:45It's quicker than the underground.
29:46Not at all if you don't drive too fast.
29:48What did he say, sir?
29:50That is Pig Latin, Tenny.
29:52He said, stick with me.
29:54Oh, I see.
30:10What's the matter?
30:11Is the tank empty?
30:12Oh, that's plenty.
30:13Tony, did you get that new battery?
30:15Yes, sir.
30:16Oh yea, I lay any day.
30:17No, sir.
30:18Get out and give us a push, will you?
30:20Well, come along.
30:21Aren't you going to give us a hand?
30:22Would you mind, Inspector?
30:23You know, one more shoulder to the wheel?
30:24Oh, very well.
30:25As they say in America, I think he put one over on you, old boy.
30:43Carry me.
30:44Everclear.
30:45I see.
30:46Disguised, Inspector?
30:47Certainly not.
30:48And never mind how I look.
30:49Take a cable.
30:50Chief of Police, Targemont, France.
30:52I'll give that Captain Drummond a joke from this office and see how he likes it.
30:54You ready?
30:55Yes, sir.
30:56Please hold young Englishman arriving tonight.
30:58About five feet, eleven inches tall, 170 pounds weights.
31:02Small moustache.
31:03We believe him to be George Boyd, alias Henry Jones, a notorious international spy.
31:06This man will undoubtedly claim to be Hugh Drummond.
31:09If you apprehend him, notify Scotland Yard immediately and hold the criminal until further instructions from us.
31:15Regards.
31:16Give that the department signature.
31:17That's what a hold Captain Drummond.
31:18I'm going to tell you.
31:19I'm going to tell you.
31:20I'm going to tell you.
31:21I'm going to tell you.
31:22I'm going to tell you.
31:23I'm going to tell you.
31:24I'm going to tell you.
31:25I'm going to tell you.
31:26I'm going to tell you.
31:27I'm going to tell you.
31:28I'm going to tell you.
31:29I'm going to tell you.
31:30I'm going to tell you.
31:31I'm going to tell you.
31:32I'm going to tell you.
31:33That's what a hold Captain Drummond for a while.
31:34Is that the house?
32:01Yes, but careful now.
32:02Why, this would be duck soup for me.
32:04Don't be too sure.
32:05The clevering earl would surely recognize me or I'd do it myself.
32:08Oh, I'll fool them all right.
32:10Yeah.
32:11Just in case you don't, you'd better take this.
32:14Now, first, I'll say to them.
32:24This man says he's a customs inspector.
32:26Something about the radio.
32:28Oh.
32:29Voulez-vous explique ce que vous désirez, monsieur?
32:37A thousand pardon, but it is my duty, madame.
32:40Oh, you speak English?
32:42Oui, oui, madame.
32:43That is why I am sent.
32:45Well, now, what's this about the radio?
32:48She has not been paid for.
32:50The duty.
32:51I must confiscate.
32:53Oh, stuff and nonsense.
32:54How dare you come here at this time of night disturbing respectable people?
32:57The duty.
32:58She has not been paid for.
32:59Oh, that's utterly ridiculous.
33:00Now, if there's been any mistake, it's not our fault.
33:03Tell me the amount and end this nonsense.
33:05Impossible.
33:06You know, you don't look like a Frenchman to me.
33:10You look more like an Englishman.
33:12A very low-class Englishman.
33:15I don't believe he understands half we say.
33:20Therese.
33:21Therese.
33:22Therese.
33:23Therese.
33:24Therese.
33:25Will you please talk to this man?
33:26He says he's from the customs.
33:27Therese.
33:28Therese.
33:29Therese.
33:30Therese.
33:31Therese.
33:32Therese.
33:33Therese.
33:34Therese.
33:35Therese.
33:36Therese.
33:37Therese.
33:38Therese.
33:39Therese.
33:40Therese.
33:41Therese.
33:42Therese.
33:43Therese.
33:44Therese.
33:45Therese.
33:46Therese.
33:47Therese.
33:48Therese.
33:49Therese.
33:50Therese.
33:51Therese.
33:52Therese.
33:53Therese.
33:54This man is an impostor.
33:57I knew it.
33:59He cannot even speak French.
34:01He's a thief trying to steal the radio.
34:03Shut up.
34:04Get back against the wall there.
34:06All of you.
34:07Black guard.
34:08I shall call for help.
34:09Then you'll be dead.
34:10Shut up, you.
34:12Try back.
34:13Try back.
34:14Keep a distance.
34:17Try back or you'll get it.
34:20Yes.
34:21Yes.
34:22Yes.
34:23Yes.
34:24Yes, yes, yes.
34:25You want to go please?
34:26Move!
34:30Gaston is a very old friend of mine, madame.
34:32Sometimes he drops in for a little glass of wine.
34:36Gaston, yes.
34:38What's the matter?
34:39I'm in a hurry to get to Targemon.
34:41This is Targemon.
34:42We can go no further.
34:44You can't go to Targemon.
34:47But this is Targeman. We can go no further. The street, monsieur.
34:51Oh, I see. Will you take my bags?
35:06Bonsoir, monsieur. One moment, monsieur.
35:08Monsieur Dupré.
35:10Listen, gentlemen, you will ask questions, please.
35:12Who are you and why have you come here?
35:14My name is Hugh Drummond and I'm a British subject.
35:16I don't see why I should tell you anything.
35:18George Boyd, alias Henry Jones. You will have to come with us.
35:21George who?
35:22We have a cave wanting us to look out for you, monsieur.
35:25What for?
35:26Games up, monsieur.
35:27There's a large reward for the capture of spies.
35:30Dead or alive.
35:32Yes, dead or alive.
35:33Now, look here. This is all nonsense. I want to see the chief of police.
35:35I am the chief of police, monsieur.
35:37Then I demand to see the mayor.
35:38I am also the mayor.
35:40Now, look here. My name is Hugh Drummond and I'm not a spy.
35:43Now, if you'll cable Colonel Nielsen of Scotland Yard, why, he'll vouch for me.
35:46There will be no need for further talking.
35:48Take monsieur, by the way, and see that he has accommodations worthy of such an honorate guest.
35:53Oh, such an honorate guest.
36:23He goes in. You come out. This way, monsieur, please.
36:30How you doing, mate?
36:31Nicely, thank you.
36:32That's the ticket. Keep it chin up.
36:34Right.
36:35And don't talk. No matter what they do to you, mate.
36:38They kept after me for hours.
36:39But I didn't talk.
36:40Who's he?
36:42Another Englishman like you, but a much greater rascal.
36:45George Boyd. International spy.
36:48He's wanted in every city in Europe.
36:51And they say there is a hundred thousand francs reward for him, dead or alive.
36:59The great George Boyd.
37:06How about getting a little beauty sleep, dear?
37:08What? Oh, I think I'll read a little while longer.
37:11Interesting book?
37:13Yes, very.
37:16Couldn't be the late news broadcast from London you're sitting up for, could it?
37:20I'm not worrying about Hugh.
37:22If he gets himself into trouble, he'll have to get himself out.
37:27Oh, auntie.
37:28Why hasn't he answered my cable asking him to come today instead of tomorrow?
37:32Well, you said it yesterday.
37:33He's probably in Zanzibar by now, chasing some will-o-the-wisp.
37:39Monsieur, you'll have to double up. We only have one cell.
37:42You sit there, Mr. Boyd.
37:45Boyd?
37:46Oh, yes, of course, Boyd.
37:47Sure.
37:48I know all about you.
37:49Word goes around you, though.
37:50I'd be a pretty green one not to avert about you.
37:51And the big jobs you've pulled.
37:52A person like you.
37:53At the top of the profession.
37:54Could teach a fellow like me a lot of tricks.
37:55You think so?
37:56Yes.
37:57Yes.
37:58Yes.
37:59Yes.
38:00Yes.
38:01Oh, I know how it is.
38:02Oh, I know how it is.
38:03You think I'm not worth bothering about.
38:04Well, maybe I'm not, Mr. Boyd.
38:06But the man I'm with, he's a big shot.
38:09Even you'd know his name if I told you.
38:10Yes, I imagine so.
38:11He won't let me stay in this rotten hole long.
38:12He needs me on a little job we're going to do.
38:13Just like the one we did in London three days ago.
38:18Mr. Boyd, but the man I'm with, he's a big shot. Even you'd know his name if I told you.
38:25Yes, I imagine so. He won't let me stay in this rock no long. He needs me on a little job we're
38:31going to do, just like the one we did in London three days ago. Uh, when did you come to Tajmoor?
38:38Yesterday. We'd be on our way back now, only I had some bad luck. We'll do the job properly this time.
38:48Good morning, sir. Morning. What are you so cheerful about? Have you caught Amadeus?
38:54No, sir. Not yet. But he has a cablegram from the French police. They hold a suspect in Tajmoor.
39:00Holding George Boyd, alias Henry Jones, claims name is Hugh Drummond.
39:06Please advise immediately how much reward you offer and when you will arrive to extradite him.
39:11I thought you'd see the joke on Drummond, giving me the slip and then getting nabbed.
39:20The joke's on your prey. Imagine anybody offering a reward for Drummond.
39:26Now, if they'd offer a reward to...
39:31This must be the house. Looks sort of Drummond-esque, don't you think, Tenny?
39:34If you say so, sir. Can you see two chimneys, old boy?
39:37No, sir. Don't you think it'd be better, sir, if we ask at the door?
39:42Perhaps you're right.
39:47I hope we find the radio before Hugh gets here. He'll have no heart for the marriage if it's gone.
39:51For Miss Felicity's sake, sir, we'd better not say a word about Captain Drummond being in jail.
39:56You can trust me, Tenny. I hope so, sir.
40:02Remember, sir, not a word about Captain Drummond.
40:05Oh, not a word.
40:08I'm Blanche. It's Hugh.
40:14Oh.
40:15What a trip. What a...
40:16Oh! Help!
40:22Tenny, where's Captain Drummond?
40:25He won't belong, miss.
40:26Oh, no. Don't you worry, Phyllis. He'll be here soon.
40:29Colonel Nilsson will get him out in no time at all.
40:31Of course, of most unexpected, but he won't cause any real delay.
40:33Huh?
40:34Tenny, when you've removed your foot.
40:37I beg your pardon, miss.
40:39Would you mind telling me what Colonel Nilsson is getting him out of?
40:42Jail, if I know Hugh Drummond.
40:44How did you guess?
40:46Tenny, is Captain Drummond in jail?
40:48Well, you see, there has been a little misunderstanding.
40:54Just a temporary guest. Nothing serious.
40:57Bravo. Hugh Drummond adds another jail to his collection.
41:00Poor Hugh. He needs me.
41:02Well, where are you going?
41:04To the jail.
41:05Oh, Phyllis, I forgot. The radio. Where is it?
41:08Aunt Blanche. The radio. The one that came from London. Where is it?
41:12Oh, that? It is gone.
41:13Gone?
41:14Where's my guest on to get to the jail?
41:16Do they take everything to the jail?
41:18He'll fix him.
41:19Fix it. Fix it.
41:19Oh, he's probably got it all apart. Operating on it.
41:21We'll go, sir. We may hit the time, girl.
41:24We'll go, sir.
41:29This English...
41:31Oh, mad.
41:35You tell me there is nothing really criminal about this young man, this Captain Drummond?
41:39Nothing, monsieur.
41:41In fact, he's been of considerable assistance to Scotland Yard in many cases.
41:44Then why?
41:45Because I want to teach him a lesson.
41:47In behalf of a beautiful young lady who expects to marry him.
41:50Ah, a lady.
41:52Here, monsieur. Here, in your most beautiful village.
41:55She hopes to marry him tonight.
41:57It is not too cruel, this lesson of yours, to ask me to keep the bridegroom in jail,
42:03while the young lady waits, perhaps weeping.
42:09That's just the point, monsieur.
42:12Many is the time he's kept her waiting, monsieur.
42:15Weeping and waiting. Even at the church.
42:18The monster.
42:20Two monsters, monsieur.
42:23Bless you.
42:25Why, why should he, should he see a crime committed?
42:29Even the last moment, he'll forget all about his fiancée, monsieur, go chasing about the criminal.
42:34And it is to prevent such a thing this time that you ask me to keep him a prisoner.
42:43You said it.
42:44This time, I assure you, as mayor of Targemone, I will see that the beautiful lady is not disappointed.
42:50This heartless Captain Drummond will be forced to keep his vows.
42:55I, Jean-Philippe Louis-Napoleon Dupree, mayor of Targemone, I will see that they marry.
43:01I, Jean-Philippe Louis-Napoleon Dupree.
43:03It will be an honor for both.
43:08Phyllis.
43:09Where's Hugh?
43:10He's perfectly safe, my dear.
43:12The mayor has promised to see that you're married.
43:14Ah, mademoiselle, you have come for Captain Drummond.
43:16He's here in Targemone's impregnable jail, believe me, Seth, for you.
43:21Never again shall mademoiselle weep for her truant lover.
43:24You shall be married here at once.
43:27Here in jail?
43:28It's the only way you'll ever get him.
43:29My face is right, my dear.
43:30There will be no failure this time.
43:32He is my prisoner.
43:34I release him only when he is your prisoner for life.
43:38This gentleman will act as witness.
43:41Attention, the court civil,
43:43summon the clock of the court, order a guard of honor.
43:52Now, look here, my men.
43:52There's been a mistake.
43:53I've got to get out of here.
43:56Now, you'll pay for this, all of you, do you hear?
43:58Don't take it so hard, Mr. Boyd.
44:00Look what's here.
44:02Didn't I tell you Mr. Armiteous wouldn't forget me?
44:05Well, thank you.
44:07Oh, it's a pleasure to share with you, Mr. Boyd.
44:13Hello?
44:15Oh, excuse me.
44:23News from home?
44:24News?
44:25Not for us.
44:33Mr. Armiteous says you should all swallow messages.
44:35Oh, yes.
44:36I believe it's the accepted practice everywhere.
44:38We must hurry.
44:39We've got to get out of here.
44:41We?
44:41I wouldn't leave you behind, Mr. Boyd.
44:44Well, at the risk of disturbing your admiration for my talents,
44:47I must confess I don't quite see how...
44:49You will.
44:50We've got a big job for tonight.
44:52We're going to get a fortune and blast every witness
44:54out of this world all at once.
44:56A bomb, eh?
44:57Half a dozen bombs planted where nobody suspects.
45:00Then?
45:01Yes, but I don't see how you expect
45:03to keep your appointment with Mr. Armiteous.
45:05I'll show you.
45:11Now, let's go.
45:15Isn't that something?
45:17Set the catch.
45:18Press this.
45:20And bingo.
45:22Amazing.
45:23And that's how I robbed the London and Southminster bank, eh?
45:26Right.
45:27Nobody would think of looking for a bomb in one of these
45:28strict wine bottles.
45:29I guess those people will be surprised tonight, eh?
45:32Well, someone's due for a surprise.
45:35Tell me, how are you planning to get out of here?
45:38Just watch.
45:40We are both getting out of here right now.
45:59This ought to do it.
46:02It looks rather small, but it's a strong wall.
46:04You wait.
46:05It's made so you can direct the explosion outward.
46:11Hey, son.
46:12We must not keep the lady waiting.
46:14Oh, that's the vote, Mr. Le Maire.
46:16Is the guard ready?
46:17Oui, all ready.
46:20Ah, no. What's happened?
46:21Let us go.
46:22This is a great day for Targemont.
46:24Yes, sir.
46:29Let us go to the prisoner.
46:37All we have to do is to set the timer.
46:39That'll give us time to pack it between those stones.
46:44Give me a coat, sir.
46:55Won't this be a joke on the maire?
46:57I hope we'll be in a condition to enjoy it.
46:59All at once.
47:00Come on, sir.
47:01No, sir.
47:05All right.
47:06There's nothing.
47:07No, sir.
47:08You were fucking saying,
47:09No, sir.
47:10Can you look there, sir?
47:12No, sir?
47:13It's just okay.
47:14No, sir.
47:15The transport in the bank.
47:16Now you're hearing a car.
47:17I can't beat you, sir.
47:18No, sir.
47:19I don't hate you.
47:20I don't want me to get out of here.
47:22I won't go.
47:23I want me to get out of here.
47:24I'm a car.
47:25I'm a beautiful car.
47:26You!
47:27Rascal!
47:28Oh, Phyllis!
47:29Stop him!
47:30Catch the Rascal!
47:31Don't let him escape!
47:32He's hungry!
47:41Oh, he'd only wait a minute longer.
47:44Phyllis, what does it take to convince you that he really doesn't want to get married?
47:50Get him!
47:51We have him!
47:52We have him!
47:53We have him!
47:56Get him!
47:57Get him!
47:58Get him!
47:59Get him!
48:00Bravo, mes enfants!
48:01Bravo!
48:02We'll get to my office!
48:03We'll marry him, dead or alive!
48:04Bravo!
48:05Let me go, please!
48:06Behold!
48:07We have him saved!
48:08You!
48:09One would almost believe immensely!
48:10Strike away Iron's heart, Monsieur!
48:11I will!
48:12Attention!
48:13Captain Drummond, you cannot escape again!
48:14My mention on you!
48:15You are to be married here now!
48:17I will!
48:18Attention!
48:19Captain Drummond, you cannot escape again!
48:20My mention on you!
48:21You are to be married here now!
48:23This instant!
48:24Gladly, Monsieur!
48:25But first!
48:26There's no first, Monsieur!
48:27You cannot desert this beautiful young lady again!
48:29For shame, Monsieur, to even think of it!
48:30Yes, you're perfectly right, Monsieur!
48:31I'd be a fiend!
48:32But first, there's a radio of such importance that even...
48:33A little of you, don't you, Arda!
48:34That's quite all right!
48:35We're told, sir, the radio is quite safe here in the jail!
48:36What on earth are you talking about?
48:37Phyllis, is that right?
48:38That radio I sent you from London, is it here?
48:39Well, Gaston took it for evidence!
48:40Have an affair, Monsieur!
48:41I have it!
48:42It's in there!
48:43Well, splendid!
48:44Phyllis, in that case, will you be an adorable, sweet, lovely little lady and let Monsieur Dupre marry us!
48:47It's the nearest we've got to it yet!
48:48Carry on, Monsieur!
48:49You mean you are prepared to surrender?
48:50Unconditionally!
48:51We await your benediction!
48:52Clerk of the court!
48:53Here, Monsieur!
48:54Prepare to read the man!
48:55The marriage act!
48:56The contract of marriage is dated from 25 août!
48:57In conformity with the law, I am going to read chapter six of book one of the civil court.
49:02While I am reading, everybody is requested to stand up!
49:04Monsieur le maire, everybody is going to stand up!
49:06The court is going to be a very good place where you'll be an adorable, sweet, lovely little lady and let Monsieur Dupre marry us!
49:08It's the nearest we've got to it yet!
49:09Carry on, Monsieur!
49:10You mean you are prepared to surrender?
49:11Unconditionally!
49:12We await your benediction!
49:13Clerk of the court!
49:14Here, Monsieur Le Maire!
49:15Prepare to read the marriage act!
49:16In conformity with the law, I am going to read chapter six of book one of the civil court. While I am reading, everybody is requested to stand up!
49:23Monsieur Le Maire, everybody is standing up!
49:26Oh, I beg your pardon!
49:29The married couple owe each other fidelity, help and assistance. The husband must protect his wife, the wife must obey her husband. The husband is obliged to supply all the necessary means of living according to his possibilities.
49:46What was that?
49:48What was that?
49:49Oh, no, no, no!
49:50He escaped again! Stop him!
49:51He escaped again! Stop him!
50:02After him, the financial officer!
50:04After him!
50:05He escaped!
50:06He escaped!
50:07He escaped!
50:08Bring him to my office!
50:09We'll marry him dead or alive!
50:16He escaped!
50:17He escaped!
50:24He escaped!
50:41Don't worry, dear. He's enjoying himself.
50:44You, you, don't stand there doing nothing. Help him.
50:49You shall not escape. Come with me.
50:51We'll marry him, dear Doloraz.
50:53Please, raise it, that man.
50:59You!
51:14You, you, don't.
51:20Here, wait. Don't leave me like this.
51:23No.
51:24Careful, sir.
51:27No!
51:33Oh, here, wait. Don't leave me like this.
51:36No.
51:37Careful, sir.
51:39No!
51:44Help!
51:47Help!
51:48Oh, I'm steady!
51:50Steady!
51:51Steady!
51:52Steady!
51:57Help, help!
51:59Help!
52:00Help!
52:01Oh, here.
52:14You! You!
52:16You! You!
52:18You! You!
52:26You! You!
52:28A monster of a man!
52:30So you tried to escape the brave, did you?
52:32But the man's a murderer!
52:34And what are you, scoundrel, that you tried to escape a beautiful woman?
52:36I have seen it with my own eyes.
52:38Hold him, Mesophane.
52:40We will resume the wedding service.
52:42If you see the woman, take this woman.
52:53Captain Drummond!
52:54The radio, sir!
53:01Arrêtez-le! Stop it!
53:03Arrêtez-le!
53:04Arrêtez-le!
53:05Arrêtez-le!
53:07Arrêtez-le!
53:08Arrêtez-le!
53:09Arrêtez-le!
53:10Arrêtez-le!
53:11Arrêtez-le!
53:12Arrêtez-le!
53:13Arrêtez-le!
53:14Arrêtez-le!
53:15Arrêtez-le!
53:16Arrêtez-le!
53:17Arrêtez-le!
53:18Arrêtez-le!
53:19Arrêtez-le!
53:20Arrêtez-le!
53:21Arrêtez-le!
53:22Arrêtez-le!
53:23Arrêtez-le!
53:24Arrêtez-le!
53:25Arrêtez-le!
53:26Arrêtez-le!
53:27Arrêtez-le!
53:28Arrêtez-le!
53:29Arrêtez-le!
53:30Arrêtez-le!
53:31Opposition, in the name of the law.
53:41Oh, never mind that now.
53:43Audio men to find remedies.
53:44The service will proceed.
53:45And the man's a robber, a murderer.
53:47Silence, monsieur.
53:48Do not interfere.
53:49We began this ceremony in the jail, but we'll finish it in your own home.
53:53Come on.
53:53But, madame.
53:54I'm her nearest relative.
53:56Do as I say, or I withdraw my consent to the ceremony.
53:59Very well, madame.
54:01Allons.
54:09Now, monsieur, this time we finish.
54:11Put in there.
54:13Mademoiselle, s'il vous plaît.
54:14Nada.
54:17Les gardes de la porte.
54:18Monsieur, monsieur, on a vos prêts.
54:19Est-ce que vous avez fini?
54:21Attention, we proceed.
54:24In the name of the law, I declare you see Drummond and finish clevering bound by Marais.
54:31Hooray, hooray, hooray.
54:32Kenny, they've done it at last.
54:34Splendid.
54:35Thank you, Colonel.
54:36May I remind you, sir?
54:38Oh, yes.
54:39What's that mean?
54:40End of the trail, Colonel.
54:41Oh, good heavens.
54:45The Londoner's half missed the bank money.
54:47Exactly.
54:55Now, we are going to dream to the health and happiness of Mr. and Mrs. What do you call
55:00those?
55:00Oh, Bulldog Drummond.
55:02Too late.
55:04You're married.
55:14Well, darling, you all right?
55:16Yes.
55:16Well, we're really married, huh?
55:18A quiet wedding with a few intimate friends.
55:21Won't Aldergett be sunk when he finds out?
55:22Well, there isn't any Aldergett.
55:24I made him up.
55:25You what?
55:26I made him up to make you jealous.
55:28Well, I'll be hanged.
55:30Have a drink, old boy.
55:31Have a drink, old boy.
56:01Have a drink, old boy.
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