- 2 days ago
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00:00:00THE END
00:00:22What's your name on that, mister?
00:00:25The fine looking horse you got there.
00:00:27Looks like he's been on the trail a long time, though.
00:00:33Four bits a day for your horse in the corral,
00:00:35for a dollar in a stall.
00:00:37Of course, if you're planning on staying,
00:00:39you can have a rate, special.
00:00:41What in the corral?
00:00:43Take him out to the cross, you know.
00:00:48People coming to town for the first time
00:00:50always ask me what's a hangman doing
00:00:52on the front of a livery stable.
00:00:54Well, I tell them...
00:00:56I ain't asking you.
00:01:26What little love from that fellow man I was born with
00:01:28sort of petered out after 20 years of scraping the wood.
00:01:30What little love from that fellow man I was born with
00:01:32sort of petered out after 20 years of scraping the bristle off his mind.
00:01:34I didn't have much chance to begin with that love.
00:01:36What little love from that fellow man I was born with
00:01:38sort of petered out after 20 years of scraping the bristle off his mind.
00:01:40I didn't have much chance to begin with that love being kind of evil.
00:01:44What little love from that love being kind of evil.
00:01:46What little love from that fellow man I was born with
00:01:51sort of petered out after 20 years of scraping the bristle off his mind.
00:01:56I didn't have much chance to begin with that love being kind of evil.
00:01:58I didn't have much chance to begin with that love being kind of evil.
00:02:26The color is just lovely.
00:02:43What do you think it's gonna do for my complexion?
00:02:46In the saloon, senorita.
00:02:48Who's going to notice a dress?
00:02:56The days keep getting longer all the time.
00:03:06It takes you got something in mind for tonight.
00:03:08Rodgut, what else?
00:03:12Rodgut and something in the skirts.
00:03:26The End
00:03:56Take care of this for me, will you?
00:04:26Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha.
00:04:35Trying to figure how many meals you served me, I come up with one answer.
00:04:39What's that, Mr. Mayhem?
00:04:41Too many.
00:04:44Your ma's got a better way of earning a living.
00:04:47That's her business.
00:04:49I'd rather wait on table.
00:04:50Sally, I consider that a waste of natural resources.
00:04:57Anything else, Mr. Maynard?
00:04:59Not right now.
00:05:01Are you con, Maynard?
00:05:05Could be.
00:05:14I never felt that pitcher done me justice.
00:05:17He looks a little peaked.
00:05:18You've been here most of the week now.
00:05:22Before that, you were in Chugwater and a couple, three days in Spruce.
00:05:25Is that so?
00:05:27You must be well acquainted with some personal friends of mine, Sonny.
00:05:30You killed three men in those places.
00:05:33Any of the departed your kin?
00:05:38That's a warrant for your arrest.
00:05:41Tell me more.
00:05:42I'm serving that warrant on you, Maynard.
00:05:46All by yourself?
00:05:47I'm a deputy, United States Marshal.
00:05:50Well, ain't that a fancy title for a fellow like you?
00:05:53Where are you taking me?
00:05:55St. Louis.
00:05:57St. Louis, huh?
00:05:59You know, Sonny,
00:06:00you need some good advice,
00:06:04and I'm going to give it to you.
00:06:04Pick up that warrant and head right back to St. Louis.
00:06:11Not without you, I ain't.
00:06:13I ain't partial to St. Louis.
00:06:16Especially now.
00:06:21Maynard, you're worth $200 to me.
00:06:23Dead or alive.
00:06:28Bounty hunter.
00:06:28You can back to St. Louis with me and hang.
00:06:32You'll go for your gun now.
00:06:33Maybe I'm the one who needs some advice.
00:06:36You just go for your gun.
00:06:39That's a chance you wouldn't get with a hangman.
00:06:40How tall are you now, big man?
00:07:08Con was a friend of mine.
00:07:09You didn't want to take him in alive.
00:07:13You forced him to draw.
00:07:14He drew first.
00:07:15You saw it.
00:07:18You better have an inquest pretty quick.
00:07:20Weather like this, he won't keep.
00:07:31Somebody better get the sheriff.
00:07:34I've been saying this for 20 years, mister.
00:07:36This sink's got to be moved closer to the chair.
00:07:39Only thing is, I'm liable to be dead before then.
00:07:42Ever think of moving the chair closer to the sink?
00:07:45Sure.
00:07:46I think of lots of things.
00:07:48Like burning the shop down.
00:07:50Like hanging the only barber, doctor, or undertaker in Mound City
00:07:53from the highest branch of the tallest tree.
00:07:55Most likely they won't get around to that either.
00:07:59The thing that would surprise you is the little doctrine I get to do.
00:08:02Plenty of barbering, plenty of undertaker.
00:08:04There's a shooting over to the hotel now more than an hour ago.
00:08:07My services will be required.
00:08:09Undertaker services?
00:08:11Pretty quick, too, to hold in the inquest tonight.
00:08:14Want to let something sweet-smelling on the face, mister?
00:08:16No.
00:08:19Never did see such a rush to get a fellow underground.
00:08:22Maybe he wasn't liked.
00:08:24There you're wrong.
00:08:24I talked to her in this town.
00:08:28Why?
00:08:29Well, he spent his money free.
00:08:30Hug and squeeze for the women, joke for the men.
00:08:33Real popular.
00:08:34What about the men he killed?
00:08:36Killed none here.
00:08:38Staying in town?
00:08:40Till after the inquest.
00:08:42I got the job shaven, too.
00:08:43Pays double.
00:08:44You've heard all the other witnesses to the shooting, Miss Sally.
00:09:03Have you anything to add to their testimony?
00:09:08Would you mind speaking up, miss?
00:09:14I didn't see anything different from what the others saw.
00:09:21But you were closer to the two men than any of the others.
00:09:24Is that correct?
00:09:29I didn't see or hear anything different.
00:09:32You may step down, miss.
00:09:36On the basis of the testimony here given,
00:09:39an acting as coroner appointed by the sheriff of Mound City,
00:09:42it is my finding that the deceased met his death
00:09:44at the hands of United States Deputy Marshal Welch.
00:09:48It is also my finding
00:09:49that the deceased refused to accept a warrant served on him,
00:09:53and therefore the action of the marshal was legal and justified.
00:09:58I'll need a signed statement of your findings.
00:10:01Easiest thing in the world, marshal.
00:10:09Wallen always makes it look real legal.
00:10:10Like he was a real judge.
00:10:13He's judge enough for the job he's doing.
00:10:23Do I have to tell you what to do with that paper?
00:10:26What's wrong with it, marshal?
00:10:28Well, it just doesn't happen to mention
00:10:30that the man I killed was Con Manor.
00:10:32Who's Con Manor?
00:10:34Con Manor's the man lying right there.
00:10:36Never heard his name.
00:10:37Well, that ain't easy to believe.
00:10:39Well, you just work on it.
00:10:41What difference does it make what his name was?
00:10:44The authorities in St. Louis
00:10:45don't like to take just the marshal's word for it.
00:10:47A man is dead.
00:10:48That ought to satisfy the proper authorities.
00:10:50It doesn't satisfy them
00:10:51that the man I killed was Con Manor.
00:10:53Well, who was that important to?
00:10:54That's important to me.
00:10:55You didn't have to kill him.
00:10:57You could have turned him over to Sheriff Hinkle.
00:10:59He wasn't wanted in this county,
00:11:00and the sheriff's got no authority
00:11:01to arrest men wanted in other counties.
00:11:03Is that right, Sheriff?
00:11:07That's what puts bounty hunters into business, ain't it?
00:11:10You're out of order, Mr. Sloan.
00:11:12The identity of the deceased
00:11:13has not exactly been established, marshal.
00:11:16It would appear that you're not going
00:11:17to get your money in this instance,
00:11:20except maybe your mileage fee.
00:11:21He stayed at your hotel.
00:11:29That's right, marshal.
00:11:30If you want to wrote down,
00:11:31I'm sure the judge will be glad to oblige.
00:11:47Miss?
00:11:51Miss, I'm speaking to you.
00:11:54You know who the dead man was.
00:11:58I didn't know his name.
00:12:01He ain't regular in the dining room.
00:12:03I saw you speaking to him.
00:12:05I speak to all the customers.
00:12:07I didn't know his name.
00:12:11Well, now, that's mighty funny.
00:12:13Nobody here seems to know the dead man's name.
00:12:16It stands to reason the wanted man
00:12:17isn't going around telling people who he was.
00:12:19especially if he knew he was worth
00:12:21all of $200 to a bounty hunter.
00:12:31Doc, don't you nail that coffin
00:12:33lid down too quick.
00:12:34Stranger wants to get his picture took.
00:13:00He ought to get two for the price of one.
00:13:02He ought to get two for the price of one.
00:13:09Anybody here?
00:13:11I ain't really open for business, mister.
00:13:12I was just developing some plates.
00:13:14Well, I got a job for you.
00:13:15I'll pay you double.
00:13:17I'm open for business.
00:13:19Take your equipment, then let's go.
00:13:20Take your picture right here.
00:13:21It's not my picture.
00:13:22I won't take you.
00:13:24I'll get my plates.
00:13:25Now, develop it as quick as you can.
00:13:34Well, this ought to satisfy the authorities in St. Louis.
00:13:36Come on.
00:13:45Go.
00:13:46Go.
00:13:47Go.
00:13:47Go.
00:13:48Go.
00:13:49Go!
00:13:50I didn't figure out this.
00:14:10They weren't firing at us.
00:14:12It'll be fixed.
00:14:14No.
00:14:15Is that the only camera you got?
00:14:16Yeah.
00:14:17How long would it take to get another one?
00:14:19The nearest place is Wichita.
00:14:21Two weeks.
00:14:22Two weeks?
00:14:24Oh, that corpse wouldn't be socially presentable by that time.
00:14:49Don't ever pretend at love.
00:14:51Don't ever pretend at love.
00:14:55Be sure that it's real.
00:14:57Don't ever pretend at love.
00:15:01Be sure that it's real.
00:15:07Don't ever pretend at love.
00:15:15Don't ever pretend at love.
00:15:17Be sure that it's real.
00:15:22Don't ever laugh at love.
00:15:27If some heart you should steal.
00:15:32Don't think that it's just a game, a plaything to use.
00:15:42Don't ever pretend at love.
00:15:46at love, you'll always lose. You may cheat at cards, cheat at dice, still you might even
00:16:05win. But if you try to cheat a heart, that's when your heartaches begin. So if you're pretending
00:16:23now, it's better to part, don't make believe it's love, don't break my heart. In case you're interested, somebody just shot up the photo laboratory. You don't mean it. I'll need an affidavit. I'd like to help you. Would you?
00:16:51I was being polite. The man you shot over at the hotel wasn't wanted in Mount City. I didn't have no
00:16:58official interest in him. You'd know who he was. Could sign you an affidavit saying you killed a man over
00:17:04the hotel who was maybe gone Maynard and who maybe wasn't. Thanks a lot. Marshal, you got any further
00:17:15business in Mount City? Then you'll leave in town tonight? Sheriff, I earned $200. I intend to collect it.
00:17:27Who's burying, call Maynard? Who's burying the man you killed? Town hall, I guess. What name are they
00:17:34going to put on a grave? No name at all, most likely. Maybe with just a dollar sign. His many friends might not like that. Folks don't like something else a lot more. Bounty hunters. Stranger coming into their town shooting down somebody they know and like for a price.
00:17:56Don't go down easy. See what I mean? I'm a federal peace officer. I'm a peace officer too. Even I don't like it.
00:18:07Will, when are you going to learn how to add? I got some of the figures wrong. You didn't get any of them right.
00:18:26I'd like a room. Well, I ain't sure we got one. What's it going to take to make you sure? I'll take care of the Marshal, Will.
00:18:46What's the matter with him? Afraid of the hotel's reputation? Will thinks that everything you do counts.
00:18:51And you're old enough to think that nothing counts. I'm old enough not to worry who I rent a room in my
00:18:56hotel, too.
00:19:11Table's all set for breakfast, Mr. Creavy. Good night, Sally. Good night.
00:19:21Come on, Will. Let's see if we can get this hotel back on a paying basis.
00:19:26I don't want you in my room.
00:19:40Me or anybody else, the way it looks.
00:19:44You came here to tell me that?
00:19:46Why this room looks like it don't want even you.
00:19:49Now you know the kind of place I live in you can go.
00:19:52Well, that wasn't what I was interested in.
00:19:57I'm not signing papers about anything. Is that clear?
00:20:01Does that make you feel real important, standing up to the bounty marshal the way you are?
00:20:05You were faster than him, forcing him to draw. Quite a hero, I'd say.
00:20:14Well, I ain't aiming to be a hero. Besides, I didn't know that I was faster until we drew.
00:20:19You know, someday in a town like this, bigger or smaller, I won't be faster.
00:20:23He didn't have a chance.
00:20:25Well, he had killed three men before their time. They didn't have a chance.
00:20:29Now, suppose you would love one of those men that he killed.
00:20:31What would you do with your love when Kahn Mayner was through with him?
00:20:34Married him or held him in your arms?
00:20:41You really ought to do something about your hands.
00:20:47A woman's hands are supposed to be soft.
00:20:49What would you know about women?
00:20:54The way you dress.
00:20:58This room that you live in.
00:21:01Seems like you're afraid.
00:21:04Afraid of being alive.
00:21:08Are you afraid of men, miss?
00:21:14Is it any worse than being filled with hate the way you are?
00:21:17No, maybe not.
00:21:22Same thing.
00:21:24Hating people or being afraid of them.
00:21:26Either way is the way you want them dead.
00:21:32Who is your mother?
00:21:34I heard Kahn Mayner talking about her.
00:21:36Who is she?
00:21:41That's real easy to find out.
00:21:42All you have to do is buy a drink at the Crystal Palace.
00:21:50Who is your father?
00:21:54What's all that got to do with your $200?
00:21:59Nothing.
00:22:03Nothing at all.
00:22:03What's happen?
00:22:18How would you like to do with her?
00:22:23I don't know.
00:22:23I hope I vale as you.
00:22:27I hope you enjoyed one more time here.
00:22:29ık
00:22:30Kahn's body's over at the barber shop.
00:22:41Doc will fix him up real pretty.
00:22:44I'd wish you'd talk about something else, Sloan.
00:22:48Why?
00:22:49Trying to fool yourself, nobody dies?
00:22:53Yeah, that pint-sized marshal's gonna have a lot of trouble collecting for Maynard.
00:22:56The, um, the hotel clerk tells me he's been trying to get a statement from your daughter.
00:23:06Fine chance man's got to get anything from Sally.
00:23:09She sure don't take after her mom.
00:23:12Sounds like it's time you learned manners, Patton.
00:23:14Let him be.
00:23:17He's stupid, but he's awfully pretty.
00:23:20For as long as he lasts.
00:23:24Watch this, Mr. Sloan.
00:23:26I figure I'm gonna last a long time.
00:23:35What do you think, Mr. Sloan?
00:23:39Well, I drink too much whiskey anyway.
00:23:42Did you ever see a faster draw?
00:23:45On the other hand, you didn't have to worry about that glass drawing on you.
00:23:49That kind of worry can slow a man's draw sometimes.
00:23:52Somebody else's, not mine.
00:23:57You knew Kahn pretty good.
00:24:00If you say so.
00:24:02You liked him?
00:24:03Enough.
00:24:04The summer we had the drought, three years ago, I had to butcher most of my cattle.
00:24:13It would have finished me for good if Kahn Maynard hadn't come along just then with a herd and let me have it.
00:24:18And a dollar changed hands because I didn't have a dollar.
00:24:20What I know of Kahn probably wasn't his herd anyway.
00:24:26I suppose he did get him illegal.
00:24:28All I know is he could have got cash in hand for him at Dodge.
00:24:34Instead of waiting two years till I could pay for him.
00:24:37You paid him.
00:24:39Yeah, but he never pressed me.
00:24:42Kahn Maynard was mighty good to me.
00:24:44Lots of others around here.
00:24:45That marshal's pretty fast.
00:24:52Faster than me?
00:24:54I don't know.
00:24:56I might ask you to find out.
00:24:59Les is a human being.
00:25:00He's not a gun for you to pick up and use.
00:25:04Maybe he ain't, Jill.
00:25:06But I might have to use him anyway.
00:25:08I might have to use him anyway.
00:25:38Yana, dile que enojan, de que espera que yo me muera.
00:25:44Pajarillo, barranqueño.
00:25:48Pajarillo.
00:25:55¿Qué pasarå ya, mi burro?
00:25:57Vamos a ver.
00:26:03Señor, this is not for the bright morning.
00:26:06It is for the dark hours of the night.
00:26:10Killing is for the dark hours.
00:26:13Well, let it down ain't nothing more than carpentry.
00:26:15And who cares what hours a carpenter keeps.
00:26:21You know, señor, I think you're correct.
00:26:25Gracias, my Latin amigo.
00:26:27You know, Corky, I just happen to think.
00:26:50They ain't hanged a Mexican around here in the longest time.
00:26:59Ain't many of them around anymore, Tex.
00:27:02I can't show you how smart they are.
00:27:03You know something?
00:27:07Hmm?
00:27:08A fella like Con Manor.
00:27:10He deserves to have his kin around him when he's buried.
00:27:16Hmm.
00:27:17Especially kin as close as his brother.
00:27:19You know, somebody ought to ride out to Charlie Manor's ranch and convey the sad news.
00:27:27Might lead to trouble, Charlie possessing such a hot temper.
00:27:32Yeah, it might.
00:27:32Corky, you think we ought to perform this Christian duty?
00:27:40Why, we ought to con's memory.
00:27:46Ah.
00:27:47Food is a beautiful thing.
00:27:50And to have it served by a beautiful girl, as the poet has said, is paradise enow.
00:27:57Although it's true the poet mentions a loaf of bread instead of ham and eggs.
00:28:00Sally, stood up to the marshal real good.
00:28:08Poor child.
00:28:10What is it the good book says about the sins of the father being visited on the generations after him?
00:28:16Although in her case, it would be the sins of the mother, wouldn't it?
00:28:20Boy, I sincerely beg your pardon, Mr. Patton.
00:28:23Nothing personal.
00:28:25You don't know what you're talking about.
00:28:26Morning, marshal.
00:28:27Morning.
00:28:28Sleep well?
00:28:29You still serving breakfast?
00:28:30Still being served?
00:28:31Pick any table you like.
00:28:36Of all the tables, why pick this one?
00:28:38What's the matter with it?
00:28:39It's the one where a convener used to sit?
00:28:42Yes.
00:28:44Well, speaking of sin, I hope neither of you gentlemen will forget to appear at the dance tonight.
00:28:48What dance?
00:28:49At the Johnson Hall.
00:28:50To raise funds for a schoolhouse.
00:28:52Who needs a schoolhouse?
00:28:55That, in legal terms, might be considered a leading question, Mr. Patton.
00:28:58How long have you been interested in dancing, Judge?
00:29:01I'm in charge of the ticket sale.
00:29:03Oh.
00:29:05Well, in that case, I guess there's no real danger of the kids getting to be students too quick.
00:29:10Were I a resentful type of man, I might object to that remark.
00:29:13You're at liberty, too.
00:29:21Yes, sir?
00:29:21Oh, give me anything.
00:29:31Anything at all.
00:30:02Maybe we got it, even if you don't see it.
00:30:06I don't guess you'd keep that kind of thing here.
00:30:10You ask and we find out, see?
00:30:12Well, it's something for a lady.
00:30:14Oh, maybe it's something for her to wear, eh?
00:30:18A hat.
00:30:20No?
00:30:22A dress?
00:30:24No?
00:30:26Maybe it's something that nobody else should see but you, eh, senor?
00:30:30Here? No, for, um...
00:30:32Oh, no, no.
00:30:34It's something, it's not anything to wear.
00:30:36Oh, too bad.
00:30:38Uh...
00:30:40Ah!
00:30:42Maybe you would like the lady to smell good?
00:30:44No.
00:30:46You see, something for her hands.
00:30:50Her hands?
00:30:52Uh...
00:30:54You see, her hands are all, they're all rough.
00:30:56Oh!
00:30:58I got a cream someplace.
00:31:00It's made from the tallow of a sheep.
00:31:07But you don't look like the lover of a woman who milks cows.
00:31:10Well, she doesn't milk cows.
00:31:15And I'm not her lover.
00:31:19Maybe not today, but tonight, who can tell, eh?
00:31:22But with a present like this, hmm, it's like a medicine.
00:31:28How much?
00:31:29Two bits.
00:31:34Not tonight, not tomorrow either.
00:31:37Why you say that, senor?
00:31:39Say that, senor.
00:31:48Oh, you mean because you are not tall?
00:31:51You mean you, you think about this all the time?
00:31:54I am Mexican.
00:31:57And we Mexican, we are small people.
00:32:00In this country, we learn quick how it is a joke sometime.
00:32:03Sometime worse.
00:32:05My husband Miguel, he's been dead five years now.
00:32:09He was smaller than you are.
00:32:12But in his arms.
00:32:13Oh.
00:32:18You are thinking a silly old woman like me was lucky to have any man.
00:32:23I was thinking Mr. Bonaventura was very lucky.
00:32:43No.
00:32:59Can't be.
00:33:02Can't be!
00:33:13What do you want?
00:33:27I just want to see you for a minute.
00:33:35I fell asleep.
00:33:38The dining room's closed for the rest of the day.
00:33:43If you're worrying what this will look like, why don't you shut the door?
00:33:50Though people wouldn't believe anything wrong was happening here anyway.
00:33:53Why wouldn't they?
00:33:55I'm not my mother.
00:33:57I don't let men in my room.
00:34:00You let me in.
00:34:04I'm not afraid of you.
00:34:06Why not?
00:34:11Because you're like me.
00:34:13Lonely and trying to hide your loneliness behind a gun.
00:34:18The way I do behind an apron.
00:34:21You can't fool me like you do the others.
00:34:25They used to seem like giants to me when I was a little girl.
00:34:30Loud, laughing men that hung around my mother.
00:34:34Bought her drinks.
00:34:36Joked with her.
00:34:39Touched her.
00:34:39Do I have to tell you more?
00:34:45No.
00:34:46You just told me what I am.
00:34:48But don't you see?
00:34:50If you weren't different, I couldn't have let you in my room.
00:34:54Oh.
00:35:02It's supposed to be good for your hands.
00:35:03Two hundred dollars.
00:35:17That's what he's going to get for killing your brother.
00:35:19Two hundred dollars.
00:35:20I'll go get my gun.
00:35:23You ain't no gunman, Charles.
00:35:25He ain't getting the bounty money.
00:35:27In account of nobody's identifying your brother.
00:35:30That's why the marshal's still in town.
00:35:32Just wait until somebody gets around.
00:35:34I'm riding back with you.
00:35:35Charles.
00:35:37Cons being your brother didn't make you and him the same thing.
00:35:40He was a man with restless feet.
00:35:42Grabbing hands.
00:35:44He was my brother.
00:35:45He was a killer and hunted.
00:35:48I won't have you starting down the same trail.
00:35:51The variance tomorrow morning up on Boot Hill, Mr. Mayner.
00:35:55Quit near everybody in town is going to be there.
00:35:57You nailed it down pretty quick, didn't you?
00:36:16In two weeks, it wouldn't be worth taking a picture of him.
00:36:20By then, his own killer wouldn't know him.
00:36:23Nailing it down, you had a chance to look at him.
00:36:26Sure.
00:36:26Then you know who he is.
00:36:29I don't even know who his brother is.
00:36:36Brother?
00:36:37Well, I said...
00:36:38Hey, Doc.
00:36:39Maybe you're...
00:36:39What I know is he owns a ranch a ways out of town.
00:36:43And what I hear, his brother got the sad news today.
00:36:48He'll be in Mound City in time for the funeral tomorrow morning.
00:36:52They sure he'll be in for the funeral?
00:36:54Dead certain.
00:36:54He's one of the proud ones.
00:36:56Nothing to be proud about in an outlaw.
00:36:58All the more reason.
00:37:00He ain't going to stand for his brother being rushed nameless into the ground.
00:37:04How'd you ever get that lint, Doc?
00:37:13I was standing around watching a pair of the gunmen acting brave.
00:37:17They drew one of the bullets ricocheted.
00:37:19I haven't ridden a horse in 20 years.
00:37:23Does that answer your question?
00:37:27Yeah?
00:37:32Doc, what'd you want to tell that marshal about Maynard's brother for?
00:37:35Now, Joe, I didn't mention no names, did I?
00:37:41You've got to be careful about squirming around like this.
00:37:43I'm liable to cut your nose off.
00:37:46Barbara did that to a fellow once.
00:37:48Stuck his back arms.
00:37:49He got on upside down.
00:37:51Every time the fellow sneezed, he blew his hat off.
00:37:53When it rained, he drowned.
00:37:55You've got to be careful.
00:37:55You've got to be careful.
00:38:25by the way.
00:38:28F-A-L-E-R-E-R-E-R-E-R-E-R-E-R-E-R-E-R-E-R-E-R-E-R-E-R-E-R-E-R-E-R-E-R-E-R-E.
00:38:45That's who I am.
00:38:47Sally.
00:38:49Here they are.
00:38:53This what you do with it?
00:38:55Come up here like this and sit all alone?
00:38:59I've been alone all my life.
00:39:02Only most of the time, people are around.
00:39:05So, my day off, I go right away from them.
00:39:10On my day off, I get to be alone without them.
00:39:15I like that better.
00:39:18I didn't thank you for the hand cream.
00:39:21I used it.
00:39:23It feels good.
00:39:26It doesn't smell awful, but...
00:39:30There was something I said made you mad.
00:39:34Oh, I don't remember.
00:39:36Anyhow, I'm not mad anymore.
00:39:38I'm glad.
00:39:40You know, Sally, that people like us,
00:39:43well, it don't happen too often,
00:39:45but we can't afford to...
00:39:50Can't afford what?
00:39:51We can't afford to be so touchy,
00:39:56quick to take offense.
00:39:58Otherwise, we'd be alone all our lives.
00:40:04Sally?
00:40:04Yes?
00:40:05They're having a dance in town tonight.
00:40:18Would you let me take you to it?
00:40:20Please, Luke.
00:40:29Please, Luke.
00:40:29Here we go.
00:40:59It's my considered opinion this dance is a complete and sheer triumph, dolly, joyous, and profitable.
00:41:27For whom?
00:41:29Let's face it, Mr. Sloan.
00:41:31Who needs scholars out here?
00:41:43The dancing tonight and the burying tomorrow morning.
00:41:46A slice of life, my friend.
00:41:49Sufficient unto the day is the evil.
00:41:51Has that marshal checked out of town yet?
00:41:54Not yet.
00:41:55I suppose we may hope for the best, hmm?
00:42:00Well, you can stop hoping.
00:42:02The best ain't happening.
00:42:16You must have bought tickets for our splendid soiree.
00:42:20Must have figured there was a good investment.
00:42:22You won't make trouble, I sincerely trust.
00:42:25He won't.
00:42:27You won't.
00:42:29You won't.
00:42:45Well?
00:43:15You may possibly put an end to my not-too-savory career, but I must inform you...
00:43:22Of what?
00:43:23The fact that you're not welcome here.
00:43:45Luke?
00:43:53You know, you're the second girl he ever asked to a dance.
00:43:56She laughed at me.
00:43:58I'm not laughing at you.
00:44:00I know that.
00:44:01Sally, I made a big mistake getting you mixed up into this.
00:44:06Someone like you that can be hurt, can cry.
00:44:10There wasn't anything I could do about it.
00:44:13You can't dry a girl's tears with a gun.
00:44:17You can always kiss her.
00:44:37I think you'd better go in the hotel.
00:44:39You aren't going to do anything.
00:44:43I'm gonna give him a nap.
00:44:46I'll give him a nap.
00:44:47I'll give him a nap.
00:44:49He's stuck.
00:44:52We'll give him a nap.
00:44:53I'll give him a nap.
00:44:56That's not a nap.
00:44:58I'll give him a nap.
00:44:59Won't you give him a nap?
00:45:00Thank you, sir.
00:45:01Quite a bit.
00:45:02There's a nap.
00:45:04Jill, he's passed out stone cold on me.
00:45:09Well, he's killed the bottle. You'll get your percentage.
00:45:12What are you complaining about?
00:45:13He ain't a gentleman cowboy.
00:45:16He didn't even take off his hat.
00:45:18Oh, well, it's the boots that make me mad.
00:45:27You're still in town.
00:45:29I'm real happy about that.
00:45:31You're as stupid as what you are.
00:45:33Sir, Charles Maynard's coming into town for the burying.
00:45:37So fool proud, he'll identify the brother for the marshal.
00:45:40Identify his brother and kill the marshal?
00:45:43Try to kill the marshal.
00:45:47Maybe I'm being stupid, though.
00:45:49He took Sally Danson tonight.
00:45:52Why should that mean anything?
00:45:55Well, by now, he's likely talking her into signing a statement
00:45:57that'll help him collect his blood money.
00:46:00How about me going over after him?
00:46:01No one's asking you to draw on the marshal.
00:46:04That depends on how you feel about throwing down on him.
00:46:08I feel fine about it.
00:46:09Just fine.
00:46:11You don't have to bother going after him.
00:46:13The marshal's saving everybody a lot of trouble.
00:46:26I'd like him coming to me.
00:46:28Well, I think he's coming to see Drill.
00:46:30Trying out the whole family, you might say.
00:46:33Les, I don't want any shooting in here.
00:46:38Mrs. Crane?
00:46:39I'm Jill Crane.
00:46:42Well, there's something I want to talk to you about.
00:46:46I don't need an audience.
00:46:49You boys stay here.
00:47:00Go on, marshal.
00:47:01I took Sally to that dance tonight.
00:47:10She went home crying.
00:47:13Girl's tears dry pretty quick.
00:47:17How quick does blood stop flowing from a wound?
00:47:21You know about that better than me.
00:47:24Besides, when you're young,
00:47:25you always believe that things are going to change for the better.
00:47:28Well, what do you believe?
00:47:32They change, all right.
00:47:35Mostly for the worse.
00:47:37Little man's getting real conversational with Jill.
00:47:40Trying to sweet talk her, maybe.
00:47:42That ain't the way I get anything out of Jill.
00:47:45Well, I doubt you and the marshal got the same thing in mind.
00:47:51Just why did you come in here?
00:47:54Wanted to meet Sally's mother.
00:47:55Well, you met her.
00:47:56Mrs. Crane, there's something I want to ask you.
00:48:00Like how you can get a paper signed so he can collect your bounty?
00:48:03No.
00:48:04Then what is it?
00:48:04It's without Sally.
00:48:07Why'd you come to me?
00:48:09Because in this whole world,
00:48:10there's nobody else cares what happens to her
00:48:12except the two of us sitting at this table.
00:48:18You're a smart man, marshal.
00:48:21I've always been afraid of smart men.
00:48:23Yes, you're right.
00:48:27I do care what happens to Sally.
00:48:29I care a lot.
00:48:31But that don't help her or me.
00:48:34For five years, she's crossed the street whenever she saw me coming.
00:48:38Well, what did you expect her to do?
00:48:40What do you expect me to do?
00:48:41Well, you could have gotten out of all this in here.
00:48:44You could have stopped killing.
00:48:45And become what?
00:48:48The only thing I've ever been good at is handling a gun.
00:48:53Any place I ever rode from the decalas to the Mexican border,
00:48:57men have been shooting and killing.
00:48:59They kill for love, for hate, and for money.
00:49:03I never cared enough about anybody to hate them.
00:49:05And I've never been close enough to love them.
00:49:07So you see, I kill for money.
00:49:13It's easy to be wrong about a man,
00:49:15especially when he makes his living by a gun.
00:49:18But you didn't kill for money.
00:49:20You had to prove something or hide something.
00:49:23I've been wrong about you.
00:49:28I didn't mean to talk about me.
00:49:30No.
00:49:33About that question you wanted to ask me,
00:49:35I don't know how to answer it.
00:49:38Except maybe, uh,
00:49:40give you my blessings.
00:49:43What good would that do me?
00:49:45No good.
00:49:47No good at all.
00:49:49Marshal,
00:49:51get up.
00:49:53Why?
00:49:56I wouldn't want to shoot a man who was sitting down.
00:49:59That'd be a hanging offense.
00:50:00Nobody killing you would hang in this town.
00:50:03Les!
00:50:04This ain't got a thing to do with you, Jill.
00:50:06But him and Sally.
00:50:07What about him and Sally?
00:50:10Don't matter.
00:50:11She can always go put cozies on his grave.
00:50:14Well, now, I ain't dead yet.
00:50:16That's what's making me sick to my stomach.
00:50:18Get up, Mr. Marshal.
00:50:20Wouldn't shoot me in the back from a dark alley be safer?
00:50:24You're doing a lot of talking, ain't you?
00:50:26You and me throwing down on each other.
00:50:29That's almost funny.
00:50:31But with Jill and me the way we are,
00:50:33and you taking her daughter up in the hills.
00:50:35Now who's doing the talking?
00:50:44I'm waiting for you, tall man.
00:50:46Les, he's not what you think.
00:50:55Why didn't you kill him?
00:50:56There wasn't a bounty on him.
00:51:26I got something for you, better than the medicine for the hands.
00:51:42Something for who?
00:51:44For the senorita you took to the dance.
00:51:48Oh, she was just somebody that I happened to.
00:51:50You think I never knew a man?
00:51:52It cannot be hidden but is between you and the senorita.
00:51:57Well, what's in it?
00:52:00A nightgown made of the finest silk with the most beautiful lace.
00:52:07It came from Spain many years ago.
00:52:10How much?
00:52:11I am not always a storekeeper, senor.
00:52:17Pray to accept it as a gift.
00:52:35I thank you very much, Mrs. Bonaventura.
00:52:41I thank you very much.
00:53:09How's Patton?
00:53:16He's fine, fine.
00:53:18Kind of damaged a bit, but fine.
00:53:20You ain't finished talking.
00:53:24One of the bullets severed a tenon in his wrist.
00:53:27After the wound's healed,
00:53:30he ought to be just as good a gunslinger as I am a horseman.
00:53:33This is getting awfully restless.
00:53:35The drug I gave him hasn't taken effect yet.
00:53:37That marshal's got to be killed.
00:53:39That's all right.
00:53:42All you have to do is find the right man for the job.
00:53:45He's got to be killed tonight.
00:53:47Don't you think you better take a good look at him?
00:53:49We arrest better once Sloan here has made arrangements for the marshal's killing.
00:53:53Look, if you're nursing any idea, I'm going up against him alone.
00:53:57No one's going up against him alone.
00:54:09Jill?
00:54:10Jill?
00:54:11Jill?
00:54:12What are you worrying about that marshal for anyhow?
00:54:14I'm not.
00:54:15Not him or any other man.
00:54:16Outside of killing each other, there's only one thing they're good for.
00:54:29Not much good at that either.
00:54:30Sally?
00:54:31I don't like gangin' up on a man.
00:54:33Well, now, Mr. Brent, were you aiming to take him on all by yourself?
00:54:37The marshal's a federal peace officer and the man he killed's an outlaw.
00:54:38Are we trying to make mounds safe for outlaws?
00:54:39You must be awful scared of him.
00:54:40You are?
00:54:41No, but not of you.
00:54:42You wouldn't be thinkin' of warnin' him now, would you, Mr. Brent?
00:54:43Wouldn't do him a bit of good if I did, or you either.
00:54:56All I want is a drink.
00:54:58This is a Sloan, ain't it?
00:55:02Let the man get his drink.
00:55:05All the time, let the man get his drink.
00:55:08Come and get his drink.
00:55:13Evening, Sheriff. Where's the marshal?
00:55:15Welsh? How many bounty hunters you got stopping here?
00:55:17Upstairs in his room, and I wouldn't call him a bounty hunter to his face.
00:55:20There's a mob on its way over here right now figuring on doing a whole lot worse than that.
00:55:24Sally!
00:55:28You sticking with him?
00:55:30I am?
00:55:32Then get him out of here, honey.
00:55:34Oh, Mama. Please help me. He won't listen.
00:55:40If he's what you want, make him listen.
00:55:44Look, take him to my house. They won't be looking for him there.
00:55:48Hurry.
00:55:49Yes.
00:56:04What's going on?
00:56:10The marshal's inside. We're gonna get him.
00:56:19Charles, you said we was coming to town only for Khan's funeral.
00:56:23Maybe you'll turn out to be a double funeral.
00:56:25If you kill the marshal, you know what else will be buried up on Booth Hill tomorrow morning?
00:56:31All the peace and decency of our whole lives.
00:56:36Two of you men stay out here.
00:56:38What room's the marshal in?
00:56:40You're asking questions with a gun in your hands, Sloan.
00:56:42I'll apologize for that some other time. Right now, what's his room?
00:56:44You ain't gonna use my hotel for a slaughterhouse.
00:56:46Oh, we don't have to bother Mr. Creavy.
00:56:48Will's gonna tell us. Ain't you, Will?
00:56:50I'm not running.
00:56:51There's a dozen men down there. What are you trying to prove?
00:56:53How brave you are before you die?
00:56:55I'm not interested in being brave.
00:56:56You gonna tell us?
00:56:58Ain't you, Will?
00:56:59I'm not running.
00:57:00There's a dozen men down there.
00:57:01What are you trying to prove?
00:57:03How brave you are before you die?
00:57:04I'm not interested in being brave.
00:57:06You gonna tell us, Will?
00:57:08Come on.
00:57:09Room seven.
00:57:12Ain't nobody going upstairs.
00:57:14I think you're forgetting who put you in office.
00:57:16I think you're forgetting what you put me in office for.
00:57:33You gotta kill him.
00:57:36Kill him.
00:57:44Clear it out.
00:57:45Likely he's finding the doings more interesting than the girls' room.
00:57:47Come on.
00:57:49Kill him.
00:57:50You gotta kill him.
00:57:51You two check the balcony.
00:57:52Come on with me.
00:57:53Hey.
00:57:54Look at this, Tex.
00:57:55What for?
00:57:56There ain't no one in it.
00:57:57Come on.
00:57:58He's gotta be out here somewhere.
00:57:59He's gotta be out here somewhere.
00:58:00all she has to do is scream.
00:58:01You gotta kill him.
00:58:02You gotta kill him.
00:58:03It's a little crazy thing.
00:58:04Come on.
00:58:05He's gotta kill him.
00:58:06You two check all your teeth.
00:58:07What do you do?
00:58:08You gotta kill him.
00:58:09Take him.
00:58:10You gotta kill him.
00:58:11You gotta kill him.
00:58:12He's gotta kill him.
00:58:13You gotta kill him.
00:58:14You gotta kill him.
00:58:15All she has to do is scream.
00:58:31We've only got one way to go.
00:58:40He got out of the hotel somehow.
00:58:42Did you see him, maybe, coming down those stairs?
00:58:45No.
00:58:56You better take your wife inside, book rooms for yourselves.
00:58:58As far as the marshal goes, why, he can't have got far.
00:59:02We'll keep looking.
00:59:12If they find us...
00:59:17There's no reason why they should.
00:59:18If something happens, I want you to tell me at least once.
00:59:23Tell you what?
00:59:24That you love me.
00:59:32Why do, Sally?
00:59:33I love you more than anything.
00:59:43You keep on killing them.
00:59:45No!
00:59:46No!
00:59:46No!
00:59:47No!
00:59:48No!
00:59:49No!
00:59:50No!
00:59:51No!
00:59:52No!
00:59:53No!
00:59:54No!
00:59:55No!
00:59:56No!
00:59:57No!
00:59:58No!
00:59:59No!
01:00:00No!
01:00:01No!
01:00:02No!
01:00:03No!
01:00:06Get Doc Webber quick.
01:00:09I don't think this is exactly what you had in mind, but you accomplished something tonight.
01:00:16Call it enough.
01:00:19We didn't want no harm coming to Jill.
01:00:22That ought to help her.
01:00:27Get him out of here before he comes to.
01:01:33A couple of hours, more or less.
01:01:36Don't make much difference.
01:01:41She wasn't going nowhere.
01:01:43A woman like her gets old sudden, quick.
01:01:48Once she does...
01:01:51It's my fault she's dying.
01:01:54Sally, don't be so exclusive, son.
01:01:59She died because of me, too.
01:02:02Twenty years ago, when Sally's part took off, I could have asked Jill to marry me.
01:02:08But I was too proud.
01:02:11Too proud of being a cripple.
01:02:12You ought to understand that.
01:02:21Ma?
01:02:39It was nice of you to come by and visit.
01:03:01Oh, Mama.
01:03:05I hadn't been any good to you since the day I was born.
01:03:08Oh.
01:03:10You were someone I could love without fear of losing.
01:03:14But I lost you a long time ago, didn't I?
01:03:19Oh, Mama.
01:03:24Oh, Sally.
01:03:25Do you think that you could keep it from Les that he was the one?
01:03:35You're going to be all right, Ma.
01:03:41Then why am I so afraid?
01:03:43You're going to be all right.
01:04:02Oh, my God.
01:04:03Oh, my God.
01:04:05Oh, my God.
01:04:13I don't know how many friends he's got till he dies.
01:04:36Sometimes he makes more friends by dying than by anything else he ever done.
01:04:41Beautiful day for Khan's funeral.
01:04:43Too bad he ain't alive to appreciate it.
01:05:03Sally?
01:05:05Sally?
01:05:08I've got to tell you where I've become a bounty hunter.
01:05:12You don't have to, Luke.
01:05:14Yes, I do. Yes, I do.
01:05:17You know, being short, nobody ever takes me seriously.
01:05:21When I was a kid, it became kind of a joke.
01:05:25I didn't like that.
01:05:29So I got out and became a bounty hunter.
01:05:32I went to new places, met new people.
01:05:35And wherever I went, little Appen went with me.
01:05:42And I'd killed and kept going.
01:05:44And now I've got to get up to where the Burien conned me.
01:05:50I thought after you told me you loved me.
01:05:55I thought after my...
01:05:57After what happened, it'd make a change.
01:06:00I'll sign that paper, Luke.
01:06:03You can take it back to St. Louis and get your $200.
01:06:05Anything I get will be up at Boot Hill.
01:06:07Don't you know yet that no matter how many men you kill,
01:06:09it ain't gonna make you an inch taller?
01:06:12But you're going anyway.
01:06:14I hope they don't kill you.
01:06:19But if they do, I don't have no more tears.
01:06:24I don't have no more tears.
01:06:44I am the resurrection and the life.
01:07:04He that believeth in me, though he were dead, yet shall he live.
01:07:10And whosoever liveth and believeth in me shall never die.
01:07:25Earth to earth, ashes to ashes, dust to dust.
01:07:33Ensure uncertain hope of the resurrection.
01:07:40Mr. Miner.
01:07:44I'm the man who killed your brother.
01:07:58Stop, stop, you'll kill him.
01:07:59He needs to be killed.
01:08:00He had a gun on you, he didn't use it.
01:08:10Let's go, Meyer.
01:08:13Get him, Mellody.
01:08:14Let's go, Meyer.
01:08:38Who's facing your gun?
01:08:39I had to let Maynard's brother get at me.
01:08:46I owed it to him.
01:08:50I owed it to myself, maybe.
01:08:54Dead's a funny thing.
01:08:56So much depends on who he owes him to.
01:08:59A man who rode into town a couple of days ago with a warrant in his pocket wouldn't know what you're talking about.
01:09:04Oh, he had a known.
01:09:08But he wouldn't have accepted it.
01:09:15Doc, I have to belong to someplace.
01:09:21I have to become a part of someone.
01:09:23What chance would I have had of staying in Mellon if I hadn't thrown my gun away?
01:09:28What chance would I have of walking down a friendly street?
01:09:35Well, try to get up.
01:09:37Doc, I got no regrets for killing Maynard.
01:09:48But I sure wish I wasn't the one that done it.
01:09:51There's a boot hill in every town where the dead are hidden in the ground and forgotten.
01:09:56There's a boot hill in every man's soul too, Mr. Welk.
01:10:00You mean let the dead past bury its dead, huh?
01:10:04It will anyway.
01:10:29There's a bunch of suspect that I tried to control my gun.
01:10:35Can you see who he is and the dead past?
01:10:37Don't you see who there is?
01:10:39He is.
01:10:41No, he is.
01:10:43No, no, he is.
01:10:45Yes.
01:10:47There are a lot of kids coming in.
01:10:49You'll see the other house.
01:10:51No, no, no, there is no, no.
01:10:54We didn't see what is even a week.
01:10:55No, no, there is no surprise.
01:10:56Luke.
01:10:58Well, you ought to see the other fella.
01:11:01Not a mark on him.
01:11:26Well, you ought to see the other fella.
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