- 2 days ago
Category
📺
TVTranscript
00:00Why am I always the last one to find out everything?
00:14Find out what?
00:15Mr. Draper's run the stock order.
00:17I didn't even get a look at it.
00:20Well, you just told me.
00:21So, technically, now I'm the last one to find out.
00:26This is the final score.
00:30I'll hop with you, Lord.
00:32I mean, I'm sure it's just an oversight.
00:41He promised me a say in our summer range.
00:44He ignored you on purpose.
00:46You have any evidence?
00:48It's not a police case, Geordie.
00:50No.
00:51But if you're going to jack in a job you've spent six years toiling at...
00:56...and being brilliant at...
00:58...you'd better be sure.
01:02Besides, you probably ordered all the stuff you like anyway.
01:09Hello.
01:10Boss.
01:11Body's been found.
01:13Young lady on the common.
01:17Next time we should bring a picnic.
01:19Next time?
01:19I mean, if...
01:21If you want to.
01:24Would you let me drive?
01:27Drive Pep.
01:28The car has a name.
01:29Of course the car has a name.
01:32And you drive in...
01:34Well, it would depend.
01:35On what?
01:36On what you bought for this swap.
01:38Hmm.
01:39I will be judging.
01:41Then you first.
01:41Have you read it?
01:49Been meaning to.
01:51A wholesome story of a promising young lady that's actually quite racy.
01:56Hmm.
01:57It's made you think of me?
01:59No.
01:59No, not like that.
02:01Why ever not?
02:04Here you are.
02:05This is the one about the asylum?
02:09Yes.
02:10Cooped up with the crazies.
02:13A village vicar might relate.
02:15Hmm.
02:15Hmm.
02:25That was fun.
02:27Thanks, Pep.
02:29You sure I can't drop you home?
02:31I really do fancy the walk.
02:32I mean, you could come in if you wanted.
02:41I shouldn't.
02:45No.
02:46Hmm.
02:55I should go.
02:57Yeah.
02:58Well, those books won't end themselves.
03:00Exactly.
03:02Oh, God.
03:09Who?
03:10Oh, God.
03:11Oh, God.
03:12Oh, God.
03:16My Lord.
03:17Reverend Cotron.
03:19Dad?
03:24Dad.
03:25I was going to mention it.
03:27What have we got, Larry?
03:32Dog walker found her this morning.
03:35Are we investigating traffic accidents now?
03:37It's a bit of a conundrum, boss.
03:41A conundrum?
03:42You know how to use that many syllables?
03:44I'm trying to better myself for Jennifer.
03:47Who's Scott?
03:48Yeah, I know who Jennifer is, Larry.
03:51What's the conundrum?
03:53No sign of the scooter's key.
03:55Uniform searched everywhere.
03:58She couldn't drive it without one.
03:59So how did she fairly ride into a tree?
04:02What, she couldn't even start the engine?
04:05Plus, grass and mud marks on the scooter.
04:07But none on the girl.
04:11Reckon it's been staged.
04:16You're on the plate yet?
04:17Still waiting on it.
04:19I've got her ID, though.
04:20Christina Parsons.
04:34A student at Newnham, too.
04:36Says that in her licence?
04:37Her scarf.
04:39You might want to brush up on your college collars next.
04:41Sorry, boss.
04:42Figured it was for part of her mod look.
04:44The what look?
04:45Kids on scooters.
04:47Sharp clothes.
04:48Amphetamines.
04:49Anything else in the bag?
04:52Some kind of writing on the inside.
04:56That's a coin ring.
04:59A dollar.
05:02In God we trust.
05:05Mark on her finger.
05:06She's been wearing it on and off for a while.
05:13Being and nothingness.
05:15Sounds like the contents of my wallet.
05:18You read it?
05:19No.
05:23But I know a man who might have.
05:26I'm fully aware of your reputation.
05:28And my daughter is not some conquest to be added to your tally.
05:32Alfie!
05:33Psst!
05:33This is simply intolerable behaviour.
05:36And your ignorance is not an excuse.
05:39What's happening?
05:40Is this behaviour fitting for a man of the clock?
05:42Oh.
05:43Hello.
05:44Meg.
05:45Isn't it?
05:46Hello again.
05:48Miss Grey is the bishop's daughter.
05:51The bishop's?
05:52Your reputation has been caught through his quest.
05:55Oh.
05:56What brings you here?
05:59Oh, just at a loose end.
06:00Margaret!
06:08We're going.
06:08You'll be wanting a brandy.
06:25The back seat of a triumph is no place to deflower a daughter of the cloth.
06:32Daughter of the cloth is not a real phrase, Mrs. C.
06:34And there was no deflowering.
06:39Be a dear and get that, would you?
06:44The bishop's daughter.
06:46I didn't know.
06:49A bit early for me, I think.
06:52It's Geordie.
06:54I can tell you exactly what he's going to say.
06:56You sly old dog.
06:59Don't.
07:00I really liked her.
07:03But how can it work now?
07:07I'll trade your romantic crisis for an existential one.
07:11Boss, the scooter wasn't registered in Christina Parsons' name.
07:16It's owned by a Peter Grayson.
07:18A boyfriend, perhaps?
07:19You can ask him yourself.
07:21We just brought him in.
07:24Mr. Grayson's been here before.
07:29Peter Grayson.
07:38You're a janitor at the university laboratory.
07:43That where you met Christina Parsons?
07:44Chrissy, yeah.
07:46Can't believe she's gone.
07:48Saw her last night.
07:50You loaned her your scooter?
07:52She'd borrowed it to nip up to the lab and finish some work.
07:55I had a rice pudding waiting for her.
07:57What time was this?
07:57About half eight.
08:01She was staying with you?
08:03And she'd drop over sometimes.
08:04Was she your girlfriend?
08:07I guess.
08:08We hadn't done anything, but she liked hanging out.
08:11A posh, pretty college girl was just hanging out round your flat.
08:15Yeah.
08:16Yeah, look, she liked the scene.
08:18She probably wouldn't have said two words to me in my overalls,
08:20but she saw me in my suit down the mire and we got chatting.
08:25Spent nights and nights pouring over that jukebox.
08:28Did you give her this?
08:30Never seen it before.
08:32What about this book?
08:34Yeah.
08:36Said she wanted to know what being her mob was about.
08:38Well, you're the first gang I'd come across with its own reading list.
08:42Well, Sartre says most people spend their whole lives not realizing
08:44they're doing exactly what's expected of them.
08:46And instead they should do what?
08:49Buy a scooter?
08:50You're a gang.
08:51And gangs always get violent and we've had you in here before for brawling.
08:56I didn't start that.
08:57You didn't stop it either.
09:00So maybe you and Chrissy fell out.
09:03You threw a punch.
09:04Never.
09:04Or maybe a rival gang came for you and she got caught in between.
09:11Lucy was at the lab last night.
09:14That's where you should look.
09:15You think another student did this?
09:18All I know is it's a bloody shark tank in there.
09:26You're welcome, sir.
09:30Porter saw Chrissy last night.
09:32She arrived before nine, left after ten.
09:34It was definitely her, wearing the helmet and pushing the scooter.
09:40She was a researcher for a Professor Aldo.
09:46These results show that mutations in proteins and DNA accumulate over time.
09:51And the rate at which they accumulate is not random,
09:54but actually relatively constant.
09:56As you can see from this table.
09:58Professor Aldo?
09:59You're early.
10:00He's in here next.
10:02Do you mind if we wait?
10:02As I was saying,
10:05the results show the number of differences
10:07between human and gorilla hemoglobin chains is measurable,
10:11which suggests a sequence of mutations
10:13away from a common chain ancestor.
10:16You are to retract this at once.
10:18Please, Clarence, I'm not finished.
10:20You will be finished if you cannot demonstrate your proof.
10:23Professor Aldo?
10:24Not now.
10:24Let's call it a day here, everyone.
10:26The results are all in my paper.
10:28It shouldn't have been published.
10:30Your jealousy is very unbecoming.
10:32You will ruin this, all of us, you know.
10:35Because I'm a woman.
10:37The frontiers of science are not pushed back by people like you.
10:41Stupid old pig!
10:44Damn you!
10:45Let's all calm down.
10:47I'll see you thrown out for this.
10:48Enough.
10:49Things got a little heated in there.
11:02That man really can be quite a prick.
11:07A limited data set and a limited mind.
11:10Real science is about dreaming the impossible.
11:13Very poetic.
11:14And what exactly is it you've been dreaming?
11:18That we can deduce the point in time two species diverged based on markers in their biology.
11:26I can explain it to you.
11:30I cannot understand it for you.
11:33Unlike Joshi, I'm not reckless with my proclamations.
11:37Science is built on verifiable data.
11:41Evidence leads theory.
11:43Precisely.
11:44She published in a rush.
11:46Clarence sat on his results, checking and rechecking.
11:50Now he's stewing in his room while I've got a faculty dinner tonight in my honour.
11:55So publishing first's a big deal.
11:58With the right paper, a man could make faculty chair in a few years.
12:03Or a woman.
12:06Chrissie Parsons died on her way home from here last night.
12:10She was a researcher of yours.
12:12It's a truly terrible loss.
12:16We believe Chrissie was here at the lab between 8.30 and 10pm.
12:20Where were you?
12:22I'd have been reading.
12:24In my rooms.
12:26Were you aware that Chrissie was in with a gang of mods?
12:29That spivy janitor.
12:31He was such a distraction, a dalliance.
12:34You don't think she was serious about him?
12:36No, not at all.
12:37No, the real damaging influence here is Professor Joshi.
12:42Too keen.
12:43Too ambitious.
12:44Too Indian.
12:47I was alone last night, preparing for this morning's lecture.
12:52Am I a suspect?
12:53Just throwing out ideas.
12:55Huh.
12:56Well, here's one for you.
12:57You've seen Aldo's attitude towards women.
13:00Maybe Chrissie got a bit too uppity for his liking.
13:03He said you were too ambitious.
13:05My only ambition is to get a fair shake at this, without being shoved aside for not fitting in.
13:12Maybe you can understand that.
13:18Was there anyone else Chrissie was working with?
13:20I got in on a scholarship.
13:26I didn't realise how overwhelming it'd be.
13:28The rules, the cliques.
13:30You knew Chrissie Parsons?
13:31Yeah.
13:32She was brilliant.
13:34I've never met anyone like her back home.
13:36There was no conflict.
13:37What with you being on Joshi's team and her on Aldo's?
13:42Stuck here all hours.
13:44There's no point making it a race.
13:45I'd help her with practical kit.
13:47She'd help me.
13:48It makes sense of life here.
13:52Pretty lass like that.
13:54Taking you under her wing.
13:59You must have been sweet on her.
14:01Everybody was.
14:04You recognise this ring?
14:06Yeah, she used to wear it.
14:10You were here last night?
14:12Collecting results in the lab.
14:14I saw Chrissie come in at about nine.
14:17Checking Aldo's electrophoresis and chromatography tests.
14:20She left after an hour and I didn't say much after.
14:23You saw her leave?
14:27Was she worried?
14:29Upset?
14:31She'd been fighting with her boyfriend.
14:35The mod fella.
14:42Terry's story checks out.
14:44Chrissie Parsons wheeled Peter Grayson's scooter out of here just after ten.
14:49She's then found dead in the woods early this morning.
14:53And Aldo and Joshi have no alibi.
14:55Mm-hmm.
14:58Mr. Grayson.
15:00Nor does our janitor.
15:03Too many suspects.
15:04Not enough clues.
15:07Right, come on.
15:08Pathologist's report will be in.
15:11Her cause of death was a head trauma.
15:14The tree?
15:18Pathologist suggests a flat surface.
15:20A hard table or floor maybe?
15:24Well, Porter said he saw her leaving in her helmet like a jockey.
15:30She wasn't wearing it when she bashed her head.
15:32You'd expect more blood on the Parker and Arle, but it's clean.
15:38Could she have been dressed in it after she was killed?
15:44Are there a puncture wounds here?
15:46All over her shoulder?
15:47And across her back.
15:48Too neat to be from the tree.
15:50And nothing matches on the scooter.
15:52Here's that paperwork you wanted.
15:56Thank you, Miss Scott.
16:00Oh, sweet!
16:02Larry?
16:07Hmm.
16:09Well, what's this?
16:10That's not supposed to be in there.
16:18Christ on a bike, Larry.
16:22Oh, Larry!
16:23What did it say?
16:32Nothing a vicar should hear.
16:35It won't last.
16:37And then it'll be me who has to deal with these big, sad, puppy-dog eyes for weeks on end.
16:41Speaking of doomed romances, don't you fancy some new reading material?
16:49Well, since you no longer have any plans for tonight.
16:52Ah, how considerate.
16:55What's in it?
16:56Josh's published paper.
16:59Chrissie's notebooks.
17:02And old files of Aldo's.
17:05Heterogeneity and molecular evolution through haemoglobin.
17:14Yeah, it simply rolls off the tongue.
17:17Hang on.
17:18Professor Aldo mentions an interest in numismatics.
17:21Hmm.
17:24He's into coins.
17:32I share this fascination with Newton.
17:35He was master of the mint, you know, after he studied here.
17:40You must have a good eye for them.
17:42I like to think so.
17:44You recognize this one?
17:53I've seen these before.
17:56Yanks stationed here used to make them for their sweethearts.
18:00I studied at Berkeley in the 40s, learned there,
18:02It requires older coins, higher silver content, you see.
18:08Were you having an affair with Chrissie Parsons, Professor?
18:12That's not what happened.
18:14Beautiful girl, working closely,
18:16over long hours and late nights.
18:19It's not hard to imagine.
18:20You're making it sound seedy.
18:21You're a married man and she's half your age.
18:23But it wasn't some grubby tryst.
18:27How long had it been going on?
18:30Six months.
18:32A little more.
18:34Hmm.
18:34You knew about Peter Grayson.
18:38The janitor.
18:40She took pity on him, like tending an injured bird.
18:44And you didn't think any of this was pertinent to the case?
18:46It had nothing to do with her death.
18:48But it had everything to do with your standing.
18:53Hoping you shine bright enough to be the faculty chair,
18:55when the truth is, your reputation's already tarnished.
19:00Maybe you didn't shrug off the mod lad so easily.
19:04Maybe you told her to leave him.
19:06Or maybe...
19:07she left you.
19:10Either way, we've seen it doesn't take much for you
19:12to get angry and physical with a woman.
19:14I did nothing wrong.
19:17A man in a position of power seducing a younger woman...
19:20sounds pretty wrong to me.
19:23Did you kill her?
19:24No, I bloody did not!
19:26Your alibi is unverifiable.
19:28Your affair is a damaging secret.
19:31You had every reason to want to control Chrissy.
19:35I'd say the evidence is leading the theory one way.
19:38No, Inspector.
19:40Just because I can't prove I was in my rooms last night
19:43doesn't mean you can place me at the scene of the crime.
19:53He's right.
19:55Look, Peter didn't seem to know about her affair with Aldo.
19:58Maybe he was the one who found her and snapped.
20:01And he's short an alibi.
20:03But you still need to find the case to that scooter.
20:06And what made the marks on Chrissy's shoulder and back?
20:08Well, the answer lies somewhere between the lab
20:11and where she was found on the common.
20:14Come on.
20:17Larry.
20:18Put this back with Chrissy Parsons' personal effects.
20:21Of course.
20:30See if you can find that student, Alfie.
20:32I'm going to take a look around outside.
20:40Oh, hi, Mr. Cotterham.
20:42Can I take a look around?
20:46Hey!
20:48Off you go, Paddy.
20:50Go on, see you, Paddy.
20:51That's it, keep on walking.
20:52Bye, Terry.
20:52Does this happen a lot?
21:03Often enough to remind me of my place.
21:06Chrissy used to stop them, but now.
21:09Back to being an outsider.
21:11You're in the building, but you're not in the club.
21:14Yeah.
21:17But now you've helped Professor Joshi publish.
21:20Surely you'll lead to fortune and glory?
21:21I wish.
21:23I'm just hoping for a paid job.
21:26It'll make a bigger difference to my family
21:27than a tiny citation in a journal.
21:32Back again, Mr. Cotterham.
21:51I'm trying to understand the rivalries and politics in the lab.
22:14How Chrissy fitted in here.
22:17Like a glove.
22:19The whole family are oxbridge to the bone.
22:21Hmm.
22:22It wasn't as easy for you.
22:24No easier than for a convert to the church, I imagine.
22:27I'm not a convert.
22:30I chose this.
22:32I grew up with it.
22:34Bible stories before bed every night.
22:36And you think that what the church has made you into,
22:39that's true to who you really are?
22:41This is who I am.
22:43It doesn't get more quintessentially British
22:46than the vicar of a quaint little village.
22:49You'll tell me next that your police friend accepts you too.
22:51That's not fair.
22:57Geordie's a good man.
22:59He's using you.
23:01Walking around with a handsome Indian vicar.
23:03Everyone assuming he's moral and accepting
23:05and not the fist of the status quo.
23:08Now you're judging.
23:09Raised by the church, seeing the world through their eyes.
23:13You trust all the wrong people.
23:14And your sorry's in the wash, is it?
23:16I wish you could see how much you've been skewed.
23:19Alfie?
23:21What have you got?
23:33There's blood outside the lab window.
23:36And I double-checked the porter's logs.
23:38Someone else was in there last night.
23:41Peter Grayson.
23:42Peter Grayson.
23:42Peter Grayson.
23:44Peter.
23:54Oi.
23:55We just want to talk.
24:08Yeah.
24:15Well, look at that.
24:17Keys to the scooter.
24:18A pretty serious talk.
24:22I didn't put the keys there.
24:23Well, someone planted them in your bag.
24:25On a shift.
24:26Bags go in the staff room.
24:27Anyone could have sneaked in.
24:28You told us you were at home last night.
24:30You're waiting for Chrissy with a bowl of rice pudding.
24:32You lied.
24:34Did you know Chrissy was having an affair with Professor Aldo?
24:39So Chrissy went to the college on your bike.
24:41You followed.
24:42Attacked her.
24:43No.
24:43Probably in a jealous rage.
24:45Dragged her body out of the window.
24:47Laid her out on the common.
24:48He was one of those posh bastards.
24:50They think they're untouchable.
24:51Better than ordinary people.
24:52You were always an outsider.
24:53Exactly.
24:57Then why were you there last night?
24:59I was on a shift.
25:01Peter.
25:03We checked your rotor.
25:05Fine.
25:07I was...
25:08I was in the library.
25:11Bollocks you were.
25:13This preservation of favorable variations
25:15and the rejection of injurious variations
25:17I call natural selection.
25:21Darwin.
25:21Origin of the Species, chapter 4, page 81.
25:25I'm not allowed in the library.
25:26Could lose my job over it.
25:29I've been studying for weeks now.
25:33Wanted to impress Chrissy.
25:47I've been thinking on it all day.
25:48On what?
25:52Well, on you.
25:55All day at work, round and round in my head
25:57and I am so sorry about this morning.
26:00I should have said something sooner.
26:03When were you going to tell me?
26:05I don't know.
26:07I've seen how things went.
26:08So you were stringing me along or
26:12was it just to piss off your father?
26:16What are you talking about?
26:17A year ago, he almost had me ousted from here because of...
26:21Well, because of who I am, where I'm from.
26:24I didn't know that.
26:24I had no idea.
26:25A man like me dating his daughter,
26:27you didn't think that would be at the least
26:30extremely awkward?
26:32I am not my father, Alfie.
26:35No.
26:38But I can't trust either of you.
26:42I see.
26:46Alfie?
26:49Meg?
26:49Well, goodbye.
26:51Oh, sorry.
26:59Am I disturbing?
27:02No.
27:04Not at all.
27:07I wondered if you might care to join me at the pictures.
27:10Take your mind off things.
27:12It's either a kind of loving with that lovely Alan Bates
27:15or carry on cruising.
27:19Not tonight, I'm afraid.
27:21I've got homework.
27:22Oh.
27:24Of course.
27:27What is it?
27:29Science papers.
27:31One of Geordie's cases.
27:34Now, I thought I grasped the basics,
27:37but Dickens has a better shot at understanding this.
27:41May I?
27:47Oh, dear.
27:48Escape to your movie.
27:49There must be a million other things you could do tonight.
27:53To be honest, I just wanted a night away from the halfway house.
27:58And with Daniel absent.
28:00Then make yourself out home.
28:03I've made samosas.
28:05Oh.
28:06Mm.
28:08It's a slightly sad attempt at trying to prove something to myself.
28:11An identity crisis on a plate.
28:16It tastes better with one of these.
28:18Mm.
28:18I won't.
28:21Could I drop in here for a sherry?
28:22Okay.
28:22Okay, Cathy, here we are with the Swinerton summer season.
28:34Off we go, then.
28:35These are the best ones.
28:53Smile, Dora.
28:54It's hardly haute couture, is it?
28:56None of these are cool.
28:57They're so boring.
28:59Nonsense.
29:00That's a very pleasant shade of brown.
29:02These are bad, Sylvia.
29:04Last time I saw whirlaways like that, we were rationing.
29:08Mr. Draper's picked nothing new.
29:10He knows people like what people like.
29:13People like choice.
29:15They'd buy new stars if we offered them.
29:17Like in Carnaby Street.
29:18This one is itching me something rotten.
29:22So, Ward, a better start?
29:24Oh, I wish.
29:25I'm not in charge, am I?
29:26That's been made perfectly clear.
29:28You do a much better job, Mum.
29:39You're struggling too?
29:42My mind keeps wandering.
29:44Is it to do with this, or the bishop's daughter?
29:48It's both.
29:52I had a run-in with Professor Madhu Joshi today.
29:57She turned out I was a naive, white-pleasing sellout.
30:01What nonsense.
30:03Being used by Geordie, being used by the church.
30:08But then I lashed out at Meg.
30:11Accused her of using me to annoy her father.
30:15Ah, that's what that was.
30:18You don't really think that.
30:21I know I don't trust her father.
30:24Be careful you're not tarring Meg with the same brush.
30:28Sometimes the apple escapes the tree.
30:31Did you get that capacity for compassion from your parents?
30:34I suppose sometimes you get the best, and sometimes they hand down their flaws.
30:46Ignore me.
30:48I'm just mad at Daniel and all his family nonsense.
30:52You want a trade?
30:58Mix it up.
30:59Sure.
31:06And I'll fetch us another.
31:09No, wait.
31:10I've...
31:11I've already seen these.
31:14You can't have.
31:15I thought you gave it to me first.
31:30Geordie, I found something.
31:32Leonard and I have been trying to make sense of this all evening.
31:42Look at these two pages.
31:47The handwriting on the margins, it's different.
31:50No, no.
31:51Look at the numbers.
31:53These are Professor Aldo's figures, and these are Professor Joshi's.
31:57They're exactly the same.
32:04We need to talk to Professor Joshi.
32:25Professor?
32:25Professor?
32:27Get out.
32:30What's going on here?
32:32I'm working.
32:33It's what it takes.
32:36I think she needs water.
32:37I'll get out.
32:39Stop being used by him.
32:57George.
33:01George.
33:02What?
33:04This is a DNA model, but it's been broken.
33:07I'm no academic, but if you'd humor me, Professor, I'd like to present the results of my own
33:36research. It starts two nights ago when Chrissy Parsons was killed in the laboratory. The blood on the
33:43DNA model and the puncture marks on her arm and back attest to that. I had nothing to do with her
33:49death. The porter thought he saw Chrissy leave. Likely it was the killer in Chrissy's parka and
33:55helmet to make it appear that the murder happened off campus. They went back, removed her body through
34:04the window, then wheeled the scooter across the common and ran it into a tree. Left a body beside
34:10it to suggest an accident. Yeah, they were clever too. If we didn't buy the accident, they had the
34:18keys to plant on Peter Grayson. Please, get to your point.
34:22I reckon someone as smart as you can see where this is going. This salt of the earth routine
34:30is most tiring. The endless class war. You love taking people apart, don't you? From their DNA
34:40to their personalities. Pick, pick, pick. I must have really touched a nerve with you yesterday.
34:47See, the thing is, everything you picked at me for, well, I think that was really about
34:54you. Always insecure. Always an outsider. You've no idea. You're a man. You never had
35:03to question what you were giving up. Or maybe I really am comfortable being a quintessential
35:09English vicar. Whereas the harder you try to fit in, pretending to be something you're
35:15not, the more you hated it. Why were you at the lab last night? And not at a fancy dinner?
35:26Something more important came up. These are your published results.
35:37And this is Chrissy's record of Professor Aldo's experiments.
35:45I might just be a salt of the earth copper, but those numbers look very similar to me.
35:52Odd. Particularly as Aldo's experiments are dated before yours. You said he sat on his own
36:02results for too long. Maybe he sat just long enough for you to steal them and publish first.
36:11I got the jump on him. I knew if he could prove it, I'd get there too.
36:16But then yesterday, he confronted you. He'd guess what you'd done.
36:22That would give you enough reason to try and replicate those results in your own desperate experiment.
36:28That's what you were doing at the lab last night.
36:31But I couldn't replicate them.
36:33Plagiarism ends careers.
36:35And if Chrissy found out what you did...
36:38...well, that would give you a reason to kill her.
36:43Did you murder Chrissy Bartled?
36:46No.
36:50I did not.
36:52We've got to get back, Larry.
36:56Another minute.
36:57I've got work to do and so do you.
36:59Wait.
37:00Look at that.
37:01Just up ahead.
37:02Have a seat.
37:04No, I'm going.
37:06You're acting strange.
37:08What's this?
37:09Jenny.
37:10Look.
37:11What have you hidden there?
37:14That's a shilling.
37:16Jennifer.
37:18Oh, my God, Larry Peters, you are not doing this again.
37:21Don't say anything.
37:22Hear me out.
37:24I've met a lot of people on this job.
37:27I never expected...
37:29We can't.
37:30We talked about this last year.
37:32Yeah, but that was because we, you know, the ones.
37:36But now we've done it lots.
37:38If we get married, I'll have to resign.
37:44Exactly how many married women do you see working at the station?
37:49That's all right.
37:51You'd have your hands full with a baby in a year.
37:53Raise your own bloody baby?
37:55Do you really think I'm just going to retire to mother a brood
37:58or be a housewife?
38:00It's just not who I am.
38:02I had it all planned.
38:05First dance.
38:07A speech.
38:15I love you.
38:16I love you, too.
38:20I'm so sorry.
38:21These notes and Chrissy's margins, they don't match Aldo's handwriting.
38:36So why have you brought him in?
38:38Well, maybe Chrissy leaked the results and he found out.
38:42It's worth a shot.
38:44Really, Inspector, this constant harassment is unforgivable.
38:53Caught you, did they, little thief?
38:55How did you do it?
38:57I couldn't get my x-ray diffractions anywhere near your numbers.
39:00Clarence.
39:02How did you...
39:07You didn't get them.
39:11This way is it?
39:12You faked your results.
39:14You lied.
39:15But I didn't publish.
39:22Some days you push the frontiers of science.
39:24Some days they push back.
39:26Are you okay?
39:33You were right about me.
39:35Every day was a compromise.
39:38I'm sorry.
39:40I really am.
39:41And all of it for nothing.
39:43All of it staked on that paper and now it's gone.
39:48Insecurity.
39:56People lash out when they're insecure,
39:59when they risk losing everything.
40:01Come again.
40:03Who else staked their future on Joshi's paper?
40:08Professor Joshi told you all to dream the impossible.
40:11But then she put you in an impossible situation.
40:16She asked you to steal Professor Aldo's results.
40:20No, I'd never do that.
40:23Breaking and entering, maybe not.
40:27How about sneaking a look when helping his researcher
40:30with her practicals and essays?
40:35That's your handwriting in the margins of Chrissy Parson's notebook.
40:39Helping her out as you copied her numbers.
40:43She'd have no idea.
40:45At least not until Joshi got cocky.
40:48And published.
40:50Without even verifying or tweaking the results.
40:54Chrissy must have been really angry when she realized you'd betrayed her.
40:59Not just angry.
41:00My guess is vicious too.
41:03Because you're an outsider in that world.
41:06Chrissy wouldn't know how hard it's been for you to get there because it was never hard for her.
41:12Everyone thought she was this brilliant, lovely girl, but it was skin deep.
41:23She turned.
41:25Said I didn't belong.
41:28Called me a peasant.
41:31A pro.
41:33She was gonna tell.
41:35And my family and my dad then though.
41:37And you couldn't let that happen?
41:40They've sacrificed everything for me.
41:43So I'll be able to do well.
41:45Pull us all up a rung.
41:47But rather them face their disappointment.
41:51You killed Chrissy Parson's.
41:55What happened, Terry?
42:00I just...
42:04I didn't mean to.
42:06You pushed her into the DNA model.
42:10Then threw her to the floor.
42:14The table.
42:17She hit her head and that was it.
42:21She was gone.
42:26Hello.
42:46Who's playing that racket?
42:48What the hell are you playing at?
43:02Get that off.
43:04You're not a bloody girl.
43:06I'm looking for some books.
43:23No books here.
43:25Not for you.
43:27Fair enough.
43:29But can I say I am so sorry for yesterday.
43:34I really am...
43:38Things have been difficult between me and your dad.
43:42And it's...
43:43It's made me a little insecure.
43:47But if you didn't know any of that...
43:49I really didn't.
43:50Then I was very wrong to lash out.
43:55And to assume the worst.
43:59Alfie, maybe we just...
44:01I really am looking for some books.
44:03Well, I've got a list.
44:12The Grapes of Wroth.
44:15What was that one?
44:16It's your list.
44:17The Grapes of Wroth.
44:18Mm-hmm.
44:23What's the next one?
44:27The Catcher in the Rye.
44:29The Catcher in the Rye.
44:31Great book.
44:32But you need to follow it up with something a bit more, you know, upbeat.
44:38Green Eggs and Ham.
44:41Okay.
44:42Well, these...
44:43Now, these will turn green if we wait too long, so...
44:48What on earth have you done?
44:50I owed you a picnic.
44:56Do you have a drink as well?
44:58Mm-hmm.
44:59There is some undermilkwood in here.
45:02Somewhere.
45:04Okay, this is sweet.
45:12This doesn't have to be the end.
45:14What exactly did you have in mind?
45:16Come over for dinner.
45:20I'll cook.
45:21A date?
45:22Mm-hmm.
45:23Let's call it an apology.
45:25Oh, I'll be calling it Great Expectations.
45:28Don't let me down again, Mr. Cotterham.
45:33Jordan and Alfie are back next Wednesday at 9 o'clock,
45:47or you can join them right now on STV Player.
45:50And not for the faint-hearted,
45:52the brand-new series of Red Eye is on Sunday at 9 o'clock.
45:56And it's on Sunday at 9 o'clock.
45:58.
46:05.
46:09.
46:13.
46:14.
46:16.
46:19.
46:20.
46:21.
46:23.
46:24.
46:25.
Be the first to comment