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12:48The minute the council gets wind of this, you can't go making defamatory price statements.
12:51I can if it's true.
12:53Well, we'll see about that, shall we?
12:56I mean, if you are serving breakfast to more than your B&B guests,
12:59then you need a whole new set of hygiene certificates.
13:02Yes, insurance and an amended business licence.
13:06You don't catch me out.
13:09If you want to fight, a fight you've got, Elaine Peacock.
13:14Well, let's see whose breakfast wins.
13:18There you go.
13:26Have you seen your nan?
13:28She knows how to draw a crowd, doesn't she?
13:30Wedding or funeral?
13:32Oh, no, no, job hunt.
13:35I'm serious, right?
13:37Put down some roots and step up for my kids.
13:41Actions are going to speak louder than words, aren't they?
13:44See you later.
13:45Oh, hello, Mother.
13:49Hello, darling.
13:51Come in.
13:54Hi.
13:54Hi.
13:56Please take a seat.
13:57Oh, love you.
13:59Thanks for seeing us, Doc.
14:00I mean, to be honest, I think it's going to take longer than an hour, you know?
14:03OK.
14:06Sit down.
14:08Mrs Slater, you've, um, had a referral.
14:12So, uh, to begin, can I ask, are you currently taking your normal medication?
14:17Yes, she is.
14:18And, um, how are you feeling in yourself, Gene?
14:23Well, to be honest with you, Doc, it has been a difficult time for all of us.
14:27Um, you know, you probably heard about the tragic incident we had over at Owls, and my wife's
14:34daughter being wrongly accused.
14:37And it really has messed up our kids.
14:39And at the moment, I'm just sleeping with one eye open, and I've not had a proper kip
14:43since all this happened.
14:45Oh, let's talk about you, Alfie, shall we?
14:46I'm just filling him in.
14:48Well, none of it is relevant.
14:49None of this is relevant.
14:50I've cracked the case.
14:52Gene, don't...
14:53Call me darling again, and I will smash your face in.
14:55OK.
14:56Right.
14:56Gene, you can't go around accusing anybody on the basis of a girl in the toilet speaking
15:01to a boyfriend while she's whispering.
15:03Tell me this.
15:04You tell me this.
15:06Is it normal for a young girl to deliberately hide her own identity?
15:11To secretly terrorise her own family for months?
15:15Is it?
15:16No, it is not.
15:18OK.
15:19And are you frightened of this person?
15:21And since this person arrived on the square, her father has died and her mother's in prison.
15:25Would you just shrug your shoulders?
15:27Would you ignore all the facts?
15:29What facts?
15:30What bit of that isn't fact?
15:33Would you make out that it's all a coincidence, make out that I'm the one that's going do lally
15:36tap?
15:37Are you frightened of this person?
15:39No.
15:40I am not scared.
15:41I am very, very cross, because I'm being ignored and dismissed.
15:46And while most women over 50 get quite used to that, it is not at all convenient, because
15:50we need to tell the police.
15:51Because what if said person is on a killing spree?
15:54Oh, God.
15:55You don't know that.
15:56Neither does he.
15:57It can happen once.
15:58It can happen again, Alfie.
16:00And everything that I have just said is the truth, isn't it?
16:03No buts.
16:03No buts.
16:04Right.
16:05Right!
16:05So what are we going to do about it?
16:08That is the question.
16:11And I will tell you.
16:13First step.
16:14You need to come and see my crime war, because I'm really quite good.
16:18Then the police.
16:20Then, well, I expect they'll have to take me on as an expert advisor, seeing as I've been...
16:26Oh.
16:30Oh.
16:31Oh, that's why.
16:33Oh, horse's mouth.
16:35I mean, I...
16:36Oh, my good grief.
16:38It's like I've got direct word.
16:41From Agatha.
16:44Herself.
16:45Like I'm channeling Miss Marple.
16:46I didn't ask for it.
16:51Just happened.
16:53Just like a gift from God or the hiccups.
16:57Absolute sense.
16:58Miss Marple, 2020.
17:00What's it?
17:00OK.
17:02I, um...
17:04I think you might be a bit high in your mood.
17:07Perhaps we need to look at what we can do with your medication to get you more stable.
17:13I could prescribe clonazepam to help you sleep, damp down your mood.
17:16Yeah, yeah.
17:18Yeah, yeah, that's good.
17:19I mean, Gina can't hurt.
17:20I couldn't care less whether you believe me or not.
17:24You write out whatever you want, because I have got to get to the library before it shuts.
17:34Oh.
17:46I understand that it can feel like you're letting your loved one down, but making the decision that now is the right time for residential care,
17:59it's not unusual to feel guilty or like you're losing the final part of them.
18:04But we would make a personalised care plan based on Nigel's needs, his likes, his dislikes.
18:12We try to keep open visiting hours, and we would welcome your involvement.
18:17OK.
18:18Well, you certainly seem to be ticking off the dementia checklist.
18:26We do our best.
18:28Our CQC rating this summer was outstanding.
18:32We do have a space.
18:36However, we do have three other prospective residents and their families, all visiting us at different points this afternoon.
18:44Why don't you take a moment to discuss?
18:47Coming!
18:48Obviously, Nigel has first refusal, but we would need to know quickly if you'd like Nigel to join us.
18:56How quickly?
18:57Within the next 24 hours?
19:07Jasmine!
19:08Ain't that poor girl been through enough?
19:11Now, Jane, it's too much for you to look after on your own, plus the kids.
19:14Listen, I'll cancel the ticket. I was just getting caught up with everything.
19:16Yeah, because this door's 100%, though, right?
19:19It's Corfu, the Skari Beach Hotel, but I don't know Chrissie's room number.
19:23OK, listen, don't worry about that for now.
19:25Just, OK.
19:27You're not going to be away for long, are you?
19:28No.
19:28It's just going to be a few days max, right?
19:31It's going to give you a chance to track Chrissie down.
19:33Yeah.
19:34And find the key to proving Zoe's innocence.
19:36Right now, I can manage. We can manage.
19:38Now, Eve's practically at 31 every five minutes babysitting Charlie.
19:41And as for Jean, well, she kind of agrees with the psychiatrist,
19:44so we've got that prescription in the back pocket.
19:47But what if she don't take it?
19:48OK.
19:49I don't know. Let's worry about that when we come to it, OK?
19:51But listen to me.
19:53You really need to do this.
19:55Yeah?
19:56OK.
19:56So, come on, let's go and pack your bag.
19:58Now, it's for Jean's investigations.
20:00Well, I know, as long as she's got a cup of tea, a load of biscuits,
20:02and a bad catalogue of Agatha Christie's to investigate,
20:05then I remember going to be OK.
20:08And I reckon you are brilliant.
20:10Yeah, well, I love you.
20:11I love you.
20:11I love you.
20:12I love you, I love you.
20:13Come on.
20:14Right, come on, let's do this.
20:15Come on.
20:15Come on.
20:37I don't think he's bad enough.
20:46Not now, not yet.
20:48Nigel ain't ready for this.
20:49You know, a load of old geriatrics.
20:50And I ain't.
20:51I'm not being strong-armed.
20:53She's not trying to force our hand, Phil.
20:56She's just telling it like it is.
21:00You know, they've got limited beds here.
21:04They're in really high demand, and it's competitive,
21:06and I can see why.
21:07They get dementia patients.
21:09They understand them.
21:10You want to take the place?
21:11You think we should take it?
21:11What, right now?
21:13How long are we going to have to wait for the next one?
21:15Nigel's had no proper warning, has he?
21:17He's had no build-up to this.
21:18No, Phil.
21:21You're talking about us.
21:23It doesn't matter how many conversations Nigel has,
21:36how hard we're trying to prepare him,
21:40he's not going to remember.
21:43He will still be as upset and confused.
21:48So what, we'll just pack him bags and bring him here anyway,
21:52you know, and we'll dump him off by the end of the day?
21:54We don't dump him.
21:59I'd never dump him.
22:04I hate this.
22:07I hate this.
22:13It wasn't you, Nigel.
22:14I hate this.
22:23Okay.
22:26Okay.
22:31Right, give me the bag.
22:32Put it down, okay?
22:33Right, listen, guys, I need you to come away.
22:34Your mum's leaving, so you need to say goodbye to her.
22:39Okay, right.
22:41The first one who waves like their mean,
22:42it gets to game console tonight, okay?
22:44There we go, that's it.
22:48I love you.
22:48I'll see you soon, yeah?
22:50Mwah.
22:52Are you sure about this?
22:53I really don't think you should go.
22:56What, just because Sharon's mate has got you some hotel name,
22:59it doesn't mean that she's got it right.
23:00Corfu is not exactly a small island, Kat, okay?
23:02I know, and I'm probably wasting my time,
23:04but we have to find Chrissie, don't we?
23:07Jasmine, listen, I get it.
23:08I know Jane's freaking you out.
23:09But as extreme as she gets, she's...
23:12She's our miss, all right?
23:14She's a kind person.
23:16She would never hurt you, okay, darling?
23:18I promise.
23:21I'll see you soon, right?
23:22Mm-hmm.
23:23I'll see you soon.
23:53Nigel?
23:59Nigel?
24:02Sweetheart?
24:03I'm here.
24:12Erm...
24:13I don't know.
24:16We need to, erm...
24:17We need to, erm...
24:19No.
24:23India.
24:26India.
24:28India.
24:28I thought you were doing some art, sweetheart.
24:30No!
24:30No!
24:30No.
24:38No.
24:38No.
24:38This isn't right.
24:40No.
24:41I'm, er...
24:42It's the face of a man at the window.
24:48I...
24:48I...
24:48I don't know.
24:49I can't...
24:50I...
24:50I...
24:51I don't know.
24:52I don't know.
24:53Nigel, please.
24:54It's good to...
24:55No!
24:56No.
24:58Nigel.
25:00Nigel.
25:01No.
25:02Nigel, Nigel.
25:03I can't...
25:05Find the...
25:07I've lost the...
25:09I don't know where...
25:12I don't know where the time is.
25:17Sweetheart.
25:17I'm sorry.
25:18I'm sorry.
25:19I'm sorry.
25:20It's all right, mate.
25:21It's all right.
25:21Sorry.
25:22It's all right, mate.
25:24It's time to go home, mate.
25:29It's time to go home.
25:31Come on.
25:33It's time to go home.
25:37Because I have been working so hard.
25:39You!
25:39You are the last chance.
25:42It's all right.
25:42Patrick is sleeping.
25:43The doctor asked if I was scared and I lied.
25:45I said no.
25:46I meant yes.
25:47I think I...
25:47I think I am a bit.
25:48Well, more than a bit.
25:49OK.
25:50Why is nobody listening?
25:52There is a murderer outside.
25:53Jane, please.
25:54Because I had the nagging feeling again.
25:56You know, on and on and on and on.
25:57And then it said it.
25:59Clear as day.
26:00It says it.
26:02The wicked should not go unpunished.
26:04It's a message.
26:05It is a message.
26:06This is a good book.
26:07It's a good book.
26:07It says it.
26:08Shall I call...
26:09Cat for you?
26:09All of them.
26:10And Stacey.
26:12I don't even know where Sean is.
26:13And now Cat, that is my point.
26:15Jasmine.
26:16Jasmine has driven her away.
26:17And now she's putting her pieces in place.
26:20Lining up her next target.
26:21No, no, no, no.
26:21You have got to see.
26:24You have got to help me.
26:26My, my, my, my last chance.
26:28Because I don't do evil.
26:29I haven't got the first clue.
26:30But you, you know.
26:31You ask, please.
26:33Because we need, we're going to need an intervention.
26:35Direct action.
26:36Jasmine.
26:37It is Jasmine.
26:38She is the wicked.
26:39She is the one that must be punished.
26:41Enough!
26:44She's got to you.
26:47Okay.
26:49Okay.
26:52Okay.
26:57Didn't mean a word.
26:58Thank you very much.
27:04Don't tell anyone I was here.
27:08Miss Marple does not have a helper.
27:12I was sought this myself.
27:14What, what, what do you mean by that?
27:15Good and evil.
27:16Right and wrong.
27:17Evil never wins.
27:19Not in the end.
27:20You're the one that must be.
27:21Okay.
27:22The one that must be.
27:23The one that must be.
27:41The two that must be.
27:44Go.
27:44You
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