- hace 2 días
Reparto: José Luis López Vázquez, Teresa Gimpera, Mara Cruz, Juanjo Menéndez, Paca Gabaldón, Rosanna Yanni, Antonio Pica, Margot Cottens, Julia Caba Alba, Hércules Cortés, Beni Deus, Luis Morris, Jesús Guzmán
Dirección: Julio Buchs
Sinopsis: Tras siete años sin trabajar después de terminados sus estudios, a Enrique lo envía su tía Nati a Madrid para que empiece a ejercer como médico. Al llegar, lo único que hace es darse la gran vida con su amigo Mateo, un detective privado. Su primera intervención como médico es para extender el certificado de defunción del marido de una espléndida mujer que conoce en la carretera. Al día siguiente, ve, en una sala de fiestas, a la presunta viuda acompañada del difunto. Al ser informado de que aquel hombre es el administrador del muerto, decide aclarar el misterio con la ayuda de su amigo Mateo. Las gestiones para desentrañar aquella incógnita, les llevan a Torremolinos, donde les acompaña una joven vecina de Enrique, llamada Goyita, que dice ser cantante. Después de una serie de cómicas y complejas peripecias, durante las cuales son asesinados misteriosamente el administrador y la viuda, Enrique aparece como culpable.
Dirección: Julio Buchs
Sinopsis: Tras siete años sin trabajar después de terminados sus estudios, a Enrique lo envía su tía Nati a Madrid para que empiece a ejercer como médico. Al llegar, lo único que hace es darse la gran vida con su amigo Mateo, un detective privado. Su primera intervención como médico es para extender el certificado de defunción del marido de una espléndida mujer que conoce en la carretera. Al día siguiente, ve, en una sala de fiestas, a la presunta viuda acompañada del difunto. Al ser informado de que aquel hombre es el administrador del muerto, decide aclarar el misterio con la ayuda de su amigo Mateo. Las gestiones para desentrañar aquella incógnita, les llevan a Torremolinos, donde les acompaña una joven vecina de Enrique, llamada Goyita, que dice ser cantante. Después de una serie de cómicas y complejas peripecias, durante las cuales son asesinados misteriosamente el administrador y la viuda, Enrique aparece como culpable.
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CortometrajesTranscripción
00:00:00Beware, beware, beware, beware of the ladies who complicate things and make you fall in love.
00:00:17Pay attention, reflect, give your heart and be careful with love
00:00:30Beware, beware, beware, beware, beware of the ladies who complicate things and make you fall in love.
00:00:46Pay attention, reflect, give your heart and be careful with love
00:00:59If someone tells you they're cold, be very careful because every single one of them wants a mink coat.
00:01:10And if they tell you they like you and don't want anyone else, don't let them fool you because you'll lose your freedom.
00:01:20Beware, beware, beware, beware of the ladies who complicate things and make you fall in love.
00:01:42Pay attention, reflect, give your heart and be careful with love
00:01:55Careful, careful, careful, careful, careful, careful, careful, careful
00:02:04Beware of the ladies
00:02:06With more grace, woman, this garment must be worn with...
00:02:22You understand me, daughter, you're missing a man...
00:02:25I think it has everything it needs.
00:02:27What are you doing here?
00:02:28Admiring your creations, aunt
00:02:30My creations or the hangers?
00:02:32Well, now that I look at it, it's not bad at all.
00:02:35Okay, turn around
00:02:37Turn around and leave.
00:02:41Well, what do you want? I have a lot of work to do.
00:02:43You know that the boutique is opening tomorrow
00:02:45Yes, that's what I wanted to talk to you about.
00:02:47Have you thought about the uproar that will erupt when you present your collection of innuendos?
00:02:57Listen, nephew
00:02:59The fact that we live in a provincial capital doesn't justify my fellow countrywomen continuing to wear the same underwear as Mad Joanna.
00:03:07Ma'am, they call her from Palomares House.
00:03:09Let them come this afternoon
00:03:10The happiness of homes is based on... the hook of the woman, isn't it?
00:03:16Yes, aunt
00:03:17Well, we need to decorate the hook.
00:03:18But not so much that your friends from the congregation are going to burn your store down.
00:03:22Sure, and you're willing to sacrifice yourself and stay here to put out the fire
00:03:26Hot, hot
00:03:27You see, I had thought...
00:03:29I'm the only one who thinks here.
00:03:31Tomorrow you leave for Madrid as we had arranged.
00:03:33But, Auntie, I'm really looking forward to starting work, but so suddenly...
00:03:38Suddenly? And you finished your degree seven years ago.
00:03:40Ma'am, would you like to see this?
00:03:41Of course, come in, come in, come in
00:03:43Wait, I'll call you.
00:03:45Wait a minute, baby
00:03:46That little model is called vision d'amour
00:03:48Ah
00:03:49And I don't want him to see visions
00:03:50Go on, pack your bags and leave us alone.
00:03:53But I really have to leave tomorrow
00:03:55Anyone would say I'm sending you to Vietnam
00:03:56I've bought you a lovely apartment for the clinic and you're moving to Madrid
00:03:59That you've always liked nonsense
00:04:00Yes, but not to live
00:04:01The traffic is awful, the noise is infernal
00:04:04And let's not even talk about the atmosphere
00:04:06Unbreathable
00:04:07Unbreathable
00:04:08I read the other day that it's almost poisonous
00:04:10The only poisonous thing for you
00:04:12It's about lending a hand.
00:04:13Aunt
00:04:14But your time has come
00:04:15See you later
00:04:18Adelita
00:04:23And remember that well, Enrique
00:04:25In Madrid, be very careful with the ladies.
00:04:27Yes, aunt
00:04:28You focus on your own path, and succeed in medicine.
00:04:29Yes, aunt
00:04:30And no scandals or love triangles
00:04:31Yes, aunt
00:04:32And I hope you won't go back to your old ways with that scoundrel of a friend of yours, Mateo.
00:04:35Yes, aunt
00:04:36Instead, you'll give me joy.
00:04:38If upon arrival
00:04:39You're going to see your cousin Gregoria
00:04:40No, aunt
00:04:42That's definitely not the case.
00:04:43He acknowledges that I always obeyed you in everything.
00:04:45Even in the area of work
00:04:46But give up on arranging matchmaking plans for me with that long-haired brat
00:04:49But more than 15 years have passed
00:04:51Gregoria is now a much more attractive woman than any of your conquests.
00:04:56Don't miss it!
00:04:58Okay, Aunt Nadine
00:04:59I'll talk to her, but by phone.
00:05:02You have to start somewhere.
00:05:03Well
00:05:04Drive carefully
00:05:06Yes, aunt
00:05:07Don't go out at night
00:05:08Yes, aunt
00:05:09Bundle up
00:05:10Yes, aunt
00:05:13And don't forget to call your cousin
00:05:15Yes, aunt
00:05:17Yes, aunt
00:05:18Yes, aunt
00:05:19Yes, aunt
00:05:20Yes, aunt
00:05:21No, auntie, I don't feel like it, okay?
00:05:24I'll pretend to work because I have no other choice.
00:05:26I'll look for Mateo as soon as I check.
00:05:28And nothing about going to clothes chalk
00:05:30I won't call my corny cousin
00:05:32But, ladies, what a commotion!
00:05:34And drive prudently, like Pancho
00:05:37And that you never lose the desire and our audience
00:05:38Sun
00:05:42Aha!
00:05:43Aha!
00:05:44Aha!
00:05:45Aha!
00:05:46Aha!
00:05:47Aha!
00:05:48Aha!
00:05:49Aha!
00:05:50Aha!
00:05:51Get out!
00:05:52Aha!
00:05:53Aha!
00:05:54Watch out, watch out, watch out!
00:05:55Watch out, watch out, watch out, watch out!
00:05:57You are very kind.
00:05:59Roadside assistance is a typical and unavoidable duty.
00:06:04But does he understand engines?
00:06:06Do I understand?
00:06:08Engines are... they're my hobby.
00:06:12Well then, start having fun.
00:06:14May I?
00:06:15That's it, it's done.
00:06:18Okay, just a little tap here.
00:06:21Another little touch over there.
00:06:24How do I feel?
00:06:26Nothing, no.
00:06:27Allow me.
00:06:28Nothing, it doesn't matter.
00:06:30We already know what's wrong with the stroller.
00:06:34The diaphragm of the carburetor's feed pump has become clogged.
00:06:38Is that serious?
00:06:39Something like a myocardial infarction.
00:06:45Do you want to lift the lid?
00:06:49It seems my car didn't take kindly to it.
00:06:55Thank you.
00:06:55Please.
00:06:59I'll need a crane.
00:07:00No, what you need is a doctor to tow you.
00:07:03Allow me to introduce myself.
00:07:05Enrique Varela, a medical graduate.
00:07:08Do you think your car will be able to...
00:07:12In my car or in my arms.
00:07:16I'll take her all the way to Brazil if necessary.
00:07:18Yeah, you'll see.
00:07:23There, anjadi?
00:07:24Here.
00:07:24Okay, here's one more minute.
00:07:26I'll take it all the way to Brazil.
00:07:28A miserable man, whom we married, with eight children and a pickpocket by profession.
00:07:56I think there's a mistake here.
00:07:59A mistake?
00:08:03Of course there is.
00:08:05He's going to tell my fiancée who Ceferino Carranza is right now.
00:08:10So, who is Ceferino Carranza?
00:08:13The one with eight children?
00:08:14No, sir.
00:08:16I am Ceferino Carranza.
00:08:18Head gardener of the Adorers and more single than a seminarian.
00:08:23Nice to meet you. Enrique Varela, polytechnic physician.
00:08:26But aren't you the scoundrel Mateo Alcubilla?
00:08:29I'm just a visitor, that scoundrel is the one.
00:08:38I will never forget this face.
00:08:40Excuse me, doctor.
00:08:41Anyone can make a mistake.
00:08:44You know where you have a friend.
00:08:45It's been a pleasure meeting me.
00:08:47And when he sees you, that narrow-gauge Sherlock Holmes, he gives you this warning.
00:08:56This is what I'm going to do with your spine.
00:08:58Come on, Palomita, whenever you want.
00:09:02Tell me!
00:09:04Little dove! Wait! Listen to me!
00:09:21Matthew, were you there?
00:09:23Has he left yet?
00:09:24Yes, but it almost dislocated my joint.
00:09:26You could have come out and faced the music.
00:09:27If I give it to him, he takes it away.
00:09:28You've already seen what he wants to do to my spine.
00:09:30Can you tell me what mess you've made now?
00:09:33A small thing.
00:09:35I mistakenly sent it to that little angel's girlfriend.
00:09:37the curriculum vitae of a kind of landru
00:09:39who's out there on the loose.
00:09:41It's part of the job.
00:09:42Yours, not mine?
00:09:44Well.
00:09:44So finally
00:09:47Your aunt got her way.
00:09:50Yeah.
00:09:51He gave me an ultimatum.
00:09:52Either you exercise it or I'll give you up.
00:09:54And here I am, ready to work.
00:09:58Do you think I can withstand it?
00:10:06Enrique Varela.
00:10:07Pediatrician.
00:10:09You know what sounds good?
00:10:10It sounds awful to me.
00:10:11It was another one of my aunt's whims.
00:10:12when I get an allergic reaction from the kids.
00:10:16Permission.
00:10:18Sorry.
00:10:19Nothing, man.
00:10:23Good morning.
00:10:24Good morning.
00:10:25Good morning.
00:10:26Hello.
00:10:26They're the new neighbors, right?
00:10:27No, this is a passerby.
00:10:29I am the neighbor.
00:10:29Enrique Varela, pediatrician.
00:10:32To attend to her.
00:10:33I'm getting a little grown up, don't you think?
00:10:35Well, you know that nowadays childcare
00:10:37It covers up to an age.
00:10:39See you around.
00:10:40See you soon.
00:10:41Bye bye.
00:10:42Felicita.
00:10:51See you soon.
00:10:55Hey, where are you going?
00:10:56I'm just a passerby, aren't I?
00:11:04But you have broken that too.
00:11:07This?
00:11:08It came like that from the factory.
00:11:09Factory direct?
00:11:10Worth.
00:11:11Tomorrow it will all be over.
00:11:14I can already see this room packed with dads and moms
00:11:17seeking the balm of your science
00:11:19for their angelic offspring.
00:11:21Please come in.
00:11:32Good morning, doctor.
00:11:32Good morning, doctor.
00:11:42Okay, let's see.
00:11:44Tell me, what's wrong?
00:11:45Tell me, what's wrong?
00:11:48Nothing for me, doctor.
00:11:48It's the child.
00:11:50The, the, the.
00:11:52Is he your son?
00:11:53No, doctor.
00:11:54She's my little sister.
00:11:55Ah, better.
00:11:55So what?
00:11:57Hiccup.
00:11:58Nothing can stop him.
00:12:00Have you tried using breadcrumbs?
00:12:02We've tried everything.
00:12:03Okay, let's see, let's see.
00:12:08Let's see how we can cure this little creature.
00:12:14Do you see it, doctor?
00:12:16Perhaps with a good scare.
00:12:18No one can scare Luisito.
00:12:21Yes of course.
00:12:22This child is more useful for curing other people's hiccups.
00:12:25Okay, let's see.
00:12:26Let's see.
00:12:27Stick out your tongue.
00:12:30No, little tongue, beautiful.
00:12:35Yes, it seems this is due to nerves.
00:12:39Let's see how his reflexes are.
00:12:40Please sit her on the edge of the table.
00:12:42Come on, Luisito.
00:12:56Excuse me, doctor.
00:13:13He has hurt himself.
00:13:14No, it was nothing, miss.
00:13:17Good.
00:13:18What this charm is crying out for
00:13:21It's a tranquilizer injection.
00:13:26Well,
00:13:41On second thought,
00:13:44You will be taken away from here immediately.
00:13:47It doesn't even give you treatment
00:13:48a cream tart.
00:13:51That, and then he should smoke a good cigar.
00:13:57A cigar, doctor?
00:13:58Chocolate, of course.
00:14:09Do we have to go back?
00:14:10Whenever you want,
00:14:11But the child should stay home, all bundled up.
00:14:14and that he doesn't get out of bed.
00:14:18Thank you.
00:14:18Come on, Luisito.
00:14:21Bye bye.
00:14:21Will you send the note?
00:14:22Don't worry.
00:14:23Don't worry.
00:14:29Don't worry.
00:14:29Thank you!
00:14:59Are you coming alone or with a child?
00:15:03All alone
00:15:03Then I passed
00:15:05Oh, doctor, something terrible has happened to me.
00:15:10Look how I'm holding my finger
00:15:12Very straight, yes sir
00:15:13The doorman's cat that I went to pet
00:15:16And look at the scratch the little animal has given me!
00:15:18Natural, you have to caress
00:15:20Only to rational animals
00:15:22Happens
00:15:23We'll have to examine it more closely.
00:15:29Also cat-related?
00:15:30No, this was a cross between a hyena and a jackal.
00:15:32Please sit down.
00:15:34Okay, let's see
00:15:39The wound itself is minor.
00:15:42But this can lead to complications
00:15:45Don't scare me, doctor
00:15:45No, it's nothing, but it would be advisable
00:15:47Examine it thoroughly
00:15:49Well, maybe another day
00:15:52Good
00:15:52So, for now
00:15:55We will attack directly on the wound
00:15:58First the disinfectant
00:16:04A light touch
00:16:07And now a blessed one
00:16:13Blessed here
00:16:26Blessed over there
00:16:30Blessed on the other side
00:16:34Blessed
00:16:35Blessed be
00:16:38How are you looking in a men's shirt, neighbor?
00:16:40You are very bold, doctor
00:16:42Does it scare her?
00:16:44I am fascinated by bold men
00:16:46With the courage to go all the way...
00:16:47As far as?
00:16:49Even the vicarage
00:16:50The truth is, I'm rather shy, you know?
00:16:55Honestly, it didn't seem that way a moment ago.
00:16:57Sometimes appearances are deceiving.
00:17:00Indeed, because I thought you were going to throw your finger at me.
00:17:03Excuse me
00:17:05Yes, no, there is no doctor here.
00:17:20This is Dr. Varela speaking!
00:17:23Sorry for the late hour, but it's very urgent
00:17:25I am the lady you met on the road
00:17:27Ah, the one about the broken-down car
00:17:31Delighted to hear it
00:17:33Please, I need you
00:17:34Come right away
00:17:34He is in very serious condition
00:17:35The car?
00:17:37Don't talk nonsense
00:17:38It suddenly happened to him
00:17:39I'm terrified
00:17:40Please come immediately
00:17:42Vancouver Avenue
00:17:43One hundred and thirteen seconds
00:17:44Run!
00:17:45Wow!
00:18:13Careful
00:18:15Careful
00:18:16Careful
00:18:18Careful
00:18:20Careful
00:18:23Careful
00:18:23The car?
00:18:43Oh, I thought it would never arrive.
00:18:56Come in, doctor
00:18:56But don't stop there
00:18:58Please
00:19:01I'm scared
00:19:02I don't know what's wrong with it.
00:19:05We arrived a few days ago from America
00:19:07We don't know anyone here.
00:19:08He's my husband and...
00:19:09Husband?
00:19:10Clear
00:19:10Ma'am, I'm a specialist.
00:19:12Children, it said so on the card
00:19:13Outlaw farmer!
00:19:15Please, what difference does it make?
00:19:17Besides, he's like a child
00:19:19Will he be able to refuse to attend to an urgent case?
00:19:24I, I don't
00:19:25He is dying
00:19:27He's barely breathing
00:19:29He has to save him
00:19:42Don't you think it would be a good idea to call a doctor?
00:19:56Please, doctor
00:19:57This is no time for jokes
00:19:59This is no time for jokes
00:20:01This is no time for jokes
00:20:01What?
00:20:14Slá and
00:20:16This is no time for jokes
00:20:18No no no no no no no no no no no
00:20:19No no no no no
00:20:20I share your feelings.
00:20:31No, no, it's not possible.
00:20:50It will be love, it will be love, it will be love, love
00:21:05But can we find out what's wrong with you?
00:21:11What do you mean, what's wrong with me?
00:21:13Do you think it's insignificant that my first visit was to sign a death certificate?
00:21:17Well, it's not that big of a deal.
00:21:18You had to start killing people sometime.
00:21:20I'm telling you, just a moment.
00:21:21The guy was dead, very much so.
00:21:23When I laid eyes on him.
00:21:25Well, throw it at this one now.
00:21:26She's alive and kicking.
00:21:38If I bore you, the trained dogs can come out.
00:21:41For me to have fun, they would have to release the tigers today.
00:21:44You were going to scare them to death, rich guy.
00:21:47Goodbye, little bell.
00:21:50So that you can trust the ladies.
00:22:14The dead man to the grave and she...
00:22:15What are you taking about?
00:22:17Look at her, she's my dead husband's widow.
00:22:20No, it's him.
00:22:28Who? That beast Carranzán?
00:22:29No, the dead man who has risen again.
00:22:34Sorry.
00:22:35Space flight halt.
00:22:37Please apologize to the young lady in a proper manner.
00:22:41He can't hear me.
00:22:43Are you deaf?
00:22:43Leave me alone, I'm in a hurry.
00:22:44What do you need from me?
00:22:46Please, sir.
00:22:54Well, thank goodness I finally see him happy.
00:22:57What have they given me?
00:23:05Judo.
00:23:05Definitely a black belt.
00:23:06Since you know so much, you could have given me a hand.
00:23:09And who told you I didn't do it?
00:23:10No pulse.
00:23:17And the thing is, he doesn't react.
00:23:18Heart stopped.
00:23:20Nothing, I just can't stomach it.
00:23:22He was deader than Tutankhamun.
00:23:23Okay, calm down.
00:23:24We'll find out soon, won't we?
00:23:26Yeah.
00:23:27But how am I supposed to ask the deceased to return his death certificate?
00:23:31My dear, that was definitely a spectacular fall.
00:23:45That's it.
00:23:55He is kind enough to tell me the...
00:24:01Hey, do you know your wife is cheating on you?
00:24:09Thank you so much.
00:24:14We wanted...
00:24:15And I'll attend to them right away.
00:24:20Hey, do you know your wife is cheating on you?
00:24:25Thank you so much.
00:24:28Any new telephone information services?
00:24:30No, the lottery?
00:24:32It's very simple.
00:24:33If they mention my father, I'll give him a one.
00:24:35And if they remember mom, one or two.
00:24:37And what about ties?
00:24:38When they say they already know, I put an X on it.
00:24:42Well, you tell me.
00:24:43Could you tell me, is Mr. Colomer at home?
00:24:45I'm sorry to give you bad news, but that gentleman was buried yesterday afternoon.
00:24:49He won't be wrong.
00:24:50Well, I didn't have the death certificate in my hand, but I saw them take the coffin out.
00:24:56We're going to talk to the widow.
00:24:57No, he doesn't live here anymore.
00:24:58He left the apartment this morning.
00:25:00Do you know where he's gone?
00:25:01Didn't they leave an address?
00:25:05Thank you.
00:25:14Hey, do you know your wife is cheating on you?
00:25:16Hey, could he be a twin brother?
00:25:19Those things only happen in the movies.
00:25:21Can I assure you that the live guy in the cabaret was the corpse in the apartment?
00:25:24And the one who was with him was his widow or whatever.
00:25:27What a mess!
00:25:28I've gotten involved.
00:25:29Calm down, kid.
00:25:30Why do you have a detective friend?
00:25:32Furthermore, these cases are my specialty.
00:25:34Really?
00:25:34Of course.
00:25:35Now, let's get to work.
00:25:36Where are you going?
00:25:38I don't know.
00:25:39What do you think?
00:25:40That's it.
00:25:47We'll start with the cemetery.
00:25:48They usually take the deceased there.
00:25:50He deserved to be with the FBI.
00:26:10No, sir.
00:26:11That burial site is not listed here.
00:26:13Are you sure?
00:26:15Absolutely.
00:26:16Do you see it?
00:26:16If they haven't buried him, it's because there's no such dead person.
00:26:19Don't forget that there are more cemeteries in the city.
00:26:25Colomer.
00:26:27Colomer.
00:26:28Colomer.
00:26:28Yes, here it is.
00:26:30Colomer.
00:26:30Antonio.
00:26:32He was buried yesterday.
00:26:33It just can't be.
00:26:34This is nonsense.
00:26:36Sir, this is a very formal cemetery.
00:26:38There you have it?
00:26:47Your heartbroken widow will not forget you.
00:26:49Yes, yes.
00:26:51I'm the one who won't forget you.
00:26:52But what could you have put in there?
00:26:54You still insist.
00:26:55Hey, hey.
00:26:56We couldn't get it.
00:26:58That?
00:26:59That's why I absolutely cannot pass.
00:27:01Well, I won't give up until the guy with the little beard confronts me.
00:27:05Hey, wait, the club's subway.
00:27:07I greet him as if I've known him all my life.
00:27:10Don't trust him.
00:27:11The waiters greet all the customers as if they had seen them making it.
00:27:13Don't be a jinx.
00:27:15It is our only hope.
00:27:16We need to talk to him.
00:27:18What are you doing there?
00:27:20Oh.
00:27:21Go on.
00:27:22Go on.
00:27:22One, two, three, stand out.
00:27:39One, two, three, stand out.
00:27:40One, two, three, stand out.
00:27:42One two three.
00:27:45One, two, three, four.
00:27:47One, two, three, stand out.
00:27:49One, two, three, stand out.
00:27:50One, two, three, stand out.
00:27:52One, two, three, stand out.
00:27:54One, two, three, stand out.
00:27:56One, two, three, stand out.
00:27:58One, two, three.
00:27:59Yes, this one.
00:28:00We could see the subway.
00:28:01He doesn't come until seven.
00:28:02We urgently need to speak to him.
00:28:03Don't you know where you live?
00:28:04No idea.
00:28:05Very nice.
00:28:06If you want to see him now, you'll find him in retirement.
00:28:09He's going to feed the pigeons in Martínez Campos.
00:28:13Apparently, it's their way of getting oxygen.
00:28:15Thank you, Paulova.
00:28:18Much obliged.
00:28:24Hey, youngsters.
00:28:26Where are you going?
00:28:28Clear.
00:28:29Come closer.
00:28:31Hurry.
00:28:35We have to cheer.
00:28:36Too much hip.
00:28:37Still.
00:28:38Aren't you the new boys?
00:28:39We are from Segovia.
00:28:40Sorry.
00:28:41I thought they were from the trade.
00:29:00There it is.
00:29:02What's the matter?
00:29:03For the millionth time I swear to you that I am innocent.
00:29:08Tell me.
00:29:09And so on.
00:29:10No, little dove, no.
00:29:12That's slander from that scoundrel.
00:29:15And when I get my hands on him, you'll see what I'm going to do to him.
00:29:25Good morning.
00:29:26Do you remember us?
00:29:29Yeah.
00:29:31Those guys from last night's fight, huh.
00:29:32I'm afraid he has such a good memory.
00:29:33We wanted to ask you...
00:29:34Yeah.
00:29:35We need reliable information about one of your clients.
00:29:42Fat.
00:29:43What can you tell us about someone named Antonio Colomer?
00:29:53I don't remember that name.
00:29:57More fat.
00:30:04I need some information.
00:30:06He's a guy with a goatee who was at his place last night with a stunning brunette dressed in black.
00:30:12You went out to say goodbye to them.
00:30:14Ah, I see.
00:30:15But that man's name isn't what you say.
00:30:17It's Mr. Jorge Rivera.
00:30:19The skein gets tangled.
00:30:21And where can I find him?
00:30:23He is not a regular customer.
00:30:26Let me think.
00:30:27Last in fat.
00:30:33Now I get it.
00:30:35The person who could give you all the details is Monterde, the star of the show.
00:30:39But be careful with her.
00:30:40He has a genius.
00:30:41I don't know him.
00:30:42I don't know who you're talking about.
00:30:44As if she kept a file of all her admirers.
00:30:47She was in a good position.
00:30:49Because I have them like this.
00:30:50So, do you understand?
00:30:51Come on.
00:30:52It would be good if I remembered such a tern.
00:30:55Do you know who he is?
00:30:55You just gave yourself away.
00:30:57Well yes.
00:30:58I know him perfectly.
00:31:00Or rather, I knew him.
00:31:02That man is dead to me.
00:31:04Here, and for us.
00:31:05That's why we want to know where he lives.
00:31:06We have a score to settle with him.
00:31:09You understand?
00:31:10Does he owe you money?
00:31:10It doesn't surprise me.
00:31:13What a joke.
00:31:14He dumped me for a corny girl who acts like a lady.
00:31:18Yesterday he was with her at the club to give me axes.
00:31:21Well, that's his wife.
00:31:23Nothing womanly about it.
00:31:24Jorge Soltero.
00:31:26You may be wrong about other things.
00:31:28But when it comes to Civil Status, I catch you out immediately.
00:31:30For example, last night as soon as I saw you, I realized that you are married.
00:31:34Because?
00:31:35Because of the sour face.
00:31:37The girl has a pupil.
00:31:38Well, doll, single married, alive dead, Colomero Rivera.
00:31:43Where can I find him?
00:31:45In the castle.
00:31:46A villa he owns in Torremolinos.
00:31:48He had the nerve to send me this card.
00:31:51I'm going to the castle.
00:31:52I'll explain everything to you.
00:31:54How could I not explain it to my aunt?
00:31:59Is that you, Mateo?
00:32:00Yeah.
00:32:01I'm ready.
00:32:03Have you brought your suitcase?
00:32:06Well, you can figure out where you're going with all that.
00:32:08No, mine is this one.
00:32:10They're mine.
00:32:11I have to carry all the stage costumes and he still left me this one.
00:32:14From which scene?
00:32:15You don't know what I sing.
00:32:16Excellent.
00:32:17It has a gold record.
00:32:18And you go on a trip.
00:32:20Yes, with us.
00:32:21I'm performing tomorrow in Torremolinos.
00:32:23And when Matthew told me that you were going there and invited me to go with you,
00:32:26I saw the heavens open up because my car is broken down.
00:32:29This doesn't end here.
00:32:31But aren't you going to lend me a hand?
00:32:34Yes, daughter, yes.
00:32:40What was Mateo's idea?
00:32:43He's charming.
00:32:44So the three of us are going to travel together.
00:32:47Yeah?
00:32:48What a joy!
00:32:51Why not be happy if the day is so beautiful?
00:33:16Why not be happy listening to so many melodies?
00:33:23Listen to that bird singing.
00:33:27Listen to the water and its murmur.
00:33:32Look at people smiling like that.
00:33:35Living life to the fullest.
00:33:37Living life to the fullest.
00:33:42Why not be happy?
00:33:44With so many things to do.
00:33:46Life is smiling on you.
00:33:47Life smiles at you with that wonderful light.
00:33:52The flowers shine in the sun.
00:33:57Look at that blue sky.
00:34:01And that mountain of color like that.
00:34:05Why not be happy hearing so many things?
00:34:18Why not be happy if the world is like a love song?
00:34:32That makes us laugh.
00:34:36And it makes us feel.
00:34:38The illusion of living.
00:34:41Live.
00:34:46Why not be happy?
00:34:48Why not be happy?
00:34:50Why not be happy?
00:34:52Do you know that you do it very well?
00:34:56I like it when you tell me.
00:34:57Long live Scandinavia!
00:35:22The Swedish women are here.
00:35:23The fools are here.
00:35:24Come on, wake up!
00:35:36Excuse me.
00:35:37Good morning.
00:35:54Good morning.
00:35:55Welcome.
00:35:56Thank you.
00:35:56Come on, wake up!
00:36:06It's the sun that makes them like that.
00:36:08They make it obvious.
00:36:09I recorded the times I saw that type of thing.
00:36:11I had her in my throes.
00:36:12He told me that...
00:36:14Pojas, request!
00:36:14What, I have a bikini too?
00:36:41Well, let's go for a swim.
00:36:43First we'll have to book the rooms, right?
00:36:45Yes, yes.
00:36:47Yes sir.
00:36:49Welcome.
00:36:49What do you want?
00:36:50Don't get exhausted, we are natives.
00:36:52Please, one single room and one double room.
00:36:59The marriage one.
00:37:01These gentlemen are the married couple.
00:37:06Shall we meet now at the pool?
00:37:08In five minutes.
00:37:09A for later.
00:37:09We have come to investigate other things.
00:37:15Do you know a chalet called The Castle?
00:37:18Mr. Colomer's?
00:37:19That's the one.
00:37:19With a caveat that I had to give to my aunt so that she would buy me the car.
00:37:34The first rule of the astute investigator is camouflage.
00:37:38Look.
00:37:39The widow.
00:37:48Let's not let it slip away.
00:37:50Giddy-up.
00:37:50Go on, go on, you donkey.
00:37:51Leave your mark.
00:37:52Like this, like this, like this.
00:37:53Come on.
00:37:54Come on.
00:37:55Giddy-up.
00:37:55Giddy-up.
00:37:55Giddy-up.
00:37:55Giddy-up.
00:37:55Giddy-up.
00:37:55Giddy-up.
00:37:55Giddy-up.
00:37:55Giddy-up.
00:37:56Giddy-up.
00:37:56Giddy-up.
00:37:56Giddy-up.
00:37:57Giddy-up.
00:37:57Giddy-up.
00:37:57Giddy-up.
00:37:58Giddy-up.
00:37:58Giddy-up.
00:37:58Giddy-up.
00:37:58Giddy-up.
00:37:58Giddy-up.
00:37:58Giddy-up.
00:37:58Giddy-up.
00:37:58Giddy-up.
00:37:59Giddy-up.
00:37:59Giddy-up.
00:38:00Giddy-up.
00:38:00Giddy-up.
00:38:01Giddy-up.
00:38:02Giddy-up.
00:38:02But what's wrong with you?
00:38:03He doesn't want to run.
00:38:04He just doesn't understand you.
00:38:05Ed, tell him in English.
00:38:07Please, andiamo presto.
00:38:09Allons.
00:38:25Where has he gone?
00:38:27Here it goes.
00:38:35SW.
00:38:42SW.
00:38:47At least it's a boot.
00:38:48Come on.
00:38:48Giddy-up.
00:38:49Giddy-up.
00:38:49Giddy-up.
00:38:49Giddy-up.
00:38:50Giddy-up.
00:38:50Giddy-up.
00:38:51Giddy-up.
00:38:51Giddy-up.
00:38:56Well.
00:39:05This is the first time I've seen a deceased person presiding over their own funeral.
00:39:20We caught him.
00:39:23Come.
00:39:26Excuse me, whose funeral is it for?
00:39:29By Don Antonio Colomer, who died in Madrid a few days ago, poor fellow.
00:39:36Excuse me, who is the gentleman with the little beard?
00:39:39Which one does it say? The one with the Virgin Mary statue?
00:39:42That's Don Jorge Rivera, the administrator.
00:39:46We're nobody, right?
00:39:53Things are becoming clearer. Where?
00:39:56That's what we need to find out.
00:40:00Come on, let's go.
00:40:05What do we do now?
00:40:14Wait. I'm eager to see her face when we offer our condolences.
00:40:17No music. Rampillo.
00:40:23No, no, no, no, bagpipes.
00:40:25For drink, for drink, for drink.
00:40:28For Spanish whiskey.
00:40:30No, no, no.
00:40:31For Spanish tintorro.
00:40:33For, for, for...
00:40:34For a bubble wand!
00:40:37The party comes after emptying it.
00:40:39Hey, they're finished.
00:40:41And I'm failing in the neighborhood.
00:41:11I share your feelings.
00:41:20He is someone to entrust to God.
00:41:23What has he seen in us?
00:41:24He has the look of a killer.
00:41:27I share your feelings.
00:41:35I share in your necrological mess.
00:41:39I need to explain to you, come and see me.
00:41:41I'll expect you at midnight, but be careful.
00:41:43They're watching me.
00:41:44Now please leave.
00:41:46Yes, yes, ma'am, yes.
00:41:50Come on.
00:41:52I'm full.
00:41:53I'm going to a full house.
00:41:54I'm going to a full house.
00:41:54I'm going to a full house.
00:41:55I'm going to a full house.
00:41:56I'm going to a full house.
00:41:57I'm going to a full house.
00:41:57I'm going to a full house.
00:41:57I'm going to a full house.
00:42:00Thank you!
00:42:30Thank you!
00:43:00Thank you!
00:43:30Thank you!
00:43:31Thank you!
00:43:32Thank you!
00:43:33Thank you!
00:43:34Thank you!
00:43:35What's wrong, Goyita?
00:43:36Nothing!
00:43:37Someone threw this head away!
00:43:39How can she be so ugly!
00:43:40Ha ha ha!
00:43:41More like someone who's lost their mind over you!
00:43:44How beautiful she is!
00:43:46Listen!
00:43:47Beheaded!
00:43:48Or stop bothering the lady!
00:43:51Oh, penalty kick!
00:43:52Go for it!
00:43:53You don't say!
00:44:00Let's see who's going to score that goal!
00:44:05On guard!
00:44:06Go on!
00:44:07Dare to!
00:44:08Dare to!
00:44:09Dare to!
00:44:18Did he hurt you, Enrique?
00:44:19Me!
00:44:20Ah!
00:44:23Leave me alone!
00:44:24No, Enrique, don't kill him!
00:44:25No!
00:44:30What a funny solution!
00:44:38Judo lessons!
00:45:00I'm going to Mass!
00:45:30You've left me!
00:45:47Oh, oh, oh! Oh, I want something, oh, I want something!
00:45:50Oh, I want something, oh, I want something! Oh, I want something!
00:45:52Oh, oh!
00:46:00Oh
00:46:20How did that go?
00:46:23Transformed into a samurai
00:46:24Come on, Goduca!
00:46:26Wow, in the original version and everything!
00:46:28And do I have a secret heist?
00:46:29Now they can throw them at me six at a time.
00:46:31Well, I'm fine with these two.
00:46:33Already
00:46:34It's my turn now.
00:46:36Don't you know what it's like?
00:46:38Oh, really?
00:46:42But where are they leading us?
00:46:45Don't ask questions and surrender to the Eastern refinements
00:46:47Come on, come on
00:46:49No, why can't he achieve it?
00:47:10No, no, no, the rich
00:47:11No, no, the rich
00:47:11No, no, the rich
00:47:11No, no, no, the rich
00:47:11No, no, no, the rich
00:47:12No, no, no, the rich
00:47:12Forward, forward the twins!
00:47:17How to salt?
00:47:18How to salt?
00:47:19No, we're all going to vaporize here.
00:47:20With what oriental refinements?
00:47:24In my country, this is called sweating profusely.
00:47:25No, no, the rich
00:47:51No, no, no.
00:48:21What are you doing there? Aren't you ashamed? Satyrs!
00:48:51No!
00:49:14No!
00:49:16No!
00:49:18No!
00:49:20No!
00:49:22No!
00:49:24No!
00:49:26No!
00:49:28No!
00:49:30No!
00:49:32No!
00:49:34No!
00:49:36No!
00:49:38No!
00:49:40No!
00:49:42No!
00:49:44No!
00:49:46No!
00:49:48No!
00:49:50No!
00:49:52No!
00:49:54No!
00:49:56No!
00:49:57No!
00:49:58No!
00:49:59No!
00:50:00No!
00:50:01No!
00:50:03No!
00:50:04No!
00:50:05No!
00:50:06No!
00:50:07No!
00:50:08No!
00:50:09No!
00:50:10No!
00:50:11No!
00:50:12No!
00:50:13No!
00:50:14No!
00:50:15No!
00:50:16No!
00:50:17No!
00:50:18No!
00:50:19No!
00:50:20No!
00:50:21No!
00:50:22No!
00:50:23No!
00:50:24No!
00:50:25No!
00:50:26No!
00:50:27No!
00:50:28No!
00:50:29No!
00:50:30No!
00:50:31No!
00:50:32No!
00:50:33No!
00:50:34No!
00:50:35No!
00:50:36I won't say no.
00:50:46And when you know how much we love each other
00:50:58I know we'll hug every night whenever you want.
00:51:05You, the way I want you to be
00:51:11Love
00:51:16Love
00:51:21Love
00:51:28Love
00:51:38Love
00:51:39Love
00:51:40Love
00:51:41Love
00:51:42Love
00:51:43Love
00:51:44Love
00:51:45Love
00:51:46Love
00:51:47Love
00:51:49Love
00:51:57Love
00:51:58Love
00:51:59Didn't he tell you to meet him at 12 noon?
00:52:19Now that I think about it, I'm not so sure.
00:52:22Well, when in doubt...
00:52:29Did you understand correctly?
00:52:45Are you waiting?
00:52:47Yeah.
00:52:59Why don't we take a look first?
00:53:12No, no, no, no.
00:53:42Little animal.
00:54:12Did he regret it?
00:54:25That wouldn't be good.
00:54:26I don't plan to leave here without talking to her.
00:54:28We'll have to find another entrance.
00:54:30Come on, I'd better stay and cover the rear.
00:54:33And I'm a commando, right?
00:54:34That's what he was helped for.
00:54:35Ah, that's right.
00:54:42No, no, no.
00:55:12No, no, no.
00:55:42No, no, no.
00:56:12No, no, no.
00:56:42No, no, no.
00:57:12No, no, no.
00:57:42No, no, no.
00:58:12No, no, no, no.
00:58:12No, no, no.
00:58:12It's nothing, it's just from the meningitis itself.
00:58:15Yes, yes.
00:58:15It'll go away as soon as it gets some fresh air, you know?
00:58:17I want to help myself, please.
00:58:17Yes, yes, of course.
00:58:18Come on!
00:58:27Oh!
00:58:28It's closed, without me realizing it, we can no longer enter.
00:58:31And where do I go now?
00:58:32The best hotel in Torremolinos.
00:58:34And your friend?
00:58:35No, oh, yes, that's fine, Mateo, Mateo.
00:58:37Look, look, what a cute girl, and she's coming with us.
00:58:40You'll see what a wonderful hotel it is, it has a swimming pool, with its own water and...
00:58:44In summary, we have three alternatives.
00:58:51First, tell everything to the police, who naturally won't believe a word of it.
00:58:56Result: 30 years and one day.
00:58:57Be quiet.
00:58:58Second, get the hell out of here and never think about this labyrinth again.
00:59:02The police discover the two or three million fingerprints we've scattered all over the house
00:59:06and life imprisonment.
00:59:08How funny!
00:59:10And the third alternative is to continue investigating on our own.
00:59:14until we find the bearded man's corpse eight or ten more times.
00:59:18Or until Rotevil comes to us.
00:59:24Good morning.
00:59:27It's your find from last night.
00:59:28We're going down right now.
00:59:34That?
00:59:35We no longer have a problem.
00:59:37They're going to bring the solution to our homes.
00:59:39Who?
00:59:41The police.
00:59:42Will you explain yourself once and for all?
00:59:44Your friend just read the news in the newspaper.
00:59:46Naturally, he will deduce that it was us.
00:59:48And you'll see how long it takes him to report us.
00:59:50It must be avoided at all costs.
00:59:51I've been doing so well in my office.
00:59:53Come on!
00:59:54Yeah.
00:59:57Where is?
00:59:58Waiting for us at the bar.
00:59:59Come on, you pest.
01:00:18Look at her there.
01:00:20But how is that possible?
01:00:22And with the newspaper in his hand.
01:00:24Freedom of the press brings nothing but tastes.
01:00:26A floral offering for the most beautiful mermaid on the Costa del Sol.
01:00:45And adjacent beaches.
01:00:47I'm stunned.
01:00:49After what happened last night at the chalet.
01:00:50Nothing happened last night.
01:00:51Absolutely nothing.
01:00:52Trivial things that shouldn't be taken out of here.
01:00:54Peñería.
01:00:54How can you expect me not to care?
01:00:56Do you realize what you've done?
01:00:58I swear we didn't do anything.
01:01:01Do you think it's nothing to have saved my life?
01:01:04The...
01:01:04Life?
01:01:06Naturally.
01:01:07If you hadn't pulled me out of there, I would have died in the fire.
01:01:09Like poor Mr. Rivera.
01:01:12A raging fire destroyed the chalet last night.
01:01:15There has been one victim.
01:01:16The farm manager who died burned alive in his bed while sleeping.
01:01:20Burned?
01:01:20And in bed.
01:01:21This is something to celebrate.
01:01:23Mr. Rivera's death?
01:01:24No, woman, the one who would save a precious thing like you.
01:01:27Right now, the three of us are going on a trip to Malaga and having a great time.
01:01:31That.
01:01:32I wish.
01:01:34But I must return to Madrid.
01:01:35I have nothing left to do here.
01:01:37Neither are we, fortunately.
01:01:38So today I owe you a bedbug and tomorrow we'll come back together, okay?
01:01:41Wow!
01:01:42Of course, woman!
01:01:43Yes, let's go.
01:01:44Wow!
01:01:46How wonderful!
01:01:48It's something else.
01:01:54Are you forgetting something?
01:01:55We barely know each other.
01:01:57I don't know if I should...
01:01:57Elena, you're dealing with two gentlemen.
01:01:59Two gentlemen?
01:02:01Yeah.
01:02:02From the round table.
01:02:04Gollita, what are you doing here?
01:02:06I live in this hotel, don't you remember?
01:02:09Este, Gollita, gold record of the song and Elena, a little friend we met last night.
01:02:13Nice to meet you.
01:02:14Nice to meet you.
01:02:16Now I understand why you vanished.
01:02:18Okay, are you coming to take a bath?
01:02:19You have no idea how sorry I am.
01:02:22But I have to see a patient.
01:02:23A child who was born without teeth.
01:02:25And you're going to lend him yours, right?
01:02:30See you later.
01:02:31Bye bye.
01:02:32Is she your girlfriend?
01:02:34That's it, single and unattached, ever since I was a child.
01:02:37You're so difficult.
01:02:38The hard part is finding a hottie like you.
01:02:41I'm going to put this in water.
01:02:43Because, look...
01:02:43I'm thirsty.
01:02:44Will you buy me a drink?
01:02:45I'll invite the young lady.
01:02:59Nothing.
01:03:00The young lady does not accept invitations.
01:03:06Well, you're going to have to take it.
01:03:10I only drink strange water.
01:03:14Watch out, Enrique.
01:03:15Don't worry.
01:03:39He either drinks it or swallows it glass and all.
01:03:42Mini man.
01:03:43Mini man, me?
01:03:44I'll take your house!
01:03:48Enrique!
01:03:55You are wonderful.
01:03:57There were no enemies.
01:04:00Enrique!
01:04:04Ready.
01:04:05Hey, it's like you gave me a shoulder transplant.
01:04:10You have the hands of an angel.
01:04:12I'm also a nurse.
01:04:15Nurse and unemployed.
01:04:17From this moment on you are the assistant to Dr. Enrique Varela.
01:04:20Are you serious?
01:04:21When I'm not joking, I'm serious.
01:04:24You are a man unlike any other.
01:04:26Seriously or jokingly?
01:04:28In exceptional circumstances.
01:04:29In exceptional circumstances.
01:04:30Elena.
01:04:33Don't pull the trigger that shot me.
01:04:36Seriously or jokingly?
01:04:39I'm very serious.
01:04:40I need to save this.
01:04:54That?
01:04:54Guess who I just saw?
01:04:56Don't tell me you've seen Barbas again.
01:04:58That murderer.
01:04:58Because no one but Leonor could have killed him.
01:05:00Shh!
01:05:01I saw her pass by in the corner of my eye.
01:05:02He was in a very black car.
01:05:03Mateo, if you want to remain my friend, don't ever speak to me about that woman again.
01:05:06Don't you understand that we're on a volcano?
01:05:08We are the only ones who hold the key to their climaxes.
01:05:10Shh!
01:05:10It's right there.
01:05:11Who, Leonor?
01:05:12No, man.
01:05:13Elena.
01:05:16Hello, Mateo.
01:05:17Hello.
01:05:19That?
01:05:19Shall we go to Malaga?
01:05:20Yes, we're leaving right now.
01:05:24But to Madrid!
01:05:29Good morning, Enrique.
01:05:31Flowers.
01:05:31What details do you have, Elena?
01:05:34Since you've been here, this place feels more like paradise than a clinic.
01:05:37You're right about that, because I haven't seen a single patient yet.
01:05:40And who thinks about the patient, more or less?
01:05:43Besides, this way I have more time to admire you.
01:05:54Take.
01:05:55This is for you.
01:05:57My favorite perfume.
01:05:58Don't you think that's too much attention already?
01:06:02Miss, this is a model company and its staff must enjoy all the benefits of the most advanced social legislation.
01:06:11Bravo!
01:06:12Didn't you want patients?
01:06:15There's one.
01:06:18Ah, if it's a child with hiccups and a Richard Whitmer look, you tell him I have scarlet fever.
01:06:25Will there be?
01:06:26Shh!
01:06:42Please pass.
01:06:47Doctor, I need you.
01:06:49More stories to keep you up at night and talking.
01:06:51I'm warning you, I'm not joking.
01:06:53Well, look how I'm laughing.
01:06:56You are ruthless.
01:06:59Oh, I forgot.
01:07:01Madam, please accept my deepest condolences.
01:07:07By the way, who will be mourned next?
01:07:12As far as I'm concerned, if you don't help me.
01:07:18His reasons are convincing.
01:07:21But if you want me to keep listening to you, you'll have to clear up the commotion the bearded man is making for me first.
01:07:29OK.
01:07:30I'll be honest with you, doctor.
01:07:33Antonio Colomer, my real husband, was a very rich man.
01:07:38But he was so exaggeratedly greedy that getting a few coins from him was a real ordeal.
01:07:45Besides being greedy, he was a tyrant who forced me to perform the most humiliating tasks.
01:07:50His manager and I were madly in love and decided to get rid of that monster.
01:07:57Liberation finally arrived.
01:07:59One night my lover eliminated him in the quickest way.
01:08:03But what to do with the body?
01:08:05Jorge, who practiced yoga, fell into a cataleptic state identical to death.
01:08:11So that the most idiotic doctor possible could certify a natural death in my husband's name.
01:08:16And that idiot was me, of course.
01:08:19Exactly.
01:08:21We went to Torremolinos.
01:08:23And just when we were starting to be happy, someone tried to take my life.
01:08:27That's why I asked him for help.
01:08:29But that night they murdered my great love.
01:08:33Then you arrived and I hid, scared.
01:08:36Then I took Jorge to his bedroom so they would think he had died in his sleep, and I set the house on fire.
01:08:42The fire destroyed all traces of what had happened.
01:08:47I have never heard such a romantic and heartwarming love story.
01:08:52Come on, you were Romeo and Juliet.
01:08:56Don't be a smart aleck and listen.
01:08:58I have a ticket to return to America this afternoon.
01:09:01Ah, if it's to lose sight of her, things change.
01:09:04What does he want from me?
01:09:06Protect me until I board the plane.
01:09:09I know they will try to stop it.
01:09:11Who? The police?
01:09:14I don't know who or why, but they are after me and I am sure that if you do not protect me, they will kill me like poor Jorge.
01:09:21Look, lady, I'm fed up with this series.
01:09:25When you have a child with mumps, bring him to me.
01:09:28But in the meantime, forget about me.
01:09:32I am so scared that if he doesn't help me, I am capable of turning myself in to the police and reporting him as my accomplice.
01:09:41Don't forget that it was you who issued the certificate to bury a murdered man.
01:09:48No, doctor.
01:09:54You're as involved in this as I am.
01:09:59Or you leave me on the plane.
01:10:02Or we'll go to jail together.
01:10:05There's a car that's been following us for a while now.
01:10:11Don't turn back!
01:10:13Step on it, man, step on it!
01:10:14Yeah.
01:10:14Hey, that's great for motherhood.
01:10:44Buenos Aires.
01:11:00We've already passed the worst of it.
01:11:01Well, since I'm with her, it's natural that there's nothing here.
01:11:12Did he hurt himself?
01:11:14Oh, you're hurt.
01:11:15But it was a motorcycle exhaust.
01:11:18It seemed to me that...
01:11:20Ah!
01:11:27Ah!
01:11:29Band!
01:11:30Proposition.
01:11:30Band!
01:11:31Let's go to the parking lot.
01:11:32No!
01:11:32No!
01:11:37No!
01:11:38No!
01:11:39No!
01:11:39No!
01:11:39Has she gotten sick?
01:11:53No, no, just a simple fainting spell.
01:11:55Does your ear hurt?
01:11:56No, go on, find me a car.
01:11:57Unbutton it?
01:11:58No, don't touch it, tell me to get a car.
01:12:00I don't sleep at night either.
01:12:02Will you leave already, you idiot?
01:12:04Ah, an aspirin. I'll get it for you right now.
01:12:09Enrique, wow.
01:12:39How strange to see you alone.
01:12:43Where did you leave your nurse?
01:12:44But you weren't in Torremolinos.
01:12:47I've been in Madrid for three days.
01:12:48But since you now have a permanent consultation,
01:12:50You didn't even notice.
01:12:55What's wrong, Enrique?
01:12:57No, no, no, nothing, it's nothing, no.
01:12:59I'm very nervous.
01:13:01Take me, take me home, please.
01:13:03What have you done to him?
01:13:18Don't talk nonsense, I found it like that.
01:13:20Help me.
01:13:20Careful, careful.
01:13:21Oh, how naughty this one is.
01:13:23Everything is spinning.
01:13:25Oh, wolf!
01:13:26Take it away!
01:13:27Don't torture me, I'm innocent.
01:13:29Take me, I'm his nurse.
01:13:30That's what it's called now.
01:13:31Listen, I won't allow it.
01:13:33We're dating.
01:13:34Aha, you're trying to make me jealous.
01:13:35Oh, really?
01:13:36Well, I'll give it to him.
01:13:37I don't accept gifts from anyone.
01:13:38Without pushing.
01:13:40The one who's pushing, do you know what I'm saying?
01:13:41I'm no longer interested.
01:13:44Me neither.
01:13:48Enrique.
01:13:49My love.
01:13:52What did you say?
01:13:53What he has heard.
01:13:54Oh, really?
01:13:57Hold on to him, I'm going for some wings.
01:13:59Do you feel better?
01:14:01Oh, garrote vil, there is no one who can free me from the garrote vil.
01:14:03A doctor needs to be notified.
01:14:04No, whoever you need, Perry Mason.
01:14:07Let Perry Mason come.
01:14:08And Mateo, please, little pig, call Mateo.
01:14:11It's two, three, seven.
01:14:13I have it written down at home.
01:14:14I'll let him know.
01:14:19Oh, Elena, what a mess I've gotten myself into.
01:14:26Calm down, Enrique, calm down.
01:14:27No, I need to tell you everything.
01:14:34I warned you.
01:14:35I warned you.
01:14:37Beware of the ladies.
01:14:38Yes, aunt.
01:14:39Don't give me that lamb face,
01:14:40that as soon as I lose sight of you, it manages to exhaust the case's run.
01:14:43You see, I'm not really...
01:14:44You're a pimp!
01:14:45Lady.
01:14:46Neither lady nor radishes.
01:14:47You are the one who corrupted my nephew.
01:14:49You're looking for brave company.
01:14:52By the way, who is that deadbeat you have there dressed up as a nurse?
01:14:55Wait a minute, I'm not going to allow you to offend the woman who is going to be my wife.
01:14:59Oh!
01:15:00So you haven't even gotten out of one problem and you're already preparing for the next one.
01:15:03I assure you, Elena...
01:15:04Oh, that lizard!
01:15:06We'll talk later.
01:15:08First you have to prove that you haven't killed all those people.
01:15:11There are only two of them, Miguel Vargas.
01:15:12And this is the one who was going to help you nail everything?
01:15:16Thank goodness I decided to come.
01:15:20We have to take the bull by the horns.
01:15:24What did you say that dancer's name was?
01:15:26Monterde?
01:15:27But what does she have to do with all this?
01:15:29Oh, nephew!
01:15:31You're more unhappy than a plastic bucket.
01:15:33But he didn't criticize the administrator.
01:15:35Yeah.
01:15:36Well, that's clear.
01:15:37The scorned friend who takes revenge by murdering her lover and her rival.
01:15:40Ah!
01:15:41Come on, what are you waiting for?
01:15:42Yeah.
01:15:43Where to?
01:15:44Let's go for Monterde.
01:15:45Let's go for Monterde.
01:15:54Where is your car?
01:16:03Buy the newspaper, it's worth the brand.
01:16:04No, man, one that brings events.
01:16:06Let's see what he says about the airport.
01:16:07Where does that go now?
01:16:08Let's get some fresh news.
01:16:09What's happening?
01:16:11Are you bringing anything?
01:16:15Three pages, look.
01:16:17Crime at the airport.
01:16:19Large police deployment to capture the killer.
01:16:21Oh, mother!
01:16:22The restroom attendant describes him perfectly.
01:16:24Bespectacled.
01:16:26Somewhat bald.
01:16:27With a mustache.
01:16:28Two or more, I'm not going to be left out.
01:16:30Home.
01:16:38Yes, yes, yes, guard.
01:16:40Excuse me, officer.
01:16:41Yes, thanks.
01:16:43Don't exaggerate, gee, don't exaggerate.
01:16:46Perhaps we should wait right now.
01:16:48Yeah.
01:16:49I'll call you to tell you the result of the interrogation.
01:16:52Come on, you can come in now, come on.
01:16:54See you later, okay?
01:16:55Are you coming with me?
01:16:58A server?
01:16:58Clear.
01:17:01One moment.
01:17:05Where are they going?
01:17:06It's her, isn't it?
01:17:08Yeah.
01:17:09We want to talk to Nina Monterde, which, from what I can see, is you.
01:17:12I don't think it's that noticeable.
01:17:16No.
01:17:17Hey, what is it you want?
01:17:19Let him openly confess the crimes he has committed.
01:17:22Oh, what a funny lady!
01:17:24And tell me, who will provide the music for that?
01:17:26I'm the one who calls the shots.
01:17:28Listen, the madhouse is in a hundred little wells.
01:17:30And the prison is not a cane.
01:17:31What did he do on the night of the fifteenth of this month?
01:17:32I know you.
01:17:34I didn't try to ingratiate myself, I'm ruthless.
01:17:36Come on, answer me, what did you do that night?
01:17:37If I tell her that, the lady is going to blush.
01:17:40I'm not interested in their revelry.
01:17:42Go on, Mateo.
01:17:43Confess or I will be forced to use the third degree.
01:17:46Oh, really?
01:17:47Yeah.
01:17:48Dear!
01:17:54Mateo, the cubilla!
01:17:57Still!
01:17:59Stay still, boy!
01:18:00No, not the spine!
01:18:02What a joy to see you!
01:18:06Don Mateo, we owe our happiness to this great man.
01:18:10The one who had several children by different husbands,
01:18:13It was that crying dwarf.
01:18:14Oh, really?
01:18:15Thanks to you I have met this angelic creature.
01:18:20Well, since you're so grateful to us,
01:18:23I hope they will want to help us.
01:18:25Who could have wished for the death of Jorge Rivera and his lover?
01:18:28Tomás, his wife.
01:18:29But he didn't say he was single.
01:18:30That's where my pupil failed me.
01:18:33He is married.
01:18:34And with a very beautiful woman.
01:18:36Very pretty!
01:18:36Very pretty!
01:18:43Very pretty!
01:18:45Hey, the phone isn't broken, is it?
01:19:09Calm down
01:19:10I'm sure your aunt was right to suspect that dancer
01:19:13You'll see how it clears everything up.
01:19:15Oh, but when? When they've hanged me.
01:19:17They should have called already, this definitely isn't working.
01:19:20Yes, yes
01:19:22Hey, he didn't order them too, did he?
01:19:25Don't talk nonsense, everything will be alright
01:19:28And it would be best if I turned myself in to the police right away.
01:19:30What should I have done instead of guiding me to offer condolences?
01:19:32I agree with that.
01:19:34But at this point it's best to wait and see what your aunt finds out.
01:19:38Oh my God, darling
01:19:41I'm going to make you some chamomile tea.
01:19:43It will calm you down
01:19:45Make sure it's nice and full.
01:19:48Tell me, aunt
01:20:15Listen
01:20:16Listen, you know your wife is cheating on you.
01:20:18Put it
01:20:21Three, two, it's
01:20:23Are you talking to yourself?
01:20:30The mania of fourteen
01:20:31Come on, my love, sit down and take this
01:20:34I will open
01:20:50I will open
01:20:50Gollita
01:20:58Please
01:21:00Crimes of passion, no
01:21:02Don't be stupid
01:21:04Inside
01:21:05Now let's settle this matter
01:21:13There's no need to get so worked up.
01:21:15I understand that I have my sex appeal
01:21:17But come on, it's not like we need to start shooting each other.
01:21:19Don't be silly
01:21:20What I assumed
01:21:24Cyanide
01:21:25He emptied enough into the chamomile tea to make a horse burst.
01:21:29But what a racket you're making, gun up, gun down, whether it's cyanide, linden tea, or horse tea
01:21:34Come on, Anita, give it to me, it's my turn to have it for a little while now.
01:21:37Do not move
01:21:38And now you're calling me "usted" (formal).
01:21:39You see, you've managed to make him angry.
01:21:41What he has achieved
01:21:42What if I have to kill them both now?
01:21:45Why did he suspect me?
01:21:48I saw her at the airport
01:21:49And also how he hid from Henry
01:21:51Hey?
01:21:52When I learned of Leonor's murder
01:21:54I decided to keep an eye on her
01:21:57I congratulate you
01:21:58But the game is over
01:22:00All I need now is for this idiot to be blamed for both deaths.
01:22:04Look how delicious!
01:22:05It's because you've killed more people.
01:22:06To my husband
01:22:07But you were married, to whom?
01:22:09Since he's your boyfriend, I have a right to know.
01:22:11With Jorge Rivera
01:22:12Oh, I was just going out to trim the beard.
01:22:14Now I understand.
01:22:16Husband who abandons his wife for another woman
01:22:19And a wife who can't tolerate it and ends up killing them both.
01:22:22Crystal clear
01:22:22But what's my role in all this?
01:22:24He already said it
01:22:25It's made you the ideal suspect
01:22:29Well, he could have found another cousin.
01:22:31The conference is over, come on, take that
01:22:33I don't need it.
01:22:36I'm not nervous anymore.
01:22:38If you prefer, I'll shoot.
01:22:39But I would choose cyanide
01:22:41It causes instant death.
01:22:43And above all, it doesn't make noise.
01:22:45Exactly
01:22:46Instead
01:22:47A bullet in the stomach
01:22:48It is a dreadful agony
01:22:51And we would all get it dirty.
01:22:53They have ten seconds to decide.
01:22:55Personally, I prefer
01:22:57Sign me up for the chamomile tea
01:23:00You like
01:23:10Nine
01:23:11Eight
01:23:13Seven
01:23:14Six
01:23:16Five
01:23:18Four
01:23:19It will have sugar
01:23:21No
01:23:21Three
01:23:22Three
01:23:52Why beasts?
01:24:16Still!
01:24:22Goodbye, Enrique.
01:24:24You are under arrest, but not by me, by these gentlemen.
01:24:39Goyita! Goyita!
01:24:41My little one, what have they done to you? Are you hurt?
01:24:45No, aunt.
01:24:46Did you say aunt?
01:24:47Naturally.
01:24:48It's your cousin Gregoria, you fool.
01:24:50Since you didn't want to go to the mountain, I had to put the mountain on top of you.
01:24:53Like a mountain?
01:24:55This is the Himalayas!
01:24:57Now, what I can't forgive you for is the mockery you've made of me.
01:25:00Oh, really?
01:25:01Yeah.
01:25:03Enrique!
01:25:05Enrique!
01:25:06Enrique!
01:25:08Enrique!
01:25:09Goyita!
01:25:10Perojito!
01:25:11Dam of my life!
01:25:12Forgive me!
01:25:13You were so right, Auntie!
01:25:15We have to be careful with the ladies.
01:25:18Watch out for the ladies!
01:25:20They complicate things and make you fall in love!
01:25:24-%$$
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