- 6 weeks ago
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Short filmTranscript
00:00Transcription by CastingWords
00:30Transcription by CastingWords
01:00Transcription by CastingWords
01:29Transcription by CastingWords
01:59Transcription by CastingWords
02:29Transcription by CastingWords
02:59Until your hand doesn't end, NiÄifura doesn't have a written letter.
03:09Do you understand?
03:12Or let me leave NiÄifura as a person to write?
03:20Listen, KorÄevi, you work.
03:24You know that I've been playing with you.
03:26And that's why you go.
03:30You go to the right time.
03:33Just go to the right.
03:34Do you go?
03:35I go.
03:36I'm told you not go.
03:40You go to the right time.
03:41You know that you're staying in the house.
03:45Can I ask you something?
03:47Can I ask you something?
03:49I will lose the whole day and the whole night.
03:54He needs to be on my side.
04:02What do you say?
04:06Is this rich man strong cards or lies?
04:15And I say.
04:19He says that lies like a horse.
04:22And my horse doesn't lie.
04:27Here, I'm sorry.
04:39What do you say?
04:42He's working with a bitch.
04:44Get out!
04:52I am en loosen, haven't you?
04:55I am a boxer.
04:59You've got to wear a bitch!
07:14Bingo.
07:15Kakva si bondica.
07:17Ajde, pratimo ga.
07:19E, moramo da saÄekamo civil. Onko nas vid ima da zapali odno.
07:22Äekaj.
07:24Aleksandra JankoviÄ je Tremis.
07:26Ide ka Lekina.
07:27Volim te.
07:32Volim te.
07:57Yeah.
07:58No, no, no.
08:02Onko nas vidi.
08:04Vidite va.
08:04No, no-aud interview.
09:06Let's go.
09:36Let's go.
10:06Let's go.
10:36Let's go.
11:06Let's go.
11:08Let's go.
11:38Let's go.
12:08Let's go.
12:09Let's go.
12:10Let's go.
12:11Let's go.
12:12Let's go.
12:14Let's go.
12:15Let's go.
12:16Let's go.
12:18Let's go.
12:22Let's go.
12:23Let's go.
12:24Let's go.
12:25Let's go.
12:26Let's go.
12:30Let's go.
12:31Let's go.
12:32Let's go.
12:33Let's go.
12:35Let's go.
12:39Let's go.
12:41Let's go.
12:43Let's go.
12:45Let's go.
12:46Let's go.
12:52Let's go.
12:55Let's go.
12:56Let's go.
12:57Hey, come on.
13:11What's that?
13:14A new jackpot for you. DaŔa gave me your dress.
13:18You're a jackpot. Are you okay?
13:21What?
13:22Blam. I did it yesterday, like a bear. Sorry, I'm sorry.
13:27It's like a rock.
13:31Blam, blam, blam, blam.
13:34I would like to talk to you tomorrow, but I wanted to go to the ground.
13:37I don't know how to use your jackpot. Why did I use it?
13:40It didn't end at home.
13:43I can do something. I'm sorry.
13:46Yeah, yeah, yeah, yeah, yeah.
13:51I just remembered that I had a fish with you.
13:53What a blam, oh my God.
13:55I'm really a fool. I'm really a fool. Sorry. Blam, blam.
13:59Okay, you're eating fish. I have a million of fish.
14:02Yeah, I do, but you're eating it.
14:04Now I need to add salt.
14:07I don't have salt, but I have a great coffee, if you want.
14:11You know I could. You know I could.
14:14You know I could, if you don't eat it, of course.
14:16Where do you eat it? Now I woke up.
14:18Let's go.
14:24I've said all that to your colleagues.
14:26I even thought I'd identify them,
14:28because there's no one.
14:29I don't know what you want to say.
14:31I'm a military face, understand?
14:32You can't be so young.
14:34Okay, calm down.
14:36Listen, we have to know who killed her
14:38and killed her.
14:39If it's her murder,
14:40it doesn't matter if it's any other murder.
14:42Now, you know.
14:43There's a lot of candidates.
14:45There's no one.
14:46There's no one.
14:47It's not a fool.
14:48You understand?
14:49And she was like a fool.
14:51I didn't say anything.
14:53I was loved.
14:54I got married.
14:55I got married.
14:57That's why I went to Boston.
14:59And now I don't want to go there.
15:01I don't want to go there.
15:02People are out of my mouth.
15:03She's a stupid woman.
15:05You understand?
15:06I got married.
15:08I understand.
15:09But we have to know everything about her.
15:11Everything.
15:12And especially the house where we found her.
15:14The house of her parents.
15:16I understand.
15:17I only later knew about that house.
15:19It's strange that she didn't have to go there.
15:21But that's why she put her in the house.
15:23And that's why she will come to me.
15:25You understand?
15:26I paid her for food.
15:28And everything I did.
15:30Just so that the children don't hurt me.
15:31And that she doesn't know where my mother is.
15:33And I ask you to finish this.
15:35I have to admit what she was.
15:37And all of us will get persecuted.
15:38No matter who you killed me.
15:39And no matter who you killed me.
15:40Bye-bye.
15:41Don't be careful.
15:42I will pay you to condone you.
15:44I will be guilty, because I'm pretty sure.
15:46Yes.
15:47Bye-bye.
15:52What a good dinner.
15:55I'll have to eat this.
15:56I'll have it down here.
15:58Down corner of the building.
16:00Down corner of the building.
16:01Down corner of the building?
16:02Good coffee, good evening, good evening.
16:06I'm sorry, I'm sorry. I'm so sorry to interrupt.
16:10I'm so glad I'm here. I'm so glad I'm here.
16:14I'm so glad I enjoyed this show. You're the show.
16:18And you're the friend of DaŔin.
16:20Yes, we were good. I don't know if we were a long time.
16:24She was very nice, very famous, and she was also very good.
16:28She wanted me to do numbers.
16:31I thought you were a long time ago.
16:33Okay, don't remind me what I would say.
16:36Listen, I want to tell you something.
16:39If you need a real clientele, a serious clientele,
16:43when I say serious, I mean a serious clientele.
16:45Maybe I can tell you someone.
16:47Listen, there's no one who doesn't know in my country.
16:50I've worked with Kurt and Murta.
16:52There's no one who I've played.
16:54Police officers, criminals, politicians, taekunians.
16:57You understand? I know people not only in the region,
17:00but out, I've heard of them.
17:01I was just thinking about them,
17:02they are the same, the same, the same, the same babies,
17:04and the same ones who don't want women to know.
17:06You're my own family.
17:09It's better, and better.
17:11You're how you look well, you're doing it
17:12on yourself, you're very ambitious.
17:14That's it, you're nice.
17:15That's it, you're nice.
17:16You understand?
17:17I don't have a lot of contests
17:18who would like to help them.
17:20Listen, it's a shame.
17:22It's a shame.
17:24There's no shame.
17:26You know how it goes.
17:28There's a lot of lies and a lot of lies.
17:32That's why I understand it.
17:36That's why I want to recognize and love these special people.
17:40Authentic.
17:42It's a shame.
17:44And you made me a mistake.
17:48I mean...
17:50What do you mean?
17:52I mean, you're just a shame.
17:54I have to do that.
17:56It's a shame.
17:58It's a shame.
18:00It's a shame.
18:02It's a shame.
18:04It's a shame.
18:06It's a shame.
18:08It's a shame.
18:10It's a shame.
18:12It's a shame.
18:14It's a shame.
18:16I'm a singer.
18:18I'm a singer.
18:20I'm not a singer.
18:22You're crazy.
18:24You're crazy.
18:26I'm sorry.
18:28Sorry, my heart.
18:30I'm completely forgot.
18:32I forgot something.
18:34I forgot something.
18:36Yes, Emilia.
18:38No, no, no.
18:40Don't go.
18:42I'll send you an address.
18:44You go immediately and we'll find you at me.
18:46Let's go.
18:48Let's go.
18:50Let's go.
18:52Let's go.
18:58She's just a shame.
19:00She's just a shame.
19:02She's just a shame.
19:04I can't talk to him.
19:06I don't know anything.
19:08Wait, wait, wait.
19:10How does it look?
19:12Wait, wait.
19:14You don't want this shit.
19:16Who am I?
19:18Look at this.
19:26Good morning.
19:27Are you the owner of the agency?
19:28No.
19:29Yes.
19:30Yes.
19:31Yes.
19:32Yes or no?
19:33Yes.
19:34Jelenko.
19:35Božana.
19:36Sit down.
19:37I don't want to sit down.
19:38You need to find me everything about one person.
19:40Everything.
19:41Everything.
19:42Can you do it?
19:43Mr.
19:44It's the job to know everything about everyone.
19:47Write down.
19:48Vanja IsakoviÄ is a numberologist.
19:50How much time will you need?
19:52We'll try to be faster.
19:55But you know, the speed is the price.
19:58You'll be the price.
19:59The price isn't important.
20:00How much time is it?
20:01Yes.
20:02It's necessary.
20:03Especially when it's a quick answer.
20:04If it's a quick answer, then I'll call the more people.
20:06How much time is it?
20:07How much time is it?
20:08500.
20:09Great.
20:10That's how I thought.
20:11I'm going to wait.
20:12I'm waiting for complete discretion.
20:15My God, that's understood.
20:17This is my number of phone number.
20:19I'll tell you when you get some information, but quick.
20:23Quick.
20:24Just quick.
20:25I can't believe that I'm talking about.
20:26What's wrong?
20:28Who is it?
20:29You're walking around the clock.
20:30Who is it?
20:31What's wrong?
20:32I can't believe that.
20:33Can I say to you?
20:34Don't stop.
20:35Hello.
20:40Hey, doggie, doggie.
20:42I'll reach out to you.
20:43No, no.
20:44Thank you very much for it.
20:45Didna cafe.
20:46Didna cafe.
20:47Didna cafe.
20:48Didna cafe.
20:49Didna cafe.
20:50You can watch that.
20:51Do you want me to pay attention?
20:52Yes, I'll use 5 minutes.
20:53One is life.
20:54I can't see you in the morning, I can't see you in the morning, but you can't see me in the morning.
21:02But I don't have your number.
21:05I'm a numerologist, but I don't have my number.
21:08We'll have to do it.
21:11This is only for you.
21:14I'm sorry, try to see if I'm sorry.
21:18I'm sorry again, I'm sorry.
21:20I'm sorry, I'm sorry. If I'm sorry, I'm sorry.
21:24Okay?
21:25Okay, okay.
21:27See you in the morning.
21:29See you in the morning.
21:31See you in the morning.
21:50See you in the morning.
21:57See you in the morning.
22:01I'm sorry.
22:02I'm sorry.
22:05I'm sorry.
22:09I'm sorry.
22:13Okay.
22:19Hello, Inspector.
22:21What is the situation?
22:23I parked the door and went to the back of the car.
22:25They came to the same time as Marko's at the pump.
22:27Where?
22:29I know. We know how to stop.
22:31We know how to stop.
22:33We know how to stop.
22:35We know how to stop.
22:37We know how to stop.
22:39We know. Now he's coming on the terrace.
22:41I saw him in some case.
22:43He's just a lot of civil, a lot of guards.
22:45That's why I'm not allowed to fall.
22:47Good, good. How's your name?
22:49BožiÄeviÄ.
22:51Okay, wait a minute.
22:55He's in uniform and our uniform.
22:57Take him from here.
22:59Take him from here.
23:17Take him from here.
23:19It's his fault.
23:21He's in uniform.
23:23We know how to stop.
23:25He's in uniform.
23:27He's in uniform.
23:29He's in uniform.
23:31By the way, he's in uniform.
23:33He's in uniform.
23:35He's in uniform.
23:37He's in uniform.
23:39I know. I know. I know. I know. I know. I know. I know. I know. I know. I know.
23:59But I pray that we have a lot of work. I don't understand.
24:07I know. I know. I know. I know. I know. But this is yours.
24:14What do you need to do? You have to keep the officers.
24:17No serious. How many people are here?
24:23Five. Two and three are in front of the building. I will go there.
24:28No. No risks.
24:33I think I need someone to go in front of the building to listen to what is happening inside.
24:39We can get out of the police.
24:41I would rather have waited for the night. There is a lot of people here. What do you do?
24:48Who is trying to get out of the building?
24:52What is the matter?
24:54They are saying the singer-spirited story. They are passionate. They are calling me.
25:00It didn't happen to me. That wasn't all.
25:02What?
25:09What did he do there?
25:15The man is a private detective. He is looking for murder.
25:20Let's go.
25:22We have Baneto's car and Markov at the pump.
25:25We have ten thousand euros as a motive.
25:28We have to concentrate on this.
25:31Is it possible?
25:34Okay.
25:40Oma, Dijana,
25:43your actions
25:45like a love song
25:49I will die for you.
25:54You're great to sing.
25:56What do you think?
25:58I'm sorry.
25:59I'm sorry.
26:00I'm sorry.
26:01It's not clear how long ago you didn't achieve anything.
26:04It's all there.
26:05The voice, the voice, the voice.
26:07Bravo, sestra.
26:09I love your music.
26:11These words really mean.
26:13I'm not the same.
26:17I'm sorry.
26:18I'm sorry.
26:19Okay.
26:20We all know that the voice is wonderful.
26:22Very good.
26:23You're a great voice.
26:24I'm sorry.
26:25How old was it?
26:26The last year.
26:27It was.
26:28I was the one of the Ivana Lazic.
26:30Yes, and her.
26:31I'm sorry.
26:32I'm sorry.
26:33I'm sorry.
26:34I'm sorry.
26:35I'll call my composer Krcu. He's an experienced guy.
26:42I'll pay for it, of course.
26:48I'll pay for it. I'll adjust it.
26:53And then we'll play some serious spots.
26:57Come on, Krcu, come on.
27:00I have a team. When people see you and hear you, you'll be on a horse.
27:07I have a PR team and I'll pay for it.
27:11Why are they paying for it? I don't need them.
27:14Hey, Krcu, look, I have a biser box.
27:18You can see a song and God can see it.
27:22Well, I don't know.
27:25I'll call you.
27:27Yes, yes. Don't hurt me.
27:30Let's go.
27:33Here we go.
27:36Go ahead.
27:40Where are you?
27:42Where are you from?
27:44Where are you from?
27:46Where are you from?
27:49Do you know all of you?
27:52No.
27:53How is it possible?
27:57I don't know.
27:59Darling, this is Emily.
28:02You'll know that she'll soon be known to you.
28:04Yes?
28:06Honest.
28:08Come on, darling.
28:10Come on.
28:12Come on.
28:13Come on.
28:14Come on.
28:15Come on.
28:16I'm sure everything will be in the middle of the room.
28:19Let's go.
28:21Bye bye.
28:23Come on.
28:25Come on.
28:27Come on.
28:29Come on.
28:31Come on.
28:32Come on.
28:33Come on.
28:34Come on.
28:35What?
28:37What?
28:38What?
28:39What?
28:40What?
28:41What the fuck?
28:42What?
28:43What?
28:44What?
28:45What?
28:47What?
28:48What?
28:49You know what?
28:50Really?
28:51They were looking for me a bit.
28:53The clink is not without a gift.
28:55She will be able to throw a little out of me.
28:57My mother, my mother,
28:59if I'm not aware of what I'm going to do,
29:01how much you'll be my mother.
29:03Listen to me.
29:05Let's hear it.
29:07I went there with a new girl, of course.
29:09He opens up and I'm going to drink.
29:13I'm sorry.
29:15You know how to be a melopenta?
29:17And he's there.
29:19What?
29:21I'm going to drink.
29:23I'm like, you know, cool.
29:25You don't know anything.
29:27You don't understand me.
29:29I'm going to be clear.
29:31Good evening, Colombo.
29:33When I saw this fish,
29:35I know what I'm going to do with him.
29:37Wait a minute.
29:39What's going on?
29:41I'm going to buy a new, better,
29:43I'm going to see you soon.
29:45I'm going to thank you to the sky.
29:47What magic?
29:49Lokica is famous,
29:51but it's not Lokica.
29:53It's just Lokica.
29:55Look how I was like a fish.
29:57Did you see it?
29:59Yes.
30:00Yes.
30:01Yes.
30:02Yes.
30:03Yes.
30:04Yes.
30:05Yes.
30:06Yes.
30:07Yes.
30:08Yes.
30:09Yes.
30:10Yes.
30:11Why not?
30:12Yes.
30:13Yes.
30:15Yes, what?
30:17Yes.
30:18I'm assuming how you invited Pandur to find you instead of you,
30:22p Venus,
30:23that's a little bit of uniform,
30:25little horses and movies,
30:27that's a funny one,
30:29a terrible idea.
30:31Now we'll go to the cafe and then we'll go to a bit of a little bit to talk a little bit about your inspector, Kari Vanja.
30:41Let's go, let's go.
30:43Okay, Vanja, everything will be fine with him, is that right?
30:46Madam, are you listening to what I'm talking about?
30:49Hello, something?
30:52Hello, Vanja.
30:54Do you hear me?
30:55Yes, I hear.
30:56I'm talking to you, but you won't be able to hear me.
31:00Do you hear me, okay?
31:01Yes, I hear.
31:02Okay.
31:03So, his date of birth is 8.
31:06And the eighties find the job until the end of August.
31:11I think in the next year.
31:13Okay?
31:14So, don't worry about anything.
31:16Okay?
31:17I'm asking you, what will the job be?
31:25Hello?
31:27And the job will be in school.
31:31How about when nothing is finished from school?
31:34Lord God, that's why you didn't school him.
31:38I don't really have time.
31:40You're not the only one in the world.
31:42I have a different line and people need help.
31:45Okay, Vanja, I didn't say anything again.
31:47See you again.
31:48How are you?
31:49I'm going to marry you, man, all I have to do is let your boy be.
32:05Okay, well, the boys.
32:07Oh, you opened up.
32:08You're not so good.
32:09Bam, bam, bam, bam.
32:13BAM! BAM!
32:17Like the first one.
32:20Gajba was bad.
32:22My mother.
32:23Bad, like a Chinese esoteric for the beginning.
32:30Come on.
32:32What did I say?
32:33We'll call him?
32:35And we'll not call him?
32:37No.
32:38We'll call him a little girl.
32:41We'll call him a little girl.
32:43We'll call him a little girl.
32:44Can we?
32:45No, I don't know.
32:46What?
32:47You're going to take care of him?
32:49You're going to be a little girl from your son.
32:53Come on.
32:54I'm surprised that you've seen anything with your son.
32:57Listen.
32:58As a matter of fact,
33:00I've been waiting for a while.
33:02My mother.
33:03I'm mad.
33:04I'm mad.
33:05I'm mad.
33:06What?
33:07Is that your name?
33:08Yes.
33:09You don't want to talk.
33:10Don't want to talk.
33:11Don't let him talk.
33:12Let him talk together.
33:14Let him talk together.
33:15Let him talk together.
33:16You don't know who you are.
33:17You know how I'm a Chinese medal.
33:19You're beautiful.
33:20You're familiar.
33:21You're an artist.
33:22You're an elegant.
33:23You're an elegant.
33:24You're a god.
33:25You can all.
33:26You can all.
33:27You can all.
33:28But Locke, I don't.
33:31Cringe.
33:36You can all.
33:37You're an elegant.
33:38You don't have a cup of tea.
33:39No.
33:40No.
33:41You're not anything.
33:42You don't have a cup of tea.
33:44No.
33:45No.
33:46No.
33:47No.
33:48No.
33:49No.
33:50No.
33:51No.
33:52No.
33:53No.
33:54No.
33:55No.
33:56No.
33:57No.
33:58No.
33:59No.
34:00No.
34:01No.
34:02No.
34:03Excuse me, if we don't go, sorry, I don't go.
34:09It's going to go, but slowly.
34:12We got an advance, and I'll go back to Kiryu tomorrow,
34:16so don't forget to go back.
34:18And send a message to Pandur,
34:20that you're a man, and someone will surely answer.
34:33It's going to go back to Kiryu tomorrow.
34:40It's going to go back to Kiryu tomorrow.
35:03Is it your son?
35:13Old picture.
35:15How many years have you been?
35:24Beautiful.
35:28What's his name?
35:30Bojan.
35:32Bojan.
35:42It's just like my father.
35:46You're going to go back.
35:49What is it now?
35:50Go back.
35:51What did I do?
35:52I'm only going to go back.
35:53You're going to go back.
35:54You're going to go back.
35:55You're going to go back.
35:56You're going to go back.
35:57You're going to go back.
35:58You're going to go back.
35:59You're going to go back.
36:00You're going back.
36:01That's right.
36:03In the middle of town.
36:04You're going back.
36:05It was beautiful.
36:06It was beautiful.
36:07You're coming.
36:08I'm good, Vanjica.
36:21Yes.
36:24You're good.
36:27Do you want these ears?
36:29You will get it if you want to be the only one.
36:51You love yourself so much.
36:54And now let's see how many times I've called for today.
36:59And now let's see how many times I've called for today.
37:03Oh, only seven times. I'm not satisfied.
37:15Hello? Hello?
37:18Loki is on the phone. He has an invitation.
37:24Please.
37:25I have to go.
37:27Let's go.
37:28I'm
37:30I'm
37:32I'm
37:34I'm
37:40I
37:42I
37:58Come on.
38:00I'll give it to you.
38:04I'll give it to you, brother.
38:06Give it to me, brother.
38:10Come on.
38:12We want to look at Amitriya, brother.
38:18Come on.
38:28Come on.
38:58Come on.
39:00Come on.
39:02Come on.
39:04Brother.
39:06Did you tell me the food?
39:10I didn't tell you.
39:14No.
39:22What?
39:24We didn't tell you anything.
39:26I didn't tell you anything.
39:28I don't know.
39:30This is a card.
39:32Yes.
39:34Okay.
39:36I'll leave you in front of the door.
39:38Take it.
39:40Bye.
39:42Police!
39:44Come on.
39:46Everything is okay.
39:50Where are you?
39:52Where are you?
39:56Where are you?
39:58Where are you?
40:00Where are you atam?
40:02Where are you atam?
40:04There are sites in the circumstances.
40:06Schlage the police quatre functions.
40:08Spust it on.
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