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The Night Manager (2016) Season 2 Episode 1
The Night Manager
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The Night Manager
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🎞 Please subscribe to our official channel to watch the full movie for free, as soon as possible. ❤️Reality Insight Hub❤️
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FunTranscript
00:00Art of Cairo in the middle of the Arab Spring.
00:03Why does Jonathan Pine, respected Hotelier, risk his career by snitching on his guests?
00:07If there's a man selling a private arsenal, and those weapons can cause a lot of pain to a lot of people,
00:12then you just do it.
00:14Anyone will do it.
00:15I want to put you inside his operation.
00:22We will give you money, but you have to leave the boy here.
00:25We can't take you.
00:27Go!
00:28He saved me.
00:30What's his name?
00:31Thomas Quint.
00:32No, he's bloody not.
00:33You're Pine from Switzerland.
00:35Thank you very much, sir, for rescuing me.
00:39You're very welcome, Danny.
00:40Welcome to the family.
00:43Angela Burr is closer than anyone's ever been to cracking Richard Robbins' offshore operation.
00:47The company is called Trade Pass.
00:50You are my lead actor.
00:52You ever make the deal?
00:53No one really knows what we're selling.
00:54No one wants to know.
00:56If they did, they wouldn't sleep at night.
00:58This is our little contribution.
01:02Safe haven for the wretched of the earth.
01:04Justifies us being here.
01:06Every soldier fights for money, Andrew.
01:08These men are selling their skills same as anyone else.
01:10Even traitors can be forgiven.
01:18They have to commit.
01:19They have to make a decision.
01:21Jesus.
01:22I want my money back, Mr. Roper.
01:29If you do not pay, there will be consequences.
01:32Why'd you do it, Jonathan?
01:33You have to commit.
01:34You have to make a decision.
01:39Wait a minute.
01:40Wait a minute.
01:40No, no!
01:48No!
01:49No!
03:57Yeah, I didn't sleep last night.
03:59Just last night?
04:01Don't worry.
04:02You'll sleep well after this.
04:03You'll sleep well after this.
04:04You'll sleep well after this.
04:05You'll sleep well after this.
04:07You'll sleep well after this.
04:09And you'll sleep well after this.
04:10Last night.
04:12You'll sleep well after this.
04:15There.
04:16I'm not really hungry, but I'm not really hungry.
04:18I'm not really hungry.
04:19I'm not really hungry.
04:20I'm not hungry.
04:22No, just one of you will perform identification.
04:36Who says?
04:38I say.
04:40Now listen here, I've had enough of this. Shifting bloody sands.
04:42Angela, it's alright.
04:44It's not alright. None of this is alright.
04:47She'll do it.
04:48We've both waited so long for this.
04:52You've waited longer.
04:56Bella.
05:00Bella!
05:11Ready?
05:18Can you confirm, this is Richard Roque?
05:21Yeah, it's him.
05:23Sure?
05:27Yeah.
05:28Good afternoon, hope you're doing okay. It's Colin and Claire and it's London Central at the headlight.
05:48The next door is locked.
05:49The next door is locked.
05:50First forecast to the UK economy is here.
05:53The next door is displayed by water.
05:55The next door is locked.
05:56Four and a half percent.
05:58The next door is locked.
06:00The next door is locked in.
06:01Our lightning is locked.
06:02Temporarily late.
06:04Alex?
06:10Alex?
06:11One second.
06:16Theresa, hi.
06:17Hi.
06:18Corky escaped again.
06:20I'm so sorry.
06:21It's all right.
06:22Did he wake you?
06:23Well, no, because it's 4.30 in the afternoon.
06:25Of course it is.
06:26Of course it is.
06:27Sorry, yeah.
06:29You, sir, are a flirt.
06:31What are you doing disturbing our neighbour, eh?
06:34Come on.
06:35You work at night, don't you?
06:37I do, yes.
06:38Yeah.
06:39What do you do?
06:40You're like vampires?
06:41I work in a bank.
06:44So, yes, basically, yeah, I am.
06:47All right.
06:48I'd love to have dinner soon, if you dare to journey across the hall.
06:55Yes, maybe, one day.
06:58Yeah.
06:59Sorry again.
07:00All good.
07:01Come on, you.
07:02Yeah, bye.
07:03Bye.
07:04Bye.
07:05Bye.
07:06Bye.
07:07Corky.
07:10Get me into trouble.
07:13This is the MI6 quarterly evaluation for Alex Goodwin, director of the Night Owls Unit.
07:19Shall we begin?
07:20Sure.
07:22So, Alex, is there anything keeping you awake at night?
07:26No.
07:27No.
07:28Er...
07:29No.
07:31And how's your family?
07:32Family's great, yeah.
07:35And romantically, any developments on that front?
07:39Yep.
07:40Actually, I've started going out with my neighbour.
07:43Mm-hmm.
07:45I see you've requested to stay with the Night Owls for another three years.
07:48Yes.
07:49Yep.
07:50How do you feel about that?
07:52I feel good.
07:53Um...
07:54I love working for Rex Mayhew.
07:56I love my team.
08:01From a central ops point of view, we've learned more from the Night Owl Surveillance Unit,
08:06led by Alex Goodwin, than from a dozen agents in the field.
08:10Nocturnal Surveillance of the top hotels has proved pivotal to our clean-up operation in the city of London.
08:17Wait, this is a lock!
08:20The Night Owl's patience and diligence has allowed us at MI6 to infiltrate hostile networks
08:26and avert terror threats across the city.
08:29The Night Owl, that's a nocturnal surveillance unit?
08:32That's right, yeah.
08:33It's not exactly glamorous.
08:36Does it need to be?
08:38No.
08:39No!
08:48Hey Ben.
08:49Here's the surf from the river.
08:50Thanks, Greg.
08:58It's quiet work.
09:00It's not the most dramatic,
09:03but who needs euros?
09:05Hello, Alex.
09:10Basil.
09:11Just dropping off the new wish list.
09:14Usual rogues gallery.
09:16Don't know how you do it.
09:18Stuck here every night.
09:19Sat in the dark, watching the world through a screen.
09:22Worried you'll go blind.
09:25Well, as head of the Riverhouse Supervisory Council,
09:29I am formally sanctioning a further three-year extension for the Night Owl unit.
09:34Under the leadership of Alex Goodwin and the continued supervision of Rex Mayhew.
09:39Thank you very much.
09:41Thank you, Myra.
09:42I've taken a look at your file.
09:44Six years.
09:46You refuse all promotions, all offers for posts abroad.
09:51I love being at home.
09:53Sorry to disappoint you.
09:56You don't disappoint me, Alex.
09:59If I'm honest, you frighten me.
10:04Just a reminder, nothing above the parapet.
10:11That face is too pretty to lose.
10:12A lot of intelligence officers come through this room.
10:18Some of them shout.
10:19Some of them scream at me.
10:22Some even throw things.
10:23But the ones I really worry about turn up every three months.
10:29They sit there and they smile.
10:31Just like you.
10:32They say nothing, like you.
10:37And then one day,
10:39they explode.
10:43You need to talk to me, Alex.
10:46Tell me who you really are.
10:47I am the man who will not explode.
11:01I am the man who will not explode.
11:19Hi, Mike.
11:24Hey.
11:25When you're settled, do a troll on all today's phone calls through hotel switchboards.
11:30I've got the latest list of bad guys.
11:32Baz and Carapetian delivered them personally.
11:35Eat spangs on mum, that man.
11:40Sorry I'm late.
11:43St. Albans traffic is a disgrace.
11:45I'm judging you.
11:46Leave that to my wife.
11:48I'll do it alex.
11:49Fine, thank you, Alid.
11:52You manage some sleep?
11:54A little.
12:06Oh, Kaderow's moving again.
12:09Mike for them.
12:11The reference is number 12 on the list.
12:13Thanks to Bulgarian Mafia with a bit of child trafficking on the side.
12:17Where are you running to, Mr. Kaderow?
12:19I'll do it a little bit of...
12:20I worked at the Mumbai Carlton in the 90s.
12:27That sort of antic tended to mean a sexual assignation with the boy on reception.
12:32Oh, he's just getting a paper.
12:35That's for the white room.
12:36Sally, party in the white room tonight.
12:38Copy that.
12:39On roof.
12:44Here we go.
12:50Oh, busy room for a school night.
12:52Sally, are you there yet?
12:55Sally, are you there yet?
12:55Just arrived.
12:57How do I look?
13:00Impeccable.
13:01Eyes only.
13:03Please?
13:04I promise.
13:05No touching.
13:10You look for better.
13:11Hi.
13:12Number 12, your 10 o'clock.
13:15Whiskey on the rocks.
13:16Sally, don't win too much.
13:39You're not the show here.
13:40Never am.
13:41Mike, all angles.
13:45I want to see the whole room.
13:52So, who else is on tonight's address?
13:59Something wrong?
14:02Mike, zoom in on that man in the corner.
14:06Who is he?
14:07Just do it now.
14:07What you're looking at here is the real United Nations.
14:19Yeah!
14:20Americans, Russians, Ukrainians, Serbs, Croats, Angolans.
14:25One big happy family.
14:26Yeah!
14:28Yerko looks like a teddy bear.
14:30Don't let him near your neck on a bad day.
14:33Alex.
14:48Hello, Celia.
14:49Hi.
14:50You're preposterously early.
14:51I'm sorry.
14:51I was hoping to catch Rex before the party.
14:54Is he around?
14:54Well, you can't.
14:55No?
14:55He's talking to some girl.
14:56Oh.
14:56He's working on his fucking birthday.
14:58Well.
14:58And she's far too attractive to boot.
15:01Now, listen, will you do me a favor?
15:02Yes.
15:02Will you put this and go in there and tell those handsome young men in Chino's we need more glasses?
15:08Glasses?
15:08Yes.
15:09Okay.
15:10Oh, no, sorry, but that table for you, it can't be a bad guy.
15:14I'm going to get you to help me.
15:15Open up your eyes.
15:17I need to be a bad guy.
15:21Max is waiting.
15:23And I have to go.
15:25Roxana, you hear anything more about this, you call me.
15:28Okay.
15:28Thank you, Rex.
15:29And you tell no about this.
15:30Clear?
15:31Yeah.
15:31Thanks.
15:31Thanks.
15:33I'll just take a break.
15:35I'll just take a break.
15:35I'll just take a break.
15:35I'll just take a break.
15:36I'll just take a break.
15:36I'll just take a break.
15:37I'll just take a break.
15:38Bye.
15:38Bye.
15:38Bye.
15:38Bye.
15:38Bye.
15:40I got your message.
16:07Show me what you've got.
16:10Taken last night.
16:13Old Roper field man.
16:14What's he doing coming to London under a false name?
16:16You sure I'd send?
16:17Absolutely sure.
16:20You talk to anyone else about this?
16:22How could I?
16:23I'm Alex Goodwin now.
16:24And you should stay that way.
16:30Rex, I'd like to talk to Burr.
16:31You're absolutely not.
16:32You're absolutely not.
16:32Angela's retired.
16:34Fully detached.
16:35She barely leaves her French retreat and won't want to be disturbed over some soldier for
16:40hire.
16:41Who is it when you met before the party?
16:44You...
16:45You...
16:45She was a friend.
16:50What kind of friend?
16:51The kind you never saw.
16:53My dear boy, listen to me.
16:55If I'd had my way, you'd be on a beach in Bali now.
16:58You're state pension in your pocket.
17:01Yoga teacher in your bed.
17:02When you chose to stay, then I gave you one condition.
17:08Jonathan Pine never existed.
17:12Nobody in that garden has any idea who you are.
17:17Alex Goodwin stands before me now, and it so happens I've grown rather fond of him.
17:22Well, he's fond of you too.
17:24Glad to hear it.
17:26Roper is dead.
17:27The past is the past.
17:28You spent five years creating you anew.
17:32Let's not ruin it for one chance sighting in Mayfair.
17:39May I keep this?
17:40Oh, I have a new number.
17:46Best to use this from now on.
17:56Memorise and eat.
17:57You know the drill.
18:02Alex, what on earth are you doing here?
18:15Myra, hello.
18:16Don't you know it's bad luck to see an owl during the day?
18:19Rex said that this owl needs a bit of vitamin D, so here I am.
18:22Wise man.
18:26You know, I'm so grateful for Rex.
18:29He's made me feel welcome from the moment I took the reins at the river.
18:33He's a good man.
18:34Yeah.
18:34He recruited you, didn't he?
18:36Yes, he did.
18:36Is it Nigeria?
18:38That's right, Port Harcourt.
18:39Private contractor?
18:40I.T. mainly.
18:42We met, he was there and there was an opportunity.
18:46I put my hand up and...
18:47Good.
18:48Do you think he's all right?
18:51What?
18:52Why do you ask?
18:54I'm worried about him.
18:56He didn't mention anything to you?
18:58No.
18:59No, no.
19:00Right, have a lovely time.
19:01Thank you, you too.
19:02SPF.
19:02Okay, yes, okay.
19:03No less than 50.
19:04Happy birthday, dear Rex.
19:12Happy birthday to you.
19:18Yes, thank you.
19:20Okay, thank you.
19:21Thank you for coming to this auspicious occasion.
19:25After this, it's just a funeral, isn't it?
19:27No, no, I am genuinely grateful to be able to celebrate my 60 years
19:34It's surrounded by colleagues, people who have the same love of their country
19:37and what that country stands for, or should, or should.
19:44You know, a nation's security service is the truest expression of itself.
19:52You know, we are its soldiers and its priests.
19:57And as such, we have a choice.
19:58We can serve blindly, whatever the occasion, or we can take a view.
20:07Know thyself.
20:10So indulge an old trooper when he says the same to you now.
20:16And now fuck off and get pissed.
20:18I said, have fun.
20:29No, Danny, the more's the middle.
20:31You're not watching the Cubs, Danny.
20:36Thomas is watching the Cubs, aren't you, Thomas?
20:38Thomas is watching the Cubs, aren't you, Thomas?
21:01There's your man.
21:14His name is Jaco Brouwer, 42 years old.
21:18South African, but he spent the last six years as a fixer for cartels in South America.
21:22He arrived at Heathrow under a Dutch Antilles passport,
21:25name of Michel Hebert.
21:27And he's staying at a small hotel in Richmond, the Rogers.
21:31So how did he end up playing poker at the Mortimer?
21:34I don't know.
21:35My hunch is he was told to keep out of the main London hotels, but went off piece.
21:39Addiction issues.
21:41I want to know what he's doing in London.
21:43How do you know him?
21:46From a previous life.
21:49What previous life?
21:50I can't say, Mike.
21:51I'm not allowed to tell you.
21:53And I have no official authority to follow or trail him.
21:55So, up to you.
21:57I've never been to Richmond.
22:05Guys, cancel your plans.
22:07We're going fishing tomorrow.
22:09It'll be nice to see some light.
22:20Our camper's on the move.
22:23Stay on his tail, Graham.
22:24Copy that.
22:27Travelling east on the tow part.
22:29Sally, take position on the bridge.
22:31Here he is.
22:34In position.
22:35Yeah, we see him.
22:42He's heading up towards the cafe.
22:44Eyes on target.
22:45Willie, moving.
22:54Got it.
22:55On my way.
22:56Looks like he's got a date.
23:16Photo's incoming.
23:19Elliot.
23:19Is that him?
23:19Who's that?
23:20Who's that?
23:20You know him?
23:21No.
23:21Audio coming in.
23:22Okay.
23:22The shipment arrives in Katahinyo port in three days.
23:41Once it's through customs, we're ready to press go.
23:44And you'll make the anniversary.
23:47No problem, we're on schedule.
23:49But my chief wants the shipment list.
23:52Full spec, government stamped in a diplomatic briefcase.
23:56I'll speak to my client, but they want to keep documentation minimal.
23:59For obvious reasons.
24:00This isn't your average gun run.
24:02Think of it as his insurance policy.
24:06He knows his mind, your chief.
24:09He learned from the best.
24:11Calls himself.
24:13Mike, Mike, can you just clean that up?
24:15On in.
24:19Will I be in touch?
24:20Yeah, I know.
24:22Go and feed the ducks.
24:24And no going under London, there's too many eyes.
24:26How are we doing?
24:44He knows his mind, your chief.
24:51He learned from the best.
24:54Calls himself Richard Roper's true disciple.
24:58Nothing quite as pretty as Napalm at night.
25:04Mean anything to you?
25:05No.
25:07No.
25:07No.
25:07No.
25:21Calls himself Richard Roper's true disciple.
25:24No.
25:25Yeah.
25:25No.
25:42I'm sorry.
25:42All right, Alex, I've got Yakko's coffee date.
25:59Okay.
26:00Adam Hollywell is a middleman.
26:02He connects dozens of UK companies with clients abroad, often in the shadows.
26:07He calls himself the Alternative Foreign Office.
26:09The question is, who's he working for this time?
26:20Am I straight to Home Park?
26:22Okay.
26:27Just here on MF would be great.
26:39Sally.
26:56Okay, we know who owns the house.
26:58Who?
27:00We do.
27:01I'll call you back.
27:04I'll call you back.
27:04I'll call you back.
27:34I'll be down tomorrow.
27:36We need to talk.
27:37We do.
27:38When you get here, park away from the house.
27:40Use the side entrance to the library.
27:43I have something to show you.
27:44Back to where are we?
27:45Hey.
27:45I'll call you back.
27:48Why are you here?
27:50Do you see me as a guy who posts a lot of people past a book?
27:54I'll call you back for some work.
27:59You should know who too.
28:01No.
28:03I might lie.
28:04That's how beautiful.
28:05Yeah.
28:09You don't have a property that's something.
28:11Cillia.
28:30Alex, Alex, something terrible has happened.
28:33Cillia, whoa, whoa, whoa, whoa, slow down, slow down.
28:36Tell me what's happened.
28:37Rex is dead.
28:38He's dead.
28:39Alex, Alex, I don't know what the puzzle's here, and the police, and you've got to come.
28:47Please, I can't.
28:52Let's go to the river.
28:54All right.
29:24How did you hear?
29:36Cedar called me.
29:38Asked me to come as soon as I could.
29:45Myra wants me to deal with the locals.
29:49Keep the noise down.
29:50It seems Rex had a stash of pills Celia knew nothing about.
29:57Took them in the shed with a bottle of Macallan.
30:01Classy bastard.
30:03Do you have any idea why he would take his own life?
30:06Was it something he wasn't telling us?
30:08Debts? An affair?
30:10No. Rex is the most loyal man I know.
30:13To Celia more than anyone.
30:14Then what?
30:20I'll send full cavalry tomorrow to sweep the place.
30:25Anything you can think of, call me.
30:41Celia, what happened?
30:42He was agitated.
30:45He said he'd found something.
30:47Wanted to talk to you.
30:48It was about your man.
30:52And then I got a call from the vets saying that the dog's medicines were ready.
30:59When I got back, the shed door was open.
31:02I just want to leave you.
31:06What are you going and you're going to need to do.
31:09What?
31:10What?
31:11I know.
31:14I know.
31:19What?
31:24I know.
31:28I know.
31:28I know.
31:29I know.
31:32I know.
31:32Memorize and eat.
31:38You know the drill.
32:02You know the drill.
32:32You know the drill.
33:02You know the drill.
33:32You know the drill.
34:02You know the drill.
34:32You know the drill.
34:40Rex, you said you'd call me at six.
34:42Where are you?
34:44Rex?
34:45Hello?
34:47Okay, I traced the number you sent me.
35:03Send me.
35:04It belongs to Roxana Belanios.
35:07She's Colombian, but works as a shipping broker out of Miami.
35:10Haven't been able to link her to Yakko or Hollywell yet.
35:13All right, we need to talk to her now.
35:25I'm serious.
35:26All right.
35:26All right.
35:26We're watchers, Alex.
35:33We're watchers, Alex.
35:35Eyes and ears.
35:36We're not the show, remember?
35:37What's going on?
35:39Rex Mayhew was murdered.
35:46And the river house are involved, so I need to talk to Roxana Belanios.
35:54So what is your favorite way to do in America and you have to be a person when you're getting one?
36:05There's a gentleman waiting for you at the front desk.
36:10He says he needs to talk to you.
36:14Sorry.
36:15Excuse me, guys.
36:16I'm just going to run to the restroom real quick.
36:18Sorry.
36:19Get me a dessert.
36:20Yes?
36:21Okay.
36:24Excuse me.
36:24Did you get a name?
36:25No.
36:26Just this way.
36:30Roxana Belanios?
36:31Yes?
36:32I'm here on Rex Mayhew's behalf.
36:34Oh, yeah.
36:35You were at his house the day of the birthday party.
36:37Yes.
36:38And we need to talk.
36:40Uh, so, where's Rex?
36:43Get your things.
36:44Make your excuses.
36:45I'll tell you everything in the car.
36:47In the car.
36:49Excuse me.
36:50Sorry.
36:51Um, I'm not going anywhere with you.
36:53I need to talk to Rex.
36:55This is ridiculous.
37:01Trust me.
37:02Rex won't answer.
37:03He's dead.
37:10He left this phone for me.
37:12And you and I, there are only two numbers on it.
37:13So we need to talk.
37:15Your life could be in danger.
37:16Get your things.
37:17I'll wait for you outside.
37:18Room booked to the Brickcott Hotel, Queensway.
37:30I've called in a favour from Tony to keep watch.
37:33That's room 122.
37:35Check out Saturday 11 tomorrow.
37:47Come in.
37:48Drink.
38:00Drink.
38:01Sure.
38:02Have a seat.
38:16Have a seat.
38:22All I need is to ask you a few questions.
38:35How do you know Rex?
38:40How did you know him?
38:41I have a small trading outfit in Miami.
38:56I met Rex at one of those City of London dinners just schmoozing and we've been in contact ever since.
39:09Why were you there on the day of his birthday party?
39:15Because I've been working on something.
39:17In Colombia?
39:19Yes.
39:20An import company in Cartagena is buying UK machine tools for oil pipelines.
39:26I grew up there.
39:27My family's from there.
39:28They trusted me to broker the deal.
39:29We used to lug an intermediary.
39:32Adam Holywell.
39:33Name of the import company?
39:36It's a buddy kiddo commerce.
39:38So what happened?
39:40Something started to feel wrong.
39:43What do you mean?
39:46Like I wasn't being told the whole story.
39:49About what was in the shipment?
39:50Yes.
39:52So I took it to Rex.
39:55He said that he would look into it and that's why I was calling him.
39:59Who knows you met him?
40:00No one.
40:04Ever heard of a man called Jaco Brower?
40:08No.
40:09Why?
40:09What about this man?
40:20No.
40:20No, I don't think so.
40:32Listen.
40:32Until we know what happened to Rex, you should stay here tonight.
40:35No, I can't.
40:36I have a flight booked in Miami tomorrow.
40:37I have to leave.
40:37No, we'll deal with that.
40:38No, I actually have to go.
40:41This has everything you might need.
40:43Tony will stay with you and we will need your phone.
40:46It's for your own safety, okay?
40:48I'll be back soon.
40:49Well, how long are you going to be?
40:51I promise you're in safe hands.
40:53Wait, what's your name?
41:03Bingo.
41:04That's our shipment.
41:08The ship is called the Alcestis.
41:17It left Felixstowe a month ago and it docks in Cartagena, Colombia tomorrow.
41:21We also found out who runs Barquero Commerce.
41:24I'm sending that to you now, Alex.
41:25Okay.
41:27His name is Teddy Dos Santos.
41:30He lives in Medellin.
41:31Now, I can find nothing on him until 2018.
41:34Whoever cleaned his background knows their stuff.
41:37All I've got is a very sudden entry into legitimate business in Colombia about six years ago.
41:43The formation of Barquero Commerce and a charity foundation.
41:46What charity foundation?
41:49It's called the Aurora.
41:52Based in Medellin.
41:53In Aurora queremos brindar alegría y esperanza a los cientos de jóvenes que han sido marcados
42:03por las décadas de violencia en nuestro país.
42:07Lo mismo vengo de ese mismo.
42:08My safe haven project for refugees is the true expression of my belief in a commitment to the wider world.
42:16Because my good fortune means nothing unless it also lifts up my fellow mayor.
42:22My name is Eduardo Dos Santos.
42:24And Aurora también is a city.
42:28Sally.
42:29I need to know what my recabinage is really sending to Colombia when the ship docks.
42:33We need to stop the cargo from leaving Cartagena port.
42:35Find a way.
42:38Borrow you some time.
42:40And tell Graham to stay on Jakob Rower.
42:42Okay.
42:44And where are you, Alex?
42:54Some of the stuff we started to sell on, five year rule.
42:57Okay.
42:57So we got attics, furniture, arts, interior sculptures, documents.
43:03Through there?
43:04Through there.
43:05Richard Roper.
43:06Terrible man.
43:07Beautiful taste.
43:09Let me know if you need anything.
43:10I'll be upstairs.
43:22I don't know.
43:52I don't know.
44:22I don't know.
44:52I don't know.
45:22Well, apart from his mother, nobody else comes to see him, so I'm sure he'll be happy to see you.
45:29Good.
45:32Mr. Roper?
45:33Guest for you.
45:34Hi, Danny.
45:40Michael Oakes.
45:43Remember me?
45:45I'll leave you to it.
45:46I'll be outside if you need anything.
45:47Hello.
46:02I'm sorry I didn't come before.
46:06There were rules I had to obey for protection.
46:09Mine or yours?
46:10Both.
46:11So what's changed?
46:13Because something tells me this isn't just pastoral care.
46:16Okay.
46:23I just need to know, do you know this man?
46:29Why?
46:30Because I think your father knew him.
46:33Why did he have this photograph?
46:35Who is he?
46:36I've never seen him.
46:38Danny, please.
46:39Just look again.
46:40Sorry.
46:41Just take one more look.
46:41Sorry, sorry.
46:42Michael, is it?
46:45Yeah.
46:46You're a fucking liar.
46:47You destroyed my family.
46:50You never once were honest with me.
46:53So why should I give you anything?
46:57Huh?
47:00Okay.
47:08I shouldn't have come.
47:12Sorry.
47:20See you in another ten years.
47:22There's something I haven't told you.
47:48About your father.
47:52He was, uh, executed by his captors.
48:04When?
48:06Six years ago.
48:09That's fucked.
48:11What was it I thought?
48:12I'm sorry you had to find out like this.
48:37I'm sorry, Danny.
48:38Excuse me, but when is your friend coming back?
48:56He won't be long.
48:58Look, I've got people expecting me in Miami.
49:02I have to get back.
49:03Please.
49:05He's been gone since last night.
49:06Can I at least have my phone?
49:08Look, I'm afraid I can't do that.
49:10Like I said, he's going to be back soon.
49:12He's just been held up.
49:15I think I'm going to be sick.
49:17Can I get you anything?
49:18I'm going to be sick.
49:19Jacko Broward just received a delivery to his hotel.
49:40A diplomatic briefcase.
49:42He's booked on a flight to Barcelona tomorrow at 8am.
49:45Okay.
49:47Tell the team we're going to Spain.
49:50I'm on in.
49:57I'll cover the entrance.
49:58Graham says you've asked him to bring firearms.
50:10We're night owls, not operatives.
50:13That's just a precaution.
50:17This previous life of yours you mentioned,
50:22you want to tell me about it?
50:23I was someone else once.
50:29He had to go away.
50:31Who was he?
50:34I'll tell you when this is over.
50:37I might just hold you to that.
50:42That's him.
50:43Taxi!
50:44Can you hold that...
50:45Taxi!
50:47Excuse me!
50:47Excuse me!
50:48Oh, shit!
50:50No.
50:52Bloody terminal.
50:53Yeah, fine.
50:54Thanks.
50:55Taxi!
51:04Let's go.
51:04Let's go.
51:04He's taking the N2 North, heading towards Girona.
51:23Copy that.
51:24We're on it.
51:30Turning left into the Hotel Rossana.
51:33See if our car has a room, yeah.
51:35Yeah, checking out.
51:52See you in there.
51:57See you in there.
52:01See you in there.
52:03Hello, good.
52:07Something's going on out.
52:10I think I can hear you.
52:11Thanks.
52:12Okay.
52:18Yep.
52:19Yakko's booked into room 249.
52:21Got it.
52:24Okay, thanks.
52:26I love it.
52:27Master key, room 249.
52:30I love it.
52:30See you in there.
52:37Well, you're welcome.
52:43Thank you very much, I have a pleasure to see you again.
53:13Mr. Ravaron, I like you.
53:17I like you.
53:18How are you doing?
53:20Very good.
53:21We have a virtual room.
53:23This is the fourth floor.
53:28Jacob.
53:29Teddy.
53:30Your friend.
53:31Coming here, it's so nice to see you.
53:34Tell me everything. How was longer?
53:37Good.
53:40They look tired.
53:43Did you stay out of trouble?
53:45I did my best.
53:46I know.
53:47You always do the right thing.
53:51So, you have something for me?
53:53Yes.
53:54The shipment list where the government's stamp has requested.
53:57But they're insisting on no more contact until the anniversary.
54:02The British always have arms length.
54:05Let's go check the documents in the room.
54:07Then get some rest.
54:09It's a long flight back to Colombia tomorrow.
54:12What?
54:23Teddy Dos Santos is here and they're on the way up.
54:25We got them.
54:26Keep them in the room.
54:27I want to talk to him.
54:29You are in room 249, correct?
54:36Yeah, set it through.
54:52You are a good man, Jacob.
54:55Robert knew a soldier when he saw one.
54:58Show me.
55:06Shhh.
55:10Show me.
55:19Really?
55:29Daddy, I had no idea.
55:32I swear.
55:34Let's go.
55:35I'm almost there.
55:36You still got them?
55:37No, listen.
55:38We've lost them.
55:39We've lost the signal.
55:40They must be on to us.
55:41Clear the system and move Roxanna.
55:42Mike, delete everything off the system.
55:43What?
55:44Delete everything off the system.
55:45What?
55:46Delete everything off the system.
55:47Do it now.
55:48They're still not here.
55:49What is?
55:50Get out of there.
55:51Now.
55:52Who's there?
55:53Aren't you fine, Tony?
55:54Who is it?
55:55Who is it?
55:56Who is it?
55:57Who is it?
55:58Who is it?
55:59Who is it?
56:00Who is it?
56:01Who is it?
56:06broke out of there.
56:07What is this going with?
56:08I've chỪ用 blocks all over the sayings.
56:10Got it.
56:11What is it?
56:14Get out of there.
56:15Get out of there.
56:16Now.
56:17Who's there?
56:19Who is it?
56:24No, no, no, no, no, no, no.
56:54No, no, no, no.
56:55Hey, wait.
56:56Wait.
56:57Hello.
56:58Hi.
56:59I'm a old friend of Mr. Maradon.
57:27I think they have a room in the fourth floor.
57:30I'm going to go with him there, but...
57:32Can you remember me, please?
57:57Who are you?
58:04I'm going to go with him.
58:20Hi, this is Alex Goodwin.
58:48Please leave a message.
58:55I'm going to go with him.
59:02I'm going to go with him.
59:09I'm going to go with him.
59:11I'm going to go with him.
59:20I'm going to go with him.
59:22I'm going to go with him.
59:29I'm going to go with him.
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