- 19 minutes ago
Category
📺
TVTranscript
00:00Whoa, whoa, whoa!
00:00He would let you know that he is a savage killer.
00:03I will chew your lips off your face.
00:06Can I please go right here?
00:07Oh, look!
00:09Coffin!
00:10Ooh!
00:12Feels like it's inside my body.
00:13How did he kill you?
00:14Steve Bell!
00:16Oh, my God!
00:24There are things in this world that we will never fully
00:27understand.
00:28Understand.
00:30We want answers.
00:33We have worked years to build our credibility, our reputation,
00:40working alongside the most renowned professionals
00:43in the field, capturing groundbreaking proof
00:47of the paranormal.
00:48It's working!
00:49I can't give you an explanation.
00:52This is our evidence, our ghost adventures.
00:56It has been years since we last conducted an official ghost
01:07adventures investigation at my haunted museum in Las Vegas.
01:11But because of a string of deeply disturbing events, we're back for what I can only describe as an emergency
01:22intervention.
01:23I was on July 15, 2024, I was on the road in California.
01:31At 1.05 AM, I did a quick check of the museum security cameras on my phone.
01:36And at that time, I started hearing sounds, very loud, unusual, unrecognizable sounds.
01:45But then something happened that gave a chill down my body.
01:56These very loud growling sounds.
01:59It sounded like a tyrannosaurus rex was inside my museum.
02:05And this lasted for about 15 minutes.
02:15There was also a voice of a woman saying the name David.
02:38Now, we tried to debunk these noises.
02:41I tried to explain them, but we just could not find any logical explanation as to why this occurred.
02:54There are other events that occurred, and I'm talking as recent as last week, involving
03:01a woman who claims she has seen a very tall, menacing male figure right near the exhibit, where I just placed the remains of America's most prolific serial killer.
03:19Samuel Little, who died in 2020, preyed on marginalized women, killing multiple victims by strangulation over approximately 30 years.
03:30He confessed to 93 murders, and law enforcement says they have confirmed at least 60 of them.
03:42I'm deeply concerned that the introduction of his remains to the museum have given extra fuel to some
03:49of the most spiritually combustible items in the world, and that this evil monster's spirit has been summoned by the other cursed artifacts.
04:04We will begin by examining the already intense level of paranormal activity here, before the introduction of Samuel Little's ashes.
04:15John Shaw has been performing sideshow acts at the museum for six years, and has extensive knowledge of Satanism and the occult.
04:25I talked to him about the terrifying growls heard on the ballroom security camera.
04:34Every single effort has been exhausted in trying to debunk this, and we are still inconclusive.
04:44Now let's talk about the cause, the building's background.
04:50Back in the 70s, the devil worshipping that was factually taken place here.
04:55In 2016, I interviewed a woman who observed clear evidence of Satanic rituals in the basement of the museum building.
05:04First thing I saw was a pentagram on the floor, and then there was a circle around that pentagram, and I also saw blood drops.
05:16You're for sure you saw blood.
05:18Positive.
05:19A previous occupant of the building, with government documentation of her family's residence here,
05:26testified that her father participated in dark rituals in the basement, and that this is a place of unspeakable horror.
05:36There could, in theory, still be portals left here that maybe were not ever closed.
05:42Yeah, that sound to me, if you were going to create a sound that was going to sound like a portal opening to another realm of reality,
05:51that is exactly what I would think.
05:53Right.
05:54And it sounded like something opening, like a tear in the veil.
05:57You just gave me a chill when you said that for some reason.
05:59Yeah.
06:00In the Bible, the tearing of the veil occurs at the time of Jesus' death, and signifies a new kind of access to the afterlife.
06:09I asked John to take me to the sideshow room, where there have been hundreds of sightings of a little girl's spirit,
06:18inside an unfinished room that can only be accessed by entering this old wagon.
06:24John believes this little girl could be something much darker mimicking the innocence of a child,
06:31and trying to attach itself to unguarded living souls.
06:34You guys here.
06:38On the way to the sideshow room, we stop at the ballroom, where the demonic sounds were captured on the security camera.
06:45Okay.
06:46Right over here, this is the security camera that captured the sounds.
06:52And just to the left of the security camera is this room here that is really at a focus for me,
07:05as being a potential source of those sounds.
07:08This is the devil's rocking chair.
07:11The devil's rocking chair, which was involved in the exorcism of 12-year-old David Glatzel,
07:18caused so many disturbing incidents at the museum that I was forced to temporarily close that exhibit in 2019.
07:26Not only do David Glatzel's growls during his exorcism sound eerily similar to those captured in the museum.
07:35I'm doing it!
07:39But the name David is spoken aloud.
07:47So I want to focus a little bit more on investigations in here as well when we do...
07:55Whoa.
07:56You all right?
07:57Yeah, I just got really dizzy.
08:00I did not like that.
08:02Yeah, it looked like you were about to fall over.
08:04Yeah, I didn't like that.
08:05I just got dizzy.
08:06I just got vertigo really bad.
08:08This room has a history of causing debilitating dizziness.
08:13Two museum visitors have lost consciousness and collapsed in this exact same spot.
08:19Okay, right now we are going to go through this hallway here.
08:23This is going to lead to the sideshow area.
08:26Um, this is where the sightings of the little girl have been hundreds.
08:30Since Aaron is the most childlike of us, I send him inside the circus wagon where the little girl is often seen to see if he can draw her out.
08:43Little girl, we want to know who you are.
08:47Can you appear for Aaron so we can take your picture?
08:51Aaron's Polaroids show that he is completely alone inside this wagon.
08:56But then he feels something unexplained just as I'm attempting to summon the little girl's spirit.
09:03Dude, something just grabbed.
09:05See this?
09:06See my little pouch here?
09:07I put all...
09:08Dude, something just grabbed my, like, Polaroid pouch.
09:11Was Aaron just touched by the little girl's spirit?
09:20We turn now to troubling paranormal activity that may have been stirred up
09:25by the addition of Samuel Little's remains.
09:28I meet with Joy Foster at my headquarters next door to the museum.
09:34God.
09:36The heck?
09:37You okay?
09:38Yeah, you just scared me.
09:39It's okay. I do that sometimes.
09:41It is no surprise that Joy is jumpy.
09:44Just a week ago, she had a horrifying experience in the room where I keep the van that Dr. Jack Kevorkian used for illegal assisted suicides.
09:53Last week, I stopped by the museum, and it was around 9.30 p.m.
10:00I noticed you and a couple of your friends, and you were crying.
10:05Yeah.
10:06And at that time, you said that you saw somebody in the museum.
10:11What did you see and what area?
10:13When we were about to turn into the Kevorkian office, down the hallway, there was a very tall shadow.
10:20But it was not quite a shadow. It was, like, white.
10:22So this thing crouches down and is, like, right by me, smiling.
10:28And I'm very uncomfortable at that point, and I felt almost like there were claws right in my back right here.
10:47So that's when I just, like, lost it. I felt like I couldn't go.
10:54I feel like I was just so overwhelmed and scared, and it just felt like a million things were just yelling at me that it was going to hurt someone.
11:01And I just, like, didn't know how to stop it from hurting someone.
11:05This entity was?
11:06Yeah.
11:07Okay.
11:13And then it follows us into one other room.
11:15What other room?
11:16It followed us into the room that had Samuel Little's ashes and, like, all the kind of serial killer stuff in there.
11:22You mentioned Samuel Little's ashes. I didn't even mention him to you. You mentioned that.
11:27Yeah. I just remember that was one of the things I noticed in the room.
11:30I kind of almost focused on his ashes because they were in the back, and I just headed there.
11:36And then when I headed back out, it was just gone.
11:38So we just added his remains into the museum, I mean, just over about a month ago.
11:45As these events unfolded, I was alarmed by Joy's breakdown and took the ovulus to the Kevorkian van room.
11:53And every single thing that you would say or I would say, we would then get the message.
12:00I said, wow, this room feels really heavy. It said heavy.
12:03Mm-hmm.
12:04I said, where's the entity? And you said, it's on the ceiling. What did we get on the ovulus?
12:08Ceiling.
12:09Ceiling.
12:10Ceiling.
12:11Ceiling.
12:12One-one.
12:13I feel like I hear like 11, like one-one.
12:17And what was on the ovulus?
12:19Five- fucker.
12:20Eleven.
12:21Five-fuckers.
12:22One-one.
12:31It was letting us know that it's listening to us. It can see us. It wanted us to be scared.
12:37and at that time i remember both of my fists were stuck in this position you ever had locked jaw
12:45you know you're biting so hard you just you're waiting for your teeth to explode i was waiting
12:50for my fists to explode and i think that the aggression of this entity where you said you
12:56thought it was going to hurt somebody i was feeling it i was connecting to it
12:59why don't we walk in there real quick you want to yeah all right let's do it
13:06before we even enter the building the ovulus transmits an ominous message but because of
13:14this i've never seen that before right that's crazy wait what follow me for death yeah what the
13:21they know that we're coming
13:24we enter the building and i direct billy to follow joy with the xls to the room containing samuel little's
13:34ashes does not feel good in here am i going to be the only one in here hold on whoa whoa whoa hold on
13:41what was that something did like an acrobat what are you feeling in here right now it just feels
13:46like something is just like right here at exactly the same time a figure appears on the xls
13:53joy says she feels a presence in the room it just feels like something is just like right here
14:00hey samuel little why don't you give us a name of some of your victims a lot of them haven't been
14:09identified where are they at oh look creek casket no way what the is that all about really direct
14:20this is breathtaking i ask a deceased serial killer where his victims remains are and i get some
14:28disturbingly specific direct communication but then the communication continues can you give me
14:35another victim's name coffin again what are the odds in that row where are you
14:44oh he says linger in the cellar go down there go all right billy takes joy to the basement to see
14:54if a female presence provokes a response from this serial killer of women but joy doesn't feel
15:01comfortable going any farther i feel like he definitely wants me back there alone i just don't
15:10know if it's going to be a good thing author jillian lauren wrote behold the monster after spending
15:19three years interviewing serial killer samuel little i meet with her to get some insight on what kind of
15:27spiritual chaos his remains could be causing what was his presence like what was his energy like was
15:35there something about him that felt inhuman i had three nicknames for sam perv grandpa snake monster and
15:46three card monte and steak monster was the frightening one i grabbed my legs and pulled to the water that's the
15:57only one that i ever killed by drowning
16:03that was if i challenged him or talked too much you know shut your mouth or i'll crawl across this table
16:12and i will chew your lips off your face he would say that yeah
16:21the monster inside of him was always there yeah he would let you know that he is a savage killer
16:29he believed he owned his victims like he took their soul yeah like like he took their breath
16:37like i take your breathing from you and then he gave it back sometimes he he gave his victim cpr
16:46after he killed him no brought them back to life
16:50and then killed him again are you serious yes he was a soul taker
16:55jillian says samuel little left his personal effects to her in his will including the ashes from his
17:09cremation you provided me with samuel little's ashes his remains and also some of the hand-drawn portraits
17:20that he did of some of the victims so i do got to tell you once we put his remains on display in the
17:30jail room where there's also the remains of charles manson there has been some strange phenomena
17:38occurring in that room and also a sighting um why your reaction like that well i had his i had his
17:48remains in my house
17:52when you received the ashes and you brought them into your house um you know this is my field of
17:58research and we've investigated numerous cases involving remains and ashes and that was always a
18:04common denominator and attachments and families especially when that person whose ashes they were
18:10were an evil person were a bad person were possessed did you ever accept any weird um feelings or
18:18anything like that when the ashes were in your house any changes with you your family or anything
18:23yes you did yeah it just got darker and i got more and more depressed and uh i just like started to kind
18:36of fold every time i walked into the room you know and i i got like a weird tremor it wasn't okay having
18:44those ashes in the house it wasn't okay
18:47it wasn't okay we take jillian to the jail room to assess the energy generated by samuel little's ashes
18:58and his victim portraits this portrait here says jillian lauren my book writer yeah he had this incredible
19:08memory for faces and also he learned to draw in the ohio state reformatory ohio state reformatory
19:15uh-huh mansfield really i investigated there he was there when uh there was a suicide like uh someone
19:24set himself on fire above his cell what really yeah we spoke to an inmate who walked us to a cell where
19:35inmates set himself on fire and committed suicide that's the one yeah god it's so weird when these
19:41connections start happening these like synchronicities how does it feel to be around his ashes right now
19:51you evil he was so evil he was so evil zach
20:01we step outside to process these extremely chilling revelations
20:05oh was that heavy or what billy was off camera billy come here did you were you feeling that
20:15like my stomach feels nauseous like like i'm gonna puke aaron makes a disturbing connection to the
20:21messages we got on the ovulus with joy and hey he was saying where another body was you know the river
20:28and the coffin like i wonder if he was trying to tell us where other bodies that he murdered
20:32were and then i did it twice whoa look at this no way what the coffin now it said coffin
20:44but there's yet another chilling connection here along with coffin the ovulus says creek and river
20:52are these actually the words of a very specific samuel little victim that's the only one that i ever killed
21:00by drowning
21:05jillian appears from inside the museum and tells us something that blows us all away that's really
21:11important those details are really important yeah did he ever put like people in coffins and stuff
21:17um caskets yes oh yeah boxes yes was a diabolical serial killer taunting us by sending the words coffin
21:32and casket and did he threaten our lives follow me for death what the they know that we're coming
21:47as we are getting ready to start our investigation all four of us are at nerve center when i see an
21:53unexplained light in the ballroom
22:09there was like two lights here like bright white lights right here and nobody is inside the museum no
22:16there was two lights right here oh yeah yeah we're just starting right now our investigation as we
22:22were setting up billy and i were in the doll room and we started receiving just some really chaotic emfs
22:29that we could not explain and every time i mentioned the name gretchen which is one of the most haunted
22:35dolls here at the museum and then as we're all here observing i just saw some lights over here a couple
22:42lights and we're all outside what mic are you listening to right now i'm just listening to all
22:47of them you are if i start hearing something i can kind of isolate which one's which but right now it's
22:52a mix of so where are the four microphones so four microphones you can see one right here in the
22:56ballroom okay that's a low subsonic frequency microphone it picks up everything but it really
23:01intensifies the low end there's another mic right here you can see the stand here that's a shotgun boom mic
23:07okay it's shooting down the hallway okay in here you can actually see it see that cable there yes
23:12that's a microphone that i placed into that room into the little girl the ghost of the little girl's
23:18room yeah the unfinished room down there okay awesome and then the other microphone it's laying on the
23:23devil's rocking chair right now billy and i now enter the museum and head to the ballroom where the
23:29disturbing sounds were recently captured on the museum security cameras all right so it's all come down
23:37to this there's so many unknown reasons that i have personally about why you chose me because i know
23:44you did why did you do those sounds on july 15th did you know that was my father's birthday
23:54as i asked this question did you know that was my father's birthday my infrared light
24:00unexplainably turns off and then on by itself
24:06zach what i got a really weird prickly feeling around my ears and my neck when you said that
24:12it feels like something just moved in behind me now watch as this strange anomaly manifests
24:18out of the same mirror that we just captured this light from
24:32what were those lights i want to hear those sounds again do it for me now that i'm here
24:40i want you to come through the veil i want you to open it and tear it open
24:45whatever you are i demand you to show yourself now
24:56it's like literally something standing behind me right now with its hands on my shoulders
25:00because i can i can feel it's like a tingly i'm being dead serious dude during this moment billy and
25:08i start heading upstairs when aaron and jay hear a strange sound in the ballroom
25:19did you just hear that there was this sound like
25:22when you guys were walking did you hear anything yeah that was funny where did it come from what camera
25:37did you just hear that with this unexplained sound captured billy and i now try to elicit more
25:44activity by playing the actual audio of the disturbing sounds captured on the security camera
25:50i'm gonna play the sounds that we captured on that camera right there not only did we capture it on
25:56that camera we captured on the camera on the other side of the wall once i play these sounds let us
26:02experience it with our own ears and our eyes
26:16we have full body chills man
26:39Where's the dude?
26:45David?
26:50Hey.
26:51Yeah.
26:51What if I brought the devil's rocking chair out, put it out in the ballroom?
26:55Bring it out.
26:56As I start trying to remove the devil's rocking chair, I realize it won't fit through the narrow doorway.
27:03We sealed it inside of this room with a very thick piece of plexiglass.
27:07Through this opening, so I now begin to remove it.
27:17I feel like this room had something to do with those sounds.
27:21Really?
27:21Because of the name David.
27:29Slide it down.
27:37Is this what you want?
27:41Ed and Lorraine Warren claimed this chair was the throne of the beast that possessed David Glatzel.
27:50They would also witness the chair rock violently back and forth, levitate, and move throughout the house by an unseen force.
27:58Why are you so quiet?
28:04We capture this light anomaly once again by the mirror shooting towards the chair.
28:09Then it does a 180-degree turn and retreats.
28:12It's the first spike I got, and it was on you.
28:28I get a spike near Billy with a 12.8 milligauss peak.
28:33I'll go by his camera.
28:36You see his camera right here?
28:37The meter is on the camera, and it's a 0.2, 0.1.
28:41It's not the camera.
28:43I'm just showing, look how fast I'm swinging this.
28:46I am withholding from telling you what the f*** I'm going through right now, because it just...
28:50It was on you.
28:51It did it twice on you.
28:52It was out there, and it jumped on me, and I literally feel like there's just like this force field around my body just holding on to me like this, and I don't like the feeling that I have.
29:02We want to take a moment and show just how black Billy's eyes look right now.
29:08And when we compare this footage with other footage taken from this same camera, it doesn't make sense why Billy's eyes look pitch black right now.
29:17Aaron, bring in ITC.
29:37Bro, I'm...
29:37I'm really angry right now, dude.
29:40As Aaron now enters the museum, I feel it's a good idea to get Billy out of this chair, so we make our way to the other side of the building to the jail exhibit.
29:49I begin to use the APFD processor and audio ITC device to see if I can communicate with Samuel Little, the most prolific serial killer in American history, and whose remains are contained in this very case.
30:07We asked you questions the other day, and you gave us where they're buried.
30:12Who are you?
30:15What's your name?
30:16The only reason we're trying to initiate communication with this monster is to see if he will give any further information regarding the unsolved murders he committed, as he confessed to killing 93 individuals.
30:30And more than 60 of those murders have been matched to victims' identities, leaving over 30 still in question.
30:40Come.
30:41Come.
30:41Whoa.
30:44Come.
30:45Come.
30:47Come.
30:48Come.
30:48Whoa.
30:49Right after we receive this crystal clear voice saying, come, the APFD processor stops working, so Aaron activates the polterpod.
30:59What do you think about your victim, Samuel?
31:02I love him.
31:04I love him.
31:06I love him.
31:07Yes.
31:07Yes!
31:09What do you think about your victim, Samuel?
31:12I love him.
31:15I love him.
31:17I love him.
31:18I love him.
31:19Yes.
31:20Yes!
31:21I love him.
31:22Yes.
31:23Yes!
31:24Yes!
31:26Samuel Little!
31:29Lieutenant. Whoa!
31:32Samuel Little!
31:34Lieutenant.
31:36Oh, s***.
31:37Lieutenant.
31:38Whoa!
31:47What did it say?
31:49Hey, Samuel Little, you're a piece of s***.
31:52Did I say Bagans?
31:53Your last name!
31:54Yeah, that's my name.
31:57What is that?
31:59This spirit knows what it's doing right now.
32:02It's letting me know that it's getting personal
32:04by first saying my last name
32:06and then saying my first.
32:08What is that?
32:10Bagans?
32:12What is that?
32:14Bagans?
32:15Did I say Bagans?
32:15Your last name!
32:18Ow!
32:18Ow!
32:19Where are you getting pains right now?
32:20I'm so much.
32:23There's a lot of other victims
32:24that are still unknown.
32:27Can you tell us the name of a victim?
32:29So that we can give closure to their family.
32:34How did Samuel Little,
32:36he liked to strangle women,
32:38how did he kill you?
32:40Seatbelt.
32:42Seatbelt!
32:43Are you kidding me?
32:44Oh my God!
32:46Plain as day, seatbelt!
32:48How did Samuel Little,
32:50he liked to strangle women,
32:52how did he kill you?
32:54Seatbelt.
32:56Seatbelt!
32:57Seatbelt!
32:59Seatbelt!
32:59What did he do with your body
33:03after he strangled you?
33:06It's help.
33:09It's help.
33:12It's help.
33:12Are there any protective spirits here
33:16that can help us right now,
33:18or the victims?
33:20Something can help.
33:21Something can help?
33:23Something.
33:24Suddenly this male voice asks for help,
33:27not once, but twice.
33:29Could this be one of Samuel Little's male victims
33:32begging to be identified?
33:34Are there any protective spirits here
33:36that can help us right now,
33:38or the victims?
33:42Something can help?
33:45Who are we talking to?
33:49Robert.
33:50Robert?
33:51You're going to say Robert?
33:52Yeah.
33:54Who's in the hallway?
33:57The man.
33:58The man.
34:00Who's in the hallway?
34:02The man.
34:04The man.
34:05The man.
34:06The man.
34:08Can I say something right now?
34:10Yeah.
34:10There is somebody in that hallway.
34:13I agree.
34:14I got over there,
34:15and I could not get past that.
34:18Can I say something?
34:19Yeah.
34:19That amazing and scary
34:22inside that cell.
34:24All the stuff that just happened.
34:26You've been calling out Zach's last name.
34:29What's wrong?
34:30What are you doing?
34:31It's that encompassing,
34:33it's that encompassing feeling
34:35where it feels like it's inside my body
34:37grabbing me like this,
34:40doing weird
34:40We now head back to nerve center
34:46and regroup for a new plan of attack.
34:49Okay, right now,
34:50I sent Aaron to the ballroom,
34:52and Aaron is setting up his Polaroid camera.
34:55It looks like some kind of professional one.
34:57I don't know the details of it.
34:58While he's doing that,
34:59Jay is setting up his slow-mo cam.
35:02That's going to capture, like,
35:03anywhere from 200 to 300 frames per second.
35:06Very high-tech.
35:07We're going full visual right now,
35:08and Billy is going to follow me
35:10as I scan the museum
35:12with the XLS camera.
35:14We're going to immediately head back
35:15to the jail cell room
35:17to see if we can document
35:19who was just talking to us.
35:26Whoever we were just talking to,
35:28let us see you.
35:29With no figures in the jail area,
35:36we now head to the doll closet
35:38where something incredible
35:39is about to happen.
35:49Whoa, Billy.
35:50You got something?
35:51Yeah, he's grabbing the doll.
35:53Which one?
35:54I don't know, dude.
35:56I'm over here.
35:56He's grabbing the head of this doll.
35:58He can't stop grabbing
36:00the head of this doll.
36:01Now he's playing with the other doll.
36:03Wait, is it a stick figure?
36:05It's a big figure.
36:06He's playing with the doll.
36:07Whoa, now he's grabbing another doll.
36:10This is amazing.
36:12Watch as this entity
36:13is literally playing with the dolls
36:15and grabbing them.
36:17Could this entity be infusing them
36:19or taking their spirit energy?
36:21Dude, he's grabbing all the dolls.
36:23How tall is it?
36:24Probably about six feet,
36:25bent over right now.
36:26Are you serious?
36:27Playing with one of the dolls.
36:29Now he just disappeared.
36:31No way.
36:31Now he just disappeared.
36:34I just captured a tall figure
36:36in the doll closet
36:37grabbing all the dolls.
36:39It was grabbing this doll's head.
36:41Can we find out what doll that is?
36:43Wait, which one?
36:43Point to it.
36:44This one.
36:45It was grabbing this doll's head
36:46and then grabbing Gretchen.
36:48Can you see in there?
36:49Yeah.
36:50Do you see the creepy doll
36:51to the left?
36:52This guy.
36:53From what I remember,
36:54he was grabbing that doll's head.
36:57Can you move your eyes?
37:03Whatever entity that was
37:04grabbing that doll's head,
37:06can you move the eyes of that doll?
37:08Right now I'm just shooting the room
37:18and the chair and everything in it.
37:20So hopefully,
37:21if there's something going on
37:22with all that,
37:23hopefully I'll capture it.
37:25All right,
37:25so I just switched over
37:26the slow-mo camera
37:28and I just moved it over here
37:29with Aaron
37:30to shoot the devil's rocking chair.
37:32My setting is at 240 frames per second.
37:35So if anything is coming out of the chair
37:38or sitting in the chair
37:39and moving around the chair,
37:40we should definitely pick it up.
37:42Jay decides to sit
37:43in the devil's rocking chair
37:44while Aaron takes UV photos.
37:47Show yourself.
37:56Billy and I now descend
37:57into the basement.
38:02I just heard it.
38:21I just heard it.
38:22Whoa, Billy.
38:32Yeah.
38:33What the ?
38:34Where are the guys at?
38:36They're in the ballroom.
38:37I immediately call Aaron and Jay
38:39to make sure
38:39they aren't in the jailroom.
38:41Where are you right now?
38:42Right now,
38:43I'm sitting in the same spot
38:44with the Polaroid
38:45and Jay is sitting in the chair.
38:47How long have you guys been there?
38:49The whole time.
38:50You are never over
38:51at the jailroom, right?
38:53No, huh?
38:54We are in the basement, Aaron,
38:55and we just heard someone
38:56loud footstep walking above us.
38:59For real?
39:00Like somebody was in the jailroom.
39:04Oh, my God.
39:06Not only did we hear footsteps,
39:08but now these strange sounds occur.
39:11And when we check
39:12the jailroom footage,
39:13not only is no one inside there,
39:15but the light turns on by itself.
39:22Who the is walking up there?
39:25I don't know.
39:25That's the jailroom.
39:27Did you hear that?
39:28Yes.
39:30Who's above us?
39:36Go.
39:37Go.
39:37Aaron?
39:45Dude, they're back there.
39:46They're back there.
39:52Why is the light on?
39:54Why is the light on?
39:55Oh, my God.
39:57Who or what
39:59was making the footsteps
40:00sounds in this room?
40:01Whoa, Billy.
40:06Yeah.
40:09Whoa, Billy.
40:11Yeah.
40:12And why did this motion-activated light
40:15turn on while nobody was inside?
40:19We firmly believe
40:21these are the spirits
40:22that we experienced
40:23incredible communication
40:25with and hear earlier.
40:26And we ask ourselves,
40:28is the man who made himself known
40:30and whom our interviewee Joy
40:33is terrified of,
40:34the spirit of Samuel Little?
40:37After Aaron's Polaroids develop,
40:40we make a startling discovery
40:42while Jay was sitting
40:43in the devil's rocking chair.
40:45As you can see
40:46in this first photo,
40:47it's normal.
40:48Then, something starts
40:49appearing around him.
40:51And in the third photo,
40:53these strange light beams appear.
40:56And when Jay exits the chair,
40:58something truly shocking appears.
41:00An energy form
41:02seems to be traveling
41:04out of the chair
41:05with several unusual speckles
41:08and spots around the chair.
41:10Could this be evidence
41:11of the very portal
41:12that we believe opened
41:14and caused
41:15the disturbing sounds
41:16captured on our security camera?
41:19the tribute companies
41:20to be able to work
41:20using ducks
41:21as well?
41:21The
41:30marine
41:31andします
41:32are going to be able to
41:34observe
41:35the
Be the first to comment