- 2 weeks ago
In a post-apocalyptic American society, the population has been decimated by nuclear terrorist attacks and flesh-dissolving nuclear fallout. Among the ruins, a naive young teenager named Peggy gets involved with a drug-stoked biker and his friends against her overprotective mother's protests.
Category
🎥
Short filmTranscript
03:29It's been quiet.
03:32I don't know how we make it.
03:35Daddy left us some money.
03:42You were dreaming about daddy.
03:44I don't remember my dreams.
03:51I don't know how we make it.
03:58I don't know how we make it.
04:00I don't know how we make it.
04:02I don't know how we make it.
04:32I don't know how we make it.
05:02I don't know how we make it.
05:03Well, for those of you who just came to, welcome to the Doom Room, boys and girls and whatever
05:22else is sitting out there is sitting out there in the dark lying to itself.
05:27Our matinee today is top-notch kabuki skin crawl.
05:31But I hasten to add that what you will see here this afternoon, though shocking, is not just
05:41some jaded exhibition, but it's based in science!
05:48What do you want?
05:57What do you got?
06:11I can't do that.
06:12We're the youth of America, endeavoring against insurmountable odds to eek out a living.
06:18Eek out!
06:19Hey, let's just get on with it, okay?
06:20Fox, which one of you guys is older?
06:21I...
06:22I...
06:23Hey, ask you a fucking question, wrinkles!
06:24I'm older.
06:25Really?
06:26That's nasty.
06:27You're a little liar, aren't you?
06:28Stay still.
06:29What are you...
06:30Hey, wrinkles, we're working here, alright?
06:31These are our fucking office hours.
06:32You wanna hold it down?
06:33Hey, we're just here for the red, Fox!
06:36Eek, eek, eek!
06:37Eek!
06:38Eek!
06:39Eek!
06:40Eek!
06:41Eek!
06:42Eek!
06:43Eek!
06:44Eek!
06:45Eek!
06:46Eek!
06:47Eek!
06:48Eek!
06:49Eek!
06:50Eek!
06:51Eek!
06:52Eek!
06:53We're just here for the red.
06:54Just the red.
07:01Okay, it's gonna heal, okay?
07:13I hope you animals die!
07:15Yeah, that'd be nice.
07:21The death toll in the US alone from months of terrorist blizz attacks is now officially over 9 million.
07:33And seven American cities, including New York and Los Angeles, remain destroyed by the war.
07:38In local news, murder statistics in Mesquite have officials more concerned than ever.
07:43This week alone, there have been a reported 57 murders and 80 rapes.
07:47And Chief of Police Harris advises citizens to avoid...
07:50...shouldn't burn it to the ground.
07:52...takes despite law enforcement efforts.
07:54Whiskey gets worse every day.
07:55Anyone stupid enough to go there is asking for it.
08:01Tell me again how it was with Daddy.
08:03You must be tired of that by now.
08:05I wasn't born yet when he went out to fight.
08:08Only Anna was.
08:09He knew your soul.
08:11The sweet girl that you'd be.
08:15You sang to me when I was inside you?
08:17Every day.
08:18Rock-a-bye, Peggy.
08:21On the treetop.
08:23When the wind blows up.
08:31Kate.
08:33It's Jerry.
08:35Please.
08:36I'm hungry.
08:38Customers do not want to see you.
08:41Just stay away!
08:48Jay!
08:53Jay!
08:57It's Peggy.
09:01You're always the good one.
09:06I gotta go.
09:18Where you been?
09:19Oh, I just went to get some air.
09:48Can I bring you anything while you decide?
09:49How are your lubricants prepared?
10:05Oh, four coffees.
10:18Black.
10:19And we'll try to hold it down.
10:23You can try to hold it down, but you know that it'll win.
10:28Today's special is burgers.
10:30And, um, the pie is fresh.
10:32Pie?
10:33Does it come with the kitty and the grandma we can torture?
10:37We don't eat pie.
10:38We fucking despise pie.
10:39We want meat.
10:41Big, nasty pieces of meat.
10:43Right, Celia?
10:44The bigger, the better.
10:46Like I said, the burgers...
10:47Well, the...
10:48The work's all around.
10:52Alright, I'll get your coffees and put in your order.
10:58We're gonna need a couple pounds of ice, Angel.
11:01Crushed.
11:03Let's try.
11:04We gotta get there, Jack.
11:06They're waiting.
11:07They're gonna buy from somebody else.
11:08It's gonna hold.
11:09We got ice.
11:10It's gonna hold.
11:11Then I go take a piss.
11:12Then I go take a piss.
11:13I'm gonna take a piss.
11:14We got to get there, Jack.
11:19They're waiting.
11:20They're going to buy from somebody else.
11:22It's going to hold.
11:24We got ice.
11:24It's going to hold.
11:26Then I go take a piss.
11:44It's going to hold.
12:14It's going to fall.
12:44Can you fucking believe this?
13:14It's going to hold.
13:19It's going to hold.
13:24It's going to hold.
13:29It's going to hold.
13:34It's going to hold.
13:39It's going to hold.
13:44It's going to hold.
13:45It's going to hold.
13:49It's going to hold.
13:50It's going to hold.
13:54It's going to hold.
13:55It's going to hold.
13:56It's going to hold.
13:57It's going to hold.
13:58It's going to hold.
13:59It's going to hold.
14:00It's going to hold.
14:01It's going to hold.
14:02It's going to hold.
14:03It's going to hold.
14:04It's going to hold.
14:05It's going to hold.
14:06It's going to hold.
14:07It's going to hold.
14:08It's going to hold.
14:09It's going to hold.
14:10It's going to hold.
14:11It's going to hold.
14:12It's going to hold.
14:13You can hold.
14:14You know what?
14:15My mother made them.
14:16Pie isn't very popular at your table.
14:18Totally!
14:19Yeah.
14:20My friends are malcontents.
14:23They say pain transforms the sensitive into cynics.
14:27I read that somewhere.
14:29It's your name.
14:30Piggy.
14:33You ever get out of here?
14:36I never go anywhere.
14:37Or is this like your existential mode?
14:40No. You're Ark.
14:42No.
14:44How old are you?
14:48I'm almost 17.
14:50Do you have a boyfriend?
14:52Don't you want to see the world?
14:54My mother says that there isn't much left of the world.
14:58Plenty left if you know where to go.
15:04Is that her?
15:06I don't think my mom likes you and your friends in here.
15:08Beautiful.
15:10Are you lonely?
15:12You're pretty.
15:14I bet everybody tells you that.
15:16Stop.
15:18I might be in your neighborhood tonight.
15:20I don't sleep a lot.
15:22My mind kind of has a mind of its own.
15:24Yeah?
15:26Yeah.
15:28I usually go out around midnight.
15:30I don't sleep a lot.
15:32My mind kind of has a mind of its own.
15:34Yeah?
15:36I usually go out around midnight.
15:38I take in the devastation.
15:42Maybe I'll see you around, Peggy.
15:44You have a girlfriend.
15:50Her?
15:51She's just something to scribble on.
15:54You are something I haven't seen in a long time.
16:00She's just a little bit.
16:01I love her.
16:02She's just a little bit.
16:03I die.
16:04She's just a little bit.
16:05I don't know what's going on.
16:06I don't know.
16:07What do I just want to talk to you?
16:08She's probably going out of your life.
16:09He's telling you what's going on.
16:10I need us to be there.
16:11Susan.
16:12You're Brooks.
16:13What did he want?
16:14Just to be here.
16:15Just to be here.
16:16Just to be here.
16:17Just to be here.
16:18To be here.
16:19Just to be here.
16:20Trying to be here.
16:21About what?
16:22Six.
16:23Hi.
16:24Look at them.
16:25Look at them.
16:27No respect for anything.
16:29They just want something to eat like everyone else.
16:34He was nice.
16:35So shut up.
16:38Actually, please tell him to shut up.
16:45We're closing early.
16:47No charge for the cough.
16:49We didn't get our burgers.
16:51We want our food.
16:52Sorry.
16:54You're not sorry.
16:56I want you all out of here.
17:00What's eating you?
17:02She's a bitch.
17:04Cunt.
17:05Shut up, Zia.
17:07We don't eat where we're not welcome.
17:10Hey, bitch, cunt.
17:11Is that your daughter?
17:13Shut up.
17:13You shut up.
17:15Is that your daughter?
17:17I feel sorry for her.
17:24You've got something ugly inside of you and it wants out.
17:28I don't want to be around when it starts hissing.
17:31Psst.
17:32Psst.
17:33Psst.
17:34Psst.
17:35Psst.
17:36Psst.
17:37Psst.
17:38Psst.
17:39Psst.
17:40Psst.
17:41Psst.
17:42Psst.
17:43Psst.
17:44Psst.
17:45Psst.
17:46Psst.
17:47Psst.
17:48Psst.
17:49Psst.
17:50Psst.
17:51Psst.
17:52Psst.
17:53Psst.
17:54Psst.
17:55Psst.
17:56Psst.
17:57They're from Mesquite.
17:58I could smell it on them.
17:59They weren't hurting anyone, mother.
18:00They came to exploit us, to exploit you.
18:02He was being friendly.
18:03It was a trick.
18:05Everything people in Mesquite do is a goddamn trick.
18:08I'm not losing another daughter.
18:10I have to grow up sometime.
18:13What you have to do is make your father and sister proud.
18:16Be what they can't be since the world murdered them.
18:19You are the future of our family.
18:22All that we have left.
18:40Is it obscene?
18:53Or is it science?
18:56Poetry?
18:58Or pornography?
19:00You'll have to be the judge.
19:03Come on.
19:05Take a stand for once in your vacuous, insufferable lives.
19:09The app you will see in a few moments is not an offering of mere sensation,
19:24but a bona fide scientific demonstration.
19:28Not for the faint of heart, nor the weak of will.
19:31Let me caution those of you whose nerves are not what they used to be.
19:36Get the fuck out now!
20:06Oh!
20:09No!
20:11Oh!
20:17Oh!
20:18No!
20:22Oh!
21:23You're asking for trouble, Angel.
21:25What are you doing in here?
21:28Short-circuiting tragedy.
21:32The world has big teeth.
21:36It eats girls like you for kicks if somebody's not looking out for them.
21:41I suppose that bathroom window didn't shut like it should.
21:44Anybody could just bust in.
21:46And you came to fix it?
21:48I came for the pies.
21:52Well, you can't be in here. We're closed.
21:58Maybe you just look that way.
22:03You never told me your name.
22:05Jack.
22:08With no C.
22:11Well, where'd it go?
22:12You have to have a C.
22:15What will you do if you have to say,
22:17cat or California?
22:20There's no more California.
22:25Haven't you heard?
22:26I heard.
22:29Come here.
22:36I'm not going to hurt you. Come here.
22:38It's my sister Anna's.
22:56I don't usually wear lipstick.
22:57So, do you always come out after dark?
23:07You gotta go after it.
23:09Or it'll come after you.
23:12I like that.
23:14So what do you do?
23:16There's nothing to do.
23:19Did your mother tell you that?
23:21I've heard it around.
23:22You don't even know what around is, do you?
23:25Not exactly.
23:31Did you tell me that you'd be around tonight
23:33so I'd come here and you could hurt me?
23:37Maybe I hoped you could take away my hurt.
23:40They say everybody gets what they deserve.
23:44Well, I hope they're right.
23:45Come on.
23:56Come on.
24:00RQ talks out a little late.
24:02Not yet.
24:03Mommy let you out?
24:05Jack, I should go home.
24:06Don't you want to get out?
24:09I shouldn't even be out, Mom.
24:11My mom will be in a weird set.
24:14We got places to be, Jack.
24:17Things to sell, Jack.
24:20I'm not going to let anything happen to you.
24:22Except what you want.
24:23I want to ride
24:33With my twisty, curvy baby
24:38By my side
24:42As we
24:44As we
24:47Whistle along the highway
24:49We'll hug
24:51And snuggle
24:53Have a little
24:56Struggle
24:58Struggle
25:00Verb
25:01Active promiscuous love play
25:02Usage involved during World War III
25:05Personally recommend it
25:07You can have your walking
25:12Under moonlight games
25:14At 100 miles an hour
25:16Let me dream my fucking dreams
25:19You can have your walking under moonlight games
25:26At 100 miles an hour
25:28Let me dream my fucking dreams
25:31watching
25:31mensage
25:34Looks like
25:34their
25:35Apéra
25:36He
25:36Was
25:37Out
25:38At!!!!!
25:39Of course
25:40Like
25:41the
25:41Most
25:42Of course
25:42Of course
25:44Of course
25:45a
25:46Last
25:47compan
25:48Of course
25:49Of course
25:50May
25:50vre
25:52ängt
25:52citizenship
25:52Of course
25:54and
25:54Not
25:55Terrible
25:56Fam
25:58You
25:59You
26:00I don't know.
26:30It feels good, doesn't it?
26:50It's all right.
26:53It's all right.
26:56Now, yes.
26:58It's all right.
27:28Snacks, anyone?
27:44What is it?
27:46It's what's inside your head, angel.
27:50It lets it come out and play.
27:52It's what's inside your head.
27:57No, no.
27:59It's what it is.
28:06Please.
28:10girls you're making a mess ruining the backyard i want to get this close up try it again shall
28:37we you're seven years old today isn't that right peg peggy not peggy
28:46anna you would have let peggy do it sweetheart it's peggy's birthday you wouldn't have let me do
28:58it even if it was my birthday i wish daddy were here he'd be on my side your sister is tired of
29:03you're complaining what's wrong with the sky
29:06it's bliss it's bliss everybody take cover take cover
29:19oh
29:26oh
29:28oh
29:30oh
29:34oh
29:38It's okay, it's okay, it's okay, it's okay, we're safe, we're safe.
29:56What are you doing?
30:02What are you doing?
30:04We got it on him!
30:14No, no, no, no!
30:16We got it on him!
30:18It'll kill us!
30:20It'll kill us if we get out!
30:28We're safe, we're safe, we're safe!
30:34Ooh, I think I feel something going up the stairs into my fucking lane!
30:44How long was I out?
30:48A few minutes.
30:50You go somewhere good?
30:54I saw bad things.
30:56They dropped Blizz at my birthday when I was seven and I watched my friends burn to death.
31:00I lost my folks to Blizz.
31:02My brother and my sister.
31:04Yeah, Blizz got a lot of people.
31:06Hey Jack, you gotta teach the debutante how to muscle tussle!
31:10Muscle tussle!
31:12Now, slang term used to describe the injection of a drug into a muscle!
31:28Oh!
31:29Oh!
31:30You said you balled during World War 3!
31:34That was one busy motherfucking war!
31:47Ever see the loopies dance, Bambi?
31:49Shut up, Slater!
31:51You have got to show back to Bambi!
31:53Give her a little thrill!
31:57Jack, I want to go home!
31:58Yeah, we all do!
32:03Ooh!
32:04Be a beast!
32:05Beast!
32:06Beast!
32:07Beast!
32:08Beast!
32:09Beast!
32:10Beast!
32:38Peggy?
32:40Peggy?
32:53Liar!
32:56Got to you!
32:58Got to you!
33:10To you!
33:11Oh!
33:12I'm so sorry!
33:13I've come home!
33:14We missed the night!
33:15Makes me a real cute little!
33:17I'll show you what it's coming!
33:18I'll show you what it is!
33:19Oh, right!
33:20Oh!
33:21Oh, right!
33:22Oh, yeah!
33:23I'll show you what it's coming!
33:25Oh…
33:26Wait!
33:27Oh, no!
33:28What do you want?
33:29Oh!
33:34Oh!
33:35Oh!
33:36Oh!
33:37Oh!
33:38Oh!
33:39Oh, my God.
34:09What's that smell?
34:34Nisquite.
34:36I've been going way too long. I don't know what I'm going to tell my mom.
34:41I don't know that you had the best time of your life.
34:46I like you.
34:48Yeah, what do you like?
34:49Everything.
34:51Everything.
34:53So where are we going?
34:54Doom room.
34:56Do a little business. Have a little fun.
34:58I want to fuck her.
35:03Get the fuck away.
35:07I'm okay.
35:08I'm not going to let anything happen to you.
35:11Except what I want.
35:15Except what you want.
35:16And the controversy over L.U.P.s, commonly referred to as L.U.P.s, has now reached the Supreme Court, which will decide the fate of the phenomenon which has horrified and fattened...
35:27What has their death?
35:28What has it done?
35:29Run away.
35:30This is...
35:32Run away.
35:33Off you loose.
35:35Run away.
35:36Off you loose.
35:38Run away.
35:39This is...
35:41Going in.
35:45Oh, my God.
35:50You're going in.
35:51You're going in.
35:52You're going in.
35:53You're going in.
35:54That was our house band, folks.
36:19Let them know you care by putting your hands together.
36:23Ha, like you're swatting something small and helpless.
36:29Yeah.
36:30Well, tonight's main course is on the plate
36:35and almost ready to eat, kitties.
36:39Are we hungry?
36:41Yeah!
36:41Yeah!
36:42Shut up!
36:56Shut up!
36:57Shut up!
36:58You!
36:58You!
36:59All of you!
37:00Rossi, Samita.
37:11Yeah.
37:13Well, since we run an upscale establishment, management has requested no guns, no meaningful conversation, and no self-surgery during the show.
37:31Now, as for legal details, since you ask, let's cut to the fine print quickly, shall we?
37:38In 2008, a clause in the post-bore law allowed for an LUP performance, provided it was orally prefaced as a scientific exposition, hence, my oral preface.
37:53Want to see it again? Yeah, you do. Yeah, you do.
38:01Well, and where are these lovely folks from?
38:08Your ass?
38:11Oh, you're funny.
38:16That'll destroy you someday. Trust me.
38:21Enjoy the show!
38:27Fox and I gotta go talk to this guy.
38:30Alright, I'll be back in a minute.
38:35They say this is totally set.
38:38What? What is this?
38:39It's what happens to people like me.
38:44Oh!
38:46Fuck it!
38:57Back off, asshole!
39:00Back off!
39:01You want it, cocksucker?
39:02You want it?
39:03The materials you brought earlier were inferior.
39:13What are you talking about? It was solid red.
39:15That shit was one step away from water.
39:19How old were they? A hundred years?
39:20This stuff is good.
39:23You understand that I do not covet some impossible standard here.
39:30Only a quality level which will engender a performance that does not insult myself or my patrons.
39:38I'm not finished.
39:40I'm not finished.
39:42As we all agree, fresh plasma engenders and reinvigorates the drama of the performance.
39:52And my patrons appreciate that.
39:57Look, we were after the highest quality stuff, okay?
40:03Or try.
40:05But nothing on the street is consistent.
40:07Change streets, honey.
40:11The stuff we got is good.
40:13We put it on ice, we did the whole deal.
40:15It's gonna do the trick.
40:16Well, maybe yes, maybe no.
40:28I'll incorporate what you procured in the next show.
40:30And if the quality is sufficient, then we will arrive at an equitable fee.
40:37If not, I'll pour the rest down your fucking throats like they were toilets.
40:44Enjoy the show, boys.
40:46You like that, don't you?
41:08Hey, the table only sees four now.
41:10Don't leave, fuckhead!
41:11You're kidding me.
41:34Orange swamp, straight up, all around.
41:37Fuck, we've been waiting long enough.
41:43When does this goddamn wound open up?
41:47Well, well, well.
41:50All ghastly things come to those who wait.
41:53And the time has come.
41:57Who's ready for the show?
41:59Who wants to behold the miraculous, obscene phenomenon of our times?
42:06Hands!
42:07Who wants to see the L.U.P.?
42:12Come on, kiddies, say it with me.
42:16We want to see the L.U.P.
42:18We want to see the L.U.P.
42:22We want to see the L.U.P.
42:25We want to see the L.U.P.
42:28We want to see the L.U.P.
42:29The L.U.P.
42:30We want to see the L.U.P.
42:33Ladies and gentlemen, brace yourselves.
42:37The L.U.P. phenomenon is here right now.
42:41Right now, the L.U.P.s are in the house!
42:49Please, Josh, can we leave?
42:51Just watch, okay?
42:52We've got to watch the end of the show.
42:54This freak of physiological abnormality was first discovered during the war.
43:14When, following certain chemical attacks, many of the dead troops were found standing.
43:21Iraq, performing the spasmodic gyrations, which later became affectionately known as the L.U.P. dance.
43:35Some of them even continued to fight.
43:38And that, my friends, is fucking patriotism.
43:42The chemical responsible was later distilled and is now used in carefully conducted scientific experiments under the strictest of legal supervision.
43:58Well, almost!
44:01Ladies and gentlemen, I give you the dance of the dead.
44:07What?
44:25Oh!
44:26Oh!
44:27Oh!
44:29Oh!
44:32Oh!
44:34The pace is on fucking fire, man!
45:04Well, how did you like our first answer, hmm?
45:12Make you want to consider a career in, hmm, science?
45:16No!
45:19Oh, you just can't get enough of the L.U.P.'s, can you?
45:24Nah, nothing like a little lifeless, undeath phenomenon to liven things up in a dull fucking nowhere town.
45:32Well, we've gotten more icky, spasmodic surprises in store.
45:38It's time to welcome our next dancer, a girl who just loves the limelight.
45:45Make her feel welcome, and maybe she'll return the empty gesture by dancing her jellied heart out.
46:02Please keep going.
46:03Let's go!
46:10Make her feel welcome!
46:11Make her feel welcome!
46:13Come on, come on!
46:14Go!
46:14Come on!
46:15Come on!
46:15No!
46:16Help!
46:17Help!
46:17Help!
46:17Help!
46:23Help!
46:23Oh, my God.
46:53Oh my god, it's hurt! Oh my god!
47:11Adam! Adam!
47:14Oh my god! Adam!
47:20Adam! No! We have to get out! We have to get out now!
47:25She's my sister! She's my sister!
47:27Really? We have to go!
47:29I don't fucking care! I want my money!
47:31She's my fucking sister!
47:33I want my money!
47:35Give me the fucking gun box!
47:37That's not her fucking sister, man! She's wasted! She's seeing shit!
47:40Give me the goddamn gun box! I have nowhere to go!
47:43Shut the fuck up and give me the gun!
47:50You're fucking dead!
47:53Fuck you, Jack!
47:55Get out of the fucking way!
47:57Back up!
47:59Back the fuck up!
48:01Get the fuck out of the way!
48:03Get out of the way!
48:05Hey! Hey!
48:07Come back here! Come on!
48:09Get the fuck out of my way!
48:13Get the fuck back!
48:15Back up!
48:17Get the fuck out of my way!
48:19Jeff!
48:20Pick me up and get off the way.
48:21I'm going to get off the way!
48:22Get the fuck out of my way!
48:24And take off my way!
48:25Step back!
48:27Step back!
48:28Step back!
48:29Step back!
48:30Step back!
48:32Step back!
48:45Peggy!
48:47What are you doing here?
48:52Looking for you.
48:53I found her, Mom.
48:54I found Anna.
48:55Jack!
49:12Where you going with my dancer, Jack?
49:14Your dancer?
49:15She's my sister!
49:17How the hell did she get here?
49:18What is she doing here?
49:20Not much.
49:21She's dead.
49:23In a freezer all day.
49:25I take her out.
49:28I shoot her up.
49:30She dances a little.
49:31I sell some tickets.
49:32I pay the rent.
49:33Now, I'll take her back.
49:35She's mine.
49:38Stay out of it, Jackie.
49:40Too late.
49:41She is not your property.
49:43Really?
49:44I paid for her.
49:46Ask your mommy.
49:47What?
49:54What's he talking about?
49:56What is he talking about?
49:58Tell her.
49:59It's a heartwarming story, Ma.
50:01Let's go.
50:02Let's go before things get worse.
50:04She's not alive.
50:05Let him have her.
50:06A story brimming with loyalty and commitment and a mother's undying love.
50:19Show him.
50:20I want to hear this story.
50:23No.
50:24No.
50:25No.
50:26Please.
50:27Please.
50:28Let's see.
50:29I think...
50:33It went something like this.
50:35Your mother was sick and tired of coming to my club every weekend to fetch your strung out sister.
50:45You son of a bitch!
50:48And when sis OD'd, mom here decided just to leave her to me.
50:56No fuss, no muss.
51:00And as I recall, she was still alive.
51:04Stop! Stop!
51:07How much did I pay you for her?
51:11I forget. I usually pay by the pound, but she was such a sweet, pretty little thing.
51:19Maggie.
51:23Maggie.
51:24Maggie.
51:26Oh, oh, Maggie.
51:30No, we're...
51:32We're dead.
51:35I'm so sorry that you get away from me.
51:37We're dead.
51:40I'm so sorry.
51:42Okay, I'm so sorry.
51:44I'm so sorry, I'm so sorry, I'm so sorry, I'm so sorry.
51:46When... When Daddy... When Daddy died, we had nothing.
51:54She was... She was always in trouble.
52:04It was half dead.
52:08You... You sold her.
52:16Oh...
52:20Oh...
52:22We...
52:24Can't pass me.
52:26Well, this has been festive and touching.
52:32But I have a club to run.
52:34And I've already had one show fucked today.
52:38You owe me.
52:40Fuck you.
52:42Oh...
52:55Oh...
52:57Promises, promises.
53:00I'll make it right.
53:30I'm all alone now.
53:45You don't have to be.
53:56For those of you who've never had standards or a fucking heart, the Doom Room welcomes you.
54:10And tonight, we have something very, very special.
54:16So cover the kid's ears and drug the dog till he can't fight back.
54:22Cause tonight's dancer has a whole lot of shaking going on.
54:26And we don't want anyone to get hurt.
54:30Proving that death is just an ugly rumor.
54:34And I do mean ugly.
54:40Ladies and gentlemen, I give you the dance of the dead.
54:56To the dead.
55:12Let's go.
55:42Let's go.
56:12Let's go.
56:42Let's go.
57:12Let's go.
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